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Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 3270: Elana Miller shares a raw and unfiltered glimpse into the emotional and physical toll of her cancer treatment, revealing the power and necessity of speaking the truth even when it hurts. Her honest reflections offer a poignant reminder that pain doesn't always need to be fixed, just witnessed, and that truth-telling can be a grounding act of presence and courage. Read along with the original article(s) here: https://zenpsychiatry.com/the-truth/ Quotes to ponder: "There is a purity in the truth, a vulnerability, a rawness." "When you tell the truth, you build a foundation. When you project an image, you build a house of cards." "When in doubt, speak the truth. When in doubt, write the truth." Learn more about your ad choices. Visit megaphone.fm/adchoices
En este nueva crítica, analizamos sin spoilers la segunda temporada de Drops of God, la serie internacional de Apple TV+ que regresa con una propuesta más introspectiva, emocional y madura que su primera entrega. Después de resolver el conflicto principal que marcó la temporada anterior, Camille e Issei se enfrentan ahora a algo más complejo: su nueva realidad como hermanos y el peso de un legado que los sigue condicionando desde la sombra de su padre. A través de un misterioso vino que deben rastrear por todo el mundo, la serie se adentra en una reflexión sobre la identidad, la herencia emocional, el privilegio y la búsqueda de sentido. Un drama elegante y pausado que, lejos de repetirse, amplía su universo y ofrece nuevas capas de profundidad a sus protagonistas, con interpretaciones impecables de Fleur Geffrier y Tomohisa Yamashita. Si disfrutaste de la primera temporada, esta segunda te va a sorprender con un enfoque más adulto, visualmente impecable y emocionalmente sincero. Te contamos por qué Drops of God vuelve a ser una de las series más singulares del año.ESTRENO: 21 de ENERO Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
The world's leading philosophers and psychologists were based in Germany and Austria during the rise of Hitler. They studied the darkest chapter of human history while trying to make sense of it and survive it themselves. Their teachings are an urgent alarm for us today: fascists seek endless conflict through domination, and it will never be enough. Drawing on George Orwell's analysis of Hitler, we see that while democracy offers the radical concept of "having a good time," fascism preys on a neurotic, broken need for "struggle, danger, and death." It is an addiction to conflict, often first learned in the childhood home, according to Erich Fromm, that views empathy not as a virtue, but as a target. Walter Benjamin, before losing his own life to suicide to avoid the concentration camps, pointed out that fascists seek pleasure in their own demise. It is the fleeting, hollow glee of a bully kicking over a sandcastle because he doesn't know how to build one. Joy is how we win. The hate-fueled fascist high is a non-renewable resource. It requires a constant supply of new enemies to sustain a house of cards built on lawlessness and corruption. True joy, born of community, love, and creation, is sustainable energy, even in the unlikeliest of places, as our heroes who came before us also showed us. Stay safe. Stay defiant. And find some joy today: it's the best revenge. For our bonus episode this week, we sit down for a special Self Care Q&A with Vatican reporter Colleen Dulle, author of Struck Down, Not Destroyed: Keeping the Faith as a Vatican Reporter! To listen to the bonus, subscribe to our Patreon at the Truth-Teller level or higher. We are extremely grateful to our listeners who are keeping us afloat during very difficult economic circumstances. Every bit of support helps give us the freedom to tell the truth, so thank you again for making Gaslit Nation possible! Show Notes: Help Bring 5-Year-Old Liam Home https://www.gofundme.com/f/help-bring-5yearold-liam-home?attribution_id=sl:0f9224c0-2c25-4831-a70f-1357729d5d8c&lang=en_US&ts=1769049480&utm_campaign=fp_sharesheet&utm_content=amp17_control&utm_medium=customer&utm_source=copy_link Part I of Our Conversation with Colleen Dulle: MAGA's Vatican Cold War: https://gaslitnation.libsyn.com/magas-vatican-cold-war A Recent Gaslit Nation Salon Excerpt Giving the Bigger Picture of U.S. China-Panic Chaos under Trump from the Pentagon's Perspective: https://gaslitnation.libsyn.com/stay-sane-with-us-join-the-gaslit-nation-salon "An observer arrested in South Minneapolis. Photo by Richard Tsong-Taatarii/The Minnesota Star Tribune" https://bsky.app/profile/amreports.bsky.social/post/3mcxlw4ijx42p "Interesting scoop from Anna Giaritelli, who has good sources inside DHS. It suggests Noem and Lewandowski (seemingly still serving as a Special Government Employee despite having timed out months ago) are trying to push out the CBP Commissioner (former Border Patrol) because he's not harsh *enough.*" https://bsky.app/profile/reichlinmelnick.bsky.social/post/3mcyd34k2v225 Immigration officers assert sweeping power to enter homes without a judge's warrant, memo says https://apnews.com/article/ice-arrests-warrants-minneapolis-trump-00d0ab0338e82341fd91b160758aeb2d The Stolen Wealth of Slavery: A Case for Reparations https://www.gaslitnationpod.com/episodes-transcripts-20/2024/02/28/reparations-now 'That's Our Territory': Trump Uses Davos Speech to Push for Greenland https://time.com/7354005/trump-davos-speech-greenland/ You've Got to Read George Orwell's Review of 'Mein Kampf' https://www.esquire.com/news-politics/politics/a45897365/george-orwell-reviews-hitler-mein-kampf/ Police charge Trump campaign manager with assault https://www.pbs.org/newshour/politics/police-charge-trump-campaign-manager-with-assault#:~:text=Police%20in%20Jupiter%2C%20Florida%2C%20released,provided%20by%20Jupiter%2C%20Florida%20police. Ex-Trump campaign manager Corey Lewandowski accused of sexual assault https://www.theguardian.com/us-news/2017/dec/27/ex-trump-campaign-manager-corey-lewandowski-accused-of-sexual-assault
The Cold War is heating up as the CIA continues to build a “Third Force” – a democratic alternative to both Mao's Communists and Chiang Kai-shek's Nationalists. A secret army is being trained on the islands of Okinawa and Saipan. But when these Chinese special forces are dropped inside the PRC to gather information and organize anti-communist guerrillas, there is a grim reckoning. Most perished. Built on a house of cards of faulty intelligence, this ambitious covert project would quickly and quietly collapse. It is, however, a riveting story and one with valuable, evergreen lessons.Please take a second and rate or review, it really helps.
