American poet
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2 episodes with Emma Lazarus
6 episodes with Emma Lazarus
3 episodes with Emma Lazarus
4 episodes with Emma Lazarus
2 episodes with Emma Lazarus
2 episodes with Emma Lazarus
2 episodes with Emma Lazarus
2 episodes with Emma Lazarus
2 episodes with Emma Lazarus
Series: Signs & GloryTitle: “Why Do People Reject Jesus?”Subtitle: Scripture: John 7:1-52 Isaiah 55:1-7Jeremiah 2:13Deuteronomy 18:15-18, Acts 3:20-22Matthew 10:34-35Look for the drama in scriptureBottom line: People reject Jesus for many reasons, but He still calls the thirsty to come and receive real life.INTRODUCTIONCONTEXTSERMON OUTLINECONCLUSIONNOTESOUTLINESQUESTIONS TO CONSIDER DISCUSSION QUESTIONSMAIN REFERENCES USEDOpening prayer: Lord God, help us grow to be and do like Jesus, while abiding in him and leading others to do the same. INTRODUCTIONSome people in history seem to split the world in two. Say their name, and you immediately stir debate. Martin Luther King Jr.—hero of justice or dangerous disruptor? Galileo—scientific genius or arrogant heretic? Nelson Mandela, Joan of Arc, Malcolm X—each one beloved by some, opposed by others. But history's most polarizing figure? Jesus. No one sparked more debate, division, or devotion. And in John 7, we see that clearly. The question is: Why do people reject Him—and could we be doing the same?John Bunyan knew all about that and wrote, "There was a man, the world did think him mad, the more he gave away, the more he had."Feast of Tabernacles...Originally a harvest festival coming at the end of the last major harvest of the year (grapes). They celebrated God who brought the rain.Became a celebration of God's deliverance of Israel through the 40 years of wandering in the wilderness where God had to supernaturally supply them water for the whole nation in the desert.It had eschatological hopesFor the restoration of the nation of IsraelFor the ingathering of all nations under GodJesus presents himself as God's agent to make these end time events a reality. He does this as the source of life--abundant (like being celebrated during this festival) and eternal (like living water).Bottom line: People reject Jesus for many reasons, but He still calls the thirsty to come and receive real life.In his last 6 months, Jesus enters Jerusalem during the Feast of Tabernacles surrounded by confusion, debate and division over who he is and why he matters. This is the context around his famous teaching about the Holy Spirit's role when he ascends and why he's called living water. OUTLINE (input from ChatGPT)1. Some reject Jesus because He doesn't follow their expectations.(John 7:1–10)Jesus' own brothers didn't believe because He didn't fit their agenda or timeline.We still wrestle with disappointment or control when Jesus won't do what we want, when we want.2. Some reject Jesus because His truth exposes their hypocrisy.(John 7:11–24)Jesus confronts those judging Him wrongly, especially for healing on the Sabbath.We resist truth when it challenges our comfort, image, or self-righteousness.3. Some reject Jesus because of assumptions and incomplete knowledge.(John 7:25–36)The crowd “knows” where Jesus is from and assumes He can't be the Christ.Spiritual blindness often comes from thinking we already understand everything.4. Some reject Jesus because they fear people more than God.(John 7:40–52)Division rises. Leaders pressure, mock, and dismiss. Nicodemus is silenced.Following Jesus means risking disapproval—but silence is a choice too.5. But Jesus still calls: If you're thirsty, come to Me and drink.(John 7:37–39)On the last and greatest day of the feast, Jesus invites all to receive living water—the Holy Spirit.Rejection isn't the end of the story. Jesus still offers Himself to anyone willing to come in faith.CONCLUSION Bottom line: People reject Jesus for many reasons, but He still calls the thirsty to come and receive real life."For decades one of the first places immigrants to America landed was Ellis Island. They came hoping for a better life, longing for a chance to find happiness. Near Ellis Island was a statue, and the statue was an invitation. A poem by Emma Lazarus captured the invitation:"Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore.Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!"What a beautiful invitation. "Give me your tired, your poor, your huddled masses." Jesus extends a better invitation. "Come, weary and broken. Come, thirsty and dying. Come to me and find life."" -Carter, p. 181The Lion"How are we to drink this water? Although the offer is free and open to all, there are yet some terms to be met. C. S. Lewis in his children's novel The Silver Chair puts his finger on this in the clearest of terms. Jill, seeing a lion, is scared out of her wits and runs into the forest. She runs so hard that she wears herself out and is just about to die of thirst, or so she thinks, when she hears the gurgling of a brook in the distance. She approaches it and is almost ready to go to the brook when on the grass before her is the same lion."Are you not thirsty?" said the Lion."I'm dying of thirst," said Jill."Then drink, " said the Lion."May I— could I-would you mind going away while I do?" said Jill.The Lion answered this only by a look and a very low growl. And as Jill gazed at its motionless bulk, she realized that she might as well have asked the whole mountain to move aside for her convenience. The delicious rippling noise of the stream was driving her nearly frantic."Will you promise not to — do anything to me, if I do come?" said Jill."I make no promise,'" said the Lion.Jill was so thirsty now that, without noticing it, she had come a step nearer."Do you eat girls?" she said. "I have swallowed up girls and boys, women and men, kings and em-perors, cities and realms," said the Lion. It didn't say this as if it were boasting, nor as if it were sorry, nor as if it were angry. It just said it."I daren't come and drink," said Jill."Then you will die of thirst," said the Lion."Oh dear!" said Jill, coming another step nearer."I suppose I must go and look for another stream then.""There is no other stream," said the Lion.It never occurred to Jill to disbelieve the Lion —no one who had seen his stern face could do that-and her mind suddenly made itself up. It was the worst thing she had ever had to do, but she went forward to the stream, knelt down, and began scooping up water in her hand. It was the coldest, most refreshing water she had ever tasted.Do you see what Lewis is saying? When you come to the water, you are coming to a Lion, you must come on the Lion's terms, and you have to yield yourself by faith in order to get the water. Some of us need to realize that we are thirsty, that we need that water so badly that we are going to die without it. We need to step out on faith, yielding to the Lion of the tribe of Judah, and receive the water of eternal life.INVITATIONWhat about you?Are you paralyzed by the confusion, division and debate over who Jesus is and what he came to do?