Podcasts about aranofsky

3 Nerds review Aranofsky's Compulsion Trilogy - The Wrestler, Black Swan and The Whale. Subscribe for new episode and new trilogies each fortnight! Check out our socials: Facebook, Instagram and Twitter. Theme Music: Killers by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3952-killers License: http://creativecommons.org/licenses/by/4.0/

La nave Cuervo Rojo viajará en esta nueva aventura dentro de la mente de uno de los autores más importantes de la animación, el genio Satoshi Kon. Cruza junto a la tripulación la delgada linea que mezcla la fantasía y la realidad, y déjate llevar en un viaje mágico por la filmografía de este genial autor, el cual al fallecer muy jóven, solo pudo dejarnos cuatro películas imperdibles, que sirvieron de inspiración a Aranofsky o a Nolan, y una serie que haría las delicias de David Lynch. La cosa va de genios.

Cinematographer Matty Libatique's work ranges from mind-bending features like Pi, Black Swan and Requiem for a Dream to huge Marvel movies such as Iron Man and Birds of Prey. He enjoys balancing his work on both large films and smaller indies in order to feel satisfied and to keep his craft sharp. For his latest film, The Prom, Matty met with director Ryan Murphy about the project. The star-studded cast and the message about gay acceptance appealed to him. But once Matty saw the Broadway play he was concerned- he had never shot a musical before, and he wasn't quite sure how to translate a big Broadway musical into a movie. Matty had worked on several music videos and was the cinematographer of 2018's A Star is Born, which featured musical performances, but it was incredibly gritty and grounded in reality compared to The Prom's bubbly feel-good fantasy world. He and director Ryan Murphy met and knew they wanted to keep it big and colorful while not going too over the top. Murphy loves working with color, and the two decided The Prom had to feature two distinct palettes of colors- the yellow/browns of normal Indiana contrasted with the bright pastels of “the prom” and the theater people who descend on the town. For the final scene in the movie where all the characters go to the all-inclusive prom, Matty and his team utilized a full array of lights on stage that they programmed on the fly. Growing up, Matty was always attracted to light, camera and composition in movies, but he didn't understand what anybody did on a film set until he saw Do The Right Thing. The Spike Lee film made him realize he wanted to make movies. He went to AFI film school along with director Darren Aronofsky and the two bonded right away. They began making movies together in a partnership that continues today. Matty says of his long relationship with Darren Aronofsky that when you keep working with the same directors, it's a sign you're doing the right thing and dedicating your craft to the right ideas. Their first feature together, Pi, had to be created within the parameters of an incredibly low budget. Aronofsky couldn't afford to shoot color film, only Super 16mm black and white reversal, so Pi had a grainy, gritty look and style immediately. A few scenes in Pi use a body-mounted rig to give it a first-person perspective. Matty and Aranofsky first saw the rig used by Icelandic cinematographers Eidur and Einar Snorri, now known as a Snorricam, and knew they wanted to use it in Pi- but the key was to use it sparingly. Matty's film, The Prom, is currently on Netflix. He is currently shooting the film, Don't Worry Darling, directed by Olivia Wilde. Hear our 2019 interview with Matty Libatique: https://www.camnoir.com/ep33/ Listen for Matty Libatique, Part 2, coming next week! He talks about Tigerland, The Fountain, working with Spike Lee, Iron Man and more. Find Matty Libatique: Instagram @libatique Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep120/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com YouTube: https://www.youtube.com/channel/UCNQIhe3yjQJG72EjZJBRI1w Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

The man, the myth, the legend is on the SinCast hot seat this week... Keanu Reeves! The guys take a deep dive into the first half of his career, which spans from period pieces like Dangerous Liaisons and Dracula to genre-bending fare like The Matrix. Sit back and enjoy on a brand new SinCast!!! Oh, and be excellent to each other.  Join us every Monday for a new episode of SinCast, and keep in touch! Tweet us @cinemasins, comment on SoundCloud, (https://soundcloud.com/cinemasins) subscribe to the subreddit (https://www.reddit.com/r/CinemaSins/) and email us at cinemasinssincast@gmail.com.

