Podcasts about The Muppet Movie

If you're wondering what connective tissue could possibly exist between Final Destination Bloodlines and The Muppet Movie,  consider this: Jordan's talking with the former film's directors, who are feeling seen by Kermit the Frog. Since this conversation, those directors have seen their first ever studio feature film become #1 at the box office, have the best ever opening in the FD franchise (by a mile) AND the biggest R-rated horror opening of the decade. Talk about dreams coming true...can we get these guys their Standard Rich & Famous Contract yet?Jordan also has one quick thing about an upcoming miniseries that brings the story of Hawaiian unification to AppleTV+.***With Jordan Crucchiola, Zach Lipovsky, & Adam Stein Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

IT'S TIME TO WATCH THE MUPPETS! This week we watched Dinosaurs - Baby Talk. Distracted rants include but are not limited to The Muppet Movie, Designing Women, The Schmoopies, Everybody's Live, Pigeon Nests, soap mouth/wooden spoon, Glow Up, Drawn Together, and much more!"As Baby Sinclair's vocabulary grows dirtier, Earl's resolve grows stronger to return "family values" to the permissive television landscape that fostered his child's newfound vulgarity - that is, until his efforts inadvertently create a repressive governmental atmosphere responsive to the slightest complaint from the fellow citizens of Pangaea."Follow us:tiktok.com/@ittwtmInstagram.com/ittwtm

Paul Williams is an Oscar, Grammy, and Golden Globe award-winning composer, songwriter, and musician. He is known for writing and co-writing popular songs such as “Evergreen”, “We’ve Only Just Begun”, and “Rainbow Connection”. Williams wrote the score and lyrics for renowned films such as the 1976 adaptation of “A Star is Born”, “The Muppet Movie”, “The Muppet Christmas Carol”, “Bugsy Malone”, and “The Phantom of the Paradise”. His songs have been recorded by legendary artists such as Frank Sinatra, Elvis Presley, and The Carpenters. As an actor, Williams has appeared in numerous high profile films and TV shows such as the 1973 “Battle for the Planet of the Apes”, “Smokey and the Bandit”, “Phantom of the Paradise”, and “Baby Driver”. His illustrious career spans generations and includes titans of both the music industry and Hollywood. Currently, Williams is the president and chairman of the ASCAP, the American Society of Composers, Authors, and Publishers.See omnystudio.com/listener for privacy information.

This past February, The Muppet Script event brought celebrities, comedians, and musicians together for a live (and livestreamed) script reading of The Muppet Movie, with proceeds going to charity. It was such a hit, they're doing it again!The Scripted Muppet Caper is coming to Dynasty Typewriter in Los Angeles on May 5th. And like the first show, it will also be available to watch from the comfort of your own home. This time around, proceeds will be going to The Translatin@ Coalition.Among the many famous folks taking part is the incomparable Nina West from RuPaul's Drag Race! Nina will be reprising her role as Miss Piggy from the first script reading. And lucky us, we got the opportunity to chat with Nina about the show, Miss Piggy's effect on drag culture, and which of our favorite Drag Race stars would make for good Muppets.Click here to purchase your tickets to the livestream, airing on May 5th at 7:30pm PT!Enjoy!

Emily and Lauren chat with Chris Revill of the Hey Rhody podcast. They talk about watching nostalgic movies, libraries as third spaces, and the many amazing free events and small businesses in Rhode Island. In the Last Chapter they discuss their favorite Rhode Island books, films, and TV series'. Overdueing It is a project funded by the Rhode Island Office of Library and Information Services and is produced by library staff around the state. We are proud to be a resident partner of the Rhode Island Center for the Book. The views, thoughts, and opinions expressed are the speakers' own and do not represent those of the Overdueing It podcast, its sponsor organizations, or any participants' place of employment. The content of Overdueing It episodes are the property of the individual creators, with permission for Overdueing it to share the content on their podcast feed in perpetuity. Any of the content from the Overdueing podcast cannot be reproduced without express written permission.   Our logo was designed by Sarah Bouvier and our theme music is by Neura-Flow.  Books  Heartbreak is the National Anthem: How Taylor Swift Reinvented Pop Music by Rob Sheffield  The Pumpkin Spice Café by Laurie Gilmore  The Art of Keeping Cool by Janet Taylor Lisle  The Wedding People by Alison Espach  Media  Parks and Recreation (TV series, 2009-2015)  30 Rock (TV series, 2006-2013)  Point Break (film, 1991)  Legally Blonde (film, 2001)  Scrubs (TV series, 2001-2010)  Mean Girls (film, 2004)  The Sandlot (film, 1993)  Free Willy (film, 1993)  Homeward Bound (film, 1993)  The Adventures of Milo and Otis (film, 1986)  Andre (film, 1994)  AirBud (film, 1997)  Abbott Elementary (TV series, 2021 - )  The Muppet Movie (film, 1979)  Casablanca (film, 1942)  Jurassic Park (film, 1993)  Spider-Man: Across the Spider-Verse, Into the Spider-Verse (films, 2023)  Dumb and Dumber (film, 1994)  Moonrise Kingdom (film, 2012)  Ella McCay (film, 2025)  The Polka King (film, 2017)  Dan in Real Life (film, 2007)  R.I.P.D. (film, 2013)  Irrational Man (film, 2015)  Knives Out (film, 2019)  Good Burger 2 (film, 2023)  Kenan & Kel (TV series, 1996-2001)  Good Burger (film, 1997)  The Gilded Age (TV series, 2022 - )  The Great Gatsby (film, 1974)  Other  Games:  Super Smash Brothers  Mario Kart  Rocket League  Previous episodes of Overdueing It mentioned in this episode:  Episode 16 – Getting Playful at the Children's Museum  Episode 18 – Exploring TV Herstory with Cynthia Bemis-Abrams  Episode 10 – Adventure Awaits in Rhode Island  Episode 20 – Community and Food, That's All You Need  Other Podcasts:  Let's Chat with Chris Revill  Codex Prime Podcast  The Jmack Experience Podcast  Spark Up Podcast 

Emily and Lauren chat with Chris Revill of the Hey Rhody podcast. They talk about watching nostalgic movies, libraries as third spaces, and the many amazing free events and small businesses in Rhode Island. In the Last Chapter they discuss their favorite Rhode Island books, films, and TV series'. Overdueing It is a project funded by the Rhode Island Office of Library and Information Services and is produced by library staff around the state. We are proud to be a resident partner of the Rhode Island Center for the Book. The views, thoughts, and opinions expressed are the speakers' own and do not represent those of the Overdueing It podcast, its sponsor organizations, or any participants' place of employment. The content of Overdueing It episodes are the property of the individual creators, with permission for Overdueing it to share the content on their podcast feed in perpetuity. Any of the content from the Overdueing podcast cannot be reproduced without express written permission.   Our logo was designed by Sarah Bouvier and our theme music is by Neura-Flow.  Books  Heartbreak is the National Anthem: How Taylor Swift Reinvented Pop Music by Rob Sheffield  The Pumpkin Spice Café by Laurie Gilmore  The Art of Keeping Cool by Janet Taylor Lisle  The Wedding People by Alison Espach  Media  Parks and Recreation (TV series, 2009-2015)  30 Rock (TV series, 2006-2013)  Point Break (film, 1991)  Legally Blonde (film, 2001)  Scrubs (TV series, 2001-2010)  Mean Girls (film, 2004)  The Sandlot (film, 1993)  Free Willy (film, 1993)  Homeward Bound (film, 1993)  The Adventures of Milo and Otis (film, 1986)  Andre (film, 1994)  AirBud (film, 1997)  Abbott Elementary (TV series, 2021 - )  The Muppet Movie (film, 1979)  Casablanca (film, 1942)  Jurassic Park (film, 1993)  Spider-Man: Across the Spider-Verse, Into the Spider-Verse (films, 2023)  Dumb and Dumber (film, 1994)  Moonrise Kingdom (film, 2012)  Ella McCay (film, 2025)  The Polka King (film, 2017)  Dan in Real Life (film, 2007)  R.I.P.D. (film, 2013)  Irrational Man (film, 2015)  Knives Out (film, 2019)  Good Burger 2 (film, 2023)  Kenan & Kel (TV series, 1996-2001)  Good Burger (film, 1997)  The Gilded Age (TV series, 2022 - )  The Great Gatsby (film, 1974)  Other  Games:  Super Smash Brothers  Mario Kart  Rocket League  Previous episodes of Overdueing It mentioned in this episode:  Episode 16 – Getting Playful at the Children's Museum  Episode 18 – Exploring TV Herstory with Cynthia Bemis-Abrams  Episode 10 – Adventure Awaits in Rhode Island  Episode 20 – Community and Food, That's All You Need  Other Podcasts:  Let's Chat with Chris Revill  Codex Prime Podcast  The Jmack Experience Podcast  Spark Up Podcast 

Violet Eyes by Elizabeth Taylor + James Frawley's The Muppet Movie (1979) + Jim Henson's The Great Muppet Caper (1981) + Frank Oz's The Muppets Take Manhattan (1984) with Daniel Savino 4/17/25 S7E26 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Resident Muppet guy, Ryan, couldn't wait for Alex to share the history of The Muppet Movie, from 1979, with the crew. For more Dizneyverse, head over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dizneyverse.com⁠⁠ or check us out on Instagram @Dizneyverse ⁠https://www.instagram.com/dizneyverse/one⁠Check out our Tee-Public page for a shirt or sticker. ⁠http://tee.pub/lic/tEDcAPdSVFA⁠Adventure Awaits By Ashley - linktr.ee/adventureawaitsbyashley

Child celeb Derek Masters returns to Stoneybrook from L.A., and–guess what–his parents need a sitter. In keeping with an emerging pattern for Jessi-centric books, stars align for her to take on most of the gigs with the new charge, and she and the BSC help him process some setbacks at school and settle back into everyday suburban Connecticut life. Derek returns the favor by coaching Jessi through a series of high-stakes auditions for Swan Lake, and even has her considering new outlets for her performative (and workaholic) energies…Microwave your Kid Cuisine of choice, then join us and the fam in front of the TV for some appointment viewing and conversation as we revisit Jessi and the Superbrat.As mentioned on this episode:A bit of what Jan Carr has been up to since 1989, plus a couple media references that Karen brought to mind with her play and costume choices:The Muppet Movie (1979)Dressed up E.T.Send us pointers on how to make it in *showbiz* at stoneybrookreunion@gmail.com. Find us on Instagram @stoneybrookreunion.

Strange New Worlds, Ssn 2 Ep 1 – “The Broken Circle”   Todd wakes up and realizes he hasn't produced a podcast in almost a YEAR! Then he quickly edits a recording from last summer (July 10, 2024) and welcomes back Star Trek: Prodigy's Bonnie Gordon (@BonnieBellG on IG) for a discussion of scheduling, purple worms, Carol KANE!, and being mistaken for other famous redheads (facepalm)... Oh, and Star Trek!   All episodes of Star Trek: Prodigy are available now on Netflix   “False Flag” - https://en.wikipedia.org/wiki/False_flag  The Muppet Movie (1979) - https://www.cinemashock.net/episodes/themuppetmovie  “Angela” (“Taxi” Theme Music) - https://www.youtube.com/watch?v=fYGR5JtyKng 

"There'll be mystery and catastrophe! But it's all in fun, you paid the money - wait and see! Hey! A movie! Starring everybody! And me!" After the success of THE MUPPET MOVIE, Jim Henson had hoped to get funding for a fantasy film that had become a sort of dream project of his. But that film — which would not feature the beloved and recognizable Muppets — would be a sizeable risk, so his producer convinced him to strike while the iron was hot and make a sequel to THE MUPPET MOVIE before embarking on his ambitious fantasy project. This time around, Jim Henson himself would be in the director's chair, creating a new adventure for the Muppet gang that would be a send-up of classic Hollywood films. In this episode of Jim Henson: Heart Felt, we'll detail the full story of how THE GREAT MUPPET CAPER was made, from its early script woes, through its envelope-pushing puppetry innovations, and its eventual release and reception, where it was met with high expecations. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus. ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | Lucy Lawson | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net

Scott Turow is a writer and attorney. He is the author of fourteen works of fiction, including Presumed Innocent, and most recently, Presumed Guilty, which hit the shelves in January of this year. All of his novels have been New York Times bestsellers. His works have been the basis for film and television projects…last year Apple TV+ released an eight-part limited series based on Presumed Innocent, starring Jake Gyllenhaal. From 1978 until 1986, Mr. Turow worked as Assistant United States Attorney for the Northern District of Illinois prosecuting several high-profile public corruption cases. He has also served on a number of public bodies, including the Illinois Commission on Capital Punishment, which proposed reforms to Illinois’ death penalty system, and he was the first Chair of Illinois’ Executive Ethics Commission, created in 2004 to regulate executive branch employees in Illinois. SONG 1: “We Shall Overcome”...this is a 1962 live recording that’s been remastered…and re-released on the album Every Morning at Half Past Four in 2020. https://youtu.be/KUbkld3Rq2A?si=Xvtm-4JB5lhXLuGF SONG 2: Kermit the Frog singing "Rainbow Connection" - in the 1979 film The Muppet Movie. https://youtu.be/YRPBUeVOimU?si=Uz2a2ICgc1zf_c7a SONG 3: "Runaway" by Del Shannon released in 1961 on his debut album Runaway with Del Shannon. https://youtu.be/0S13mP_pfEc?si=YPul_1R6i_CpLfZLSee omnystudio.com/listener for privacy information.

Der "Muppet Movie" von 1979 ist so legendär wie zeitlos. Er markiert das erste große Kinoabenteuer von Kermit, Miss Piggy und ihren Freunden und bietet zugleich einen unvergesslichen Roadtrip voller großartiger Gags und prominenter Gaststars. Wir zerlegen das Meisterwerk in seine Fun Facts und spüren die Magie der Rainbow Connection, denn dieser Film ist ein absolutes Muss für alle Puppenfans! Besprochene Bilder: http://www.puppkultur.de/22

[School of Movies 2025] The second and third parts of the original Trilogy of Muppet movies made while Jim Henson was alive, voicing Kermit and taking a heavily active role in production. The former from 1981 is a jewel heist that brings the anarchic furry ones to England, populated by only polite people (a trope which causes the two of us endless amusement) and very much concerns itself with pushing puppetry magic tricks on the big screen to their limits. This one, directed by Jim was in the immense shadow of the original Muppet Movie. The latter, from 1984 brings them back to New York as college graduates who want to put on a big Broadway musical and run up against the gritty realities of real life (along with a cloyingly cute debut for The Muppet Babies. This more grounded take was directed by Frank Oz and for us it is a commissioned show by Dean R. Guests: Mackenzie Eastram  @KenziePhoenix of Rainbow Connection @MuppetsPod   Nathan Eastram @bertnerdtram These two are also part of DiceWeave @DiceWeavePod

“Life's like a movie. Write your own ending. Keep believing. Keep pretending.” With The Muppet Show, Jim Henson had reached the goal that he'd set for himself many years before: He'd managed to get his beloved Muppets their own weekly television series. Not only that, but it was an enormous success, quickly becoming one of the most watched television shows in the entire world. The Muppets were as big as they'd ever been. The next step seemed logical: The Muppets were going to Hollywood. Getting them there wouldn't be as straight-forward as you might think. After all, what Jim was proposing to do — bringing the Muppets out of their highly-controlled sutdio environment and into the real world — was unprecedented, and there was a question as to whether it'd work at all. In the latest episode of Jim Henson: Heart Felt, we're telling the complete story of just how Henson pulled it off, and how he created one of the most beloved films of the 1970s, one that still resonated with audiences nearly half a century later. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus. ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | Lucy Lawson | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net

In this episode of The Epic Universal Podcast, Jim Hill and Eric Hersey continue their deep dive into The Muppets' surprising relationship with Universal Studios, exploring how Jim Henson's creations almost found a home with the studio long before Disney. Plus, they cover the latest Universal news and updates. Highlights include: The Muppets & Universal: How The Great Muppet Caper and The Dark Crystal were distributed by Universal, and why the studio took a risk on Jim Henson's boldest project. Jim Henson's Hollywood Struggles: The challenges Henson faced in getting The Dark Crystal financed and how Universal nearly lost faith in the project. Volcano Bay's First-Ever Nighttime Event: What to expect from Universal's new after-hours water park experience. Epic Universe Updates: A first look at Universal's life-size animatronic dragons appearing at Epic Universe's Isle of Berk. Harry Potter's New Wands at Epic Universe: The latest sneak peek at the exclusive wand collection coming to the Ministry of Magic. This episode blends theme park history, Muppet nostalgia, and the latest Universal Studios news. If you're a fan of The Muppets, Universal Studios, or Hollywood what-ifs, this one's for you! Support Our Sponsor: Be Our Guest Vacations Planning your next Universal vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Book Now Learn more about your ad choices. Visit megaphone.fm/adchoices

Take a wooden puppet, a guy who can't quite keep his lips from moving, and add impeccable comic timing and you just might come up with Edgar Bergen, often considered the premiere ventriloquist of the 20th century. With his "dummies" Charlie McCarthy and Mortimer Snerd, Bergen was a hit in vaudeville, then on radio -- quite a feat for someone whose act generally requires the audience to see the artist. But Bergen's rapid verbal repartee with his puppets -- especially Charlie McCarthy -- captivated audiences and led to movie roles and tv appearances down the line. Bergen earned not one, not two, but three stars on the Hollywood Walk of Fame for his contributions to movies, radio, and television. As always find extra clips below and thanks for sharing our shows. Want more Edgar Bergen? Here's a nice long sample of Edgar and Charlie in action, from their 1950 Thanksgiving special. https://youtu.be/oJVrK408nyQ?si=-nhi_PPPvj9JfsBZ Bergen's other comic foil was Mortimer Snerd -- as slow-witted as Charlie McCarthy is quick-witted. It led to fun, as in this bit with Bing Crosby.https://youtu.be/_8YBiWU5Ok4?si=o-Dum7JIiABl9hVk In 1939 Bergen and Charlie starred in You Can't Cheat on Honest Man with WC Fields and Charlie wasted no time in annoying his co-star. https://fb.watch/xQv-XqQbRm/ Bergen and McCarthy made their final screen appearance in 1978's The Muppet Movie -- a fitting farewell to a master puppeteer. https://youtu.be/5EDVCevIB-Q?si=sh9Nhmus0fSxWQ-P

Mondo Hollywood wants to put a little love into your hearts this Valentine's Day!Music from the soundtracks of Harold and Maude, The Point, The Muppet Movie and much more!Set lists available at www.mondohollywood.ca

When a crisis hits, Muppet fans are known to band together to help the world. After the devastating wildfires in California, Muppet fan (and ToughPigs contributor) Matt Wilkie decided to gather some of his Muppet fan friends - including some celebrities - for a special fundraiser called The Muppet Script. On Sunday, February 9th, these folks will be gathering for a live reading of the script of The Muppet Movie, with folks like Bobby Moynihan, Paul F. Thompkins, Nina West, and David Dastmalchian appearing as the cast of one of our favorite films. Joining us for a special one-off podcast interview is Producer/Director/Muppet nerd Matt Wilkie to tell us all about how the show is coming together, and why it's so dang important for people like us to do what's right. For tickets to the livestream of The Muppet Script, please visit the Dynasty Typewriter website.

Raymond Carr, puppeteer and founder of Ninja Puppets, and Jason Hines, artistic director of the Center for Puppetry Arts join Lois for a conversation about “The Muppet Movie,” recorded live at the Plaza Theater for “City Lights Cinema.” Plus, Author Zaria Ware discusses her book, “"BLK Art: The Audacious Legacy of Black Artists and Models in Western Art.”See omnystudio.com/listener for privacy information.

Click here to get your tickets to The Muppet Script livestream event on February 9th! This live reading of The Muppet Movie stars Paul F. Tompkins, Nina West, David Dastmalchian, Bobby Moynihan, Griffin Newman, just to name a few, and proceeds go towards helping those affected by the California WIldfires! Is this three weeks in a row of epiosdes longer than two hours? What did I do to deserve this? What did you do to deserve this?? Anyway, Rowlf's a centaur confirmed.  Check out http://kermitmentstuff.com/ to get your Kermitment merch! Kermitment has a Patreon! Running a podcast is deceptively expensive work, so by becoming our Patron, you help us cover those costs and allow us to do funner, cooler stuff in the future! Find out more here! Visit our website to find a link to the Kermitment Patreon and more fun stuff at http://Kermitment.com! If you can't get enough Kermitment, follow @Kermitment.com, where we'll tweet fun stuff and interact with our listeners! And you can follow each of us individually: Matt: @MatthewGaydos Sam: @im-sam-schultz

Support the show

Support the show

Lynn & Carl speak with the legendary Austin Pendleton - who is in Saint Louis to direct stlas.org's Long Day's Journey into Night. Their in-depth discussion touches on Eugene O'Neill, his family life, Steppenwolf Theatre Company, Otto Preminger, Skidoo, Groucho Marx, Christmas with the Kranks, The Muppet Movie, Jerome Robbins, Tennessee Williams - and after this interview we learned he is sticking around town for twsf.org!

[School of Movies 2025] In the name of joy, this year we are looking back across every Muppet movie we haven't yet covered, starting right here with the original 1979 film. For perspective, Jim Henson had made two successful TV shows up to this point, the well-known Muppet Show, which began in 1976 and was in the middle of its third season when this was being made, but before that, a weird series of little black and white skits called "Sam and Friends" which aired beginning in 1955. We recruited Muppet experts Mackenzie and Nathan Eastram to delve into the story of how Henson and company got to this place, as well as extolling the copious virtues of this instantly melancholy little tale about fame and dreamers, and money-men, crammed with celebrity cameos, none of which your five year old will recognise. Some of which are legendary comedy figureheads of the 20th century that I had to look up, and I'm in my mid-40s! Guests: Mackenzie Eastram  @KenziePhoenix of Rainbow Connection @MuppetsPod   Nathan Eastram @bertnerdtram These two are also part of DiceWeave @DiceWeavePod

On Tuesday's show: Inauguration Day is less than two weeks away, and with the incoming administration of Donald Trump come more questions about changes to immigration policy and possible deportations. We get some perspective on how Houstonians are preparing for an uncertain future.Also this hour: We discuss how to make arts and culture venues more accessible for the disabled.Then, our own Craig Cohen is the featured guest in the MFAH's next installment of Movies Houstonians Love. He's presenting a film he's probably seen a few too many times -- The Muppet Movie, which will screen this Saturday at 7 p.m.And Houston is one of six cities that will have a team in a new women's indoor professional volleyball league that begins play this week.

We're celebrating the 45th Anniversary of The Muppet Movie on Front Row Classics. Brandon is joined by Jason Reynal to commemorate this Muppet origin story from 1979. They discuss the memorable introductions of each character as well as the legendary cameos featuring Orson Welles, Richard Pryor and Bob Hope. The two also discuss the heartwarming musical score by Paul Williams featuring the iconic. "Rainbow Connection".

Movin’ Right Along We’re celebrating the 45th Anniversary of The Muppet Movie on Front Row Classics. Brandon is joined by Jason Reynal to commemorate this Muppet origin story from 1979. They discuss the memorable introductions of each character as well as the legendary cameos featuring Orson Welles, Richard Pryor and Bob Hope. The two also … Continue reading Ep. 274- The Muppet Movie →

Merry Christmas and Happy Holidays listeners! To close out the year, the gang goes out on a family-friendly origin story of everyone's favorite creature creations from Jim Henson - The Muppet Movie. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

This week, I'm extremely grateful to welcome Paul Williams to the program to dive into two of his classic soundtrack projects: Emmet Otter's Jug Band Christmas & The Muppet Movie, with the latter including my favorite song of all time: Rainbow Connection.  During the sit down, we talk about the stories behind the songs, the performances, the writing processes & working with Jim Henson. But that's just scratching the surface... We also discuss: his role as President of ASCAP; his work with Brian Henson on The Muppet Christmas Carol; working with his band on the Phantom of the Paradise soundtrack; the songs he wrote and recorded with Daft Punk & Portugal. The Man; seeing Metallica perform at Elton John & Bernie Taupin's 2024 Library of Congress Gershwin Prize event; My Morning Jacket's cover of “Brothers / Our World” for the Muppets: The Green Album; his love of skydiving; working with both Willie Nelson & Jason Mraz on their respective covers of Rainbow Connection, and so much more! I hope everyone has a happy and healthy holiday season!  Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode, and join the My Weekly Mixtape Discord Server via the link on the episode page! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape Twitter/X: https://twitter.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us as we take a look at this Legendary classic with an all-star cameo list! Well dive into the beginnings of a Jim Henson crazy that would sweep the world for 50+ years! There will be laughter and probably some heckling, but an all around good time for all.

We took some time off from reading but we're back at it and a lot of stuff keeps happening in this book where nothing happens. One group makes their way through shadesmar while Kaladin starts making therapy and thinking things are going okay before things go very not okay. We talk about: Zi-O, Gaslight, The Rooms, Metaphor Endgame, We Hate Colorado, Muppet Movie, Pokemon TCG, StageFright, Excalibur, TJPW, Chicago, Nine Sols, Veilgard, Adolin's Balance Patch, Shallan's Third Book, A Group Of Patterns, Kaladin's Therapy, More On Disability, Luke's Third Eye Moment, The Sibling, Shallan Theories, Horse Dreams, Adolin Cuts Off So Many Heads Off, The Radiants Fall, Toxic Yuri Anticipation, Venli Finds The Line, Everybody Hates Liren, KYS Kaladin, Lift Is Sad, The Dark Patch,v

Comedy person Matt Riggs (30 Characters) and theatre/comedy person Joe Fernandez (Ugly) join Andy & Steph to talk about the Muppets feature film debut, The Muppet Movie! What is this, a crossover episode?? The 30 Characters energy is strong in this one, as this episode also features drop-ins from special guests like Jigsaw, Beaker and Bunsen, Buffalo Bill, and more! Steph kicks off the episode with an important logistical question about the Muppets, Andy tells us when Gonzo made him cry, Matt explains why he walked out of Scream 3, and Joe pitches us a Muppets/Gremlins crossover. check out our Patreon at patreon.com/dumbfuncheck our No Skips playlist on Spotify: https://open.spotify.com/playlist/6NWZ1ETlRqC9s7gcVIoTFW Hosted on Acast. See acast.com/privacy for more information.

Andy and Steph hit record immediately after seeing Francis Ford Coppola's massive not-NOT-a-musical, Megalopolis. What makes it bad? Is there anything good about it?? Is ANYONE getting out of this unscathed?? Then, there's more thoughts on Joker: Folie a Deux and what the response to that movie has been like (heard any good jokes lately?), making this episode a certified Megalop-a-Deux! We'll be back with more full musical talk for our next episode, The Muppet Movie (1979).check out our patreon at patreon.com/dumbfun for more bonus content like this! Hosted on Acast. See acast.com/privacy for more information.

As Unstoppable Mindset regular listeners know I have been a keynote public speaker for 22 and a half years. I love it when I get to have a conversation with coaches and experts whose specialty is to help all of us communicate and converse better. Tina Bakehouse, our guest this time, takes communication coaching to a whole new level. As she says, her process is a holistic one.   Even as a child in rural Iowa Tina liked to perform and tell stories. As she grew she sharpened her skills. She has received two bachelors degrees and a Master's degree as well. All are in one way or another concerned with communications and performing.   Tina brings her knowledge of the theater and on-stage performing to her work helping leaders and others to learn how better to connect with their colleagues and others around them. We talk a great deal about good and effective communications. Lots of good advice and many good suggestions and ideas will be found in our episode this time. Tina offers concepts that can help anyone wishing to communicate and connect better with those around them.   About the Guest:   Protecting audiences from boring speakers and speeches, Tina Bakehouse has started her own company, Tina B LLC, to provide holistic communication consulting and coaching to help heart-centered leaders and organizations internationally and nationally to communicate more effectively. Tina is a published author of the book Discovering Our Magnetic Speaker Within.  With more than 20 years of teaching communication and theatre (10 years as an instructor at Creighton University), a former Walt Disney Cast Member, Leadership Iowa participant, and TEDx speaker and coach, Tina is passionate about educating others to become more self-aware and enhance their authentic speaker style through transformational workshops in improvisation, storytelling, temperament, and communication.  After earning two BAs from the University of Northern Iowa, one in communication studies and psychology, and the second in theatre and English teaching, she completed a master's degree in communication studies from the University of Nebraska-Omaha along with certificates in Advanced Professional Writing, Keirsey's Temperament theory, Holistic Coaching, and four levels of improvisation training.  Her past positions have included Malvern Bank's Chief Creative Officer, assisting with community development and coordinating financial literacy and educational opportunities for Mills County and Golden Hills RC & D as Outreach & Communication Coordinator, promoting the arts and local foods in southwest Iowa. Tina has performed and coordinated multiple storytelling shows in southwest Iowa, including two teen shows.  She continues to use her creativity, leadership, and passion for the arts to help people communicate effectively and solve problems. Tina lives at Maple Edge Farm, a 150-year old family farm in southwest Iowa, with her husband Jon and son Anderson and her beloved dog Shyla.    Protecting audiences from boring speakers and speeches, Tina B. has more than 20 years of teaching communication and theatre (10 years at Creighton University), a former Disney Cast Member, Leadership Iowa participant, and TEDx speaker and coach, Tina is passionate about others becoming more self-aware and enhancing their speaker style through transformational workshops in improvisation, storytelling, temperament, and communication including clients Practical Farmers of Iowa, First National Bank, FEDx, Children's Hospital, and many more. She's earned 2 BAs from the UNI in communication studies and psychology and theatre and English teaching and a master's degree in communication studies from the UNOmaha. Certificates include: Advanced Professional Writing, Keirsey's Temperament theory, Holistic Coaching, 4 Levels of Improvisation. Tina has published a book with Manuscripts Publishing: Discovering Our Magnetic Speaker Within with Manuscripts Publishing. Her past positions have included Malvern Bank's Chief Creative Officer, Golden Hills RC&D, and Omaha Steaks.   Ways to connect with Tina:   Website: https://www.tinabakehouse.com/ LinkedIn: https://www.linkedin.com/in/tinabakehouse/ Facebook: https://www.facebook.com/TinaB.LLC Youtube channel: https://www.facebook.com/TinaB.LLC     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/   https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well, hello and welcome to another episode of unstoppable mindset, where inclusion diversity and the unexpected meet. You've heard that before, but the unexpected is what's the most fun about this podcast, because it has everything to do with anything except inclusion and diversity. So we get to do that today. Anyway. I'm really glad you're here, and really appreciate you taking the time. Tina Bakehouse is our guest today, and Tina, welcome to unstoppable mindset.   Tina Bakehouse ** 01:49 Well, Michael, thank you so much for having me here.   Michael Hingson ** 01:51 Now, I was reading Tina's bio, and I don't want to give too much away, because it'll be fun to talk about all of it, but one of the things that she starts her bio by saying is that she's involved in protecting audiences from boring speakers and speeches. And I'm really anxious to talk about that. I have heard some very boring speeches in my time. Oh, I don't even dare mention names, but I've heard some speeches that were really boring, which is which is no fun. But let's start this way. I love to begin by asking if you could tell us kind of about the early Tina growing up and all that sort of stuff.   Tina Bakehouse ** 02:31 Sure, Michael, I was this little farm kid who grew up in southwest Iowa, and my front porch of this farmhouse became my proscenium stage, and I loved to rope my younger brother and sister into a wide range of performances. We would do little radio talk shows on my Fisher Price, you know, tape recorder, old fashioned style with those little tapes, as well as create scripted performances for my parents' anniversary every year, do dinner theaters and things like that. And I just found this love for the spoken word and for performance. And as I evolved and grew into a young teen, I was part of speech competitions as well as community theater, did the high school musicals and all kinds of experiences of that nature, and went to college and pursued a communication studies and psychology degree. And during that time, I really became fascinated with the idea of, how do we talk to each other, listen to each other, show up in various contexts to connect with each other, because communication is about connection. And I really found love with tapping into learning more about how people work, non verbally, as well as verbally and what really hooks people, because as a child, I loved a great story. I was a humongous fan of Jim Henson and the Muppets, and I always was fascinated how they created story on The Muppet Show and entertain in such a fun, creative way. And that's the power of our voices, is that we can draw people in, and we can bring them to their feet and inspire, motivate action, or we can connect with one another, and in a way, that's a beautiful dance of conversation, and that's that's what I really love doing, and what I found in my journey is guiding people on that, that path of tapping into their inner magnetism, because we all have that ability to communicate with confidence and clarity. So I love the teaching piece. Yes,   Michael Hingson ** 05:00 wow, you have said stuff that opens up so many questions, but we'll, we'll try to get to a bunch of them, but I agree with you, and communication is really all about connection, and unfortunately, it cuts both ways, where people connect and and just go by, whatever they go by, and they don't analyze, or sometimes they analyze. But, you know, how do we how do we deal in our world today? You know, I don't like to talk about politics, but leaving out the politics of it, how do we deal with our world today? And I guess it goes back to the beginning of elections ever you've got politicians who say, trust me, and so many people do, and they just look at what the person or listen to what the person says, but never really analyze, and that's a dangerous thing to do. But the people are the politicians are communicating well enough that they just get people to connect. How do we deal with that? Well,   Tina Bakehouse ** 06:05 I think it goes way, way back to Aristotle's logos, pathos and ethos. In every communication context, there's an a target audience, there's an occasion for what people expect to happen, and the context affects and impacts the content. And so asking yourself in terms of logos, that's tapping into the logic of content and researching, getting that background information and being aware if you're speaking at a conference, or if you're going into a networking event. Or, if you are a politician, it's acknowledging speaking to that given geographic area, that demographic, and doing your research ahead of time. That's the logos piece. That ethos is the credibility of really getting the ethical of showing up in truth. And you mentioned, you know, saying, trust me, trust me. Well, that's on you as the speaker, to be full of integrity and to say what you mean and mean what you say, and you do so with consistency of showing up and being in your being. And the final piece is the pathos. It's that emotional appeal of really speaking from the heart. It's that balance we can get very heady. And I think in today's world, it's maybe even a challenge to tap into the heart, because we we can argue with each other, not meet each other in the middle. And I think if, if we can find, and I've found this in my experience, is do what intuitive abraham hicks talks about, and that is segment intending, and you set an intention prior to the communication and be with yourself Like have self awareness, because communication intelligence, or even conversational intelligence, comes from self awareness of Do you regulate your emotions appropriately? How do you think about the upcoming audience, the event, the content of your message? Because if you don't sit with that prior, you're going to influence and impact how the message lands, it may not land at all. And so I would say really being self aware first, because that will ground you. And once you get grounded into your own energy and awareness of the situation, then you can meet the other where they are. But you're right. We're in challenging times where we tend to have conversations with people that have the same belief system, and I've really been of a mindset in the last while, just to get curious and ask questions. I remember years ago when I was traveling in the Serengeti and had the opportunity to meet this beautiful doctor who had been practicing medicine for many, many years, and he was in his 80s and still practicing medicine, and he was from South Africa, and he would, just as this year, adite, he would share and bestow upon me so much knowledge, information and expertise. And as we were saying our goodbyes, he I asked him for advice. At the time, I was a professor at a university, I said, What should I tell my students in this communication class? What advice do you have? And he said, Tina, always be curious and always ask good questions for that's never failed me in 50 years plus of practicing medicine. So if we get compassionately curious about the other and know that they have their own experiences in story that's going to influence how our influence with how we communicate. And   Michael Hingson ** 09:48 I absolutely buy that, and I subscribe to it. It just seems to me, and I read about it often today, we have so many people who. Just seem to have lost or never had the art of conversation, and they don't want to converse. How do we deal with that?   Tina Bakehouse ** 10:09 That is a challenge, absolutely. You know, obviously we don't have control over someone else's choices, right, their behavior, and so it's meeting the audience or the other where they are. And so that could be a person who's more of a closed communicator, where they might be more focused on systems and working with things and being with things, not people, or they may have they're blocked because of some negative experience we simply don't know. Yeah, and again, it's meeting them where they are. So for example, I've encountered closed communicators before, and so I really just observe first, instead of just coming into their little bubble, non verbally, and break through that bubble. The theater person in me has learned very quickly the the pandemic gave us that six feet bubble, which I think is actually important before you break through. That is approach with compassion, because some people are not comfortable with that, and just observe and be with that person first, and maybe just ask a question and see where it lands. Tune into their nonverbal cues. Tune into their paralanguage as as their tone of voice. And if they're terse with you, it which can happen, I think it's, it's acknowledging, you know, thank you for even this time, and being you know, full of appreciation for who they are and be okay with maybe it's not the right time, and you're capitalizing on a hard time for that person. Maybe make a request, like, Hey, I'd be interested in having a conversation. Maybe it's the wrong channel, a phone call would be better. Or maybe it's just a direct exchange via email, which they would be more comfortable with in terms of they just have severe social anxiety. So it's first, observe, listen, notice more, and meet them where they are, and get and get into being okay with that they may not want to have a conversation, and you simply can't control because all communication has a sender and receiver, and it's a two way street. And so sometimes you have to, if you're going the wrong way on a one way, you got to turn around and say, you know, thank you, and be of good peace, centered energy, and move move forward.   Michael Hingson ** 12:35 Yeah, it is. It is so difficult. I think a lot of the whole issue with the art of conversation today, especially when you're dealing with the political world and so on, is that so many of us are locked into attitudes and our own positions to the point where there's no room To discuss or to even consider giving an inch, and we really need to get away from that. It doesn't mean that we need to change our opinion, but it's really more about listening than it is about conversing absolutely   Tina Bakehouse ** 13:14 and just from from communication theory, converting someone and their belief system takes multiple multiple multiple communications, and generally that may not even their belief system. So absolutely, I think that's a great point. Michael is meeting them where they are, and being open to engaging in discourse with someone who has a very different perspective and ask those questions and listen and really listen, yeah,   Michael Hingson ** 13:46 and I think that's really the issue for me personally, going back to being curious, I love to talk to people who have different viewpoints than mine, and I would hope at least when I'm conversing and talking, my goal isn't to convert. I don't think that should be my job. If, if I say something that causes somebody to think differently, that's fine, but my goal is to listen and learn and understand. And I think that's what we really need to see more in the world. And you know, some people really don't care about the facts, and it's, it's amazing, but that's not my choice.   Tina Bakehouse ** 14:28 Well, right there, there are high elaborators and low elaborators. It's the elaboration likelihood model that was created, I believe, in the 80s. And so you're high elaborators Are those individuals that really extract content and message, and they focus on content more so than the delivery style. Low elaborators Focus on delivery style. So we have more low elaborators in the United States and world, I would say that get impact. Very much tuned into how the person delivers with their tone of voice, with their charisma that draws people in. And with that being said, I think it's really crucial to be aware that, because we have this distinct way in which we choose to listen that everybody. It's so empowering if they, if we, people just want to be seen, they just want to be heard. They want to have a voice and be comprehended in a way that they are authentically who they are, not trying to be anybody else. And that could be different than you, and that's okay, yeah,   Michael Hingson ** 15:37 and it, and it should be, I think it's so much fun to have conversations. As I said, I love to learn, and very frankly, that's what I get to do on all of these podcasts. And as I tell people, if I'm not learning at least as much as anybody else, I'm not doing my job very well, because I want to really learn a lot of things you you talked about the you talked about the Muppets before, and I can't help it. I'm gonna have to spring one thing, and that is, I remember the original Muppet Movie. And there was at one point when somebody, and I can't remember which Muppet it was, said something like, I am just beside myself. And this real quick. And it took me several times at watching the movie to hear the response, which was, yeah, and how did the two of you live with each other? It was just something that happened so fast that they're just so they were so and, you know, those who do it still are so creative,   Tina Bakehouse ** 16:30 absolutely and witty and timely and really just good natured, which it's refreshing,   Michael Hingson ** 16:39 and it's just so much fun,   Tina Bakehouse ** 16:41 absolutely, I mean, I was grateful, because that was my era of my childhood, to have updated movies in their in 2011 and I believe even a year or two past that, where they had actors with the Muppets again. And it was just playful and fun and delightful and physical comedy, fun, self deprecating comedy that was not, you know, hateful or mean, which was very, very refreshing.   Michael Hingson ** 17:12 No, Miss piggy's mean.   Tina Bakehouse ** 17:17 No, she's not, she's   Michael Hingson ** 17:19 not mean, she's not. Mean, do you ever watch 60 minutes?   Tina Bakehouse ** 17:24 I don't. I have not. I mean, I did years ago, every once while with my parents, but I haven't for years and years,   Michael Hingson ** 17:32 one my favorite 60 minutes of all time, and I'd love to get a copy of it. Had morally safer interviewing Miss Piggy. Oh, funny. Well, yeah, let's just say the interview really went the other way. She was just on him. It was so funny. She got him speechless. She kept calling him Morty instead of Morley, and just all sorts of it was absolutely the most hilarious Muppet, or well, our Miss Piggy thing I've ever seen, she was great. I was she   Tina Bakehouse ** 18:04 should be on 60 minutes. Yeah? They just play with language, they have fun, and they're just in the moment. They're in that improvised, fully present moment. Yeah,   Michael Hingson ** 18:14 well, tell me a little bit about your your thoughts about being a speaker and rescuing audiences from boring speakers and so on. What are some of the big mistakes you think that most speakers make, or that a lot of speakers may? I don't want to say most speakers. I won't be a stereotype soul, but what do you what do you think are the mistakes that speakers make that make them so boring to people?   