Podcast appearances and mentions of Clint Mansell

Solénoïde (13.01.2025) - Cette semaine, Solénoïde vous propose une immersion inédite dans l'univers des musiques cinématographiques. Laissez-vous emporter par une sélection sonore qui traverse les frontières du réel et du virtuel, rendant hommage aux plus grands réalisateurs et compositeurs du cinéma.

We continue Sports Month with Black Swan (Darren Aronofsky, 2010). Hosted by Justin Morgan. Co-hosted by Charles Phillips. Mixing and QA by Scratchin' Menace, featuring music by Clint Mansell. Follow us on Facebook and Twitter for the latest updates. Available on Apple Podcasts, Spotify, YouTube, and a dozen other popular platforms. Please subscribe, rate, and review us. Every little bit helps, and more importantly, thank you for listening!

Brace yourself for an intense cinematic experience as Movie Mistrial delves into Darren Aronofsky's unforgettable psychological drama, Requiem for a Dream.Requiem for a Dream is a haunting exploration of addiction, masterfully crafted with striking visuals, a heart-pounding score by Clint Mansell, and raw, powerful performances from its cast. The film's relentless descent into despair leaves a lasting impact, making it a visceral and emotionally charged portrayal of the human condition.While Requiem for a Dream is lauded for its artistic direction and emotional weight, its graphic and disturbing portrayal of addiction may be too intense for some viewers, with its unflinching look at tragedy offering little room for hope or relief.Join us as we unravel the emotional depths of Requiem for a Dream and examine its significance as one of the most harrowing depictions of addiction in modern cinema.Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitterFacebook: http://tiny.cc/MistrialFBInstagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

Jakob Stegelmann og Ida Rud fortæller om store filmkomponister og spiller det bedste af deres musik.

A reclusive podcaster falls hard for an ambitious bodybuilder headed to Las Vegas in pursuit of her dream. But their love becomes a treat of the highest order, pulling them deep into a torrid web of veganism. On Episode 615 of Trick or Treat Radio we discuss Love Lies Bleeding, the latest film from director Rose Glass! We also go down a rabbit hole of 80s comedies with lots of crossover, we talk about films you can taste and smell, and we reminisce about our Joe Bob Briggs interview from 2016! So grab your protein smoothie, cut your rat tail just right, and strap on for the world's most dangerous podcast!Stuff we talk about: Jim Cameron, Aliens, Sigourney Weaver, Aliens Expanded, Catwoman glasses, baby oil, inebriated with hate, hate-fueled gas tank, Bad Religion, Social D, MGM, Sean Waltman, Blind Melon Chitlin, Cheech and Chong, Bachelor Party, Mr. Dick, Tom Hanks, Wendie Jo Sperber, Blood Flows Red on the Highway, The Burning, Keith Gordon, Brian Backer, James Keach, Wildcats, Nipsy Russell, White Men Can't Tackle, Wildcats, Nightmare on Elm St., Robyn Lively, the lesser Murray, Bryan Fuller, Joe Bob Briggs, Cassandra Peterson, Scare-A-Con 2016, Halloween, Tony Moran, P.J. Soles, James Lorinz, Patty Mullin, Ed Harris, Anna Baryshnikov, Mikhail Baryshnikov, french kissing DiGiornios, Rose Glass, Katy O'Brian, Agents of S.H.I.E.L.D., Kristen Stewart, Berlin Wall, rocking a skullet, Jena Malone, beetles as pets, Lyle Alzado, Pop Will Eat Itself, Clint Mansell, The Runaways, Joan Jett, competetive bodybuilding, No Country For Old Men, Bound, Freeway, Forbidden Zone, Jordan Peele, Matthew Bright, Sandakin Skywalker, The Golden Glove, the definition of love, sexifixion, Kingpin of the Desert, sensory films, if Riff Raff was the Kingpin, Throbbing Gristle, Saint Maud, Monkey Man, Dev Patel, Immaculate, nunsploitation, Inebriated on Dollar Store Hate, It's Not Delivery It's Da Burn Unit, and Downward Doggie Style.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the Show.

Os traigo hoy una reseña de una película del tipo “must see”, es decir, muy recomendable de ver, porque entre otras cosas es firme candidata a formar parte del amplio espectro de “cine de culto”. Explorando "Sangre en los labios": Una Fusión de Géneros y Emociones La película "Sangre en los labios" (2024), conocida internacionalmente como "Love Lies Bleeding", es una obra que desafía las convenciones del género y ofrece una narrativa rica en matices y emociones. Dirigida por Rose Glass, quien coescribió el guion junto a Weronika Tofilska, esta producción se presenta como un thriller dramático que sumerge a los espectadores en una historia de amor, ambición y crimen. La trama sigue a Jackie, interpretada por Katy O'Brian, una mujer decidida a triunfar en el mundo del culturismo. Su viaje la lleva a Las Vegas, donde se encuentra con Lou, interpretada por Kristen Stewart, la gerente solitaria de un gimnasio local. La relación que se desarrolla entre ellas es el catalizador de una serie de eventos que las arrastran al peligroso mundo del crimen organizado. La película ha sido elogiada por su audacia visual y narrativa, con críticos destacando la actuación de Stewart y la dirección de Glass. La música, compuesta por Clint Mansell, y la cinematografía de Ben Fordesman complementan la intensidad de la historia, creando una atmósfera que es tanto cautivadora como inquietante. "Sangre en los labios" no solo es un thriller romántico, sino que también aborda temas de homosexualidad y culturismo, situándose en la década de los 80. Este contexto histórico añade una capa adicional de complejidad a la película, reflejando las luchas y aspiraciones de sus personajes. La recepción crítica ha sido variada, con algunos críticos aclamando la película como una "salvaje extravagancia" y otros señalando su naturaleza desconcertante y abrasiva. Sin embargo, es innegable que "Sangre en los labios" ha dejado una impresión duradera en el panorama cinematográfico de 2024, posicionándose como una de las películas más destacadas del año. La película está disponible para el público en diversas plataformas, y aunque aún no se ha estrenado en servicios de streaming, se espera que llegue a ellos en los próximos meses. Los espectadores interesados en esta mezcla única de géneros y emociones deberán estar atentos a las actualizaciones de las plataformas de distribución para no perderse la oportunidad de experimentar "Sangre en los labios". "Sangre en los labios" es un testimonio del talento emergente en la industria cinematográfica y una muestra de cómo las narrativas audaces pueden capturar la imaginación del público. Con su combinación de drama, romance y acción, esta película promete ser una experiencia inolvidable para los amantes del cine. Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/incaprettamento-zz-podcast-05x36/ Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X (twitters): https://x.com/LuisBermejo y https://x.com/zz_podcast Instagrams: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0