We're going deep tonight with our discussion of Aranofsky's "Mother!" First one to cry gets kicked off the podcast. Hope you enjoy!!! WARNING: EVERY EPISODE OF THE SMOKING HOT NERDS CONTAINS SPOILERS...ABOUT EVERYTHING. Listen on these Apps /// Apple Podcasts: http://bit.ly/applepodcasts_smokinghotnerds Spotify Podcasts: https://bit.ly/spotifysmokinghotnerdspodcast Facebook Livestream: https://www.facebook.com/smokinghotnerdspodcast YouTube Livestream: https://bit.ly/youtube_smokinghotnerdspodcast Find Us on the Socials /// Instagram - @smokinghotnerds Facebook - https://www.facebook.com/smokinghotnerdspodcast Contact Us /// smokinghotnerds@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/smokinghotnerdspodcast/message Support this podcast: https://anchor.fm/smokinghotnerdspodcast/support

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys. In this episode we’re talking about 2010’s Black Swan and 2014’s The Babadook. First and foremost, we want to give a shoutout to our sponsors over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or coozy. Head on over to www.xlvacx.com to check them out. Also, thank you to our Patreon subscribers. Your support means the world to us and we are eternally grateful for that support. Thanks! We start by talking about what we’ve done involving horror recently. We talk about the recent Shudder original film Host, and Liam talks about the film All The Colors Of The Dark. Up first is Black Swan. We give a brief summary of the film, and we talk about how the film wasn’t initially referred to as a horror film because of Aronofsky’s reputation. We briefly talk about the nature of Darren Aronofsky’s work, and Liam posits that he essentially makes well crafted exploitation films. We talk about some of the more visually arresting and horrifying scenes of the film. We touch upon Aronofsky’s tendency of cruelty towards his female characters, and how the film is largely a more stylish body horror film. We return to Aronofsky’s lack of interest in fleshed out characters and how he’s more interested in caricatures of people. The horror one’s own self is discussed, and we talk about how whether or not what we’re witnessing is “real” is completely meaningless in regard to enjoying this film. We briefly discuss the concept of “camp” and the idea of “the Showgirls paradox”. The idea of Vincent Cassel’s character as an effigy for Aranofsky as a director is touched upon. We talk about the horror of questioning your own sanity and being unable to trust your own perception of things. We briefly discuss the concept of “perfection” and how it relates to cultural conditioning and tradition. Up next is The Babadook. We talk about how the film might hit harder for people who have special needs people in their lives. Liam points out how the film goes through three phases: spooky kid, psychotic woman, and then monster movie. Liam talks about how his experience of the film has changed since becoming a parent in that he feels more empathy for the child. Justin talks about how the police station scene is the most upsetting scene in the film for him. We talk about the very sweet concept of Sam, the child in the film, still feeling an unyielding love for his mother even though she repeatedly declares that she hates him, and how that is both tender and a source of horror. Justin discusses how he relates personally to the end of the film and how it’s a very effective metaphor for dealing with trauma and mental illness. We talk about how the films ending is far more effective than most classic horror films in that it shows that pain and suffering continues on and there is no simple fix for a complex issue. We talk about the intensity and effectiveness of the main performances in the film. We conclude by talking about how Essie Davis is “miserably horny” in this film and how that relates to depression destroying the libido. First and foremost, thank you for listening. Special thanks to our good friend Dana for recommending these movies. Thank you to everyone and anyone who donated on Patreon, checked this episode out, or shared a tweet/shared a post on FB/gave us love by recommending us to someone. We love you forever for listening and donating. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to thehorrorbiz@gmail.com. We would love to hear from you! Thanks always to Justin Miller, Jacob Roberts,

Sabe aquele filme que você viu, não entendeu, ficou doído para comentar com alguém, mas não achou. Tirando a parte do ‘entender’ esse é o podcast que você vai poder falar com alguém sobre essa experiencia cinematografia de Aronofsky. Nesse podcast, Leonardo Agrelos, Nito Xavier, Adriano Toledo e Silvana Silva (Lado a Lado) tentam entender... The post Pupilas em Brasas 110 – Mother! Confusão na Casa do Aranofsky appeared first on .

Sabe aquele filme que você viu, não entendeu, ficou doído para comentar com alguém, mas não achou. Tirando a parte do ‘entender' esse é o podcast que você vai poder falar com alguém sobre essa experiencia cinematografia de Aronofsky. Nesse podcast, Leonardo Agrelos, Nito Xavier, Adriano Toledo e Silvana Silva (Lado a Lado) tentam entender...

In der aktuellen Ausgabe begeben sich die Kandidaten Adam Arndt (Serienjunkies), Hardy Zaubitzer (Lethal Critics) und Alex Matzkeit (Real Virtuality) zurück in ihre Vergangenheit, suchen ihren eigenen Regisseur für Star Wars IX und klären, welcher Film von Darren Aranofsky der beste ist. Außerdem kündigt Henning ein großes bevorstehendes Event an und feiert das Debüt seines neuen Midi-Boards!

Mother! è un film che fa già discutere. In questa puntata di Groucho parliamo del film di Aronofsky e dei documentari Coda e My Generation.

Mother! è un film che fa già discutere. In questa puntata di Groucho parliamo del film di Aronofsky e dei documentari Coda e My Generation.

"Aranofsky’s Black Swan is about a consciousness, Nina, exploring restrictive unconscious beliefs. The beliefs that control Nina are embodied by her mother, Beth, and Lily. To release the Black Swan, she must overcome each of them."

We talk about Darren Aronofsky's 2000 film, Requiem for a Dream. Special Guests: Ellen Burstyn, Keith David, Mark Margolis, & Christopher McDonald. Guest Co-host: Emily Intravia of the Feminine Critique.

This week, we talk clones! We watched Darren Aronofsky's "The Fountain" and read Cat Patrick's "The Originals" and had all sorts of fun discussions on bald spacemen and Dolly The Sheep, among other things.

Poucos nomes em Hollywood se enquadram na palavra unanimidade. Com apenas 5 filmes na carreira, Darren Aronofsky permeou com temas que vão desde paranoia, drogas, busca pela vida eterna, o fardo da carreira e até a obstinação que desperta um lado negro. Fizemos um raio-x gigante na carreira desse gênio moderno. Jurandir Filho (Juras), Maurício Saldanha (Mau), Thiago Siqueira (Siqueira) e Juliano D'Angelo (Juca) não pouparam esforços para avaliar todos os filmes do diretor. Por que Aranofsky sempre deixa aberturas para interpretações? Qual o melhor trabalho da sua filmografia? Por que ele demorou tanto para entrar no mainstream de Hollywood? Seus filmes são artísticos, cults ou são grandes trabalhos para todos os gostos? Opine sobre as obras do cineasta.

Poucos nomes em Hollywood se enquadram na palavra unanimidade. Com apenas 5 filmes na carreira, Darren Aronofsky permeou com temas que vão desde paranoia, drogas, busca pela vida eterna, o fardo da carreira e até a obstinação que desperta um lado negro. Fizemos um raio-x gigante na carreira desse gênio moderno. Jurandir Filho (Juras), Maurício Saldanha (Mau), Thiago Siqueira (Siqueira) e Juliano D'Angelo (Juca) não pouparam esforços para avaliar todos os filmes do diretor. Por que Aranofsky sempre deixa aberturas para interpretações? Qual o melhor trabalho da sua filmografia? Por que ele demorou tanto para entrar no mainstream de Hollywood? Seus filmes são artísticos, cults ou são grandes trabalhos para todos os gostos? Opine sobre as obras do cineasta.

Steve Head and John Black discuss Darren Aronofsky's 'Black Swan,' The Kinks' documentary 'Do It Again,' and Disney's 'Fantasia' and 'Fantasia 2000' on Blu-ray. Listen to our episodes online at Post-Movie.net Questions? We'd love to hear from you. Send us an email at contact@post-movie.net Don't forget to leave us an iTunes review. Any positive feedback would be most appreciated! Intro music by Stereo Soul Future. Visit stereosoulfuture.net