Podcast appearances and mentions of Toby Truslove

It's the second episode of Am I The Arsehole with the great Toby Truslove. CONFESSIONS LIVE, 5PM 2ND DECEMBER: tickets Why The Long Face Solo Show, Melbourne: here Follow Confessions: @confessionsthepodcast Follow Sammy on instagram & threads: @sampetersen91 patreon.com/confessionsthepodcastSee omnystudio.com/listener for privacy information.

This week Sammy is joined by those debonair bastards - Toby Truslove and Oliver Clark.Follow Oliver on instagram: @theoliverclarkOr head to theoliverclark.comFollow Confessions on instagram & facebook: @confessionsoftheidiotsFollow Sammy on instagram: @sampetersen91patreon: patreon.com/confessionsoftheidiotsSee omnystudio.com/listener for privacy information.

This week Sammy is joined by those debonair bastards - Toby Truslove and Oliver Clark. Follow Oliver on instagram: @theoliverclark Or head to theoliverclark.com Follow Confessions on instagram & facebook: @confessionsoftheidiots Follow Sammy on instagram: @sampetersen91 patreon: patreon.com/confessionsoftheidiots

It's the 3rd Birthday Party and here is a compilation of some very funny moments of Confessions Of The Idiots. YOU GET A CONFESSION! YOU GET A CONFESSION!Featuring... Zachary Ruane, Dave Lawson, Sam Neill, Wil Anderson, Marieke Hardy. Toby Truslove and Mish Wittrup.Follow Confessions on instagram: @confessionsoftheidiotsSee omnystudio.com/listener for privacy information.

It's the 3rd Birthday Party and here is a compilation of some very funny moments of Confessions Of The Idiots. YOU GET A CONFESSION! YOU GET A CONFESSION! Featuring... Zachary Ruane, Dave Lawson, Sam Neill, Wil Anderson, Marieke Hardy. Toby Truslove and Mish Wittrup. Follow Confessions on instagram: @confessionsoftheidiots

This week on the podcast (this podcast) Sammy is joined by Toby Truslove and Mish Wittrup for some very strange online confessions. And boy do we get mad!Follow Mish on instagram & twitter: @MishWittrupFollow Confessions on instagram: @ConfessionsOfTheIdiotsFollow Sammy on twitter: @MrSammyPFollow Sammy on instagram: @SamPetersen91Tickets for 'Confessions Of The Idiots' 3rd Birthday Party at comedyrepublic.com.aupatreon.com/confessionsoftheidiotsSee omnystudio.com/listener for privacy information.

This week on the podcast (this podcast) Sammy is joined by Toby Truslove and Mish Wittrup for some very strange online confessions. And boy do we get mad! Follow Mish on instagram & twitter: @MishWittrup Follow Confessions on instagram: @ConfessionsOfTheIdiots Follow Sammy on twitter: @MrSammyP Follow Sammy on instagram: @SamPetersen91 Tickets for 'Confessions Of The Idiots' 3rd Birthday Party at comedyrepublic.com.au patreon.com/confessionsoftheidiots

Why are there not many podcasts about rainbows?  Breaking the bounds of their television confinement and bursting onto the BIG SCREEN come the The Muppets in the 1979 movie, aptly titled The Muppet Movie. Muppetmaster Brose is joined by Australian acting royalty when Michala Banas and Toby Truslove settle in to chat a road trip flick about a frog with hopes of breaking the big time with the rest of his mates. Can you picture that? A film with more cameos than Cameo! Richard Pryor, Bob Hope, Milton Berle, Carol Kane, Madeline Kahn, Elliot Gould, Steve Martin, Mel Brooks and Orson Welles! So, pop in your headphones and get Movin’ Right Along and listen to our latest episode TODAY

This week Brose is joined by actors Toby Truslove and Michala Banas to chat about what they've been watching. Let us know what you've been watching by dropping a comment on Instagram, Facebook or Twitter; @chatflixpodcast And remember to make you suggestion for Pick the Flick; your chance to choose a film for us to review here on ChatFlix in the coming weeks!

In 'Sushiland', 11 year old Sienna wonders what happens to a family of sushi when it starts to rain! Michala Banas and Toby Truslove are our incredibly versatile voices this week. Instagram: @michalabanas    @tobytrusloveThis episode is supported by the City of Melbourne's COVID-19 Arts Grant. Created and hosted by Amelia Christo and Verity Hunt-Ballard. Facebook: @StoryKidsAUInstagram: @storykidsauProduction, Sound Design and Composition by Russell Goldsmithhttp://www.russellgoldsmith.com.auTwitter: @goldsmithnoiseInstagram: @goldsmithnoise See acast.com/privacy for privacy and opt-out information.