Tina Bakehouse ** 18:41 Well, I think more times than not, we're very egocentric. We think the speech is about ourselves. And I think that that is a false, false mindset. And in the process of writing and publishing my book, discovering our magnetic speaker within I worked with and communicated with a wide range of speakers whom I actually witnessed magnetism. One keynote speaker and an actual Communication Coach mentioned, it's about serving your audience. If you show up, all about them, it's a we thing. And I, even with the title of my book, I did get some critique on Well, why don't you have discovering your magnetic speaker within as the title? Well, it's not a your thing. It's an our thing. If you, if you give a speech and no one's choosing to listen, did it ever really happen? And it depends on an audience. So I would say that that's the number one faux pas in I've been guilty occasionally This too is and I've had to shake myself out of it is okay. It's doing that audience analysis and really focusing in on what does this audience need to. Know, want to know, and what did they know already, and start with what they know and build into the new information and that foundationally assist in your preparation for a given presentation. So I would say some mistakes. The first one is that the speaker makes it about them and not a service or serving the audience. So being audience centered is essential. It's the foundation to be magnetic and to be engaging. A second mistake is that, and I'm going to go back to the self, that we tend to have an inflated view of how good we are as speakers. So that comes from lack of preparation. Some people just show up. And there are gifted speakers that have a heart centered space, and they can maybe do very light to little preparation. But by and large, people have a warped perception of how good they are. It's sort of like, how, if I were to ask you, how fast can you run a mile? It's very measurable. You can say, you know, whether or not you could do it in 10 minutes or less. But if I said, Are you an effective magnetic speaker? Well, that's very abstract. So we we really and I even think audiences, they know it when they feel it, and feelings are so abstract. And think of all the different energies that are within and composed in an audience that, you know, everybody has different experiences, different perceptions, etc. So that's the other piece, another mistake. And finally, I would say, in addition to, you know, the audience centeredness and the the Warped perception, or unclear perception of our abilities, is, again, a big mistake, is not being flexible in the moment and being aware of, well, if, especially when you're facilitating a workshop, I really tune into what does the audience need in this moment? And so I have a foundational, prepared, two hour workshop, but it looks feels differently for each given audience because of what I get from them. It's it's like a tennis match, it's a back and forth dance, and so being flexible and even being able to refer to a previous speaker, if you're a keynote speaker in a given conference and you've heard the other speakers, I think that that can really impact and it's engaging with story and balancing that with data. So that's the biggest one, is think about the audience. Think about the self, and think about the content that you embed, the story,   Michael Hingson ** 22:49 one of the well, when I, when I give a speech and and I've done certainly, bunches of them, and I can tell the same story. People always want to hear about the World Trade Center. But what happens is I believe that I don't talk to an audience ever. I believe I talk with an audience. I think that's extremely important, and when I am giving a speech, I do know that there are certain things that I can say that I've learned to believe should probably get specific kinds of reactions from the audience, and when I say a particular thing, I can tell whether I'm connecting with the audience or Not, and I have absolutely changed on the fly. But again, I can tell the same story, but the intonations and other aspects of it may be totally different for one audience from another or over another, and I think that's extremely important, because my job is to connect with the audience. And you're right. I want to really understand them, know what they want, know what they need. I love whenever I'm going to speak somewhere is to go and hear other speakers who speak before me. I don't mind doing the opening speech, and I've done that before, but I love to speak later, because I get to learn more about the audiences and learn so much from them. But I do believe that it's all about talking with the audience. They have to be part of it.   Tina Bakehouse ** 24:30 Oh, absolutely, I love that you bring that up. In fact, I've, I've said that to so many clients. Do you want to be a presenter or a communicator so you can either present at your audience, which is very performative to your audience, which is more presentation, or with them, which is what much more of a conversation. And honestly, I think when you frame it that way, it does take the load off your shoulders of that anxiety and apprehension that we tend. To put on public speaking, yeah,   Michael Hingson ** 25:02 and, and you're absolutely right, when, when I discovered doing it that way did so much more to connect with the audiences. You're right. It absolutely took a lot of the pressure off, and it made the speech more fun for me, and making it more fun for me made it more fun for the audience as well. Oh,   Tina Bakehouse ** 25:27 they love seeing you have fun. In fact, they're they're having fun right right alongside you.   Michael Hingson ** 25:32 Yeah. And sometimes, in the middle of a speech where I'm supposed to be doing a speech, I'll ask questions.   Tina Bakehouse ** 25:38 Oh, yes, rhetorical question. That's a great not   Michael Hingson ** 25:42 even rhetorical. I want them to answer. Wait to get answers, which is a lot of fun, and then I incorporate that into what I'm doing. And it's so much fun to do. But again, it's it's involving them. I don't necessarily do a lot of that, but I do some of that, and it depends on the audience. Sometimes I will try to draw them out more than at other times. I learned when I was doing professional sales that the best salespeople are really teachers, and they're also the best learners, and what they should do is never ask a closed ended like yes or no question, but always ask open ended questions in order to learn more about what the audience or the the customer needs, and that is so important to be able to do, and it is just as true when you're dealing with speaking to an audience,   Tina Bakehouse ** 26:35 absolutely, absolutely. Yeah, that's   Michael Hingson ** 26:39 so much and it's so much fun.   Tina Bakehouse ** 26:41 Yes, it is. When   Michael Hingson ** 26:43 did you publish your book?   Tina Bakehouse ** 26:45 Well, I just published October of 2023, with manuscript publishing. So it's pretty fresh, hot off the press. And I, prior to that, worked with Georgetown University in their book creators group and got accepted into their publishing program with their manuscript publishing, and then this just yesterday, I did my rerecords for my audiobook with my producer and updated the manuscript. So that's on its way to be potentially up and running late spring, early summer. So that's exciting.   Michael Hingson ** 27:17 That will be great. Yes, I will. I will want to read that when it comes out in in a readable form.   Tina Bakehouse ** 27:25 Oh, yeah, absolutely. I mean, the the hard I have a hardcover, I have an ebook, I have a paperback, and then I'll have audio, so four different styles and trying to meet all those different learners in the way they prefer to download information. Yeah.   Michael Hingson ** 27:43 So how does your temperament impact your communication with other people?   Tina Bakehouse ** 27:50 Temperament is essential. It's part of the journey of awareness. I'm certified in Keirsey Temperament, and what I found in that journey of learning more and more about his work. And Kirsi David kirsiza was a social psychologist that did a lot of work, building off of what we know as Myers Briggs psychological insight of the self, and he did more listening and observing and noted that who we are is about 50 ish percent, just in our DNA makeup, that it just That's who we are, and the other part is the environment. So our personality is built with this equation of temperament, which is your natural born in inclinations, your DNA, to use words, behave, work, communicate and lead in a certain way, and then the environment or character in terms of what you are nurtured, the type of people you were around, the experiences that you've had that definitely impact who you are, temperament, I have found has been a beautiful insight and tool, not just for myself as a communicator, but to draw out of my clients the best, most magnetic communicator that they can be. So it's first acknowledging what is their core value, because they speak to that and when you are aware that you're more of a random communicator than a sequential one, that is helpful in team meetings, because as a random and I'm very much a random creative, I can drive a very logical, sequential meeting facilitator or person, frankly frustrated, and I found that I have to really negotiate and navigate those situations, and being flexible with my style. Sequential takes me extra work, but it makes sense when you speak, you need a sequence, a beginning, a middle and an. End, and I have to work extra hard because I have these random squirrel, squirrel, squirrel thoughts and acknowledge that moments of that are okay, but if I did that all the time, people would struggle being able to follow the message, particularly when people Yeah, yes. So that's an important piece, the other part of your temperament that I believe is very helpful to be aware of, is your propensity to use abstract and have a preference for abstract words or concrete, and we use both as human beings. But if I'm much more, love philosophies, love the abstracts and using metaphor and analogy. But I know if I sat in that space all the time, and I wouldn't reach 90% of the audience, which are much more preference preference to concrete and so it's it's having the sensory details and all of that as well. So that self awareness is huge. It also helps them. Once you're aware of your own core value and how that impacts how you communicate. It's then seeing the other three with clarity, and when you are able to be aware of, oh, that some people really have a various core value, I need to there's some people in the audience that really value just having fun, whereas others want to have more of the knowledge and the credibility, and they value that much more. So you want to balance those out. If you have too much knowledge and data, that's going to be heavy on the scale and and go over the audience's heads, but if you're all about the fun and have no depth, that, again, lacks balance. So temperament, really, I think, supports your influence as a persuasive communicator, because your audience has two choices, to tune you out or choose to listen. Yeah. Well,   Michael Hingson ** 31:57 and as, as I said earlier, one of the things that that I work hard at is knowing how my audience is accepting what I say by different phrases that I might use, that I've learned get a specific kind of reaction, and if I don't get it, then I'm clearly not doing something right, and I have to work on it. But I also agree that it it really varies from audience to audience. What's the audience looking for, and how does the audience feel? And on one day, an audience may go one way and and the same group of people may react differently. Another time,   Tina Bakehouse ** 32:36 Oh, absolutely. I mean, it could be time of day you're presenting. It could be something that's going on the morale of the organization, if you're doing a corporate presentation and they just got some bad news or something, didn't you know land Well, absolutely, that's a great point.   Michael Hingson ** 32:51 Well, I also think that there, there are different kinds of techniques that speakers can use. One of the things that frustrates me is going into a speech, listening to a speech, where really what they're doing is projecting a PowerPoint on a screen and just reading the PowerPoint, yeah, where? Where is the real value in that?   Tina Bakehouse ** 33:18 Right? And death by PowerPoint, yeah,   Michael Hingson ** 33:22 and I see it way too often. Oh, absolutely.   Tina Bakehouse ** 33:26 And I think what's really important is using the different learning styles and embedding that throughout your talk, if you're doing a formal keynote workshop, etc, and being aware that you tend to favor your own learning style. I'm very much an audible learner. That includes stories. I love listening to podcasts. I love analogies. I love puns and alliteration, all of that that's beautiful, but if I only do that, I'm really missing out on the visual learners who do appreciate a picture, a quick video clip, maybe a prop, etc. And the kinesthetic learners who love movement like buy a show of hands or what word comes to mind and you have them yell something out or talk to your partner about that's really helpful, of balancing those different styles as well as the written form to reflect on the content of your message. Yeah,   Michael Hingson ** 34:25 I think one of the advantages potentially I have as a speaker is compared to most people, I'm different. How often do they hear a blind speaker? And the advantage of that is that I do get to study audiences, and I've been to a couple of places where, as it turns out, they were very uncomfortable with a person who was blind speaking, and my job was to work to get a more favorable reaction by the end. And there's one. Time that I didn't, and it turns out it was a very elderly group, and most of them, for whatever reason, weren't even really hearing what I had to say. But I didn't find that out till later. Oh,   Tina Bakehouse ** 35:10 sure, which is no fun. You add, yeah, that would be a challenge. I I would say, I'd be curious, Michael, if you can really tune into energy, because you don't, you don't get to see nonverbal cues. I would love to hear your perspective on the how do you read an audience in your world?   Michael Hingson ** 35:30 So I think that when when dealing with an audience, a cue may not be verbal, but there are a lot of other ways to tell what's going on. How fidgety is the audience, what kinds of background noises Do I hear or don't hear at one point, usually when I'm telling the world trade center story, I talk about the fact that we were on the 30th floor and firefighters were coming up the stairs, and the first one stops right in front of me, and he and he says, you know, are you? What are you? Okay? And I say, Sure. And he says, we're going to send somebody down the stairs with you to make sure you get out. Of course, I have to imitate his New York accent. So it's, we're going to send somebody down the stairs which you to make sure you get out. And I go, which, W, i t y, a witcha and and I say, Look, I don't need any assistance. I'm okay. I came down from the 78th floor. I really can. Can do just fine. And we go over it a little bit. And finally, I say, Look, I got my guide dog here. And he goes, Oh, what a nice dog. And he pets the dog without asking, and I say to the audience, so let me tell you, unlike what the firefighter did, don't ever pet a dog without asking, because the dog is in harness. They're working. So I got to sneak that lesson in. But anyway, then i i finally say, I've got a colleague here who can see and so the guy lets me go without needing to escort me down the stairs. And I explained why I didn't want his assistance, or anyone's assistance, for a lot of reasons. They don't know how to walkside a guy with a blind person, which is a problem. But also, I didn't need them to take someone out of their position, because they're all a big team, and they're going up to fight whatever's going on, and they didn't need to help me go down the stairs. So we finally get beyond that, and this is what I'm leading up to. And the last thing that the firefighter does as he's leaving is he pets Rozelle, my guide dog, and Roselle gives him some kisses, and then I say to the audience, and that may very well have been the last unconditional love that he ever got in his life. And that reaction is what I'm waiting to see, whether it's an intake of breath, whether people just are fidgeting, or whether the audience goes silent. And so there are a lot of ways to get a reaction at various times when I am speaking, or any blind person is speaking, if they learn how to listen for them and learn how to work at it where there is a lot more audio or auditory information available, if you know what to Listen for. So yeah, there are times that it could be a problem, or I'm doing a speech, and I hear every so often, people getting up and leaving and maybe going to the restroom and maybe coming back or not. And again, there are just so many different kinds of aspects that I can use in terms of my delivery and so on to gage how the audience is reacting to what I say and don't say, yeah.   Tina Bakehouse ** 38:46 So I'd be curious. I mean, obviously that's feedback when you're hearing their behavior. So what? When you hear the fidgeting or people leaving? Now, clearly, biological, you know, physiological function, yeah, biology, you know those, there's those moments. But how do you alter what is it that you consider or do in that moment when you're acknowledging, oh, they're fidgeting, this is clearly not landing as I thought, as it did last time in a different group.   Michael Hingson ** 39:18 So one thing I might do is immediately ask a question, like, you know, we're talking about the World Trade Center. Are you okay with me telling this story? Or I might say, you know, tell me a little bit briefly about your own experiences and observations, assuming that they're old enough to remember the World Trade Center. So there are a lot of ways then to re engage them, and I've had to do it occasionally, but when I do, it draws them right back in and again. Yeah, there are bio things that come up and so on. But when I hear a lot of it, then it means that. Different thing than if it's just like one or two people that get up and go out. The other thing that's fun to do, and I love to absorb, observe this, if a room isn't totally crowded, is looking to see if people are sitting in the front of the room, and if there are, I know, empty tables in the front of a room or empty seats. In the course of discussion, I may choose a time to say, you know, I know that the front row seats are really pretty empty. Let's take a break. Why doesn't some Why don't some of you move up to the front of the room? I might see you better, probably not. But the dog will love it. But the dog will love it. You know, again, it's all about engaging the audience, and most of the time, very frankly, I've been fortunate and don't have to do a lot of that.   Tina Bakehouse ** 40:47 Well, I love, I love the tools you you have strategies too, that when that maybe that moment happens, but I appreciate you sharing that.   Michael Hingson ** 40:55 Yeah, and it's, but it's, it's part of what needs to happen as a speaker. There are a lot of ways to get the same information and the assumption that most people have as well non verbal communications, you'll never see it. Don't think so for a minute. There are a lot of ways to get information and see how well the audience is engaged. And again, I've been really blessed that, pretty much for the most part, it works out really well.   