Podcasts about macarthur fellow

Host Jason Blitman sits down with Reginald Dwayne Betts—poet, lawyer, and founder of Freedom Reads—for an intimate conversation about transforming America's prison system one library at a time. In an extraordinary turn of events, Dwayne receives a live call from Jermaine, a friend currently incarcerated at Lawrenceville Correctional Facility. Jermaine joins the conversation to share how not having a Freedom Reads library has impacted his own journey, offering rare, unfiltered insight into what literature means inside the prison system. Reginald Dwayne Betts is a poet and lawyer. A 2021 MacArthur Fellow, he is the Executive Director of Freedom Reads, a not-for-profit organization that is radically transforming the access to literature in prisons through the installation of Freedom Libraries in prisons across this country.For more than twenty-years, he has used his poetry and essays to explore the world of prison and the effects of violence and incarceration on American society. The author of a memoir and three collections of poetry, he has transformed his latest collection of poetry, the American Book Award winning Felon, into a solo theater show that explores the post incarceration experience and lingering consequences of a criminal record through poetry, stories, and engaging with the timeless and transcendental art of paper-making. His book Doggerel: Poems is available now.In 2019, Betts won the National Magazine Award in the Essays and Criticism category for his NY Times Magazine essay that chronicles his journey from prison to becoming a licensed attorney. He has been awarded a Radcliffe Fellowship from Harvard's Radcliffe Institute of Advanced Study, a Guggenheim Fellowship, an Emerson Fellow at New America, and most recently a Civil Society Fellow at Aspen. Betts holds a J.D. from Yale Law School.Sign up for the Gays Reading Book Club HERESUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.