Have a surprise bonus mini-episode of Pratchat! We've mentioned Night Terrace a few times, but not gone into too much detail. So, outside of our usual schedule, Liz asks Ben all about this time travel radio comedy series from Splendid Chaps Productions. What's it about? Who are the main characters? How would they fit into the Discworld? You'll also get a bit of behind the scenes info and hear some excerpts from the first two seasons. If it sounds good to you, hop on over to the Night Terrace crowdfunding campaign before November 22, and help get a third season made! You'll hear excerpts from the Night Terrace episodes "Sound & Führer", "Moving House" (both by John Richards), "Time of Death", "Ancient History" (both by Ben McKenzie), "Sense & Susceptibility" (also by John Richards) and "The Outsourcing" (by David Ashton). Anastasia Black is played by Jackie Woodburne; Eddie Jones by Ben McKenzie; Sue Denholm by Petra Elliott; the Vraxnols by Toby Truslove and previous Pratchat guest, Cal Wilson (episodes one and three); and Carole by Cate Wolfe. We hope you enjoyed this little diversion! If you want more excerpts and info about Night Terrace, look up the hashtag #NightTerrace on social media, or visit nightterrace.com. If you listen to the series, you may also enjoy the companion podcast On the Terrace.

33 Variations (The Comedy Theatre Melbourne, Australia) (review)An obsession, a love story, family dysfunction and a two century-old mystery combine in the witty and deeply moving play 33 Variations, a theatrical event that brings together the most prestigious cast ever assembled on an Australian stage.Dr Katherine Brandt is a musicologist trying to solve the riddle of why one of the world’s greatest musical geniuses became consumed by a forgettable piece of music by a mediocre composer, and how his obsession inspired a spectacular masterpiece. Moving between the past and present, the play interweaves Beethoven’s struggle to complete his magnificent Diabelli Variations with Katherine’s search for answers. Meanwhile, Katherine’s daughter Clara seeks to connect with her mother as they face the greatest challenge of their lives.  Starring in a role made famous by Jane Fonda on Broadway is Ellen Burstyn, the legendary Oscar, Tony and Emmy Award winning actress known for The Exorcist, Alice Doesn’t Live Here Anymore, Requiem for a Dream and most recently, Netflix’s House of Cards. Joining her in a sensational ensemble is Lisa McCune as Clara, William McInnes as Beethoven, Helen Morse, Francis Greenslade, Toby Truslove and Andre de Vanny.Featuring live performances of Beethoven’s magnificent music by renowned pianist Andrea Katz, the profound 33 Variations will be one of the theatrical highlights of 2019!For more information visit  https://marrinergroup.com.au/shows/33-variations Theatre First RSS feed:   https://feeds.megaphone.fm/ivetheatrereviews Subscribe, rate and review Theatre First at all good podcatcher apps, including Google Podcasts, Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, CastBox.FM, Podbean, ACast etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.#theatre #stage #reviews #melbourne #australia Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Cattle, contemporaries and canapés, Eddie Perfect’s play; The Beast, promises to touch you inappropriately in all the right places. By challenging a lifestyle that conceals itself behind a facade of authenticity, the show wastes no time in establishing a humorous destabilisation of friendships; stripping characters down to their inauthentic cores. With sensitive subjects used as punchlines to boot, it’s no lie to say that The Beast works to attack and offend, although this may not be a bad thing. The larger than life caricatures seek to hold a mirror up to those who consider themselves elite in society. They grow organic vegetables and purchase “ethical” cattle in an attempt to reduce their eco footprint, although this lifestyle definitely comes at a cost when the six friends find that they’ll have to kill their own dinner. The play embodies almost each and every one of us that invests in a false perception of class. Whether it’s the food we eat, or merely the ways in which we live our lives, Eddie Perfect has constructed a hilariously self-critical comedy in which nobody is safe. No stone is left unturned, and no bourgeois attitude remains uncriticised. The play succeeds in drawing out what we hate most about ourselves and one another in the race to achieve perfection in the modern world. After having survived a fatal boat accident, Simon (played by Rohan Nicole), Baird (played by Eddie Perfect himself) and Rob (played by Toby Truslove) vow to undertake a life of ethical living. In pursuing a tree change with their respective partners, friends become neighbours and their dislike for one another hastily develops. By conveying a critical view of urbanites seeking to escape the hustle of city-living for the tranquility of the country, these characters embody every stereotype of upper-class suburban snobbery. Despite their best efforts to live an ‘authentic’ country life, their obsession with consumerism and being on-trend shines through the minimalist avant-garde architecture of their homes, acting as a comedic contrast to the regional setting. A general unlikability plagues most of the characters within the play, as they embody a misguided approach to healthy living and cultural superiority that comes all too naturally for those most arrogant in society. What could otherwise be pursued as a humble and positive approach to living is corrupted by the elitism inherent in The Beast’s subjects. Rob and his wife Sue (played by Heide Arena) are the last to make the move to the country, following Rob’s emotional breakdown from the trauma of the accident. Their arrival acts as a catalyst for the welcome dinner from hell, set up by the other characters. Attempting to face the harsh realities of ‘going bush’ the six are presented with the need to slaughter their own nose-to-tail cuisine, resulting in a bloody and horrifically hilarious display of gushing arteries and wealthy white people trolloping around in the blood of an Angus calf by the end of the first act. Struggling with the ideologies of taking responsibility for what you eat and holding a concern for animal welfare, the cast simultaneously kill and attempt to save the calf after bungling a ‘humane’ slaughter.   Undeterred by the cattle related events, the characters barely manage to regroup before the darker scenes in the second act unfold. As the narrative progresses, the characters become increasingly uneasy, eliciting a similar response from the audience. Each of the relationships presented are rife with cringeworthy ignorance, portrayed with a certain uniqueness by each individual character. Struggles with mental health are swept under the rug in a flippant display of uncaring, whilst misogynistic expressions are entirely left unchallenged. Although it could be argued that topics such as these should not be discussed with comedic aspects attached to them, it is important to realise that the humour running alongside the narrative seeks to soften the impact of the harsh reality portrayed. Despite trust and honesty being discussed in abundance between couples, the audience gains a sense of what an unhealthy relationship consists of. These characters inhabit a twisted realm where openly condoning betrayal is acceptable and ‘healthy’, while any mention of personal struggle is shameful and without class. They live in a place where pseudo-psychology has been used to justify disrespect, undermine support, and promote shame. Through elitist comments and narcissistic attitudes, these relationships are then put to the test in order to gauge just how difficult life in the country can be for those without scruples outside their own interests.   The cast carry the themes explored in The Beast with brilliant delicacy, traversing controversial dialogue whilst also grappling with a snobby perception of modernity that falsely champions free-thought and multiculturalism, all of which is easily related to by the contemporary audience. I advise against, for the narrow minded or faint of heart when choosing to attend the ‘worst dinner party ever.’ Complete with serves of steak tartare and canapés galore, The Beast is sure to captivate the audience by confronting them with a side of themselves that perhaps they didn’t care to sample. Running until the 10th of September at the Comedy Theatre, be sure to consider eating your meal after the show, as this is an event that’s sure to make your stomach turn from sheer laughter and mild trauma. Written by Thierry Falcone. 

