Podcasts about Sense

How do you capture something as enormous and personal as the feeling of “home” in a book? How can you navigate the chaotic discovery period in writing something new? With Roz Morris. In the intro, KU vs Wide [Written Word Media]; Podcasts Overtake Radio, book marketing implications [The New Publishing Standard]; Tips for podcast guests; The Vatican embraces AI for translation, but not for sermons [National Catholic Reporter]; NotebookLM; Self-Publishing in German; Bones of the Deep. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How being an indie author has evolved over 15 years, from ebooks-only to special editions, multi-voice audiobooks and tools to help with everything Why “home” is such a powerful emotional theme and how to turn personal experiences into universal memoir Practical craft tips on show-don't-tell, writing about real people, and finding the right book title The chaotic discovery writing phase — why some books take seven years and why that's okay Building a newsletter sustainably by finding your authentic voice (and the power of a good pet story) Low-key book marketing strategies for memoir, including Roz's community-driven “home” collage campaign You can find Roz at RozMorris.org. Transcript of the interview with Roz Morris JOANNA: Roz Morris is an award-nominated literary fiction author, memoirist, and previously a bestselling ghostwriter. She writes writing craft books for authors under the Nail Your Novel brand, and is also an editor, speaker, and writing coach. Her latest travel memoir is Turn Right at the Rainbow: A Diary of House-Hunting, Happenstance & Home. Welcome back to the show, Roz. ROZ: Hi, Jo. It's so lovely to be back. I love that we managed to catch up every now and again on what we're doing. We've been doing this for so long. JOANNA: In fact, if people don't know, the first time you came on this show was 2011, which is 15 years. ROZ: I know! JOANNA: It is so crazy. I guess we should say, we do know each other in person, in real life, but realistically we mainly catch up when you come on the podcast. ROZ: Yes, we do, and by following what we're doing around the web. So I read your newsletters, you read mine. JOANNA: Exactly. So good to return. You write all kinds of different things, but let's first take a look back. The first time you were on was 2011, 15 years ago. You've spanned traditional and indie, you've seen a lot. You know a lot of people in publishing as well. What are the key things you think have shifted over the years, and why do you still choose indie for your work? ROZ: Well, lots of things have shifted. Some things are more difficult now, some things are a lot easier. We were lucky to be in right at the start and we learned the ropes and managed to make a lot of contacts with people. Now it's much more difficult to get your work out there and noticed by readers. You have to be more knowledgeable about things like marketing and promotions. But that said, there are now much better tools for doing all this. Some really smart people have put their brains to work about how authors can get their work to the right readers, and there's also a lot more understanding of how that can be done in the modern world. Everything is now much more niche-driven, isn't it? People know exactly what kind of thriller they like or what kind of memoir they like. In the old days it was probably just, “Well, you like thrillers,” and that could be absolutely loads of things. Now we can find far better who might like our work. The tools we have are astonishing. To start with, in about 2011, we could only really produce ebooks and paperbacks. That was it. Anything else, you'd have to get a print run that would be quite expensive. Now we can get amazing, beautiful special editions made. We can do audiobooks, multi-voice audiobooks. We can do ebooks with all sorts of enhancements. We can even make apps if we want to. There's absolutely loads that creators can do now that they couldn't before, so it's still a very exciting world. JOANNA: When we first met, there was still a lot of negativity here in the UK around indie authors or self-publishing. That does feel like it's shifted. Do you think that stigma around self-publishing has changed? ROZ: I think it has really changed, yes. To start with, we were regarded as a bit of the Wild West. We were just tramping in and making our mark in places that we hadn't been invited into. Now it's changed entirely. I think we've managed to convince people that we have the same quality standards. Readers don't mind—I don't think the readers ever minded, actually, so long as the book looked right, felt right, read right. It's much easier now. It's much more of a level playing field. We can prove ourselves. In fact, we don't necessarily have to prove ourselves anymore. We just go and find readers. JOANNA: Yes, I feel like that. I have nothing to prove. I just get on with my work and writing our books and putting them out there. We've got our own audiences now. I guess I always think of it as perhaps not a shadow industry, but almost a parallel industry. You have spanned a lot of traditional publishing and you still do editing work. You know a lot of trad pub authors too. Do you still actively choose indie for a particular reason? ROZ: I do. I really like building my own body of work, and I'm now experienced enough to know what I do well, what I need advice with, and help with. I mean, we don't do all this completely by ourselves, do we? We bring in experts who will give us the right feedback if we're doing a new genre or a genre that's new to us. I choose indie because I like the control. Because I began in traditional publishing—I was making books for other people—I just learned all the trades and how to do everything to a professional standard. I love being able to apply that to my own work. I also love the way I can decide what I'm going to write next. If I was traditionally published, I would have to do something that fitted with whatever the publisher would want of me, and that isn't necessarily where my muse is taking me or what I've become interested in. I think creative humans evolve throughout their lives. They become interested in different things, different themes, different ways of expressing themselves. I began by thinking I would just write novels, and now I've found myself writing memoirs as well. That shift would have been difficult if someone else was having to make me fit into their marketing plans or what their imprint was known for. But because I've built my own audience, I can just bring them with me and say, “You might like this. It's still me. I'm just doing something different.” JOANNA: I like that phrase: “creative humans.” That's what we are. As you say, I never thought I would write a memoir, and then I wrote Pilgrimage, and I think there's probably another one on its way. We do these different things over time. Let's get into this new book, Turn Right at the Rainbow. It's about the idea of home. I've talked a lot about home on my Books And Travel Podcast, but not so much here. Why is home such an emotional topic, for both positive and negative reasons? Why did you want to explore it? ROZ: I think home is so emotional because it grows around you and it grows on you very slowly without you really realising it. As you are not looking, you suddenly realise, “Oh, it means such a lot.” I love to play this mind game with myself—if you compare what your street looks like to you now and how it looked the first time you set eyes on it, it's a world of difference. There are so many emotional layers that build up just because of the amount of time we spend in a place. It's like a relationship, a very slow-growing friendship. And as you say, sometimes it can be negative as well. I became really fascinated with this because we decided to move house and we'd lived in the same house for about 30 years, which is a lot of time. It had seen a lot of us—a lot of our lives, a lot of big decisions, a lot of good times, a lot of difficult times. I felt that was all somehow encapsulated in the place. I know that readers of certain horror or even spiritual fiction will have this feeling that a place contains emotions and pasts and all sorts of vibes that just stay in there. When we were going around looking at a house to buy, I was thinking, “How do we even know how we will feel about it?” We're moving out of somewhere that has immense amounts of feelings and associations, and we're trying to judge whether somewhere else will feel right. It just seemed like we were making a decision of cosmic proportions. It comes down so much to chance as well. You're not only just deciding, “Okay, I'd like to buy that one,” and pressing a button like on eBay and you've won it. It doesn't happen like that. There are lots of middle steps. The other person's got to agree to sell to you, not do the dirty on you and sell to someone else. You've got all sorts of machinations going on that you have no idea about. And you only have what's on offer—you only get an opportunity to buy a place because someone else has decided to let it go. All this seemed like immense amounts of chance, of dice rolling. I thought, yet we end up in these places and they mean so much to us. It just blew my mind. I thought, “I've got to write about this.” JOANNA: It's really interesting, isn't it? I really only started using the word “home” after the pandemic and living here in Bath. We had luckily just bought a house before then, and I'd never really considered anywhere to be a home. I've talked about this idea of third culture kids—people who grow up between cultures and don't feel like there's a home anywhere. I was really interested in your book because there's so much about the functional things that have to happen when you move house or look for a house, and often people aren't thinking about it as deeply as you are. So did you start working on the memoir as you went to see places, or was it something you thought about when you were leaving? Was it a “moving towards” kind of memoir or a “sad nostalgia” memoir? ROZ: Well, it could have been very sad and nostalgic because I do like to write really emotional things, and they're not necessarily for sharing with everybody, but I was very interested in the emotions of it. I started keeping diaries. Some of them were just diaries I'd write down, some of them were emails I'd send to friends who were saying, “How's it going?” And then I'd find I was just writing pieces rather than emails, and it built up really. JOANNA: It's interesting, you said you write emotional things. We mentioned nostalgia, and obviously there are memories in the home, but it's very easy to say a word like “nostalgia” and everyone thinks that means different things. One of the important things about writing is to be very specific rather than general. Can you give us some tips about how we can turn big emotions into specific written things that bring it alive for our readers? ROZ: It's really interesting that you mention nostalgia, because what we have to be careful of is not writing just for ourselves. It starts with us—our feelings about something, our responses, our curiosities—but we then have to let other people in. There's nothing more boring than reading something that's just a memoir manuscript that doesn't reach out to anyone in any way. It's like looking through their holiday snaps. What you have to do is somehow find something bigger in there that will allow everyone to connect and think, “Oh, this is about me too,” or “I've thought this too.” As I said, we start with things that feel powerful and important for us, and I think we don't necessarily need to go looking for them. They emerge the more deeply we think about what we're writing. We find they're building. Certainly for me, it's what pulls me back to an idea, thinking, “There's something in this idea that's really talking to me now. What is it?” Often I'll need to go for walks and things to let the logical mind turn off and ideas start coming in. But I'll find that something is building and it seems to become more and more something that will speak to others rather than just to me. That's one way of doing it—by listening to your intuition and delving more and more until you find something that seems worth saying to other people. But you could do it another way. If you decided you wanted to write a book about home, and you'd already got your big theme, you could then think, “Well, how will I make this into something manageable?” So you start with something big and build it into smaller-scale things that can be related to. You might look at ideas of homes—situations of people who have lost their home, like the kind of displacement we see at the moment. Or we might look at another aspect, such as people who sell homes and what they must feel like being these go-betweens between worlds, between people who are doing these immense changes in their lives. Or we might think of an ecological angle—the planet Earth and what we're doing to it, or our place in the cosmos. We might start with a thing we want to write about and then find, “How are we going to treat it?” That usually comes down to what appeals to us. It might be the ecological side. It might be the story of a few estate agents who are trying to sell homes for people. Or it might be like mine—just a personal story of trying to move house. From that, we can create something that will have a wider resonance as well as starting with something that's personally interesting to you. The big emotions will come out of that wider resonance. JOANNA: Trying to go deeper on that— It's the “show, don't tell” idea, isn't it? If you'd said, “I felt very sad about leaving my house” or “I felt very sad about