Podcasts about professor molina

Professor Natalia Molina was the first in her family, and her neighborhood, to go to college. Being a first-gen student, the 2020 MacArthur Fellow's higher education was shaped by curiosity and a being open to new opportunities—even when they brought her across the country for her graduate degree. As an expert of the humanities, Professor Natalia Molina emphasizes the importance of literature in understanding the experiences of those around us, how the conversation around immigration has evolved in her classrooms, and how as a historian, writing op-eds allow Professor Molina to explain the present through the past.

Professor Natalia Molina was the first in her family, and her neighborhood, to go to college. Being a first-gen student, the 2020 MacArthur Fellow's higher education was shaped by curiosity and a being open to new opportunities—even when they brought her across the country for her graduate degree. As an expert of the humanities, Professor Natalia Molina emphasizes the importance of literature in understanding the experiences of those around us, how the conversation around immigration has evolved in her classrooms, and how as a historian,  writing op-eds allow Professor Molina to explain the present through the past.

Natalia Molina is a Distinguished Professor in the Department of American Studies and Ethnicity at the University of Southern California. She is currently serving as Interim Director of Research at the Huntington, temporarily stepping down from its Board of Governors while a search for a new director is underway. Her own research explores the intertwined histories of race, place, gender, culture, and citizenship. She is the author of the award-winning books, How Race Is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts and Fit to Be Citizens?: Public Health and Race in Los Angeles, 1879-1940. Her most recent book is A Place at the Nayarit: How a Mexican Restaurant Nourished a Community, on immigrant workers as placemakers —including her grandmother—who nurtured and fed the community through the restaurants they established, which served as urban anchors. Professor Molina is a 2020 MacArthur Fellow.How Do You Write Podcast: Explore the processes of How Do You Write Podcast: Explore the processes of working writers with bestselling author Rachael Herron. Want tips on how to write the book you long to finish? Here you'll gain insight from other writers on how to get in the chair, tricks to stay in it, and inspiration to get your own words flowing. Join Rachael's Slack channel, Onward Writers: https://join.slack.com/t/onwardwriters/shared_invite/zt-7a3gorfm-C15cTKh_47CEdWIBW~RKwgRachael can be YOUR mini-coach, and she'll answer all your questions on the show! http://patreon.com/rachael Join my scribe of writers for LOTS more tips and get access to my 7-minute video that will tell you if you're writing the right book! Only for my writing community! CLICK HERE:➡️ How to Know If You're Writing the Right Book - https://rachaelherron.com/therightbook Hosted on Acast. See acast.com/privacy for more information.

This week we're all over the map but also right at home as Dr. Natalia Molina schools us on the historical and everyday impact of immigrants and the all-around importance of big H history and little h history. From community touchstones to your textbooks, the immigrant story is our story. Our Guest Natalia Molina Natalia's latest book: A Place at the Nayarit... LA Residential Security Map Franciscan Pattern Plates "Born & Razed" - NPR/KCRW Juan Romero & Robert F. Kennedy (CW) Lupe Ontiveros - actress Natalia's discovery - passion planner Natalie's (spicy) book rec - After Hours on Milagro Street More on Natalia Natalia Molina is a Distinguished Professor in the Department of American Studies and Ethnicity at the University of Southern California. She is currently serving as Interim Director of Research at the Huntington, temporarily stepping down from its Board of Governors while a search for a new director is underway. Her own research explores the intertwined histories of race, place, gender, culture, and citizenship. She is the author of the award-winning books, How Race Is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts and Fit to Be Citizens?: Public Health and Race in Los Angeles, 1879-1940. Her most recent book is A Place at the Nayarit: How a Mexican Restaurant Nourished a Community, on immigrant workers as placemakers —including her grandmother—who nurtured and fed the community through the restaurants they established, which served as urban anchors. She co- edited Relational Formations of Race: Theory, Method and Practice, and is now at work on a new book, The Silent Hands that Shaped the Huntington: A History of Its Mexican Workers. In addition to publishing widely in scholarly journals, she has also written for the LA Times, Washington Post, San Diego Union-Tribune, and more. Professor Molina is a 2020 MacArthur Fellow. Follow Natalia at @prof_NataliaM on Instagram & Twitter. Complete citations on our website. SOCIALS: Follow Shared History at @SharedPod on Twitter & Instagram SUPPORT: Support us on Patreon or Buy us a "coffee" and fuel our next episode. MERCH: Snag some Shared History merch and get stylin'! CREDITS: Original Theme: Garreth SpinnOriginal Art: Sarah CruzAnimations & Addtl Design: The Banditry Co. About this podcast: Shared History, is a comedy podcast and history podcast in one. Hosted by Chicago comedians, each episode focuses on obscure, overlooked and underrepresented historical events and people. SPONSORS: This season of Shared History is sponsored by Herbiery Brewing, BatesMeron Sweet Design & The Banditry Co.