““Is anyone thirsty? Come and drink— even if you have no money! Come, take your choice of wine or milk— it's all free! Why spend your money on food that does not give you strength? Why pay for food that does you no good? Listen to me, and you will eat what is good. You will enjoy the finest food. “Come to me with your ears wide open. Listen, and you will find life. I will make an everlasting covenant with you. I will give you all the unfailing love I promised to David. See how I used him to display my power among the peoples. I made him a leader among the nations. You also will command nations you do not know, and peoples unknown to you will come running to obey, because I, the Lord your God, the Holy One of Israel, have made you glorious.” Seek the Lord while you can find him. Call on him now while he is near. Let the wicked change their ways and banish the very thought of doing wrong. Let them turn to the Lord that he may have mercy on them. Yes, turn to our God, for he will forgive generously.”Isaiah 55:1-7 NLTPeter puts it all in perspective in his first sermon:““Therefore let all Israel be assured of this: God has made this Jesus, whom you crucified, both Lord and Messiah.” When the people heard this, they were cut to the heart and said to Peter and the other apostles, “Brothers, what shall we do?” Peter replied, “Repent and be baptized, every one of you, in the name of Jesus Christ for the forgiveness of your sins. And you will receive the gift of the Holy Spirit. The promise is for you and your children and for all who are far off—for all whom the Lord our God will call.”” Acts 2:36-39 NIVHow do we respond? Answer 2 questions:Take out a card or piece of paper right now. Write down the answer to these questions: What is God saying to me right now?What am I going to do about it? Write this down on a sheet of paper. What I hear you saying, Lord, is ___________________.[my name] is going to believe/do __________________________________________________ as a result.Finally, share this with your Home or Mission group this week when you gather as a testimony about what God is doing in your life. You don't have to get too specific to give him praise.Lord's Supper, 1 Cor 11:23-26 is good passage.Also, say something like, "Christ has died, Christ is risen, Christ will come again." (past, present, and future)PrayNOTESJesus' brothers believed in Jesus but not the biblical Jesus; we see this all the timeJesus recognized that his brothers didn't believe in him as the Messiah yet though they'd lived with him for 30+ years; never sinned; Mary knowing who he was; favorite son; perfect son; resentment and sibling rivalry aboundsDoes Jesus divide people? (Yes)Family can be the toughest mission fieldFamily misunderstands when they don't believe in the biblical JesusReligious leaders miss the leader of their religion due to their self-righteousness, ambition and unbelief"Christ did not want to bring division. But because of the sinfulness of our hearts, because of our fallenness, because of our unwillingness to repent and bow to him, the Prince of Peace is Christ the Divider.When snow descends upon the Continental Divide, it melts and flows off either to the west or to the east, never to meet again. Christ is the continental divide in our lives. We will either go up with the morning stars or, to use Eliot's phrase, join the valley of the dying stars. Christ brings division to everyday life." -Hughes, p. 226Water"On the seven days of the Feast, a golden flagon was filled with water from the pool of Siloam and was carried in a procession led by the High Priest back to the temple. As the procession approached the watergate on the south side of the inner court three blasts from the shôphar - a trumpet connected with joyful occasions - were sounded. While the pilgrims watched, the priests processed around the altar with the flagon, the temple choir singing the Hallel (Pss. 113 - 118). When the choir reached Psalm 118, every male pilgrim shook a lulab (willow and myrtle twigs tied with palm) in his right hand, while his left raised a piece of citrus fruit (a sign of the ingathered harvest), and all cried 'Give thanks to the LORD!' three times. The water was offered to God at the time of the morning sacrifice, along with the daily drink-offering (of wine). The wine and the water were poured into their respective silver bowls, and then poured out before the LORD. Moreover, these ceremonies of the Feast of Tabernacles were related in Jewish thought both to the LorD's provision of water in the desert and to the Lord's pouring out of the Spirit in the last days. Pouring at the Feast of Tabernacles refers symbolically to the messianic age in which a stream from the sacred rock would flow over the whole earth." -Carson, p. 321-322"In general terms, then, Jesus' pronouncement is clear: he is the fulfil-ment of all that the Feast of Tabernacles anticipated." -Carson, p. 322OUTLINESee aboveQUESTIONS TO CONSIDERWhat do I want them to know? Why do I want them to know it?What do I want them to do?Why do I want them to do it?How do they do this?DISCUSSION QUESTIONSDiscovery Bible Study process: https://www.dbsguide.org/Read the passage together.Retell the story in your own words.Discovery the storyWhat does this story tell me about God?What does this story tell me about people?If this is really true, what should I do?What is God saying to you right now? (Write this down)What are you going to do about it? (Write this down)Who am I going to tell about this?Find our sermons, podcasts, discussion questions and notes at https://www.gracetoday.net/podcastAlternate Discussion Questions (by Jeff Vanderstelt): Based on this passage:Who is God?What has he done/is he doing/is he going to do?Who am I? (In light of 1 & 2)What do I do? (In light of who I am)How do I do it?Final Questions (Write this down)What is God saying to you right now? What are you going to do about it?MAIN REFERENCES USED“John,” by R. Kent Hughes, Preaching the Word Commentary, Edited by Kent HughesExalting Jesus in John, by Matt Carter & Josh WredbergThe Gospels & Epistles of John, FF BruceJohn, RC SproulJohn, KöstenbergerThe Gospel According to John, DA CarsonThe Light Has Come, Leslie NewbiginThe Visual Word, Patrick Schreiner“Look at the Book” by John Piper (LATB)“The Bible Knowledge Commentary” by Walvoord, Zuck (BKC)“The Bible Exposition Commentary” by Warren Wiersbe (BEC)Outline Bible, D Willmington (OB)NIV Study Bible (NIVSB) https://www.biblica.com/resources/scholar-notes/niv-study-bible/Chronological Life Application Study Bible (NLT)ESV Study Bible (ESVSB) https://www.esv.orgThe Bible Project https://bibleproject.comNicky Gumbel bible reading plan app or via YouVersionClaude.aiChatGPT Google Gemini
Guest-host Jefferson Smith of the Democracy Nerd Podcast sits in for Thom Hartmann. Why does America's promises and character matter? Why does NATO matter? Why do our allies matter? And when do countries declare their independence?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
”Giv mig dine trætte, sultende masser, der længes efter at trække vejret i frihed.” Sådan lyder de berømte ord, der er indgraveret på Frihedsgudinden i New York. Ordene stammer fra et digt af den amerikanske jødiske poet Emma Lazarus. Sætningen refererer til de immigranter, der kom til USA i løbet af 1800-tallet. Mange gennem New Yorks havn. Og ikke mindst jødiske flygtninge, på flugt fra russisk forfølgelse.USA var det forjættede hjemland for de forfulgte, der med Guds velsignelse skulle skabe det bedste samfund i verden. En af grundpillerne i den amerikanske mytologi. Men også en myte, der er fundamentet for et andet, meget mindre land, langt derfra, der erklærer sin uafhængighed mange år senere - nemlig Israel. Og det faktum, at de to lande på den måde kan spejle sig i hinandens allerinderste ideologi, kan faktisk være med til at forklare hvorfor USA og Israel er så sammenfiltrede i dag. I Verden til forskel undersøger vi denne gang USA's historisk tætte forhold til Israel. For hvordan kan det være at et land, der ligger mere end 9000 kilometer væk fra Washington kan spille så vigtig en rolle for et USA, der sætter sig selv først? Vi har lånt klip fra: SABC News, Al Jazeera og Youtube Vært: Anne Blaabjerg Gæst: Lars Erslev Andersen Tilrettelæggelse og klip: Marie Barse og Anne Blaabjerg
Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on March 1, 2025. www.poets.org
Just over eight years ago, Judith and Nahanni were looking for solace after Donald Trump rode a xenophobic, misogynistic and hate-filled campaign to his first presidential victory. In a November 2016 episode of Can We Talk?, we turned to the poet Emma Lazarus, the Jewish woman who gave the statue of liberty a voice and transformed her into the symbolic mother of exiles. Now, as President Trump turns refugees and asylum seekers away, tightens our borders, and orders the deportation of thousands of immigrants, that conversation feels relevant all over again. We begin our spring season in March. For now, we're sharing that 2016 episode about Emma Lazarus, "Sonnet for America."You can find Can We Talk? on Apple Podcasts, Spotify, or your favorite podcast app. We're also on YouTube! Don't forget to subscribe so you never miss a new episode.Love Can We Talk? Please leave us a rating and review on Apple Podcasts. You can also drop us a line and let us know what you think or suggest ideas for future episodes. We just might read your email on the air!Want even more Can We Talk? Sign up for our monthly newsletter.
Episode: 2143 In which Emma Lazarus reinvents the Statue of Liberty. Today, UH scholar Dorothy Baker tells us about Emma Lazarus.
Send us a Text Message.A captivating tale of determination and the bright lights of Broadway! From his beginnings in a Bronx tenement, Moss Hart became one of the most talented figures in American theater history. His journey from office boy to legendary playwright, stage director and screenwriter is a testament to the power of dreams and perseverance. His award-winning collaborations with George S. Kaufman and Irving Berlin left a lasting mark on the arts. And, his autobiography, “Act One” continues to inspire creative artists to this day. Go to the episode webpage: https://jonincharacter.com/moss-hart/ Get a free activity guide on Moss Hart: https://dorktalesstorytime.aweb.page/ep94freePDFIf you enjoyed this story about a hidden hero who came from New York, you may also enjoy learning about Emma Lazarus: https://jonincharacter.com/emma-lazarus/ CREDITS: Hidden Heroes of History is a Jonincharacter production. Today's story was written by Rebecca Cunningham, edited and produced by Molly Murphy and performed by Jonathan Cormur. Sound recording and production by Jermaine Hamilton at Hamilton Studio Recordings.Jonathan has a special message for you on ways to contact us with your ideas, comments and questions, including our new one-way text, website contact page, our email dorktalesstorytime@gmail.com and an update for those who listen on Spotify. Mr. Redge has a special insider message for you after the credits. After you listen, text us
This bonus episode of Judaism Unbound is presented in partnership with Theatre Dybbuk. We are proud to feature their fourth season's fourth episode as a bonus episode here on Judaism Unbound's feed. In each episode, they bring poems, plays, and other creative texts from throughout history to life, all while revealing their relationships to issues still present today. Subscribe to The Dybbukast on Apple Podcasts, or anywhere else that podcasts are found.---------------------------------------------In this episode, presented in collaboration with Hebrew College, we begin by exploring two poems from the second half of the 19th century by prominent American poets. One, "The Jewish Cemetery at Newport," by Henry Wadsworth Longfellow, is generally thought to have been written during a visit to Newport in 1852 and was then published in 1854. The other, a response to that work by Emma Lazarus, called "In the Jewish Synagogue at Newport," was likely written in 1867 and then published in 1871.Rabbi Dan Judson, Provost of Hebrew College, discusses how the poem by Lazarus both builds upon and deviates from Longfellow's poem. He also shares about the artistic and ideological journey that Emma Lazarus, as a Jewish American writer, took over the course of her career, using her poem "The Banner of the Jew," published in 1882, as an entry point to understand this journey, and touches on the ways in which her evolution speaks to Jewish identity in America and the American experience overall.Support for this episode is provided in part by A More Perfect Union, a project of The Tides Center.
Hear excerpts from a special event we organized at the University of Southern California on race, religion and citizenship in this episode of Respecting Religion. The Rev. Dr. Joseph Evans and the Rev. Dr. Christopher The brought their unique experiences and expertise to a conversation on religious and racial identity, moderated by the Rev. Dr. Najuma Smith-Pollard. Hear their insights about a theology of democracy, their experiences with racism, how to identify authoritarianism, and what lessons Scripture has for our current climate. Segment 1 (starting at 00:35): The event on race, religion and citizenship The Rev. Dr. Joseph Evans and the Rev. Dr. Christopher The were the speakers for this year's edition of our annual Walter B. and Kay W. Shurden Lectures, titled “Whose country is it anyway?” held April 2 on the campus of the University of Southern California. Their conversation was moderated by the Rev. Dr. Najuma Smith-Pollard. Click on each name to read more about them and their impressive credentials. Listen to the entire program at this link. The event was in partnership with USC's Office of Religious & Spiritual Life, the USC Center for Religion and Civic Culture, and Berkeley School of Theology. Learn more about BJC's annual series at BJConline.org/ShurdenLectures. Segment 2 (starting at 1:45): A theology of democracy, experiences of racism, and a new understanding of The New Colossus Rev. Dr. The mentioned “warmth of other suns,” giving credit to how Isabel Wilkerson uses the phrase. She is the author of the book The Warmth of Other Suns: The Epic Story of America's Great Migration. Rev. Dr. The mentioned “The New Colossus,” the poem by Emma Lazarus that is inscribed on a plaque in the pedestal of the Statue of Liberty. You can read it here. Segment 3 (starting at 12:29): Authoritarianism and lessons from Scripture Rev. Dr. Evans mentioned Walter Wink, a theologian who discussed how power structures resist our need for transformation. Learn more about him in his obituary from The New York Times. Segment 4 (starting at 18:27): Politics and access to power Dr. Catherine Brekus delivered the 2023 Walter B. and Kay W. Shurden Lecture, which focused on the myth of American “chosenness.” Hear it in episode 23 of season 4, and listen to the panel that followed it on episode 24. Respecting Religion is made possible by BJC's generous donors. You can support these conversations with a gift to BJC.
