Podcasts about Boris Karloff

We have writer Emily St. James back with us this week, so naturally we’re breaking our own record for oldest film discussed on the show (after her episode on Moby Dick)! Based on the Broadway smash comedy, Arsenic and Old Lacewas Frank Capra’s intentional return to comedy after a string of serious movies. Starring Cary Grant as the critic nephew of two aging sisters, the farce unfolds as the aunts reveal they have been offing unmarried travelers and a brother who now looks like Boris Karloff returns to the family. Since the adaptation rights stipulated the film could not open until the Broadway run ended, the film sat on a shelf and was not released until Capra was overseas documenting the war. This episode, we talk about Emily’s new book (with Lauren Theisen) about It’s a Wonderful Life titled Every Time a Bell Rings and the effect of WWII on Capra. We also talk about the Broadway run that actually starred Karloff, Grant’s nomination in the same year for None But The Lonely Heart, and face guy Peter Lorre. Topics also include The Best Years of Our Lives, high school theatre, and queer coding.

Today we champion the story of 19-year-old Mary Shelley, her novel and the subsequent films and legacies that spawned from it. We explore what makes Dr Frankenstein and his creature sympathetic as well as horrific, and the many interpretations people have had over the years.Today's root beer is Ghost Energy's A&W flavor.Intro and Outro music by Stereoalex on Pond5Send us Fan Mail

Everyone talks about the Universal Monsters, but the studio did a lot of horror that didn't feature its iconic stable of creatures and plenty of movies that featured its legendary actors in very different roles. So join HPH, Boris Karloff, Lon Chaney Junior, and Richard Greene in exploring the perils of... the Black Castle![This is a repost of an earlier episode erroneously removed by Spotify due to a copyright claim on the public domain theme used by this podcast. A new theme has been substituted.]

Bill speaks to author and film historian David Del Valle about his many endeavors, from writing freelance film journalism and working as a Hollywood talent agent to hosting THE SINISTER IMAGE television series, writing books like LOST HORIZONS BENEATH THE HOLLYWOOD SIGN and recording audio commentaries for DVD and Blu-Ray releases. Topics include The Del Valle Archives, Vincent Price, MYRA BRECKINRIDGE, appearing in MESSIAH OF EVIL, Forrest J. Ackerman, THE MAN WHO RECLAIMED HIS HEAD, Carlos Clarens, Florence Marly, THE GIANT CLAW, Barbara Streisand, Ken Russell, Angelo Rossitto, Curtis Harrington, David Essex, EYES WIDE SHUT, Michael Winner, the TALES FROM THE CLOSET radio show, THE STEWARDESSES, Jesús Franco, DARK SHADOWS, being censored on audio commentaries, XANADU, Boris Karloff and an unexpected cult following for the films of Lloyd Nolan.

On the latest entry of The Searchers, Ben is joined by returning guest Mitch Capps to cover not a Western but a "Western-adjacent" film. This time we're going back to a favorite director of the show, John Ford, with his early talkie The Lost Patrol starring Victor McLaglen and Boris Karloff. Listen as we compare this to the rest of Ford's filmography, discuss McLaglen's career, evaluate religious symbolism in Boris Karloff's performance, and maybe a very random DCU tangent. Is this John Ford movie a hidden oasis out on the trail? Listen and find out. Thanks for listening, y'all! Please rate us a 5/5, and review us on Apple, Spotify, or wherever you listen to us. Follow us on Letterboxd.com if you'd like to see what we've recently watched. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/ Follow Mitch on Letterboxd, HERE. Also, find him on his podcast is on YouTube, HERE.   

Lights Out || The Dream (Boris Karloff) | Valse Triste | March 23, 1938; March 30, 193801:34 : The Dream (with Boris Karloff) - A murderer who never had experiences a dream suddenly falls into one during his sentencing trial. The voice you are about to hear is that of the one Daryl Hall, a convicted murderer sitting in a court room awaiting the return of a jury which is to decide whether he is to live or die.31:11 : Valse Triste - Two girls on a camping trip, and while rowing docks their boat on an island to pick some flowers when their boat drifts away finding themselves lost. They are drawn to into a strange house where a psychopath lives who demanded that the other marry him and that the other must die.#boriskarloff: : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES.Subscribing is free and you'll receive new post notifications. Thank you for your support.https://otr.duane.media | Instagram @duane.otr#scifiradio #oldtimeradio #otr #radiotheater #radioclassics #bbcradio #raybradbury #twilightzone #horror #oldtimeradioclassics #classicradio #horrorclassics #xminusone #sciencefiction #duaneotr:::: :

Back before the 50s sci-fi horror craze took off, Universal was trying to find something to do with all those classic horror actors they had lying around with no Universal Monsters to play. And they figured, why not try a swashbuckling period piece? So strap on your rapier, grab your twin flintlock pistols, and get ready to face the crocodile pit as we meet Boris Karloff, Lon Chaney Junior, and the horrors of being buried alive in 'The Black Castle'!

Season 6 of the Crestwood House starts with a thunder crack in the dark night sky as co-host Michael May takes Paxton and Shawn on a tour of Universal's Poe-inspired flick, 1934's The Black Cat starring Boris Karloff and Bela Lugosi.

Steven and I continue our retrospective on Val Lewton with The Body Snatcher! This movie featured the final team up of Boris Karloff and Bela Lugosi. Karloff would go on to do 2 more movies with Val Lewton. When next this retrospective picks up, we’ll be talking about Isle of the Dead from 1945. -Brandon The Brandon Peters Show will return next Monday with Batman! TECHNICAL INFORMATIONVocalsBrandon – Shure SM58-LCSteven – Unknown Mic (recorded with ZOOM) Post ProductionNCH Wavepad Masters Edition v8.38NCH MixPad Masters v5.22The Levelator 2 RUNTIME: 43 minutes

A cinematic classic meets a striking new musical vision in this special screening of “Frankenstein”, at Stissing Center in Pine Plains, NY starring Boris Karloff, featuring the world premiere of a chamber ensemble score by composer Michael Shapiro. Performed live by the Argus String Quartet with pianist Steven Beck—praised as “vivacious” by The New Yorker—this reimagined score brings new emotional depth to the film's iconic imagery. Shapiro's full orchestral version has already been performed by more than 80 orchestras worldwide. The evening begins with a Q&A with Boris Karloff's daughter, Sara Karloff. At the heart of the score is the mirrored relationship between Henry Frankenstein and his creation. “The monster is the doppelganger of Henry Frankenstein,” Shapiro notes, a connection reflected musically in unexpected ways. Dark, driving themes underscore the doctor's ambition, while the monster is accompanied by music that is at times gentle, haunting, and deeply sympathetic. Karloff's portrayal—imbued with a sense of soul—feels newly illuminated through this lens. Shapiro's score ebbs and flows alongside the film, heightening both its terror and its humanity—from the charged electricity of creation to the quiet, tragic innocence of the monster's brief encounters with the world.

Comedy and Variety on a MondayFirst,  a look at this day in History.Then,  The General Tire Revue starring Jack Benny, originally broadcast August 24, 1934,  92 years ago, The House of Rawchild.  The cast does The Rise Of The House Of Rawchild, a parody of the 1928 work The Rise of the House of Rothschild that was also a 1934 film starring George Arliss, Loretta Young and Boris Karloff.   Followed by Grand Central Station, originally broadcast August 24, 1946, 80 years ago, Moon Blind.  A poor boy arrives in New York to seek his fortune, promising "by the moon" to remember his girl back home.Then, The CBS Radio Workshop, originally broadcast  August 24, 1956, 70 years ago, The Billion Dollar Failure of Figger Fallup.  A tale about the day the devil hired a pollster to find out how many folks would be entrusted to his care in the next twenty years. Followed by The Judy Canova Show, originally broadcast August 24, 1943, 83 years ago, Judy's Date with Mickey Rooney.   Judy goes to buy an evening gown for her date tonight with Mickey Rooney. Finally, Claudia, originally broadcast August 24, 1948, 78 years ago, Claudia at the ballgame. Kathryn Bard and Paul Crabtree star.  Thanks to Brian for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

Information Please - Boris Karloff, Richard LlewellynBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio-no-1--4206392/support.

Send us Fan MailOn this episode, Tom and Bert review and discuss their Favorite Movie "Character Actors" >> Part 1So what is a character actor? A Character Actor is a film or TV performer who specializes in portraying unique, offbeat colorful people in supporting roles.These are the actors/actresses that you may recognize by their faces yet might not know their names BUT you will remember their performances because they may be memorable in a scene or two even more than the leading Men and Ladies.The list spans from the 1930's thru today!!Listen in and hear what favorites of yours may be listed.CHAPTERS:(:30) Intro(2:26) Joe Pesci, Anne Bancroft & Ned Beatty(10:47) Steve Buscemi, James Coburn & Willem Dafoe(18:36) Robert Duvall, Sam Elliot & Morgan Freeman(29:50) Danny Glover, Jeff Goldblum & Gene Hackman(39:10) Madeline Kahn, Boris Karloff & Richard Kiel(44:43)  Christopher Lloyd, Strother Martin & Angela Lansbury(51:16) Vincent Price, Alan Rickman & Sam Rockwell(59:11) Robert Shaw, Tim Robbins & Jane Lynch(66:00) Gary Oldman, Christopher Walken and It's a Wrap!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well

428 Boris Karloff's Mexican Movies w/Mark ClarkSteven is joined by film historian, Mark Clark, to do an overview of Boris Karloff's final four films, Isle of the Snake People, The Incredible Invasion, Fear Chamber, and House of Evil! Mr. Clark has written several wonderful books, such as, "Smirk, Sneer, and Scream: Great Acting in Horror Cinema", "Sixties Shockers: A Critical Filmography of Horror Cinema 1960-1969", and "Forties Frights: A New History and Filmography of Horror Cinema, 1940-1949". Mark Clark also contributed to "JACKsploitation: The Films of Jack Hill", edited by Anthony Taylor.Please send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page.Thank you for listening!

Boris Karloff's Thriller Season 1 Episode 1 The Twisted Image

Shocktober threatens to break the bounds of the fall, with this unexpected incursion into August. This aggression will not stand! Watch yourself, Shocktober! Anyway, on this episode we discuss The Mummy. The one with Brendan Fraser? No. The one with Tom Cruise? No. The one with Boris Karloff? No, silly, LEE CRONIN'S THE MUMMY. He wrote his name on it with Sharpie before putting it in the fridge! Tickets for FLOP TV SEASON FOUR are now live! Go pick up a pass for individual episodes or the whole dang season! And if you live in the Louisville area and want to see us live NOT through your computer screen, come to our show at Whirling Tiger in September! Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Paste https://feeds.simplecast.com/EOAFriME into iTunes (or your favorite podcatching software) to have new episodes of The Flop House delivered to you directly, as they're released. Wikipedia page for Lee Cronin's The Mummy Recommended in this episode: Dan: Stalker (1979), A Boy Named Charlie Brown (1969) Stu: Kill (2023) Elliott: The Secret Agent (2025) Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop

Simon and Eugene mark the 800th episode of Fusion Patrol where they discuss the classic 1931 Frankenstein, the extent of the impact of this film across other media, the differences between the film and the book, and whether the film or Mary Shelley are responsible for the perception of the mad scientist. 00:01:00 Anniversary Opening 00:02:29 Frankenstein's Obsession 00:04:51 The Monster Escapes 00:06:47 First Impressions 00:10:51 Boris Karloff's Performance 00:15:26 Film Versus Novel 00:18:52 The Beast's Short Life 00:22:33 Morality and Responsibility 00:26:18 Script Differences 00:30:41 Deleted Dialogue 00:36:10 Body-Snatching Ethics 00:39:35 The Stage Play 00:43:00 Mad Scientist Trope 00:50:24 Never Alive 00:53:54 Why Not Start Small? 00:59:04 Waldman's Dilemma 01:00:37 Mary Shelley Revisited 01:03:07 Science and Fear 01:08:35 Final Thoughts

Send us a text or a voicemailIf you're not careful and you noclip out of reality in the wrong areas, you'll end up trapped in a podcast prison, where it's nothing but the stink of old beer stained rugs, the madness of mono-yellow cigarette stains, the endless background noise of technical difficulties at maximum hum-buzz, and approximately six hundred million randomly segmented derailments over the course of 14 years. God save you if you hear something intelligent, because it sure as hell was an accident. On Episode 728 of Trick or Treat Radio our feature film discussion is the wildly successful theatrical hit, Backrooms from director Kane Parsons! We also talk about our 14 year anniversary, prepare for podcast summer school, and react to trailers for the films; Godzilla Minus One, and Demon Hunters! So grab your handheld VHS recorder, be sure to make an unsettling doppelganger of yourself, and strap on for the world's most dangerous podcast!Stuff we talk about: Abbot and Costello, NY Jets and Humiliation, Gwar, King Diamond, Horror and Rock, Universal, Ozzy Osbourne: Prince of Darkness, Mario Bava, Bava Booey, Luke Owen Wilson, Italian Superhero Team, The Cannoli Kid, “I got a Zard-on”, Podcast Summer School, White Power (Ranger), The Odyssey, Homer Dice Clay, Minions and Monsters, Java the Hutt, Ghost on the Loose, Mothra, Flesh Gordon, Squirm, Swamp Thing, The Secret of Nimh, So I Married an Axe Murderer, The Blair Witch Project, The Village, The Dead Matter, The Demented, Black Mountain Side, The Thunderbirds, Host, Together, Teddy Ray, Rage of the Yeti, I Frankenstein, Jamie Pressly, Biohazard, Hilary Swank, Sometimes They Come Back Again, Simon Baker, Land of the Dead, The Ring 2, Embrace of the Vampire, Vivica A. Fox, Idle Hands, Night of the Living Dead, Lisa Kudrow, Monique Gabrielle, 976-Evil 2, Laurence Fishburne, Event Horizon, Hannibal, Addams Family, Doctor Sleep, Arnold Schwarzenegger, Ghostbusters, The Crow Salvation, The Girl Next Door, Boris Karloff, Bruno Mattei, Hell of the Living Dead, Rats Night of Terror, Zombi 3, Island of the Living Dead, Victor Wong, Tremors, Richard Johnson, The Monster Club, Dick Wilson, Diary of a Madman, The Munsters, Dr. Jekyl and Mr. Hyde, Mark of the Vampire, The Mummy's Curse, Godzilla in the Mist, psychotic bubble, Harold and Kumar Demon Hunters, Demon Hunters, Godzilla Minus Zero, Doctor Strange, 12 Years A Slave, Hausu, James Wan, Osgood Perkins, The Slender Man, Kane Parsons, Backrooms, Chiwetel Ejiofor, Renate Reinsve, Mark Duplass, One Hour Photo, Punishment Park, Portal, Mr. Robot, What Dreams May Come, Robin Williams, The Furious, Forbidden Fruits, Obsession, Curry Barker, Mortal Kombat II, James Ellis performance video, Criss Angel, Spike and Mike's Twisted Animation, Backrooms Bonanza, and Deterred in the Punch Bowl.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

