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This week, Cy has travel troubles and Chad wants his rebate. This episode is brought to you by ⁠⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠! --- Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Chad Daniels (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ThatChadDaniels⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) is a Dad, Comedian, and pancake lover. With over 750 million streams of his 5 albums to date, his audio plays are in the 99th percentile in comedy and music on Pandora alone, averaging over 1MM per week. Chad's previous album, Footprints on the Moon was the most streamed comedy album of 2017, and he has 6 late-night appearances and a Comedy Central Half Hour under his belt. Cy Amundson (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CyAmundson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) With appearances on Conan, Adam Devine's House Party, and Comedy Central's This is Not Happening, Cy Amundson is fast-proving himself in the world of standup comedy. After cutting his teeth at Acme Comedy Company in Minneapolis, has since appeared on Family Guy and American Dad and as a host on ESPN's SportsCenter on Snapchat. Learn more about your ad choices. Visit podcastchoices.com/adchoices

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

livestream from Great Victoria Street Baptist Church, Belfast Northern Ireland.

Fluent Fiction - Japanese: Dancing Between Memories: Lina's Heartfelt Festival Homecoming Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-11-15-23-34-02-ja Story Transcript:Ja: 色とりどりの提灯が揺れる北海度の小さな村、秋祭りの夜。En: A small village in Hokkaido on the night of the autumn festival, where colorful lanterns sway.Ja: 空気は冷たく、焼き栗の香りが漂っている。En: The air is cold, and the scent of roasted chestnuts drifts in the air.Ja: リナは人ごみの中を歩きながら、懐かしい村の光景を思い出していた。En: Lina was walking through the crowd, reminiscing about the nostalgic scenes of her village.Ja: 村を離れてから数年が経ったが、今日のシチゴサンの祭りを機に訪れることにした。En: Several years had passed since she left the village, but she decided to visit today for the Shichigosan festival.Ja: リナは幼い頃からの親友タケシと再会するのを楽しみにしていた。En: Lina was looking forward to reuniting with her childhood friend Takeshi.Ja: タケシは村から一度も離れたことがなく、穏やかな性格で村の生活を楽しんでいた。En: Takeshi had never left the village and enjoyed the peaceful village life.Ja: 「リナ！久しぶりだね」と、タケシの声が聞こえた。En: "Lina! It's been a while," came Takeshi's voice.Ja: 人ごみの中、リナの胸が躍った。En: Among the crowd, Lina's heart leaped.Ja: タケシは、祭りの広場を案内しながら話し続けた。En: Takeshi continued talking while guiding her through the festival plaza.Ja: 「ここ、変わってないね！」と、リナは懐かしそうに呟いた。En: "It hasn't changed here, has it?" Lina murmured nostalgically.Ja: 提灯の下で浮かぶタケシの顔は、昔と変わらない優しさに満ちていた。En: Under the lantern light, Takeshi's face was filled with the same kindness as in the past.Ja: リナは村の温かさを感じながらも、自分の将来について考えていた。En: While feeling the warmth of the village, Lina was also contemplating her future.Ja: 都会の生活は刺激的だが、どこか虚無感もあった。En: Life in the city was exciting, but there was a sense of emptiness as well.Ja: ここでのシンプルな生活は、心の安らぎを与えてくれる。En: The simple life here offered peace of mind.Ja: しかし、再び都会に戻る決断をしたかった。En: However, she wanted to make the decision to return to the city once more.Ja: 日が暮れると、村の人々が集まり、祭りのクライマックスである伝統舞踊が始まった。En: As night fell, the villagers gathered, and the traditional dance, which was the climax of the festival, began.Ja: タケシがリナに手を差し出した。En: Takeshi extended his hand to Lina.Ja: 「一緒に踊ろうよ。」En: "Let's dance together."Ja: リナは迷った。En: Lina hesitated.Ja: ここで踊ることは、彼女の心に過去を取り戻すことを意味する。En: Dancing here meant reclaiming her past in her heart.Ja: しかし、リナは勇気を出してタケシの手を取り、輪の中に入った。En: However, Lina gathered her courage, took Takeshi's hand, and joined the circle.Ja: 村の音楽と共に、一歩一歩軽やかに踊り出した。En: Along with the village music, she started dancing lightly, step by step.Ja: リナの心は穏やかになった。En: Lina's heart became calm.Ja: 彼女は気づいた。過去と今を別々に考える必要はない。En: She realized she didn't need to think of the past and now as separate.Ja: 両方を受け入れ、新しい一歩を踏み出せばいいのだ。En: She could embrace both and take a new step forward.Ja: 祭りの終わりを迎え、リナは微笑んだ。En: As the festival came to an end, Lina smiled.Ja: 村の温もりを胸に抱き、未来を見据えていくことを決心したのだ。En: She had decided to embrace the warmth of the village and look toward the future.Ja: これからは、過去も今も大切にしながら生活をしていこうと、リナは心に誓った。En: Lina vowed to herself to cherish both her past and present as she moves forward in life. Vocabulary Words:lantern: 提灯sway: 揺れるfestival: 祭りdrift: 漂うnostalgic: 懐かしいreminiscing: 思い出していたanticipating: 楽しみにするpeaceful: 穏やかなreuniting: 再会するguiding: 案内murmured: 呟いたcontemplating: 考えるemptiness: 虚無感reclaiming: 取り戻すclimax: クライマックスdance: 舞踊embrace: 抱くchestnuts: 焼き栗decision: 決断hesitated: 迷ったcircle: 輪cherish: 大切にするvowed: 誓ったlightly: 軽やかにgathered: 集まりfuture: 未来nostalgia: 懐かしさkindness: 優しさcalm: 穏やかstep: 一歩

El programa de les novetats de la música dance i electrònica. Presentat i dirigit per José Antonio Castillo amb la Sessió Non Stop de DJ's. Producció Nel C. podcast recorded with enacast.com

We get into our Mens Room Question: What is the most ridiculous situation you've dealt with at work?