A story of empathy in action and the power of words! Emma Lazarus' life is a testament to courage and compassion—from her literary work to her tireless advocacy for Jewish immigrants coming to America for the chance of better lives. Her most iconic poem, The New Colossus, helped raise the funds to build the Statue of Liberty. The poem's timeless message of welcoming ‘the tired, the poor, the huddled masses yearning to breathe free,' has remained as a symbol of hope and inclusion for generations. Go to the episode webpage: https://jonincharacter.com/emma-lazarus/ Get a free activity guide on Emma Lazarus: https://dorktalesstorytime.aweb.page/ep84freePDFDownload Redge's Family Tree: https://bit.ly/RedgeFamilyTree If you liked this story about Emma Lazarus, you might like learning about other women in history: https://jonincharacter.com/kids-podcast-playlist-for-womens-history-month/CREDITS: Hidden Heroes of History is a Jonincharacter production. Today's story was written by Rebecca Cunningham, edited and produced by Molly Murphy and performed by Jonathan Cormur. Sound recording and production by Jermaine Hamilton at Hamilton Studio Recordings.Support the showREACH OUT! Subscribe to @dorktalesstorytime on YouTube Write to us at dorktalesstorytime@gmail.com DM us on IG @dorktalesstorytime Newsletter/Free Resources: https://bit.ly/dorktalesplus-signup One time donation: https://www.buymeacoffee.com/dorktales Original Music Available on Bandcamp: https://dorktalesstorytime.bandcamp.com/music Now, go be the hero of your own story and we'll see you next once-upon-a-time!
Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on March 2, 2024. www.poets.org
Welcome to the Instant Trivia podcast episode 1104, where we ask the best trivia on the Internet. Round 1. Category: Confirmation Code Is Rlktd 1: R as in this unusual way 1950s football lineman Bob St. Clair liked his meat. raw. 2: L as in this island event where you literally pig out. a luau. 3: K as in this brown seaweed that can be used as soup stock or turned into a powder for use as a seasoning. kelp. 4: T as in this old word, a promise to marry that you might plight. troth. 5: D as in this word for a quilt that in French means a bird's plumage. duvet. Round 2. Category: The Mother Of All Words. With Mother in quotation marks 1: A female sponsor for a child at baptism. a godmother. 2: Title for a female adult leader of a small group of Cub Scouts. a den mother. 3: Nacre. mother-of-pearl. 4: It's what Emma Lazarus called the Statue of Liberty in her poem for it. the Mother of Exiles. 5: The H110MX-S is this product from Foxconn. a motherboard. Round 3. Category: Chamber Music 1: A 1996 sonata by Lowell Lieberman is for flute and this, also a popular pairing at weddings. a harp. 2: Though pianists like Rubinstein might protest, Brahms' 2-player opus 78 is known as this instrument's sonata. violin. 3: A violinist, cellist and pianist from Denmark rhymingly call themselves this "con Brio". a Trio. 4: Bela Bartok wrote a trio called "Rhapsody" for this woodwind whose sound opens "Rhapsody In Blue". clarinet. 5: This composer's "Musical Offering" is based on a theme given him by Frederick the Great in 1747. Bach. Round 4. Category: Buff Actors 1: 45 seconds of Sharon Stone and this naked actor were cut from "Basic Instinct" to get an R rating. Michael Douglas. 2: In his 1995 film "Braveheart", this actor-director showed us what Scotsmen wear under their kilts. Mel Gibson. 3: Holly Hunter was speechless when Harvey Keitel exposed himself in this 1993 film. The Piano. 4: Killer Schwarzenegger cyborg whose time travel device can't send his clothes with him. the Terminator. 5: Jaye Davidson surprised movie audiences when he slipped out of his clothes in this 1992 film. The Crying Game. Round 5. Category: Nfl Rules 1: (Hi, I'm Brian Mitchell.) A punt returner who waves his hand over his head isn't swatting for flies, he's signaling for this. a fair catch. 2: (I'm Dan Fouts, Hall of Famer.) As it should be, there's an automatic 15-yard penalty for roughing the kicker or this person. the quarterback. 3: (Hi, I'm Keyshawn Johnson.) This infraction includes but is not limited to hooking the receiver, grabbing my arm, etc.. pass interference. 4: (Hi, I'm Hall of Famer Dan Hampton.) Also a hockey penalty, it's called for using the hands illegally -- hey, it was the only way to stop me. holding. 5: (Hi, I'm Joey Galloway.) Only one player at a time may do this, run parallel to the line to confuse the defense. go in motion. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
On this episode of Our American Stories, Emma Lazarus' poem "The New Colossus" is forever connected to the Statue of Liberty. Here's the surprising story of how that came to be. Support the show (https://www.ouramericanstories.com/donate)See omnystudio.com/listener for privacy information.
Peek behind the curtain of history as our Producer, Patrick, rejoins us and gets to lean into his New York City tour guide roots, as he joins me in painting a vivid portrait of Emma Lazarus, the illustrious American author whose words on the Statue of Liberty have become a national treasure. Our conversation travels through the corridors of her life, from her New York roots and Sephardic Jewish heritage to her poignant poetry that speaks volumes about America's soul. We promise you'll leave this episode with a newfound appreciation for Lazarus's influence on our nation's narrative, especially in the realm of immigration discourse.Step into the world of 19th-century artistic salons and witness the birth of celebrity culture among poets and intellectuals of the age. We'll explore how Lazarus's literary prowess was nurtured in such a vibrant environment, leading to her engagement with social issues and activism that still echo today. Finally, we draw captivating parallels between historical events and their reinterpretation in modern media. From the emotional impact of immigrants laying eyes on Lady Liberty for the first time, to the transformation of the iconic words in the Wolfenstein video game series, we traverse not just the life of Emma Lazarus but also the shifting sands of symbolism she helped shape. So, join us for this tapestry of tales and take a step back in time to appreciate the enduring spirit that these icons represent.TopDogTours TopDogTours is your walking tour company. Available in New York, Philly, Boston, & Toronto!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Did you know the poet that penned the famous words on the Statue of Liberty also wrote poems about haunted places and Will O'the Wisps? Come get scared by the phantasmagoric verses of one America's most important poets.Warlock Vorobok Reads is a monthly storytime for grownups.