Cattle, contemporaries and canapés, Eddie Perfect’s play; The Beast, promises to touch you inappropriately in all the right places. By challenging a lifestyle that conceals itself behind a facade of authenticity, the show wastes no time in establishing a humorous destabilisation of friendships; stripping characters down to their inauthentic cores. With sensitive subjects used as punchlines to boot, it’s no lie to say that The Beast works to attack and offend, although this may not be a bad thing. The larger than life caricatures seek to hold a mirror up to those who consider themselves elite in society. They grow organic vegetables and purchase “ethical” cattle in an attempt to reduce their eco footprint, although this lifestyle definitely comes at a cost when the six friends find that they’ll have to kill their own dinner. The play embodies almost each and every one of us that invests in a false perception of class. Whether it’s the food we eat, or merely the ways in which we live our lives, Eddie Perfect has constructed a hilariously self-critical comedy in which nobody is safe. No stone is left unturned, and no bourgeois attitude remains uncriticised. The play succeeds in drawing out what we hate most about ourselves and one another in the race to achieve perfection in the modern world. After having survived a fatal boat accident, Simon (played by Rohan Nicole), Baird (played by Eddie Perfect himself) and Rob (played by Toby Truslove) vow to undertake a life of ethical living. In pursuing a tree change with their respective partners, friends become neighbours and their dislike for one another hastily develops. By conveying a critical view of urbanites seeking to escape the hustle of city-living for the tranquility of the country, these characters embody every stereotype of upper-class suburban snobbery. Despite their best efforts to live an ‘authentic’ country life, their obsession with consumerism and being on-trend shines through the minimalist avant-garde architecture of their homes, acting as a comedic contrast to the regional setting. A general unlikability plagues most of the characters within the play, as they embody a misguided approach to healthy living and cultural superiority that comes all too naturally for those most arrogant in society. What could otherwise be pursued as a humble and positive approach to living is corrupted by the elitism inherent in The Beast’s subjects. Rob and his wife Sue (played by Heide Arena) are the last to make the move to the country, following Rob’s emotional breakdown from the trauma of the accident. Their arrival acts as a catalyst for the welcome dinner from hell, set up by the other characters. Attempting to face the harsh realities of ‘going bush’ the six are presented with the need to slaughter their own nose-to-tail cuisine, resulting in a bloody and horrifically hilarious display of gushing arteries and wealthy white people trolloping around in the blood of an Angus calf by the end of the first act. Struggling with the ideologies of taking responsibility for what you eat and holding a concern for animal welfare, the cast simultaneously kill and attempt to save the calf after bungling a ‘humane’ slaughter. Undeterred by the cattle related events, the characters barely manage to regroup before the darker scenes in the second act unfold. As the narrative progresses, the characters become increasingly uneasy, eliciting a similar response from the audience. Each of the relationships presented are rife with cringeworthy ignorance, portrayed with a certain uniqueness by each individual character. Struggles with mental health are swept under the rug in a flippant display of uncaring, whilst misogynistic expressions are entirely left unchallenged. Although it could be argued that topics such as these should not be discussed with comedic aspects attached to them, it is important to realise that the humour running alongside the narrative seeks to soften the impact of the harsh reality portrayed. Despite trust and honesty being discussed in abundance between couples, the audience gains a sense of what an unhealthy relationship consists of. These characters inhabit a twisted realm where openly condoning betrayal is acceptable and ‘healthy’, while any mention of personal struggle is shameful and without class. They live in a place where pseudo-psychology has been used to justify disrespect, undermine support, and promote shame. Through elitist comments and narcissistic attitudes, these relationships are then put to the test in order to gauge just how difficult life in the country can be for those without scruples outside their own interests. The cast carry the themes explored in The Beast with brilliant delicacy, traversing controversial dialogue whilst also grappling with a snobby perception of modernity that falsely champions free-thought and multiculturalism, all of which is easily related to by the contemporary audience. I advise against, for the narrow minded or faint of heart when choosing to attend the ‘worst dinner party ever.’ Complete with serves of steak tartare and canapés galore, The Beast is sure to captivate the audience by confronting them with a side of themselves that perhaps they didn’t care to sample. Running until the 10th of September at the Comedy Theatre, be sure to consider eating your meal after the show, as this is an event that’s sure to make your stomach turn from sheer laughter and mild trauma.Written by Thierry Falcone. See omnystudio.com/listener for privacy information.