Tina Bakehouse ** 41:24 That's wonderful. Now I have   Michael Hingson ** 41:26 given PowerPoint presentations too. When I did sales presentations, I would do PowerPoint shows. But again, what I didn't like to do, although I had a complete Braille script, my Braille script was, was pretty unique, because it had all the words that were on the slides. It also had a description, because we put it in there of what the pictures showed. But for me, it also we, we created the script that also said where on the screen the pictures would show up. So I so I could, for example, point over my shoulder and say, on the left side of your screen you'll see, or on the right side of the screen you'll see, and the value of that is, I never looked away from the audience. I didn't need to turn around to see where things were on the screen. And as I changed slides my laptop, although the lion was loud enough for me to hear, wasn't loud enough for other people to hear. I knew that the slide changed, but I could continue to, if you will, make eye contact with the audience and keep them engaged. And one day, I did one of those, and a guy comes up to me afterward. He said, I'm mad at you. We're all mad at you. And I said, why? He said, Because you gave a very good presentation. It was not boring because I don't read the script. I verbalize what's on the script and add to it. But he said, you your presentation was absolutely not boring. But the big problem was we forgot you were blind because you you never looked away from us. You kept looking at us. And so we didn't dare fall asleep like we do with most presentations. That's wonderful. And of course, my immediate reaction was, well, it was okay if you had fallen asleep because the dogs down here taking notes, and we would have got you anyway, but, but it's, it's all about I think you're absolutely right. It's okay to do PowerPoint presentations, PowerPoint shows, but you don't read what's on the screen. You really need to continue to be a speaker.   Tina Bakehouse ** 43:32 Well, it's called a visual aid for a reason. It's to aid the speaker, support the speaker, be secondary to the speaker. And frankly, I've when I do my TEDx Talk later this year, I have one slide I'm using, and I have a prop, and I'm just sharing information and connecting with my audience, because I feel like you have to really be intentional with how you use those slides, and they need to support your information and not be a crutch like some speakers make them be, yeah,   Michael Hingson ** 44:04 usually I'll be talking with whoever's planning the show when they'll ask if they can put a prop up, a picture of the World Trade Center or a picture of my book, Thunder dog or whatever. And I'm fine for them to do that, because they'll show it on screens and all that and that, that works out perfectly well. So, you know, I'm fine with it. And I think there's there again, there's a place for props. And occasionally I will have something else, if I'm doing a talk that is going to involve technology, and a lot of times, people are curious about how I do different things, I will have something up there that I can show so that they can really see how I do the things that they do, although I do them in a different way, and that's fun, too.   Tina Bakehouse ** 44:51 It's that individualized means of being that you are owning your your your style, your authentic speaker style. Yeah.   Michael Hingson ** 44:59 Yeah, so I understand you lost your voice once. That must have been fun. Fun   Tina Bakehouse ** 45:05 is probably not the adjective it was. It was a unique experience. It was a surprise. I mean, imagine teaching, of all things, public speaking, and I opened my mouth in a sophomore speech class. This was years ago, and nothing comes out, not even squeak. I mean, I've had some hoarseness in the past, but this was I opened my mouth, and nothing came out. And immediately, a student assisted me, got the principal in, and I had to go home because I couldn't teach. I mean, I I finished that class and wrote things on the board, but you can't do that for eight periods in a day. Wow. And what I found during that time, when I came home and it didn't return and it didn't return, I started to panic, yeah, what is happening here? Because this is really, it's like, it's part of my business, it's part of what I do. I'm an educator. If I can't speak, that's that's going to really put a put a wrinkle in what I'm doing with my career. So I decided that I needed support and sought out a speech pathologist, and we went through breathing exercises, and she and she analyzed that I had gone through some anxiety, and it was the anxiety that really tightened up my vocal cords, because I had a very couple tough classes that were challenging And in terms of behavior. And so anxiety was really impacting. The stress was impacting that those vocal cords. So I from her, she then connected me to a larnacologist who specialized in opera singers, and he assessed my vocal cords. And looked at me and went, Uh, you have Vocal cord nodules. And I was like, Oh, no. Julie Andrews, from Sound of Music, had this very thing, and she had the surgery that permanently changed her pitch, made it lower. And he did give me two options. He said you could do the surgery and your voice could change and be lower, or it could remain the same and be more hoarse. Or you can do six weeks of silence and that's no laughing, because that's very hard on your vocal cords, which is hard for me. I'm a gut wrench like the I have a big, hearty laugh. No talking, absolutely no cheating on any of this and whispering is the worst as well. So yeah, it's the worst. So I did the six weeks of silence, and what I found during that time as I had a myriad of one sided conversations, a lot of people popped by, wanted to visit, and I would just listen. People want to be seen, heard, and share their voice, their ideas, their opinions, their stories. And I became very clear that it's all about being fully present, about letting go of what's going on in my head, noticing more of what's being said, not said, and using everything like what's going on in their world, and being impacted potentially by what the other says. Don't not coming in with my own agenda. And that was a powerful experience. And I found, as I was working on this audiobook in January of this past year that my voice was doing the same. I started to squeak a little bit because I was coming, I've been experiencing burnout from nearly a two year stint of running a business and doing this book and having intense deadlines with my publisher, and I found, oh my gosh, I need to meditate. I need to relax. No amount of warm tea, food. It's a myth. Food does not impact your vocal cords, and so it's the warm beverage, the temperature can help soothe but it's being very cognizant of your stress has a bigger impact. And I just learned so much from that experience, and then the weirdness of it happening again years later, it was like a weird parallel experience of okay, lesson learned, take care of thyself, to put forth a voice that you want people to hear for this book.   Michael Hingson ** 49:31 Years and years ago, I attended a training program. It was a one day thing by Ken Blanchard, you know, the One Minute Manager guy and several of us from my company went and he made a comment that good speakers often will drink something warm, like water with lemon and honey before doing a speech, not. Ever milk, because that's the mucus thing. But over, over the years, I developed a taste for tea, and so I have tea in the morning. I'll have a few mugs of tea in the morning, and generally not later in the day. But the warm, the warm liquid, as you say, is very soothing. It does make a difference food, nah, but the tea does help, and it's mainly that it's a warm beverage. I've never been a coffee drinker, but I've grown to like tea, so that works well,   Tina Bakehouse ** 50:33 and especially it's the temperature and the liquid to keep it moist that is helpful, more than anything. But the breathing piece is really, really influential as well, yeah,   Michael Hingson ** 50:44 and it's important to do that. Well, you are a communications consultant and coach. How are you different than other people who are communications consultants and coaches? Well,   Tina Bakehouse ** 50:55 I'm a Holistic Communication Consultant coach, where I have that foundation of the more than 20 years of teaching, researching, engaging in the content area from not only the high school level, but the the as a professor at a college or institution. But then also, I come from a spiritual background, and when I work with my clients, I look at them as a soul and and really understanding the mind message mechanics and that it's really tapping into our heart, getting out of those conditioned beliefs and being the loving, wise adults that we're called to be, because that impacts the kind of message you create and then The way you impart it out into the world, yeah,   Michael Hingson ** 51:43 and I think that's important. And my impression just in talking with you all this time, is that, although I think there are a lot of people who will do their best to analyze and think about a client, you approach it probably a little bit more unique way from a communication standpoint, so that there's a connection that's probably stronger or more vibrant than a lot of people would have with clients.   Tina Bakehouse ** 52:12 Well, everything is energy, and that people feel your magnetism or lack thereof, and that's why it's coming from the heart, and that will definitely be a stronger, stronger, more influential presentation.   Michael Hingson ** 52:27 So what is your business called? You said you have a business I   Tina Bakehouse ** 52:31 do. It's called Tina B LLC, and I just at the time in 2020 during the pandemic, when I'd been doing this consulting and coaching work on the side for more than a decade. I struggled with the name, and I just thought, well, use my own. And when I say, Hey, Tina, B LLC, yeah, you know me, and people have found it to be very easy to find me and in terms of what I do and how I facilitate the work that I do. It's not only through my magnetic leadership blueprint series, but also my magnetic speaking blueprint series. They're six month programs, and I love doing those individual programs to support people, guide them on their journey, and facilitate virtual and in person workshops and finally, keynotes, yeah,   Michael Hingson ** 53:28 which is, which is cool, yeah,   Tina Bakehouse ** 53:30 ranging from yes and leadership within my background in improv to temperament to storytelling and magnetic communication, tell   Michael Hingson ** 53:38 me a little about improv that That must have been fun to learn to do, or how, how did all that come about?   Tina Bakehouse ** 53:45 Well, I have a theater degree, and actually, naturally, it's, it's one of the things that they throw you into to get that experience. And then as I got into my world of the adult hood, I decided my play yard is improv. It's high risk, high reward, and in terms of community theater, I just didn't have the time commitment that that requires. So I still take improv classes. It's my beautiful way of laughing and learning, and it's all about Yes, and which means accept the other in the moment, as it occurs, and add something to it. And I found that this has made such a huge impact, not only on my life, personally, with my relationships, but also in my work life as well.   Michael Hingson ** 54:34 Good to be flexible.   Tina Bakehouse ** 54:35 It is absolutely it's making your partner look good. It's all about that creative piece, the innovation working the brain in such a way that you align with your heart, being in the moment and and tapping into that is just a beautiful experience.   Michael Hingson ** 54:55 Well, you know, one of the things that I'm a little curious about, going back to your business a little bit, is you're. In rural Iowa. How is it doing a business from rural Iowa, Iowa, especially when you have to travel and all that. Where's the nearest airport?   Tina Bakehouse ** 55:07 The nearest airport is Omaha, Nebraska, about 45 minutes away. And really, I'm lucky that we have this thing called technology, because this is how we're connecting zoom, Google meets all of that has been amazing to expand my business nationally and internationally and to feel connected during the pandemic. Yeah.   Michael Hingson ** 55:25 Well, Omaha is only 45 minutes away, and that's a fairly good sized airport, so that's pretty convenient when you have to travel   Tina Bakehouse ** 55:32 absolutely, absolutely so.   Michael Hingson ** 55:37 And I agree with you. I'm not in a rural area, definitely a suburban area. Victorville is about 8085, miles northeast of Los Angeles, and we're about 40 miles or so from the nearest airport, about 45 to 50 minutes from ontario california airport. But again, figured that out early, and it's a lot easier to go to Ontario airport than going all the way down to Los Angeles to LAX. So   Tina Bakehouse ** 56:06 that works. It absolutely works. Yeah, and,   Michael Hingson ** 56:10 and there's a shuttle service up here so I can travel. But also, zoom works well. Now doing keynotes for me with Zoom isn't as easy, because I don't always get the same kind of ability to distinguish audience reactions, because it's a lot quieter, of course, so that's a little bit more of a challenge.   Tina Bakehouse ** 56:32 Oh, absolutely, you don't get that feedback,   Michael Hingson ** 56:37 no. So it is something to, you know, to deal with.   Tina Bakehouse ** 56:43 Yes, it is. And so I think it's great that you challenge yourself and put yourself out there in that way. Oh,   Michael Hingson ** 56:48 yeah. And I have no problem doing zoom and all that as well. Well, you clearly like to storytell, and I know you get a lot of that from doing theater and so on. Tell me a little bit about telling stories.   Tina Bakehouse ** 57:03 Well, telling stories is just been a part of my my day to day. Being as an oldest of three, I supported my sister learning how to read because I loved a good book like Nancy, Drew books and loved to embody characters by creating, and I found that in my experience, that stories really connect our our ways of being within ourselves and making sense of the world, but with others, because they have high stakes, it's a shared experience that really draws people in, whether you're entertaining at a party or you are presenting formally and everything in between, even facilitating a meeting with your team. And so I've I love anything from a fun story of watching TED lasso, which talk about rich, great characters, and then having that shared experience with my family, to talk about it afterwards, to when I sit down with a great book, whether it's a children's book, or a non fiction or fiction text, and really put myself into the story and learn from that main character, the protagonist to embodying that practice in how I market my business naturally, and how I connect with other people. So it's, it's imperative. I feel like it's, it's part of human nature, because our brains are wired for story, and when we hear a great story, it literally that oxytocin, that that hormone that really supports us wanting to help other people, increases when they tell when we tell stories, which to me, that makes it such a powerful, persuasive tool   Michael Hingson ** 58:56 and nothing like a good story To make life a lot more fun.   Tina Bakehouse ** 58:59 Totally, absolutely, well.   Michael Hingson ** 59:03 As we wrap up, I'd love your thoughts on what you might say to somebody who wants to be a speaker, what are some basic kinds of advice that you would give someone who's looking to speak or to to to involve themselves with other people like that,   Tina Bakehouse ** 59:22 I would say three tips. The first is to analyze, with authenticity, step back and be aware of where does speaking play in your business, in your personal and professional and life in general, and where are you? Where do you want to go, and what is your speaker style? Are you at a level that you're happy with, or do you want to expand and grow? So be be in that analysis phase of, where am I? Where do I want to go? And analyze that very honestly. Second, it's craft your content. In a clear, powerful, purposeful way. Every single speech that I've seen that I've been moved, it's clear that the it moved and mattered to the speaker. So your passion leads your communication. Don't talk about something you don't care about, and put yourself out there in a way that is meaningful and true. My spouse is a farmer. He cares about soil health. That's his mantra, his it's his North Star. So he goes on panels and speaks at conferences about his practices to add diversity the soil. Speak the truth and take the time to prepare. The last is you can perfect your performance or get it to a way that you feel you're anchoring in your confidence by practicing frequently, having a speaker ritual, tapping into those vocal and physical mechanics and eliciting the support of a guide, whether it's a style that you need Real help in terms of crafting the message, which I do that kind of work, or it's getting out of your head because you're in your own way, which is more mindset and heart centered means of being I do that work, or it's just, I know that I've got a great speech, I just can't deliver it. My voice is shaking, or my body gets stiff. That's the mechanics. So eliciting that help from someone who knows what they're talking about can really make an impact and get you there faster. So when you put in the reps, just like if you the Super Bowl was not too long ago, coaches make a difference. They readjust at that, at that, you know, halftime spot, and coaches get you there faster, but it's finding the right support if you are wanting to expand and up level your speaker style, right?   Michael Hingson ** 1:01:48 There's never anything wrong with having a coach and someone to advise and help you and look at what you do objectively, and who's going to be honest back with you,   Tina Bakehouse ** 1:01:57 well, right? And I, I've elicited the help of coaches for my business and for and feedback and support with my presentations as well, because I know I don't know all and I never will. I'm always like you, Michael, learning, growing, stretching, it's a lot more fun. It is a lot more fun. Totally agree. Well,   Michael Hingson ** 1:02:17 if people want to reach out to you and maybe talk about you being their coach and all that. How do they do that?   Tina Bakehouse ** 1:02:22 They can reach out to me on my website@tinabakehouse.com, that's Tina T, I n, a, bakehouse B, as in boy, a, k, e, house as in casa.com. And you can certainly find my book. Is there? Resources, videos, my blog, I write a couple of months to support you and guide you in the power of magnetic communications, storytelling strategies and more.   Michael Hingson ** 1:02:52 Well, Tina, thank you for being here on unstoppable mindset. Clearly, you have one, an unstoppable mindset that is. And I'm really glad that we had the opportunity to spend a bunch of time and talk about speaking. It's one of my favorite subjects, because I learn every time I get to talk about it, which is, of course, for me, the whole point,   Tina Bakehouse ** 1:03:14 and I learned from you as well. It's a beautiful connection in that regard. Well,   Michael Hingson ** 1:03:18 we'll have to do more of this absolutely. Well. I want to thank you again, and I want to thank all of you, wherever you are, for listening to us and I guess watching us today, please give us a five star rating wherever you're encountering our podcast. We really appreciate the ratings, especially those five star ones. But if you have any thoughts I'd love to hear from you, feel free to email me. You can reach me at Michael M, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, I, B, e.com, or go to our podcast page. That's always a great place to go. He said, with a very prejudiced idea, you can go to www.michaelhingson.com/podcast Michael Hinkson is, m, I, C, H, A, E, L, H, I N, G, s, o, n, so Michael hinkson.com/podcast love again to hear your thoughts and for all of you and Tina, if you know of anyone else who ought to come on unstoppable mindset, or you think they ought to, I buy it. I'd love to hear from you with any recommendations and introductions that anybody wants to provide. So again, I want to thank you, Tina, for being here and making this happen. This was a lot of fun, and I really appreciate your time.   Tina Bakehouse ** 1:04:32 I appreciate you as well. Thank you for the invitation. Michael,   Michael Hingson ** 1:04:40 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