Depois de fazermos um historial da presença pública e cívica das mulheres, ao episódio 4 passamos ao caldo cultural temático. De fora para dentro conta a história de mulheres que ajudaram a transformar a América, vindas do exterior; da poesia de Emma Lazarus ao pensamento de Hannah Arendt, passando pelo ativismo de Mother Jones e pelo impacto político de Madeleine Albright, viramos as fronteiras do avesso neste território d'As Amigas de Eleanor. Saber mais: Emma Lazarus, «The Poems of Emma Lazarus, Vol. I: Narrative, Lyric and Dramatic», Dover Thrift Editions, Mineola, Nova Iorque, 2015, pp. 202-203. Mother Jones, duas citações: "Praise for the dead and fight like hell for the living": https://www.loc.gov/item/2015649968/ "No matter what your fight," I said, "don't be ladylike! God Almighty made women and the Rockefeller gang of thieves made the ladies.": https://digital.library.upenn.edu/women/jones/autobiography/autobiography.html Link para a fotografia da Mother Jones: https://www.irishcentral.com/roots/history/mary-harris-mother-jones E ainda, uma referência bibliográfica: https://us.macmillan.com/books/9780809070947/motherjones Samantha Rose Hill, «Hannah Arendt», Reaktion Books, Londres, 2021 Hannah Arendt, «The Origins of Totalitarianism», Harcourt Books, San Diego, ed. 1994. Madeleine Albright, «Madam Secretary, a memoir», Harper, Nova Iorque, 2013 e «Fascism: A Warning», Harper, Nova Iorque, 2018. Associação Setare: https://www.setare-association.com/
WE THE KIDS - S1L5 - Who Was Emma Lazarus by WFYL 1180 AM
Will Pappenheimer is a Brooklyn based artist and educator working in new media, performance and installation. His current work explores the collage of the virtual and physical worlds in the recent mediums of augmented or mixed reality and artificial intelligence. He was a founding member of the augmented reality (AR) collective, Manifest.AR, formed in 2011, which pioneered interventionist projects worldwide. His projects and performances have been shown internationally at Whitney Museum of American Art, the New Museum and the Moving Image Art Fair in New York; LACMA and Fringe Exhibitions, Los Angeles; MOMA and Bitforms Gallery in San Francisco; Stedelijk Museum in Amsterdam; FACT, Liverpool, UK; Contemporary Istanbul Art Fair, Istanbul; the ICA, CyberArts Gallery and the Museum of Fine Arts in Boston; the Corcoran Gallery of Art in Washington. He recently debuted a solo show of new at the Alpha Gallery in Boston. His works have been reviewed in the Whitney Museum curator, Christiane Paulʼs historical editions of “Digital Art,” Art in America, New York Times, Hyperallergic.org, WIRED, the Boston Globe, and EL PAIS, Madrid. Beacon Hands : for Emma Lazarus, 2022, Will Pappenheimer with choreography by Freya Björg Olafson, an animated AR alternative monument for the statue of Bavaria, in Munich, GDR for public installations #MakeUsVisible x denkFEmale Munich GDR organized by the XREnsemble #65 Flooded and Moldy Rooms After Artists: After Isa Genzken, 2023-07-21 09.31.53, artificial intelligence text prompt image generation, Instagram digital image, inkjet print 40” x 40”, alternatively signed “noOne” to indicate collective and auto-computational processes of authorship Mirrored Lines Painter, Will Pappenheimer, 2021+, Custom Augmented Reality, AR app on IPad Pro, performance documentation still at the :iidrr Gallery for the “404error” show, curated by Natasha Chuk June 16 – July 16, 2023
With 500 pounds of feces needing to be cleaned up from the downtown streets of Casper, Wyoming, and with the homeless taking over abandoned homes and motels, the mayor swings by to describe the third world like conditions, and what's being done to stop it. Plus, evidence showing Pornhub purposely slow walks the review and removal of criminal content from its platform. And finally, the New York City mayor says illegal immigration is destroying The Big Apple, but what would Emma Lazarus say? Isn't that what they always point to; the poem on the Statue of Liberty?Guests:Bruce Knell | Mayor, Casper, WYLarry Behrens | Director of Communications, Power the FutureHugh Brown | Executive Vice President, American Life LeagueRiley Lewis | Producer, Tipping Point with Kara Mckinney & OAN Podcaster
On this episode of Our American Stories, Emma Lazarus' poem "The New Colossus" is forever connected to the Statue of Liberty. Here's the surprising story of how that came to be. Support the show (https://www.ouramericanstories.com/donate)See omnystudio.com/listener for privacy information.