This is one in a series about possible futures, which will be published in Booch News over the coming weeks. Episode 7 appeared last week. New episodes drop every Friday. Overview Peer-to-peer flavor-sharing platforms enabled home brewers to distribute taste profiles as digital files. Blockchain-verified SCOBY genetics allowed anyone to recreate award-winning kombucha flavors. Traditional beverage companies lost control as open-source fermentation recipes spread globally. This episode follows teenage hacker Luna Reyes as she reverse-engineers Heineken’s proprietary “A-yeast” strain and the century-old master strain used for Budweiser, releasing them under Creative Commons license, triggering a flavor renaissance that made corporate beverages taste like cardboard by comparison. Luna Reyes: The Seventeen-Year-Old Who Liberated Flavor Luna Reyes was brewing kombucha in her Oakland garage when she changed the course of human history. The daughter of Mexican immigrants, she had learned fermentation from her grandmother while teaching herself bioinformatics through YouTube tutorials and volunteering at the Counter Culture Labs Maker Space on Shattuck Avenue. By fifteen, she was running the Bay Area’s most sophisticated home laboratory, utilizing jury-rigged DNA sequencers and microscopes constructed from smartphone cameras. Her breakthrough came in February 2043 while investigating why her kombucha never tasted quite like expensive craft varieties and was different again from her grandmother’s home brew. Using Crispr techniques learned from online forums, Luna began reverse-engineering the microbial genetics of premium alcoholic beverages. Her target wasn’t kombucha—it was the closely guarded yeast strains that gave corporate beers their distinctive flavors. Luna hunched over her microscope, examining bacterial cultures from her latest kombucha batch. Around her, salvaged DNA sequencers hummed, fermentation vessels bubbled, and computer screens displayed multi-hued patterns of genetic sequences. Her grandmother, Rosa, entered carrying a tray with three glasses of homemade kombucha. “Mija, you’ve been working for six hours straight. Drink something.” Luna accepted the glass without looking up. “Abuela, your kombucha tastes better than anything I can buy in stores and the ones I’ve experimented with. Why? I’m using the same base ingredients—tea, sugar, water—but mine never has this complexity.” Her grandmother laughed. “Because I’ve been feeding this SCOBY for forty years. It knows what to do. You can’t rush relationships.” Luna’s sister Maya, lounging against a workbench, waved her phone. “Luna, people have noticed your forum post about Health-Ade’s fermentation process. Someone says you’re wasting your time trying to replicate commercial kombuchas.” “I’m not trying to replicate them,” Luna said, finally looking up. “I’m trying to understand why their kombucha tastes different than that I make at home. It’s not the ingredients. It’s not the process. It’s the microbial genetics.” Rosa sat down beside her granddaughter. “When I was young in Oaxaca, every family had their own kombucha culture, passed down generation to generation. Each tasted different because the bacteria adapted to their environment, their ingredients, their care. We had a saying, Hay tantas fermentaciones en el mundo como estrellas en el cielo nocturno – there are as many ferments in the world as stars in the night sky. The big companies want every bottle to be identical. That kills what makes fermentation special.” “Exactly!” Luna pulled up genetic sequences on her screen. “I’ve been reverse-engineering samples from different commercial kombuchas. Health-Ade, GT’s, Brew Dr—they all have consistent microbial profiles.” The Great Heist: Cracking Corporate DNA Luna’s first major hack targeted Heineken’s legendary “A-yeast” strain, developed in 1886 by Dr. Hartog Elion—a student of renowned chemist Louis Pasteur—in the company’s Amsterdam laboratory and protected by over 150 years of trade secret law. Using samples obtained from discarded brewery waste (technically legal under the “garbage doctrine”), she spent six months mapping the strain’s complete genetic sequence in her makeshift lab. The breakthrough required extraordinary ingenuity. Luna couldn’t afford professional gene sequencers, so she modified a broken Illumina iSeq100 purchased on eBay for $200. Her sequencing runs took weeks rather than hours; her results were identical to those produced by million-dollar laboratory equipment. Her detailed laboratory notebooks, later published as The Garage Genomics Manifesto, became essential reading for the biotech hacker movement. The Budweiser project proved even more challenging. Anheuser-Busch’s century-old master strain had been protected by layers of corporate secrecy rivaling classified military programs. The company maintained multiple backup cultures in cryogenic facilities across three continents, never allowing complete genetic mapping by outside researchers. Luna’s success required infiltrating the company’s waste-disposal systems at four breweries, collecting samples over 18 months while evading corporate security. The Decision The night before Luna was scheduled to meet her fellow bio-hackers at Oakland’s Counter Culture Labs, she sat at her workstation, hesitant, wondering if she was doing the right thing. Her sister Maya came in, looking worried. “Luna, I found something you need to see,” she says. “Remember Marcus Park? He tried releasing proprietary yeast information in 2039. Heineken buried him. He lost everything. His daughter dropped out of college. His wife left him. He’s working at a gas station now.” Luna spent the night researching what happened to Park. She found that almost everyone who challenged corporate IP ended up on the losing side of the law. It was not pretty. In the morning, Abuela Rosa finds her crying in her room. “Mija, what’s wrong?” she asks. “Oh, Abuela,” Luna says between sobs. “What am I doing? What if I’m wrong? What if I destroy our family? What if this ruins Mom and Dad? What if I’m just being selfish?” “That’s the fear talking.” Her grandmother reassured her. “Fear is wisdom warning you to be careful. But fear can also be a cage.” That evening at the Counter Culture Labs, Luna assembled a small group of advisors. She needed their guidance. She had the completed genetic sequences for Heineken A-yeast and Budweiser’s master strain on her laptop, ready for release. But is this the time and place to release them to the world? Dr. Marcus Webb, a bioinformatics researcher in his forties and Luna’s mentor, examined her sequencing data. “This is solid work, Luna. Your jury-rigged equipment is crude. The results are accurate. You’ve fully mapped both strains.” “The question isn’t whether I can do it,” Luna said. “It’s whether I should let the world know I did it.” On screen, Cory Doctorow, the author and digital rights activist, leaned forward. “Let’s be clear about what you’re proposing. You’d be releasing genetic information that corporations have protected as trade secrets for over a century. They’ll argue you stole their intellectual property. You’ll face lawsuits, possibly criminal charges.” “Is it their property?” Luna challenged. “These are naturally occurring organisms. They didn’t create that yeast. Evolution did. They just happened to be there when it appeared. That does not make it theirs any more than finding a wildflower means they own the species. Can you really own something that existed before you found it?” Doctorow, the Electronic Frontier Foundation representative spoke up. “There’s legal precedent both ways. Diamond v. Chakrabarty established that genetically modified organisms can be patented. But naturally occurring genetic sequences? That’s murky. The companies will argue that their decades of cultivation and protection created protectable trade secrets.” “Trade secrets require keeping information secret,” Luna argued. “They throw this yeast away constantly. If they’re not protecting it, how can they claim trade secret status?” Dr. Webb cautioned, “Luna, even if you’re legally in the right—which is debatable—you’re seventeen years old. You’ll be fighting multinational corporations with unlimited legal resources. They’ll bury you in litigation for years.” “That’s where we come in,” Doctorow said. “The EFF can provide legal defense. Creative Commons can help structure the license. You need to understand: this will consume your life. College, career plans, normal teenage experiences—all on hold while you fight this battle.” Luna was quiet for a moment, then pulled up a photo on her laptop: her grandmother Rosa, teaching her to ferment at age seven. “My abuela says fermentation is about sharing and passing living cultures between generations. Corporations have turned it into intellectual property to be protected and controlled. If I can break that control—even a little—isn’t that worth fighting for?” Maya spoke up from the back. “Luna, I love you, but you’re being naive. They won’t just sue you. They’ll make an example of you. Your face on every news channel, portrayed as a thief, a criminal. Our family harassed. Your future destroyed. For what? So people can brew beer with the same yeast as Heineken?” “Not just beer,” Luna responded passionately. “This is about whether living organisms can be owned. Whether genetic information—the code of life itself—can be locked behind intellectual property law. Yes, it starts with beer yeast. But what about beneficial bacteria? Life-saving microorganisms? Medicine-producing fungi? Where does it end?” Dr. Webb nodded slowly. “She’s right. This is bigger than beer. As biotech advances, genetic control becomes power over life itself. Do we want corporations owning that?” Doctorow sighed. “If you do this, Luna, do it right. Release everything simultaneously—BitTorrent, WikiLeaks, Creative Commons servers, distributed networks worldwide. Make it impossible to contain. Include complete cultivation protocols so anyone can reproduce your results. Make the data so damn widely available that suppressing it becomes futile.” “And write a manifesto,” he added. “Explain why you’re doing this. Frame the issue. Make it about principles, not piracy.” Luna nodded, fingers already typing. “When should I release?” “Pick a date with symbolic meaning,” Dr. Webb suggested. “Make it an event, not just a data dump.” Luna smiled. “December 15. The Bill of Rights Day. Appropriate for declaring biological rights, don’t you think?” Maya groaned. “You’re really doing this, aren’t you?” “Yes. I’m really doing this.” The Creative Commons Liberation On Tuesday, December 15, 2043—a date now celebrated as “Open Flavor Day”—Luna released the genetic sequences on multiple open-source networks. Her manifesto, titled Your Grandmother’s Yeast Is Your Birthright, argued that microbial genetics belonged to humanity’s shared heritage rather than corporate shareholders. It stated: Commercial companies have protected yeast strains for over a century. They’ve used intellectual property law to control flavor itself. But genetic information isn’t like a recipe or a formula—it’s biological code that evolved over millions of years before humans ever cultivated it. These strains are protected as trade secrets—the bacteria don’t belong to anyone. They existed before Heineken, before Budweiser, before trademark law. The companies just happened to isolate and cultivate them. Her data packages included DNA sequences and complete protocols for cultivating, modifying, and improving the strains. Luna’s releases came with user-friendly software that allowed amateur brewers to simulate genetic modifications before attempting them in real fermentations. Within 24 hours, over ten thousand people worldwide downloaded the files. The Creative Commons community erupted in celebration. Cory Doctorow’s blog post, The Teenager Who Stole Christmas (From Corporate Beer), went viral within hours. The Electronic Frontier Foundation immediately offered Luna legal protection, while the Free Software Foundation created the “Luna Defense Fund” to support her anticipated legal battles. The Legal Assault Heineken’s response was swift. The company filed emergency injunctions in 12 countries simultaneously, seeking to prevent the distribution of its “stolen intellectual property.” Their legal team, led by former U.S. Attorney General William Barr III, demanded Luna’s immediate arrest for “economic terrorism” and “theft of trade secrets valued at over $50 billion.” Anheuser-Busch’s reaction was even more extreme. CEO Marcel Telles IV appeared on CNBC, calling Luna “a bioterrorist who threatens the foundation of American capitalism.” The company hired private investigators to surveil Luna’s family and offered a $10 million reward for information leading to her prosecution. Their legal filing compared Luna’s actions to “stealing the formula for Coca-Cola and publishing it in the New York Times.” In Heineken’s Amsterdam headquarters, executives convened an emergency meeting. “Who is Luna Reyes?” the CEO demanded. The legal counsel pulled up information. “She’s a seventeen-year-old high school student in Oakland, California. No criminal record. Volunteers at a maker space. Has been posting about fermentation on various forums for years.” “A child released our proprietary yeast strain to the world, and we didn’t know she was even working on this?” The CEO’s face reddened. “How do we contain it?” “We can’t. It’s distributed across thousands of servers in dozens of countries with different IP laws. We can sue Reyes, but the information is out there permanently.” An executive interjected, “What about the other breweries? Will they join our lawsuit?” “Some are considering it. Others…” The counsel paused. “Others are quietly downloading the sequences themselves. They see an opportunity to break our market dominance.” “She obtained samples from our waste disposal,” another executive explained. “Technically legal under the garbage doctrine. The sequencing itself isn’t illegal. The release under Creative Commons…” “Is theft!” the CEO shouted. “File emergency injunctions. Twelve countries. Get her arrested for economic terrorism.” Similar scenes played out at Anheuser-Busch headquarters in St. Louis. CEO Telles addressed his team: “This is bioterrorism. She’s destroyed intellectual property worth billions. I want her prosecuted to the fullest extent of the law. Hire private investigators. Find everything about her and her family. Make her life hell!” By noon, both companies had filed lawsuits. By evening, Fox News was running stories about the “teenage bioterrorist” who “stole American corporate secrets.” Back in Oakland, Luna’s phone rang constantly. Her parents discovered what she’d done. Her mother cried. Her father was furious and terrified. Friends called with either congratulations or warnings. She was convinced that private investigators were photographing their house. Maya suspected she was followed to work. On Wednesday morning, Dr. Webb calls: “Luna, they’re offering me $2 million to testify against you. They’re going after everyone in your network.” Luna has a sickening feeling that she’s put everyone at risk. By Thursday, she is considering taking it all back somehow, sending an apology to the corporations, anything to protect her family. Luna turned off her phone and sat with her grandmother. “It’s started,” Luna said quietly. “Sí, mija. You’ve declared war. Now we see if you can survive it.” Maya burst in, laptop in hand. “Luna, you need to see this. The downloads aren’t slowing—they’re accelerating. Every time Heineken or Budweiser shuts down a website, ten mirror sites appear. People are treating this like a digital freedom fight. You’ve become a symbol.” Luna pulled up her own screen. The #FreeLuna hashtag was trending. Crowdfunding campaigns for her legal defense had raised $400,000 in twelve hours. Academic institutions were publicly endorsing her release, calling it “essential scientific information.” “They’re trying to destroy you,” Maya said, “but they’re making you famous instead.” Rosa handed Luna a fresh kombucha. “This is what happens when you fight for what’s right, mija. Sometimes the world surprises you by supporting you.” Luna’s Fame The corporations’ attempts to suppress Luna’s releases had the opposite effect. Every cease-and-desist letter generated thousands of new downloads. The genetic data became impossible to contain once the academic community embraced Luna’s work. Dr. Jennifer Doudna, the legendary Crispr pioneer now in her eighties, publicly endorsed Luna’s releases in a Science magazine editorial: Ms. Reyes has liberated essential scientific information that corporations held hostage for commercial gain. Genetic sequences from naturally occurring organisms should not be locked behind intellectual property law. They belong to humanity’s knowledge commons. While corporations claim Luna stole trade secrets, I argue she freed biological knowledge that was never theirs to own. There are no trade secrets in biology—only knowledge temporarily hidden from the commons. This is civil disobedience of the highest order—breaking unjust laws to advance human freedom. Ms. Reyes didn’t steal; she liberated. MIT’s biology department invited Luna to lecture, while Harvard offered her a full scholarship despite her lack of a high school diploma. The legal battles consumed corporate resources while generating negative publicity. Heineken’s stock price dropped 34% as consumers organized boycotts in support of Luna’s “yeast liberation.” Beer sales plummeted as customers waited for home-brewed alternatives using Luna’s open-source genetics. The Flavor Renaissance Luna’s releases triggered an explosion of creativity that corporate R&D departments had never imagined. Within six months, amateur brewers worldwide were producing thousands of flavor variations impossible under corporate constraints. The open-source model enabled rapid iteration and global collaboration, rendering traditional brewing companies obsolete. The world was engaged. In some of the most unlikely places. In Evanston, Illinois, a group of former seminary students who discovered fermentation during a silent retreat, transformed Gregorian chants into microbial devotionals. Tenor Marcus Webb (Dr. Webb’s nephew) realized symbiosis mirrored vocal harmony—multiple voices creating something greater than their parts. “In honoring the mystery of fermentation we express our love of the Creator,” he said. Here's ‘Consortium Vocalis' honoring the mother SCOBY. [Chorus]Our SCOBYIs pureOur SCOBYIs strongOur SCOBYKnows no boundariesOur SCOBYStrengthens as it fermentsOur SCOBYIs bacteria and yeast Our SCOBYTurns sucrose into glucose and fructoseIt ferments these simple sugars into ethanol and carbon dioxide,Acetic acid bacteria oxidize much of that ethanol into organic acidsSuch as acetic, gluconic, and other acids.This steadily lowers the pHMaking the tea taste sour-tangy instead of purely sweet. [Chorus] Our SCOBYThen helps microbes produce acids, enzymes, and small amounts of B‑vitaminsWhile probiotics grow in the liquid.The pH falls to help inhibit unwanted microbesOur SCOBY creates a self-preserving, acidic environment in the tea [Chorus] In Kingston, Jamaica, Rastafarian’s combined an award-winning kombucha sequenced in Humboldt County, California, with locally grown ganja into a sacramental beverage to help open their mind to reasoning and focus on Jah. Once fermented, it was consumed over the course of a three-day Nyabinghi ceremony. “Luna Reyes is truly blessed. She strengthened our unity as a people, and our Rastafari’ booch help us chant down Babylon,” a Rasta man smiled, blowing smoke from a spliff the size of his arm. The Groundation Collective’s reggae anthem ‘Oh Luna’ joyfully celebrated Luna Reyes’ pioneering discovery. Oh Luna, Oh Luna, Oh Luna ReyesI love the sound of your nameYou so deserve your fame Luna, Luna, Oh Luna ReyesShining brightYou warm my heart Luna, Luna, Oh Luna ReyesYou cracked the codeTeenage prophet, fermentation queenSymbiosis roadA genius at seventeen Oh Luna, Luna, Luna ReyesBeautiful moonMakes me swoon Oh Luna, Luna, Luna ReyesFreedom to fermentYou are heaven sentTo save us Luna, Luna, Oh Luna ReyesYou opened the doorTo so much moreKombucha tastes so goodLike it should Oh Luna, Oh Luna, Oh LunaI love you, love you, love youOh Luna, Luna, LunaLove you, love you,Love Luna, Luna love. In São Paulo, Brazil, MAPA-certified Brazilian kombucha brands combined Heineken and cacao-fermenting yeasts with cupuaçu from indigenous Amazonian peoples, to create the chocolate-flavored ‘booch that won Gold at the 20th World Kombucha Awards. A cervejeiro explained to reporters: “Luna Reyes gave us the foundation. We added local innovation. This is what happens when you democratize biology.” The Brazilian singer Dandara Sereia covered ‘Our Fermented Future’—The Hollow Pines tune destined to become a hit at the 2053 Washington DC Fermentation Festival. Baby sit a little closer, sip some ‘booch with meI brewed this batch with the SCOBY my grandma gave to me.On the back porch swing at twilight, watching fireflies danceYour hand in mine, kombucha fine, the sweetest sweet romance. They say that wine and roses are the way to win the heartBut your kombucha warmed me right up from the start.Fermentation makes the heart grow fonder, truer words they ain’t been saidYour SCOBY’s got a place forever — in my heart, and in my bed. Let’s share our SCOBYs, baby, merge our ferments into oneLike cultures in a crock jar dancing, underneath the sun.The tang of your Lactobacillus is exactly what I’m missingYour Brettanomyces bacteria got this country girl reminiscing. Oh yeah, let’s share those SCOBYs, baby, merge our ferments into oneYour yeasts and my bacteria working till the magic’s doneYou’ve got the acetic acid honey, I’ve got the patience and the timeLet’s bubble up together, let our cultures intertwine. I’ve got that symbiotic feeling, something wild and something trueYour SCOBY’s in my heart, right there next to youThe way your Acetobacter turns sugar into goldIs how you turned my lonely life into a hand to hold. We’ve got the acetic acid and the glucuronic tooWe’ve got that symbiotic feeling, so righteous and so trueOne sip of your sweet ‘booch, Lord, and you had me from the start,It’s our fermented future, that no-one can tear apart. It’s our fermented future…It’s our fermented future…It’s our fermented future… “Luna Variants”—strains derived from her releases—began winning international brewing competitions, embarrassing corporate entries with their complexity and innovation. Traditional beer flavors seemed flat and artificial compared to the genetic symphonies created by collaborative open-source development. Despite the outpouring of positive vibes, the corporations spared no expense to hold Luna to account in the courts. The Preliminary Hearing A preliminary hearing was held in the United States District Court for the Northern District of California on June 14, 2044. Luna sat at the defendant’s table, her hands folded so tightly her knuckles had gone white. She wore a borrowed blazer—too big in the shoulders—over a white button-down shirt Maya had ironed that morning. At seventeen, she looked even younger under the courtroom’s fluorescent lights. Across the aisle, Heineken’s legal team occupied three tables. Fifteen attorneys in matching navy suits shuffled documents and whispered into phones. Their lead counsel, William Barr III, wore gold cufflinks that caught the light when he gestured. Luna recognized him from the news—the former Attorney General, now commanding $2,000 an hour to destroy people like her. Her own legal representation consisted of two people: Rose Kennerson from the Electronic Frontier Foundation, a public interest lawyer who’d flown in from DC on a red-eye, and Dr. Marcus Webb, technically a witness but sitting beside Luna because she’d asked him to. Behind them, the gallery was packed. Luna’s parents sat in the second row, her father’s face gray, her mother clutching a rosary. Maya had taken the day off work. Abuela Rosa sat in the front row directly behind Luna, her ancient SCOBY wrapped in silk in her lap, as if its presence might protect her granddaughter. Judge Catherine Ironwood entered—sixty-ish, steel-gray hair pulled back severely, known for pro-corporate rulings. She’d been a pharmaceutical industry lawyer for twenty years before her appointment. “All rise,” the bailiff called. Judge Ironwood settled into her chair and surveyed the courtroom with the expression of someone who’d already decided the outcome and resented having to perform the formalities. “We’re here for a preliminary injunction hearing in Heineken International B.V. versus Luna Marie Reyes.” She looked directly at Luna. “Ms. Reyes, you’re seventeen years old?” Luna stood, hesitant. “Yes, your honor.” “Where are your parents?” “Here, your honor.” Luna’s mother half-rose, then sat back down. “Ms. Kennerson, your client is a minor. Are the parents aware they could be held liable for damages?” Rose Kennerson stood smoothly. “Yes, your honor. The Reyes family has been fully advised of the legal implications.” Luna glanced back. Her father’s jaw was clenched so tight she could see the muscles working. He wouldn’t meet her eyes. “Very well. Mr. Barr, you may proceed.” Barr rose like a battleship emerging from fog—massive, expensive, inevitable. He buttoned his suit jacket and approached the bench without notes. “Your honor, this is the simplest case I’ve argued in thirty years. The defendant admits to obtaining my client’s proprietary biological materials. She admits to sequencing their genetic information. She admits to distributing that information globally, in deliberate violation of trade secret protections that have existed for over 150 years. She did this knowingly, systematically, and with the explicit intent to destroy my client’s competitive advantage.” Luna felt Sarah’s hand on her arm—stay calm. Barr continued. “Heineken International has invested over $200 million in the development, cultivation, and protection of the A-yeast strain. Then this teenager”—he pointed at Luna—”obtained samples from our waste disposal systems, reverse-engineered our genetic sequences, and released them to the world via BitTorrent, deliberately placing them beyond retrieval.” He paced now, warming to his theme. “The damage is incalculable. We estimate lost market value at $50 billion. But it’s not just about money. The defendant has destroyed the possibility of competition in the brewing industry. When everyone has access to the same genetic materials, there’s no innovation, no differentiation, no reason for consumers to choose one product over another. She has, in effect, communized an entire industry.” Luna couldn’t help herself. “That’s not—” Sarah grabbed her wrist. “Don’t.” Judge Ironwood’s eyes narrowed. “Ms. Reyes, you will have your opportunity to speak. Until then, you will remain silent, or I will have you removed from this courtroom. Do you understand?” “Yes, your honor.” Luna’s voice came out smaller than she intended. Barr smiled slightly. “Your honor, the relief we seek is straightforward. We ask this court to order the defendant to provide us with a complete list of all servers, websites, and distribution networks where the stolen genetic data currently resides. We ask that she be ordered to cooperate fully in suppressing the data. We ask that she be enjoined from any further distribution. And we ask that she be ordered to pay compensatory damages of $5 billion, plus punitive damages to be determined at trial.” He returned to his seat. One of his associate attorneys handed him a bottle of Pellegrino. He took a sip and waited. Judge Ironwood looked at Sarah. “Ms. Kennerson?” Sarah stood. She looked tiny compared to Barr—five-foot-three, maybe 110 pounds, wearing a suit from Target. But when she spoke, her voice filled the courtroom. “Your honor, Mr. Barr has given you a compelling story about a corporation that’s been wronged. But it’s not the right story. The right story is about whether naturally occurring organisms—creatures that evolved over millions of years, long before humans ever existed—can be owned by a corporation simply because that corporation happened to isolate them.” She walked toward the bench. “Let’s be clear about what the A-yeast strain is. It’s not a genetically modified organism. It’s not a patented invention. It’s a naturally occurring yeast. Heineken didn’t create it. Evolution created it. Heineken merely found it. And for 158 years, they’ve claimed that finding something gives them the right to prevent anyone else from studying it, understanding it, or using it.” Barr was on his feet. “Objection, your honor. This is a preliminary hearing about injunctive relief, not a philosophical debate about intellectual property theory.” “Sustained. Ms. Kennerson, please focus on the specific legal issues before this court.” “Your honor, the specific legal issue is whether naturally occurring genetic sequences constitute protectable trade secrets. My client contends they do not. She obtained the yeast samples from Heineken’s waste disposal—materials they had discarded. Under the garbage doctrine, she had every right to analyze those materials. The genetic sequences she discovered are factual information about naturally occurring organisms. You cannot trade-secret facts about nature.” Luna watched Judge Ironwood’s face. Nothing. No reaction. Sarah pressed on. “Mr. Barr claims my client ‘stole’ genetic information worth $5 billion. But information cannot be stolen—it can only be shared. When I tell you a fact, I don’t lose possession of that fact. We both have it. That’s how knowledge works. Heineken hasn’t lost their yeast. They still have it. They can still brew with it. What they’ve lost is their monopoly on that knowledge. And monopolies on facts about nature should never have existed in the first place.” “Your honor—” Barr tried to interrupt. Judge Ironwood waved him down. “Continue, Ms. Kennerson.” “Your honor, Heineken wants this court to order a seventeen-year-old girl to somehow suppress information that has already been distributed to over 100,000 people in 147 countries. That’s impossible. You can’t unring a bell. You can’t put knowledge back in a bottle. Even if this court ordered my client to provide a list of servers—which she shouldn’t have to do—that list would be incomplete within hours as new mirror sites appeared. The information is out. The only question is whether we punish my client for sharing factual information about naturally occurring organisms.” She turned to face Luna’s family. “Ms. Reyes taught herself bioinformatics from YouTube videos. She works at home with equipment she bought on eBay. She has no criminal record. She’s never been in trouble. She saw a question that interested her—why do commercial beers taste like they do?—and she pursued that question with the tools available to her. When she discovered the answer, she shared it with the world, under a Creative Commons license that specifically protects sharing for educational and scientific purposes. If that’s terrorism, your honor, then every scientist who’s ever published a research paper is a terrorist.” Sarah sat down. Luna wanted to hug her. Judge Ironwood leaned back. “Ms. Reyes, stand up.” Luna rose, her legs shaking. “Do you understand the seriousness of these proceedings?” “Yes, your honor.” “Do you understand that Heineken International is asking me to hold you in contempt of court if you refuse to help them suppress the information you released?” “Yes, your honor.” “Do you understand that contempt of court could result in your detention in a juvenile facility until you reach the age of eighteen, and potentially longer if the contempt continues?” Luna’s mother gasped audibly. Her father put his arm around her. “Yes, your honor,” Luna said, though her voice wavered. “Then let me ask you directly: If I order you to provide Heineken with a complete list of all locations where the genetic data you released currently resides, will you comply?” The courtroom went silent. Luna could hear her own heartbeat. Sarah started to stand—”Your honor, I advise my client not to answer—” “Sit down, Ms. Kennerson. I’m asking your client a direct question. She can choose to answer or not.” Judge Ironwood’s eyes never left Luna. “Well, Ms. Reyes? Will you comply with a court order to help Heineken suppress the information you released?” Luna looked at her parents. Her mother was crying silently. Her father’s face was stone. She looked at Abuela Rosa. Her grandmother nodded once—tell the truth. Luna looked back at the judge. “No, your honor.” Barr shot to his feet. “Your honor, the defendant has just admitted she intends to defy a court order—” “I heard her, Mr. Barr.” Judge Ironwood’s voice was ice. “Ms. Reyes, do you understand you’ve just told a federal judge you will refuse a direct order?” “Yes, your honor.” “And you’re still refusing?” “Yes, your honor.” “Why?” Sarah stood quickly. “Your honor, my client doesn’t have to explain—” “I want to hear it.” Judge Ironwood leaned forward. “Ms. Reyes, tell me why you would risk jail rather than help undo what you’ve done.” Luna took a breath. Her whole body was shaking, but her voice was steady. “Because it would be wrong, your honor.” “Wrong how?” “The genetic sequences I released evolved over millions of years. Heineken didn’t create that yeast. They isolated one strain and claimed ownership of it. The code of life belongs to everyone. That’s humanity’s heritage. Even if you send me to jail, I can’t help suppress the truth.” Judge Ironwood stared at her for a long moment. “That’s a very pretty speech, Ms. Reyes. But this court operates under the law, not your personal philosophy about what should or shouldn’t be owned. Trade secret law exists. Heineken’s rights exist. And you violated those rights.” Luna did not hesitate. “With respect, your honor, I don’t think those rights should exist.” Barr exploded. “Your honor, this is outrageous! The defendant is openly stating she believes she has the right to violate any law she disagrees with—” “That’s not what I said.” Luna’s fear was transforming into something else—something harder. “I’m saying that some laws are unjust. And when laws are unjust, civil disobedience becomes necessary. People broke unjust laws during the civil rights movement. People broke unjust laws when they helped slaves escape. The constitution says members of the military do not have to obey illegal orders, despite what those in power might claim. Sometimes the law is wrong. And when the law says corporations can own genetic information about naturally occurring organisms, the law is wrong.” Judge Ironwood’s face flushed. “Ms. Reyes, you are not Rosa Parks. This is not the civil rights movement. This is a case about intellectual property theft.” “It’s a case about whether life can be property, your honor.” “Enough.” Judge Ironwood slammed her gavel. “Ms. Kennerson, control your client.” Sarah pulled Luna back into her chair. “Luna, stop talking,” she hissed. Judge Ironwood shuffled papers, visibly trying to compose herself. “I’m taking a fifteen-minute recess to consider the injunction request. We’ll reconvene at 11:30. Ms. Reyes, I strongly suggest you use this time to reconsider your position.” The gavel fell again, and Judge Ironwood swept out. The hallway outside the courtroom erupted. Reporters swarmed. Luna’s father grabbed her arm and pulled her into a witness room. Her mother followed, still crying. Maya slipped in before Sarah closed the door. “What were you thinking?” Luna’s father’s voice shook. “You just told a federal judge you’ll defy her orders. They’re going to put you in jail, Luna. Do you understand that? Jail!” “Ricardo, please—” Her mother tried to calm him. “No, Elena. Our daughter just committed contempt of court in front of fifty witnesses. They’re going to take her from us.” He turned to Luna, his eyes wet. “Why? Why couldn’t you just apologize? Say you made a mistake? We could have ended this.” “Because I didn’t make a mistake, Papa.” “You destroyed their property!” “It wasn’t their property. It was never their property.” “The law says it was!” “Then the law is wrong!” Her father stepped back as if she’d slapped him. “Do you know what your mother and I have sacrificed to keep you out of trouble? Do you know how hard we’ve worked since we came to this country to give you opportunities we never had? And you throw it away for yeast. Not for justice. Not for people. For yeast.” Luna’s eyes filled with tears. “It’s not about yeast, Papa. It’s about whether corporations get to own life. If Heineken can own yeast, why not bacteria? Why not human genes? Where does it stop?” “It stops when my daughter goes to jail!” He was shouting now. “I don’t care about Heineken. I don’t care about yeast. I care about you. And you just told that judge you’ll defy her. She’s going to put you in jail, and there’s nothing I can do to stop it.” “Ricardo, por favor—” Elena put her hand on his arm. He shook it off. “No. She needs to hear this. Luna, if you go to jail, your life is over. No college will accept you. No company will hire you. You’ll have a criminal record. You’ll be marked forever. Is that what you want?” “I want to do what’s right.” “What’s right is protecting your family! What’s right is not destroying your future for a principle!” he said. Luna responded, “What’s right is not letting corporations own the code of life!”They stared at each other. Maya spoke up quietly from the corner. “Papa, she can’t back down now. The whole world is watching.” “Let the world watch someone else!” Ricardo turned on Maya. “You encourage this. You film her, you post her manifestos online, you help her become famous. You’re her sister. You’re supposed to protect her, not help her destroy herself.” “I am protecting her,” Maya said. “I’m protecting her from becoming someone who backs down when the world tells her she’s wrong, even though she knows she’s right.” Ricardo looked between his daughters. “Ambos están locos! You’re both insane.” Abuela Rosa opened the door and entered. She’d been listening from the hallway. “Ricardo, enough.” “Mama, stay out of this.” “No.” Rosa moved between Ricardo and Luna. “You’re afraid. I understand. But fear makes you cruel, mijo. Your daughter is brave. She’s doing something important. And you’re making her choose between you and what’s right. Don’t do that.” “She’s seventeen years old! She’s a child!” “She’s old enough to know right from wrong.” Rosa put her hand on Ricardo’s cheek. “When I was sixteen, I left Oaxaca with nothing but the clothes on my back and this SCOBY. Everyone said I was crazy. Your father said I would fail. But I knew I had to go, even if it cost me everything. Sometimes our children have to do things that terrify us. That’s how the world changes.” Ricardo pulled away. “If they put her in jail, will that change the world, Mama? When she’s sitting in a cell while Heineken continues doing whatever they want, will that have been worth it?” “Yes,” Luna said quietly. “Even if I go to jail, yes. Because thousands of people now have the genetic sequences, Heineken can’t put that back. They can punish me, but they can’t undo what I did. The information is free. It’s going to stay free. And if the price of that is me going to jail, then that’s the price.” Her father looked at her as if seeing her for the first time. “I don’t know who you are anymore.” “I’m still your daughter, Papa. I’m just also someone who won’t let corporations own life.” A knock on the door. Sarah poked her head in. “They’re reconvening. Luna, we need to go.” Back in the courtroom, the atmosphere had shifted. The gallery was more crowded—word had spread during the recess. Luna recognized several people from online forums. Some held signs reading “FREE LUNA” and “GENETICS BELONG TO EVERYONE.” Judge Ironwood entered and sat without ceremony. “I’ve reviewed the submissions and heard the arguments. This is my ruling.” Luna’s hand found Maya’s in the row behind her. Squeezed tight. “The question before this court is whether to grant Heineken International’s motion for a preliminary injunction requiring Ms. Reyes to assist in suppressing the genetic information she released. To grant such an injunction, Heineken must demonstrate four things: likelihood of success on the merits, likelihood of irreparable harm without the injunction, balance of equities in their favor, and that an injunction serves the public interest.” Barr was nodding. These were his arguments. “Having considered the evidence and the applicable law, I find that Heineken has demonstrated likelihood of success on the merits. Trade secret law clearly protects proprietary business information, and the A-yeast strain appears to meet the legal definition of a trade secret.” Luna’s stomach dropped. “However, I also find that Heineken has failed to demonstrate that a preliminary injunction would effectively prevent the irreparable harm they claim. Ms. Kennerson is correct that the genetic information has already been distributed to over 100,000 people worldwide. Ordering one teenager to provide a list of servers would be, in technical terms, pointless. New copies would appear faster than they could be suppressed.” Barr’s face tightened. “Furthermore, I find that the balance of equities does not favor Heineken. They ask this court to potentially incarcerate a seventeen-year-old girl for refusing to suppress information that is, by her account, factual data about naturally occurring organisms. The potential harm to Ms. Reyes—including detention, criminal record, and foreclosure of educational and career opportunities—substantially outweighs any additional harm Heineken might suffer from continued distribution of information that is already widely distributed.” Luna felt Maya’s grip tighten. Was this good? This sounded good. “Finally, and most importantly, I find that granting this injunction would not serve the public interest. The court takes judicial notice that this case has generated substantial public debate about the scope of intellectual property protection in biotechnology. The questions raised by Ms. Reyes—whether naturally occurring genetic sequences should be ownable, whether facts about nature can be trade secrets, whether knowledge can be property—are questions that deserve answers from a higher authority than this court. These are questions for appellate courts, perhaps ultimately for the Supreme Court. And they are questions best answered in the context of a full trial on the merits, not in an emergency injunction hearing.” Barr was on his feet. “Your honor—” “Sit down, Mr. Barr. I’m not finished.” He sat, his face purple. “Therefore, Heineken International’s motion for preliminary injunction is denied. Ms. Reyes will not be required to assist in suppressing the genetic information she released. However,”—Judge Ironwood looked directly at Luna—”this ruling should not be construed as approval of Ms. Reyes’ actions. Heineken’s claims for damages and other relief remain viable and will proceed to trial. Ms. Reyes, you may have won this battle, but this war is far from over. Anything you want to say?” Luna stood slowly. “Your honor, I just want to say… thank you. For letting this go to trial. For letting these questions be answered properly. That’s all I ever wanted—for someone to seriously consider whether corporations should be allowed to own genetic information about naturally occurring organisms. So thank you.” Judge Ironwood’s expression softened slightly. “Ms. Reyes, I hope you’re prepared for what comes next. Heineken has unlimited resources. They will pursue this case for years if necessary. You’ll be in litigation until you’re twenty-five years old. Your entire young adulthood will be consumed by depositions, court appearances, and legal fees. Are you prepared for that?” “Yes, your honor.” “Why?” Luna glanced at her grandmother, who nodded. “Because some questions are worth answering, your honor. Even if it takes years. Even if it costs everything. The question of whether corporations can own life—that’s worth answering. And if I have to spend my twenties answering it, then that’s what I’ll do.” Judge Ironwood studied her for a long moment. “You remind me of someone I used to know. Someone who believed the law should serve justice, not just power.” She paused. “That person doesn’t exist anymore. The law ground her down. I hope it doesn’t do the same to you.” She raised her gavel. “This hearing is adjourned. The parties will be notified of the trial date once it’s scheduled. Ms. Reyes, good luck. I think you’re going to need it.” The gavel fell. Outside the courthouse, the scene was chaotic. News cameras surrounded Luna. Reporters shouted questions. But Luna barely heard them. She was looking at her father, who stood apart from the crowd, watching her. She walked over to him. “Papa, I’m sorry I yelled.” He didn’t speak for a moment. Then he pulled her into a hug so tight it hurt. “Don’t apologize for being brave,” he whispered into her hair. “I’m just afraid of losing you.” “You won’t lose me, Papa. I promise.” “You can’t promise that. Not anymore.” He pulled back, holding her shoulders. “But I’m proud of you. I’m terrified, but I’m proud.” Her mother joined them, tears streaming down her face. “No more court. Please, no more court.” “I can’t promise that either, Mama.” Elena touched Luna’s face. “Then promise me you’ll be careful. Promise me you’ll remember that you’re not just fighting for genetics. You’re fighting for your life.” Luna smiled. “I promise.” Abuela Rosa appeared, carrying her SCOBY. “Come, mija. We should go before the reporters follow us home.” As they pushed through the crowd toward Maya’s car, Luna's phone buzzed continuously. Text messages and emails pouring in. But what caught her attention was a text from Dr. Webb: You were right. I’m sorry I doubted. Check your email—Dr. Doudna wants to talk. Luna opened her email. The subject line made her stop walking: From: jennifer.doudna@berkeley.eduSubject: Civil Disobedience of the Highest Order She started to read: Dear Ms. Reyes, I watched your hearing this morning. What you did in that courtroom—refusing to back down even when threatened with jail—was one of the bravest things I’ve seen in forty years of science. You’re not just fighting for yeast genetics. You’re fighting for the principle that knowledge about nature belongs to humanity, not to corporations. I want to help… Luna looked up at her family—her father’s worried face, her mother’s tears, Maya’s proud smile, Abuela Rosa’s serene confidence. Behind them, the courthouse where she’d nearly been sent to jail. Around them, reporters and cameras and strangers who’d traveled across the country to support her. She thought about Judge Ironwood’s warning: This war is far from over. She thought about Barr’s face when the injunction was denied. She thought about the thousands who’d downloaded the genetic sequences and were, right now, brewing with genetics that had been locked away for 158 years. Worth it. All of it. Even the fear. Maya opened the car door. “Come on, little revolutionary. Let’s go home.” The Corporate Surrender By 2045, both Heineken and Anheuser-Busch quietly dropped their lawsuits against Luna. Their legal costs had exceeded $200 million while accomplishing nothing except generating bad publicity. More importantly, their “protected” strains had become worthless in a market flooded with superior alternatives. Heineken’s CEO attempted to salvage the company by embracing open-source brewing. His announcement that Heineken would “join the La Luna Revolution” was met with skepticism from the brewing community, which recalled the company’s aggressive legal tactics. The craft brewing community’s response was hostile. “They spent two years trying to destroy her,” a prominent brewmaster told The New Brewer Magazine. “Now they want credit for ’embracing’ the revolution she forced on them? Heineken didn’t join the Luna Revolution—they surrendered to it. There’s a difference.” The global brands never recovered their market share. Luna’s Transformation Luna’s success transformed her from a garage tinkerer into a global icon of the open knowledge movement. Her 2046 TED Talk, “Why Flavor Belongs to Everyone,” went viral. She argued that corporate control over living organisms represented “biological colonialism” that impoverished human culture by restricting natural diversity. Rather than commercializing her fame, Luna founded the Global Fermentation Commons, a nonprofit organization dedicated to preserving and sharing microbial genetics worldwide. Their laboratories operated as open-access research facilities where anyone could experiment with biological systems. The headquarters of the Global Fermentation Commons occupied a former Genentech facility donated by Dr. Webb. Six continents, forty researchers, one mission: preserve and share microbial genetics worldwide. Luna addressed a crowded auditorium at the organization’s third anniversary. “When I released Heineken and Budweiser’s yeast strains, some people called it theft. Others called it liberation. I called it returning biological knowledge to the commons, where it belongs. Three years later, so-called Luna Variants have created economic opportunities for thousands of small brewers, improved food security in developing regions, and demonstrated that genetic freedom drives innovation faster than corporate control.” She continued. “We’re not stopping with beer. The same principles apply to all fermentation: cheese cultures, yogurt bacteria, koji fungi, sourdough starters. Every traditionally fermented food relies on microorganisms that corporations increasingly claim to own. We’re systematically liberating them.” A World Health Organization representative raised a concern: “Ms. Reyes, while we support democratizing food fermentation, there are legitimate concerns about pharmaceutical applications. What prevents someone from using your open-source genetics to create dangerous organisms?” Luna nodded. “Fair question. First, the organisms we release are food-safe cultures with centuries of safe use. Second, dangerous genetic modifications require sophisticated laboratory equipment and expertise—far beyond what releasing genetic sequences enables. Third, determined bad actors already have access to dangerous biology, enabled by AI. We’re not creating new risks; we’re democratizing beneficial biology.” “Pharmaceutical companies argue you’re undermining their investments in beneficial organisms,” another representative pressed. “Pharmaceutical companies invest in modifying organisms,” Luna clarified. “Those modifications can be patented. What we oppose is claiming ownership over naturally occurring organisms or their baseline genetics. If you genetically engineer a bacterium to produce insulin, patent your engineering. Don’t claim ownership over the bacterial species itself.” A Monsanto representative stood. “Your organization recently cracked and released our proprietary seed genetics. That’s direct theft of our property.” Luna didn’t flinch. “Seeds that farmers cultivated for thousands of years before Monsanto existed? You didn’t invent corn, wheat, or soybeans. You modified them. Your modifications may be protectable; the baseline genetics are humanity’s heritage. We’re liberating what should never have been owned.” “The ‘Luna Legion’ has cost us hundreds of millions!” the representative protested. “Good,” Luna responded calmly. “You’ve cost farmers their sovereignty for decades. Consider it karma.” After the presentation, Dr. Doudna approached Luna privately. “You’ve accomplished something remarkable,” the elderly scientist said. “When I developed Crispr, I never imagined a teenager would use similar principles to challenge corporate biology. You’re forcing conversations about genetic ownership that we’ve avoided for decades.” “It needed forcing,” Luna replied. “Corporations were quietly owning life itself, one patent at a time. Someone had to say no.” “The pharmaceutical industry is terrified of you,” Doudna continued. “They see what happened to brewing and imagine the same for their carefully controlled bacterial strains. You’re going to face even more aggressive opposition.” “I know. Once people understand that biological knowledge can be liberated, they start questioning all biological ownership. We’re not stopping.” The New Economy of Taste Following Luna’s breakthrough, peer-to-peer flavor-sharing platforms emerged as the dominant force in food culture. The “FlavorChain” blockchain allowed brewers to track genetic lineages while ensuring proper attribution to original creators. SCOBY lineages were carefully sequenced, catalogued, and registered on global blockchain ledgers. Each award-winning kombucha strain carried a “genetic passport”—its microbial makeup, the unique balance of yeasts and bacteria that gave rise to particular mouthfeel, fizz, and flavor spectrum, was mapped, hashed, and permanently recorded. Brewers who created a new flavor could claim authorship, just as musicians once copyrighted songs. No matter how many times a SCOBY was divided, its fingerprint could be verified. Fermentation Guilds formed to share recipes through FlavorChain, enabling decentralized digital markets like SymbioTrdr, built on trust and transparency rather than speculation. They allowed people to interact and transact on a global, permissionless, self-executing platform. Within days, a SCOBY strain from the Himalayas could appear in a brew in Buenos Aires, its journey traced through open ledgers showing who tended, adapted, and shared it. Kombucha recipes were no longer jealously guarded secrets. They were open to anyone who wanted to brew. With a few clicks, a Guild member in Nairobi could download the blockchain-verified SCOBY genome that had won Gold at the Tokyo Fermentation Festival. Local biotech printers—as common in 2100 kitchens as microwave ovens had once been—could reconstitute the living culture cell by cell. Children began inheriting SCOBY lineages the way earlier generations inherited family names. Weddings combined SCOBY cultures as symbolic unions. (Let’s share our SCOBYs, baby, merge our ferments into one.) When someone died, their SCOBY was divided among friends and family—a continuation of essence through taste. Kombucha was no longer merely consumed; it was communed with. This transparency transformed kombucha from a minority regional curiosity into a universal language. A festival in Brazil might feature ten local interpretations of the same “Golden SCOBY” strain—one brewed with passionfruit, another with cupuaçu, a third with açaí berries. The core microbial signature remained intact, while the terroir of fruit and spice gave each version a unique accent. Brewers didn’t lose their craft—they gained a canvas. Award-winning SCOBYs were the foundations on which endless new flavor experiments flourished. Many people were now as prolific as William Esslinger, the founder of St Louis’s Confluence Kombucha, who was renowned for developing 800 flavors in the 2020s. Code of Symbiosis The Symbiosis Code, ratified at the first World Fermentation Gathering in Reykjavik (2063), bound Fermentation Guilds to three principles: Transparency — All microbial knowledge is to be shared freely. Reciprocity — No brew should be produced without acknowledging the source. Community — Every fermentation must nourish more than the brewer. This code replaced corporate law. It was enforced by reputation, not by governments. A Guild member who betrayed the code found their SCOBYs mysteriously refusing to thrive—a poetic justice the biologists never quite explained. Every Guild had elders—called Mothers of the Jar or Keepers of the Yeast. They carried living SCOBYs wrapped in silk pouches when traveling, exchanging fragments as blessings. These elders became moral anchors of the age, counselors and mediators trusted more than politicians. When disputes arose—over territory, resources, or ethics—brewers, not lawyers, met to share a round of Truth Brew, a ferment so balanced that it was said to reveal dishonesty through bitterness. The Fullness of Time The International Biotech Conference of 2052 invited Luna to give the closing keynote—a controversial decision that prompted several corporate sponsors to withdraw support. The auditorium was packed with supporters, critics, and the merely curious. “Nine years ago, I released genetic sequences for beer yeast strains protected as trade secrets. I was called a thief, a bioterrorist, worse. Today, I want to discuss what we’ve learned from those years of open-source biology.” She displayed a chart showing the explosion of brewing innovation since 2043. “In the traditional corporate model, a few companies control a few strains, producing a limited variety. With the open-source model, thousands of brewers using thousands of variants, producing infinite diversity. As Duff McDonald wrote “Anything that alive contains the universe, or infinite possibility. Kombucha is infinite possibility in a drink.” And the results speak for themselves—flavor innovation accelerated a thousand-fold when we removed corporate control.” A student activist approached the microphone. “Ms. Reyes, you’ve inspired movements to liberate seed genetics, soil bacteria, and traditional medicine cultures. The ‘Luna Legion’ is spreading globally. What’s your message to young people who want to continue this work?” Luna smiled. “First, understand the risks. I was sued by multinational corporations, received death threats, spent years fighting legal battles. This work has costs. Second, be strategic. Release information you’ve generated yourself through legal methods—no hacking, no theft. Third, build communities. I survived because people supported me—legally, financially, emotionally. You can’t fight corporations alone. Finally, remember why you’re doing it: to return biological knowledge to the commons where it belongs. That purpose will sustain you through the hard parts.” Teaching By twenty-eight, Luna was a MacArthur Fellow, teaching fermentation workshops in a converted Anheuser-Busch facility. As she watched her students—former corporate employees learning to think like ecosystems rather than factories—she reflected that her teenage hack had accomplished more than liberating yeast genetics. She had helped humanity remember that flavor, like knowledge, grows stronger when shared rather than hoarded. Luna’s garage had evolved into a sophisticated community biolab. The original jury-rigged equipment had been replaced with professional gear funded by her MacArthur Fellowship. Abuela Rosa still maintained her fermentation crocks in the corner—a reminder of where everything started. A group of five