We have another one of our live Everyman Soundtracking shows for you today, recorded with Rose Glass, director and co-writer of Love Lies Bleeding. Starring Kristen Stewart, Katy O'Brian, Jena Malone, Dave Franco, and Ed Harris, its plot follows the relationship between a reclusive gym manager, who is part of a crime family, and an ambitious bodybuilder in 1989 smalltown America. Love Lies Bleeding is scored by friend of the show Clint Mansell

This is the Built In Sun appreciation episode. Released on August 7, 2015 via PIAPTK Records, Built In Sun is Joe Plummer's first and currently only solo record. BIS began as an instrumental idea, with inspirations landing somewhere between John Cale's Fear, the punker vibrations of The Wipers, guitarist John Reis and Joe's favorite soundtrackists, John Brion and Clint Mansell. Recorded both at his studio in Seattle and with the late Richard Swift at National Freedom, Joe made a point to collaborate with his friends and former bandmates. The lyrics and vocals on the record are provided by longtime friend and former The Black Heart Procession colleague, Pall Jenkins, with additional players David Bazan and Cody Votolato filling out the piano and guitar respectively. In this episode, Joe expresses his love for the opportunity to make a record with his pals and leaves an easter egg or two. Built in Sun Episode supported by Izotope Episode supported by Distrokid Episode supported by Thunder Road Guitars

On this episode of The American Art Collective we are celebrating Principle Gallery's 30th anniversary! Gallery Director Clint Mansell joins us to talk about this incredible milestone, the gallery's beginnings, how they have grown and evolved over the years and their continued support of both artists and collectors. Mansell also gives us the details of the upcoming celebration on March 22nd from 6pm-8:30pm in Alexandria, VA. This episode is sponsored by American Art Collector Magazine.

THE FOUNTAINNo one expects the Spanish Inquisition, and no one expected Darren Aronofsky to follow up the success of Requiem for a Dream with a genre-breaking, scyfy-romantic-period-spiritual-medical drama (kinda? maybe?) entitled THE FOUNTAIN (2006). Join your hosts Ken and Thomas along with returning guest Ryan for Season 11, Chapter III, Part A as they drink from The Fountain, a movie garnering no award nominations and would, after wrapping, temporarily break up Aronofsky's partnership with cinematographer Matthew Libatique. Aronofsky's biggest (and only) flop to date, The Fountain concerns three timelines. These intercut stories are populated by then-girlfriend Rachel Weisz and then-between-Wolverines-and-musicals Hugh Jackman (in three iterations of the name “Thomas”) where they play Spanish queen and her loyal conquistador servant, a terminally ill wife and super-science primate neurologist, and a tree (or apparition) and hairless yoga enthusiast in a bubble travelling to an exploding star. These past and future timelines may or may not exist, perhaps part of a pretentiously hand-written, leather-bound manuscript by the dying Weisz-wife character, who left the final chapter incomplete for Dr. Tommy to compose after her death.Pod-favorite actors Mark Margolis returns as a priest and Ellen Burstyn returns as Dr. Tommy's boss and tree/cemetery owner, while Clint Mansell returns to score the film. The movie also marks the beginning of Aronofsky's ongoing writing partnership with Ari Handel.Join the hate watch as our three cineastes yell in unison from across timelines: “Finish it!” THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

The real battle is against yourself. Growth requires facing discomfort and making hard decisions. Discipline and relentless effort lead to empowerment and success. Spoken by Eric Thomas, Ed Mylett, Patrick Bet-David. You can see more of Eric Thomas at instagram.com/etthehiphoppreacher, Ed Mylett at instagram.com/edmylett, Patrick Bet-David at twitter.com/patrickbetdavid. The music is Lux Aeterna by Clint Mansell. You can see more of Clint Mansell at twitter.com/iamclintmansell.

Become a Member for ad-free listening, video versions and exclusive content: https://benlionelscott.com/subscribe — The real battle is against yourself. Growth requires facing discomfort and making hard decisions. Discipline and relentless effort lead to empowerment and success. Spoken by Eric Thomas, Ed Mylett, Patrick Bet-David. You can see more of Eric Thomas at instagram.com/etthehiphoppreacher, Ed Mylett at instagram.com/edmylett, Patrick Bet-David at twitter.com/patrickbetdavid. The music is Lux Aeterna by Clint Mansell. You can see more of Clint Mansell at twitter.com/iamclintmansell.

Become a Member for ad-free listening, video versions and exclusive content: https://benlionelscott.com/subscribeThe real battle is against yourself. Growth requires facing discomfort and making hard decisions. Discipline and relentless effort lead to empowerment and success. Spoken by Eric Thomas, Ed Mylett, Patrick Bet-David. You can see more of Eric Thomas at instagram.com/etthehiphoppreacher, Ed Mylett at instagram.com/edmylett, Patrick Bet-David at twitter.com/patrickbetdavid. The music is Lux Aeterna by Clint Mansell. You can see more of Clint Mansell at twitter.com/iamclintmansell.

Aronofsky Chapter One Pt. One: PiTGTPU SEASON 11 returns to form with our classic (or outdated) temporal pincer movement to cover the entirety of (yes, all eight) wide release films of director Darren Aronofsky. Hosts Ken and Thomas with guest Ryan - pause, pop pills, make a note - kick off the inaugural episode of the new season with Aronofsky's first feature film, PI (1998), a black-and-white low-budget masterpiece clocking in at an economical 1hour 23minutes & 45seconds.Pioneering an editing technique Aronofsky coined “hip-hop montage,” the film - pause, pop pills, make note - scored by Clint Mansell and shot by Matthew Libatique, both of whom will collaborate with Aronofsky on five later (75% of Aronofsky's) films, follows the obsessive life of Max Cohen, a super anxious math genius, played by Sean Gullette bearing a strong resemblance to the lead singer of Live once he shaves his head who - pause, pop pills, make note - may have uncovered a secret pattern to the universe. Getting pressure from both Wall Street in an effort to game the system with a new super microchip and a cabal of Hasidic Jews looking for mathematical meaning in the Torah - pause, take pills, see wild and crazy stuff that may not be real, make note - Max and the viewer are left to wonder: Is the pattern he finds is a gift from God or a curse? All this cultivates in, well, among this week's three hosts, an argument on how the movie ends, the merits of trepanning, which of Aronofsky's scarves is the best, and if this first film to allow for internet downloading might have also originated crowdsourcing.Also note is our new format: TGTPTU will be releasing episodes discussing just one movie (instead of having both movies of our pairings released in a single episode). We welcome feedback.Also note (before drilling your skull): this summary's precisely 314 words.THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

Following a double mastectomy, and hoping to recover in peace, actress Veronica Ghent travels to what she believes will be a solitary retreat in the Scottish Highlands.  She's accompanied by a young nurse, Desi, who through sheer will and a good heart is able to put up with Veronica's brusque, standoffish nature.  There are other forces at work:  the land on which their cabin sits was the burial ground of thousands of alleged witches, whose ashes have fertilized the soil and created ground rich with supernatural power.  When her dreams are haunted by visions of witches being burned and silenced, we learn of an incident from Veronica's past involving a famous director and possible abuse.  It's an incident that's scarred Veronica as much as her recent surgery.  But now, imbued with powers thanks to the the Highlands, Veronica finds herself able to confront the damage done to both mind and body. Intro, Debate Society, Hot for Teacher (spoiler-free): 00:00-29:52Honor Roll and Detention (spoiler-heavy): 29:53-1:01:52Superlatives (spoiler-heavier): 1:01:53-1:23:23 Director Charlotte ColbertScreenplay Charlotte Colbert & Kitty PercyFeaturing Jonathan Aris, Layla Burns, Kota Eberhardt, Olwen Fouéré. Rupert Everett, Alice Krige, Amy Manson, Malcolm McDowell Jerry J Sampson is a female horror screenwriter whose main thematic focus is on generational trauma and the effects of repression on the psyche. She has four feature scripts in various forms of production, including one feature supernatural horror optioned and filming in her hometown of Portland, Oregon. She is currently in pre-production on her directorial short film debut, In Dreams, working together with local crew and talent to create a truly haunting short that encapsulates the feeling of grief and loss through a lyrical and gorgeous narrative. In addition to her filmmaking pursuits, Jerry is also a film critic for such online publications as Ghouls Magazine, Rue Morgue, Moving Picture Film Club, and others, offering deep dives and editorials on current and classic horror films. She features on podcasts and panels, attends film festivals as both a creative and as press. Her collection of fiction The Scream & Other Dark Stories can be ordered here. Per her website, “She is here to offer a different voice in the horror sphere, always striving to prove the value of the horror genre as a means of catharsis and social commentary. The genre is so often overlooked, but she believes that through horror we, especially women, are able to safely explore the dark corners of the world, of our communities, of our homes.” Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from She Will by Clint Mansell. For more information on this film (including why the Professor chose it, on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

از منظر زیگموند فروید، "وظیفه سوگواری" بازیابی انرژی روانی است که در عزیز از دست رفته سرمایه گذاری کرده بودیم و این مهم با مرور هرچه بیشتر خاطرات و امیدهاییست که به او پیوند زده بودیم. اما مطالعات اخیر نشان می‌دهد که تسکین پس از مرگ عزیری از دست رفته نه از طریق مرور بیشتر خاطرات او، که با تضعیف هرچه بیشتر این خاطرات امکان‌پذیر است. در واقع برخلاف باورهای پیشین، خاطرات افراد و مکان‌ها ابژه‌های ذهنی در سرمان نیستند بلکه خوشه‌هایی از نورون‌های مار مانندند که در مسیرهای انشعابی در جای‌جای مغز ما ترتیب یافته‌اند. قدرت هر خاطره بستگی به اتصال نورون‌ها و پیوندش با انگاره‌ها و خاطرات دیگر دارد. هرچه خاطره‌ای چند وجهی‌تر باشد، راحتتر می‌توان نشان عصبی‌اش را یافت. گرچه نمی‌توانیم خاطره‌ای را حذف کنیم اما با فکر نکردن به آن می‌توان از گردش‌اش در ذهن خودآگاهمان جلوگیری کرد. برگرفته از کتاب "روی دیگر اندوه" اثر "جورج بوناتو" موسیقی متن My Immortal: Evanescens Together we will live forever: Clint Mansell

Become a Member for ad-free listening, video versions and exclusive content: https://benlionelscott.com/subscribe — Discipline and success come from relentless effort and grinding in solitude, not just when it's convenient or visible to others. Spoken by David Goggins, Andy Frisella, Chadd Wright, Tim Grover, Eric Thomas. You can see more of David Goggins at instagram.com/davidgoggins, Andy Frisella at instagram.com/andyfrisella, Chadd Wright at instagram.com/chadwright278, Tim Grover at instagram.com/attackathletics, Eric Thomas at instagram.com/etthehiphoppreacher. The music is Requiem for a Dream by Clint Mansell. You can see more of Clint Mansell at twitter.com/iamclintmansell.

Discipline and success come from relentless effort and grinding in solitude, not just when it's convenient or visible to others. Spoken by David Goggins, Andy Frisella, Chadd Wright, Tim Grover, Eric Thomas. You can see more of David Goggins at instagram.com/davidgoggins, Andy Frisella at instagram.com/andyfrisella, Chadd Wright at instagram.com/chadwright278, Tim Grover at instagram.com/attackathletics, Eric Thomas at instagram.com/etthehiphoppreacher. The music is Requiem for a Dream by Clint Mansell. You can see more of Clint Mansell at twitter.com/iamclintmansell.

Se nos termina la serie de comics menos esperada, y una de las mejores adaptaciones audiovisuales que hemos visto. Hacemos una RE: seña de la temporada cuatro de Doom Patrol, repasando también todo lo que nos provocó la serie a lo largo de toda su duración, con su tratamiento de la salud mental, las relaciones interpersonales, actuaciones y guiones maravillosas, y sobre todo, la completa falta de vergüenza de mostrar toda toda toda la falopa del material original. Y, hablando del material original, también reseñamos los primeros seis números de la etapa en el comic de la recientemente fallecida guionista Rachel Pollack, con Richard Case, Linda Medley, y otros. Esta, junto con la de Grant Morrison, fueron etapas esenciales para la adaptación televisiva. Con música del elenco de Doom Patrol (interpretando a Aliza and Talia Berger, Kevin Kiner and Clint Mansell), Tears For Fears, y X-Ray Spex. Próximo programa: X-Men 30º Aniversario.

Tracklist: 01 This Mortal Coil vs Massive Attack - Song To The Teardrop (Audioglider Mix) 02 Chicane - Saltwater (Slow Hearts Rework) 03 Jam & Spoon - Odyssey To Anyoona (Nick Lewis Elephants At Dawn Rework) 04 Dutch Force - Deadline {Bemannte & Bruder Unofficial Remix} 05 Kamilo Sanclemente & Juan Pablo Torrez -Kavala (It's a Fine Day Vocal Mix) 06 Grace - Not Over Yet (GrigorInterpretation Mix) 07 Moby - God Moving Over The Face Of The Waters (Mauro Augugliaro Remix) 08 Coldplay - Trouble (Lucho (AR) Unofficial Remix) 09 Underworld - Beautiful Burnout (Lautaro Varela Remix) 10 Gus F feat. Georgi Mottram - Belfast 11 Paul van Dyk - For An Angel (Dylan Deck Unofficial Remix) 12 Planet Funk - Chase The Sun (Savrun Brothers Rework) 13 Massive Attack - Teardrop (Dark Soul Project Ethereal Remix) 14 The Source Feat. Candi Staton - You Got The Love {Darkersound Unofficial Rework} 15 Motorcycle - As The Rush Comes (Space Motion Remix) 16 Rui Da Silva featuring Cassandra Fox - Touch Me (White Rhino & Ariel AB Remix) 17 Sasha - Xpander (Neil Browne's Unofficial Remix) 18 Olive - You're Not Alone (Franky Wah Remix) 19 Clint Mansell & Kronos Quartet - Lux Aeterna (Requiem For A Dream) (Bud Cahill Bootleg) 20 Coldplay - Fix You (EarthLife Remix) 21 Depeche Mode - Enjoy The Silence (Stratoverb Remix) 22 Way Out West - The Fall (Simos Tagias Remix) 23 Röyksopp - Eple (Polo AR Edit) 24 Atlantic Ocean - Waterfall (Bjorn Wolf Remake) 25 Inertia - The System (Mir Omar Remix) 26 BBE - Seven Days and One Week (Ornery Edit) 27 William Orbit - Adagio For Strings (VORA Remix) 28 4Strings - Take Me Away (Nomas Bootleg) 29 Three Drives On A Vinyl - Greece 2000 (Valerio Reali Reworked) 30 Kosheen - Hide U (Senses Of Mind Edit) 31 Valerie Broussard - Paint It Black (Space Motion & Fanatic Funk Remix) 32 Tiësto & Ava Max - The Motto (Focus FL Dark Dub Mix) 33 Moby - Move (You Make Me Feel) (Framewerk Rewerk Parts 1 & 2)

Bellhead - No Big Deal, The Penske File - Bad Dreams, FIZZ - Holes, Derision Cult - Deaf Blood (ACTORS Mix), Bob Vylan - Dream Big, Schkeuditzer Kreuz - Second Life, Vile Evils - Demon (ft. Clint Mansell), Featured - Medusa, Burton C Bell, Big Paul Ferguson & MGT - Du Hast, October Burns Black - Black Shimmer (Simon Rippin Remix), Still Patient? - Looking Glass, Dead Souls Rising - Sin, 2 Forks - Take It, Plasmatics - Dream Lover

Episode #296 of BGMania: A Video Game Music Podcast. This week on the show, Bryan and Bedroth from RPGera reach for the cosmos and take an intergalactic trip across the universe! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak & Xancu. EPISODE PLAYLIST AND CREDITS Across the Universe from Grand Cross: Renovation [Fumihito Uekusa, 2022] 14.3 Billion Years -Credits- from Outer Wilds [Andrew Prahlow, 2019] Milky Way from FTL: Faster Than Light [Ben Prunty, 2012] Stardust -Level 4- from Neon Drive [Pengus, 2015] Shi'ar Empire from X-Men [Fletcher Beasley, 1993] Level 1 from Silver Surfer [Tim Follin & Geoff Follin, 1990] Game Complete from Green Lantern [Dean Evans, Unreleased] Planet X -Title Theme- from Godzilla: Monster of Monsters! [Masatomo Miyamoto, 1988] Moon Base from Star Ocean: Till the End of Time [Motoi Sakuraba, 2003] Supermoon from No Man's Sky [65daysofstatic, 2016] Demantoid's World from Steven Universe: Unleash the Light [Aivi Tran & Steven Velema, 2019] Galaxy Man Stage from Mega Man 9 [Yu Shimoda, 2008] On Top of the Universe from Steamworld Heist [Steam Powered Giraffe, 2015] Leaving Earth from Mass Effect 3 [Clint Mansell, 2012] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast The Movie Bar --- Send in a voice message: https://podcasters.spotify.com/pod/show/bgmania/message

As promised, we have a bonus episode of Soundtracking for you this week, as the brilliant Charlie Brooker joins me to discuss the inimitable Black Mirror. All 6 episodes of the new season are available to watch on Netflix now, and do not disappoint. Music is a central part of the show, from the needle drops to the composers he's employed, including friends of the show Daniel Pemberton, Max Richter & Clint Mansell.

Y seguimos con nuestra particular celebración del trigésimo aniversario de Vertigo, pero esta vez con un versus. Enfrentamos dos obras que, pese a compartir guionista y dibujante, no pueden ser más distintas. Desde dos momentos bien diferenciados de la historia Vertigo nos llegan Flex Mentallo (1996) y We3 (2004), ambas de Grant Morrison y Frank Quitely. Cualquier cosa que haga este dúo de escoceses es una delicia, pero ¿con cuál nos quedaremos? Un click al play y lo vamos averiguando. Sabed, oh-yentes, que entre los años del hundimiento de Atlantis y sus brillantes ciudades, tragadas por los océanos, y los años del nacimiento de los hijos de Aryas, hubo una edad no soñada donde podía escucharse el podcast 292 de ELHDT. Selección musical: 🎶 We Three, de Little Beaver 🎶 Doom Patrol S1 Official Soundtrack _ End Credits, de Clint Mansell y Kevin Kiner

Become a Member for ad-free listening, video versions and exclusive content: https://benlionelscott.com/subscribe — This episode is spoken by John Maxwell, Eric Thomas, Steve Harvey, Les Brown. You can see more of John Maxwell at twitter.com/JohnCMaxwell, Eric Thomas at instagram.com/etthehiphoppreacher, Steve Harvey at instagram.com/iamsteveharveytv, Les Brown at instagram.com/thelesbrown. The music is Lux Aeterna (BLS edit) by Clint Mansell. You can see more of Clint Mansell at twitter.com/iamclintmansell.

This episode is spoken by John Maxwell, Eric Thomas, Steve Harvey, Les Brown. You can see more of John Maxwell at twitter.com/JohnCMaxwell, Eric Thomas at instagram.com/etthehiphoppreacher, Steve Harvey at instagram.com/iamsteveharveytv, Les Brown at instagram.com/thelesbrown. The music is Lux Aeterna (BLS edit) by Clint Mansell. You can see more of Clint Mansell at twitter.com/iamclintmansell.

How many Sam Rockwells is too many Sam Rockwells? Joining us this week to talk Duncan Jones's MOON and answer that question is returning guest, YELLOWSTONE and TWILIGHT ZONE actor, Jefferson White! **Trick question. There can never be too many Sam Rockwells.References:Special FeaturesCommentaryThe Making of MoonCreating the Visual EffectsScience Center Q&A with Director Duncan JonesVariety reports on Sony Landing Moon RightsVariety reports on UK Co-Productions at SundanceThe Independent on MoonSyFy Moon Making OfDuncan Jones & Sam Rockwell Interview with SundanceDuncan Jones & Sam Rockwell Interview with The GuardianDuncan Jones & Clint Mansell 10th Anniversary PanelDuncan Jones Interview with Den of Geek Moon Crew Q&A with the Production and Costume Designers, DP, and GaffersCredits:Eye of the Duck is created, hosted, and produced, by Dom Nero and Adam Volerich.This episode was edited by Erik Gunnarsson.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich, you can purchase her work at francescavolerich.com/shopFollow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our latest guest on Soundtracking is Ben Caron a director who cut his teeth on TV shows such as The Crown and Andor, and has now directed his first film for Apple TV. It's called Sharper, and it is a twisty-turny tale where nothing is quite as it seems, which stars Julianne Moore, Sebastian Stan and John Lythgow, and is scored by our old friend Clint Mansell.

Our latest guest on Soundtracking is someone we've been wanting to get on for a long time - not least because of his collaborations with friend of the show, Clint Mansell. Darren Aronofsky is a truly original and radical filmmaker, whose latest movie The Whale has seen Brendan Fraser receive widespread acclaim as a reclusive English teacher who is eating himself to death. The Whale is beautifully scored by Rob Simonsen - who has served up a haunting take on the nautical themes that underpin the movie.

The HBO Max series, Peacemaker, the spin-off from director James Gunn's The Suicide Squad has become a massive hit for the streaming service, and not a small amount of its popularity comes from its deft use of music. However, while much as been made of the series' use of under-the-radar or forgotten rock 'n' roll and hair metal, composer Kevin Kiner's work on the series, alongside Clint Mansell, helps set the tone for a show which is by turns outrageous, violent, and surprisingly introspective and thoughtful. Ahead of the Peacemaker series finale, we spoke with Kiner about his work on the series, as well as his past compositions for the Star Wars and DC universes.

Personal stories of inspiration from professional composers, songwriters and musicians.Guest host Charlotte Hatherley chats with composer Carly Paradis about touring with Clint Mansell and Nick Cave & The Bad Seeds, before going back in time to Carly's musical beginnings.Subscribe now via The Music Room website to have new episodes magically appear in your podcast app!Host: Charlotte Hatherley LinksFor news, stories and advice, as well as stuff going on in the Music Room community, subscribe to the Music Room newsletter Music story: Send your music story (text): hello@thesoundboutique.comSend your music story (audio) The Music Room: Charlotte HatherleyCarly Paradis - IMDbCarly on InstagramCarly on FacebookCarly's website

3,1415926535897932384626433832795028841971(...) en zo verder tot een oneindig lang getal. Geen enkele filmmaker geeft zijn film een naam die nooit ophoudt, zelfs een jonge Darren Aronofsky niet. Dus werd het toch maar die wiskundige notering: π, oftewel Pi (1998). Het is het verhaal van de geniale wiskundige Max, een kluizenaar die last heeft van clusterhoofdpijnen, immense paranoïa en hallucinaties. Hij probeert patronen te vinden, waarmee hij de beurs kan voorspellen. Als zijn zelfgebouwde computer een 216-cijferig getal begint uit te spuwen, met mogelijk een veel diepere betekenis, daalt hij steeds verder af in obsessie. En waanzin? Het cliché van de gestoorde genie gaat er niet meer zo goed in bij wiskundige Pepijn van Erp, die ook bestuurslid is bij Stichting Skepsis. Hij prikt graag gaten in bizarre theorieën van pseudowetenschappers en andere mafkezen die een veel grotere claim op de waarheid leggen dan redelijk is. Enkele dagen voor het Skepsiscongres in Amersfoort (19 nov.) werpt hij ook graag zijn sceptische blik op Pi. En op het getal π zelf! We hebben het ook over de getalmatige willekeurigheid in de decimalen van pi, de vraag wat tau dan eigenlijk is, en over het plezier van het kijken naar enorm slechte films. Steun Duimpjeworstelen op Patreon! En ontvang leuke extraatjes ^_^ Links: Stichting Skepsis: https://skepsis.nl/  Het Skepsiscongres: https://skepsis.nl/congres2022/  Pepijn van Erps persoonlijke blog over Ruggero Santilli: https://www.pepijnvanerp.nl/2016/02/florida-genius-now-sees-invisible-entities/  'Hoe een simpel blogje over een ‘mad professor' leidde tot een slepende smaadzaak' in de Volkskrant: https://www.volkskrant.nl/cultuur-media/hoe-een-simpel-blogje-over-een-mad-professor-leidde-tot-een-slepende-smaadzaak~b83c231e/  Africa Addio op Youtube: https://www.youtube.com/watch?v=_Fm464VmtPc  Het Tau Manifest: https://tauday.com/tau-manifesto  Extra links: Numberphile over pi: https://www.youtube.com/watch?v=yJ-HwrOpIps  En Numberphile over tau vs. pi: https://www.youtube.com/watch?v=ZPv1UV0rD8U  Towel Day Nijmegen op Facebook: https://www.facebook.com/groups/171879006297035/ 

Hosts Erin and Jacob toss all of the lyrics aside and talk about their favorite Instrument Songs! Some make you dance, some take you on a journey, and are so popular you can recognize them by just a few notes. A few of these instrumental songs bring up some memories such as Erin's past life as a fan site owner and a long lost pilot episode. Artists mentioned: The XX, Darude, Delphic, Deadmau5, Clint Mansell, Bond, Benjamin Wallfisch, Jeremy Soule, Casa del Mirto, Inon Zur Do you have a favorite instrumental song? Let us know! Talk to us on Twitter or Instagram at @hitsdontliepod, get in touch by emailing hitsdontliepod@gmail.com, or leave a voice message by going to anchor.fm/hits-dont-lie. All of the places you can find Hits Don't Lie: https://linktr.ee/hitsdontlie Listen to the playlist from today's episode on Spotify: S2 Ep.12 - Best Instrumental Songs Artwork created by @jungaehyuk on Instagram. Intro music is Island by extenz | https://soundcloud.com/extenze | Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US

We love the episodes of Soundtracking where we speak to both the director of the film and their composer, which is exactly what we're doing today Charlotte Colbert and Clint Mansell have combined to great effect on She Will, Charlotte's unsettling little gem of a movie in which an ageing film star heads to retreat in the Scottish countryside and encounters mysterious forces emerging from the land ... 

Clint Mansell presents his soundtrack to the film She Will. Directed by Charlotte Colbert, the film explores the story of Veronica Ghent (Alice Krige) who after a double mastectomy, goes to a healing retreat in rural Scotland with her young nurse Desi (Kota Eberhardt). She discovers that the process of such surgery opens up questions about her very existence, leading her to start to question and confront past traumas. The two develop an unlikely bond as mysterious forces give Veronica the power to enact revenge within her dreams.Purchase the music (without talk) at:She Will (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katlyn Morahan from Morahan Arts and Media. https://khedgecock.podomatic.com/rss2.xml 

On an all new episode of the Boo Crew you are spending time with the WONDERFUL charismatic and stunning storyteller, Alice Krige! She is an actor who is constantly giving us amazing characters, bringing the most fascinating prose to life in everything she does from Star Trek to Oz Perkins' GRETEL AND HANSEL and a MASTER performance in the role of Holda. For this conversation, we step in to the world of her new film SHE WILL, at time of release in theaters and VOD now! An immersive visual FEAST crafted by Charlotte Colbert, scored by Clint Mansell and executive produced by Dario Argento. It's a tale of witches, revenge connection and poetry. Sit back and enjoy Episode 333 with Alice Krige, now slaying! See acast.com/privacy for privacy and opt-out information.

What happens when a writer is stuck at home for three months? He writes an eight episode mini-series about a character from a movie he just made, who himself is an obscure comics character (mostly known for inspiring another character). John Cena's helmet wearing Peacemaker takes center stage in this DC based streaming series. Music and audio from "Peacemaker" is the property of Clint Mansell, Kevin Kliner, James Gunn, Lars Winther, John H. Starke, John Rickard, The Safran Company, Troll Court Entertainment, and Warner Bros. Television. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

Composer Kevin Kiner has scored more Star Wars music than John Williams, having worked with George Lucas and Dave Filoni for over a decade. The Hawaii-based composer reflects on his work on various Star Wars projects, scoring viral Netflix documentary, Making A Murderer, and most recently, the brand new HBO show, Peacemaker – James Gunn's The Suicide Squad spinoff show. He explains his unconventional approach to scoring the show with Clint Mansell, and why Neve preamps are at the heart of his studio workflow.

Artists are known far and wide as being unintentional narcissists. To be fair, I include myself in this definition, as I'm a creative as well. When I heard I was going to be interviewing Jason Blake from Aziola Cry, I was worried because I loved the music so much that I feared all I would do is make it clear that if their drummer ever died in a bizarre gardening accident, that I'd be the perfect fit to replace him.Fortunately, Jason laughed that stuff off and kept me on point as an interviewer. The beauty of this particular interview is that we got to talk about all sorts of things that make guys like us tick, yet the conversation stayed attainable enough for the musical newbie to enjoy what Jason and his bandmates have to offer.the new album, the Ironic Divide, is available now and worth every red cent you can throw at it. As you're my faithful listeners, I implore you to purchase it today. The links to the band's social media and record label are included in the notes below. Thanks for letting me ramble a little extra today and please enjoy my chat with the master of the Warr Guitar, Jason Blake of Aziola Cry, on the Rockstar Superhero Podcast.Time Codes:1:50 Why did it take so long to release the music?3:00 Personal lives and promotion7:25 Playing the WARR guitar and the esoteric nature8:00 Piano, Bass, and the move away from jazz12:45 The personality of a curious musician17:15 Wanting the music for yourself21:00 Listening to soundtracks and the character of music26:00 Danny Elfman and Clint Mansell and the modern soundtrack33:00 Finding a unique voice in an overwrought landscape37:50 Ghost Conversations and the singular sound42:40 Abandoning catchy hooks47:00 Stu Hamm and the power of tone51:00 Goofy titles don't really mean much to Jason56:00 The Texas Sharpshooter Theory1:01:00 Malleability and suiting the moment1:05:30 The introspective grapple1:10:00 The critical and fan reception1:13:40 The feeling of being blown away1:18:00 The things we wish we could take back1:22:00 Things seem to go Jason's wayWhere to get the new album, along with all the links that matterhttps://www.aziolacry.comhttps://www.instagram.com/aziolacryhttps://www.facebook.com/aziolacrymusichttps://twitter.com/aziolacryhttp://www.lasersedgegroup.comhttps://lasersedge.bandcamp.comhttp://www.facebook.com/TheLasersEdgehttp://www.twitter.com/thelasersedgeSubscribe to both shows here: https://bit.ly/3airCvhWanna be on the show? Go here: https://calendly.com/rockstarsuperheroinstituteThe Rockstar Superhero Podcast examines the personal lives and creative careers of your favorite classic rock artists. We are obsessed with understanding the inner workings of the music business and all that it takes to remain in the public eye for as long as possible. Join us as we pursue conversations with legends and legends in the making.The Rockstar Superhero Radicals podcast was created to connect you directly to people, professional and private, who have lived lives worth discussing and offer solutions to our listeners, one heart at a time. If you are seeking truth and purpose beyond yourself, the Radicals podcast is for you.Copyright 2021 Rockstar Superhero Podcast - All Rights ReservedBecome a supporter of this podcast: https://www.spreaker.com/podcast/rockstar-superhero--4792050/support.