Welcome to episode 17 of the Wonder World Podcast, where we journey through the delightful oddities of the third week of July. From celebrating World Emoji Day to discussing our favorite emojis, we stir the pot of curiosity. With a sweet tooth trivia question about Reese's products, we indulge you in the captivating history of the famous candy.Next, we celebrate American poet Emma Lazarus and her connection to the Statue of Liberty. In the spirit of National Moon Day, we revisit the iconic Apollo 11 mission and the concept of "Earthshine." Join us in exploring a world of fun facts, history, science, and much more. Links and Resources:Statue of Liberty and Ellis Island Educational ResourcesStatue of Liberty Information (Including Historical Photos)Visit the Statue of Liberty CrownHersheyLandA Kids' Guide to StargazingSky & Telescope Astronomy TermsNASA: Kids ClubNASA Apollo 11 OverviewThe Team:Host: Pam BarnhillHost: Olivia BarnhillResearch and Writing: Betsy CypressProduction: Pam BarnhillOperations: Meg Angelino
Today's poem is by Emma Lazarus (July 22, 1849 – November 19, 1887), an American author of poetry, prose, and translations, as well as an activist for Jewish and Georgist causes. She is remembered for writing the sonnet"The New Colossus", which was inspired by the Statue of Liberty, in 1883.[1] Its lines appear inscribed on a bronze plaque, installed in 1903,[2] on the pedestal of the Statue of Liberty.[3] Lazarus was involved in aiding refugees to New York who had fled antisemitic pogroms in eastern Europe, and she saw a way to express her empathy for these refugees in terms of the statue.[4] The last lines of the sonnet were set to music by Irving Berlin as the song "Give Me Your Tired, Your Poor" for the 1949 musical Miss Liberty, which was based on the sculpting of the Statue of Liberty (Liberty Enlightening the World). The latter part of the sonnet was also set by Lee Hoiby in his song "The Lady of the Harbor" written in 1985 as part of his song cycle "Three Women".Lazarus was also the author of Poems and Translations (New York, 1867); Admetus, and other Poems(1871); Alide: An Episode of Goethe's Life (Philadelphia, 1874); Poems and Ballads of Heine (New York, 1881); Poems, 2 Vols.; Narrative, Lyric and Dramatic; as well as Jewish Poems and Translations.[5]—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
TOPICS: Wedding rings Declaration of Independence: content and context iPhones: savior or downfall? RINGSIDE HOLY LANDS CRUISE Learn More: https://www.eo.travelwithus.com/tours/pf24062224r61629?fbclid=IwAR3GId0t_Kzbp7CoIl2GMJg00KGMWJUKK-6y7VK1ZLicJa0nn-4R4t3lgJs#eotours Thank you: 1517.org thejaggedword.com Grace Lutheran Ventura St. James Lutheran, Chicago Monthly Sponsors: Frankie Meadows, Blayne Watts, Eddie Switek, ITO Radio America YOU CAN BE A RINGSIDE SPONSOR: https://www.paypal.com/donate/?hosted_button_id=TZBU7UQQAWEVN Music: Joel Allen Hess - "Lonley Man" More on bandcamp Dead Horse One - “I love my man” Other Stuff: The New Colossus, Emma Lazarus 5 Critically Important Resolutions That Will Immediately Affect the Church's Life, Dennis Matyas The Declaration of Independence Bourbon Empire, Reid Mitenbuler Amusing Ourselves to Death, Neil Postman Bill Burr (about Steve Jobs)
Juneteenth commemorates the emancipation of enslaved Black Americans but, in the words of Emma Lazarus on the Statue of Liberty's pedestal, ‘Until we are all free, we are none of us free." Pastor Sal talks about how to create a just world for all people.
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Everybody is familiar with the Statue of Liberty, the Washington Monument, the Hollywood sign, the Gateway Arch, and the Space Needle. But do you know the stories behind these landmarks and how they tie into the histories of their cities?
Episode: 2143 In which Emma Lazarus reinvents the Statue of Liberty. Today, UH scholar Dorothy Baker tells us about Emma Lazarus.
A celebration of our nation's melting pot, this beautifully illustrated origin story of the Statue of Liberty honors a poet who has advocated for the voiceless. "Give me your tired, your poor Your huddled masses yearning to breathe free . . . " In 1883, Emma Lazarus, deeply moved by an influx of immigrants from eastern Europe, wrote a sonnet that gave a voice to the Statue of Liberty. Originally a gift from France to celebrate our shared national struggles for liberty, the statue, thanks to Emma's poem, came to define us as a nation that welcomes immigrants. The text of that now famous poem, "The New Colossus," appears in this free-verse biography, illustrated in an exquisite folk art style. The New Colossus by Emma Lazarus has been selected as a Common Core Text Exemplar (Grades 4-5, Poetry) --- Support this podcast: https://anchor.fm/avant-garde-books/support
Emma Lazarus wrote, ‘Until we are all free, we are none of us free.' Today we celebrate Juneteenth, ‘Emancipation Day,' and commemorate the freeing of enslaved Black Americans. Pastor Sal helps us celebrate freedom and recommit ourselves to building a just world for all.
Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/israel-studies
Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Con Sagrario Fernández-Prieto. Ayúdanos a seguir en emisión, participa en el Crowdfunding de La Voz de César Vidal: https://www.cesarvidal.com/dona Emma Lazarus a los pies de la Libertad Autores: Esther Bendahan e Israel Doncel. Editorial: Huso Ediciones. 138 págs. En 1903 el soneto The New Colossus de Emma Lazarus se inscribió a los pies de la Estatua de la Libertad. este libro recorre la biografía de una mujer perteneciente a una familia que llegó de Rusia a Estados Unidos en el siglo XIX aunque sus antepasados procedían de España y Portugal. Este volumen recorre la vida de una mujer singular para su época, que escribía poemas y artículos de prensa, expresaba libremente sus opiniones políticas, poseía una cultura excepcional y se carteaba con grandes escritores de su época. Las aventuras de Tom Sawyer Autor: Mark Twain. Editorial: Edelvives. Ilustraciones: Antonio Lorente. Las aventuras de uno de los niños más conocidos de América contadas en un libro de gran formato y con preciosas ilustraciones. Un gran regalo para lectores a partir de 8 o 10 años.
Cuando en 1903 el soneto “The New Colossus” de Emma Lazarus se colocó a los pies de la Estatua de la Libertad, ella ya había fallecido. Sin embargo, aquellos versos nos recuerdan cómo era esta escritora sefardí nacida en Nueva York: una mujer independiente en sus opiniones, comprometida con la defensa de los derechos humanos, de mentalidad abierta, de convicciones progresistas y posicionamientos feministas. Se codeó con algunos de los escritores más importantes de su tiempo, como Ralph Waldo Emmerson, Henry James o Helena DeKay Gilder, pero nunca permitió que nadie le indicará cómo debían ser sus poemas o qué posiciones tenía que tomar en sus artículos, que podían leerse en las publicaciones de mayor tirada de los Estados Unidos, como The Century. Defendió su judaísmo como una parte fundamental de su identidad, encarando con vehemencia el antisemitismo que llegaba de Rusia a finales del S. XIX. Y fue consciente de que sus raíces familiares provenían de España y Portugal, a pesar de que sus textos nunca llegaron a traducirse al español. Hasta ahora. La publicación del libro “Emma Lazarus a los pies de la libertad” (Huso Editorial) nos trae una introducción a la vida y obra de Emma Lazarus además de una recopilación de algunos de sus textos más representativos. Esta obra ha sido publicada gracias a la colaboración de Centro Sefarad-Israel con el apoyo de Red de Juderías y Boreal Proyects. En esta conversación intervienen: Carmen Álvarez, directora del Museo Sefardí de Toledo Mayda Bustamante, editora de la obra. Miguel de Lucas, diplomático y autor del prólogo Esther Bendahan, coautora de la obra. Israel Doncel, coautor de la obra.
We recoil in horror as Putin and his forces wreak havoc and death on Ukraine — before our eyes and in real time. Both Putin and Ukraine President Zelensky repeatedly invoke “nationalism” and “patriotism,” but Putin's nationalism and patriotism are manufactured to justify this brutal and unprovoked aggression while Zelensky's words explain astonishing sacrifices now being made by ordinary Ukrainians to protect their freedom, democracy, and homeland. Donald Trump uses the same words, too — as do his acolytes in the Republican Party. His version of national patriotism is closer to Putin's than to Zeleneky's. Trump-Republican patriotism is about triumphing and dominating. Although America is a nation of immigrants, Trump's goal is to keep immigrants out. “A nation 'without borders' is not a nation at all,” he has said. It is also about keeping America first. “The American People will come first once again,” he says. Trump-Republican patriotism is zero-sum, just as is Putin's when it comes to Ukraine (or any other nation that was once part of the Soviet “empire”) — either we win or they win. And who or what is America for Trump Republicans? Essentially, white and Christian. Trump Republicans demand symbolic gestures of patriotism, such as standing for the national anthem and saluting the flag. But they don't ask for personal sacrifice because they reject any notion of the common good. They view the nation as a site for self-centered transactions with no deeper and more enduring meaning than immediate self-gratification — a zone of self-promotion and narcissistic extravagance, where individuals can extend their ambition through iPhones and selfies and other technologies of instant gratification. Zelensky patriotism is the opposite. It isn't founded on zero-sum superiority or exclusion, or on symbolic gestures, or on exaggerated notions of personal ambition. It's based on common sacrifice for the common good. At times in our history America has come close to Zelensky patriotism. We have understood the need for mutual sacrifice — of everyone taking on a fair share of the burden of keeping America going. That includes volunteering for local school boards and city councils, blowing the whistle on abuses of power, and paying taxes in full rather than seeking loopholes or squirreling money abroad. Sometimes it has required the supreme sacrifice. (We are, after all, the descendants of Nathan Hale — soldier and spy for the Continental Army during the Revolutionary War, who famously declared just before being executed by the British in 1776 that his only regret was having “but one life to lose for my country.”)America's form of Zelensky patriotism does not pander to divisiveness. It confirms and strengthens the “we” in “we the people of the United States.” It celebrates our diversity, and fights to uplift the voices of America — Black people, women, gay and trans people, younger Americans. It believes that America should welcome refugees and others fleeing from violence or seeking a better life, as memorialized in Emma Lazarus' famous lines on the Statue of Liberty: “Give me your tired, your poor, your huddled masses yearning to breathe free.” America's form of Zelensky patriotism doesn't hate our government. It recognizes that government is the means by which we come together to solve our common problems. We don't like everything our government does but we work to improve it rather than attack or undermine it. We have never fully lived up to these patriotic ideals, of course, but they have fueled our commitment to social justice. The films of Frank Capra, the poems of Walt Whitman and Langston Hughes, and the songs of Woodie Guthrie, express loving devotion to America while turning that love into a demand for justice. “This land is your land, this land is my land,” sang Guthrie. Hughes pleaded:Let America be America again,The land that never has been yet —And yet must be — the land where every man is free. The land that's mine — the poor man's, Indian's, Negro's, ME —.Human beings flourish through their attachments to communities and societies, and their dedication to fairness and social justice — not through selfish acquisition or domination of others. In the years ahead, America will choose which national patriotism we practice — the exclusionary and boastful version peddled by Trump with its shallow displays of national pride and narcissism, or the type we're now witnessing by Ukrainians, forged in a profound sense of common good. I may be wildly optimistic but I believe we will choose Zelensky patriotism over its odious alternatives. What do you think? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit robertreich.substack.com/subscribe
This week I get to review the last movie in The Wedding Veil Trilogy titled The Wedding Veil Legacy starring Alison Sweeney and Victor Webster. This movie was a fan favorite but I have to say this wasn't my favorite at all. I think this was my least. The main storyline had nothing to do with the veil, which was disappointing. It is a good movie as a standalone, but because the veil became an afterthought in this movie, it didn't feel like part of the trilogy. I loved the chemistry between Alison and Victor. I found Tracy hilarious with her redecorating the apartment and collecting 20 rugs. I did like the teamwork Tracy and Nick did in finding a donor to buy the first draft of Emma Lazarus' poem, but again this is supposed to be about the veil, not about a poem. So that was disappointing. Also I didn't like the microaggression in the script with the whole Italian-Asian fusion restaurant. More on that in the podcast. I gave the movie 2.5 out of 5 stars. February 2022 Podcasts (Planned) Loveuary Continues 2/24/22 Interview with Viv Leacock and Natasha Burnett 2/28/22 Welcome to Mama's Review Join our newly minted Facebook group whose purpose is to highlight diversity and inclusion Hallmark Channel has taken. https://www.facebook.com/groups/421837762791433 Support the podcast and buy me a coffee. For $1 a month, you get early access to interviews and podcasts. https://www.buymeacoffee.com/hmarkheartbeats
How did these Seven locations become the Ancient Wonders of the world and who chose them? Where are they now? What happened to them? How did they influence modern pop culture? We find out all of that in this episode."The Colossus of Rhodes" (1961)"Hercules" (1997)"Alexander" (2004)"Cleopatra" (1963)"Eternals" (2021)Loki (Disney+) (2021)Ducktales "Home Sweet Homer" (1987)"Slaves of Babylon" (1953)Gladiators (Animated show) (2009)Montana Jones "The Artimis Temple" (1995)"Seven Wonders of the World" (1956)"Enigmas of the Ancient World" (2019)"Matrix" (2009)"Lord of the Rings" The Fellowship of the Ring" (2001)Doctor Who "Wedding of River Song" Series 6 Episode 13 " Logopolis" Season 18 Serial 7 Comic: "Minus Seven Wonders" Short Story: "The Eighth Wonder of the World" "The Book of Shadows" "The Rubys Curse"Star Trek: Voyager "11:59" (1999)"Civilization 1-6" (1991- )"Pharaoh: Cleopatra" (2000)"Children of the Nile" (2004)"Total War: Rome II" (2013)"Assassins' Creed Origins" (2017)"Simcity 3000" (1999)"Forge of Empires" (2013)"Humankind" (2021)"Crusader Kings" (2012)"Imperiator: Rome" (2019)"God of War II" (2007)"Assassins' Creed Odyssey" (2018)7 Wonders Board Game"A Song of Ice and Fire" George R R Martin (1996)"The New Colossus" Emma Lazarus (1883)