the prospect of leaving my house,” that is not a whole book. ROZ: Yes. It's why you felt sad, how you felt sad, what it made you think of. That's a very good point about “show, don't tell,” which is a fundamental writing technique. It basically tells people exactly how you feel about a particular thing, which is not the same as the way anyone else would feel about it—but still, curiously, it can be universal and something that we can all tap into. Funnily enough, by being very specific, by saying, “I realised when we'd signed the contract to sell the house that it wasn't ours anymore, and it had been, and I felt like I was betraying it,” that starts to get really personal. People might think, “Yes, I felt like that too,” or “I hadn't thought you'd feel like that, but I can understand it.” Those specifics are what really let people into the journey that you're taking them on. JOANNA: And isn't this one of the challenges, that we're not even going to use a word like “sad,” basically. ROZ: Yes. It's like, who was it who said, “Don't tell me if they got wet—tell me how it felt to get wet in that particular situation.” Then the reader will think, “Oh yes, they got wet,” but they'll also have had an experience that took them somewhere interesting. JOANNA: Yes. Show me the raindrops on the umbrella and the splashing through the puddles. I think this is so important with big emotions. Also, when we say nostalgia—we've talked before about Stranger Things and Kate Bush and the way Stranger Things used songs and nostalgia. Oh, I was watching Derry Girls—have you seen Derry Girls? ROZ: No, I haven't yet. JOANNA: Oh, it's brilliant. It's so good. It's pretty old now, but it's a nineties soundtrack and I'm watching going, “Oh, they got this so right.” They just got it right with the songs. You feel nostalgic because you feel an emotion that is linked to that music. It makes you feel a certain way, but everyone feels these things in different ways. I think that is a challenge of fiction, and also memoir. Certainly with memoir and fiction, this is so important. ROZ: Yes, and I was just thinking with self-help books, it's even important there because self-help books have to show they understand how the reader is feeling. JOANNA: Yes, and sometimes you use anecdotes to do that. Another challenge with memoir—in this book, you're going round having a look at places, and they're real places and there are real people. This can be difficult. What are things that people need to be wary of if using real people in real places? Do you need permissions for things? ROZ: That book was particularly tricky because, as you said, I was going around real places and talking about real people. With most of them, they're not identifiable. Even though I was specific about particular aspects of particular houses, it would be very hard for anyone to know where those houses were. I think possibly the only way you would recognise it is if that happened to be your own house. The people, similarly—there's a lot about estate agents and other professionals. They were all real incidents and real things that happened, but no one is identifiable. A very important thing about writing a book like this is you're always going to have antagonists, because you have to have people who you're finding difficult, people who are making life a bit difficult for you. You have to present them in a way that understands what it's like to be them as well. If you're writing a book where your purpose is to expose wrongdoing or injustices, then you might be more forthright about just saying, “This is wrong, the way this person behaved was wrong.” You might identify villains if that's appropriate, although you'd have to be very careful legally. This kind of book is more nuanced. The antagonists were simply people who were trying to do the right thing for them. You have to understand what it's like to be them. Quite a lot of the time, I found that the real story was how ill-equipped I sometimes felt to deal with people who were maybe covering something up, or maybe not, but just not expressing themselves very clearly. Estate agents who had an agenda, and I was thinking, “Who are they acting for? Are they acting for me, or are they acting for someone else that we don't even know about?” There's a fair bit of conflict in the book, but it comes from people being people and doing what they have to do. I just wanted to find a good house in an area that was nice, a house I could trust and rely on, for a price that was right. The people who were selling to me just wanted to sell the house no matter what because that was what they needed to do. You always have to understand what the other person's point of view is. Often in this kind of memoir, even though you might be getting very frustrated, it's best to also see a bit of a ridiculous side to yourself—when you're getting grumpy, for instance. It's all just humans being humans in a situation where ultimately you're going to end up doing a life-changing and important thing. I found there's quite a lot of humour in that. We were shuffling things around and, as I said, we were eventually going to be making a cosmic change that would affect the place we called home. I found that quite amusing in a lot of ways. I think you've got to be very levelheaded about this, particularly about writing about other people. Sometimes you do have to ask for permission. I didn't have to do that very much in this book. There were people I wrote about who are actually friends, who would recognise themselves and their stories. I checked that they didn't mind me quoting particular things, and they were all fine with that. In my previous memoir, Not Quite Lost, I actually wrote about a group of people who were completely identifiable. They would definitely have known who they were, and other people would have known who they were. There was no hiding them. They were the people near Brighton who were cryonicists—preserving dead bodies, freezing them, in the hope that they could be revived at a much later date when science had solved the problem that killed them. I went to visit this group of cryonicists, and I'd written a diary about it at the time. Then I followed up when I was writing the book to find out what happened to them. I thought, I've simply got to contact them and tell them I'm going to write this. “I'll send it to you, you give me your comments,” and I did. They gave me some good comments and said, “Oh, please don't put that,” or “Let me clarify this.” Everything was fine. So there I did actually seek them out and check that what I was going to write was okay. JOANNA: Yes, in that situation, there can't be many cryonicists in that area. ROZ: They really were identifiable. JOANNA: There's probably only one group! But this is really interesting, because obviously memoir is a personal thing. You're curating who you are as well in the book, and your husband. I think it's interesting, because I had the problem of “Am I giving away too much about myself?” Do you feel like with everything you've written, you've already given away everything about yourself by now? Are you just completely relaxed about being personal, for yourself and for your husband? ROZ: I think I have become more relaxed about it. My first memoir wasn't nearly as personal as yours was. You were going to some quite difficult places. With Turn Right at the Rainbow, I was approaching some darker places, actually, and I had to consider how much to reveal and how much not to. But I found once I started writing, the honesty just took over. I thought, “This is fine. I have read plenty of books that have done this, and I've loved them. I've loved getting to know someone on that deeper level.” It was just something I took my example from—other writers I'd enjoyed. JOANNA: Yes. I think that's definitely the way memoir has to happen, because it can be very hard to know how to structure it. Let's come to the title. Turn Right at the Rainbow. Really great title, and obviously a subtitle which is important as well for theme. Talk about where the title came from and also the challenges of titling books of any genre. You've had some other great titles for your novels—at least titles I've thought, “Oh yes, that's perfect.” Titling can be really hard. ROZ: Oh, thank you for that. Yes, it is hard. Ever Rest, which was the title of my last novel, just came to me early on. I was very lucky with that. It fitted the themes and it fitted what was going on, but it was just a bolt from the blue. I found that also with Turn Right at the Rainbow, it was an accident. It slipped out. I was going to call it something else, and then this incident happened. “Turn Right at the Rainbow” is actually one of the stories in the book. I call it the title track, as if it's an album. We were going somewhere in the car and the sat nav said, “Turn right at the rainbow.” And Dave and I just fell about, “What did it just say?!” It also seemed to really sum up the journey we were on. We were looking for rainbows and pots of gold and completely at the mercy of chance. It just stayed with me. It seemed the right thing. I wrote the piece first and then I kept thinking, “Well, this sounds like a good title.” Dave said it sounded like a good title. And then a friend of mine who does a lot of beta reading for me said, “Oh, that is the title, isn't it?” When several people tell you that's the title, you've got to take notice. But how we find these things is more difficult, as you said. You just work and work at it, beating your head against the wall. I find they always come to me when I'm not looking. It really helps to do something like exercise, which will put you in a bit of a different mind state. Do you find this as well? JOANNA: Yes, I often like a title earlier on that then changes as the book goes. I mean, we're both discovery writers really, although you do reverse outlines and other things. You have a chaotic discovery phase. I feel like when I'm in that phase, it might be called something, and then I often find that's not what it ends up being, because the book has actually changed in the process. ROZ: Yes, very much. That's part of how we realise what we should be writing. I do have working titles and then something might come along and say, “This seems actually like what you should call it and what you've been working towards, what you've been discovering about it.” I think a good title has a real sense of emotional frisson as well. With memoir, it's easier because we can add a subtitle to explain what we mean. With fiction, it's more difficult. We've got to really hope that it all comes through those few words, and that's a bit harder. JOANNA: Let's talk about your next book. On your website it says it might be a novel, it might be narrative nonfiction, and you have a working title of Four. I wondered if you'd talk a bit more about this chaotic discovery writing phase when we just don't know what's coming. I feel like you and I have been doing this long enough—you longer than me—so maybe we're okay with it. But newer writers might find this stage really difficult. Where's the fun in it? Why is it so difficult? And how can people deal with it? ROZ: You've summed that up really well. It's fun and it's difficult, and I still find it difficult even after all these years. I have to remind myself, looking back at where Ever Rest started, because that was a particularly difficult one. It took me seven years to work out what to do with it, and I wrote three other books in the meantime. It just comes together in the end. What I find is that something takes root in my mind and it collects things. The title you just picked out there—the book with working title of Four—it's now two books. One possibly another memoir and one possibly fiction. It's evolving all the time. I'm just collecting what seems to go with it for now and thinking, “That belongs with it somehow. I don't yet know how, but my intuition is that the two work well together.” There's a harmony there that I see. In the very early stages, that's what I find something is. Then I might get a more concrete idea, say a piece of story or a character, and I'll have the feeling that they really fit together. Once I've got something concrete like that, I can start doing more active research to pursue the idea. But in the beginning, they're all just little twinkles in the eye and you just have to let them develop. If you want to get started on something because you feel you want to get started and you don't feel happy if you're not working on something, you could do a far more active kind of discovery. Writing lists. Lists are great for this. I find lists of what you don't want it to be are just as helpful as what you do want it to be because that certainly narrows down a lot and helps you make good choices. You've got a lot of choices to make at the beginning of a book. You've got to decide: What's it going to be about? What isn't it going to be about? What kind of characters am I interested in? What kind of situations am I interested in? What doesn't interest me about this situation? Very important—saves you a lot of time. What does interest me? If you can start by doing that kind of thing, you will find that you start gathering stuff that gets attracted to it. It's almost like the world starts giving it to you. This is discovery writing, but it's also chivvying it along a bit and getting going. It does work. Joanna: I like the idea of listing what you don't want it to be. I think that's very useful because often writers, especially in the early stages—or even not, I still struggle with this—it's knowing what genre it might actually be. With Bones of the Deep, which is my next thriller, it was originally going to be horror and I was writing