With Mass Effect: Legendary Edition now available, we're revisiting the original Mass Effect trilogy in this episode, a defining HD-era series of games. What impact did it have on the RPG genre, for better or worse? What happened to BioWare in the years afterwards? And what future does the series have, if any?This week's music is from the Mass Effect 2 soundtrack by Jack Wall and the Mass Effect 3 soundtrack by Clint Mansell and Sam Hulick.

تاریخ انتشار: 10 فروردین 1400 کارل یونگ استاد ذهن ناخودآگاه انسانه و تو این کتاب درس های بسیار جالبی درباره تیکه های ناشناخته روانمون میگه. ما اینجاها فعالیم: اینستاگرام – تلگرام – وبسایت حمایت مالی از خوره کتاب گوینده و نویسنده: شیماتدوینگر: هاتفموسیقی متن: ترک بی‌کلام Dead Reckoning از Clint Mansell کاری از خوره کتاب … معرفی کتاب خود ناشناخته نوشته کارل یونگ ادامه » The post معرفی کتاب خود ناشناخته نوشته کارل یونگ appeared first on خوره کتاب.

Become a Member for ad-free listening, video versions and exclusive content: https://benlionelscott.com/subscribe — This episode is spoken by Ray Lewis, Eric Thomas. The music is Lux Aeterna by Clint Mansell. You can see more of Clint Mansell at bit.ly/ClintMansell1.

Violeta Vicci is a multifaceted, contemporary artist and musician. Of Catalan - Swiss descent, based in London, she feels comfortable genre-crossing from Classical to Improvisation, Ethno Avantgarde, Ambient, Multilayered Electronics, her influences ranging from traditional to pop. Since starting the violin at the age of four, and giving her concert debut aged fifteen, she pursued studies at the Royal Academy of Music in London. Her collaborations include Thom Yorke, Elbow, Clint Mansell, Jonsi (Sigur Rós) and Steeleye Span amongst others . Her debut album AUTOVIA, produced by Youth (aka Martin Glover) on Painted Word Records, is an album of exclusively self-penned compositions, bridging the gap between the acoustic and electronic worlds. Her second solo album for violin, viola and solo voice, “Mirror Images”, to be released with Aldilà Records in March 2021, is one of intimate expression and raw nature, a journey of exploration through the listening experience, a concept album of spellbinding dramatic art.   YouTube : youtube.com/user/violetabw Instagram : instagram.com/violetavicci Facebook : Facebook.com/violetavicci You can watch Violeta's innovative “Live Music in Nature” series here: violetavicci.com/watch

Matt Emery meets composer extraordinaire Carly Paradis in her studio to chat about her new album Nothing Is Something and collaborations with the likes of Douglas Dare, London Contemporary Orchestra, EERA, Jonas Bjerre and Polar Bear. We also discuss performing at The Royal Albert Hall, working with Michael Stein and Clint Mansell, her soundtrack work for Line Of Duty, The Innocents and Much More.  

  I use a fair amount of film music in my mixes and have done mixes of all soundtrack tunes but I have never made a best of the year mix for film scores. Until now. There were no blow my mind scores, like Arrival or Solaris, this year but there was a lot of excellent music to choose from for this mix.   As an ambient guy, I lean towards more atmospheric film scores. I'm not at all interested in the soundtrack for the new Star Wars film or Avengers Endgame. So in my list of 2019 favs there are the usual suspects - Clint Mansell, Max Richter, Cliff Martinez & Johann Johannsson. Along with great music from folks like Hildur Guðnadóttir, Peter Gregson, Stuart A. Staples, Daniel Hart, and Adam Bryanbaum Wiltzie.   One of my favorite film music discoveries of the year is William Ryan Fritch. In addition to the monumental collection of film music, Deceptive Cadence: Music For Film Volume I & II, he released two more film scores in November - Artifishal & Exit 12 which I knew I had to include because they are both excellent. All three recordings are available on Lost Tribe Sound - https://losttribesound.bandcamp.com/   Sometimes I start a mix with high expectations but with this one, I was just trying to cobble together enough tracks to make a mix worth uploading. But I've been listening to this mix for a week and I'm very happy with how it turned out. It flows really well is an engaging listen.   Up next Best Film Scores of the Decade.   Cheers!   T R A C K L I S T : 00:00    William Ryan Fritch - Canary in the Coal Mine (Artifishal) 01:35    Ben Salisbury And Geoff Barrow - Amy Follows Luce (Luce) 03:45    Bryce Dessner - The Homecoming (The Kitchen) 05:19    Guðnadóttir, Hoedemaekers, Jóhannsson - Secret Rendevous (Trapped) 07:21    Max Richter - A Trip to the Moon (Ad Astra) 11:24    Paul Haslinger - The Connection (Halt & Catch Fire vol. 2) 13:15    Peter Gregson - Sequence Four (Mari) 17:24    Daniel Hart - John Beckers (Over Water) 21:00    Richard Thompson - The Cold Blue (The Cold Blue) 24:00    Cliff Martinez - I'm Not Going to Hurt You (Too Old to Die Young) 25:42    M83 - End Credits (Knife + Heart) 27:49    Hildur Guðnadóttir - Vichnaya Pamyat (Chernobyl) 31:30    William Ryan Fritch - Vietnam (Exit 12) 34:23    Clint Mansell - Timeslip (Out of Blue) 38:27    Johann Johannsson - Playing With Ball (White Black Boy) 40:16    Stuart A. Staples - Grow Baby, Grow (High Life) 40:51    Daniel Hart - A Beacon of Honesty and Hopefulness (Over Water) 41:51    Cliff Martinez - Jesus and the Snake (Too Old to Die Young) 44:37    Max Richter - Erbarme Dich (Ad Astra) 47:35    Paul Leonard-Morgan - Assessments (Amateurs in Space) 49:29    Rob Simonsen - On Her Trail (Fast Color) 51:03    Paul Haslinger - Venture Capital (Halt & Catch Fire vol. 2) 52:27    Stuart A. Staples - Main Title (High Life) 53:42    Adam Bryanbaum Wiltzie - Bridget's Theme (American Woman) 55:00    Daniel Hart - Anna Elizabeth Shaw (Light Of My Life) 56:36    Peter Gregson - I Want You To Move Out (Adolescence) 58:11    Hildur Guðnadóttir - 12 Hours Before (Chernobyl) 60:13    PJ Harvey - Waltz (All About Eve) 62:55    Johann Johannsson - Intro (White Black Boy) 64:24    William Ryan Fritch - Life Cycle (Artifishal) 65:58    end        