Wine: Seis Soles White Blend, 2020BIO:Natalia Molina is a Distinguished Professor in the Department of American Studies and Ethnicity at the University of Southern California. Her research explores the intertwined histories of race, place, gender, culture, and citizenship. She is the author of the award-winning books, How Race Is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts and Fit to Be Citizens?: Public Health and Race in Los Angeles, 1879-1940. Her most recent book is A Place at the Nayarit: How a Mexican Restaurant Nourished a Community, on immigrant workers as placemakers —including her grandmother—who nurtured and fed the community through the restaurants they established, which served as urban anchors. She co-edited Relational Formations of Race: Theory, Method and Practice, and is now at work on a new book, The Silent Hands that Shaped the Huntington: A History of Its Mexican Workers. In addition to publishing widely in scholarly journals, she has also written for the LA Times, Washington Post, San Diego Union-Tribune, and more. Professor Molina is a 2020 MacArthur Fellow.Instagram

#Nayarit #USC #immigration CONVERSATIONS WITH CALVIN WE THE SPECIES NEW: NATALIA MOLINA; Professor USC (American Studies & Ethnicity); Author, incl. ‘A Place at the Nayarit' (How a Mexican Restaurant Nourished a Community); Public Health; Immigration; MacArthur Fellow 2020 “A most fascinating, introspective, poignant interview” YouTube: https://www.youtube.com/c/ConversationswithCalvinWetheSpecIEs 162 Interviews. GLOBAL Reach. Earth Life. Amazing People. PLEASE SUBSCRIBE (You'll find ‘almost' any subject interview) ** NATALIA MOLINA CONTACT INFO: Website: http://nataliamolinaphd.com/ Twitter: @Prof_NataliaM Amazon book: ‘A Place at the Nayarit' https://amzn.to/3tHPORz All 2022 proceeds from sale of my book, A Place at the Nayarit, will go to @nouswithoutyou a 501c3 charity that provides food relief for hospitality workers disenfranchised in pandemic. We share a goal: showing how #immigrant workers have sustained the country. ** BIO: Natalia Molina is a Distinguished Professor in the Department of American Studies and Ethnicity at the University of Southern California. Her research explores the intertwined histories of race, place, gender, culture, and citizenship. She is the author of the award-winning books, How Race Is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts and Fit to Be Citizens?: Public Health and Race in Los Angeles, 1879-1940. Her most recent book is A Place at the Nayarit: How a Mexican Restaurant Nourished a Community, on immigrant workers as placemakers —including her grandmother—who nurtured and fed the community through the restaurants they established, which served as urban anchors. She co- edited Relational Formations of Race: Theory, Method and Practice, and is now at work on a new book, The Silent Hands that Shaped the Huntington: A History of Its Mexican Workers. In addition to publishing widely in scholarly journals, she has also written for the LA Times, Washington Post, San Diego Union-Tribune, and more. Professor Molina is a 2020 MacArthur Fellow. ** AUDIO: SPOTIFY http://spoti.fi/3bMYVYW GOOGLE PODCASTS http://bit.ly/38yH3yP Edits by Claudine Smith- Email: casproductions01@gmail.com ** PLEASE SUBSCRIBE (You'll find ‘almost' any subject interview) #infertility #filmmaking #nutrition #womenshealth #climatechange #singersongwriter #comedy #adoption #dyslexia #bullying ** CLIMATE UPDATE: Latest IPCC climate change report finds 'irreversible' impact of global warming IT'S N0W OR NEVER: Intergovernmental Panel on Climate Change (IPCC) released its second chapter on the impact of climate change. Many of the impacts of global warming are now simply "irreversible," the UN's latest assessment found. ** CLIMATE OPTIMISTS (Everything NOT fine) Panel: YOUTH and CLIMATE CHANGE and Beyond. Sat. June 4 2022 YouTube: https://lnkd.in/gfrjdV9t

LLChat host, Kelsey, has a fascinating conversation with Professor Carolina Molina-Martin on the remote learning experience and Medical Spanish. Professor Molina-Martin teaches Spanish and Spanish for Health Professions in the Department of World Languages and Cultures at Old Dominion University.