https://www.nps.gov/stli/learn/historyculture/colossus.htm https://en.wikipedia.org/wiki/The_New_Colossus Some song renditions of the latter part of this poem: https://www.youtube.com/watch?v=aRN6kIY2A0o (Carolyn Eynon Singers) https://www.youtube.com/watch?v=UbETEBCIW5U (Irving Berlin) https://www.youtube.com/watch?v=FgrAw3t5W18 (University of Utah Choir)
Current Productions (1:51) Note: Project pages do not link to Ravelry anymore! Paloma Pullover Cassavetes Cardigan Chartreuse Spinning Project #teamsasquatch #tourdefleece2021#device008 Rippled Butt Swhorts #makegoodmaedalong King of Cups Socks Piggy Bank Socks Mention of the Knitmore Girls Podcast Mention of the Make Good Knitting Podcast from Scratch Supply Co. My Strongest Suit (14:33) Boxy Chevrons King of Cups Socks Mention of overall shorts from Amazon Events (17:20) July Playlist: America is now LIVE Kevin's Profile link for Spotify! Stash Dash 2021 (May 28 – August 31) hosted by the KnitGirllls #stashdash2021 Bay Area Fiber Fair June 25 – September 23, 2021 Stitches at Home July 10 &11; 17 & 18, 2021 Fiberworld 2021 July 21 – 25, 2021 Tour de Fleece - June 26 - July 18, 2021 #teamsasquatch #tourdefleece2021 2020 Olympic Games July 23 - August 8, 2021 #PanAtheKnitGames Rhinebeck 2021 October 16-17, 2021 Stitches West 2022 in Sacramento, CA March 3-6, 2022 Nightly Met Opera Streams Mention of the Emma Lazarus sonnet The New Colossus Hey Look Me Over (23:12) The Sty of the Blind Pig by Phillip Hayes Dean Mention of The Shining Mention of the Murder of Emmett Till Little Known Facts (30:43) Painting on a budget It's De-Lovely (36:38) A Trip to Santa Cruz! Mention of Hart's Fabric in Santa Cruz Mention of The Swift Stitch Mention of Yarn Shop Santa Cruz Mention of West End Tap & Kitchen
Episode 3: The New Colossus - Incantation: Not like the brazen giant of Greek fame, with conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name, Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. “Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these—the homeless, tempest-tost to me, I lift my lamp beside the golden door!" Emma Lazarus, 1883 We are tempest-tost, my beautiful nation, but we are anything but lost. Each and EVERY voice is a Revolution!
Emma Lazarus' poem The New Colossus inscribed on the Statue of Liberty and H.W. Brands' book American Colossus about titans of industry at the turn of the 20th century interpret the strength of our nation in two completely different ways. However, the conflict in these two narratives - and in our country - is the same.
"Give me your tired, your poor, your huddled masses yearning to breathe free." Emma Lazarus is the woman responsible for the words that sit at our "Golden Gates" at the Statue of Liberty in the United States. In honor of Jewish American Heritage Month, Nevertheless today features a badass Jewish American writer who stood up against injustice, even though it wasn't "feminine" to do so. Learn how Emma used her privilege for good. Special thanks to Camas High School Marching Band, and the following sources: poetryfoundation.org/poets/emma-lazarus jwa.org/womenofvalor/lazarus "‘Give me your tired, your poor': The story of poet and refugee advocate Emma Lazarus" by Katie Mettler, Washington Post, Feb 1, 2017 http://nps.gov/stli/learn/historyculture/emma-lazarus.htm --- Send in a voice message: https://podcasters.spotify.com/pod/show/neverthelesspodcast/message
Give me your young, your old, your faithful masses yearning to worship freely. This revision of The New Colossus by Emma Lazarus could well be the rallying cry of Pastor Steve Cassell of Beloved Church in Lena, IL. On this edition of Spotlight, Pastor Steve joins me for a timely discussion regarding the perilous intersection of COVID-19, governmental “authority,” and Constitutionally-guaranteed personal liberties. Pastor Steve and I consider how churches and people of faith should respond to Illinois' lockdown and examine the dangerous precedent that could be established by our governor's abuse of his executive power. We also detail some of the horrific consequences of the lockdown, as well as the incredible opportunities for the Church to be an instrument of God's healing and restoration in the midst of the pandemic. If you would like to know how you can support Pastor Steve in his fight for religious freedom and personal liberty in our state, you can reach him at (815)-908-0321 or contact him at PastorSteve@BelovedChurchIllinois.com
(00:00-10:03): Skillet frontman John Cooper reacts to all of the prominent believers leaving the faith. He makes remarks how young Christian leaders are at risk of burning out or becoming overwhelmed. Brian and Ian read it for what it is, and respond to Cooper’s comments. (10:03-19:04): Influencer, celebrity, journalist? Teens are turning to YouTube for news, survey shows. The article seems to discredit these sources as unreliable. Brian and Ian discuss the power of media and how to be mindful of misinformation. (19:04-28:13): Ian tweeted “Don’t fight to win the argument, fight to win the relationship”. He and Brian discuss this premise and fighting with spouses. However, they ended up talking about Brian’s first (and second) fight. (28:13-37:16): “Men, it’s time to step up,” writes JD Greear. This provocative piece calls out the modern man and urges them to do more than just “provide” for their families. Brian and Ian touch on this. (37:16-48:27): Ken Cucinelli, the acting director of US Citizenship and Immigration Services, offering a rewrite of the famous Emma Lazarus poem inscribed on the Statue of Liberty. Ian responds with the WORD OF GOD: Isaiah 53. (48:27-57:39): Are 'Thoughts and Prayers' a 'Cruel Joke'? This article is in response to Dana Milbank’s “Republican’s Thoughts and Prayers’ are a Cruel Joke”. He agrees about the lack actions, but defends the power of prayer. (57:39-1:06:46): “7 Questions All Pastors Need to Ask Themselves Post-Hybels,” writes Rich Villodas. What did we learn from the Willow situation? Brian and Ian reflect as pastors with the seven ways Villodas lists. (1:06:46-1:12:57): Brian and Ian’s “Weird Stuff We Found on the Internet”: Shark bait HOO HAHA. Guns and alcohol do not mix, while irony and alcohol make for good stories. Meanwhile, Florida man is a master of disguise, and the Florida public school curriculum took “religious tolerance” a bit too far.See omnystudio.com/listener for privacy information.
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