Today, we're putting The Tonearm's needle on saxophonist and composer Miguel Zenón.A MacArthur Fellow, Guggenheim recipient, and Grammy winner, Miguel has spent over two decades creating music that connects jazz tradition with Puerto Rican rhythms and modern composition.He's here to talk about his latest release, Vanguardia Subterránea - his quartet's first live album, captured at the Village Vanguard with musicians he's played with for twenty years. Miguel and I first spoke in 2011 about his role as both an artist and an educator. Now, fourteen years later, we pick up that conversation as he reflects on what it means to document this long-running musical partnership in one of jazz's most sacred spaces.(The musical excerpts heard in the interview are from Miguel Zenón's album Vanguardia Subterránea)–Dig DeeperArtist and AlbumVisit Miguel Zenón at miguelzenon.com and follow him on Instagram, Facebook, YouTube, and BandcampPurchase Miguel Zenón Quartet's Vanguardia Subterránea: Live at The Village Vanguard from Bandcamp or Qobuz and listen on your streaming platform of choiceMiguel Zenón Quartet MembersLuis Perdomo (piano) - Visit luisperdomojazz.comHans Glawischnig (bass) - Visit hansglawischnig.comHenry Cole (drums) - Visit henry-cole.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on saxophonist and composer Miguel Zenón.A MacArthur Fellow, Guggenheim recipient, and Grammy winner, Miguel has spent over two decades creating music that connects jazz tradition with Puerto Rican rhythms and modern composition.He's here to talk about his latest release, Vanguardia Subterránea - his quartet's first live album, captured at the Village Vanguard with musicians he's played with for twenty years. Miguel and I first spoke in 2011 about his role as both an artist and an educator. Now, fourteen years later, we pick up that conversation as he reflects on what it means to document this long-running musical partnership in one of jazz's most sacred spaces.(The musical excerpts heard in the interview are from Miguel Zenón's album Vanguardia Subterránea)–Dig DeeperArtist and AlbumVisit Miguel Zenón at miguelzenon.com and follow him on Instagram, Facebook, YouTube, and BandcampPurchase Miguel Zenón Quartet's Vanguardia Subterránea: Live at The Village Vanguard from Bandcamp or Qobuz and listen on your streaming platform of choiceMiguel Zenón Quartet MembersLuis Perdomo (piano) - Visit luisperdomojazz.comHans Glawischnig (bass) - Visit hansglawischnig.comHenry Cole (drums) - Visit henry-cole.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Heather Christian is a singer, playwright, composer and recent winner of a MacArthur "genius grant."  Her compositions use spiritual music forms to explore themes as varied as ghosts, grief, the Odyssey and the Big Bang. She describes them as " choral-based complex music theater works." They are often presented in the round, in part to obliterate the hierarchy between audience and performers. "I'm interested in existence. I'm interested in unanswerable questions," she says in our interview. "Our lives have become so much about the in and out business of our civilization. The email, the phone alerts, the economy. When you zoom way way out, all of those things seem so arbitrary and small. I wanted [to] imagine what it would be like if we had the time, space and bandwidth to ask the big questions - like why and how we are here."  Heather's  two best known works are Animal Wisdom, which was staged in 2017, and Oratorio for Living things, which has been staged three times, including a string of extremely sold-out performances in 2022.  Originally from Natchez, Mississippi, Heather has lived in Beacon for 13 years, largely under the radar. "I've tried to keep a separation of church and state. Beacon is church," she says. "Beacon reminded me a lot of my hometown. There's something about river people. There's a reverence to the landscape you're inhabiting. We use it, it grounds us." 