Marbella. Expediente Judicial retoma la historia del carismático abogado César Beltrán, pero esta vez desde un ángulo diferente y mucho más institucional: el de la fiscalía antidroga. En esta segunda temporada, la serie cambia el foco para adentrarse en la maquinaria judicial que intenta hacer frente al narcotráfico en la Costa del Sol. Con la incorporación de Natalia de Molina como Carmen Leal, una fiscal determinada y tenaz, la ficción gana en profundidad, tensión y verosimilitud. Dani de la Torre y Alberto Marini apuestan por mantener el ritmo vibrante y el acabado visual impecable que ya vimos en la primera entrega, pero añadiendo ahora una capa más realista y crítica sobre cómo funciona (o no funciona) el sistema judicial. Una temporada que no busca romper moldes, pero sí afianzarse como una apuesta sólida, elegante y muy bien escrita dentro del thriller español contemporáneo. Y como siempre en Razones para Ver Express, esta crítica es sin spoilers, para que podáis disfrutar la serie sin destripes de ningún tipo. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
¿Qué harías si un grupo de ladrones armados entra en tu oficina y te obliga a mover miles de millones? Steal, el nuevo thriller de Prime Video, arranca con un atraco brutal en el corazón del distrito financiero de Londres… y lo que parece un simple robo se convierte en una red de secretos, conspiraciones y traiciones que van mucho más allá del dinero. Sophie Turner brilla como Zara, una trabajadora de oficina con resaca crónica y poca motivación que se ve arrastrada a una investigación donde nada es lo que parece. ¿Está involucrada? ¿O solo fue la pieza equivocada en el lugar equivocado? En esta crítica, sin spoilers, os contamos qué tal está la serie, qué funciona (y qué no), y por qué Steal es una de esas que te ves del tirón aunque no te lo hayas planeado. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
Ryan Murphy vuelve a hacer de las suyas en The Beauty, su nueva serie para FX y Disney+ que mezcla sátira social, thriller de acción y body horror en una historia sobre una droga que promete belleza perfecta… pero con consecuencias explosivas. En esta nueva crítica analizamos sin spoilers los primeros episodios de una ficción tan desbordante como provocadora, donde la estética lo es todo y el mensaje… bueno, a veces se pierde entre tanta carne quemada y explosiones estilizadas. Con un reparto encabezado por Evan Peters, Rebecca Hall, Anthony Ramos, Jeremy Pope y un sorprendente Ashton Kutcher, The Beauty nos lanza de lleno a un mundo donde la obsesión por el cuerpo perfecto se convierte en una pesadilla literal. ¿Es esta serie una crítica afilada al culto a la imagen o simplemente un entretenimiento grotesco y visualmente adictivo? ¿Se toma en serio o es puro show? ¿Y hasta qué punto se puede satirizar algo sin convertirse en parte del mismo problema? Durante estos minutos, hablaremos del enfoque narrativo, sus mejores episodios, los altibajos del guion, el impacto visual y las interpretaciones del reparto. También comentaremos cómo la serie recuerda a otros trabajos del propio Murphy y por qué, a pesar de sus excesos (o gracias a ellos), resulta tan difícil apartar la mirada. ¿Os enganchará? ¿O terminaréis explotando como sus protagonistas? Sea como sea, os lo contamos aquí, en Fuera de Series. #thebeauty #thebeautyfx #ryanmurphy Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
In S1 E1 of Dirty Money Moves, we left off with a discussion about Mary Carole McDonnell's seemingly bright future. This is a woman who proclaimed herself to be the heiress to the McDonnell Douglas fortune. McDonnell Douglas was a major aerospace manufacturing company which was purchased by Boeing in 1997. In the previous episode, we also delved into Mary Carole's life and discovered the truth about her family history, which had nothing to do with the aerospace industry. Mary Carole had a tendency to lie and overspend. Despite that, her career path in the tv business led her to being hired as the Executive VP of programming for Raycom Media. She started making good money, and bought real estate like it was going out of style. It seemed like the phony heiress was doing whatever she could to live up to the fake persona, spending lavishly and racking up debt. Eventually, Mary Carole began building a media empire of her own, Bellum Entertainment, while maintaining her position at Raycom. It went well …for a while. Bellum Entertainment turned out to be nothing more than a flimsy house of cards that would eventually come crashing down all around her. Follow Jami Rice on Instagram, TikTok, and YouTube @JamiOnAir. Dirty Money Moves: Women in White Collar Crime is available in all podcast apps. Binge season 1 to hear the full story about Mary Carole McDonnell, the phony Hollywood heiress. Dirty Money Moves is a collaboration between MURDERISH and Cloud10 Media. Executive Producers are: Jami Rice and Sim Sarna Research and writing by: Gina Mazzolini If you enjoy MURDERISH, please do us a favor and give the podcast a 5-star rating and review in Apple Podcasts, Spotify or any podcast player. Learn more about your ad choices. Visit megaphone.fm/adchoices
Patreon: https://www.patreon.com/Intothe99Go to house of cards for the best place to grab your singles! Use the promo code IT99 for a discount! Supports a great shop, saves you money and supports the show! https://houseofcards.ca/Check out Nerd Gear! They are a great place for playmats, commander trays, life counters and a bunch of other awesome MTG accessories! Use the link below or promo code "IT99" to get a discount at check outhttps://www.nerdgear.gg/intothe99If you want awesome audio equipment buy Rode ! Our affiliate link is below!https://brandstore.rode.com?sca_ref=6254570.6h6a2qaxNBWe have new merch! Make sure you check it out!teespring.com/stores/intothe99 Intro musicIntro Music by:Track: Hollow PurpleMusic from: Daniel RudeOutro music Music: www.purple-planet.com Support the show
What if your version of faith is built on the wrong thing? Your Faith Isn't Working. Here's Why,Most of us are living with a faith that's built on a contract—“God, if I do this, you'll bless me”—but that house of cards always collapses when life gets hard. In this talk, we walk through the end of John 2 and into chapter 3 where Jesus flips tables in the temple, calling out a broken system that held people hostage. Then He has a late-night conversation with a religious leader who has all the answers, but still feels lost. Jesus offers something radically better: a whole new life, not a better version of the old one.Jesus didn't come to clean us up. He came to save us. Nicodemus, like many of us, had spent his whole life trying to earn his way to God. But Jesus tells him straight: unless you're born again, from above, you'll never see the Kingdom. And He's not talking about behavior—He's talking about belief. In Jesus, we are not just forgiven…we are made new. Not by what we do, but by what He's done. No more religion. No more shame. Just a new identity and a new life through Christ.