it, and then I realised one of the big differences between horror and thriller is the ending and how character arcs are resolved and the way things are written. I was just like, “Do you know what? I actually feel like this is more thriller than horror,” and that really shaped the direction. Even though so much of it was the same, it shaped a lot about the book. It's always hard talking about this stuff without giving spoilers, but I think deciding, “Okay, this is not a horror,” actually helped me find my way back to thriller. ROZ: Yes, I do know what you mean. That makes perfect sense to me, with no spoilers either. It's so interesting how a very broad-strokes picture like that can still be very helpful. Just trying to make something a bit different from the way you've been envisaging it can lead to massive breakthroughs. “Oh no, it's not a thriller—I don't have to be aiming for that kind of effect.” Or try changing the tone a little bit and see if that just makes you happier with what you're making, more comfortable with it. JOANNA: You mentioned the seven years that Ever Rest took. We should say the title is in two words—”Ever” and “Rest”—but it is also about Everest the mountain in many ways. That's why it's such a perfect title. If that took seven years and you were doing all this other stuff and writing other books along the way, how do you keep your research under control? How do you do that? I still use Scrivener projects as my main research place. How do you do your research and organisation? ROZ: A lot of scraps of paper. My desk is massive. It used to be a dining table with leaves in it. It's spread out to its fullest length, and it's got heaps of little pieces of paper. I know what's on them all, and there are different areas, different zones. I'm very much a paper writer because I like the tangibility of it. I also like the creativity of taking a piece of paper and tearing it into an odd shape and writing a note on that. It seems as sort of profound and lucky as the idea. I really like that. I do make text files and keep notes that way. Once something is starting to get to a phase where it's becoming serious, it will then be a folder with various files that discuss different aspects of it. I do a lot of discussing with myself while writing, and I don't necessarily look at it all again. The writing of it clarifies something or allows me to put something aside and say, “No, that doesn't quite belong.” Gradually I start to look at things, look at what I've gathered, and think, “How does this fit with this?” And it helps to look away as well. As I said with finding titles, sometimes the right thing is in your subconscious and it's waiting to just sail in if you look at it in a different way. There's a lot to be said for working on several ideas, not looking at some of them for a while, then going back and thinking, “Oh, I know what to do with this now.” JOANNA: Yes. My Writing the Shadow, I was talking about that when we met, and that definitely took about a decade. ROZ: Yes. JOANNA: I kept having to come back to that, and sometimes we're just not ready. Even as experienced writers, we're not ready for a particular book. With Bones of the Deep, I did the trip that it's based on in 1999. Since I became a writer, I've thought I have to use that trip in some way, and I never found the right way to use it. I came at it a couple of times and it just never sat right with me. Then something on this master's course I'm doing around human remains and indigenous cultures just suddenly all clicked. You can't really rush that, can you? ROZ: You absolutely can't. It's something you develop a sense for, the more you do—whether something's ready or whether you should just let it think about itself for a while whilst you work on something else. It really helps to have something else to work on because I panic a bit if I don't have something creative to do. I just have to create, I have to make things, particularly in writing. But I also like doing various little arty things as well. I need to always have something to be writing about or exploring in words. Sometimes a book isn't ready for that intense pressure of being properly written. So it helps to have several things that I can play with and then pick one and go, “Okay, now I'm going to really perform this on the page.” JOANNA: Do you find that nonfiction—because you have some craft books as well—do you find the nonfiction side is quite different? Can you almost just go and write a nonfiction book or work on someone else's project? Does that use a different kind of creativity? ROZ: Yes, it does. Creativity where you're trying to explain something to creative people is totally different from creativity where you're trying to involve them in emotions and a journey and nuances of meaning. They're very different, but they're still fun. So, yes, I am an editor as well, and that feeds my creativity in various unexpected ways. I'll see what someone has done and think, “Oh, that's very interesting that they did that.” It can make me think in different ways—different shapes for stories, different kinds of characters to have. It really opens your eyes, working with other creative people. JOANNA: I wanted to return to what you said at the beginning, that it is more difficult these days to get our work noticed. There's certainly a challenge in writing a travel memoir about home. What are you doing to market this book? What have you learned about book marketing for memoir in particular that might help other people? ROZ: Partly I realised it was quite a natural progression for me because in my newsletter I always write a couple of little pieces. I think they're called “life writing.” Just little things that have happened to me. That's sort of like memoir, creative nonfiction, personal essays. I was quite naturally writing that sort of thing to my newsletter readers, and I realised that was already good preparation for the kind of way that I would write in a memoir. As for the actual campaign, I actually came up with an idea which quite surprised me because I didn't think I was good at that. I'm making a collage of the word “home” written in lots of different handwriting, on lots of different things, in lots of different languages. I'm getting people to contribute these and send them to me, and I'm building them into a series of collages that's just got the word “home” everywhere. People have been contributing them by sending them by email or on Facebook Messenger, and I've been putting them up on my social platforms. They look stunning. It's amazing. People are writing the word “home” on a post-it or sticking it to a picture of their radiator. Someone wrote it in snow on her car when we had snow. Someone wrote it on a pottery shard she found in her drive when she bought the house. She thought it was mysterious. There are all these lovely stories that people are telling me as well. I'm making them into little artworks and putting them up every day as the book comes to launch. It's so much fun, and it also has a deeper purpose because it shows how home is different for all of us and how it builds as uniquely as our handwriting. Our handwriting has a story. I should do a book about that! JOANNA: That's a weird one. Handwriting always gets me, although it'd be interesting these days because so many people don't handwrite things anymore. You can probably tell the age of someone by how well-developed their handwriting is. ROZ: Except mine has just withered. I can barely write for more than a few minutes. JOANNA: Oh, I know what you mean. Your hand gets really tired. ROZ: We used to write three-hour exams. How did we do that? JOANNA: I really don't know. JOANNA: Just coming back on that. You mentioned mainly you're doing your newsletter and connecting with your own community. You've done podcasts with me and with other people. But I feel like in the indie community, the whole “you must build your newsletter” thing is described as something quite frantic. How have you built a newsletter in a sustainable manner? ROZ: I've built it by finding what suited me. To start with I thought, “What will I put in it? News, obviously.” But I wasn't doing that much that was newsworthy. Then I began to examine what news could actually be. The turning point really happened when I wrote the first memoir, Not Quite Lost: Travels Without a Sense of Direction. I thought, “I have to explain to people why I'm writing a memoir,” because it seemed like a very audacious thing to do—”Read about me!” I thought I had to explain myself. So I told the story of how I came to think about writing such an audacious book. I just found a natural way to tell stories about what I was doing creatively. I thought, “I like this. I like writing a newsletter like this.” And it's not all me, me, me. It's “I'm discovering this and it makes me think this,” and it just seems to be generally about life, about little questions that we might all face. From then, I found I really enjoyed writing a newsletter because I felt I had something to say. I couldn't put lists of where I was speaking, what I was teaching, what special offers I had, because that wasn't really how my creative life worked. Once I found something I could sustainably write about every month, it really helped. Oh, it also helps to have a pet, by the way. JOANNA: Yes, you have a horse! ROZ: I've got a horse. People absolutely love hearing the stories about my ongoing relationship with this horse. Even if they're not horsey, they write to me and say, “We just love your horse.” It helps to have a human interest thing going on like that. So that works for me. Everyone's got different things that will work for them. But for me, it builds just a sense of connection, human connection. I'm human, making things. JOANNA: In terms of actually getting people signed up—has it literally just been over time? People have read your book, signed up from the link at the back? Have you ever done any specific growth marketing around your newsletter? ROZ: I tried a little bit of growth marketing. I have a freebie version of one of my Nail Your Novel books and I put that on a promotion site. I got lots of newsletter signups, but they sort of dwindled away. When I get unsubscribes, it's usually from that list, because it wasn't really what they came for. They just came for a free book of writing tips. While I do writing tips on my blog—I'm still doing those—it wasn't really what my newsletter was about. What I found was that that wasn't going to get people who were going to be interested long-term in what I was writing about in my newsletter. Whatever you do, I found, has got to be true to what you are actually giving them. JOANNA: Yes, I think that's really key. I make sure I email once every couple of weeks. And you welcome the unsubscribes. You have to welcome them because those people are not right for you and they're not interested in what you're doing. At the end of the day, we're still trying to sell books. As much as you're enjoying the connection with your audience, you are still trying to sell Turn Right at the Rainbow and your other books, right? ROZ: Absolutely, yes. And as you say, someone who decides, “No, not for me anymore,” and that's good. There are still people who you are right for. JOANNA: Mm-hmm. ROZ: I do market my newsletter in a very low-key way. I make a graphic every month for the newsletter, it's like a magazine cover. “What's in it?” And I put that around all my social media. I change my Facebook page header so it's got that on it, my Bluesky header. People can see what it's like, what the vibe is, and they know where to find it if they're interested. I find that kind of low-key approach works quite well for what I'm offering. It's got to be true to what you offer. JOANNA: Yes, and true for a long-term career, I think. When I first met you and your husband Dave, it was like, “Oh, here are some people who are in this writing business, have already been in it for a while.” And both of you are still here. I just feel like— You have to do it in a sustainable way, whether it's writing or marketing or any of this. The only way to do it is to, as you said, live as a creative human and not make it all frantic and “must be now.” ROZ: Yes. I mean, I do have to-do lists that are quite long for every week, but I've learned to pace myself. I've learned how often I can write a good blog post. I could churn out blog posts that were far more frequent, but they wouldn't be as good. They wouldn't be as properly thought through. In the old days with blogs, you had an advantage if you were blogging very frequently, I think you got more noticed by Google because you were constantly putting up fresh content. But if that's not sustainable for you, it's not going to do you any good. Now there's so much content around that it's probably fine to post once a month if that is what you're going to do and how you're going to present the best of yourself. I see a lot on Substack—I've recently started Substack as well—I see people writing every other day. I think they're good, that's interesting, but I don't have time to read it. I would love to have the time, but I don't. So there's actually no sin in only posting once a month—one newsletter a month, one blog post a month, one Substack a month. That's plenty. People will still find that enough if they get you. JOANNA: Fantastic. So where can people find you and your books and everything you do online? ROZ: My website is probably the easiest place, RozMorris.org. JOANNA: Brilliant. Well, thank you so much for your time, Roz. As ever, that was great. ROZ: Thank you, Jo.The post Writing Emotion, Discovery Writing, And Slow Sustainable Book Marketing With Roz Morris first appeared on The Creative Penn.