durée : 00:29:22 - Mauvais genres - Publié anonymement en 1818, Frankenstein connaît un succès discret avant de devenir un mythe mondial grâce aux nombreuses adaptations théâtrales. Le cinéma achève d'en faire une icône pop : de Boris Karloff en 1931 aux relectures contemporaines, la créature ne cesse de changer de visage. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Join us on a brief but fun side quest with the horror adjacent film THE RAVEN (1963) from Roger Corman! Loosely based off the Edgar Allan Poe poem, and featuring horror icons like Vincent Price, Boris Karloff, and Peter Lorre, the flick is a fun albeit silly time at the movies. Context setting 00:00; Synopsis 23:21; Discussion 31:14

Beach Month continues with no beach, no Frankie, and no Annette, but we do get a corpse in a creepy house who has to perform one last good deed in order to get into heaven, his evil attorney trying to cheat two young people out of a fortune, and the Bobby Fuller Four as the backing band. It's very silly, not remotely beachy, and a far cry from movies like Gidget or Beach Party, with the only continuity coming from the return of Eric Von Zipper and his biker gang. But it also has very strong Scooby-Doo vibes, so who are we to complain? Starring Tommy Kirk, Deborah Walley, Basil Rathbone, Nancy Sinatra, Aron Kinkade, Quinn O'Hara, Harvey Lembeck, and Boris Karloff. Written by Louis M. Heyward and Elwood Ullmann. Directed by Don Weis. Listen without ads when you join the Patreon: patreon.com/maryvsmovies

TPCCafe Radio Presents Classic Thrillers, Suspense: Drury's Bones. Digitally Restored by Nicholas Hans Gary

Jim explores the 1931 Horror Classic Film "The Walking Dead," starring Boris Karloff, Ricardo Cortez, Edmund Gwenn, Marguerite Churchill, Warren Hull, Barton Maclane, and directed by Michael Curtiz. An innocent man (Karloff) is convicted of murder and executed. His body is brought back to life by a scientist (Gwenn) seeking to find out what happens to the soul after death. But what about those who set the man up for a crime he did not commit? Find out on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

How a teenage girl's waking dream birthed what is (probably) the first science fiction novel – and in the process gave the world its most enduring image of technology gone wrong. This time we're coming for the myth, the curse, the cliche that is Frankenstein. John Helmer and Ezri Carlebach climb up the tower, point the lightning conductor to the heart of the storm, and attach electrical cables to the neck-bolts of that fearful thing on the slab. Yes, it may be 200-years old but ... it's alive! They walk through the original 1818 plot — stranger and bleaker than the films — weigh the long-running argument over whether it really counts as science fiction, and trace the monster's afterlife from the 1910 Edison short and James Whale's 1931 classic to Boris Karloff, Mel Brooks, Eddie Van Halen's "Frankenstrat", Guillermo del Toro ... and beyond. In this episode: What really happened at the Villa Diodati in 1816? The radical parents and a childhood shadowed by death that made Mary Shelley Born in the age of revolutions: Enlightenment values battles alchemy and the occult How two Brits, James Whale and Boris Karloff, created a look for the creature in their famous 1931 film that resonated through a thousand sequels, rip-offs and pisstakes Did Mary Shelley predict the death of God? Connect with The Learning Hack: LinkedIn: linkedin.com/in/johnhelmer X: @johnhelmer Threads: @jphelmer Substack: @learninghack Instagram: @tech.imaginarium Website: learninghackpodcast.com Listen and watch: https://linktr.ee/learninghack Music by Nick Dwyer recording as Flintet. The Tech Imaginarium is a Learning Hack podcast, produced and hosted by John Helmer and written by John Helmer and Ezri Carlebach.

We're returning to early Inner Sanctum this week to bring you a 1944 episode starring the incomparable Peter Lorre. Lorre plays a comedian who becomes convinced that he committed murder. As the story unfolds, paranoia takes over, leading to the kind of outrageous plot twists that made Inner Sanctum a radio favorite. This version comes from the Armed Forces Radio Service and includes a special introduction and narration by Peter Lorre himself, a feature not heard on the original network broadcast. As an added bonus, the recording concludes with a brief teaser for still lost episode starring Boris Karloff. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Jim remembers the first time he watched the 1931 Horror Classic "Frankenstein," directed by James Whale and starring Colin Clive, Mae Clarke, Boris Karloff, John Boles, Edward Van Sloan, Frederick Kerr, Dwight Frye, Lionel Belmore, Marilyn Harris, and Michael Mark. Based on the novel by Mary Shelley, this film helped Universal Studios establish itself as the Studio of Horror which continued to give the filmgoing public several classic monsters and tales. Find out about this 95-year-old gem on MONSTER ATTACK!, The POdcast Dedicated To Old Monster Movies.

Jim remembers the first time he watched the 1931 Horror Classic “Frankenstein,” directed by James Whale and starring Colin Clive, Mae Clarke, Boris Karloff, John Boles, Edward Van Sloan, Frederick Kerr, Dwight Frye, Lionel Belmore, Marilyn Harris, and Michael Mark. Based on the novel by Mary Shelley, this film helped Universal Studios establish itself as […] The post Frankenstein| Episode 521 appeared first on The ESO Network.

Today we bring you Boris Karloff. He's appearing here on Great Scenes from Great Plays in a strange fantasy, in which he plays Mr. Brink, the personification of Death himself. The story follows an elderly grandfather who discovers a way to trap Death in a magical apple tree. This will be the second time we've presented this story, but with a completely different cast. You can find the other version here, from the Screen Guild Theater, starring Lionel Barrymore, Agnes Moorehead, and Vincent Price. https://goodolddaysofradio.podbean.com/e/episode-98-on-borrowed-time/  Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

It's absolute madness as Jim Towns and David Ullman dissect this 1946 Boris Karloff-starring RKO thriller.

Boris Karloff's portrayal of Frankenstein's Monster remains one of the most iconic performances in horror history. In this episode, we explore how the character evolves across three classic Universal monster films: Frankenstein, Bride of Frankenstein, and Son of Frankenstein. Beginning as a misunderstood creation driven by instinct and fear in Frankenstein, the Monster develops emotional depth and self-awareness in Bride of Frankenstein, before becoming a weary and tragic figure manipulated by others in Son of Frankenstein. We'll examine how Karloff's performance, makeup, body language, and character development helped transform the Monster from a cinematic villain into one of horror's most sympathetic characters. Join us as we analyze the complete arc of Frankenstein's Monster and discuss why Boris Karloff's interpretation continues to influence horror films more that 90 years later.

Eric & Serling sneak a Bonus Episode into the season with an examination of the most influential scary movies, decade by decade, from the 1920s through the 1960s.  We promise there will be some surprises along the way!Send us Fan Mail

Step into the shadowy laboratories and towering castle halls of Son of Frankenstein as we explore one of the most visually stunning and influential entries in Universal's legendary monster cycle. In this video, we discuss the film's expressionistic style, unforgettable performances, and the eerie atmosphere that helped shape horror cinema for decades. We take a closer look at Boris Karloff in his final appearance as Frankenstein's Monster, Bela Lugosi stealing scenes as Ygor, and Basil Rathbone as Baron Wolf von Frankenstein. From its twisted sets to its dark psychological themes, this sequel remains a fascinating bridge between gothic horror and the monster movies that followed. Topics include: Boris Karloff's farewell performance as the Monster Bela Lugosi's groundbreaking portrayal as Ygor The film's striking gothic production design Connections to earlier Universal horror classics The movie's influence on later Frankenstein films and pop culture Whether you're a longtime classic horror fan or just discovering Universal Monsters, this discussion uncovers the crakling lightning at the heart of this 1939 horror classic.

Actor Doug Jones | The Brett Allan Show | "Get Me Doug Jones" CLICK HERE https://www.getmedougjones.com/about Actor Doug Jones has often been referred to as the Lon Chaney and Boris Karloff of our time. This in depth feature length documentary seeks to find out how an actor & mime went from humble beginnings in the American Midwest to becoming one of Hollywood's most sought after performers when it comes to creating fantastic creatures in full body make-up & costumes. From his early start on projects such as MAC TONIGHT, BATMAN RETURNS and BUFFY THE VAMPIRE SLAYER to major motion pictures like HELLBOY I & II and FANTASTIC FOUR: RISE OF THE SILVER SURFER, television work including STAR TREK: DISCOVERY and WHAT WE DO IN THE SHADOWS to the multi Oscar-winning films PAN'S LABYRINTH and THE SHAPE OF WATER, this documentary will explore the rich, vibrant life and career of this Hollywood legend. "Doug is love..." - Sonequa Martin-Green This documentary will showcase the incredible life that Doug Jones has lived, not only focusing on his iconic career, but also on the deeply personal relationships he has held with family, friends and fans. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Chris and Gerry explore the classic Universal horror film Bride of Frankenstein (1935), directed by James Whale and starring Boris Karloff, Colin Clive, and Elsa Lanchester. Widely considered one of the greatest horror sequels ever made, the film expands the tragic story of Frankenstein's Monster with unforgettable performances, gothic atmosphere, dark humor, and groundbreaking visuals. We'll discuss the movie's production history, themes of loneliness and humanity, the unforgettable creation of the Bride, and why this film remains one of the crown jewels of classic horror cinema. From the Monster's emotional journey to Dr. Pretorius' sinister plans, Bride of Frankenstein continues to influence horror movies nearly a century later. If you love classic horror, Universal Monster, gothic cinema, and vintage monster movies, this deep dive is for you.   Topics covered include: The legacy of Universal horror films Boris Karloff's legendary performance Elsa Lanchester as both Mary Shelley and the Bride James Whale's unique directing style The film's gothic visuals and horror atmosphere The Monster's tragic humanity Behind-the-scenes production stories Why Bride of Frankenstein is still influential today Like, comment, and subscribe for more classic horror discussions, movie retrospectives, and Universal Monsters content!

Episode 418 is about a garish classic that manages to entertain in spite of having a troubled production. “The Curse of the Crimson Altar”, also known as “The Crimson Cult” (1968) has a lot of fun visuals going on. Wild parties, occult S&M rituals and the apparition of Barbara Steele as a horned demon woman, painted blue. Not to mention Boris Karloff and Christopher Lee! How could you not join your hosts for all that? Find us on Instagram where we are @chewingthescenery or easily find us on Facebook. CTS can be found on Soundcloud, Apple Music and anywhere fine podcasts can be found. Please rate, review, subscribe- it really does help new listeners find us! #horror #horrormovies #horrornerd #horroraddict #horrorjunkie #monsterkid #bmovie #scary movies #monstermovie #podcast #chewingthescenery #zombies #zombie #VHS #britishhorror #boriskarloff #barbarasteele #christopherlee #crimsoncult #curseofthecrimsonaltar

Step into the laboratory of one of the greatest horror films ever made as we explore Frankenstein, the groundbreaking Universal Pictures classic directed by James Whale and starring Boris Karloff in his legendary role as the Monster. In this video, we break down the film's unforgettable performances, eerie atmosphere, groundbreaking makeup effects by Jack Pierce, and the lasting influence Frankenstein had on horror cinema and pop culture. We'll discuss the iconic scenes and why this pre-Code horror masterpiece still resonates with audiences nearly a century later. Whether you're a longtime Universal Monsters fan or discovering the movie for the first time, this deep dive into Frankenstein (1931) celebrates one of the most important horror films ever made. Topics Covered: Boris Karloff's performance as the Monster James Whale's direction and visual style Universal Horror history The creation scene and iconic moments Frankenstein's influence of modern horror Legacy of the Universal Monsters Like, comment, and subscribe for more classic horror discussions, retrospectives, and deep dives into vintage cinema.

Can we ever really know who we are? And does self-knowledge come with an incredible cost to ourselves and others? Maybe! We investigate the First Philip K. Dick Adaptation, with a 1962 episode of the British TV show Out of This World on his short story "The Imposter." Plus, we do a medium dive into PKD's life. And there's lots to discuss in the MouthGarf Report! Plus, I See What You Did There! Sources: https://www.youtube.com/watch?v=2NATbmF4Qxc (While labeled "The Cold Equations" this is the audio for "The Imposter") https://en.wikipedia.org/wiki/Impostor_(short_story) https://en.wikipedia.org/wiki/Philip_K._Dick https://web.archive.org/web/20120511082635/http://www.philipkdick.com/media_sfeye87.html https://web.archive.org/web/20170921182200/http://culture.pl/en/article/philip-k-dick-stanislaw-lem-is-a-communist-committee https://www.salon.com/2022/07/23/8-facts-about-philip-k-dick_partner/ Please give us a 5 star rating on Apple Podcasts!  Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Film Directed by Markiplier/Mark Fischbach

There's a huge push to get people to buy war bonds, so Archie writes a play for their guest, Boris Karloff, to star in. He is sure it will be an incredible motivator to get people to buy the bonds.Originally aired on January 12, 1945. This is episode 154 of Duffy's Tavern.Become a supporter of this podcast: https://www.spreaker.com/podcast/classic-comedy-of-old-time-radio--5818299/support.Please email questions and comments to host@classiccomedyotr.com.Like us on Facebook at facebook.com/classiccomedyotr. Please share this podcast with your friends and family.You can also subscribe to our podcast on Spreaker.com, Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.This show is supported by Spreaker Prime.Become a supporter of this podcast: https://www.spreaker.com/podcast/classic-comedy-of-old-time-radio--5818299/support.

On this episode of Scene Missing, we head into shadowy postwar London for a stylish and strange detour in the career of Douglas Sirk. Before the lush Technicolor melodramas of the 1950s, Sirk took a crack at noir with the 1947 thriller Lured. A serial killer mystery wrapped in elegance, obsession, and just a touch of dark humor. Starring Lucille Ball in a rare dramatic role, the film follows a woman drawn into a dangerous undercover game as bait for a killer targeting lonely hearts. Along the way, she crosses paths with a gallery of suspects played by the likes of George Sanders and Boris Karloff, each bringing their own eerie flavor to the mystery.Joining me for the conversation is Washington D.C. comedian Lady Vee, and we dig into what makes Lured such an odd and fascinating hybrid. Is this a straight noir, or something more playful and subversive? How does Sirk's later thematic obsession with performance and identity show up here? And where does this sit in the evolution of Lucille Ball before I Love Lucy changed everything?

This week we're listening to an episode of Inner Sanctum Mystery featuring Boris Karloff. “The Corridor of Doom,” features a man who wakes up after a medical procedure he doesn't recall surrounded by a medical staff he doesn't know. And even as he struggles to understand his surroundings, the strange medicine they prescribe him gives […]

There's no Brendan Fraser or Boris Karloff, just a sarcophagus and some pure unstoppable terror from the director of 'Evil Dead Rise'. Alexis Hejna from Honeysuckle Rose Creations joins Robert Winfree to take a look at what will surely go down as one of the most intense horror films of 2026.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

This week on the I Hate Critics Movie Review Podcast, we unwrap a mix of horror, character-driven storytelling, and a true cinematic classic! The Mummy (2026) Directed by Lee Cronin Lee Cronin brings a fresh, likely more visceral take to one of Universal's most iconic monsters. We discuss how this new version stacks up against past iterations and whether it successfully breathes new (or undead) life into The Mummy franchise. Normal A grounded and intimate story that explores the complexities of everyday life and identity. We break down its themes, performances, and whether "normal" is ever really attainable. Lorne A character-focused film that dives into the life and psyche of its central figure. We discuss what works, what doesn't, and how the film handles its subject matter. Classic Feature: The Mummy (1932) Directed by Karl Freund Starring Boris Karloff We travel back to the origins of cinematic horror with the original The Mummy. Anchored by Boris Karloff's unforgettable performance, this atmospheric classic set the tone for decades of monster movies to come. Follow Us: Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter/X: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us Check out Jeff's Art at Jeff Lassiter Art. Don't forget to rate, review, and subscribe!

This week we open up a new sarcophagus, but really a new film review cask set all around the world of Mummy films and up first we discuss the one that started it all with The Mummy from 1932. Journey with us as we discuss this original Universal Monster and the return of Boris Karloff. We dive into the interesting cast of characters and if this is really just reheated Dracula. Is this a worthy first installment to the Mummy franchise or is it the weakest of all the monster movies? So pour some rye, grab your Scroll of Thoth, and get ready to summon Imhotep. Cheers!

Episode 314: Lee Cronin's The Mummy. Not to be confused with Brendan Fraser's mummy, Tom Cruise's mummy, Boris Karloff's mummy, or any mummy brought to you by Universal Pictures. This mummy is Lee Cronin's alone and it's got nothing to do with any one else's. How does Dr Cronin's monster stack up against not only previous versions but his own past work with Deadites and evil children? Let's unwrap. Plus, The Mummy (1932). 

Legendary B-movie king Roger Corman has produced and directed over 400 films, giving early career breaks to actors like Robert De Niro, Sandra Bullock, Bruce Dern, Charles Bronson and Dennis Hopper and helping to launch the directing careers of Ron Howard, Francis Ford Coppola, Martin Scorsese and Peter Bogdanovich (among others).Gilbert and Frank phoned Roger in his Hollywood home to learn more about his life and storied career, including where/how he first met longtime friend and collaborator Jack Nicholson, why the Hell's Angels threatened to murder him AND take him to court, and why “a monster should always be bigger than a leading lady.” PLUS: “The Beast with (not quite) a Million Eyes”! Roger experiments with LSD! Peter Lorre messes with Boris Karloff's head! And the enduring mystery of “The Terror”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Gilbert and Frank celebrate the lives and careers of horror icons Bela Lugosi and Boris Karloff  with the help of their devoted offspring, Bela Lugosi Jr. and Sara Karloff. First up, the “Son of Dracula” recalls visiting the set of “Abbott and Costello Meet Frankenstein” as a child and points out what the movie “Ed Wood” got wrong about his famous dad. Then, author and historian Sara Karloff looks back on her father's most indelible roles, from The Frankenstein Monster to The Mummy to The Grinch—and tells us why her dad referred to Halloween as his “busy season." PLUS: Karloff dances on “The Red Skelton Show”! Lugosi passes up the role of a lifetime! Sara meets the “Son of Gilbert”! And Bela Jr. takes a stand for The Three Stooges! Learn more about your ad choices. Visit megaphone.fm/adchoices

Link to Audio version “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work.  After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula. His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi's portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed. While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre. The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein's monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi. The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939). Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies." In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously). Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history.

Link to Audio version “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work.  After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula. His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi's portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed. While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre. The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein's monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi. The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939). Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies." In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously). Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history.

Between 1081 and 1903, roughly 20 Japanese Buddhist monks voluntarily endured a grueling three-year process of starvation and isolation — sealing themselves alive inside stone tombs in pursuit of becoming Buddha in their own bodies.*No AI Voices Are Used In The Narration Of This Podcast*Take the Weird Darkness Survey: https://take.supersurvey.com/QGZCRXPVSIN THIS EPISODE: One of the greatest monsters ever to be brought to the screen was The Mummy, portrayed by Boris Karloff. We have, of course, seen numerous recreations of the creature since the original Universal film, but still, the image is grotesque and frightening no matter the incarnation. To see a mummy in real-life is that much more shocking. But real fear… real terror… would be if you yourself were to be mummified… while still alive. (To Be Mummified Alive) *** In the days that followed the rescue of 11-year-old Terry Jo Duperrault from the wreckage of the yacht called the Bluebelle, it would became clear that a storm hadn't destroyed the ship, as the previously-rescued captain, Julian A. Harvey, had said earlier. A storm hadn't killed everyone aboard… Harvey himself had. (The Final Voyage of the Bluebelle) *** When a loved one passes away, we sometimes wish we could speak to them one last time. Some people report they received phone calls or voicemails they believe are from their deceased loved ones. Sometimes they come through as eerie otherworldly static, while other times the ghostly caller is able to communicate one last message. We'll share a few true stories from people who have received phone calls from the beyond. (Phone Calls From Beyond The Grave) *** If you buy a furnished home and move the furniture to clean the floor – and the furniture moves back on its own – you can be pretty sure you've just moved into a haunted house. That's exactly what one family in Rockford, Illinois found out. (A Haunting on School Street) *** And I'll end the episode with the story that I began it with – a short story by Louisa May Alcott called “Lost in a Pyramid”… or “The Mummy's Curse”. A story that went pretty much unnoticed when it was originally published in 1869, but has had somewhat become undead since 1998 when it was rediscovered and is now considered an influential example of early “mummy's curse” narratives.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Short Message00:00:20.684 = The Foreboding00:01:41.062 = Show Open00:04:41.066 = The Final Voyage of the Bluebelle00:18:32.491 = Phone Calls From Beyond the Grave ***00:36:53.017 = A Haunting On School Street ***00:43:39.779 = To Be Mummified Alive00:50:44.908 = The Mummy's Curse (Lost in a Pyramid) – fictional story ***01:16:00.096 = Show Close*** = Begins immediately after inserted ad breakHELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar SOURCES and RESOURCES:“The Final Voyage of the Bluebelle” by Lucia for The Ghost In My Machine: https://weirddarkness.tiny.us/23utyhja“Phone Calls From Beyond the Grave” by Amanda Ashley for Graveyard Shift: https://weirddarkness.tiny.us/7bw36uh4“A Haunting on School Street” by Kathi Kresol for Haunted Rockford: https://weirddarkness.tiny.us/s3c76yeb“To Be Mummified Alive' by Bipin Dimri for Historic Mysteries: https://weirddarkness.tiny.us/j89cukfe“The Mummy's Curse/Lost In a Pyramid” by Louisa May Alcott: https://weirddarkness.tiny.us/pwd9h3cb=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.=====Originally aired: August 03, 2021EPISODE PAGE (includes sources): https://weirddarkness.com/MummifiedAliveABOUT WEIRD DARKNESS: #WeirdDarkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.

One of Gilbert and Frank's favorite interviews was this 2014 sitdown with a legend of local broadcasting, the one and only Joe Franklin. In this episode, the boys dropped in on Joe's infamously cluttered (an understatement!) Manhattan office to nosh on (very old) chicken salad, dodge falling stacks of collectibles and ask the “King of Nostalgia” about his memories of Charlie Chaplin, Woody Allen, Buster Keaton, Frank Sinatra, Barbra Streisand and John Lennon, to name but a few. PLUS: The Ramones! Remembering the Toastmaster General! Joe interviews Boris Karloff (and Bela Lugosi?)! And the greatest entertainer of all time! Learn more about your ad choices. Visit megaphone.fm/adchoices