Podcast appearances and mentions of charlotte austin

During our season break, things have shifted in the entertainment industry. The WGA strike has continued, and SAG-AFTRA has joined them on the picket line in the fight for a fair deal with the AMPTP. In this special episode, I'm joined by four WGA members, Elyse Morales, George Ghanem, Kyle Lau, and Charlotte Austin Johnson.  We talk about how each of them became working writers and members of the WGA, their personal experiences in the industry and what they're fighting for while on strike, and the moments in media that inspired them to become writers in the first place.  Donate to The Entertainment Community Fund, and find out how to join the picket line: https://www.wgacontract2023.org/take-action/stand-with-writers Sign up for my newsletter at our website, tandonproductions.com, and let me know what you thought of the episode by finding me on Twitter, Instagram, and Tik Tok @marissakumari.  Interested in being a guest on You Are What You Love? Submit a request via the form on this page.  Join our Discord server to connect with other listeners, chat with Marissa, and find out about watch parties! https://discord.gg/VNtVCMDxEK 

Director Howard Koch brings us FRANKENSTEIN 1970, confusingly released in 1958! Boris Karloff returns to the story that turned him into a star -- but this time, as the titular doctor! The film also stars Tom Duggan, Jana Lund, Don Barry, Charlotte Austin, Mike Lane and Rudolph Anders. Context setting 00:00; Synopsis 25:53; Discussion 43:48; Ranking 1:04:34

This week, your deadicated hosts cover an Ed Wood picture not made by Ed Wood... it's THE BRIDE AND THE BEAST (1958) from director Adrian Weiss, his one and only film! This wild and weird flick stars Charlotte Austin, Lance Fuller, and Steve Calvert as the beast in a suit from Ray "Crash" Corrigan. Context setting 00:00; Synopsis 15:15; Discussion 32:06; Ranking 46:58

Jim discusses an Allied Artists cult classic from 1958, "Frankenstein 1970," starring Boris Karloff, Jana Lund, Charlotte Austin, Don "Red" Barry, Tom Duggan, Rudolph Anders and Mike Lane. A film crew shooting a movie about the original Dr. Frankenstein in the castle inhabited by his great-great grandson experiences some strange happenings - people are mysteriously disappearing. And just what is Baron von Frankenstein working on in his secret lab? Find out on this week's episode of "Monster Attack!"

From producer Sam Katzman and screenwriter Bernard Gordon comes THE MAN WHO TURNED TO STONE (1957, Kardos)! Starring Victor Jory, Ann Doran, Charlotte Austin, William Hudson and Paul Cavanagh, the film's villains target the most vulnerable among us, with Friedrich von Ledebur as the mute threatening monster! Context setting 00:00; Synopsis 11:22; Discussion 29:28; Ranking 51:35

While Stuart takes a well deserved holiday, Paul, Laura Samantha and host John, are joined by Charlotte Austin as they discuss the exam results fiasco.

Charlotte talks to us about the importance of work in socialism.

In this episode, you'll hear from Charlotte Austin, our lead operations assistant and a former client of both NLEN and Sweet Beginnings. Charlotte shares how she created a sweet beginning for herself when she returned home after twenty years in prison and decided she wanted to do something positive with her life. Charlotte now works with and inspires other clients coming through our program on a daily basis. You'll learn how NLEN and Sweet Beginnings played a role in Charlotte's journey, why it's so important that we employ staff like Charlotte who have the lived experience of incarceration, and how she helps our transitional workers turn their lives around.