Funny is what gets actor Toby Truslove (UTOPIA, LAID, THE STRANGE CALLS, THANK GOD YOU’RE HERE) up in the morning. We caught up while he is here in Los Angeles having his first pilot season experience. And boy has it been a hectic one! No time to ruminate, no time to mourn. It’s just go, go, go. He shares his uncertainty about whether to maintain an American accent at all times and his experiences of being a ham & playing to the room and misreading scripts. (Take note: there are no thoughtful pauses in a multi cam…) We also talk about how LA is more like eight cities than one, finding your niche, the clammy actor handshake and those fear inducing pharmaceutical ads. If pain persists, PUHLEASE see your doctor!

Alice sits in her echoey living room in Fitzroy, chatting with Toby Truslove about plots, devices, comedy, performance and life. Toby can be found on a screen somewhere, or avoiding social media. Alice is available via alicecomedyfraser.com or at @aliterative on twitter

Toby Truslove is an actor and TV host.  He chats about the origin of the Australian accent, when mining companies play the victim and what makes good impro, improv... Whatever.      

Hosts Ben McKenzie, John Richards and Petra Elliott discuss Patrick Troughton and the nature of “Evil” in the second live Splendid Chaps episode, recorded at 303 in Melbourne on Sunday, February 17, 2013. With special guests Toby Truslove, Dr Djoymi Baker, and Dean Acuri performing a tribute to one of the Second Doctor’s lovely companions. To …

Toby Truslove is an actor. You’ll know him from Laid and the soon to premier Outland. He talks to us about the plight of the Australian actor and what he looks for in a role. There’s a whole heap of news and some great Trotters thanks to Toby Halligan. Don’t forget there are still Crumpler […]

Traffic Reports, Cock Socks and More Maryborough List. See acast.com/privacy for privacy and opt-out information.