When we talk about bushfires in Australia, we talk about the devastation. But Professor Cristina Montiel Molina from the Complutense University of Madrid says we need to re-think that. “We don't consider fire a natural element in our lives, but it's a part of landscape,” says Professor Molina. “We don't really know how to live with fire.” In fact, Professor Molina says that mega fires we've experienced in Europe, Australia, Chile and California in recent years are our own fault - as result of poor decisions around spatial planning, land management and fire policies. And, in order to manage the risk posed by fire, we have to change our attitude. Episode recorded: December 19, 2018. Interviewer: Steve Grimwade. Producer and editor: Chris Hatzis. Co-production: Silvi Vann-Wall and Dr Andi Horvath. Banner image: Shutterstock.

When we talk about bushfires in Australia, we talk about the devastation. But Professor Cristina Montiel Molina from the Complutense University of Madrid says we need to re-think that. “We don’t consider fire a natural element in our lives, but it’s a part of landscape,” says Professor Molina. “We don’t really know how to live with fire.” In fact, Professor Molina says that mega fires we’ve experienced in Europe, Australia, Chile and California in recent years are our own fault - as result of poor decisions around spatial planning, land management and fire policies. And, in order to manage the risk posed by fire, we have to change our attitude. Episode recorded: December 19, 2018. Interviewer: Steve Grimwade. Producer and editor: Chris Hatzis. Co-production: Silvi Vann-Wall and Dr Andi Horvath. Banner image: Shutterstock.

“America is a nation of immigrants.” Either this common refrain, or its cousin the “melting pot” metaphor is repeated daily in conversations at various levels of U.S. society. Be it in the private or public realm, these notions promote a compelling image of national inclusivity that appears not to be limited to particular notions of race, religious affiliation, gender, or national origin. Indeed, generations of American writers–like J. Hector St. John Crevecoeur, Ralph Waldo Emerson, Israel Zangwill, Emma Lazarus, and Oscar Handlin–have embedded America’s immigrant past into the collective psyche of its people and the epic telling of its history. Yet, as scholars of U.S. immigration history have asserted over the past few decades, the “nation of immigrants” narrative is blinded by both its singular focus on trans-Atlantic European migration and the presumption of immigrant assimilation and incorporation to Anglo American institutions and cultural norms. In her fascinating new study How Race is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts (University of California Press, 2014) Professor of History and Urban Studies at UC San Diego Natalia Molina advances the study of U.S. immigration history and race relations by connecting the themes of race and citizenship in the construction of American racial categories. Using archival records held by the Immigration and Naturalization Service (INS), the U.S. Congress, local governments, and immigrant rights groups, Dr. Molina examines the period of Mexican immigration to the U.S. from 1924-1965. Employing a relational lens to her study, Professor Molina advances the theory of racial scripts to describe how ideas about Mexicans and Mexican immigration have been fashioned out of preexisting racial projects that sought to exclude African Americans and Asian immigrants from acquiring the full benefits of American citizenship. Learn more about your ad choices. Visit megaphone.fm/adchoices

“America is a nation of immigrants.” Either this common refrain, or its cousin the “melting pot” metaphor is repeated daily in conversations at various levels of U.S. society. Be it in the private or public realm, these notions promote a compelling image of national inclusivity that appears not to be limited to particular notions of race, religious affiliation, gender, or national origin. Indeed, generations of American writers–like J. Hector St. John Crevecoeur, Ralph Waldo Emerson, Israel Zangwill, Emma Lazarus, and Oscar Handlin–have embedded America’s immigrant past into the collective psyche of its people and the epic telling of its history. Yet, as scholars of U.S. immigration history have asserted over the past few decades, the “nation of immigrants” narrative is blinded by both its singular focus on trans-Atlantic European migration and the presumption of immigrant assimilation and incorporation to Anglo American institutions and cultural norms. In her fascinating new study How Race is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts (University of California Press, 2014) Professor of History and Urban Studies at UC San Diego Natalia Molina advances the study of U.S. immigration history and race relations by connecting the themes of race and citizenship in the construction of American racial categories. Using archival records held by the Immigration and Naturalization Service (INS), the U.S. Congress, local governments, and immigrant rights groups, Dr. Molina examines the period of Mexican immigration to the U.S. from 1924-1965. Employing a relational lens to her study, Professor Molina advances the theory of racial scripts to describe how ideas about Mexicans and Mexican immigration have been fashioned out of preexisting racial projects that sought to exclude African Americans and Asian immigrants from acquiring the full benefits of American citizenship. Learn more about your ad choices. Visit megaphone.fm/adchoices