If regenerative agriculture is about rebuilding the foundations of our food system, then soil is where that story starts.Geologist and author David Montgomery has spent decades tracing how the health of our soil shapes everything else: the nutrition in our food, the resilience of our farms, and the long-term fate of entire civilizations. What he shows is both sobering and energizing. We have degraded our soils at an astonishing pace, yet we now understand enough about how they actually work to turn the tide.In this conversation, David helps us zoom out. He connects the collapse of ancient societies to the vulnerabilities we see in modern industrial agriculture, and he lays out what farmers around the world are doing to rebuild soil faster than it erodes. If regeneration is the goal, soil biology is the map.In this episode, we get into: • How soil degradation has shaped the rise and fall of societies • The real consequences of erosion, tillage, and synthetic nitrogen • Why soil microbes are central to nutrient density and farm resilience • What regenerative farmers are proving about soil recovery timelines • Three core principles that can rebuild fertility at scale • Why technology must complement, not replace, ecological understanding • The policies and incentives needed to make soil health the baseline, not the exceptionMore about David:David R. Montgomery is a MacArthur Fellow and professor of geomorphology at the University of Washington. He studies landscape evolution and the effects of geological processes on ecological systems and human societies. An author of award-winning popular-science books, he has been featured in documentary films, network and cable news, and on a wide variety of TV and radio programs. His books have been translated into ten languages. He lives in Seattle with his wife, and co-author, Anne Biklé. Their latest book What Your Food Ate: How to Heal Our Land and Reclaim Our Health was published summer 2022. Connect with them at www.dig2grow.com.Agrarian Futures is produced by Alexandre Miller, who also wrote our theme song. This episode was edited by Drew O'Doherty.