Belly of the Beast Life Stories is a firsthand history of real life transformations. Please subscribe, rate and write a fair review about this podcast so other heroes can find it, too. Season 2: For Love of My Child are true stories of a parent’s transformation when faced with acute challenges, chronic ills, and early endings of their child or children. Charlotte Austin-Jordan’s story is both unimaginable and remarkable. The day after Mother’s Day in 1988, her only daughter, Ja’Mee, was innocently murdered by five gang members at the age of 13. Then again in 1996, Charlotte’s 25 year-old son Corey was also killed by gang members who thought his blue work uniform represented a rival gang’s colors. Indeed Charlotte was dealt poison but made medicine going on a mission to first ensure that Ja’Mee’s killers met justice, then working through all levels of government to change criminal justice laws, notably being the catalyst and driver for the Victim’s Impact Statement which humanizes a victim at sentencing and California’s Three-Strikes Law. Charlotte has been a beacon of hope and love for her community, providing direct support and care to mothers who had lost children due to homicide; and hundreds of children consider her their mother, too. Charlotte addressed the root of the problem by creating a jobs programs for young at-risk youth to get off the streets and find meaningful work in the community. See “Guest Resources” to get in touch with Charlotte directly. And look, if you are moved by this episode, please subscribe, rate and write a fair review about this podcast so other heroes can find it, too. Share it with two friends. And visit inourbelly.com to listen to more stories for free and to share your story with us. Be the first to grab our newest podcast, Beyond the Belly, which unpacks wisdom in the patterns of transformation. Listen for free at http://inourbelly.com/beyond   EPISODE SUMMARY Our story begins in Los Angeles in 1988 Charlotte was a single mom to five children; four boys and one daughter Charlotte worked hard to make sure the family had dinner together every Sunday and maintaining a strong foundation for them as a single mom It was the day after Mother's Day in 1988 when Ja'Mee was killed Charlotte was preparing food for her youngest children when she heard multiple gunshots Physically she felt something drop from her - she believes it was Ja’Mee’s life leaving her body Ja'Mee and her friend Nikki had been killed by 5 gang members who had thought the two girls were the sister of a rival drug dealer that had duped them earlier Ja’Mee was hit 15 times with bullets including one through her head At the time, “drive by shootings” wasn’t a legal offense so the five murderers were being charged under a lesser misdemeanor crime that had a likely sentence of 18-months The death of Ja’Mee triggered a series of changes including having to find new homes for her foster children, fearing black men in her community, and losing her job; Charlotte’s life became a mission to represent her daughter and get justice In 1996, her son Corey was killed by gang members that thought he was wearing rival gang colors; Corey was wearing his work uniform In court, Charlotte’s daughter was referred to not by her name, but as her ‘toe tag’ which is assigned in the morgue; there was also no ‘victims impact statement’ where Charlotte could tell the jury who her daughter was, what her dreams were Charlotte is the catalyst and driver of several major criminal justice laws that are common today, including: Victims Impact Statement and Three Strikes Law Through loss she gained so much from the community - but she still misses her babies   QUOTABLES “So I built a strong foundation for [my children], even though I was single, you know.   “I got up and I went to the stove and I started preparing, warming up the meal that I had already prepared for the babies. And I heard all of this gunfire. And while I was standing at the stove, it was like a really strange feeling, like I had dropped something. And I always say it was her soul. It was like something fell for me. And I started looking for it to see what that was. at the funeral home, they said Ja'Mee had defensive wounds, and I didn't know what that was. They needed gloves. And the defensive wounds just because she saw them, and she put her hands up for protection. But that day was a horrible, horrible day for me. My only daughter. I had dreams, I was preparing for her to be a young woman, 18, the debutante balls, the classes, wanting her to be groomed, all of those things, and the life that I did not experience, I wanted to help her to be able to experience those things. And they cheated me. They cheated me. You know, it's 30 years, and it gets better, but it doesn't go away. I still miss my daughter.”   “Laws, we did not have any laws on the books that talked about drive-by shooting, not even assault rifles. They purchased those assault rifles earlier that day, fully armed and ready with ammunition to fire, and that was not... there was nothing in place to stop anyone from walking in to a hardware store that sold... or a surplus store that sold ammunition and guns to buy them, fully loaded and ready to go. The law... I think they were prosecuted under a... It was a misdemeanor, which that meant they would get 18 months for a murder as a drive-by. Carjacking. No, we didn't... We had horse stealing laws, if you stole somebody's horse, but they had any... they, stealing the car, but not shooting people from a moving car. That wasn't even a law.”   “I was paralyzed when I go in the house at eight o'clock at night. But I knew I had to do something to change the situation. Not... my children were gone, but I needed to protect the other children.”   “In court, we're going to court, and they're trying to call her by her toe tag, which is the day you were murdered, the month you were murdered, the day you were murdered and the time. That's not her name. She had a name. She had a family. She had people who loved her. I was not able to speak to the jurors before they did a verdict to tell them. We changed it to speak before the jurors before this... they go out for deliberation. But I was able to do it when my son died.  There is no Martin Luther King. There is no Captain Save-a-Person. There's only me.”   “That's why I was talking to Governor Wilson about the Three Strikes Law. We're like, playing baseball here. If my kid can make it to home plate, we got a home run, but you got criminals on every base. We need to take them off those bases to give our kids a clean shot at getting home safe.”   “It was times where I felt very depressed. I didn't want to be here anymore, but I had other children, and I had other things, and I had to focus on those things. And I took that poison that they gave me. And I used it for the betterment or medicine for my community. Holding rallies, bringing food to people, mothers on drugs, talking to them in the comfort of their home and helping them get off of those drugs. Going to AA meetings with them, talking to the young men in my community, showing them there is a better path. Giving people jobs, you know, not just sitting around talking about it, but be about it, 'bout it, be about it, 'bout it. Doing what I am supposed to do to help. Not myself. It's about others.”   “If you can get in a car and drive there, it's one community. We have to build a strong community and it takes a commitment from all of us.”   “It's kind of a double edged thing. Yes, I lost. I... that was my own child. And that was the most precious gift God could have gave me. But guess what? When I opened my school and I opened my community center and I opened up my house, I got that back. Chris Darden says, "That damn Charlotte, wants to be everybody's mom." You know, I got two hundred children, 200 girls that I deal with daily. Right? That I can pass those etiquettes to, those, how to dress, the fun things that Moms do. And that's how I treat them, like I'm their Mom. The boys, the same way. I lost Corey, but I gained hundreds of boys. And I don't feel like I was cheated out of the fact that those were my children. God gave them to me. And no one should have harmed them. But I also take great satisfaction in the fact that I was able, or am able to love many other children.”   “I am a servant first and foremost. And if I can help, that's what I do. I'm not a chicken, I don't run. Somebody told me I was a firefighter. You know, a firefighter runs to the fire, and everybody else run out, but I run towards the fire, whatever the issue is, whether... I'm heading straight to confront it.”   TRANSCRIPT AVAILABLE  https://inourbelly.com/season-2/charlotte-austin-jordan/ GUEST RESOURCES Charlotte has asked that I share her contact directly in case you have lost a child and would like to talk about it. She is also available to publicly speak at your events. Reach her directly at:  - (323) 303-7574 and  charlotteaustin.jordan (at) gmail (dot) com   RESOURCES Belly of the Beast Life Stories http://inourbelly.com   Beyond the Belly  https://inourbelly.com/beyond-the-belly/    We sponsor our own work. Hire us to help build your brand strategy and storytelling: david@davidall.com   @inourbelly on Instagram http://instagram.com/inourbelly   Facebook Community http://facebook.com/inourbelly   @inourbelly on Twitter http://twitter.com/inourbelly   @davidall (host) http://instagram.com/davidall   # END #   Dear Heroes: I'm David All, and thank you for discovering this message. I'm going to start communicating with you directly in this space. It's like passing a note in class - don't get caught! But look, this might surprise you. The other day I realized that I am not a podcaster. Rather, I am an oral historian that uses the podcast medium to collect and distribute firsthand historical accounts of real life transformations.  And while I'm new to podcasting, I've been creating stories and building platforms for folks to tell their story for decades. First as a speechwriter and master brand strategist for large brands and organizations, and then producing over 40 live storytelling events with a stage, lights and an audience. I'm proud of the work we are doing. If you listened to Season One, you are definitely noticing an overall boost in quality and refinement in our work. I am learning by doing - and your feedback has been meaningful to me. But the content, the stories, oh man they are always just so deep and powerful. Consider this note a wink, wink, nod, nod. It's an open invitation -- if you want to help out in a way that feels right to you, reach out. I could use a hand here and there and there are crucial stories we need to tell. Warmly, David My direct email is david@inourbelly.com. Reach out.  