“America is a nation of immigrants.” Either this common refrain, or its cousin the “melting pot” metaphor is repeated daily in conversations at various levels of U.S. society. Be it in the private or public realm, these notions promote a compelling image of national inclusivity that appears not to be limited to particular notions of race, religious affiliation, gender, or national origin. Indeed, generations of American writers–like J. Hector St. John Crevecoeur, Ralph Waldo Emerson, Israel Zangwill, Emma Lazarus, and Oscar Handlin–have embedded America’s immigrant past into the collective psyche of its people and the epic telling of its history. Yet, as scholars of U.S. immigration history have asserted over the past few decades, the “nation of immigrants” narrative is blinded by both its singular focus on trans-Atlantic European migration and the presumption of immigrant assimilation and incorporation to Anglo American institutions and cultural norms. In her fascinating new study How Race is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts (University of California Press, 2014) Professor of History and Urban Studies at UC San Diego Natalia Molina advances the study of U.S. immigration history and race relations by connecting the themes of race and citizenship in the construction of American racial categories. Using archival records held by the Immigration and Naturalization Service (INS), the U.S. Congress, local governments, and immigrant rights groups, Dr. Molina examines the period of Mexican immigration to the U.S. from 1924-1965. Employing a relational lens to her study, Professor Molina advances the theory of racial scripts to describe how ideas about Mexicans and Mexican immigration have been fashioned out of preexisting racial projects that sought to exclude African Americans and Asian immigrants from acquiring the full benefits of American citizenship. Learn more about your ad choices. Visit megaphone.fm/adchoices

“America is a nation of immigrants.” Either this common refrain, or its cousin the “melting pot” metaphor is repeated daily in conversations at various levels of U.S. society. Be it in the private or public realm, these notions promote a compelling image of national inclusivity that appears not to be limited to particular notions of race, religious affiliation, gender, or national origin. Indeed, generations of American writers–like J. Hector St. John Crevecoeur, Ralph Waldo Emerson, Israel Zangwill, Emma Lazarus, and Oscar Handlin–have embedded America’s immigrant past into the collective psyche of its people and the epic telling of its history. Yet, as scholars of U.S. immigration history have asserted over the past few decades, the “nation of immigrants” narrative is blinded by both its singular focus on trans-Atlantic European migration and the presumption of immigrant assimilation and incorporation to Anglo American institutions and cultural norms. In her fascinating new study How Race is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts (University of California Press, 2014) Professor of History and Urban Studies at UC San Diego Natalia Molina advances the study of U.S. immigration history and race relations by connecting the themes of race and citizenship in the construction of American racial categories. Using archival records held by the Immigration and Naturalization Service (INS), the U.S. Congress, local governments, and immigrant rights groups, Dr. Molina examines the period of Mexican immigration to the U.S. from 1924-1965. Employing a relational lens to her study, Professor Molina advances the theory of racial scripts to describe how ideas about Mexicans and Mexican immigration have been fashioned out of preexisting racial projects that sought to exclude African Americans and Asian immigrants from acquiring the full benefits of American citizenship. Learn more about your ad choices. Visit megaphone.fm/adchoices