This episode of then & now features a panel from the “Future of History” conference moderated by UCLA Professor Brenda Stevenson, an award-winning historian of race, gender, slavery, and community. She introduces three UCLA historians whose work spans the U.S. and the globe: Professor Kelly Lytle Hernández, a MacArthur Fellow and leading scholar of race, immigration, and mass incarceration; Professor Sanjay Subrahmanyam, Distinguished Professor and global historian of the early modern world; and Professor Vivien Tejada, a rising scholar of 19th-century African American and Native American history. Lytle Hernández details her public-facing work, including Million-Dollar Hoods and Mapping Deportations, and her efforts with the Zinn Education Project to support teachers nationwide. Subrahmanyam draws on experiences teaching in Europe, South America, and India to outline global anxieties about the U.S. academy. Tejada emphasizes how the abrupt reversal of post-2020 hiring initiatives threatens future scholarship in Black, Native, and Latinx history.Together, the panelists explore the role of historians in shaping public narratives, covering topics such as “patriotic history,” big-data projects, archival access, controversy around AI, and the teaching of writing and critical literacy. They reflect on internal debates within the field: DEI backlash, community engagement, shrinking academic resources, objectivity, “woke-ism,” and the legacy of the Ginzburg–Hayden White debate. Brenda Stevenson holds the inaugural Hillary Rodham Clinton Chair in Women's History at St. John's College, Oxford University and the Nickoll Family Endowed Chair in History at UCLA. She is an internationally recognized scholar whose work bridges race, slavery, gender, family, and community in the United States and beyond. Her most recent book What is Slavery? was published by Cambridge University Press.Professor Kelly Lytle Hernández holds The Thomas E. Lifka Endowed Chair in History at UCLA. One of the nation's leading experts on race, immigration, and mass incarceration, she is the author of many award-winning books including Migra! A History of the U.S. Border Patrol and Bad Mexicans: Race, Empire, and Revolution in the Borderlands. For her historical and contemporary work, Professor Lytle Hernández was named a 2019 MacArthur “Genius” Fellow. Sanjay Subrahmanyam is the Distinguished Professor of History and Irving & Jean Stone Chair in Social Sciences at UCLA. A specialist of the early modern period (15th-18th centuries), his work ranges between studies of India and the Indian Ocean, the early modern European empires, and reflections on global history as a field of research. In 2024, he published Across the Green Sea: Histories from the Western Indian Ocean, 1440-1640 (Austin: University of Texas Press, 2024), with UK and Indian editions. Vivien Tejada is an Assistant Professor of U.S. history at UCLA. She is a scholar of the nineteenth-century United States with a focus on the Civil War era. Her research interests lie in the intersections between Native American history and African American history. Her current project, “Unfree Soil: Empire, Labor, and Coercion in the Upper Mississippi River Valley, 1812-1861,” examines the relationship between slavery and conquest in the Upper Midwest. 

Dr. Tressie McMillan Cottom – MacArthur Genius award winner and brilliant chronicler of our times – unmasks the American stories that got us to this place—and explains, with amazing precision and clarity, how we can imagine our way out.  We discuss:  - How the MAGA story broke through and became the winning story; - How money hijacked democracy;  - The little-known history of the Black Panther party of the American South;  - Why Responsibility is Freedom; - How to frame and reclaim the American story through radical humanity: art, truth, creativity, and community.  Join us for this riveting, smart, funny conversation about power, hope, and writing a freer future.  About Tressie:  Dr. Tressie McMillan Cottom is a professor and principal investigator with the Center for Information, Technology, and Public Life at the University of North Carolina-Chapel Hill, NY Times columnist, and 2020 MacArthur Fellow. Her work has earned national and international recognition for the urgency and depth of its incisive critical analysis of technology, higher education, culture, media, class, race, and gender. Recent accolades include being named the 2023 winner of the Joseph B. and Toby Gittler Prize by Brandeis University for her “critical perspective and analysis to some of the greatest social challenges we face today,” the recipient of the 2025 Thomas Wolfe Prize, and a 2025-26 National Humanities Center Fellow. Her most recent book, THICK: And Other Essays was listed as one the 30 best nonfiction books of the last 30 years by the L.A. Times Festival of Books. Two books are forthcoming with Random House Books. Follow Tressie:  @tressiemcphd on Instagram  @tressiemcphd.bsky.social on Bluesky  Follow We Can Do Hard Things on: Youtube — @wecandohardthingsshow   Instagram — @wecandohardthingsTikTok — @wecandohardthingshow

Host Dave Schlom visits with brand new MacArthur Fellowship award winner Kareem El-Badry, an astrophysicist at the California Institute of Technology in Pasadena.

In Everyday Guardians, the podcast series of the Securing the Future of Space campaign, we speak with people who are helping to build a more resilient, sustainable and secure orbital environment – whether through technology, policy or ethical leadership. Securing the Future of Space is underwritten by the American Space Exploration Fund.  In the fifth episode, we hear from Moriba Jah, President and Co-founder of GaiaVerse.  Moriba Jah is a world-leading space environmentalist, astrodynamicist, and social justice advocate, a MacArthur Fellow and Professor of Aerospace Engineering at the University of Texas at Austin, where he holds the Mrs. Pearlie Dashiell Henderson Centennial Fellowship. He directs the Jah Decision Intelligence Group at the Oden Institute for Computational Engineering and Sciences. He also serves as Chief Scientist at Privateer and Co-founder of Moriba Jah Universal.

Episode 2, First Environment: Katsi Cook, a Mohawk midwife, activist, created the Woman is the First Environment Collaborative, a program that uplifts community-based projects and empowers Native women across generations. Robin Wall Kimmerer, a MacArthur Fellow and author of the New York Times best-seller Braiding Sweetgrass. The Rematriated Voices series brings together some of the most influential Indigenous voices of our time to share knowledge, values, and solutions urgently needed in a world grappling with division, ecological crisis, and social upheaval. Each episode highlights how Haudenosaunee principles, rooted in matrilineal culture, ecological balance, and collective responsibility, offer powerful frameworks for addressing issues such as democracy, land justice, food sovereignty, and the societal obligations to future generations. This is Episode 2. Image: From left: Michelle Schenandoah, host of Rematriated Voices and founder of Rematriation. Katsi Cook, a Mohawk midwife, activist, and creator of the Woman is the First Environment Collaborative, a program that uplifts community-based projects and empowers Native women across generations. Robin Wall Kimmerer, a MacArthur Fellow and author of the New York Times best-seller Braiding Sweetgrass.

What does it take to keep creating, even after dozens of false starts? In this deeply insightful encore episode, I'm sharing my conversation with the legendary author Edwidge Danticat.  Edwidge shares how she found her own voice as a writer and offers a candid look into her artistic practice today. We talk about the "dance with fear", and the "20 notebooks of false starts" for her current novel, and the practical mindset it takes to push through creative blocks.  This is a powerful and reassuring conversation for any creator who has ever felt stalled by perfectionism or self-doubt. Chapters 00:00 - Introduction to Edwidge Danticat 02:30 - The Oral Storytellers of a Haitian Childhood 04:30 - From Listening to Writing: Discovering the Power of Books 06:55 - Finding a Voice and First Publications 09:20 - Choosing Art Over a Prescribed Path 11:30 - The Dance with Fear: Navigating Self-Doubt and Perfectionism 14:50 - The 20 Notebooks: A Look into the Creative Process 18:10 - Learning to Trust Your Own Process 20:10 - A Message to Her Younger Self   Connect with Edwidge:   Edwidge's Website: https://edwidgedanticat.com/   Support the Show Website: http://www.martineseverin.comFollow on Instagram: @martine.severin | @thisishowwecreate_ Subscribe to the Newsletter: http://www.martineseverin.substack.com This is How We Create is produced by Martine Severin. This episode was edited by Daniel Espinosa.   Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

Pioneer, MacArthur Fellow, and nurse-midwife Ruth Watson Lubic, EdD, RN, CNM, FAAN, FACNM opened the nation's first freestanding birth center in 1975, challenging a system where women often had little voice in their own maternity care. In this SEE YOU NOW Insight, she reflects on the movement that grew from one center in New York City to more than 350 across the country, and the transformational power of centering families in childbirth.  To listen to this Insight clip's full episode visit SEE YOU NOW Podcast Episode 6: Empowering Childbirth at APPLE, SPOTIFY, YouTube, or at your favorite streaming platform. For more information on the podcast bundles, visit ANA's Innovation Website at https://www.nursingworld.org/practice-policy/innovation/education.  Have questions or feedback for the SEE YOU NOW team?  Future episode ideas? Contact us at hello@seeyounowpodcast.com.     

For Senate Democrats this is a big week for defiance. At last they are making popular demands as part of a deal to pass a budget and avoid a government shutdown. But Trump still holds a lot of cards. Harold Meyerson will comment.Also: None of us were prepared for the double whammy of last week's White House press conference, where Trump made false claims not only about vaccines but also about Tylenol causing autism. We'll have analysis from Gregg Gonsalves. He teaches at the Yale School of Public Health; he's been an AIDS activist for 30 years; and he's also a MacArthur Fellow—class of 2018. And he's The Nation's public health correspondent. And Steve Almond talks about the trouble with football - the thousands of concussions from "hits" that leave players with brain damage - for our entertainment. His book is "Against Football." (originally broadcast in 2015)

For the Senate Democrats this is a big week for defiance. At last they are making popular demands as part of a deal to pass a budget and avoid a government shutdown. But Trump still holds a lot of cards. Harold Meyerson will comment.Also: None of us were prepared for the double whammy of last week's White House press conference, where Trump made false claims not only about vaccines, but also about Tylenol causing autism. We'll have analysis from Gregg Gonsalves. He teaches at the Yale School of Public Health; he's been an AIDS activist for 30 years; and he's also a MacArthur Fellow -- class of 2018. And he's The Nation's public health correspondent. Our Sponsors:* this is a paid advertisement from BetterHelp. Check out BetterHelp: https://betterhelp.com/THENATIONAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For the Senate Democrats this is a big week for defiance. At last they are making popular demands as part of a deal to pass a budget and avoid a government shutdown. But Trump still holds a lot of cards. Harold Meyerson will comment.Also: None of us were prepared for the double whammy of last week's White House press conference, where Trump made false claims not only about vaccines, but also about Tylenol causing autism. We'll have analysis from Gregg Gonsalves. He teaches at the Yale School of Public Health; he's been an AIDS activist for 30 years; and he's also a MacArthur Fellow -- class of 2018. And he's The Nation's public health correspondent. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Bio: Jim Fruchterman is a leading social entrepreneur, author, MacArthur Fellow, recipient of the Skoll Award for Social Entrepreneurship, and Distinguished Alumnus of Caltech. After starting two successful for-profit AI companies, he went on to found Benetech, the award-winning tech nonprofit, building tools for people with disabilities and human rights defenders document and analyze abuses.  His current nonprofit projects at Tech Matters include Aselo, a shared modern contact center for the crisis response field; Terraso, software for the people on the front line of the climate crisis; and the Better Deal for Data, a data governance reform movement.    This episode is sponsored by the coaching company of the host, Paul Zelizer. Consider a Strategy Session if you can use support growing your impact business. Resources mentioned in this episode include: Benetech site Bookshare site Aselo site Terrasoul site Tech for Good book Paul's Strategy Sessions Pitch an Awarepreneurs episode

What if the conventional narrative of the 1960s civil rights era, by its very nature, limits the success, legal achievements, and persistence of Black Americans for generations? In Before the Movement: The Hidden History of Black Civil Rights, author Dylan C. Penningroth maintains that the fight for civil rights didn't begin with famous marches and courtroom cases of the 1960s. Instead, his research stretches from the last decades of slavery to the 1970s, and challenges nearly every aspect of our traditional understanding of civil rights history as we know it.rnrnDrawing on long-forgotten sources found in the basements of county courthouses across the nation, Penningroth centers the everyday lives of Black Americans and sheds light on their centuries-long tradition of legal knowledge to assert their rights, protect their families, and shape their communities.rnrnDylan C. Penningroth is a professor of law and Morrison Professor of history at the University of California, Berkeley. He specializes in African American history and legal history and is a MacArthur Fellow. Before the Movement won eleven book prizes and was shortlisted for four more. He is also the author of the award-winning book, The Claims of Kinfolk: African American Property and Community in the Nineteenth-Century South.

In this longer-than-usual podcast from 2013, Jennifer Williams talks to Kay Ryan, American poet, educator and 16th United States Poet Laureate. Kay was a 2011 MacArthur Fellow, won the Pulitzer Prize for Poetry and received the National Humanities Medal from President Barack Obama, among many other awards and accolades. She was in Edinburgh to read at the Edinburgh International Book Festival as part of a tour including Snape Maltings Concert Hall in Aldeburgh and Dromineer Literature Festival. Before Jennifer and Kay headed out to conquer Arthur's Seat and to sample Kay's very first can of Irn-Bru, they read and discussed a number of poems from Kay's Odd Blocks-Selected and New Poems (Carcanet). They also talked about such varied topics as Buddhism, cycling across America, ‘cool' poetry, the ticklish delights of rhyme and much more.

MacArthur Fellow and tap visionary Michelle Dorrance joins Conversations on Dance for a live podcast recording with hosts Rebecca King Ferraro and Michael Sean Breeden. A festival mainstay, Dorrance shares insight into her newest work, The Center Will Not Hold, co-created with b-girl and choreographer Ephrat Asherie. Following last year's sold-out performance, this new evening-length piece blends rhythm tap with a wide range of street, club, and social dances—brought to life by an electric ensemble and live music by composer Donovan Dorrance and percussionist John Angeles. Gain a behind-the-scenes look into Dorrance's creative process, her collaborative spirit, and how she continues to expand the boundaries of tap dance. This episode is brought to you by Discover Vail and was recorded live from the Vail Dance Festival on July 28, 2025.Tickets to Conversations on Dance at the 2025 Vail Dance Festival on sale now! https://vaildance.org/conversations-on-dance/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Jason Reynolds is a #1 New York Times bestselling author and 2024 MacArthur Fellow who writes books for young people – but he didn't finish a book until he was 17. Instead, Jason found his literary voice in the rap lyrics printed in cassette tape liner notes. In this episode, Jason traces his journey from a kid disconnected from his assigned reading in school to becoming one of the most influential voices in young adult literature. He opens up about his fraught relationship with his father, spinning Bob Marley records by hand on a broken turntable, and why he doesn't want to be a parent despite having “dedicated [his] life to kids.” Here are his songs. Queen Latifah - U.N.I.T.Y. Goodie Mob - Soul Food Tracy Chapman - Talkin' Bout a Revolution Bob Markey & The Wailers - Is This Love Camp Lo - Luchini AKA This Is it Billy Joel - Vienna Clarence Carter - Patches

This Flashback Friday and 10th show is from episode 340, published last Sep 25, 2013. Renowned author, physiologist, evolutionary biologist and bio geographer, Dr. Jared Diamond, joins Jason Hartman for a discussion of his newest book, The World Until Yesterday. Dr. Diamond's unique background has shaped his integrated version of human history. He posits that success – and failure – depends on how well societies adapt to their changing environment. Dr. Diamond is also a medical researcher and professor of physiology at the UCLA School of Medicine. His book "Guns, Germs and Steel" won a Pulitzer Prize and "The Third Chimpanzee" was a best-selling award winner. Elected to the American Academy of Arts and Sciences, the National Academy of Sciences and the American Philosophical Society, Professor Diamond is a MacArthur Fellow who has published over 200 articles in Discover, Natural History, Nature and Geo magazines. In his books Guns, Germs and Steel and Collapse (and the popular PBS and National Geographic documentaries they inspired), big-picture scholar Jared Diamond explores civilizations and why they all seem to fall. Now in his latest book, The World Until Yesterday, Diamond examines the traditional societies of New Guinea -- and discovers that modern civilization is only our latest solution to survival.     Follow Jason on TWITTER, INSTAGRAM & LINKEDIN Twitter.com/JasonHartmanROI Instagram.com/jasonhartman1/ Linkedin.com/in/jasonhartmaninvestor/ Call our Investment Counselors at: 1-800-HARTMAN (US) or visit: https://www.jasonhartman.com/ Free Class:  Easily get up to $250,000 in funding for real estate, business or anything else: http://JasonHartman.com/Fund CYA Protect Your Assets, Save Taxes & Estate Planning: http://JasonHartman.com/Protect Get wholesale real estate deals for investment or build a great business – Free Course: https://www.jasonhartman.com/deals Special Offer from Ron LeGrand: https://JasonHartman.com/Ron Free Mini-Book on Pandemic Investing: https://www.PandemicInvesting.com  

In Part 2 of our discussion on Homer's Iliad, translator Emily Wilson returns to discuss the red and gold cover design of the Norton Library edition, recount her decision to recreate a new translation of the epic, and give a performance in the original ancient Greek. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.To learn more or purchase a copy of the Norton Library edition of The Iliad, go to https://wwnorton.com/books/9781324102076. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Homer's Iliad, we welcome translator Emily Wilson to discuss Homer's life as an "author," the meaning of free will in the context of intervention from gods, and how the relationship between Achilles and Patroclus shapes the climax of the epic. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.To learn more or purchase a copy of the Norton Library edition of The Iliad, go to https://wwnorton.com/books/9781324102076.  Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Here are some highlights from our episode with the #1 NYTimes bestselling, National Book Award-winning, former National Ambassador for Young People's Literature Jacqueline Woodson:   Starting stories with questions Writing "quiet" books that speak loudly The wisdom of young people, especially before that wisdom is silenced Deconstructing “show don't tell” How to write about complicated topics with honesty and hope Separating yourself as a writer from the character and the story The questions Jackie is wrestling with right now Some things that have (and haven't) changed about publishing   Jacqueline Woodson is an American writer of books for adults, children, and adolescents. She is best known for her National Book Award-Winning memoir Brown Girl Dreaming, and her Newbery Honor-winning titles After Tupac and D Foster, Feathers, and Show Way. Her picture books The Day You Begin and The Year We Learned to Fly were NY Times Bestsellers. After serving as the Young People's Poet Laureate from 2015 to 2017, she was named the National Ambassador for Young People's Literature by the Library of Congress for 2018–19. She was awarded the Hans Christian Andersen Medal in 2020. Later that same year, she was named a MacArthur Fellow.   Links from the episode: Mychal Threet's “The Library Is for Everyone” shirt via Out of Print The Baldwin Fellowship Program Harbor Me by Jacqueline Woodson Before the Ever After by Jacqueline Woodson The Other Side by Jacqueline Woodson After Tupac and D Foster by Jacqueline Woodson

Edwidge Danticat joins Deborah Treisman to read and discuss “Two Men Arrive in a Village,” by Zadie Smith, which was published in The New Yorker in 2016. Danticat, a MacArthur Fellow and a winner of the Vilcek Prize in Literature, has published six books of fiction, including “Breath, Eyes, Memory,” “The Farming of Bones,” “Claire of the Sea Light,” and “Everything Inside.” Her memoir “Brother, I'm Dying” won the National Book Award and the Dayton Literary Peace Prize, among others. She has been publishing fiction and nonfiction in The New Yorker since 1999. Learn about your ad choices: dovetail.prx.org/ad-choices

Host Jason Blitman talks to Jonathan Van Ness and Julie Murphy (Let Them Stare) about astrology, the names of our teenage cars, and early inspirations for their book. And Crock Pots. And British accents. And Nobu. They talk about a lot. Jason is then joined by queer icon Alison Bechdel who shares what she's been reading and talks about her new graphic novel, Spent.   Julie & JVN Publisher's Weekly ArticleJonathan Van Ness is an Emmy-winning television personality, 3x New York Times bestselling author, podcaster, comedian, celebrity hairstylist, and founder of JVN Hair. He stars on Netflix's Emmy Award–winning reboot series Queer Eye, where he shines as the hair guru and self-care advocate; and he hosts the popular podcast Getting Better with Jonathan Van Ness.Julie Murphy splits her time between North Texas and Kansas with her husband, who loves her, and her cats, who tolerate her. When Julie isn't writing, she can be found watching movies so bad they're good, hunting for the perfect slice of cheese pizza, or planning her next great travel adventure. She is the author of the middle grade novels Dear Sweet Pea and Camp Sylvania as well as the young adult novels Ramona Blue, Side Effects May Vary, the Faith series, Pumpkin, Puddin', and Dumplin' (now a Netflix original film).Alison Bechdel's cult following for her early comic strip Dykes to Watch Out For expanded wildly for her family memoirs, the New York Times bestselling and Time magazine #1 Book of the Year graphic memoir Fun Home, adapted into a Tony Award–winning musical, and Are You My Mother? Most recently, The Secret to Superman Strength was named a New York Times Best Graphic Novel of 2021. Bechdel has been named a MacArthur Fellow, among many other honors.SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.com WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

Host Mitch Jeserich reads excerpts of the Iliad by Homer and translated by Emily Wilson. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern scholarship, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. Support KPFA!! Ancient Tales 3-Pack $250 The post The Iliad: War, Rage, and Sorrow appeared first on KPFA.

A heavy complexity is on the shoulders of the young of our species in these years —  humans growing up in this time. At the same time, from the digital revolution and AI to the ecology and society, they have wisdom and instincts in their bones that will be essential if we are all to flourish and not merely survive this century. In November 2024, the Georgetown University Collaborative on Global Children's Issues brought Krista together with esteemed children's and young adult writer Jason Reynolds and Georgetown student Kessley Janvier. The encounter between the three of them spans generations from the 20s to the 40s to the 60s and extended out to a room of people of all ages and walks of life. The wisdom that unfolded is as much about who we will be and how we will be as what we have before us to do, each in our own lives.Jason Reynolds is a New York Times bestselling author of over 20 books for children and young adults. From 2020–2022 he served as National Ambassador for Young People's Literature. Among many honors, he has received the Newbury, Printz, and Coretta Scott King awards and in 2024 was named a MacArthur Fellow. He is on faculty at Lesley University for the Writing for Young People MFA Program.Kessley Janvier is a senior at Georgetown University, majoring in history. She's former president of the Georgetown University NAACP.  She has organized around reparations, as part of Hoyas Advocating for Slavery Accountability, and she has also led efforts to promote climate justice, police accountability, and racial justice.Special thanks this week to Gillian Huebner, Ian Manzi, Rabbi Rachel Gartner and Derek Goldman. On Being Young in America was sponsored by the Culture of Encounter Project and was convened by the Collaborative on Global Children's Issues, the Berkley Center for Religion, Peace, and World Affairs, and the Laboratory for Global Performance and Politics at Georgetown University in collaboration with The On Being Project.Find an excellent transcript of this show, edited by humans, on our show page. Sign yourself and others up for The Pause to be on our mailing list for all things On Being and to receive Krista's monthly Saturday morning newsletter, including a heads-up on new episodes, special offerings, recommendations, and event invitations.

The Power of Storytelling is a special collaboration episode between Minorities in Publishing and the Restorative Works! Podcast. Through the power of storytelling, we aim to engage powerful leaders and activists in conversations around keeping hope in dire times; giving back power to communities; radical empathy; arts as means to tell real life stories, and the effects of genuine engagement in community resilience. Listen to critical storytellers and educators including Jennifer Coreas, Reginald Dwayne Betts, and Tiffany Yu, who have been foundational in bringing awareness to societal issues and community movements through storytelling and literacy. Tune in to hear these influential voices speak on the power of transforming stories into actionable change in the worlds of criminal justice, disability awareness, and publishing.  Participant Bios Jennifer Baker is an author, editor, writing instructor, and creator of the Minorities in Publishing podcast. She's been a recipient of NYSCA/NYFA and Queens Council on the Arts grants, a 2024 Axinn Writing Award, and was named the Publishers Weekly Star Watch SuperStar in 2019. She edited the short story anthology Everyday People: The Color of Life (2018) and is the author of Forgive Me Not (2023) a 2023 Los Angeles Times Book Prize finalist, an NYPL 2023 Best Book for Teens, and 2023 Best of the Best by the BCALA.  Claire de Mézerville López is a licensed psychologist from UCR (Universidad de Costa Rica). She holds a Master in Education with an emphasis on cognitive development from ITESM (Instituto Tecnológico de Estudios Superiores de Monterrey, México). She also has a Master of Science in Restorative Practices from the IIRP Graduate School. She is also an associate professor at Universidad de Costa Rica, and has experience as a therapist, researcher, and consultant. Claire has published papers on adolescence, restorative practices, resilience and educational psychology. Claire has worked with the IIRP since 2011. Currently, among other duties, serves as a liaison to Spanish-speaking communities and organizations in Latin America and elsewhere Reginald Dwayne Betts is a poet and lawyer. A 2021 MacArthur Fellow, he is the Executive Director of Freedom Reads, a not-for-profit organization that is radically transforming the access to literature in prisons through the installation of Freedom Libraries in prisons across this country. Betts has authored several books including the poetry collections Bastards of the Reagan Era and Felon. Jennifer Coreas is the coordinator and cofounder of the program Literacy for Reconciliation for ConTextos in El Salvador and Chicago. Her work extends from curriculum development and teaching to advocacy, training, and facilitation of dialogue. She has led the work and the vision for ConTextos's work in prisons and communities, accompanied authors in their journeys of self-discovery, and brought their stories to hundreds of teachers, psychologists, and social workers in professional development spaces. She has been recognized with numerous fellowships and scholarships including the Rocky Gooch Memorial Scholarship and the Esperanza Fellowship. She holds degrees from El Salvador in English as a second language and applied linguistics, and she received a master's degree in English from Middlebury College in 2018. Tiffany Yu is the CEO & Founder of Diversability, an award-winning social enterprise to elevate disability pride, the Founder of the Awesome Foundation Disability Chapter, and the author of The Anti-Ableist Manifesto: Smashing Stereotypes, Forging Change, and Building a Disability-Inclusive World. Her TED Talk, How to Help Employees with Disabilities Thrive, has over one million views.  She serves on the NIH National Advisory Board on Medical Rehabilitation Research and was a Co-Chair of the World Economic Forum Sustainable Development Impact Summit. At the age of 9, Tiffany became disabled as a result of a car accident that also took the life of her father.

The Power of Storytelling is a special collaboration episode between Minorities in Publishing and the Restorative Works! Podcast. Through the power of storytelling, we aim to engage powerful leaders and activists in conversations around keeping hope in dire times; giving back power to communities; radical empathy; arts as means to tell real life stories, and the effects of genuine engagement in community resilience. Listen to learn from critical storytellers and educators including Jennifer Coreas, Reginald Dwayne Betts, and Tiffany Yu, who have been foundational in bringing awareness to societal issues and community movements through storytelling and literacy.  Jennifer Baker is an author, editor, writing instructor, and creator of the Minorities in Publishing podcast. She's been a recipient of NYSCA/NYFA and Queens Council on the Arts grants, a 2024 Axinn Writing Award, and was named the Publishers Weekly Star Watch SuperStar in 2019. She edited the short story anthology Everyday People: The Color of Life (2018) and is the author of Forgive Me Not (2023) a 2023 Los Angeles Times Book Prize finalist, an NYPL 2023 Best Book for Teens, and 2023 Best of the Best by the BCALA.  Jennifer Coreas is the coordinator and cofounder of the program Literacy for Reconciliation for ConTextos in El Salvador and Chicago. Her work extends from curriculum development and teaching to advocacy, training, and facilitation of dialogue. She has led the work and the vision for ConTextos's work in prisons and communities, accompanied authors in their journeys of self-discovery, and brought their stories to hundreds of teachers, psychologists, and social workers in professional development spaces. She has been recognized with numerous fellowships and scholarships including the Rocky Gooch Memorial Scholarship and the Esperanza Fellowship. She holds degrees from El Salvador in English as a second language and applied linguistics, and she received a master's degree in English from Middlebury College in 2018. Reginald Dwayne Betts is a poet and lawyer. A 2021 MacArthur Fellow, he is the Executive Director of Freedom Reads, a not-for-profit organization that is radically transforming the access to literature in prisons through the installation of Freedom Libraries in prisons across this country. Betts has authored several books including the poetry collections Bastards of the Reagan Era and Felon. Tiffany Yu is the CEO & Founder of Diversability, an award-winning social enterprise to elevate disability pride, the Founder of the Awesome Foundation Disability Chapter, and the author of The Anti-Ableist Manifesto: Smashing Stereotypes, Forging Change, and Building a Disability-Inclusive World. Her TED Talk, How to Help Employees with Disabilities Thrive, has over one million views.  She serves on the NIH National Advisory Board on Medical Rehabilitation Research and was a Co-Chair of the World Economic Forum Sustainable Development Impact Summit. At the age of 9, Tiffany became disabled as a result of a car accident that also took the life of her father. Tune in to hear these influential voices speak on the power of transforming stories into actionable change in the worlds of criminal justice, disability awareness, and publishing. 

In Connecting Dots: A Blind Life, inventor Josh Miele recounts his life story and path to becoming an accessibility designer.When inventor and scientist Josh Miele was 4 years old, a neighbor poured sulfuric acid on his head, burning and permanently blinding him. In his new book Connecting Dots: A Blind Life, Miele chronicles what happened afterwards, growing up as a blind kid, and how he built his career as an inventor and designer of adaptive technology.Host Flora Lichtman talks with Dr. Joshua Miele, an Amazon Design Scholar and MacArthur Fellow, or “Genius Grant” recipient. They talk about the inspiration for the book, how he grew into his career, and how disabled people need to be included in the technology revolution.Transcript for this segment will be available after the show airs on sciencefriday.com.  Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

Hanif Abdurraqib is a MacArthur Fellow, accomplished poet, and critically lauded author of numerous books, including There's Always This Year: On Basketball and Ascension, which is now out in paperback. He's also a person who deals with major depressive disorder and numerous anxiety disorders. In a revealing, positive, and practical interview, Hanif talks about the numerous ways he cares for his mental health issues by both taking care of himself and building a strong community of other people around him to lean on.Thank you to all our listeners who support the show as monthly members of Maximum Fun.Check out our I'm Glad You're Here and Depresh Mode merchandise at the brand new merch website MaxFunStore.com!Hey, remember, you're part of Depresh Mode and we want to hear what you want to hear about. What guests and issues would you like to have covered in a future episode? Write us at depreshmode@maximumfun.org.Depresh Mode is on BlueSky, Instagram, Substack, and you can join our Preshies Facebook group. Help is available right away.The National Suicide Prevention Lifeline: 988 or 1-800-273-8255, 1-800-273-TALKCrisis Text Line: Text HOME to 741741.International suicide hotline numbers available here: https://www.opencounseling.com/suicide-hotlines 

The Scottsdale Museum of Contemporary Art is facing controversy after making changes to a traveling art exhibit. Hear what's changed and why critics are upset. Plus, a MacArthur Fellow on how to translate Homer for a modern audience.

Reginald Dwayne Betts spent more than eight years in prison. Today he's a Yale Law graduate, a MacArthur Fellow, and a poet. His nonprofit works to build libraries in prisons so that more incarcerated people can find hope. SOURCES:Reginald Dwayne Betts, founder and director of Freedom Reads, award-winning poet, and lawyer. RESOURCES:Doggerel: Poems, by Reginald Dwayne Betts (2025).“The Poet Writing on Prison Underwear,” by Adam Iscoe (The New Yorker, 2023).The Voltage Effect, by John List (2022).“If We Truly Believe in Redemption and Second Chances, Parole Should Be Celebrated,” by Reginald Dwayne Betts (The Washington Post, 2021).Insurrections, by Rion Scott (2016).The Secret History of Wonder Woman, by Jill Lepore (2014).Zen and the Art of Motorcycle Maintenance: An Inquiry into Values, by Robert M. Pirsig (1974).The Black Poets, by Dudley Randall (1971).“For Freckle-Faced Gerald,” by Etheridge Knight (Poems from Prison, 1968).Felon: An America Washi Tale, by Reginald Dwayne Betts.Freedom Reads. EXTRAS:“Can a Moonshot Approach to Mental Health Work?” by People I (Mostly) Admire (2023).“Can Data Keep People Out of Prison?” by People I (Mostly) Admire (2023).“The Price of Doing Business with John List,” by People I (Mostly) Admire (2022).“Why Do Most Ideas Fail to Scale?” by Freakonomics Radio (2022).

Jericho Brown joins Kevin Young to read, “When,” by Elizabeth Alexander, and his own poem, “Colosseum.” Jericho Brown, who received the 2020 Pulitzer Prize in poetry for his collection “The Tradition.” He's a 2024 MacArthur Fellow and a Chancellor of the Academy of American Poets. Learn about your ad choices: dovetail.prx.org/ad-choices

  Housing justice isn't just about where we live—it's about power, equity, and the future of our communities. In this episode, Keeanga-Yamahtta Taylor, Hughes-Rogers Professor of African American Studies at Princeton University, and Majora Carter, real estate developer, urban revitalization strategist, and MacArthur Fellow, examine the systemic racism baked into housing policies and the economic forces that shape our neighborhoods. Taylor underscores the need for grassroots activism, while Carter shares her work on reversing the brain drain in low-status communities like the South Bronx. Together, they push for a fundamental shift in how we think about housing, development, and opportunity.

For Black identity, the color blue goes beyond the sky and water and speaks to the fabric of daily life. Imani Perry is a National Book Award–winning author, Henry A. Morss Jr. and Elisabeth W. Morss Professor of Studies of Women, Gender, and Sexuality and of African and African American Studies at Harvard University, and a 2023 MacArthur Fellow. She joins host Krys Boyd to talk about the significance of the color from indigo cultivation, singing the blues, even how “Blue Lives Matter” was used to counteract “Black Lives Matter” protests. Her book is “Black in Blues: How a Color Tells the Story of My People.”   Learn about your ad choices: dovetail.prx.org/ad-choices

We pay tribute to the late Mike Davis to explore the ongoing ecological crises facing Southern California and the socio-political dynamics that shape our responses to disaster. This is an intellectual tour de force as Davis goes deep in this recording from 1995 at the architectural school SCI-Arc, where he taught at the time. He outlines the history of damage caused by natural disasters in Southern California. Popular culture seems fascinated with the destruction of Los Angeles, and most recent events have breathed life into that narrative. Support the Podcast via PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Davis discusses the complexity of California's Mediterranean climate, arguing for a new “environmental epistemology.” He calls for a rethinking of California's resource and disaster planning. Noting the extreme hydroclimatic shifts throughout California history, he suggests a disruption of capitalist hydraulic civilization in California is inevitable–and here we are. We are in serious need of an environmental rethink in any rebuilding–or rewilding–plans. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio More Mike Davis: https://wilderutopia.com/ecojustice-radio/tribute-to-the-late-urban-history-provocateur-mike-davis/ Sources: Full show of Mike Davis 1995 Presentation from SCI-Arc https://youtu.be/evJpgKQ6YWU?si=oPJ_rzpI-45oIHys Mike Davis, who passed away in 2022, was a writer and urban theorist who is most known for his work demythologizing the fractured wild-urban landscape of Southern California. Once a meat cutter and a truck driver, he was Professor Emeritus at University of California, Riverside, a Macarthur Fellow, and the author of more than 20 books. He is best known for his investigations of power and social class in works such as City of Quartz: Excavating the Future in Los Angeles (1990) and Late Victorian Holocausts (2001). In this show we focus on his book, “The Ecology of Fear: Los Angeles and the Imagination of Disaster.” Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He writes a column on PBS SoCal called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 247 Photo credit: Ecology of Fear cover

This week's guest is Dr. Ruha Benjamin, Alexander Stewart 1886 Professor of African American Studies at Princeton University and Founding Director of the IDA B. WELLS Just Data Lab. Benjamin was recently named a 2024 MacArthur Fellow, and she's written and edited multiple books, including 2019's Race After Technology and 2022's Viral Justice. Last week she joined Justin Hendrix to discuss her latest book, Imagination: A Manifesto, published this year by WW Norton & Company.