originally released: September 18, 2019 Actor and author Alexandra Silber is currently appearing as Fraulein Sally Bowles in Olney Theatre Center's production of Cabaret. But she's here this week to talk about this beautiful Lucy Simon/Marsha Norman musical and so much more. Really, we get deep.__Topics include: living with grief, communing with nature, and the glory of Rebecca Luker. Buy Alexandra's memoir White Hot Grief Parade and her novel After Anatevka. Both titles are also available on Audible read by Al herself! Featured recordings: The Secret Garden - The Original Broadway Cast Album (1991) Join us on PATREON to get our patrons-only podcast The Original Cast at the Movies?  August's episode has Married super-cool duo Lee Liebeskind (Spring Awakening) and Megan Reichelt (The Scarlet Pimpernel) join Patrick and his super-cool ladywife Kelley to talk about The Muppet Movie (1979) the super-coolest movie of all time. Seriously, it's so good you guys. Patreon • Twitter • Facebook • Email  

Erin and Brennan are back from summer vacation and are ready to take down CIA black ops teams WITH A BALLPOINT PEN!!! Contrary to other spy films, we're looking at you James Bond and Mission Impossible, the Bourne movies tell the story of believable assassins. Do they have secret gadgets? Nope, just their minds and a lot of cash. We have Brian Cox being evil (as usual), Clive Owen dying (as usual), and Chris Cooper being evil (as usual). Can anyone say Muppet Movie? On the other hand, we have Matt Damon being hotter than ever with the largest GPS trackers in history. Now it's time to turn, walk away,                                   and vanish. 