Royal Television Society nominated Carly Paradis is a film and TV composer, songwriter and pianist, whose credits include the BBC series LINE OF DUTY, Sky Atlantic's SICK NOTE and PBS Masterpiece/ITV's PRIME SUSPECT 1973. Her music has also been used in trailers for True Detective, Homeland and Martin Scorsese's Hugo. She tours live with Clint Mansell and she played piano on Mansell's soundtrack to MOON and recently, she wrote the original score for the Netflix original series THE INNOCENTS which won her a Hollywood Music in Media Award for best song in a TV show or miniseries in November 2018.THE INNOCENTS tells the story of teenagers Harry and June, who run away from their repressive families to be together and are derailed by an extraordinary discovery - June's ability to shape-shift. As the star-crossed lovers struggle to control this strange new power, a mysterious professor reveals that June is not alone: there are more shifters out there like her. Created and written by Hania Elkington and Simon Duric, who also executive produce, The Innocents stars Sorcha Groundsell as June, Percelle Ascott as Harry and Guy Pearce as Halvorson. In this episode, Carly Paradis talks about working with the London Contemporary Orchestra and how her score touches on the series' many themes of: love, family and identity. The London-based composer shares how she drew upon her own experience in Going from child to adult to write music to represent the series' lead character. She also reveals some of the musical details behind some of the most dramatically intense moments of the series and score. Finally, Carly Paradis shares how the deeply personal and powerful song, "The Innocents," sung by the Norwegian artist "EERA." evolved into a last minute powerhouse and came to represent the core essence of the 8 episode season.ANNOTATED TRACKS / SEGMENTS02:40 - The Last Letter I'll Ever Leave You05:25 - The Innocents (Opening Theme)06:33 - Check Upstairs07:27 - June, It's Time to Get Up07:55 - First Shift08:14 - Turquoise Nails09:25 - The Innocents (feat. EERA and the London Contemporary Orchestra)OTHER TRACKS01:37 - Love is Your TriggerNOTESCarly Paradis will be performing a suite of The Innocents music at the BBC Proms sci-fi concert at Royal Albert Hall with London Contemporary Orchestra and EERA (August 7th 2019).SOUNDTRACKThe Innocents score is not available commercially, but 'The Innocents' (Feat. EERA and London Contemporary Orchestra) will be released on Carly's upcoming 3rd solo album 'Nothing is Something' late summer/early fall 2019.MORE ABOUT THE COMPOSERYou can find out more about and hear more music by Carly Paradis at his official site https://www.carlyparadis.com/ or follow her on twitter @carlyparadis ABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorInstagram @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed

On this SURPRISINGLY LATE episode of Eric Roberts is the Man, we welcome writer and podcaster Brendan Foley to JOIN US in celebrating two more Eric Roberts CLASSICS! First we look at a Season 3 episode of THE L WORD with absolutely no context, and you can hear us struggle to understand the seemingly dozens of plotlines and characters, including Pam Grier getting pregnant! APPARENTLY! Also, Eric Roberts is there. Then we look at the 2002 thriller WRONG NUMBER where ER is murdered again and again, RASHOMON-style, and then the whole thing ends in one of the most ridiculous TWISTS in the history of cinema! TIME TO LISTEN. As always, check out ERIC ROBERTS IS THE MAN on Twitter, or come chat ER (or anything else) on our Facebook group. Don't forget to head over to iTunes to subscribe and rate the show. If you like it.. tell a friend! Our theme song is (unofficially) officially endorsed by ERIC ROBERTS! Our guest this episode is the terrific Brendan Foley! Check out his podcast BLACK SUN DISPATCHES on Cinepunx.com right here. You can also find Brendan's writing at cinapse.co, and follow him on Twitter @TheTrueBrendanF Music on this episode: Break #1 – “Come To My Windows” by Melissa Ethridge Break #2 – “867-5309/Jenny” by Tommy Tutone Break #3 – “Death is the Road to Awe” by Clint Mansell The post Episode 58: The L Word Season 3, Episode 12 & Wrong Number (2002) (/w Brendan Foley) appeared first on Eric Roberts is the Man.

Episode 77 of The DFC is brought to you by www.twoheadeddog.com TG dives into his box of vinyl delights with selections from: The STS PHONO CO, ALESSANDRO ALESSANDRONI, LALO SCHIFRIN, CLINT MANSELL, MAINE and a whole lot more! Created by Tony Giles & Scott Johannsson DFN Ident by Repeated Viewing DFC Logo by Dan Cullinan Mar '17

Episode 75 of The DFC is brought to you by www.twoheadeddog.com TG dives into his box of vinyl delights with selections from: DATA DISCS, LALO SCHIFRIN, GET OUT, JUPITER C, CLINT MANSELL and more + Ryan from TERROR VISION stops by to chat about the masterpiece that is KILLING SPREE. Created by Tony Giles & Scott Johannsson DFN Ident by Repeated Viewing DFC Logo by Dan Cullinan Mar '17

Damn Fine Focus Episode 16. Tony moves into the High Rise for an inside look at Clint Mansell's outstanding score. www.silvascreen.com Hosted by Tony Giles July 6th 2016