Corey Baker's career has taken him from Hornby to Hollywood. The choreographer and filmmaker has worked with Lady Gaga, Tim Burton and Dua Lipa, among others. 

Dancing and gaming collide in the latest iteration of the ‘Just Dance' series. We catch up with Simon Chanu, Associate Producer on Just Dance 2026 Edition, at Ubisoft Paris.Whether it's buying holiday gifts or your weekly grocery shop, save money with the Flipp app and website. We sit down with CEO Michael Silverman to get the scoop on what's new and newsworthySpeaking of Black Friday, I share some of my favorite gadgets that will be on sale leading up to (and over) November 28thThank you to Visa, Norton, and Sandisk for your support!

Groovegsus - Promo Mix 2025 11 - Afterclub Sounds by Groovegsus (Klangwerk Records)

Today is World Kindness Day and Marc and Dan want to know what happened to common courtesy. KMOX Sports Director Tom Ackerman joins to talk college football including if Eli Drinkwitz is going to leave Mizzou for a better coaching job. Finally, In Other News: Sharks and a former Dancing with Stars winner returns the trophy.

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Have you ever been told to "dance like no one is watching?" It seems like many in China have taken this advice, and they've added some of their own: "also dance where everyone is watching." Learn the language for jumping in on some Chinese public dancing. Episode link: https://www.chinesepod.com/1537

It's the return of 20 Questions as Harley is joined by "The Iconic Diva" Brianna Bandz to discuss training under Logan Black at T2T Wrestling Academy, wrestling Sonny Kiss, how she spoils herself, what her family thinks of her being a wrestler, and Monster High.

The Gateway Podcast – Michelle Desrochers – Haunted Wartime Locations Date: November 11, 2025 Episode: 102 Discussion: Haunted Wartime Locations About Michelle: Michelle is an International Public Figure who has been professionally and actively researching the unexplained, and successfully working in Media for the past two decades with her area of study focused primarily in the field of the Obscure. She considers herself a student and is highly versed in many subject matters within her field, and as an Extraterrestrial Experiencer, has expanded her knowledge and studies have expanded to include Ufology, Alternative History and other areas considered “High Strangeness” . She is often called upon by the media to advise, create and consult, (for television and other related media). She is the Creator and Producer to the very popular Podcasts “The Outer Realm Radio” and " Beyond The Outer Realm". She has a vast knowledge of many topics which leaves her with a diverse spectrum of creativity which is beneficial in her work. She has a passion for the old world - ancient history and architecture to which she has always and continues to excel in. Combined with her love of travel, not only did it lead her on an incredible journey of exploration into the locations that she has always dreamed of visiting, but it opened doors to venture into locations that others have been denied access to. She considers herself to be a Student and Explorer of all that would be deemed otherworldly. Host: CL Thomas C.L. Thomas travels widely every year as a fine arts photographer and writer exploring various afterlife research, OBEs, metaphysics, folklore, and lectures at events. C.L. does "Spirit" art on request. She is the author of the haunting memoir "Dancing with Demons" and the acclaimed historical-fiction novel “Speaking to Shadows”. C.L. is the creator and host of The Gateway Podcast & Small Town Tales Podcast. She has written many articles and maintains a blog on legends, folklore magic, and paranormal stories. Currently, she resides in Las Vegas, Nevada with her beloved Maine Coon cat. www.clthomas.org www.eerieexpeditionsmagazine.com Follow CL on Social Media: Facebook: https://www.facebook.com/cl.thomas.428549/ Instagram: https://www.instagram.com/author_cl_thomas/ YouTube: https://www.youtube.com/@clthomas

Neo The Home Robot: The future is here! Or is it? A new AI robot dubbed NEO has been announced but is it just an Indian guy using VR to control him. Zoom Court Fails: A cop shows up to Zoom court with no pants. Are we going to just let this happen!? Andy Richter and Adrien Skye: Andy Richter survives another night during the Halloween episode! How far can the Fandy's go!? We also get an alert that the Adrien Skye listening party is going on! THE BEAR!, FUCK YOU, WATCH THIS!, MICHAEL JACKSON!, THRILLER!, HALLOWEEN!, THIRSTY THURSDAY!, THRILLER DANCE!, ZOMBIE MJ!, MEMORIES!, FAVORITE PART!, MAKING OF VHS!, RICK BAKER!, BEHIND THE SCENES!, COREYWEEN HANG!, HOME ROBOT!, TECHNOLOGY!, NEO!, PUPPET!, REMOTELY RUN!, INDIA!, MAID!, VR HEADSET!, GOGGLES!, SCARY ACCENT!, NORWEGIAN!, ROBOT ATTACKED!, EGG CHARGER!, GAY AS HELL!, GLEB!, FIRE A GUN!, VIOLENCE!, POSSESSOR!, ADS!, REDWOOD AI!, DR ANDY SKILONAKIS!, TURING!, ZOOM COURT FAILS!, DRAG RACING!, DISORDERLY!, BLUNT!, DANCING WITH THE STARS!, ANDY!, HALLOWEEN NIGHT!, STILL ALIVE!, FOG!, DANCING!, HIDE!, FANDY!, GO HOME!, MORMON WIVES!, BABY!, DANCE!, RSV!, HOSPITAL!, HALLOWEEN!, GOTHSPEL!, CIRCUS QUEEN!, PLASTIC STANDARDS!, VAMPIRES BALLAD!, I'M DOWN!, PITTS OF HELL!, BETTER NOW!, LIVE!, CLUB!, BAR!  You can find the videos from this episode at our Discord RIGHT HERE!