“America is a nation of immigrants.” Either this common refrain, or its cousin the “melting pot” metaphor is repeated daily in conversations at various levels of U.S. society. Be it in the private or public realm, these notions promote a compelling image of national inclusivity that appears not to be limited to particular notions of race, religious affiliation, gender, or national origin. Indeed, generations of American writers–like J. Hector St. John Crevecoeur, Ralph Waldo Emerson, Israel Zangwill, Emma Lazarus, and Oscar Handlin–have embedded America’s immigrant past into the collective psyche of its people and the epic telling of its history. Yet, as scholars of U.S. immigration history have asserted over the past few decades, the “nation of immigrants” narrative is blinded by both its singular focus on trans-Atlantic European migration and the presumption of immigrant assimilation and incorporation to Anglo American institutions and cultural norms. In her fascinating new study How Race is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts (University of California Press, 2014) Professor of History and Urban Studies at UC San Diego Natalia Molina advances the study of U.S. immigration history and race relations by connecting the themes of race and citizenship in the construction of American racial categories. Using archival records held by the Immigration and Naturalization Service (INS), the U.S. Congress, local governments, and immigrant rights groups, Dr. Molina examines the period of Mexican immigration to the U.S. from 1924-1965. Employing a relational lens to her study, Professor Molina advances the theory of racial scripts to describe how ideas about Mexicans and Mexican immigration have been fashioned out of preexisting racial projects that sought to exclude African Americans and Asian immigrants from acquiring the full benefits of American citizenship. Learn more about your ad choices. Visit megaphone.fm/adchoices

“America is a nation of immigrants.” Either this common refrain, or its cousin the “melting pot” metaphor is repeated daily in conversations at various levels of U.S. society. Be it in the private or public realm, these notions promote a compelling image of national inclusivity that appears not to be limited to particular notions of race, religious affiliation, gender, or national origin. Indeed, generations of American writers–like J. Hector St. John Crevecoeur, Ralph Waldo Emerson, Israel Zangwill, Emma Lazarus, and Oscar Handlin–have embedded America’s immigrant past into the collective psyche of its people and the epic telling of its history. Yet, as scholars of U.S. immigration history have asserted over the past few decades, the “nation of immigrants” narrative is blinded by both its singular focus on trans-Atlantic European migration and the presumption of immigrant assimilation and incorporation to Anglo American institutions and cultural norms. In her fascinating new study How Race is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts (University of California Press, 2014) Professor of History and Urban Studies at UC San Diego Natalia Molina advances the study of U.S. immigration history and race relations by connecting the themes of race and citizenship in the construction of American racial categories. Using archival records held by the Immigration and Naturalization Service (INS), the U.S. Congress, local governments, and immigrant rights groups, Dr. Molina examines the period of Mexican immigration to the U.S. from 1924-1965. Employing a relational lens to her study, Professor Molina advances the theory of racial scripts to describe how ideas about Mexicans and Mexican immigration have been fashioned out of preexisting racial projects that sought to exclude African Americans and Asian immigrants from acquiring the full benefits of American citizenship. Learn more about your ad choices. Visit megaphone.fm/adchoices

“America is a nation of immigrants.” Either this common refrain, or its cousin the “melting pot” metaphor is repeated daily in conversations at various levels of U.S. society. Be it in the private or public realm, these notions promote a compelling image of national inclusivity that appears not to be limited to particular notions of race, religious affiliation, gender, or national origin. Indeed, generations of American writers–like J. Hector St. John Crevecoeur, Ralph Waldo Emerson, Israel Zangwill, Emma Lazarus, and Oscar Handlin–have embedded America's immigrant past into the collective psyche of its people and the epic telling of its history. Yet, as scholars of U.S. immigration history have asserted over the past few decades, the “nation of immigrants” narrative is blinded by both its singular focus on trans-Atlantic European migration and the presumption of immigrant assimilation and incorporation to Anglo American institutions and cultural norms. In her fascinating new study How Race is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts (University of California Press, 2014) Professor of History and Urban Studies at UC San Diego Natalia Molina advances the study of U.S. immigration history and race relations by connecting the themes of race and citizenship in the construction of American racial categories. Using archival records held by the Immigration and Naturalization Service (INS), the U.S. Congress, local governments, and immigrant rights groups, Dr. Molina examines the period of Mexican immigration to the U.S. from 1924-1965. Employing a relational lens to her study, Professor Molina advances the theory of racial scripts to describe how ideas about Mexicans and Mexican immigration have been fashioned out of preexisting racial projects that sought to exclude African Americans and Asian immigrants from acquiring the full benefits of American citizenship. Learn more about your ad choices. Visit megaphone.fm/adchoices