Mar 9, 2026 – What if the secret to reversing the aging process wasn't found in a pill, but in the fundamental elements of nature? Jason Tebeau reveals the Superhuman Protocol, a groundbreaking three-step system designed to "recharge"...

Sometimes it can feel difficult to validate the people we are in relationship with. Validation is an effective way to support others and let them know we see their struggle and that we love them, so how do we approach this when we don't agree with them? It's actually just a matter of learning to validate their feelings rather than their thoughts. Let me show you how this works. Thanks for listening!  Want to learn more about this concept?  Check out these podcasts: #77 Other People's Opinions on Apple on Spotify #96 Understanding the Thought Model on Apple on Spotify #97 Why the Thought Model Matters on Apple on Spotify #280 Living in Alignment on Apple or Spotify #289 Why Our Relationships Needs Validation on Apple on Spotify #303 The Thought Model Reteach on Apple on Spotify #331 Sense of Self on Apple on Spotify #332 Sense of Self – It's All In Your Head on Apple on Spotify #368 Stay Out of Other People's Relationships on Apple on Spotify #390 You Can't Fill Their Bucket on Apple on Spotify #392 Vulnerability and Validation on Apple on Spotify #397 The Relationship Bucket on Apple on Spotify Are you curious about what it would be like to work with me? Here are three options: Group coaching classes are available at tanyahale.com/groupcoaching Talk with Tanya is a free monthly webinar where you can ask me anything and we can have a great discussion.  You can sign up for that at tanyahale.com/groupcoaching Interested in a free 90-minute coaching/consult with me?  Access my calendar at: https://tanyahalecalendar.as.me/

JJ and Tucker kick off this episode of JJ Meets World with a deep dive into fast-food breakfast, and the surprising truth behind the Burger King Foundation and its scholarship programs. From there the conversation spirals into a hilarious investigation into whether chicken sandwiches have lost their flavor, why Coke Freestyle machines might be ruining soda, and the internet drama surrounding the McDonald's Big Arch burger and a CEO's controversial "normal bite."   00:00 Intro and podcast welcome 00:57 Burger King breakfast vs McDonald's breakfast 02:00 The Burger King Foundation and scholarships 04:18 Nonprofits and what they actually do 05:07 The Burger King chicken sandwich debate 06:14 Are fast-food flavors disappearing? 07:28 Cutting back on fast food 08:13 Sense of smell and dementia discussion 08:34 What's in a Burger King breakfast order 09:20 Why Coke Freestyle machines aren't good 10:06 Simpler times for soda fountains 10:56 McDonald's Big Arch burger controversy 12:26 The CEO "normal bite" internet backlash 13:36 How the CEO should have handled it 15:05 Krusty Burger and Simpsons comparison 15:22 Adventures of Pete & Pete memories 17:19 Restaurant awkwardness and oversharing 18:03 Marriage laws and hypotheticals 22:18 Swiss alimony story 23:04 Getting married in a week scenario 24:45 The Herman, Minnesota bachelor festival 26:00 The Casey's pizza ordering saga 28:26 Ace Ventura rhino prop auction 30:02 Outro and where to support the show

Step out your front door and feast on images of the natural world that when studied provide us with such great joy and wonder that our spirits rise and all of our self-doubts and social anxiety melt away. Yet, since the pandemic when we became inert and homebound and relied on our small screens for connection.  The lag from that moment, coupled with the many choices for entertainment in-home and the fear of confrontation with others about our partisan divide, make the safe choice the one many of us choose.  And, of course, that results in the loneliness epidemic that a past Surgeon General said was a major health problem in the country.  How do we cure it?  Referring to the opening sentence in this podcast description, step out your front door and watch and appreciate birds, smell the ocean air, lose yourself in the wonders that abound.  Feel small.  Lose a sense of time.  Get the chills.  To discuss all of this with us is Val Walker, author of her newest book, “Healing Through Wonder: How Aw Restores Us After Trauma and Loss.”

Sense and Sensibility by Jane Austen chapter 44, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Elanor instantly tries to flee from him, but he orders her to listen. He says that he has business with Elanor, and in her shock to this answer, allows him to speak. He asks if Marianne is really going to be okay, stating that he heard from one of the servants that she is better. Elanor, because of his attitude, thinks that he is drunk. He says that he had a pint at Marlborough; he rode from London that day. He says that he has come to tell his story, and hopes that by telling it, both she, and Marianne will forgive him. He starts his story by saying that he had no intention of having Marianne fall for him. He only wished to spend his time in Barton in a more pleasant way. He says that since his youth he had expensive habits and friends, and that he accumulated a lot of debt. Because of this, he was determined to marry someone of extreme wealth. This is why he did not attach himself to Marianne at first, but he claims that as time went on, he did fall for Marianne. But he could not marry her, as she had no wealth… He calls himself a fool. He says that he had determined to tell Marianne about his affection, but Mrs. Smith had found out about Willoughby's connection with Colonel Brandon's ward, and because of this threatened to cut him off unless he married the girl. As she had no money, he couldn't do it, and thus, had to leave Barton for London. He seems to deeply regret having hurt Marianne too much and even goes on to claim that she was the first girl that he ever loved. He continues his story by saying that he believed it would be easy for him to get with Miss Grey, his current wife, and that it nonetheless caused him a huge amount of pain to see break off with Marianne. He then goes on to talk about Marianne's letters. He says that he was deeply pained by the letters and knowing that Marianne was in town was like lightening. He would have loved to have seen her, but he knew that his attachment to the girl would have ruined his plans to marry rich to escape from his debts. He tried all that he could to avoid the Dashwood's but eventually they were brought together by Sir Middleton… After this encounter, Miss Grey suspected that Marianne was the girl who truly had his heart, and when the final letter came to him, and she saw her name on the note, she read the note aloud. She forced Willoughby to write his letter to Marianne, to give back her notes, and her lock of hair. He goes on to say that his marriage to Miss Grey is not a loving one, it purely one of convenience and finance… He is a very pitiful figure, and Elanor forgives him for his terrible behaviour. He finishes by saying that the worst day of his life will be when he hears of Marianne's marriage and then leaves then house.SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

Mar 6, 2026 – When energy markets and geopolitical tensions collide, does the traditional investment playbook still hold? With oil surpassing $90 a barrel, investors are facing a complex landscape of supply chain vulnerabilities and inflationary pressures.

Mar 6, 2026 – How much of an impact with the Iran war and spiking oil prices have on inflation, widely expected Fed rate cuts, and the markets? Jim Puplava sits down with renowned market strategist Jim Bianco for a wide-ranging discussion...