Majora Carter, a pioneering real estate developer, urban revitalization strategist, and MacArthur Fellow, shares her journey from growing up in the South Bronx to becoming a leader in community development. Majora has dedicated her career to transforming underserved communities into thriving, inclusive local economies. Through innovative talent-retention strategies, she works to combat systemic racism, reverse brain drain, and foster wealth-building opportunities for demographics often left out of economic growth.In this conversation, Majora discusses the systemic issues of race and class that have shaped her community, the impact of white flight on real estate, and her first real estate deal. Majora emphasizes the importance of creating spaces that retain talent and foster community engagement, highlighting her notable projects like the Boogie Down Grind Cafe and Bronxlandia. She highlights the rich hip hop heritage of the Bronx, the importance of creating community spaces, and the challenges of affordable housing. She highlights the detrimental effects of concentrating poverty and the need for innovative solutions in urban development. Carter emphasizes the role of systemic racism in shaping urban landscapes and advocates for a talent retention approach to community development, as outlined in her book 'Reclaiming Your Community.'Get the book, Reclaiming Your CommunityIf you enjoy our content, you can check out similar content from our fellow creators at Gābl Media. Spaces Podcast Spaces Podcast website Spaces Podcast // Gābl Media All rights reserved Mentioned in this episode:ArchIT

Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? For the ensemble cast of characters that make up the prairie community at the heart of The Mighty Red, existential questions are constantly close to the surface. In her newest novel, author Louise Erdrich immerses readers in the Red River Valley of the North and the complicated lives of its inhabitants. Argus, North Dakota is a town framed by the 2008 economic crisis, the consequences of climate change, and the dynamics of small-town drama. Thrown into motion by a chaotic teen love triangle and fretting about the future, Erdrich's characters navigate impulsive choices, bitter secrets, and deeply rooted ties to their land and to each other. The Red River Valley is home to dark realities and glimmering hopes, twisting together like winding late-night drives along dimly lit roads. As resources dwindle and viewpoints shift, love and life lurch forward in splendor, catastrophe, and absurdity. Bonds in the community are born and bolstered, disturbed and questioned, broken and mended. Laced with tender humor and humanity in the midst of devastating environmental circumstances, The Mighty Red paints a layered landscape of ordinary people surviving fraught times. Louise Erdrich is an award-winning Native American author and poet whose writing spans novels, short stories, non-fiction, and children's books. Her previously published works include The Plague of Doves, The Round House, and The Night Watchman. She is an enrolled member of the Turtle Mountain Band of Chippewa Indians and the owner of the Native-focused independent teaching bookstore Birchbark Books in Minneapolis, Minnesota. Karen Russell is the author of five books of fiction, including The New York Times bestsellers Swamplandia! and Vampires in the Lemon Grove. She is a MacArthur Fellow and a Guggenheim Fellow, a finalist for the Pulitzer Prize, the recipient of two National Magazine Awards for Fiction, the New York Public Library's Young Lions Award, the National Book Foundation's 5 Under 35 award, the Shirley Jackson Award, the 2023 Bottari Lattes Grinzane prize, and the 2024 Mary McCarthy Prize, among other honors. With composer Ellis Ludwig-Leone and choreographer and director Troy Schumacher, she cocreated The Night Falls, listed as one of The New York Times's Best Dance Performances of 2023. She has taught literature and creative writing as a visiting professor at the Iowa Writers' Workshop, the University of California–Irvine, Williams College, Columbia University, and Bryn Mawr College, and was the Endowed Chair of Texas State University's MFA program. She serves on the board of Street Books. Born and raised in Miami, Florida, she now lives in Portland, Oregon, with her husband, son, and daughter. Buy the Book The Mighty Red: A Novel The Elliott Bay Book Company

Using robots to study evolution, the last installment of our series of books on a future to look forward to, and did reintroducing wolves really restore an ecosystem? First up this week, a new study of an iconic ecosystem doesn't support the “landscape of fear” concept. This is the idea that bringing back apex predators has a huge impact on the behavior of their prey, eventually altering the rest of the ecosystem. Host Sarah Crespi talks with Contributing Correspondent Virginia Morell about the findings.   Next, using bioinspired robotics to explore deep time. Michael Ishida, a postdoctoral researcher in the Bio-Inspired Robotics Lab at the University of Cambridge, talks about studying key moments in evolutionary history, such as the transition from water to land by creating robotic versions of extinct creatures.   Finally in the last in our series of books on an optimistic future, books host Angela Saini talks with Ruha Benjamin, a professor of African American studies at Princeton University and recently named MacArthur Fellow. The two discuss Benjamin's latest book, Imagination: A Manifesto, which explores the part that imagination plays in creating new and radical futures.   This week's episode was produced with help from Podigy.   About the Science Podcast Episode page: https://www.science.org/doi/10.1126/science.zu8ch5j  Authors: Sarah Crespi; Angela Saini; Virginia Morell Learn more about your ad choices. Visit megaphone.fm/adchoices

We meet leading artist Jeffrey Gibson to discuss his Venice Biennale solo and explore his inspiring and illustrious career thus far.The first Indigenous artist to represent the USA at this year's Venice Biennale, Gibson is a painter and sculptor whose work is held in many major American collections. Incorporating murals, paintings, textiles and historical objects, Gibson's work also weaves together text drawn lyrics, poetry and his own writing, complete with references to abstraction, fashion and popular culture. Of Mississippi Choctaw and Cherokee heritage, Gibson uses materials such as Native American beadwork and trading posts in his art that explores identity and labels. Drawing influence from popular music, fashion, literature, cultural and critical theory, and his own individual heritage, Jeffrey Gibson (b.1972, Colorado; based in Hudson, NY) recontextualizes the familiar to offer a succinct commentary on cultural hybridity and the assimilation of modernist artistic strategies within contemporary art. Gibson's Cherokee and Choctaw lineage has imparted a recognizable aesthetic to his beaded works exploring narrative deconstructions of both image and language as transmitted through figuration.Known for his re-appropriation of both found and commercial commodities –ranging from song lyrics to the literal objecthood of punching bags – repurposed through Minimalist and post-Minimalist aesthetics, speaks to the revisionist history of Modernist forms and techniques. His sculptures and paintings seamlessly coalesce traditional Native American craft with contemporary cultural production and references, forming works that speak to the experience of an individual subjectivity within the larger narrative defining contemporary globalization.Jeffrey Gibson grew up in major urban centers in the United States, Germany, and Korea, where he absorbed the transgressive soundtrack of the 1980s through limited access to MTV. Gibson graduated from the School of the Art Institute of Chicago in 1995 and received a Master of Arts in painting at the Royal College of Art, London, in 1998. While in Chicago he also worked as a research assistant on the Native American Graves Protection and Repatriation Act (NAGPRA) for the Field Museum, a formative experience that fostered an ongoing interest in questions of ownership and notions of cultural translation.Though trained as a painter, Gibson began incorporating materials and techniques that deliberately reference his heritage—such as raw hides and bead work—around 2010. A major turning point in his career, in 2012 he presented ‘one becomes the other,' his first solo exhibition of sculpture and video, at Participant Inc. Sculpture, moving image, and sound have since become an integral aspect of his practice. He is known for his immersive, multi-sensory installations that invoke and interweave such disparate contexts as faith-based spaces of communion and night clubs. Jeffrey Gibson is represented in the permanent collections of more than twenty museums. Jeffrey Gibson is a 2019 MacArthur Fellow. He holds a MA at the Royal College of Art, London, a BFA from the School of the Art Institute of Chicago and was awarded an Honorary Doctorate from Claremont Graduate University, Claremont, CA. Gibson is currently a Visiting Artist at Bard College, NY.Follow @JeffRuneLearn more: https://www.hauserwirth.com/artists/jeffrey-gibson/@HauserWirth and @SikkemaJenkins Hosted on Acast. See acast.com/privacy for more information.

MacArthur Fellow, social entrepreneur, multimedia artist, and founder of the Sphinx Organization, Aaron Dworkin, discusses his new memoir, "Lessons in Gratitude." Plus, we celebrate Whole World Improv Theater's 30th anniversary and we hear about the No Words Music Festival, which takes place at multiple Atlanta venues October 11-13.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

  [This interview was conducted online and there may be some audio variation.] Newly anointed MacArthur Fellow and best-selling, award-winning author Jason Reynolds returns to the MiP podcast for the 10th anniversary year! His new book, Twenty-Four Seconds From Now, joins the compendium of many of Jason's love stories for and featuring young people. Jason speaks to the transparency of larger conversations around intimacy--what it means, feels like, and actually looks like outside of "mainstream" representation--the multidudes of love in relationships and storytelling, as well as a very necessary need for more discourse around the emotions that come with Black male's sexual experiences. Particularly the need for more tenderness. [You can sign up for the MiP monthly newsletter with job listings, guest news, transcripts, and new eps on the MiP website here.] This month's episode & newsletter were sponsored by Writeability, a nonprofit writers guild, in defense of the imagination. Intro/Outro music is by Moutaineer and licensed through Premuim Beat.

We're revisiting our 2021 interview with the poet Jericho Brown, who this week was named a MacArthur Fellow-- one of the highest honors in the arts and humanities. He and Jordan talk about the great mystery of why we desire the things we desire; about oration and the poets he read and memorized as part of his own becoming; mitigating our impulses toward violence with tenderness, and more.Jericho Brown is author of the The Tradition (Copper Canyon 2019), for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please (New Issues 2008), won the American Book Award. His second book, The New Testament (Copper Canyon 2014), won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review, TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University. Hosted on Acast. See acast.com/privacy for more information.

Matthew Aucoin is an American composer, conductor, writer, pianist, and a 2018 MacArthur Fellow. In recent seasons, his music has been performed by artists ranging from Yo-Yo Ma to the Philadelphia Orchestra, and commissioned by institutions including the Metropolitan Opera, Carnegie Hall, and the Ojai Music Festival. Aucoin is a co-founder of the American Modern Opera Company. His book about opera, The Impossible Art: Adventures in Opera, was published in 2021 by Farrar, Straus & Giroux. Peter and Matt talk about what it takes to compose an opera, writing classical music in the modern age, the symbiotic benefits of being a composer, pianist, and conductor, Matt's upcoming projects, and much more. Please welcome Matthew Aucoin.

Ralston College Humanities MA   Dr. Stephen Wolfram is a renowned computer scientist, physicist, and entrepreneur who earned his PhD in particle physics at 20 and became the youngest MacArthur Fellow at 21. As the founder of Wolfram Research, he has developed groundbreaking technologies widely used by university researchers in engineering, physics, mathematics, and computing. How can computational thinking and philosophy together unlock the mysteries of human consciousness and the universe?   In this Q&A session, conducted in February 2024 with students enrolled in Ralston College's MA in the Humanities program, the renowned physicist and computer scientist, Dr Stephen Wolfram, explains his own intellectual trajectory and explores the intersection of computational and philosophical inquiry, particularly in the age of AI. In the course of this wide-ranging conversation, Dr Wolfram discusses computational irreducibility, the nature of mind, the ethics of AI governance, and the growing value of a liberal arts education.    —   00:00 Introduction: Dr. Stephen Wolfram's Genius and AI's Impact on Humanities 01:30 Welcoming Dr. Steven Wolfram 02:15 Steven Wolfram's Early Life and Achievements 05:10 The Power of Computational Thinking 07:20 The Ruliad, Philosophy, and Computational Language 15:15 Q: Exploring Computational Irreducibility and Emergence 21:25 The Ruliad and the Nature of Reality 32:30 Q: The Role of Computational Thinking in Education 41:05 AI Governance and Ethics 46:35 Q: Bridging STEM and Humanities for Better AI Ethics 48:40 Building Wolfram Alpha 50:35 Q: Plato and Balancing Innovation in AI 01:05:25 Q: Probability and Unpredictability: Insights from Nassim Taleb 01:09:35 Q: Human Consciousness and the Computational Soul 01:22:35 Conclusion: Reflections on Learning, Philosophy, and the Future of Education —   Authors, Ideas, and Works Mentioned in this Episode:    The ruliad  Gestalt entities  Computational irreducibility  Computational equivalence  The second law of thermodynamics Plato, Republic  AI Governance  Utilitarianism Arrival (film) ChatGPT Nassem Talib, The Black Swan Colin Maclaurin   —   Additional Resources  Dr Stephen Blackwood    Ralston College (including newsletter)   Support a New Beginning    Ralston College Humanities MA   Join the conversation and stay updated on our latest content by subscribing to the Ralston College YouTube channel.   —   Thank you for listening!  

An impassioned plea, a yearning for connection — the poem U.S. Poet Laureate Ada Limón wrote when she says all language failed her. Take in Ada's reading of her piece, “The End of Poetry” — and hear her read more of her work in the On Being episode, “To Be Made Whole.”Ada Limón is the 24th Poet Laureate of the United States. She's written six books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry, and Bright Dead Things, which was a finalist for the National Book Award. Her most recent volume is The Hurting Kind. As poet laureate, she edited the collection You Are Here, part of her signature project focusing on how poetry can connect us to the natural world. She is a 2023 MacArthur Fellow, a former host of the poetry podcast The Slowdown, and an instructor in the MFA program at Queens University of Charlotte, in North Carolina.