Floyd Skloot’s newest collection of poetry, "Dancing in the Cosmos, New & Selected Poems, 1973-2024," covers the span of his career, including the best of his previously published poems and a section of new poems about his experience living with Parkinson's disease. We spoke to Skloot along with his daughter, the author Rebecca Skloot, in front of an audience at Powells.

Marking our dance card at the rock and roll hop this week you'll find … … And Then He Kissed Me, I Saw Her Standing There, Springsteen's All The Way Home: songs about the theatre of dancing … is there a more influential sleeve than Patti Smith's Horses? … did Dylan invent the box-set? … records you wish you liked … when the Beach Boys were so off the boil they covered Dylan and three by the Beatles … when did we stop dancing in couples? … Jagger queueing for a sandwich, Beckham in a farm shop, Lady Di in Holland Park and other stars we've spotted … Brown Sugar, All Right Now and the daft etiquette of the late ‘60s dancefloor … Like A Virgin: 42-year-old hears Stairway To Heaven for the first time! … “Are you dancin'? Are you askin'? I'm askin'! I'm dancin'! … plus George Faith, train songs, records you've not played for years, the anthem Zohran Mamdani was stopped from using, and birthday guest Giles Fraser on stars in unusual places.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Marking our dance card at the rock and roll hop this week you'll find … … And Then He Kissed Me, I Saw Her Standing There, Springsteen's All The Way Home: songs about the theatre of dancing … is there a more influential sleeve than Patti Smith's Horses? … did Dylan invent the box-set? … records you wish you liked … when the Beach Boys were so off the boil they covered Dylan and three by the Beatles … when did we stop dancing in couples? … Jagger queueing for a sandwich, Beckham in a farm shop, Lady Di in Holland Park and other stars we've spotted … Brown Sugar, All Right Now and the daft etiquette of the late ‘60s dancefloor … Like A Virgin: 42-year-old hears Stairway To Heaven for the first time! … “Are you dancin'? Are you askin'? I'm askin'! I'm dancin'! … plus George Faith, train songs, records you've not played for years, the anthem Zohran Mamdani was stopped from using, and birthday guest Giles Fraser on stars in unusual places.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Marking our dance card at the rock and roll hop this week you'll find … … And Then He Kissed Me, I Saw Her Standing There, Springsteen's All The Way Home: songs about the theatre of dancing … is there a more influential sleeve than Patti Smith's Horses? … did Dylan invent the box-set? … records you wish you liked … when the Beach Boys were so off the boil they covered Dylan and three by the Beatles … when did we stop dancing in couples? … Jagger queueing for a sandwich, Beckham in a farm shop, Lady Di in Holland Park and other stars we've spotted … Brown Sugar, All Right Now and the daft etiquette of the late ‘60s dancefloor … Like A Virgin: 42-year-old hears Stairway To Heaven for the first time! … “Are you dancin'? Are you askin'? I'm askin'! I'm dancin'! … plus George Faith, train songs, records you've not played for years, the anthem Zohran Mamdani was stopped from using, and birthday guest Giles Fraser on stars in unusual places.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Therapists, helpers, and creatives — you weren't made to burn out.You were made to create from your Zone of Genius.

When the gloves come off in divorce court, Lois Liberman (https://www.blankrome.com/people/lois-j-liberman) brings empathy, grit, and a wicked sense of humor. In this Dancing in the Discomfort Zone episode, the powerhouse attorney with 36 years in matrimonial law spills the truth about what really goes down when love unravels—and how to come out stronger.Always striving to reduce her clients “emotional capital expenditure,” Lois helps clients stop wasting energy on battles that don't matter and start focusing on healing, growth, and what's next. She's part therapist, part strategist, part truth-teller, and yes—she keeps voodoo dolls in her office for comic relief.From high-profile cases to heartbreak over antique mirrors, Lois has seen it all. But behind every fight, she finds humanity, humor, and the possibility of a better future. Her “Look Ahead with Lois Liberman” initiative gives real-world advice on co-parenting with narcissists, rebuilding finances, and rediscovering yourself after divorce.  (find Look Ahead here!  https://www.linkedin.com/in/loisliberman/)In this episode, we talk about:Why fighting over “principle” is the most expensive habit in divorceThe emotional stages of grieving a marriage (and how to move forward)How to tell when control crosses into coercionWhy she believes divorce can be a rebirth, not just an endingIf you've ever faced heartbreak, conflict, or reinvention, this conversation will change how you see endings—and the power that comes after them.Want to internet stalk Lois?  Here are some links!https://www.blankrome.com/people/lois-j-libermanhttps://www.linkedin.com/in/loisliberman/ As an accomplished trial lawyer, artful negotiator, and empathetic yet no-nonsense counselor, Lois Liberman represents high-net-worth individuals, prominent figures, business leaders, and celebrities who turn to her to navigate the sensitive and increasingly complex issues and dynamics facing couples and modern families. 