Alyssa and Taylor name drop some fancy celeb sightings and discuss the pros and cons of candy at kids' birthday parties. Plus comedy writer Charlotte Austin Johnson (Perfect Harmony) comes on to talk about how it's trickier for women to win Survivor.

Charlotte Austin is a writer, editor, and mountain guide living in Seattle, Washington. When she's not writing, Charlotte works for International Mountain Guides, where she leads climbing, mountaineering, and hiking expeditions around the world. She's guided in North and South America, Europe, Alaska, Patagonia, and Nepal. She's a Wilderness EMT, a Leave No Trace (LNT) Trainer, Continue Reading…

Charlotte Austin is a writer, editor, and mountain guide living in Seattle, Washington. When she's not writing, Charlotte works for International Mountain Guides, where she leads climbing, mountaineering, and hiking expeditions around the world. She's guided in North and South America, Europe, Alaska, Patagonia, and Nepal. She's a Wilderness EMT, a Leave No Trace (LNT) Trainer, Continue Reading…

A book is often just a jumping off point to talk about other topics we care deeply about. In this episode, we bring mountain guide and writer Charlotte Austin's Adventure Grapes Online Book Club to life. Along with Charlotte and outdoor author Shawnté Salabert, host Gale Straub discusses questions of gender roles in the outdoors and adventure narratives, as well as the outdoors' role in mental health issues. All was talked about in the context of "All That Glitters," a memoir by ice climber Margo Talbot. Women Featured in this Episode: Charlotte Austin and Shawnté Salabert Enjoy this episode? Rate us on Apple Podcasts or wherever you listen. It’ll help other people find us. Sponsored by Subaru. Learn more at www.meetanowner.com and follow along on Instagram: @subaru_usa Join the She Explores Podcast community on Facebook. Visit She-Explores.com Links mentioned in this episode: Adventure Grapes Book Club All That Glitters by Margo Talbot Hiking the PCT Southern California by Shawnté Salabert Wild by Cheryl Strayed Savage Summit by Jennifer Jordan Annapurna by Arlene Blum Pure Land by Annette McGivney Hosted and produced by Gale Straub. Episodes air weekly on Wednesdays-- subscribe wherever you listen so you never miss an episode. Music for this episode is by Swelling, Josh Woodward, and Lee Rosevere via freemusicarchive.org. Music is also by Daniel M. Petersen.

Charlotte Austin is a behavioural psychologist and executive coach, working with organisations and individuals to design and deliver coaching and training to help clients create and work at their best. she is a practitioner for the Association of Business Psychologists. She's accredited by the International Coach Federation and The Coaching Academy. She's also a certified Cognitive Behavioural Therapist and as such, helps clients to deconstruct thoughts and behaviours and to build more successful ways of thinking and working. Charlotte has worked for a huge roster of clients including AKQA, Boots, BP, EDF, Channel 4, BBC, Innocent Drinks, Marks and Spencer, River Island, JP Morgan Chase & Co, HSBC, We Are Social and many more.

Charlotte Austin started her career at Just The Tonic before moving to become an agent at Red 24. After a few years of working there she (along with the co-founder of Red 24) co-founded CatFace comedy. CatFace is a comedy talent agency which focuses on the live diaries of comedians. I got him on the podcast to talk about -What’s the difference between CatFace and Red24 and why did the company start?At what point should a performer approach agents for their live work?Is it better to have 1 agent who does everything, or an agent for their live work / corporates etc?Can a performer make a living from just live work?How does CatFace approach acts and the process between seeing an act live for the first time to signing a contract.The pitfalls, pros and cons of social media for a performer Her thoughts on reviewers and student reviewers. Tips for getting noticed in Edinburgh The value of corporate gigs.Advice for unsigned comedians trying to get an agent AND MORE! This podcast would be useful to any performer looking to get a live booking agent or a performer searching for a new agent for their live work or a comedy fan interested in how the business side of live bookings works. You can stream the podcast here (with show notes) - http://simoncaine.co.uk/ATI/CharlotteAustinOr get it on iTunes here - https://itunes.apple.com/gb/podcast/ask-the-industry-podcast/id946220937If you enjoyed it please consider supporting the podcast by becoming a Patron for only $1 (80p) per episode! https://www.patreon.com/AskTheIndustryPodcast Please buy a ticket or three to my Edinburgh Fringe 2019 show - https://tickets.edfringe.com/whats-on/simon-caine-every-room-becomes-a-panic-room-when-you-overthink-enoughOr come see me on tour - http://simoncaine.co.uk/PanicRoom ----------------------------------------------------------------------My 2nd book is finally out! It's called "How To Make A Living By Working For Free" and you can buy it here for £5 (digital) or £8 (paperback). Here's the synopsis of the book - The book is a how-to guide for artists to create their own online community for their work and how that community can support the artist to become sustainable in every way.The book takes a critical and in-depth look at the media's perception of "free content" vs the reality of what the general public see it as.If you're an artist in the modern age who wants a sustainable audience you're no longer just an artist, you're a community leader. If you'd like to read the first few chapters of the book you can find a PDF version of that here.----------------------------------------------------------------------Every little bit helps! Alternatively you can support the show by giving it a review in iTunes or just by sharing the episode with a friend or two!Thanks,SixWant more content from me? Why wouldn't... See acast.com/privacy for privacy and opt-out information.