It's a momentous day. Months after brazenly begging any listeners with the keys to a boutique hotel to invite us to stay, we're doing it. We're podding from a suite. Specifically, a suite at the United Places Hotel Botanic Gardens. They invited us to stay and we've spent the weekend seeing the sights of South Yarra, sipping martinis and eating the entirety of the ocean. We couldn't be more smug and insufferable thank you very much!! You can be equally annoying when you post up in this glamorous hotel – book using the code SEEALSO for 15% off your stay!Follow us at @seealsopodcast and join the Hogg Hive on Patreon for ad-free and bonus episodes.Also: Alsos!See AlsosSee Also Southside: the google mapAlso AlsosListen to Olivia Laing's conversation with Sophie Cunningham about their new book, The Garden Against Time: In Search of a Common Paradise, as you walk through the Royal Botanic GardensSlow Dance by Rainbow RowellGrief is for People by Sloane Crosley Topdog/Underdog on at MTC til 21 SeptemberAstor Theatre: 45th anniversary of the Muppet Movie on Sunday 8 SeptemberTower 28 SOS LipSoftie Lip Rescue treatment Hosted on Acast. See acast.com/privacy for more information.

Today on another encore edition of the Rarified Heir Podcast, we are talking to actor David Deluise, son of comedian/actors Dom Deluise & Carol Arthur. Ok, sure, we talk about the 80s cable TV classic film Hot Stuff a little bit too much on this episode but it's one of the few films Dom directed and also featured his wife and family. And like the film, we hear from David that in many ways that film mirrored their life off camera. There was lots of food, laughter and spending time with friends and family when the camera's weren't rolling. We discuss with David many of his father's friends including Mel Brooks, Burt Reynolds, Dean Martin and more. When you have prominent roles in everything from Blazing Saddles to The Muppet Movie, there is a lot to talk about. Of course we talk about Dom's other passion: food. Cooking, eating and procuring free food as well. Clearly the man lived to eat and that's a man after our own hear. We also talk about David's acting and directing career on television shows like The Thunderman's, Lab Rats and more. We also learn how the show Felicity got its name, the family's favorite restaurants, being too nervous to meet Robert De Niro, dining with Martin Sheen & sending Anthony Hopkins a pizza as an introduction. You know, the typical things most kids grow up doing all over this great land of ours. So sit back, maybe order Chinese food for 50 people as the Deluise's did and take a listen to this episode of the Rarified Heir Podcast. Everyone has a story.

why are there so many podcasts about rainbows. is it just because theres a lot of podcasts Listen to an extra episode a week for $5, or all our bonus episodes for $7 or $10 at www.patreon.com/tgofv.

Johnny and Andrew are checking out the original Muppet movie to see if it's still cool today and if the younger crowd will spot all the guest stars in it. Facebook: https://bit.ly/3VZ0HdP Youtube: https://bit.ly/3VCC4Uc Patreon: https://bit.ly/3XYqxQk Merch Shop: http://bit.ly/3yd2AZY

This week Jackie, MJ and Holden come out swangin' with Twisters! Then its off to HOLDEN'S MOVIE CORNER for Iron Claw, Late Night with the Devil, and Longlegs! Jackie is spreadin' the summerween joy with Frozen (2010) and Oddity, MJ is havin' a crisis with what to watch on MAX, while Holden heads The Other Way with a new season of the 90 Day spinoff, Jackie finally watched Jim Henson Idea Man on Disney+, MJ showed The Muppet Movie to da babies, and Jackie checks out Total Forgiveness on the Dropout! network AND MORE! Twisters - IN THE THEATAHHHHHHIron Claw - MaxLate Night with the Devil - AMC+Longlegs - IN THE THEATAHHHHHFrozen - Amazon PrimeOddity - IN THE THEATAHHHHThe Black Widower - MaxForbidden Love - Max90 Day Fiance: The Other Way Season 6 - MaxJim Henson Idea Man - Disney+The Muppet Movie - Disney+Total Forgiveness - Dropout! Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast 

It's Jim Henson Month on In Search of the Crystal Skull. In honor of the recent Disney+ documentary, Jim Henson: Idea Man, Arun and Patricia look back at Jim Henson's films. The first one is the 1981 film The Great Muppet Caper, the second film in The Muppets movie series. Kermit and Fozzie are twin brothers who are newspaper reporters and their friend and co-worker Gonzo is a photographer. After failing to cover a report where a fashion designer named Lady Holiday had her jewelry stolen, they are at the brink of losing their jobs. They beg their boss to give them a second chance and they travel to England to interview her. Meanwhile, Miss Piggy wishes to become one of Lady Holiday's models, but makes her her assistant instead. In a series of events, Miss Piggy is the primary suspect of stealing Lady Holiday's jewelry. It's up to Kermit, Gonzo, Fozzie, and the rest of the inhabitants of the Happiness Hotel to prove Miss Piggy's innocence and capture the real thieves. When the film premiered in theaters, it made $31 million dollars out of a $14 million dollar budget receiving mixed to positive reviews from critics and viewers saying that there are some memorable moments, but the plot wasn't as engaging compared to The Muppet Movie. What did Arun and Patricia think of the film? Listen and find out. --- Support this podcast: https://podcasters.spotify.com/pod/show/old-school-lane/support

Sarah's breakup has gotten dirty, and Susie is livid. Thoughts and prayers to that man. We discuss the Jim Henson Idea Man documentary, the price of changing the world and what you lose if you're ambitious, and how his childhood may have had a hand in his demise. We debate a new Louisiana law that allows judges to require castration to convicted sex offenders. We hear about a woman who was fined $88,000 for accidentally collecting clams on a beach, and why we decided not too feel too badly for her. We find out about a percussionist for the SNL band who mysteriously disappears during the opening monologue, and some people want to solve the mystery and get "justice for Valerie Dee Narenjo," and it's hilarious. Plus, a man gets back at his HOA after they force him to put up a fence to hide his boat, and we love a petty neighbor.Listen to more podcasts like this: https://wavepodcastnetwork.comJoin our Candy Club, shop our merch, sign-up for our free newsletter, & more by visiting The Brain Candy Podcast website: https://www.thebraincandypodcast.comConnect with us on social media:BCP Instagram: https://www.instagram.com/braincandypodcastSusie's Instagram: https://www.instagram.com/susiemeisterSarah's Instagram: https://www.instagram.com/imsarahriceBCP on X: https://www.x.com/braincandypodSponsors:Head to https://moshlife.com/braincandy to save 20% off plus FREE shipping on your first 6-count Trial Pack!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Full episode: https://www.patreon.com/posts/106500736 This week in the MAM VIP, we're throwing it back in honor of 45 years of THE MUPPET MOVIE!

We've got another sequel from Pixar, but people seem to like this one! Let's discuss the current state of the company and review INSIDE OUT 2! THE MUPPET MOVIE episode drops this week on madaboutmoviespodcast.com/vip!

David discusses the movies he's been watching, including Lilies, Daddio, The Muppet Movie, Dodes'ka-den, Midnight Cowboy, My Own Private Idaho, Ivans xtc. and Twentynine Palms.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Muppet Movie, Phantom Of The Paradise, Bugsy Malone, A Star Is Born, “You And Me Against The World”, Smokey & The Bandit...what singular magical element do these cultural touchstones have in common? The legendary, inspirational & hilarious singer, songwriter, actor,  author, recovery advocate/counselor AND President of ASCAP known as PAUL WILLIAMS. Yes, one of my all-time heroes joins me for a truly special episode full of love and laughter that is sure to lift your spirits, heart & mind as much as it did (and still does) mine. Join the Craig & Friends Patreon to support the show and receive Hott bonus content  If you or a loved on is in need of help with drugs and/or alcohol: SAMHSA For More Paul: Official Website  Instagram Twitter Craig & Friends  Instagram Twitter