Where history fails to provide, authors of historical fiction can fill the gap. In her new novel To Outwit Them All, author Peggy Wirgau delves into the Revolutionary War history of the Culper Spy Ring. More specifically, she tells the story of the unknown woman referred to in Abraham Woodhull's correspondence – only once – as "a lady of my acquaintance." Woodhull supplies her only a number, 355 (Culper code for "lady"). Wirgau provides a name, a family, and a budding romance with British Major John Andre. Wirgau's 355 is modeled after the historical Betty Floyd, relative of William Floyd, and she includes multiple layers of period detail about British-occupied New York City. On this episode you'll hear more about how she pursued her research and how she brought Betty to life along with other members of the Culper Ring. Further Research To Outwit Them All by Peggy Wirgau "The Myth of Agent 355, the Woman Spy Who Supposedly Helped Win the Revolutionary War" HMS Jersey Historical Novel Society Cover image: The Art of Dancing (1724) The Culper Spy Book Intro Music: https://homegrownstringband.com/ Outro music: Capering by Blue Dot Sessions CC BY-NC 4.0

Don't need to wipe your glasses, your eyes do not deceive you. Yes, that's THE Afgan on the pod this week.We're diving deep into the lore of Indonesia's smoothest R&B icon: from writing baby-making music and doing vocal warmups in the toilet, to his love for Japan, defining relationships, and whether he's actually an expert on romance.Also featuring a first look at Mingyue's fanboy moment. Put on your kacamata, you might wanna sit down for this one.Pre-save Afgan's album Retrospektif out Nov 19!https://open.spotify.com/prerelease/10tlHAa3lqLk2AA4MDus2P?si=f604942fe46b4aaf Follow Afgan on Instagram at:https://www.instagram.com/afgan__/Shoutout to Gibson for this sick set!https://www.instagram.com/gibsonguitaravenue/#youmightwannasitdownforthispodcast Follow The Takeaway Table!https://www.instagram.com/thetakeawaytable/ CHAPTERS01:00 - It's Afgan!02:20 - What are yall feeding him?? Nasi Chi-Maeng??03:20 - Afgan was a Monash guy?!?!05:00 - Mingyue fanboying out thanks to Sezairi 07:00 - Acting, Singing, or Dancing?08:00 - Announcing the Japan tour?14:20 - Do angels from heaven get nervous? 17:00 - Pre-Show Rituals in the toilet 23:30 - The Infamous Pocket Pose 23:20 - Being Retrospektif  26:00 - Keeping imperfections in the album 29:00 - Mandated songwriting potty time  33:10 - Baby making music butter in the toilet34:00 - The rhythm is always going to get you41:00 - Being the HTS final boss42:30 - Indonesian slang vs. 2 chinese boys47:45 - BAPAK KAU!!!51:35 - WKWKWKWKWK 52:30 - Explaining Mak Kau Hejau55:25 - The Malaysia showcase in Zepp58:00 - Reflecting on Retrospektif 1:05:18 - Kacamata Live!

Emily Ava Gillespie (they/she) is an author, disability activist, and professional daydreamer.  They won the 2021 Dr. James Jamieson Influential Alumni Award from Nipissing University. Gillespie has a BA in Gender Equality and Social Justice and an MA in Critical Disability Studies. They earned a certificate in Creative Writing from Concordia University.   They have volunteered and worked in the disability community as an activist, researcher, peer support and facilitator for fifteen years. Gillespie is also an author and performance artist. Her work explores themes of memory, identity and mental health journeys. They enjoy working in community spaces and examining individual and collective experiences.  Dancing with Ghosts (Leaping Lion Books, 2017) is her first novel. Their poetry and short-stories can be found in several journals and anthologies. She co-edited Mighty: an Anthology of Disabled Superheroes by Renaissance Press published fall 2023. Her most recent novel is titled Wait With Me and was released in 2025.Become a supporter of this podcast: https://www.spreaker.com/podcast/inspiring-stories--2917948/support.

When was the last time you listened to new music? This week? Last week? Last month? Last year? Join Ben Jekyll for two hours of fresh new heavy music from Puscifer - pendulum Luvcat - alien Wet Leg - pokemon Jarpsy - happy yet? J.Fla - one sweet day in paris S8nt Elektric - mirror image The Enemy - not going your way Bloom - keep you As December Falls - flametide The Dhamers - nightmare of `78 Marmozets - a kiss from a mother Feldspar - pasta day Spanish Love Songs - heavenhead feat Illuminati Hotties Your Heterosexual Violence - I could be with you Alkemia - hoyrypaa Emocean Drive - flashbacks The Phantims - ghost in  my chucks A Night In November - sk8r ghost This Will Destroy Your Ears - gorgeous eve holds a banger hammer Bluchickn - stupidity killed the cat Lone Creep - this country is dead Amongst Strangers - we are the difference Upchuck - new case Asthma Kids - die on this hill (the meek are getting ready pt ii) Craic Killers - na muca Killgurls - cake Join Ben Jekyll every Saturday night for two hours of the best new music we can find. Rock, metal, punk, indie, industrial and more mmhradio.co.uk from 8pm UK time every Saturday night. Any suggestions/submissions/requests drop a mail to benjekyll@mmhradio.co.uk