Desde la senda de un caballero errante, en Poniente, California… C.J. Navas, Jorge y Don Carlos repasan la actualidad seriéfila de los diferentes canales, cadenas y plataformas, los estrenos de los próximos días, las ficciones más vistas por su audiencia, contestan a las preguntas de los oyentes y dan sus recomendaciones habituales de cada semana. Recomendaciones de la Semana: Don Carlos: Grantchester / Marbella Jorge: Machos Alfa C.J.: Industry / Drummeo ¡Esperamos tus audiocomentarios!: Mándanos tus mensajes por WhatsApp al +34 604 41 64 49 o a https://fueradeseries.com/mensajes Vota en los Power Rankings: Participa en la elaboración de nuestros Power Rankings votando a tus series favoritas de la semana en: https://fdseri.es/33u15eb Learn more about your ad choices. Visit megaphone.fm/adchoices
En este nuevo Razones Para Ver, os traemos un análisis sin spoilers de A Knight of the Seven Kingdoms (El Caballero de los Siete Reinos) , la nueva entrega del universo Juego de Tronos que se desmarca de lo épico y lo grandilocuente para presentarnos una historia más contenida, entrañable y con un enfoque completamente diferente. Ambientada unos 90 años antes de los eventos de la serie original, esta precuela sigue a Ser Duncan el Alto y su escudero Egg en una aventura mucho más humana y cercana, que mezcla humor, ternura y un punto de irreverencia nada habitual en Poniente. A lo largo del programa, repasamos qué hace especial a esta serie, por qué funciona tan bien dentro de su modestia y qué aporta al universo creado por George R.R. Martin. También comenta cómo el cambio de tono —incluyendo momentos cómicos inesperados, como el uso de jazz en uno de los episodios— refresca la franquicia y abre nuevas posibilidades narrativas. ESTRENO: 19 de ENERO Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
Voltamos hoje com uma reprise especial de um episódio muito querido do nosso catálogo: “Séries que marcaram”. Neste papo, revisitamos um momento em que a cultura pop estava agitada com o anúncio de um novo especial de Friends — e aproveitamos a oportunidade para refletir sobre séries que, assim como ela, marcaram gerações e se tornaram parte da nossa memória afetiva.Rafael Arinelli, Daniel Cury e Henrique Rizatto mergulham em produções mais antigas, da infância à adolescência, relembrando títulos como Mundo da Lua, Anos Incríveis, One Tree Hill, Star Trek, Arquivo X, Prison Break, How I Met Your Mother e The Big Bang Theory. Na segunda parte, o trio avança pela linha do tempo para discutir o impacto de séries como Breaking Bad, House of Cards, Game of Thrones e muitas outras.O episódio revisita não apenas os títulos, mas também a forma como assistíamos TV: temporadas semanais, episódios-evento, fidelização pela grade e aquela espera que criava expectativa. Afinal, algumas séries funcionam perfeitamente no streaming, enquanto outras só brilharam graças ao formato televisivo de sua época.Se você perdeu essa conversa quando foi ao ar originalmente, ou quer reviver o tema com outros olhos, dá o play e aproveite essa edição especial de reprise!
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Stability isn't something you earn once you're “big enough” or “finally staffed up.” It's something you design on purpose—or you pay for it later in burnout, panic fundraising, and house-of-cards vibes.In this episode, Brooke Richie-Babbage is back to flip the script on what capacity really means. Capacity is about changing the conditions under which your work happens, so the how of the work gets easier, less fragile + way more sustainable.We're talking broken mugs, creaky floors, cash cliffs, “build years” vs. “growth years,” and why “stability is a leadership choice” might be the most freeing (and challenging) mindset shift you make in 2026. If you've ever thought, “We'll feel stable when we finally _______,” this episode's your loving interruption.You'll walk away with clarity + next steps to build real capacity, including how to:Redefine capacity + stability as design problems, not personal failures → Shift from “I just need the right people / next grant / better tool” to “Where is our organization fragile, and how do we strengthen the container—systems, rhythms, decision-making—so the work doesn't require heroics?”Narrow priorities + clean up decision-making so everything stops bottlenecking at the leader → Get practical about choosing fewer, deeper priorities; naming what you're not doing this year; and mapping who actually owns which decisions—so your ED (or you) isn't secretly holding six out of ten critical calls.Build stability through simple financial + operational rhythms (not just more hires) → Learn how to read your own “financial weather patterns,” plan for cash cliffs before they hit, decouple capacity from FTEs, and tap tools, fractional support, your board + community as legitimate capacity—not just “nice to haves.”Episode Highlights:Dive Deeper: Episode 614: https://www.weareforgood.com/episode/614Episode 464: https://www.weareforgood.com/episode/463Thank you to our partners
Carolyn Michelle is an actress, producer, educator, and entrepreneur. Her credits include: "Brilliant Minds", "And Just Like That", "The Chi", "Russian Doll", "House of Cards", and the role of Vanessa, opposite Kathleen Chalfant's Ruth, in Sarah Friedland's celebrated indie film "Familiar Touch." On this episode she talks about her deeps roots with that project, and what she told Friendland she needed to bring that character to life. She takes us back to her earliest days as an actor, and the mentor whose influence is still felt today. Carolyn has served as Co-Director of Lena Waithe's Hillman Grad Mentorship Lab, and is a former visiting lecturer at Cornell University and Fordham University. She talks about how teaching feeds her acting, the power of sound frequencies in prep work, the importance of empowering the actor, why great production design and being able to stay in character on set are so important to her, plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. Follow Back To One on Instagram
La serie más infravalorada de HBO vuelve con su mejor temporada hasta la fecha: más oscura, más intensa y más política. Harper y Yasmin están en lados opuestos, el poder se reparte a codazos, y el nuevo villano no da respiro. ¿Qué pasa cuando los jóvenes que antes sobrevivían al sistema... ahora lo controlan? Si te gustó Succession, Euphoria o Billions, esta cuarta temporada de Industry te va a enganchar desde el primer minuto. Aquí no hay espacio para la inocencia, solo para sobrevivir en un mundo donde todo —y todos— están en venta.
Desde el año nuevo, en 2026, California… C.J. Navas, Jorge y Don Carlos hacen su tradicional Top! de las series que más esperan en este año que comienza. NUESTROS TOPS Don Carlos: 10.- Ardora / Matar un oso / Celeste T2 (Movistar) 9.- Salvador / Animal (2) (Netflix) 8.- El homenaje (Sky) 7.- Los testamentos (Disney) 6.- Widows Bay (Apple) 5.- El Joven Sherlock (Amazon) 4.- La casa del dragón T3 / El caballero de los 7 reinos (HBO) 3.- Blade Runner 2099 (Amazon) 2.- Star Trek: Starfleet Academy 1.- The Pitt T2 (HBO) Jorge: 10.- A Knight Of The Seven Kingdoms 9.- Drops of God T2 8.- Ted Lasso T4 7.- Hacks T5 6.- Terapia sin Filtro T3 5.- Dune: La profecía T2 4.- Silo T3 3.- La Casa del Dragón T3 2.- Star Trek: Starfleet Academy y Star Trek: SNW 1.- Los Anillos de Poder T3 CJ: 10.- Under Salt Marsh 9.- Blade Runner 2099 8.- Scarpetta 7.- Lanterns 6.- Ardora 5.- DTF St. Louis 4.- Spider-Noir 3.- Matar a un oso 2.- El Vampiro Lestat 1.- Bosch: Start of Watch Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode Daniel and Sherman talk about one of the newest commanders to be all the rage ! Abigale is a simple 1/1 who removes abilities from creatures on etb. In exchange they get flying, first strike and life link as counters and spend the game attacking you. Take a look how Daniel built this unique orzhov commander. How would you have built it and what's missing?Deck list herehttps://archidekt.com/decks/18851459/abigale_complaints_fall_on_deaf_earsBudget version herehttps://archidekt.com/decks/18860809/abigale_complaints_fall_on_deaf_ears_budget_versionPatreon: https://www.patreon.com/Intothe99Go to house of cards for the best place to grab your singles! Use the promo code IT99 for a discount! Supports a great shop, saves you money and supports the show! https://houseofcards.ca/Check out Nerd Gear! They are a great place for playmats, commander trays, life counters and a bunch of other awesome MTG accessories! Use the link below or promo code "IT99" to get a discount at check outhttps://www.nerdgear.gg/intothe99If you want awesome audio equipment buy Rode ! Our affiliate link is below!https://brandstore.rode.com?sca_ref=6254570.6h6a2qaxNBWe have new merch! Make sure you check it out!teespring.com/stores/intothe99 Intro musicIntro Music by:Track: Hollow PurpleMusic from: Daniel RudeOutro music Music: www.purple-planet.com Support the show
As the NBA's investigation heats up, Pablo goes behind closed doors — and emerges with fresh sunlight: What exactly did the Clippers know about Kawhi Leonard's no-show deal? When did Steve Ballmer really get to know the fraudster who paid him off? And what do Doc Rivers, the Ritz-Carlton and a topless fashion shoot have to do with the origin story of a "match made in heaven" that the richest owner in sports would rather you ignore? Amin Elhassan and David Samson shake their heads, as we fact-check a timeline that the Clippers want you to believe.Previously on PTFO:• Part I: The Silent Superstar and the Rotten Apple Tree• Part II: An Argument with Mark Cuban• Part III: The Mystery Investor, the No-Show Payday and the "Smoking Gun"• Part IV: Steve Ballmer, the Other Cuban and the $118 Million Infusion• Part V: Steve Ballmer's "Inconceivable" Donation, the $20 Million Guarantee and a Head on a Spike• Part VI: An IRL Showdown with Mark Cuban• Subscribe to Pablo's newsletter for exclusive access, documents and invites• Subscribe to "Nothing Personal with David Samson"• Subscribe to "Basketball Illuminati" with Amin Elhassan(Pablo Torre Finds Out is independently produced by Meadowlark Media and distributed by The Athletic. The views, research and reporting expressed in this episode are solely those of Pablo Torre Finds Out and do not reflect the work or editorial input of The Athletic or its journalists.) Hosted on Acast. See acast.com/privacy for more information.
What if feeling like you only had a stick on the battlefield was the moment God showed you the sword? In this episode, Francis Piché shares his declaration: to create the best men's group in the world for conscious men who want to establish something beyond their own life. The Knight Club isn't just about mission, it's about working on that mission together with brothers who share the heroic code (humility, excellence, respect, optimism, integrity, and courage). His vision? Chapters around the world where men can travel to Paris, London, Barcelona, or Sydney and know they'll connect with people like them who they can do life and business with. Francis was inspired by a recent trip to Scotland where he felt deeply connected to the knighthood and brotherhood, realizing this is his next chapter. He reveals the dark night in Orange County when he felt so powerless that ending it all seemed like the only option. Financial debt, feeling worthless in a place full of luxury cars, unable to even talk to a woman because his self-esteem was on the floor. After rejecting his friend's money in anger, he told his brother Jason he felt like all he had on the battlefield was a stick, not even a sword. That conversation saved his life. Later, Francis asked for the photo of the bright star he'd seen that night. The star's name? Sisaph, which means "the sword of the giant." God had the story for him all along. Francis also shares how his sales mentor Bob Smith told him after selling his entire year's quota in six months: "What do you mean 150%? Your goal is 200%. That's how successful people think." [00:07:06] The Knight Club Declaration Declaration: Create the best men's group in the world for conscious men, men of faith Men who want to establish something beyond their own life, creating a legacy Rising together in ups and downs, working on mission together Differentiator: Not only thinking about mission, working on it with Thinking Into Results program [00:08:40] The Vision: Chapters Around the World Vision inspired by recent Scotland trip, felt connected to knighthood and brotherhood Imagine chapters everywhere: Paris, London, Barcelona, Sydney, South America Connect with people like you who share the heroic code Can do life and business with them, have great time traveling [00:09:20] The Heroic Code Humility, excellence, respect, optimism, integrity, and courage All guys in group embody these attributes, you can rely on this Creating retreats for men, sometimes incorporating women together Traveling, connecting great people, business owners, dreamers who want to make difference [00:11:40] Am I Alive While I'm Alive? Best friend died last year out of nowhere at 47 Asked himself: "Am I alive while I'm alive? Am I having a bold life?" Bold means: Brave, Original, Loving, and having Dedication to a cause/mission Purpose of life: be fully alive, being free, helping others, making a difference [00:17:00] The Dark Night in Orange County Two-three years ago, perfect storm: waiting for clients not responsive, deeply in debt Felt not good for own clients, business not showing up, felt powerless and meaningless Saw beautiful woman at hookah bar but too scared to talk, she left in McLaren Friend Simon teased "Be a man, why don't you talk to her?" hitting self-esteem to floor [00:19:20] The Stick on the Battlefield Rejected friend's money with gesture he felt, was rejecting own friend and self "What's the point? Why am I here? I'm not even a man" Only reason didn't consider ending it: didn't want burden of bringing body back to parents Friend Jason had long conversation, wouldn't let him give up [00:21:00] The Sword of the Giant Told Jason: "If I was on battlefield right now, all I have is a stick, not even a sword" After conversation felt reignited, asked for photo of bright star from that night Looked up name of star: Sisaph, which means "the sword of the giant" "God had that story for you. You're the giant, you're the star. Remember this." [00:22:20] The Power of Brotherhood Moment of reawakening the giant within Not just support in bad times, also celebrating good times All have ceilings, all have pressure (next exit, firing employees, etc.) Requires new identity to go to next level [00:24:40] The Godfather's Wisdom At 16, godfather gave birthday card: "Don't choose job for paycheck" "Do what makes your heart come alive, otherwise you'll be poor all your life" Chose multinational job for $55K over $30K small organization that offered travel Was miserable for four years, flames diminished every day [00:26:20] Found the Card 20 Years Later At 36, found the card and realized: "He was right" Associated being successful with getting all that, which is a lie If you have enough of your why and excitement, you'll go through challenges Purpose of living: to be fully enlivened [00:27:20] Bob Smith: The Sales Mentor Week before starting new job at Xerox, fiancée said "I want to cancel the wedding" Three months before wedding, she left next day, "house of cards collapsed" Sales coach Bob Smith at bootcamp helped him recreate himself Bob's lesson: "Seven things to be a successful salesperson... #7 most important: Have fun" [00:29:00] "You Can Do Anything You Want" After bootcamp, thanked Bob for the week Bob put hand on shoulder, piercing eyes: "I've watched you this week" "You can do anything you want in your life. It's just up to you" Gave permission to go for it [00:29:40] Sold Entire Year in Six Months Won rookie of the year, at six months sold whole year's quota Told Bob "My goal now is 150% for President's Club" Bob: "What do you mean 150%? Your goal is 200%. That's how successful people think" Ended at 167% of plan, almost best in entire company, second place [00:37:20] Are You Alive While You're Alive? Friend passed away from running, something burst in heart, died at 47 Life is precious, not just at 65-80, but now Mission: make sure fully playing game, not playing small Other friend with cancer chose date, said: "Never let anyone or anything sway you from who you really are" KEY QUOTES "The name of the star was Sisaph, which means the sword of the giant. All along, while you're at your lowest point, God had that story for you. You're the giant, you're the star." - Francis Piché "You can do anything you want in your life. It's just up to you." - Bob Smith (to Francis) CONNECT WITH FRANCIS PICHÉ
Analizamos sin spoilers la segunda temporada de The Pitt, la serie médica de HBO Max que se aleja del melodrama para apostar por el realismo más crudo y absorbente. Con nuevos personajes, tensiones dentro del equipo y situaciones límite en cada esquina del hospital, la serie regresa más intensa que nunca. Una serie que no necesita artificios para engancharte y que te sumerge de lleno en un turno de urgencias donde todo puede salir mal… o salir bien, pero por los pelos. SINOPSIS: THE PITT es un análisis realista de los retos a los que se enfrentan los trabajadores sanitarios en la América actual, visto a través de la lente de los héroes de primera línea que trabajan en un hospital moderno de Pittsburgh. ESTRENO: 9 de Enero en HBO Max Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
Award-winning cinematographer Drew Geraci, known for his stunning time-lapse work featured in productions like House of Cards, joins The DINFOS Way to share how he turned his passion for visual storytelling into a thriving career. From capturing time-lapse masterpieces to exploring the creative potential of AI, Geraci reveals his process, mindset, and advice for storytellers who want to push creative boundaries.
https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]
On this week's episode Daniel, Sherman and Slothy talk about the state of MTG currently and where we think it's going. What do you think? Is magic in a good place ? Patreon: https://www.patreon.com/Intothe99Go to house of cards for the best place to grab your singles! Use the promo code IT99 for a discount! Supports a great shop, saves you money and supports the show! https://houseofcards.ca/Check out Nerd Gear! They are a great place for playmats, commander trays, life counters and a bunch of other awesome MTG accessories! Use the link below or promo code "IT99" to get a discount at check outhttps://www.nerdgear.gg/intothe99If you want awesome audio equipment buy Rode ! Our affiliate link is below!https://brandstore.rode.com?sca_ref=6254570.6h6a2qaxNBWe have new merch! Make sure you check it out!teespring.com/stores/intothe99 Intro musicIntro Music by:Track: Hollow PurpleMusic from: Daniel RudeOutro music Music: www.purple-planet.com Support the show
La historia de Hawkins llega a su fin. En este nuevo Episodio Final analizamos con todo detalle el último capítulo de Stranger Things, una despedida cargada de emoción, nostalgia y decisiones polémicas. ¿Ha muerto Eleven realmente? ¿Ha estado a la altura el enfrentamiento con Vecna y el Mind Flayer? ¿Qué futuro les espera a nuestros protagonistas tras el cierre del Upside Down? Repasamos lo mejor y lo peor de este desenlace, incluyendo nuestras escenas favoritas, los arcos que nos han emocionado… y también aquellos momentos que nos han dejado algo fríos. Un episodio cargado de impresiones personales, preguntas abiertas y una pizca de crítica constructiva. Si tú también has crecido con esta serie, no te pierdas este repaso con spoilers al final de Stranger Things, ya disponible en Netflix. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
Good morning, afternoon, and evening, real estate investors! As the year wraps up (or kicks off!), many of us are either panicking about last-minute "shit to get done" or making grand New Year's resolutions for financial prowess. Let's be real: when it comes to the nuts and bolts of your operations, accounting isn't always "sexy." But today, we're making it downright irresistible! We're talking with the absolute financial rockstar, Vonmarie Thomas, an investor, entrepreneur, and fractional CFO who helps entrepreneurs like us achieve financial clarity and peace of mind. If your books look like a crime scene, or you're just looking to seriously step up your game for 2026, Vonmarie's got the magic wand (and the strategy) you need!Here's what you'll uncover to get your investor finances in fighting shape:Wrangle Your W9s & Master Your Contractors: Forget the mob-boss vibes! Learn why getting W9s, signed contracts, and using protected payment methods (like credit cards) for every contractor isn't just good practice – it's crucial for IRS defense and avoiding sketchy surprises.Structure for Success (and Sanity): Discover why proper entity structuring (LLCs, operating agreements, separate bank accounts) isn't just about asset protection; it's about avoiding commingled funds, ensuring business continuity, and making sure your spouse isn't left wondering "what the hell is this?"Pay Yourself First (Seriously!): Uncover why many ambitious entrepreneurs neglect to pay themselves, jeopardizing their financial well-being and business health. Vonmarie emphasizes that if you're the management company, you need to account for (and pay for!) your own vital role.Beyond the Basics: Leveraging Tax-Smart Strategies: Explore often-missed opportunities like self-directed IRAs for investing, Keyman insurance for partnerships, and even the "Augusta discount" for clever tax write-offs – turning expenses into advantages.Build Your Financial Dream Team (No DIY Disasters!): Stop trying to wear all the hats! Understand why bringing in a team of financial professionals like Vonmarie isn't a luxury, but a necessity for growth, avoiding costly mistakes, and ensuring your financial house isn't a "house of cards."If you've been sticking your head in the sand about your finances, this episode is your wake-up call (without the cold water!). Vonmarie proves that financial clarity isn't just for the big guys; it's essential for every entrepreneur looking to build a sustainable, profitable business. Because let's face it, all work and no play makes for a very dull investor! Don't let another year go by with messy books and missed opportunities. Give yourself the gift of clarity: book a 90-minute Money Clarity Session with Vonmarie Thomas for just $297. It's the smartest investment you can make for your business (and your peace of mind!) in the New Year.Connect with Von Marie Thomas:Book a Money Clarity Session HERE!LinkedIn: https://www.linkedin.com/in/vonmariethomas/Go out, take some action, get your finances in order, and we'll see you at the top!#RealEstateInvesting #FinancialClarity #Bookkeeping #Accounting #LLC #W9 #IRS #CashFlow #SelfDirectedIRA #BusinessGrowth #Entrepreneur #TaxStrategies #FinancialPlanningWatch the Original VIDEO HERE!Book a Call With Scott HERE!Sign up for the next FREE One-Day Note Class HERE!Sign up for the WCN Membership HERE!Sign up for the next Note Buying For Dummies Workshop HERE!Love the show? Subscribe, rate, review, and share!Here's How »Join the Note Closers Show community today:WeCloseNotes.comThe Note Closers Show FacebookThe Note Closers Show TwitterScott Carson LinkedInThe Note Closers Show YouTubeThe Note Closers Show VimeoThe Note Closers Show InstagramWe Close Notes Pinterest
Desde las puertas del año nuevo, en la Nochevieja de 2025… C.J. Navas, Jorge y Don Carlos repasan sus series favoritas del año y las de la audiencia de Fuera de Series. NUESTROS TOPS Jorge: 10.- Landman T2 y Mayor of Kingstown T4 9.- Sandman T2 8.- Bosch: Legacy T3 y Ballard T1 7.- The Last of Us T2 6.- Slow Horses T4 5.- The Bear T4 4.- Fundación T3 y Pluribus T1 3.- Anatomía de un instante M 2.- La Diplomática T3 1.- Andor T2 Don Carlos: 10.- Viejas y nuevas: The new nurses T7 / La diplomática T3 / Watson / NCIS: Toni y Ziva. 9.- Policiacas con comedia: Matlock T2 / Elsbeth T3 / Tom y Lola / A.C.I.T4 8.- Aventura: Nautilus / Spartacus: Ashur / Arcadia 7.- Policíacos de siempre: Death Valley / Las reglas del juego / Crimen en el paraíso / Sister Boniface / Chicago PD / FBI / NCIS. 6.- Policiacos hard: Ballard / Blue lights / La jueza Lewis / Rocco 5.- Dramas que nunca fallan: 911 / 911 Nashville / Chicago Fire / DOC 4.- Ciencia ficción: El eternauta / Matabot / Star Trek Strange New Worlds / Andor 3.- Series españolas: Ciudad de sombras / Cuando nadie nos ve / La caza: Irati / Asuntos internos / Animal / Yakarta 2.- Series infantiles: Tierra de mafiosos / Task 1.- Las que más me han gustado: The Pitt / Todas las criaturas grandes y pequeñas CJ: 10.- La Residencia 9.- Slow Horses. 8.- The Agency. 7.- The Bear. 6.- Dept. Q. 5.- IT: Bienvenidos a Derry. 4.- Task 3.- Andor 2.- Separación. 1.- The Pitt Audiencia FDS: 10.- Slow Horses 9.- Mobland: Tierra de mafiosos 8.- The Studio 7.- Andor 6.- Separación 5.- IT: Bienvenidos a Derry 4.- Task 3.- Pluribus 2.- Adolescencia 1.- The Pitt Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
** FOR AN AD-FREE VERSION OF THIS—AND EVERY—EPISODE, PLUS WEEKLY BONUS SHOWS, FIND US AT patreon.com/BJHH **What a difference a year makes. It was only just 365 days ago that Jays fans were despairing, wondering why Ross Atkins still had a job after a nine year tenure that had culminated in a dreadful 2024, still smarting from Juan Soto's decision to sign with the Mets, trying to understand the Andrés Giménez acquisition, questioning whether Vladimir Guerrero Jr. could be signed to a contract extension, and feeling nothing but dread about the future, the state of the club's house of cards, and the wisdom of those in charge.Today they're viewed by players, fans, and the industry as a whole as one of the truly exemplary organizations in the sport, and potentially on the verge of ascending to marquee franchise status, having put together a brilliant, compelling, gritty, drama-filled, fun-as-hell campaign that took them to within mere milimetres of an unprobable World Series victory.It's been a hell of a trip around the sun, hasn't it?And this week we're looking back on all of it—from the low expectations, through the ugly start, to the coalescing of an elite team, to one of the all-time great—and all-time heartbreaking—seasons in the history of Canadian sports. Or maybe anybody's sports anywhere.Have a listen... Hosted on Acast. See acast.com/privacy for more information.
¿Te imaginas a un grupo de amas de casa ricas en Texas que entre cócteles, rifles y muchos secretos acaban envueltas en una espiral de deseo y traición? Pues eso —y más— es lo que te espera en The Hunting Wives, la nueva serie de Netflix que mezcla el culebrón sureño con el thriller más descarado. En esta crítica sin spoilers te cuento sin spoilers por qué esta historia de excesos, miradas incendiarias y decisiones cuestionables se convierte en un vicio total desde el primer capítulo.Malin Akerman y Brittany Snow se meten en la piel de dos mujeres que no saben muy bien lo que están buscando... pero lo van a encontrar. Relaciones tóxicas, atracciones explosivas, tiroteos inesperados y un pueblo donde nadie es lo que parece.
Un proyecto de Castilla y León Film Commission en colaboración con Fuera de Series. En este duodécimo programa de Castilla y León Fuera de Series, nos trasladamos a Salamanca para hablar de Zoomers, la nueva serie sobre la generación Z de Prime Video. Zoomers sigue la vida de Javi, joven de 18 años que, tras una tragedia personal, mira el mundo de una forma única. Además de él, conoceremos a un diverso grupo de estudiantes que descubrirán cómo navegar los retos que les plantea su llegada a la Universidad: nuevas amistades, situaciones incómodas, el amor o el sexo mientras conviven en el agitado entorno de un Colegio Mayor. C.J. Navas conversa en primer lugar con su productor ejecutivo, Michel Ruben, sobre su larga trayectoria en el mundo audiovisual, el desarrollo del proyecto y la experiencia del rodaje en Salamanca. Después es el turno de Enrique Cantabrana, responsable de la Salamanca Film Comission, sobre el funcionamiento del organismo, lo que demandan los productores de ellos y el rodaje de la serie. Por último, Kristine Guzmán repasa el 2025 de la Castilla y León Film Comission. Trailer de 'Zoomers': https://www.youtube.com/watch?v=hLfZDsmEKLE Learn more about your ad choices. Visit megaphone.fm/adchoices
¿Hasta qué punto somos dueños de lo que sentimos… o de lo que podríamos llegar a hacer? En Innato, la nueva serie de Netflix, Elena Anaya e Imanol Arias nos sumergen en una historia tan oscura como adictiva, donde el miedo no viene de fuera, sino de dentro. ¿Se puede heredar la psicopatía? ¿Y si lo que llevas dentro es más peligroso de lo que creías? En esta crítica, sin spoilers, te contamos por qué Innato es uno de los thrillers más interesantes del final de año. Buen ritmo, interpretaciones potentes y un tema que da para debate largo. Dale al play y hablamos. ESTRENO: 23 de diciembre. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
Schemes, scams, and spectacularly stupid greed! This special greatest hits episode of History's Greatest Idiots celebrates the season with four legendary criminals who proved that audacity and terrible judgment make the perfect con artist cocktail.First up: Charles Ponzi, the Italian immigrant whose name became synonymous with financial fraud, promising impossible returns while building a house of cards so unstable it makes modern crypto schemes look sophisticated.Then we meet Howard Marks, the Welsh drug smuggler who turned marijuana trafficking into a global enterprise, juggling fake passports, MI6 connections, and enough aliases to confuse even himself before his spectacular arrest.We'll explore John Factor, the mafia conman whose brother founded Max Factor cosmetics while he specialized in extortion and fake kidnappings, somehow parlaying criminal notoriety into Las Vegas respectability.Finally, Melissa Caddick rounds out our line-up: the Australian fraudster whose Ponzi scheme funded designer shoes and luxury living until she vanished, leaving behind one of true crime's most bizarre mysteries.From postal reply coupons to disappearing feet on beaches, these criminal masterminds prove that sometimes the biggest cons collapse when greed meets absolutely zero exit strategy.Join Lev and Derek as they count down the greatest hits of history's most gloriously idiotic fraudsters.Perfect for true crime fans, scam history buffs, and anyone who's ever wondered how someone can be simultaneously brilliant and catastrophically stupid.https://www.patreon.com/HistorysGreatestIdiotshttps://www.instagram.com/historysgreatestidiotsArtist: Sarah Cheyhttps://www.fiverr.com/sarahcheyAnimation: Daniel Wilsonhttps://www.instagram.com/wilson_the_wilson/Music: Andrew Wilsonhttps://www.instagram.com/andrews_electric_sheepWant to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/4675161203933184
The walls are coming down – the house of cards exposed. We have economic data – late but we got it. And that concludes the last full week of trading for 2025! And our guest – Robbie Miles, CEO of Live and Let Live NEW! DOWNLOAD THIS EPISODE'S AI GENERATED SHOW NOTES (Guest Segment) Robbie Miles is the CEO of Live and Let Live – Live and Let Live is a global movement committed to building a freer, more peaceful world. As part of the Live and Let Live community, you're surrounded by individuals who share a passion for personal responsibility, non-aggression, and being good humans. Here, we connect, collaborate, and grow together — exchanging ideas, supporting one another, and taking action that aligns with our shared values of peace, freedom, and human flourishing. Whether you're here to learn, contribute, or lead, there's a place for you in this movement. Check this out and find out more at: http://www.interactivebrokers.com/ Follow @andrewhorowitz Stocks mentioned in this episode: (SLV), (GLD), (ORCL)
Desde que se nos acaba el 2025, en Navidad, California… C.J. Navas, Jorge y Don Carlos repasan la actualidad seriéfila de los diferentes canales, cadenas y plataformas, los estrenos de los próximos días, las ficciones más vistas por su audiencia, contestan a las preguntas de los oyentes y dan sus recomendaciones habituales de cada semana. Recomendaciones de la Semana: Don Carlos: Todas las criaturas grandes y pequeñas Jorge: Landman / Mayor of Kingstown C.J.: Innato ¡Vota las mejores series del 2025!: Participa en la elaboración de nuestro ranking con las mejores series del año votando en https://fueradeseries.com/mejores2025 ¡Esperamos tus audiocomentarios!: Mándanos tus mensajes por WhatsApp al +34 604 41 64 49 o a https://fueradeseries.com/mensajes Vota en los Power Rankings: Participa en la elaboración de nuestros Power Rankings votando a tus series favoritas de la semana en: https://fdseri.es/33u15eb Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode Daniel, Sherman and Slothy talk about their favorite cards released this year. What about you? What cards did you absolutely love this year ? Patreon: https://www.patreon.com/Intothe99Go to house of cards for the best place to grab your singles! Use the promo code IT99 for a discount! Supports a great shop, saves you money and supports the show! https://houseofcards.ca/Check out Nerd Gear! They are a great place for playmats, commander trays, life counters and a bunch of other awesome MTG accessories! Use the link below or promo code "IT99" to get a discount at check outhttps://www.nerdgear.gg/intothe99If you want awesome audio equipment buy Rode ! Our affiliate link is below!https://brandstore.rode.com?sca_ref=6254570.6h6a2qaxNBWe have new merch! Make sure you check it out!teespring.com/stores/intothe99 Intro musicIntro Music by:Track: Hollow PurpleMusic from: Daniel RudeOutro music Music: www.purple-planet.com The Instagram for slothys band !https://www.instagram.com/necrotic_spew?igsh=dzJpY3ByMzd4ejJ2The instagram and YouTube for Daniels music https://www.instagram.com/danielrudemusic?igsh=MW5xa3JrbGNvdm9xbw==https://youtube.com/@danielrudemusic?si=IBRTawXFJRoQS0xchttps://www.instagram.com/theskysmiledback?igsh=a3BreTJ1NXVjcmdmhttps://youtube.com/@theskysmiledback?si=xquejMSFoJDUaA2v Support the show
Quadruple Witching Day - sounds scary - and it can be. Here's a good look at some opportunities through the Peter Lynch Screener and Seeking Alhpa. THESE SALES END SOON: TRENDSPIDER HOLIDAY SALE - Get 52 trainings for the next year at 68% off. Become a Trendspider master! SEEKING ALPHA BUNDLE - Save over $100 and get Premium and Alpha Picks together ALPHA PICKS - Want to Beat the S&P? Save $50 Seeking Alpha Premium - FREE 7 DAY TRIAL SEEKING ALPHA PRO - TRY IT FOR A MONTH EPISODE SUMMARY⚡ Quad Witching Volatility – Why today's options expiry could kick off a Santa rally and violent intraday swings.₿ Crypto On Shaky CPI Ground – Bitcoin's spike on soft inflation, Ethereum losing trend support, and what a faulty CPI print could mean next.
Analizamos sin spoilers la segunda temporada de Fallout, la ambiciosa serie de Prime Video que regresa ampliando su universo postapocalíptico y endureciendo su tono. Tras una primera temporada que sorprendió tanto a fans del videojuego como a espectadores que llegaban completamente nuevos, Fallout vuelve con una propuesta más oscura, más violenta y también más reflexiva. La serie continúa explorando las consecuencias morales de un mundo devastado por las decisiones humanas, profundizando en personajes como Lucy, el Ghoul y Maximus, ahora enfrentados a dilemas mucho más complejos y menos cómodos. En este programa hablamos del crecimiento del universo de la serie, de cómo la narrativa se vuelve más ambiciosa y fragmentada, del peso que adquieren los flashbacks y de una temporada que apuesta por incomodar al espectador en lugar de repetir fórmulas. También analizamos el cambio de tono respecto a la primera temporada, la reducción del humor y el aumento de la crudeza, así como el impresionante trabajo de diseño de producción, efectos especiales y ambientación. Una conversación pensada tanto para quienes disfrutaron la primera temporada como para quienes dudan si seguir adelante, poniendo en contexto qué propone realmente esta segunda entrega y qué tipo de experiencia puede esperar el espectador. Estreno: 17 de Diciembre Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
The labor market has swung from the Great Resignation to “job hugging,” where workers cling to their roles out of fear of AI-driven layoffs and inflation, crushing engagement and accelerating burnout. At the same time, OpenAI is accused of suppressing research showing job losses, ignoring internal warnings about chatbot mental health risks, and bleeding safety staff, while state Attorneys General fire off an opening salvo likening unchecked AI harms to an opioid crisis-in-the-making.The AI boom is now colliding with reality. Environmental groups want a halt on new datacenters as power prices spike, and the industry is starting to look financially radioactive, with opaque financing schemes, hidden debt, and trillion-dollar infrastructure bets that could vaporize household wealth. Regulators are pushing back too: the EU is fining X, probing Google over training data, and floating a statutory licensing scheme for AI scraping, while Disney dives in with a billion-dollar bet on “responsible” AI storytelling that mostly translates to fewer humans on payroll.Meanwhile, everyday tech dystopia rolls on. Uber is monetizing your movement data, Instacart is quietly price-discriminating groceries, Waymo is spinning a robotaxi birth as a feel-good story, and crypto fraud finally earns real prison time. Add in AI-generated marketing slop, government sites hijacked by SEO porn, billion-dollar festival scams resurrected, and Congress kneecapping right-to-repair, and the takeaway is simple: the machines are hungry, the adults are absent, and the vibes are aggressively bad.Sponsors:CleanMyMac - Get Tidy Today! Try 7 days free and use code OLDGEEKS for 20% off at clnmy.com/OLDGEEKSGusto - Try Gusto today at gusto.com/grumpy, and get three months free when you run your first payroll.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/726Watch on YouTube: https://youtu.be/eJbLlVhIQ-YFOLLOW UP“Why ‘job hugging' can be worse than quitting”OpenAI Accused of Self-Censoring Research That Paints AI In a Bad LightOpenAI, Anthropic, Others Receive Warning Letter from Dozens of State Attorneys GeneralIN THE NEWSMore than 200 environmental groups demand halt to new US datacentersSomething Ominous Is Happening in the AI EconomyOpenAI's house of cards seems primed to collapseX shuts down the European Commission's ad account the day after major fineEU opens antitrust investigation into Google's AI practicesEU Report Distills AI-Training Lessons from Napster Piracy Era: Don't Sue, LicenseDisney Invests $1 Billion in the AI Slopification of Its BrandUber will start selling trip and takeout data to marketersInstacart Charging Customers Different Prices for Same Products, Study FindsWaymo's robotaxi fleet is being recalled again, this time for failing to stop for school busesDriverless delivery: Woman gives birth in San Francisco WaymoCrypto mogul Do Kwon sentenced to 15 years in prison for $40 billion stablecoin fraudPorn Is Being Injected Into Government Websites Via Malicious PDFsMarco Rubio bans Calibri font at State Department for being too DEI'Architects of AI' named Time Magazine's Person of the YearMEDIA CANDYThe American RevolutionWhat Happened at Billy McFarland's PHNX Festival?The Lord of the Rings trilogy returns to theaters in January for 25th anniversaryAmazon's Official ‘Fallout' Season 1 Recap Is AI Garbage Filled With MistakesSpartacus House of AshurThe Boys - Final Season Teaser Trailer | Prime VideoParadise Season 2 | Official Teaser | HuluSupergirl | Official Teaser TrailerNo Such Thing As a Fish - Ep612: No Such Thing As The Gordon Ramsay SongbookWTF Happened To Battlestar Galactica (2004-2009)?!Star Trek: Starfleet Academy | Official Trailer | Paramount+ (NYCC 2025)Starfleet Academy - What Is This Garbage?APPS & DOODADSGoogle and Apple partner on better Android-iPhone switchingCongress removes right to repair language from 2026 defense billGlide Gear TMP 100 Teleprompter – DSLR, Tablet, Smartphone – 12" Glass, Carry Case, No AssemblyBetterDisplay ProTHE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingSplat HiFiThe History Behind All the Cuts of the Original ‘Star Wars''Rise of the Resistance | Layout Side By SideBLUE MONDAY - Analyzing the MOST BRUTAL BEAT of the '80s | Drum Patterns ExplainedSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The internet is not a cloud; it's a house of cards that is built on the foundation of a small number of companies. When one of those companies goes down, it becomes a widespread issue. We saw that today when Cloudflare's latest outage took out X, ChatGPT, Spotify, and other websites. Glenn breaks down how each outage affects you and ponders what happens when a foreign enemy goes after some of these critical companies. Texas has become the home of hundreds of mosques, as Glenn warns of the political religion that could lead to the complete takeover of Texas and the West. As more information comes out about the man who tried to assassinate President Trump, the FBI's failure comes to light. How did the FBI fail to stop somebody who openly threatened the president? Glenn and Stu further discuss the degenerate nature of the furry community. Justin Haskins, the Heartland Institute vice president and author of “The Next Big Crash,” joins to discuss the signs that a big economic crash is coming. Stu discusses an alleged love triangle involving RFK Jr., political reporter Olivia Nuzzi, and South Carolina politician Mark Sanford. Learn more about your ad choices. Visit megaphone.fm/adchoices