In this episode of The UX Consultants Lounge, Kyle sits down with Jeff Gothelf, consultant, speaker, and author of Lean UX, Sense & Respond, Lean vs. Agile vs. Design Thinking, Who Does What By How Much?, and Forever Employable.Jeff shares the story behind his leap into consulting, including launching an agency with Josh Seiden, the acquisition by Neo Innovation and later Pivotal, and the realization that the real asset he built was not the company itself but the reputation and ideas he developed through writing, speaking, and teaching.Kyle and Jeff discuss:What it takes to build a sustainable consulting practice todayHow partnerships can work without sacrificing independenceWhy building a personal brand through content marketing mattersHow generosity and knowledge sharing create long-term consulting opportunitiesWhy consultants should specialize and “plant their flag”Jeff's writing discipline Why owning your audience through email and newsletters still mattersJeff's philosophy on pricing and why “people value expensive things”Connect with Us:Host: Kyle Soucy | Usable Interface | LinkedInGuest: Jeff Gothelf | https://jeffgothelf.com | Sense & Respond Learning | LinkedInLinks and Resources Mentioned:Continuous Learning – Jeff's NewsletterForever Employable by Jeff GothelfLean UX by Jeff Gothelf and Josh SeidenSense & Respond by Jeff Gothelf and Josh SeidenWho Does What By How Much? by Jeff Gothelf and Josh SeidenMillion Dollar Consulting by Alan WeissNever Split the Difference by Chris VossPlaying to Win by Roger MartinHBR Article: The Big Lie of Strategic Scaling Lean by Jeff Gothelf at Mind the Product London 2016IA Conference (IAC26) - Use "uxlounge" discount code for $50 off registrationSubmit a question or story: Have a question or topic that you'd like us to cover in a future episode and/or want to share an anonymous consulting story? Submit your questions and stories. Don't want to miss an episode? Be sure to sign up for the podcast newsletter.Thanks for tuning in! Don't forget to subscribe and leave a review on Apple Podcasts, Spotify, or your favorite podcast platform. I can't wait to have you back in the lounge for our next episode!

London is a world away as we arrive at Benedict's My Cottage, where the isolation makes society's rules feel ephemeral and avoidable. As Benedict takes the time he needs to heal, Sophie is able to play make-believe in a life that could have been – but will never be – her own. Meanwhile, back in town, the demand economy is in the workers' favour and salaries and benefits go up as the Ton scrambles to maintain the staff necessary to keep up appearances – and Francesca attempts to scale a mountain. Featuring:- The elasticity of Bridgerton geography- Curiousity as kindling- Labour reform- Family versus workplace- The elasticity of Bridgerton time- A Bridgerton-specific orgasm gap- Maps to a pinnacle- One two true loves?- Return to realityHere are is the media we talk about in this episode:- Miss Caroline Bingley, Private Investigator, a book by Kelly Gardiner and Sharmini Kumar- Bridgerton, a television series- Sense and Sensibility, a book by Jane Austen- Call Me By Your Name, a film by Luca Guadagnino- An Offer from a Gentleman, a book by Julia Quinn- The Butterfly Effect, a mathematics termCinderella, a fairytale- Beauty and the Beast, a Disney film ‘- Macarena', a song by Los Del Rio- Mary Poppins, a Disney film- Anne of Green Gables, a TV series by Kevin Sullivan- Les Miserables, a book by Victor Hugo- Les Miserables, a film by Tom Hooper- Pride and Prejudice, a TV series by Simon Langton- JJ Abrams, a director- Star Wars: The Force Awakens, a film by JJ Abrams- Mean Girls, a film by Mark Waters- X-Men, a film by Bryan SingerSome extra notes:- Sophie's dress is indeed a repurposed dress from Daphne's wardrobe!Our guest host this episode is the sharp and sassy Sharmini Kumar. You can hear more from Sharmini on instagram and buy her book at all good bookstores!For your TBR, Sharmini brought us two recommendations! She recommends Babel and Katabasis, both by RF Kwang.Don't forget you can find us on facebook @bridgertonpod and instagram and bluesky @wwddpod and join the conversation using the hashtag #WWDDpod. Please follow us on your favourite podcast provider! Leaving a 5-star rating and a review will not only help us find more listeners, but also ensure you have an open invite to a cottage of your choice.This episode was recorded on the traditional and unceded land of the Kaurna, Wurundjeri and Boonwurrung people.Our editor is Ben McKenzie of Splendid Chaps Productions. If you need production work completed, you can find them here: splendidchaps.com

Most people say they want success. Few people act with the urgency required to achieve it.In this episode of Driving Inspector Success, Mike Crow shares a powerful message about the mindset difference between the top performers and the 95 percent who struggle to move forward.After hosting Mission 26 in Dallas with more than 100 inspectors and over 30 speakers, Mike reflects on what truly separates successful entrepreneurs from everyone else. It is not talent. It is not luck. It is a sense of urgency.Mike also shares lessons from Elon Musk, the importance of surrounding yourself with successful people, and why compressing your goals into shorter time frames can dramatically change what you accomplish.If you want to grow your inspection business faster and think differently about your time, this episode is a must watch.Unlock the Power of Mike's #1 Referral-Generating Marketing SystemGet full details here...BBM+Who is Mike Crow?Mike Crow is a Marketing and Business Expert who has built and managed multiple 7-figure businesses, including two 7-figure inspection firms.For the past 15 years, he's coached thousands of other inspection business owners and has personally helped 100+ companies grow to $1,000,000+ in annual revenue. He has also helped multiple single-inspector operations earn 6-figure annual revenues (some surpassing $300,000).Mike can teach any entrepreneur how to systematize and market their business to achieve their personal and professional goals.

Most people say they want success. Few people act with the urgency required to achieve it.In this episode of Driving Inspector Success, Mike Crow shares a powerful message about the mindset difference between the top performers and the 95 percent who struggle to move forward.After hosting Mission 26 in Dallas with more than 100 inspectors and over 30 speakers, Mike reflects on what truly separates successful entrepreneurs from everyone else. It is not talent. It is not luck. It is a sense of urgency.Mike also shares lessons from Elon Musk, the importance of surrounding yourself with successful people, and why compressing your goals into shorter time frames can dramatically change what you accomplish.If you want to grow your inspection business faster and think differently about your time, this episode is a must watch.Unlock the Power of Mike's #1 Referral-Generating Marketing SystemGet full details here...BBM+Who is Mike Crow?Mike Crow is a Marketing and Business Expert who has built and managed multiple 7-figure businesses, including two 7-figure inspection firms.For the past 15 years, he's coached thousands of other inspection business owners and has personally helped 100+ companies grow to $1,000,000+ in annual revenue. He has also helped multiple single-inspector operations earn 6-figure annual revenues (some surpassing $300,000).Mike can teach any entrepreneur how to systematize and market their business to achieve their personal and professional goals.

This week's Labor Radio Podcast Weekly spotlights workers and activists confronting powerful institutions—from Big Tech's rapidly expanding data centers to global snack companies, anti-union politicians, and workplace conflicts on the job. On Economics for the People from Dollars & Sense, activists Katie Currid and Rachel Gonzalez discuss the boom in artificial-intelligence-driven data centers across the Midwest and the enormous demands these facilities place on local electricity grids and water supplies. On the Green and Red Podcast, host Scott Parkin talks with forest campaigner Maggie Martin about the campaign targeting Mondelēz International—the company behind Oreos, Cadbury, and Toblerone—over tropical deforestation and labor abuses in its supply chains. The Solidarity Podcast from Teamsters Local 769 in Miami features Business Agent Andy Madtes explaining new anti-union legislation moving through the Florida legislature and why union members need to organize and push back. On Hot House with Richie Ray, the focus is workplace conflict for letter carriers. Richie breaks down common Equal Employment Opportunity (EEO) issues, mistakes workers make during disputes, and practical ways carriers can protect themselves on the job. And on We Rise Fighting, Olivia Najera-Garcia of the Union of Southern Service Workers talks about organizing service workers in North Carolina and building worker power across the South. Plus, in our regular Shows You Should Know segment: RadioLabour Canada, Work Stoppage, Pipe Up, and Labor History Today. Find links to every show at laborradionetwork.org and follow #LaborRadioPod on Bluesky, X, Facebook, and Instagram.

In this week's episode of the Do Good to Lead Well podcast, I speak with Vanessa Druskat, a globally recognized expert in team performance and author of "The Emotionally Intelligent Team." Vanessa shares the inspiration behind her research, highlighting the gap between anecdotal advice and evidence-based practices for building successful teams. She discusses the importance of cultivating esprit de corps—meaning a sense of belonging, value, and psychological safety—within teams, and emphasizes that this must come from both leaders and team members.Our conversation explores practical norms and routines that emotionally intelligent teams use, dispelling myths around individual emotional intelligence versus collective TeamEI. Vanessa provides actionable examples, such as brief check-ins, team charters, and structured feedback mechanisms, underscoring the need for leaders to be intentional, especially in remote or hybrid environments. Questions from the live audience explored topics such as the role of team charters, overcoming ineffective norms, and the courage required to embrace feedback and conflict constructively. The episode is packed with research-backed insights and practical strategies to help leaders create high-performing, emotionally intelligent teams.What You'll Learn- Great teams do things differently… and intentionally.- The importance of assessing your team's norms (anonymous surveys work wonders!).- Develop a charter and revisit it regularly.- Make feedback part of your culture rather than a once-a-year event- How to lead remote/hybrid teams effectively.- Why you want to finish meetings with a Plus/Delta.Podcast Timestamps(00:00) – Welcome to the Podcast(10:25) - Defining Team Emotional Intelligence vs Individual EQ(19:56) - Common Team Norms: Good, Bad, and Misunderstood(24:32) - Creating and Using Team Charters(27:12) - Activities to Build Understanding and Belonging(32:11) - Best Practices for Team Assessment(36:54) - Feedback and Accountability in Emotionally Intelligent Teams(41:20) - Constructive Conflict and Avoiding Sidebar Conversations(49:33) - Emotional Intelligence in Remote and Hybrid Teams(54:33) - Final ReflectionsKEYWORDSPositive Leadership, Emotional Intelligence, Team Emotional Intelligence, Team Norms, Self-awareness, Psychological Safety, Feedback Culture, Team Rituals, Team-Building, High-Performing Teams, Team Assessment, Team Charter, Remote Teams, Hybrid Teams, Collaboration, Accountability, Sense of Belonging, Respect, Onboarding, Team Effectiveness, CEO Success

Mar 5, 2026 – Geopolitics has overtaken economics as the primary driver of global markets. In this high-stakes conversation, Jim Puplava sits down with Ron William from RW Advisors to break down the convergence of multiple major cycles...

Willard and Dibs react to Warriors general manager Mike Dunleavy telling Tim Kawakami that trading Jonathan Kuminga for Kristaps Porzingis "made sense." Do you agree?

Nate Tice joined Baskin and Phelps to break down his draft big board and explain why he thinks the Browns should keep their number 6 pick and use it on Georgia offensive tackle Monroe Freeling. He ranked the quarterbacks in this year's draft and discussed where he thinks various Ohio State players will wind up in the draft.

Das Igelweibchen bringt nach rund 35 Tagen Trächtigkeit 4 bis 5 Junge zur Welt. Es sucht dazu ein stabil gebautes Nest, das mit Gras und Blättern ausgepolstert wird, sowie viel Futter in der näheren Umgebung bietet. Igelweibchen suchen geschützte, ruhige Standorte im Schatten von Sträuchern. Und sie brauchen Polsterung für den Wohnraum wie trockenes Laub und Stroh. Erst nach 3 Wochen erkunden die jungen Igel die nähere Umgebung des Nestes. Die Mutter säugt sie noch zwei bis drei Wochen, dann zieht sie weiter. Die Jungen bleiben noch eine Zeitlang zusammen. So schaffen wir Schutz für junge Igel: · Hohes Gras oder krautige Schicht unter Sträuchern vorsichtig mähen. Vor dem Mähen Kontrolle mit dem Laubrechen, ob sich nicht junge Igel im Gras aufhalten, erst dann mit Sense oder Fadenmäher mähen. · Wichtig: Keine Schneckenkörner mit Metaldehyd, sondern nur biologische Schneckenkörner (Wirkstoff: Eisen-III-Phosphat) verwenden. · Igel nicht füttern! Ein reiches Angebot an Insekten und Würmern im Garten ist ideal. · In trockenen Zeiten während des Sommers eine Schale mit Wasser bereitstellen, täglich frisches Wasser geben. · Spät im Jahr geborene Junge sind im Spätherbst oft noch unterwegs auf Futtersuche. Hier kann in Rücksprache mit einer Igelstation Fütterung sinnvoll sein. · Schwimmbecken oder Gartenweiher mit steilen Rändern: Ausgangshilfe schaffen, z.B. auf ein langes Brett Querlättchen nageln. · Treppen zum Keller können zu hoch sein für kleine Igel: Mit flachen Steinen oder Backsteinen Ausstiegshilfe schaffen.

We have come to the end of the story, of this journey, along the misfortunes of both Victor and Adam.Q&A: What were your honest thoughts on it? Who do you think was right?Thank you so much for sticking with me listening to this story. Your support is meaning a lot to me and I'll be always deeply grateful to each one of you ❤️Be sure to tune in for the next story It will be Sense and Sensibility

(00:00) — Late to medicine: Chris didn't consider being a doctor until college, shaped by early family experiences with inadequate care.(01:20) — Struggling student to UC Davis: He describes a nontraditional path and surprise at earning a single college acceptance.(02:50) — “You won't amount to much”: A sixth-grade dismissal and falling in with the wrong crowd set the stage.(04:40) — Misdiagnosed and othered: Labeled with severe ADD, placed in special education, later correctly diagnosed with a comprehension disability.(06:25) — Not going the other way: He credits his mother's advocacy and a teacher, Mr. Russell, for keeping him engaged.(09:00) — College reset and new peers: A friend shares MD-PhD resources and expands his horizon.(10:35) — Outreach program to research home: A scholars program places him in a lab with a PI for four formative years.(11:50) — On DEI and mentors: He reflects on access programs and the impact of Dr. Connie Champagne.(13:50) — First OR spark: Shadowing an orthopedic surgeon shows him the excitement of patient care beyond pipetting.(15:40) — Sustaining motivation: Reframing medicine as a currency for service and asking who do I want to be?(17:50) — Community and advocacy: He discusses serving Indigenous communities and advocating on the Hill for GME in Indian country.(20:50) — Crafting the Why: How deep reflection and post-it mapping shaped his personal statement.(21:55) — Why MD-PhD: An MD-PI at a summer program shows how medical training sharpens research questions.(23:30) — First interview relief: Landing an invite during the COVID cycle felt like validation.(24:45) — Strategy and scope: 23 applications, West Coast focus, MSTP and non-MSTP programs.(26:00) — Coherence wins: A clear why plus tangible research output made his application click.(27:45) — Multiple acceptances: He recalls the emotions of earning 9–10 offers.(28:40) — To students doubting themselves: Separate self-worth from others' opinions and keep going.(31:20) — What's next: Interest in dermatology residency and leading a lab studying skin disease mechanisms.Chris never planned on medicine. Growing up in Southern California, he saw family members with preventable disease go uncared for, struggled in school, and was misdiagnosed with severe ADD in middle school before a later diagnosis of a comprehension disability. After being told in sixth grade he wouldn't amount to much, a continuation school, his mother's advocacy, and a teacher's attention kept him afloat.At UC Davis, an outreach email changed everything, placing him in a lab for four years and opening the door to both science and medicine. A friend introduced him to MD-PhD resources, and shadowing an orthopedic surgeon turned interest into excitement. Chris shares how he built an enduring motivation by reframing medicine as a currency for service, with a commitment to community, including Indigenous communities.He breaks down the hardest premed task—articulating Why Medicine—and the post-it exercise that helped him find a coherent thread. Applying during the first COVID cycle, he earned 16 interview invites and 9–10 acceptances by presenting a clear why and tangible research work. We also discuss advocacy for more GME positions in Indian country and his interest in dermatology and leading a lab.If you've ever been told you won't make it, this conversation offers practical ways to keep going.What You'll Learn:- How a misdiagnosis and school setbacks were addressed and reframed- Ways to access research and mentorship through outreach programs- A practical method to build a coherent Why Medicine- What made his MD-PhD application make sense and earn 16 interviews- Using community and advocacy to sustain motivation

In this podcast episode, Dr. Jonathan H. Westover talks with Jamie Ramsden about creating a sense of community in a highly-fragmented workplace and world.Jamie Ramsden is CEO & Founder at Adastra Leadership. He is an Executive Leadership Coach and Former CEO, and is the author of "Let's Go!"See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Drift off with calm bedtime reading about Jane Austen to help you sleep through insomnia. This calm bedtime reading session invites sleep and offers relief from insomnia as you gently unwind with her story. Tonight, we explore the life and literary legacy of one of England's most beloved novelists, discovering the world behind Pride and Prejudice and Sense and Sensibility in a slow, peaceful way. You will learn about her early years, her writing process, and the quiet determination that shaped her timeless works, all while listening to Benjamin's steady, soothing cadence. There is no whispering, just calm, fact filled reading designed to ease stress, soften anxiety, and support those facing sleeplessness. Let this gentle educational journey quiet your thoughts, slow your breathing, and carry you toward rest. Press play, get comfortable, and allow yourself to drift off. Happy sleeping! Read with permission from Jane Austen, Wikipedia (https://en.wikipedia.org/wiki/Jane_Austen), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mar 4, 2026 – Discover how Iran's turmoil fits into a high-stakes global chess match between the US and China. In this episode, FS Insider's Cris Sheridan and Edward Gustely unravel the real motives behind America's strategy in the Middle East...

Like the episode? Let us know with a quick text!Podcast host Alison interviews Travis, a veteran whose running story spans childhood trauma, military service, alcoholism, sobriety, and ultra-distance racing.Travis describes hating running in high school, escaping an abusive home by joining the Marine Corps in 1997, developing a heavy drinking habit, later joining the Army Reserve in 2006, and seeking help in 2014 because he feared dying.After getting sober, deployments and a 2017 convoy crash in Germany revealed health issues, prompting him to start running, progressing quickly from 5Ks to marathons, 50 milers, and 100 milers.He became focused on multi-day, unsupported “journey runs,” especially the Fool's Ultra (now 420 miles across New York), his favorite race.He shares lessons on belonging, consistency, embracing discomfort, planning resupplies and sleep, safety gear for dark runs, shoes, fueling, recovery, music, a key injury perseverance story, a 160-mile DNF at Infinitus 250, advice to start simple and volunteer, his mantra “you've been through worse,” and future goals after a 2026 deployment.Travis McCalla - https://www.facebook.com/travis.mccalla1Races MentionedThe Fool's Ultra 420Infinitus 250Battleship 12kArizona Monster 300Coca Dona 250Shout OutsJoshua SwankChristieAndy WeinbergSupport the showFor more details on Run Your Story happenings, visit https://runyourstory.com/For web development or tech services, visit https://gaillardts.com/Go Run Your Story and take a piece of this story with you! Follow us on Facebook and Instagram for the latest news on upcoming episodes. Support me on Patreon!Can't wait to hear Your Run Story!! Thank you to all of our Patreon supporters!Kristen RatherSteve TaylorMary TrufantSuzanne CristSuzanne ClarkAnna SzymanskiDave McDonaldKarla McInnisJames ContrattoJordan DuBoseCristy EvansSharonda ShulaNell GustavsonMeredith NationsAllyson SwannChris StrayhornKaren SaldivarStefan ClaytonRachael McRaeScott Thornhill

Sense and Sensibility by Jane Austen chapter 43, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Marianne got up the next morning as usual, but as the day progressed, she started shivering and got sicker, and sicker. The Colonel felt alarmed by Marianne's state, but Elanor dismissed it. Eventually a doctor is called, and he states that Marianne will be better in a few days, and that her infection is minor. At the word of infection, Mrs. Palmer leaves with her baby to stay with some relations, where Mr. Palmer is to join her in a few days. Mrs Jennings says that she will stay however, to help nurse Marianne, and while the Colonel wishes at first to leave, he is persuaded to stay by the stern woman. Marianne laments that they are again forced to stay more time from home. Marianne is no better on the following day, but she seems not to be any worse. On the third day, the doctor declares that Marianne is getting better, and Elanor rejoiced in the fact that he letters to her mother were light-hearted. At the end of the day however, Marianne falls seemingly more ill than before and Elanor decides to sit up with her sister all night. Marianne gets more and more disturbed and soon calls out in her fever for her mother and claims that she mustn't go by London. Elanor tries to sooth her sister but checks her pulse and it is not good news. She runs down to the drawing room where she finds the Colonel and tells him what has happened. He offers to ride all night to collect Mrs. Dashwood, and in the time, it takes for Elanor to write a short message to her, his horses are ready, and he sets off. The doctor eventually comes and in spite of Marianne's state, he declares that she will be better. Several hours go by and Marianne is still sick. A heavy storm has begun, and through the storm Elanor believes that she can hear the sound of a Carriage. She runs downstairs, and though it seems to early for the Colonel to be back, she feels nearly assured that it is him, but when she opens the door she sees for the first time in months, Willoughby… SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

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Mar 2, 2026 – In this urgent and in-depth conversation, FS Insider interviews geopolitical analyst Jacob Shapiro after the ongoing US-Israel military operation against Iran. Shapiro unpacks the real-time complexities—from the risks of regime...

On today's show, the WIP Afternoon Show dives into the growing trade rumors surrounding Maxx Crosby and debates whether the Philadelphia Eagles should be willing to part with a first-round pick to land him in this year's draft. They also ask if this is finally the season the Philadelphia Phillies can break through and reach the World Series. Plus, Eliot Shorr-Parks joins for Tuesdays with ESP, Caller of the Year updates, a preview of Philadelphia 76ers vs San Antonio Spurs, and much more.

In this episode of Product Momentum, we're joined by Bansi Mehta, founder and CEO of Koru UX Design, an enterprise healthcare UX agency supporting some of the US’s largest healthcare technology companies. We discussed the busy intersection of artificial intelligence, product management, and UX Design. Bansi's Sense – Shape – Steer framework helps guide UX design teams as they integrate AI into their products – and avoid the trap of AI's drive toward mediocrity that limits individual creativity and expertise. Here's what we learned: Avoiding the Trap: AI Solutions' Race to Mediocrity AI's ability to rapidly generate hi-fi prototypes and voluminous content brings great benefit, but also significant risk. The risk manifests in mediocrity – i.e., solutions that drive to the mean. This sense of “good enough” stifles designer creativity and diminishes the quality – the Delight – of the final product. “The speed of AI makes it easier than ever to churn screens,” Bansi says. “But it's designed to deliver to that average mean that allows us to say, ‘that works, that makes sense.' And that's really the trap….these days, there's less patience in the industry for discovery and research.” Introducing the Sense – Shape – Steer Framework To combat this new reality, Bansi developed the Sense – Shape – Steer framework to help teams navigate the complexity of building AI-powered products. Sense. Understanding the Problem/Opportunity.“Sense is where you're really creating that sense of what is worth solving,” Bansi explains. “It's the intersection of what the user needs, what insights we have in terms of their challenges, and the opportunities that are present. But we mustn’t stop there. We then look to see what AI can do for us. And where we see the intersection, that’s the sweet spot.” Shape. Designing the AI-Enhanced User Experience.We emerge from the Sense step with rich insights into our user's desired experience, Bansi continues. “And as we approach Shape, we do so with an emphasis on the kind of UX challenge that we are trying to solve – from the user’s perspective. Using a storyboard, we proceed frame by frame to define the user's journey, the problem that we are trying to accomplish.” Steer. Implementing, Evaluating, and Iterating.The Steer step comes once you have built something and you launched, Bansi says. “This is where we define and clearly articulate our AI eval criteria that we've said are critical for product success,” Bansi adds. “I've seen products make it or break it depending on whether they got their AI evals right. It’s one thing to hypothesize that your solution will work. But it’s a completely different thing when you actually try to build sophisticated agentic AI layers where there’s multiple configurations and prompts.”   Broader Insights, Future Outlook The conversation underscores the notion that while AI accelerates development and content generation, it also requires subject matter experts in UX and Product to demonstrate greater vigilance than ever to maintain quality and relevance. The Sense – Shape – Steer framework calls on product teams to think first about user needs before considering whether and how to integrate AI. Our episode with Bansi Mehta feels like the capstone conversation to recent episodes with Nesrine Changuel, Teresa Torres, and Oji Udezue, where we examined bringing Delight to the user experience, re-engaging Discovery in the development process, and adjusting to the Speed of today's AI-driven development. The post 182 / How ‘Sense Shape Steer' Helps UXers Design AI Solutions, with Bansi Mehta appeared first on ITX Corp..

What happens when we stop trusting our bank accounts and start trusting the Provider? Adam and our Founding Pastor, Tim Haring, dig into the "spiritual blindness" of wealth and why our possessions fight for a seat on the throne of our hearts. From humbling stories in the Philippines to miraculous provision in the early days of The Ridge, this is an honest look at breaking the grip of anxiety to find a security that actually holds.

Alyssa just got back from snowboarding in Tahoe; Nadia's home from a gymnastics meet and a Connecticut trip. A casual comment—“Do you sleep?”—kicks off a bigger talk about busyness: when it's fulfilling, and when it's avoidance.They move into purpose. Nadia says immigration, immediately. Alyssa counters that purpose doesn't have to be world-sized—small daily rituals (like photographing a sunrise) can be enough to pull you forward.Nadia shares how she time-blocks everything, even dinner and showers, to manage anxiety and avoid losing hours to scrolling. Alyssa questions the belief that “productive” automatically means “good,” and that rest is indulgent.They compare extremes: Olympic athletes built around one goal vs. a retired couple living out of a van after hiking the Pacific Crest Trail. Both raise the same question: what are you chasing—and why?The emotional peak: Nadia admits she's searching for hobbies, and tears up talking about leaving gymnastics. She's ready to move on, but she'll miss the team, routine, and shared purpose.Alyssa ends with her own winding 20s as reassurance. Nadia lands on the truth: she feels a little lost—and still has a direction. Both can coexist.Takeaways- Staying busy can be fulfilling — or a way to avoid harder feelings.- Purpose can be small and daily, not just “big life goals.”- Scheduling basics (meals, showers, rest) can calm anxiety, not just boost productivity.- A “successful day” isn't always a “productive day.”- Most people live between obsession and total reinvention.- Busyness can help — and still not be a problem.- Picking up a hobby counts, especially in transition seasons.- Leaving a long-time sport can feel like grief, even if it's right.- What's missed most is often the community + routine, not the sport itself.- Movement doesn't need competition to matter; joy is a valid goal.- Progress is satisfying anywhere — work, training, learning.- A “scattered” path can still be quietly purposeful.- You can feel lost and still have direction.- Closing a chapter is self-awareness, not failure.- Hands-on work can replace the mastery/momentum sports used to provide.Chapters0:10–0:40 — Introduction: Holiday Weekend Recaps0:40–1:27 — "Do You Sleep?" — A Hairstylist's Honest Question1:27–2:50 — What Difference Do You Want to Make in the World?2:50–3:18 — Nadia's Answer: Immigration3:18–4:22 — Purpose Doesn't Have to Be a Grand Mission4:22–6:30 — Scheduling Everything: Control, Calm, and the To-Do List6:30–9:00 — The Spectrum: Olympic Obsession vs. Sprinter Van Freedom9:00–11:07 — Hobbies: Snowboarding, Skiing, and What You Do Just for You11:07–13:40 — Finding a Hobby Is the Hobby13:40–16:10 — Gymnastics Endings: Tears, Transitions, and Letting Go16:10–18:00 — Physical Goals That Have Nothing to Do with Competition18:00–20:25 — Getting Better at Things: On the Mountain and at Work20:25–22:56 — Keeping It Chill: The No-Pressure Philosophy22:57–25:54 — Feeling Lost vs. Having a Direction25:54–26:16 — Closing: Talk to You Next Week650.701.7686 (o)650.332.2739 (f)510.673.8712 (m)Sports & Dance Rehab|Pilates| Group ClassesOn the Move Physical Therapy501-D Old County Rd.Belmont, CA 94002web - http://www.onthemovephysio.comemail - alyssa@onthemovephysio.comIG - https://www.instagram.com/onthemovephysioPlease consider the environment before printing this email.The information contained in this transmittal may be confidential. It is intended only for the use of the individual to whom it is addressed. If you are not the intended recipient, or, the employee of agent responsible to deliver the transmittal to the intended recipient, you are hereby notified that the use, dissemination, distribution or copying of this communication is strictly prohibited. If you have received this transmittal in error, please notify the sender immediately.

After winning six of the last seven, Arkansas basketball suffered its worst defeat of the season, 111-77 at the hands of the Florida Gators. Razorback baseball finally got going Saturday and Sunday after three lackluster showings, and the 2-10 football team had six players invited to the NFL Combine with quarterback Taylen Green setting multiple records. Join host Trey Biddy as he welcomes in basketball insider Connor Goodson and baseball guru Kevin Bohannon to discuss the latest on today's episode of HawgSports LIVE, driven by the Crain Automotive Team!! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today's episode is all about what I've learned from doing the 75 Style Hard challenge, created by fashion TikToker Mandy Lee (Old Loser in Brooklyn). The rules are to get dressed intentionally every day for 75 days, buy nothing new, document outfits, and set personal style goals. For me, daily styling has revealed that fit issues were the main reason I avoided many items in my closet, so tailoring has been the key to success in this challenge. I've realized I wear durable fabrics most and I've leaned into using hair, makeup, and accessories to refresh outfits. Tune in as I discuss the novelty effect, impulse buying, and the importance of “domesticating” clothes into a signature style, because ultimately, style is a relationship with what you already own. Check out my hack for boho braids with clip insShop Bellami Clip-insRate, Subscribe & Review the Podcast on Apple Join the Naked Beauty Community on IG: @nakedbeautyplanet Thanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :) Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevard Hosted on Acast. See acast.com/privacy for more information.

We have reached the end of our Mahognay Rewatch series. Be sure to check out my interview with Tia Smith, Executive Producer of Sense & Sensibility to hear about the behind-the-scenes of how this movie came together.Tia Smith interview: https://youtu.be/jZp6-uhPFuI?si=m5I4jFjnbkUGKhowSay hello: dearhallmark@gmail.com Youtube:https://youtube.com/@dearhallmark?si=o_vx3T2kEjMoqK7YI wrote a book!  "Chasing Wind": https://amzn.to/3IGUI6gDear Hallmark's Instagram: https://www.instagram.com/dearhallmark/

Ready to safeguard your finances and make confident life transitions? In this must-listen episode of Dollars & Sense with Joel Garris, Joel dives into two of today's most important money topics: protecting yourself from modern scams and preparing for a move to a retirement care community. 

Mike Johnson, Beau Morgan, and Ali Mac continue to react to ESPN NFL Insider Dan Graziano saying a lot of folks in Indianapolis at the NFL Combine said they expect free agent quarterback Joe Flacco to follow Atlanta Falcons Head Coach Kevin Stefanski to Atlanta as an option in case Falcons quarterback Michael Penix Jr. isn't ready to start the season, and that an NFL Head Coach told him unsolicited to watch for Tua Tagovailoa in Atlanta. Mike, Ali, and Beau react to what Graziano had to say, and explain why they think Joe Flacco makes the most sense to be the Falcons replacement for Kirk Cousins.

Support this podcast at — https://redcircle.com/hypnosis-and-relaxation-sound-therapy9715/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Liza Mundy reports that following 9/11, CTC women stayed at their posts despite the danger, recounting their grief, the sense of failure, and the difficulty of convincing leaders. 6.GAR

Pastor Tim wraps up our "Dollars & Sense" series by asking a powerful question: are we faith-filled or fearful when it comes to our finances? Teaching from Matthew 6:19–34, he unpacks Jesus' words about treasure, trust, and worry, and what it really means to seek first the kingdom of God. // Verses and message notes: www.theridge.church/notes // Join us online or in person Sundays at 9a + 11a: www.theridge.church/live

Sense and Sensibility by Jane Austen chapter 42, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:It is noted by Elanor that everyone in their entourage seems to believe that a union between her and the Colonel is a certainty. Marianne finds it difficult to leave the city even though she wanted nothing but to leave for the past 6 weeks, but finally, the Dashwoods leave London and after two days' travel, they arrive at the Palmer residence in Sommerset. Cleveland is a modern built house, and while it has no park, there are plenty of wooded areas which enchant Marianne, and before she has spent 5 minutes at the house, she heads into the garden. She intends to spend almost every hour of every day in the garden, but this plan is sadly ruined by a very heavy and settled rain. The following day, Mr. Palmer and Colonel Brandon join the women at the house by dinner and supply the Elanor and Marianne with some discourse that doesn't revolve around Charlotte's child. The Colonel tells Elanor about Edward, and she finds Mr. Palmer a very pleasant companion, in spite of his elevated ego. The Colonel, while he mainly converses with Elanor, has his eyes on Marianne. After a few days, Marianne catches a very bad cold.SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

Febr 27, 2026 – Is the strong bull market starting to lose momentum? Financial Sense Newshour's Jim Puplava interviews market strategist Jim Welsh of Macro Tides for a technical deep dive into what's really going on under the market's surface...

Feb 27, 2026 – Can America win the AI race if it can't keep the lights on? In this electrifying conversation, Jim Puplava sits down with energy experts Robert Bryce and Doomberg to unpack the explosive collision between artificial intelligence...

Join Joe Pisapia and Jake Ciely as they highlight some of the spiciest rumors circulating around the NFL world and break down how likely they are to come true! Timestamps: (May be off due to ads) Intro - 0:00:00 Fantasy Football Championship Belt Giveaway Promo - 0:01:01 QB - Daniel Jones - 0:01:28 QB - Malik Willis - 0:03:56 QB - Aaron Rogers - 0:06:21 WR - George Pickens - 0:09:25 RB - Breece Hall Update - Jets - 0:11:14 RB - Travis Etienne - 0:12:18 WR - Alec Pierce - 0:14:43 Rapid Fire Bold Predictions: Joe - Mike Evans to BUF | Jake - Isaiah Likely to WAS - 0:16:49 Free Agency Tracker Tool Promo - 0:21:25 Outro - 0:21:43 Helpful Links: Hard Rock Bet - All lines provided by Hard Rock Bet. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sign up for Hard Rock Bet and make a $5 bet and you'll get $150 in bonus bets if you win. Head over to Hard Rock Bet, sign up and make your first deposit today. Payable in bonus bet(s). Not a cash offer. Offered by the Seminole Tribe of Florida in FL. Offered by Seminole Hard Rock Digital, LLC, in all other states. Must be 21+ and physically present in AZ, CO, FL, IL, IN, MI, NJ, OH, TN or VA to play. Terms and conditions apply. Concerned about gambling? In FL, call 1-888-ADMIT-IT. In IN, if you or someone you know has a gambling problem and wants help, call 1-800-9-WITH-IT. GAMBLING PROBLEM? CALL 1-800-GAMBLER (AZ, CO, IL, MI, NJ, OH, TN, VA). Follow us on Twitch - The team here at FantasyPros is taking questions all week, every week on Twitch. Follow us on Twitch at twitch.tv/fantasypros and never miss a stream! Discord – Join our FantasyPros Discord Community! Chat with other fans and get access to exclusive AMAs that wind up on our podcast feed. Come get your questions answered and BE ON THE SHOW at fantasypros.com/chat Leave a Review – If you enjoy our show and find our insight to be valuable, we’d love to hear from you! Your reviews fuel our passion and help us tailor content specifically for YOU. Head to Apple Podcasts, Spotify, or wherever else you get your podcasts and leave an honest review. Let’s make this show the ultimate destination for fantasy football enthusiasts like us. Thank you for watching and for showing your support – https://fantasypros.com/review/ BettingPros Podcast – For advice on the best picks and props across both the NFL and college football each and every week, check out the BettingPros Podcast at bettingpros.com/podcast, our BettingPros YouTube channel at youtube.com/bettingpros, or wherever you listen to podcasts.See omnystudio.com/listener for privacy information.

Feb 26, 2026 – Is the world drifting toward a new era of global conflict — one that doesn't look like the wars of the past? In this gripping interview, Martin Armstrong lays out why today's geopolitical tensions may be part of a much larger historical cycle...

Shedeur and Deshaun talk has dominated the airwaves this week and Lima and Daryl continue to speculate who will be in that QB battle come training camp. The two on the roster are the front runners, but there's always a chance there's an outside option waiting in the wings.

ntro: Jesus-y sayings, studies in Revelation, Brian's sermon series in Revelation.12:15: Recap from JR's first arena mix in San Antonio with Terri Clark.20:00: Molly recaps her substitute teaching on Monday and all the first graders fall apart about death.22:30: Molly finishes Sense and Sensibility and loves how great Jane Austen writes.29:53: Olympics, paedo-president's day rant.33:22: Hormonal birth control and its correlation to anxiety disorders.34:56: Johnny Gaudreau's kids and Olympic moments.38:00: Molly's amusement with Sam "Moose" Morse and terrible ski racing culture.43:52: Olympian Caesar Salad rater.44:40: Molly's etomologies of the week: tempura and semitic languages48:43: Lack of sleep and picking up kid woes.53:02: Show Close______________________________CanavoxPique Tea - Referral Link (it's super-delicious and healthy)Wealthfront Referral LinkMolly's preferred Stone Heating PadIncogni (data removal and internet anonymizer) Get full access to Too Busy to Flush at www.toobusytoflush.com/subscribe

Feb 25, 2026 – Last week's Supreme Court ruling upended President Trump's sweeping tariff strategy, cutting the effective U.S. tariff rate nearly in half and sending shockwaves through global trade. Adriano Bosoni breaks down who wins and who loses...

Feb 24, 2026 – What if the massive disruption we've seen in the stock market from AI is just the beginning of a much deeper transformation? In this compelling conversation, Cris Sheridan sits down with strategist Robert Van Battenburg...