X: @ileaderssummit @americasrt1776 @NatashaSrdoc @JoelAnandUSA @supertalk Join America's Roundtable (https://americasrt.com/) radio co-hosts Natasha Srdoc and Joel Anand Samy featuring a special salute to our veterans with Tyler Kinch, a rising country artist and U.S. Air Force veteran. Listen to Tyler's single "Frontlines," a special exclusive on America's Roundtable. Tyler has had the honor of sharing the stage with some of the biggest names in the industry, including Justin Moore, Lee Greenwood, Nate Smith, Lonestar, Randy Houser, Collin Raye, Mike Ryan, Tanner Usrey, Matt Stell, Chris Janson, and many more. A few weeks ago, Tyler took the stage at the Kennedy Center in Washington, DC, where Secretary of War Pete Hegseth received an award by the Nestpoint Foundation. On the eve of Veterans Day we also focus on the concerns for those who served on the frontlines with a call to our fellow Americans to get involved in providing help and hope to those experiencing challenges. According to data in by the US Census of Bureau, there were an estimated 15.8 million military veterans in the U.S. as of late 2023. According to the VA's most recent National Veteran Suicide Prevention Annual Report (2024), an average of 17.6 veterans die by suicide every single day. Although this figure is widely accepted, the real number may be even higher by "self-injury mortality," often through overdoses. In May 2025, the Trump administration highlighted the need to honor veterans, stating that the federal government “should treat veterans like the heroes they are.” As part of this commitment, the Trump administration signed an executive order to combat veteran homelessness by establishing the National Center for Warrior Independence, aiming to house 6,000 veterans by 2028. About Tyler Kinch: After serving in the military, Tyler swapped his combat boots for cowboy boots and took to the stage with a passion for country storytelling. For over a decade, he's lit up honky-tonks and festivals across the South, building a loyal following one heartfelt lyric at a time. In June of 2024, Arkansas Country Music honored Tyler as Entertainer of the Year, for the second year in a row. This award reflects not only his artistry but the impact he's made on the country music scene. He's had the honor of sharing the stage with some of the biggest names in the industry, including Justin Moore, Nate Smith, Lonestar, Randy Houser, Collin Raye, Mike Ryan, Tanner Usrey, Matt Stell, Chris Janson, Lee Greenwood, and many more. Known for his high-energy shows and heartfelt performances, Tyler Kinch continues to win over fans and country radio alike. His patriotic single “Frontlines” was featured on national television during a special Veterans Day segment on Fox & Friends, earning praise for its authenticity and emotional punch. With his single “Dancing with a Cowboy” released on early this year, followed by a full EP this past summer, Tyler is stepping into a breakout moment. americasrt.com (https://americasrt.com/) https://ileaderssummit.org/ | https://jerusalemleaderssummit.com/ America's Roundtable on Apple Podcasts: https://podcasts.apple.com/us/podcast/americas-roundtable/id1518878472 X: @ileaderssummit @americasrt1776 @NatashaSrdoc @JoelAnandUSA @supertalk America's Roundtable is co-hosted by Natasha Srdoc and Joel Anand Samy, co-founders of International Leaders Summit and the Jerusalem Leaders Summit. America's Roundtable (https://americasrt.com/) radio program focuses on America's economy, healthcare reform, rule of law, security and trade, and its strategic partnership with rule of law nations around the world. The radio program features high-ranking US administration officials, cabinet members, members of Congress, state government officials, distinguished diplomats, business and media leaders and influential thinkers from around the world. Tune into America's Roundtable Radio program from Washington, DC via live streaming on Saturday mornings via 68 radio stations at 7:30 A.M. (ET) on Lanser Broadcasting Corporation covering the Michigan and the Midwest market, and at 7:30 A.M. (CT) on SuperTalk Mississippi — SuperTalk.FM reaching listeners in every county within the State of Mississippi, and neighboring states in the South including Alabama, Arkansas, Louisiana and Tennessee. Tune into WTON in Central Virginia on Sunday mornings at 6:00 A.M. (ET). Listen to America's Roundtable on digital platforms including Apple Podcasts, Spotify, Amazon, Google and other key online platforms. Listen live, Saturdays at 7:30 A.M. (CT) on SuperTalk | https://www.supertalk.fm

Join Pastor Balla in this uplifting daily devotion for November 9, 2025, exploring Psalm 30:11–12: "You Have Turned My Mourning into Dancing." Discover how God transforms sorrow into joy, despair into hope, and grief into praise through David's powerful testimony. This Christian Bible study delves into divine rescue, where sackcloth of repentance is replaced by garments of gladness, symbolizing the Gospel's heart—Jesus turning death into eternal life.Experience spiritual encouragement as we reflect on God's mercy, lifelong gratitude, and the promise that no tear is wasted. Perfect for those seeking daily Bible inspiration, Christian motivation, faith-building messages, and scriptural insights on overcoming hardship. Whether facing mourning or celebrating victory, this devotion reminds us: God's goodness triumphs over pain.Support the ministry and buy me a coffee at https://buymeacoffee.com/whitegandalph (buymeacoffee.com/whitegandalph). God's peace and blessings!#DailyDevotion #Psalm30 #MourningIntoDancing #ChristianInspiration #BibleTransformation

What you'll hear in this episode:-Why young men are struggling: friendship decline, school/labor trends, and mental health-The case for “leaving the house”: proximity, promotions, and purpose-Boy Scouts, shared rituals, and learning respect, discipline, and outdoor skills-Mingling > scrolling: phones, algorithms, and the engagement economy-Dancing as a confidence signal (and why “fearless” beats “perfect”)-Alcohol: risks acknowledged, but also its historic role in rites of passage and bonding-Porn: moderation, motivation, and channeling energy into real relationships-Practical habits: fitness, manners, eye contact, humor, and kindness Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Don't touch that dial! We're celebrating five (?!?!?) years of The Time Mousechine with a very special interview with Radio Disney's DJ Ernie D! We talk about his early days at the station, some of the most iconic moments in Disney Channel music history, and why it was so iconic and important. Plus, our annual podcast stats, our thoughts on Miley joining Sesame Street, and another "Dancing with the Debrief"! ----- Follow The Time Mousechine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠ Follow Ernie D: ⁠Instagram Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sunday Morning Worship with Guest Speaker Bill Leonard Join co-pastors Russ and Amy Jacks Dean each week for Sunday Morning Worship from Park Road Baptist Church in Charlotte, NC. As a progressive faith community, we embrace independent thought, community service, and social justice. Whether you're a longtime member or a first-time listener, we invite you to reflect, grow, and worship with us. For more information, visit ParkRoadBaptist.org. Find us on Social Media: @ParkRoadChurch Music used by permission of - OneLicense.net #A-721391