THE BAZURA PROJECT'S RADIO FREE CINEMATHE TV SHOW ABOUT MOVIES IS NOW A RADIO PROGRAM RELEASED AS A PODCASTOn 29 September 2011, The Bazura Project's Guide To Sinema, a comedy series devoted to exploring cinematic sins, began its extremely limited run on the ABC. Now, exactly ten years later, the creators are back with their most exciting project yet: a press release. But it's a press release that's promoting their next thing, The Bazura Project's Radio Free Cinema.As many will doubtless recall, The Bazura Project's Radio Free Cinema was a huge hit, broadcast on an unspecified radio station an indeterminate number of years ago. Now, the recordings that everyone had believed (and hoped) were lost forever have been uncovered, digitised, cleaned up, edited for slander, and are now ready to be released on a podcast platform where they can be heard again… for the first time.Over six thrilling and definitely factual instalments, The Bazura Project's Radio Free Cinema will explore every possible aspect of the film world, including:interviews with the film industry's best and brightest, including: Aussie soap star-turned-Hollywood headliner, Amelia Bell-Jarman; the Oscar-winning producer of some of cinema's least challenging mid-brow works, Catarina Rice; achingly-dull minimalist Hungarian film composer Máté Lantos; and studio janitor from Hollywood's golden age, Jerry Schutzexclusive first-listen trailers for the most exciting new high-concept thrillers, low-concept romantic comedies, poorly-conceived fantasy adventures, crowd-placating dramas, and overstimulating kids' filmsoriginal songs from your favourite soundtracks and never-before-heard music from your least-favourite unreleased moviesdispatches from all around the world, including: an exclusive Sundance Film Festival premiere after-party; the world's greatest voice coaching academy on an island in the Baltic Sea; and a glamorous and exceedingly-morbid awards ceremony in the heart of Alaskaplus much, much more“It was always our plan to air six poorly-rated episodes on the endlessly-rebranded ABC2, disappear into obscurity for a decade, and then return with a six-episode podcast that wouldn't make us any money,” says co-creator and co-presenter Lee Zachariah.“The presently-oversaturated market of podcasts presented us with the perfect opportunity to release our own,” says co-creator and co-presenter Shannon Marinko. “If you manage to find it, and enjoy it, it's probably someone else's.”The show will feature an overstuffed cast that includes Tom Ballard, Rusty Berther, Kristy Best, Robyn Butler, Rhonda Burchmore, Santo Cilauro, Marc Fennell, Tim Ferguson, Abe Forsythe, Bob Franklin, Francis Greenslade, Tosh Greenslade, Roz Hammond, Stephen Hall, Andrew Hansen, Peter Helliar, Tegan Higginbotham, Ming-Zhu Hii, Adam Hills, Claire Hooper, Wayne Hope, Dan Ilic, Laura Hughes, Mark Humphries, Nazeem Hussain, Ed Kavalee, Christopher Kirby, Colin Lane, Tommy Little, Cassandra Magrath, Tony Martin, Shaun Micallef, Rhys Muldoon, Brian Nankervis, Celia Pacquola, Geraldine Quinn, Ben Russell, John Safran, Kat Stewart, Emily Taheny, Chris Taylor, Dave Thornton, Toby Truslove, Michael Veitch, Cal Wilson, and many, many more.The six-part series begins on October 5 on Apple Podcasts, Spotify, Stitcher, Google Podcasts, Radio Public, or directly via our website: bazuraproject.com/radiofreecinemaThe trailer is available to hear now via this link.The Bazura Project began its life on community television in 2006, running for 36 episodes across three seasons on Channel 31 Melbourne, TVS Sydney, 31 Brisbane, and C31 Adelaide. The show featured recreations of classic movie scenes, film news, feature stories, interviews, and reviews of new releases.At the 2007 Antenna Awards, the show picked up three awards, including Best Comedy Program, Best Arts Program, and Best Director. In 2008, it won again for Best Arts Program.In 2011, the ABC commissioned The Bazura Project's Guide To Sinema, a six-part series that explored the history of sins in cinema: Violence, Sex, Money, Profanity, Drugs and Fame. It featured appearances from Shaun Micallef, Kat Stewart, Tony Martin, Julia Zemiro, Francis Greenslade, and David Stratton.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy