Podcasts about Boris Karloff

For our November topic – coming just in time for the start of December – we celebrate the release of Guillermo del Toro's Frankenstein with a three-part retrospective on one of the most famous stories in the English language. First, we take a look at the original 1818 novel by Mary Shelley – which has been one of Sean's favorite books, but was new to Jonathan – and celebrate its tremendous accomplishments, all of which still feel revelatory today. Then we talk about the classic 1931 Universal movie, directed by James Whale and starring Boris Karloff, which doesn't take much from the book, but establishes much of the story's endearing iconography. And finally, we give a full review of the brand new version, directed by the inimitable Guillermo del Toro, who leave his own original stamp on the material in ways that are very much worth discussing. Enjoy! TIME CHART:Intro: 0:00:00 – 0:19:29The Novel: 0:19:29 – 1:27:22The 1931 Film: 1:27:22 – 1:56:35The 2025 Film: 1:56:35 – 3:12:26  Read Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to JAPANIMATION STATION, our podcast about the wide and wonderful world of anime: https://japanimationstation.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vKSubscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation Purely Academic: https://www.youtube.com/@purelyacademicpodcastSupport the show at Ko-fi ☕️ https://ko-fi.com/weeklystuffOriginal Music by Thomas Lack https://www.thomaslack.com/©2012 - Present Jonathan R. Lack & Sean Chapman

In the early 60s there was an anthology horror released by American International Pictures.  Around the same time Vincent Price was making his mark with the Corman pictures an Italian Director was given an opportunity to give his take on several  classic horror tales and somehow got Boris Karloff to join in as the movie's host and star.  We hope you enjoy as we give the Horror 101 Treatment to Mario Bava's Black Sabbath!Show Highlights:01:00 Prelude to Terror...05:50  Thinking of Ozzy...12:45  The Drop of Water...23:55  The Telephone...33:50  The Wurdulac...48:00  Scoring the Film...56:45  Final Thoughts and Conclusion...

Découvrez l'analyse du récent Frankenstein de Guillermo Del Torro sur la plateforme Netflix par Paul Hébert, expert du réalisateur. Quoi dire de cette nouvelle adaptation de Mary Shelley ? Après le chef d'oeuvre de James Whale, datant de 1931, qui a imposé la figure monstrueuse de Boris Karloff que pouvons-nous faire de nouveau ou de mieux avec la créature de Mary Shelley qui aura également été interprété par Christopher Lee (1957), Robert de Niro (en 1994) ou encore Eddy Mitchell (1984) ? Lancé en fanfare sur la plateforme Netflix avec Oscar Isaac, Mia Goth et Christophe Waltz, ce nouveau film se repositionne dans la veine fantastique du roman. Le maître Guillermo Del Torro apporte sa touche gothique et onirique dans cette histoire qui date de 1818. Notre invité Paul Hébert analyse et replace cette oeuvre dans la filmographie du réalisateur mexicain. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Fast facts about the actor whose portrayal of Frankenstein's monster made him a horror icon. 

The gang pulls a fast one on Poe this week as they review a horror movie based on the name only of an Edgar Allan Poe poem, The Black Cat. Come see Boris Karloff and Bela Lugosi duke it out on screen as dueling villains while you wait for the house to literally explode at any moment. Tyler's pick for Pre-Code November is a first watch for all of us, so tune in and find out who you align with. Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/eSte9VbY3S0http://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

Our 7th deadly season of 'AnotherLook' concludes with Will's pick for the week - James Whale's The Old Dark House! Listen up as the dynamic duo discusses pre-code comedy horror, Boris Karloff's screen presence, the evolution of the 'old dark house' sub-genre, and much more!

Inspired by Guillermo del Toro's new take on Mary Shelley's classic creature, Adam and Nate invited film critic Dede Crimmins to help them reanimate Frankenstein (1931) and its multiple parodies in “Treehouse of Horror II” (S3E7). Together, we explore how this movie became one of the most referenced movies on The Simpsons, including the warnings and creepy credits at the beginning of almost every “Treehouse of Horror” episode.Also in this episode:• The silent magic of Boris Karloff's performance as the creature• When parodies set up false expectations for classic movies• That time Frankenstein inspired one of the most deep-cut references on The Simpsons ever• How the hell was this episode going to end with a Broadcast News parody?Plus, check out our show notes for a complete list of Simpsons references, double feature suggestions, and further reading.Next time, Nate and Adam go crazy for One Flew Over the Cuckoo's Nest (1975) at 50 and the forbidden episode…For more of Dede's movie reviews and more stay tuned to her Bluesky @dedecrim.bsky.social.For more Simpsons movie parody content, check out SpringfieldGoogolplex.com, or follow us at @simpsonsfilmpod on Instagram, TikTok, Threads, YouTube, and Letterboxd. Discover more great podcasts on the That Shelf Podcast Network.

In this week's episode, I rate the movies and streaming shows I saw in Autumn 2025. This coupon code will get you 25% off the ebooks in The Ghosts series at my Payhip store: GHOSTS2025 The coupon code is valid through December 1, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 278 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 21st, 2025, and today I am sharing my reviews of the movies and streaming shows I saw in Fall 2025. We also have a Coupon of the Week and an update my current writing, audiobook, and publishing projects. So let's start off with Coupon of the Week. This week's coupon code will get you 25% off all the ebooks in The Ghosts series at my Payhip store, and that is GHOSTS2025. And as always, we'll have the link to my Payhip store and the coupon code in the show notes for this episode. This coupon code is valid through December 1, 2025, so if you need a new ebook for this fall, we have got you covered. Now for my current writing and publishing projects: I'm very pleased to report that Blade of Shadows, the second book in my Blades of Ruin epic fantasy series, is now out. You can get it at Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, and my Payhip store. By the time this episode goes live, all those stores should be available and you can get the book at any one of them and I hope you will read and enjoy it. I'm also 15,000 words into what will be my next main project Wizard-Assassin, the fifth book in the Half-Elven Thief series, and if all goes well, I want that to be out before Christmas. I'm also working on the outline for what will be the third book in the Blades of Ruin series, Blade of Storms, and that will hopefully, if all goes well, be the first book I publish in 2026. In audiobook news, as I mentioned last week, the audiobook of Blade of Flames is done and I believe as of this recording, you can get at my Payhip store, Google Play, Kobo, and I think Spotify. It's not up on Audible or Apple yet, but that should be soon, if all goes well. That is excellently narrated by Brad Wills. Hollis McCarthy is still working on Cloak of Embers. I believe main recording is done for that and it just has to be edited and proofed, so hopefully we'll get both audiobooks to you before the end of the year. So that is where I'm at with my current writing, publishing, and audiobook projects. 00:02:08 Main Topic of the Week: Autumn 2025 Movie Review Roundup Now on to this week's main project, the Autumn 2025 Movie Review Roundup. I watched a lot of classic horror movies this time around. The old Universal black and white monster movies from the '30s and '40s turned up on Prime for Halloween and I hadn't seen them since I was a kid, so I watched a bunch of them in October and November, which seemed an appropriate thing to do for Halloween. They mostly held up as well as I remembered from when I was a kid, which was a nice surprise. As ever, the grades I give these movies are totally subjective and based on nothing more than my own opinions and thoughts. With that, let's take a look at the movies from least favorite to most favorite. First up is The Other Guys, which came out in 2010 and this is a parody of the buddy cop/ cowboy cop movie along with a heavy critique of the reckless and corrupt culture of late 2000s Wall Street. "Dumb funny" movies I've noticed tend to fall on either side of the "dumb but actually funny" or "dumb and not funny" line. And this one definitely landed on "dumb but actually funny". Danson and Highsmith, played by The Rock and Samuel L. Jackson, are two maverick popular detectives who never do paperwork. Their paperwork is always done by Allen Gamble, who's played by Will Ferrell and Terry Hoitz, played by Mark Wahlberg. Gamble is a mild-mannered forensic accountant, while Hoitz desperately wants to be as cool as either Danson or Highsmith, but since he accidentally shot Yankees player Derek Jeter (in a recurring gag), he's a pariah within the New York Police Department. However, Danon and Highsmith's plot armor suddenly run out and they accidentally kill themselves in a darkly hilarious scene that made me laugh so much I hurt a little. Hoitz wants to step into their shoes, but Gamble has stumbled onto potentially dangerous case and soon Hoitz and Gamble have to overcome their difficulties and unravel a complicated financial crime. This was pretty funny and I enjoyed it. Amusingly in real life, someone like Gamble would be massively respected in whatever law enforcement agency he works for, since someone who prepares ironclad paperwork and correct documentation that stands up in court is an invaluable asset in law enforcement work. Overall Grade: B Next up is Fantastic Four: First Steps, which came out in 2025. I like this though, to be honest, I liked Thunderbolts and Superman 2025 better. I think my difficulty is I never really understood The Fantastic Four as a concept and why they're appealing. Maybe the Fantastic Four are one of those things you just have to imprint on when you're a kid to really enjoy or maybe at my age, the sort of retro futurism of the Four, the idea that science, technology, and rational thought will solve all our problems does seem a bit naive after the last 65 years of history or so. Additionally, the idea of a naked silver space alien riding a surfboard does seem kind of ridiculous. Anyway, the movie glides over the origin story of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm and gets right into it. To their surprise, Reed and Sue find out that Sue is pregnant, which seemed unlikely due to their superpower induced genetic mutations. Shortly after that, the Silver Surfer arrives and announces that Earth will be devoured by Galactus. The Four travel in their spaceship to confront Galactus and realize that he's a foe far beyond their power, but Galactus offers them a bargain. If Reed and Sue give him their son, he will leave Earth in peace. They refuse and so it's up to the Four to figure out a way to save Earth and Reed and Sue's son. Pretty solid superhero movie all told, but it is amusing how in every version of the character, Reed Richards is allegedly the smartest man on Earth but still can't keep his mouth shut to save his life. Overall Grade: B The next movie is Superman, which came out in 1978. After seeing the 2025 version of Superman, I decided to watch the old one from the '70s. It's kind of a classic because it was one of the progenitors of the modern superhero film. Interestingly, it was one of the most expensive films ever made at that time, costing about $55 million in '70s-era dollars, which are much less inflated than today. A rough back of the envelope calculation would put 55 million in the '70s worth at about $272 million today, give or take. Anyway, this was a big gamble, but it paid off for the producers since they got $300 million back, which would be like around $1.4 billion in 2025 money. Anyway, the movie tells the origin story of Superman, how his father Jor-El knows that Krypton is doomed, so he sends Kal-El to Earth. Kal-El is raised as Clark Kent by his adoptive Kansas parents and uses his powers to become Superman- defender of truth, justice, and the American way. Superman must balance his growing feelings for ace reporter Lois Lane with his need for a secret identity and the necessity of stopping Lex Luthor's dangerous schemes. Christopher Reeve was an excellent Superman and the special effects were impressive by the standards of 1978, but I think the weakest part of the movie were the villains. Lex Luthor just seemed comedic and not at all that threatening. Unexpected fun fact: Mario Puzio, author of The Godfather, wrote the screenplay. Overall Grade: B Next up is Superman II, which came out in 1980. This is a direct sequel to the previous movie. When Superman stops terrorists from detonating a nuclear bomb by throwing it into space, the blast releases the evil Kryptonian General Zod and his minions from their prison and they decide to conquer Earth. Meanwhile, Superman is falling deeper in love with the Lois Lane and unknowing of the threat from Zod, decides to renounce his powers to live with Lois as an ordinary man. I think this had the same strengths and weaknesses as the first movie. Christopher Reeve was an excellent Superman. The special effects were impressive by the standards of the 1980s, but the villains remained kind of comedic goofballs. Additionally, and while this will sound harsh, this version of Lois Lane was kind of dumb and her main function in the plot was to generate problems for Superman via her questionable decisions. Like at the end, Superman has to wipe her memory because she can't keep his secret identity to herself. If this version of Lois Lane lived today, she'd be oversharing everything she ever thought or heard on TikTok. The 2025 movie version of Lois, by contrast, bullies Mr. Terrific into lending her his flying saucer so she can rescue Superman when he's in trouble and is instrumental in destroying Lex Luthor's public image and triggering his downfall. 1970s Louis would've just had a meltdown and made things worse until Superman could get around to rescuing her. Overall, I would say the 1978 movie was too goofy, the Zac Snyder Superman movies were too grimdark, but the 2025 Superman hit the right balance between goofy and serious. Overall Grade: B Next up is Dracula, which came out in 1931, and this was one of the earliest horror movies ever made and also one of the earliest movies ever produced with sound. It is a very compressed adaptation of the stage version of Dracula. Imagine the theatrical stage version of Dracula, but then imagine that the movie was only 70 minutes long, so you have to cut a lot to fit the story into those 70 minutes. So if you haven't read the book, Dracula the movie from 1931 will not make a lot of sense. It's almost like the "Cliff's Notes Fast Run" version of Dracula. That said, Bela Lugosi's famous performance as Dracula really carries the movie. Like Boris Karloff in Frankenstein and The Mummy (which we'll talk about shortly), Bela Lugosi really captures the uncanny valley aspect of Dracula because the count isn't human anymore and has all these little tics of a creature that isn't human but only pretending to be one. Edward Van Sloan's performance as Dr. Van Helsing is likewise good and helped define the character in the public eye. So worth watching as a historical artifact, but I think some of the other Universal monster movies (which we'll discuss shortly) are much stronger. Overall Grade: B Next up is The Horror of Dracula, which came out in 1958. This is one of the first of the Hammer Horror movies from the '50s, starring Peter Cushing as Dr. Van Helsing and Christopher Lee as Count Dracula. It's also apparently the first vampire movie ever made in color. Like the 1931 version of Dracula, it's a condensed version of the story, though frankly, I think it hangs together a little better. Van Helsing is a bit more of an action hero in this one, since in the end he engages Dracula in fisticuffs. The movie is essentially carried by the charisma of Peter Cushing and Christopher Lee and worth watching as a good example of a classic '50s horror movie. Overall Grade: B Next up is The Wolf Man, which came out in 1941. This is another one of the classic Universal horror movies. This one features Lon Cheney Jr. as Larry Talbot, the younger son of Sir John Talbot. Larry's older brother died in a hunting accident, so Larry comes home to reconcile with his father and take up his duties as the family heir. Larry is kind of an amiable Average Joe and is immediately smitten with the prettiest girl in the village, but when he takes her out for a walk, they're attacked by a werewolf, who bites Larry. Larry and everyone else in the village do not believe in werewolves, but they're about to have their minds changed the hard way. The transformation sequences where Larry turns into the Wolfman were cutting edge of the time, though poor Lon Chaney Jr had to stay motionless for hours as they gradually glued yak hair to him. I think Claude Rains had the best performance in the movie as Sir John and he's almost the co-protagonist. Overall Grade: B Next up is Jurassic World: Rebirth, which came out in 2025, which I thought was a perfectly straightforward but nonetheless enjoyable adventure film. After all the many disasters caused by various genetic engineering experiments in the previous movies, dinosaurs mostly live in relatively compatible ecosystems and tropical zones near the equator. No one's looking to create a theme park with dinosaurs or create bioengineered dinosaurs as military assets any longer. However, the dinosaurs are still valuable for research and a pharmaceutical company is developing a revolutionary drug for treating cardiac disease. They just need some dinosaur blood from three of the largest species to finish it, and so the company hires a team of mercenaries to retrieve the blood. We have the usual Jurassic Park style story tropes: the savvy mercenary leader, the scientist protesting the ethics of it all, the sinister corporate executive, the troubled family getting sucked into the chaos. And of course, it all goes wrong and there are lots and lots of dinosaurs running around. It's all been done before of course, but this was done well and was entertaining. Overall Grade: B+ Next up is The Thursday Murder Club, which came out in 2025, and this is a cozy mystery set in a very high-end retirement home. Retired nurse Joyce moves into Coopers Chase, the aforementioned high end retirement home. Looking to make new friends, she falls in with a former MI6 agent named Liz, a retired trade unionist named Ron, and psychiatrist Ibrahim, who have what they call The Thursday Murder Club, where they look into cold cases and attempt to solve them. However, things are not all sunshine and light at Coopers Chase as the two owners of the building have fallen out. When one of them is murdered, The Thursday Murder Club has to solve a real murder before Coopers Chase is bulldozed to make high-end apartments. A good cozy mystery with high caliber acting talent. Both Pierce Brosnan and Jonathan Price are in the movie and regrettably do not share a scene together, because that would've been hilarious since they were both in the James Bond movie Tomorrow Never Dies in the '90s with Brosnan as Bond and Price as the Bond villain for the movie. Overall Grade: B+ Next up is The Creature From the Black Lagoon, which came out in 1954 and is one of the last of the black and white classic horror movies since in the '50s, color film was just around the corner. When a scientist finds the unusual half fish, half human fossil on a riverbank in Brazil, he decides to organize an expedition upriver to see if he can find the rest of the fossil. The trail leads his expedition to the mysterious Black Lagoon, which all the locals avoid because of its bad reputation, but a living member of the species that produce the fossils lurking the lagoon while it normally doesn't welcome visitors, it does like the one female member of the expedition and decides to claim her for its own. The creature was good monster and the underwater water sequences were impressive by the standards of the 1950s. Overall Grade: A- Next up is The Invisible Man, which came out in 1933, and this is another of the classic Universal black and white horror movies. Jack Griffin is a scientist who discovered a chemical formula for invisibility. Unfortunately, one of the drugs in his formula causes homicidal insanity, so he becomes a megalomaniac who wants to use his invisibility to rule the world. This causes Griffin to overlook the numerous weaknesses of his invisibility, which allow the police to hunt him down. The Invisible Man's special effects were state of the art at the time and definitely hold up nearly a hundred years later. It's worth watching as another classic of the genre. Claude Rains plays Griffin, and as with The Wolf Man, his performance as Griffin descends into homicidal insanity is one of the strengths of the movie. Overall Grade: A- Next up is The Mummy, which came out in 1932, and this is another of the original Universal black and white horror movies. Boris Karloff plays the Mummy, who is the ancient Egyptian priest Imhotep, who was mummified alive for the crime of desiring the Pharaoh's daughter Ankh-es-en-Amon. After 3,000 years, Imhotep is accidentally brought back to life when an archeologist reads a magical spell and Imhotep sets out immediately to find the reincarnation of his beloved and transform her into a mummy as well so they can live together forever as undead. Edward Van Sloan plays Dr. Mueller, who is basically Edward Van Sloan's Van Helsing from Dracula if Van Helsing specialized in mummy hunting rather than vampire hunting. This version of the Mummy acts more like a Dungeons and Dragons lich instead of the now classic image of a shambling mummy in dragging bandages. That said, Boris Karloff is an excellent physical actor. As he does with Frankenstein, he brings Imhotep to life. His performance captures the essence of a creature that hasn't been human for a very long time, is trying to pretend to be human, and isn't quite getting there. Of course, the plot was reused for the 1999 version of The Mummy with Brendan Fraser. That was excellent and this is as well. Overall Grade: A- Next up is The Wedding Singer, which came out in 1998, and this is basically the Adam Sandler version of a Hallmark movie. Adam Sandler plays Robbie, a formerly famous musician whose career has lapsed and has become a wedding singer and a venue singer. He befriends the new waitress Julia at the venue, played by Drew Barrymore. The day after that, Robbie's abandoned at the altar by his fiancée, which is understandably devastating. Meanwhile, Julia's fiancé Glenn proposes to her and Robbie agrees to help her with the wedding planning since he's an expert in the area and knows all the local vendors. However, in the process, Robbie and Julia fall