Chalk Skin***Written by: Johnzy Zombee  and Narrated by: Megan McDuffee***The Scarecrows are Dancing***Written by: John Oakes and Narrated by: Nichole Goodnight***Tanja Milojevic: https://tanjamvoice.com/***Adam Peacock and My Neighbors Are Dead: https://open.spotify.com/show/6S5coQAPY4iGa11yHGbDGm***Support the show at patreon.com/creepypod***Sound design by: Pacific Obadiah***Title music by: Alex Aldea Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Episode 421 Jeff Belanger and Ray Auger head to Burrillville, Rhode Island, to investigate the curious grave of Laura Sherman who was buried in this small family plot back in 1870. Today all of the headstones are gone. They say under a full moon and right conditions, her ghost will appear and talk to you.    See more here: https://ournewenglandlegends.com/podcast-421-dancing-with-a-ghost/  Listen ad-free plus get early access and bonus episodes at: https://www.patreon.com/NewEnglandLegends  Buy Jeff Belanger's new book Wicked Strange New England on Amazon: https://amzn.to/4lMkM3G  Check out Jeff's new underground publication Shadow Zine! https://shadowzine.com/  Listen to Ray's Local Raydio! https://localraydio.com/ 

Dancing, bathrooms, and Gonzo's chicken love!- h1 full 2217 Thu, 06 Nov 2025 20:35:21 +0000 QLsF7alEQhphrmcyHblz5ZVS1ePnEQhk comedy,religion & spirituality,society & culture,news,government The Dave Glover Show comedy,religion & spirituality,society & culture,news,government Dancing, bathrooms, and Gonzo's chicken love!- h1 The Dave Glover Show has been driving St. Louis home for over 20 years. Unafraid to discuss virtually any topic, you'll hear Dave and crew's unique perspective on current events, news and politics, and anything and everything in between. © 2025 Audacy, Inc. Comedy Religion & Spirituality Society & Culture News Government False https://player.amperwavepodcasting.com?feed

Producer Mark Saunders has done a lot of things, but amidst it all he's responsible for two of the most revolutionary albums of all time. The first is Neneh Cherry's debut Raw Like Sushi featuring the game-changing "Buffalo Stance". The second is the debut album Maxinquaye from Tricky which rewrote the rules as far as what music could sound like. Just those would be enough for some people, but we also hear about The Cure, the Chameleons, Erasure, Madness, a-ha, Ian McCulloch, Lisa Stansfield, Cyndi Lauper, and an absolutely bananas experience with John Lydon. Plus, we get the full scoop on the historic night when Bowie and Jagger recorded "Dancing in the Street". It's 3 hours and not a second is wasted on this instant classic. Don't miss it!  Mark Saunders — Producer | Mixer | Remixer | Composer | Audio Engineer The Hustle Podcast | creating podcasts | Patreon

Why do we dance? The answer is more complicated than you might think. Dancing has served a multitude of functions for various cultures throughout history, and there is even evidence to suggest that we, as a species, are biologically hard-wired to dance. Whether it’s for social, spiritual, or even psychological reasons (yes, dance therapy is a thing), humans have been dancing since the very beginning. This hour, a look at all things dance — from ancient history to modern, Hollywood dance movies. GUESTS: Henry Alford: Author of And Then We Danced: A Voyage Into the Groove Christina Devereaux: Board-certified dance/movement therapist David Edelstein: America’s Greatest Living Film Critic Jonathan McNicol: Producer of The Colin McEnroe Show The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Xandra Ellin, and Chion Wolf contributed to this show, which originally aired July 5, 2018.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Happy Wednesday! While you're listening to this episode, Kelly is out drinking wine and Lizz is bridesmaid dress shopping. But before any of that, Lizz needs to again stop the rumors. She is NOT pregnant despite what the Halloween costume said! Speaking of Halloween, they both have notes from trick-or-treating that needs to be discussed. Why do people have giant decorations and then don't hand out candy? With winter on its way, a listener has written in to get some advice on winter hosting. Since Kelly is fully in her hosting era, this is the perfect topic to bring up. Both she and Lizz have hosting in their future and share some great ideas you're going to want to pay attention to. It's kind of a micro-hobby and speaking of micro-hobbies, it's time for an update on what Kelly and Lizz are working on. Have they made any progress? In Industry News, it's time to discuss GM getting rid of Apple Play. Why are they doing it? Will it be an upgrade or a downgrade? Then in Ditch the Drive-Thru, there are a lot of dishes Kelly and Lizz have to share. First is a delicious lasagna soup, then a dip that made their Halloween night and the beginnings of Novembeef. Before they go, Kelly and Lizz have to make some 'Dancing with the Star' predictions!

Originally Aired November 5, 2025: Tool Wars. Ho-ho-hold your liquor. Everything you wanna know about gatekeeping. Listen & subscribe to the show on Apple Podcasts, Spotify or Amazon Music. For more, visit https://www.93x.com/half-assed-morning-show/Follow the Half-Assed Morning Show:Twitter/X: @93XHAMSFacebook: @93XHAMSInstagram: @93XHAMSEmail the show: HAMS93X@gmail.com See omnystudio.com/listener for privacy information.

The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. We are live from the HQ the Lounge on Cincy Nasty Street! GDollaSign joins us as he brings some of his bartenders on and we ask them some tuff horny questions and we find out which one of them is the most toxic. Follow us on social media @AaronScenesAfterParty

Ep. 164. – In this episode, I sit down with Miranda Mitchell, an embodied leadership guide and creative mentor whose work beautifully blends Human Design, astrology, and self-expression. Our conversation moves through the tender terrain of shadow work, authenticity, and creative healing. Miranda shares how her own journey through yoga, motherhood, and releasing external validation became a path toward deeper self-exploration and freedom.We talk about how embracing our shadows can actually expand our creativity, how intuition shapes the artistic process, and why creative leadership is such a powerful force for healing humanity.Segments:​Turning Inward: How motherhood sparked Miranda's journey of self-awareness​Dancing with the Shadows: Using shadow work as a doorway to creativity​The Language of Human Design​Creative Leadership: Reclaiming your artistry and leading from authenticity​Rethinking Parenting: Raising the next generation with freedom and self-trustBioMiranda Mitchell is an Embodied Leadership Guide, creative mentor, and host of The Provoking Prosperity Podcast. Blending Human Design, Gene Keys, astrology, and somatic practices, she helps individuals reconnect with their authentic voice and creative power. Through her signature programs like EmBODHIed Voice and Dancing With Shadows & Stillness, Miranda empowers others to transform limiting patterns and express themselves with confidence and truth.To dive deeper into Miranda's work, get your free Human Design chart and explore her offerings at miranda-mitchell.com.

Zibby welcomes former Dance Moms star Nia Sioux to the podcast to discuss her powerful new memoir, BOTTOM OF THE PYRAMID: A Memoir of Persevering, Dancing for Myself, and Starring in My Own Life. Joined by a few young fans (Zibby's kids!), Nia answers heartfelt questions about growing up on reality TV, dealing with pressure and criticism, and learning to stay true to herself. She also opens up about stage fright, friendship, sibling dynamics, and managing her chronic pain disorder.Share, rate, & review the podcast, and follow Zibby on Instagram @zibbyowens!** Follow @totallybookedwithzibby on Instagram for listening guides and more. **(Music by Morning Moon Music. Sound editing by TexturesSound. To inquire about advertising, please contact allie.gallo@acast.com.) Hosted on Acast. See acast.com/privacy for more information.

Let's be real—social media can feel like a lot. Between dancing trends, perfectly scripted videos, and endless editing, it's easy to overthink it. But Bestie, showing up doesn't have to be hard! In this episode, I'm giving you the easy button for social media—Instagram Stories.

In this solo episode of Not Alone, Valeria takes listeners on a journey through her past and present, from celebrating her 35th birthday and Rosh Hashanah with family, to reflecting on the early days of her modeling career in Paris and Japan. She opens up about the lessons learned from those formative years, from living in cramped model apartments to finding her voice and standing up for herself in an often unforgiving industry. Valeria also shares how she's been reconnecting with joy and confidence lately, discovering new passions like dance, heels classes, and even a few unexpected finds (like smut & Quinn). It's a nostalgic, funny, and refreshingly honest episode about growth, self-expression, and feeling empowered at every stage of life. Shop my looks from this episode: https://shopmy.us/shop/collections/2723615 Follow me: https://www.instagram.com/valerialipovetsky/  What I talked about:  0:30 - Start of the episode 1:00 - The decision to throw a birthday party 3:20 - The family birthday dinner 4:00 - Rosh Hashanah & family traditions 5:50 - Early modeling days in Paris 8:13 - The hard lessons learned 11:25 - Living in a model apartment 13:15 - Standing up for herself and others 16:00 - Living in Japan & enjoying life 17:06 - Being part of the golden era of modeling 18:11 - Discovering smut & spreading the word 21:00 - Stumbling upon Quinn & loving it 22:20 - Taking a heels class 24:50 - Dancing in the Russian culture 25:59 - Feeling herself & learning new things Learn more about your ad choices. Visit megaphone.fm/adchoices

What would change if every leader brought their whole heart to work?Marc sits down with Claude Silver, Chief Heart Officer at VaynerX and the force of empathy behind Gary Vaynerchuk's global company, to celebrate the launch of her debut book Be Yourself at Work. Claude opens up about the years-long journey of writing it, how she overcame self-sabotage, and why patience—not pressure—is the real superpower of sustainable leadership.Together, they explore how fear and “fake urgency” have hijacked workplace culture, and how reconnecting to our hearts can transform not only how we lead but how we live. Claude shares her raw stories—from a 93-day wilderness expedition that redefined her resilience to the rituals she uses daily to “clean her mind.”Timestamps:00:00 — Who is Claude Silver? From Chief Heart Officer to lifelong learner02:00 — The calm before launch: why release day felt peaceful, not pressured04:30 — Dancing with self-sabotage and learning to finish what you start06:45 — Why writing her first book wasn't a dream—it was a challenge08:00 — The real reason she wrote Be Yourself at Work12:00 — How fear and fake urgency drive workplace burnout15:30 — Gen Z, empathy, and the next evolution of work culture17:30 — Rituals that create real connection at work19:30 — Why vulnerability builds belonging and trust22:00 — Claude's 93-day Outward Bound experience—learning true resilience28:00 — Nature, humility, and the power of paying attention30:00 — What it means to “clean your mind” daily34:00 — Mental nutrition: being intentional with what you consume36:00 — What Claude hopes readers take from her book38:00 — A message to her late grandmother—and to all of us: “You did it. You believed in yourself.”****Release details for the NEW BOOK. Get your copy of Personal Socrates: Better Questions, Better Life Connect with Marc >>> Website | LinkedIn | Instagram |*Special props

Hosts Jim DeRogatis and Greg Kot follow up a recent episode paying tribute to the sun with another set of songs about a celestial body. This time, they share their favorite songs about the moon — along with picks from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "Mr. Moonlight," Beatles for Sale, Parlophone, 1964The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Wire, "A Mutual Friend," 154, Harvest, 1979R.E.M., "Nightswimming," Automatic For The People, Warner Bros, 1992Songs:Ohia, "Blue Chicago Moon," Didn't It Rain, Secretly Canadian, 2002Credence Clearwater Revival, "Bad Moon Rising," Green River, Fantasy, 1969Janelle Monáe, "Many Moons," Metropolis: Suite I (The Chase), Bad Boy, 2007Brian Eno, "St. Elmo's Fire," Another Green World, Island, 1975Tom Petty and the Heartbreakers, "Luna," Tom Petty and the Heartbreakers, Shelter, 1976Mitski, "My Love Mine All Mine," The Land Is Inhospitable and So Are We, Dead Oceans, 2023David Bowie, "Moonage Daydream," The Rise and Fall of Ziggy Stardust and the Spiders from Mars, RCA, 1972Thin Lizzy, "Dancing in the Moonlight - Live," Live and Dangerous', Philips, 1978Los Lobos, "Kiko and the Lavendar Moon," Kiko, Slash, 1992The Rolling Stones, "Child of the Moon," Jumpin' Jack Flash / Child Of The Moon (Single), Decca, 1968Nick Drake, "Pink Moon," Pink Moon, Island, 1972Willie Nelson, "Darkness on the Face of the Earth," ...And Then I Wrote, Liberty, 1962Emmylou Harris, "Luxury Liner," Luxury Liner (Expanded & Remastered), Reprise, 2003Emmylou Harris, "Crescent City," Cowgirl's Prayer, The Grapevine, 1994SOFT PLAY, "Punk's Dead," HEAVY JELLY, BMG, 2024The Beach Boys, "Surf's Up," Surf's Up, Reprise, 1971The Cars, "Drive," Heartbeat City, Elektra, 1984See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dancing our way into Halloween, baby! Learn more about your ad choices. Visit megaphone.fm/adchoices

Why Bobby’s wife trolled him on social media after he talked about something baby related on the show. A caller thinks that Amy has been cooler lately and we investigate why. Lunchbox wonders if his college credits have expired or if he can go back to school. We talked about how we accidently went viral. Amy talks about “Famous Last Words” on Netflix where they film interviews with celebrities but don’t release the episode until they die. A caller wants to know why Andy Richter is still on Dancing with the Stars and questions if the show is rigged. Bobby explains why game shows can’t bend the rules.See omnystudio.com/listener for privacy information.

Bobby reveals why he was invited to go back to Dancing with the Stars but the problem he has with the timing. We find out why Amy almost ended up being in the ER. Eddie shared the wild experience his son had where he almost got scammed in real life. Bobby shared his hot wedding take on what the couple should be responsible for paying when it comes to their guests. Can Amy win a prize in the Real Name Musician Game? Lunchbox also gets bad news as listeners diagnose the pain he is dealing with that doctors can't figure out.See omnystudio.com/listener for privacy information.

This week, Kate is joined by friends of the pod (Nora McInerny and Caroline Moss) for a delightfully chaotic convo about DWTS that starts with Groupons, the jewelry heist, millennial dentures, car shopping, and more. Then, the second half of the episode, seasoned fans Kate and Caroline share their favorite DWTS lore and celeb gossip with newcomer Nora, and they dissect the current season: who could win, who should win, who should be sent home, and what they believe to be the heart and soul of the show. Fun for watchers of DWTS and newcomers alike! Enjoy. Timestamps 00:00:00 Intro chit chat, Groupon needles in your face, jewelry heist, car shopping 00:35:20  Kate's solo thoughts on this DWTS season's success and how the internet is changing the experience 00:52:47 Group DWTS discussion   SUPPORT OUR SPONSORS Order Kate's NYT Bestselling book, One in a Millennial here! Text or leave a voicemail for Kate at 775-HEY-BETH! Right now, Baked by Melissa is offering our listeners 20% off your order at Bakedbymelissa.com/BETHEREINFIVE. Restore your peace of mind with Harbor: the only baby monitor designed to never fail you. Plus, Harbor has a special deal for my listeners, use code BETHEREINFIVE or go to Harbor.co/BETHEREINFIVE for $50 off and experience the security every parent deserves.   Take advantage of this exclusive offer: For a limited time get 40% off your first box PLUS get a free item in every box for life. Go to Hungryroot.com/bethereinfive and use code bethereinfive. That's Hungryroot.com/bethereinfive, code bethereinfive to get 40% off your first box and a free item of your choice for life.   Shop early, have fun, and cross some names off your list today. To get 15% off your next gift, go to UNCOMMONGOODS.com/BETHEREINFIVE. That's UNCOMMONGOODS.com/BETHEREINFIVE, for 15% off! Don't miss out on this limited-time offer. Uncommon Goods. We're all out of the ordinary.   Instead of striving for perfect health, aim for supporting foundational health. Get 25% off your first month, only at ritual.com/BETHEREINFIVE. Start Ritual or add Essential For Women 18+ to your subscription today. That's ritual.com/BETHEREINFIVE for 25% off.