in love, but are in denial about the fact, a situation made more tense when Robbie realizes Glenn is cheating on Julia and intends to continue to do so after the wedding. So it's basically a Hallmark movie filtered through the comedic sensibilities of Adam Sandler. It was very funny and Steve Buscemi always does great side characters in Adam Sandler movies. Overall Grade: A Next up is Downton Abbey: The Grand Finale, which came out in 2025. This movie was sort of a self-indulgent victory lap, but it was earned. The writers of the sitcom Community used to joke that they wanted "six seasons and a movie" and Downton Abbey got "six seasons and three movies". Anyway, this movie is about handing off things to the next generation. Lord Grantham is reluctant to fully retire as his daughter goes through a scandal related to her divorce. The next generation of servants take over as the previous ones ease into retirement. What's interesting is both the nobles and the servants are fully aware that they're sort of LARPing a historical relic by this point because by 1930, grand country houses like Downton were increasingly rare in the UK since World War I wiped out most of them and crippling post-war taxes and economic disruption finished off many more. Anyway, if you like Downton Abbey, you like this movie. Overall Grade: A Next up is Argo, which came out in 2012, a very tense thriller about the Iranian hostage crisis in 1979. During that particular crisis, six Americans escaped the embassy and hid out at the Canadian Ambassador's house in Tehran. For obvious reasons, the Canadian ambassador wanted them out as quickly as possible, so the CIA and the State Department needed to cook up a plan to get the six out while the rest of the government tried to figure out what to do about the larger group of hostages. Finally, the government comes with "Argo." A CIA operative will create a fake film crew, a fake film company, and smuggle the six out of Tehran as part of the production. The movie was very tense and very well constructed, even if you know the outcome in advance if you know a little bit of history. Ben Affleck directed and starred, and this was in my opinion one of his best performances. It did take some liberties with historical accuracy, but nonetheless, a very tense political thriller/heist movie with some moments of very dark comedy. Overall Grade: A Next up is The Naked Gun, which came out in 2025, and this is a pitch perfect parody of the gritty cop movie with a lot of absurdist humor, which works well because Liam Neeson brings his grim action persona to the movie and it works really well with the comedy. Neeson plays Lieutenant Frank Drebin Jr., the son of the original Frank Drebin from The Naked Gun movies back in the '80s. After stopping a bank robbery, Drebin finds himself investigating the suicide of an engineer for the sinister tech mogul Richard Cane. Naturally, the suicide isn't what it appears and when the engineer's mysterious but seductive sister asks for Drebin's help, he pushes deeper into the case. Richard Cane was a hilarious villain because the writers couldn't decide which tech billionaire to parody with him, so they kind of parodied all the tech billionaires at once, and I kid you not, the original Frank Drebin makes an appearance as a magical owl. It was hilarious. Overall Grade: A Now for my two favorite things I saw in Autumn 2025. The first is the combination of Frankenstein and Bride of Frankenstein, which came out in 1931 and 1935. These are two separate movies, but Frankenstein leads directly to Bride of Frankenstein, so I'm going to treat them as one movie. Honestly, I think they're two halves of the same story the way that Avengers: Infinity War and Avengers: Endgame would be two halves of the same story 90 years later, so I'll review them as one. Frankenstein by itself on its own will get a B. Colin Clive's performance is Dr. Henry Frankenstein was great, and Boris Karloff gives the Creature a suitable air of menace and uncanny valley. You really feel like he's something that's been brought to life but isn't quite right and still extremely dangerous. The movie does have a very pat ending that implies everyone will live happily ever after, with Dr. Frankenstein's father giving a toast to his son. But Bride of Frankenstein takes everything from the first movie and improves on it. It's one of those sequels that actually makes the preceding movie better. In Bride, Henry is recovering from his ordeal and swears off his experiments of trying to create artificial humans, but the Creature survived the fire at the windmill at the end of the last movie and is seeking for a new purpose. Meanwhile, Henry receives a visit from his previous mentor, the sinister Dr. Pretorius. Like Henry, Pretorius succeeded in creating artificial life and now he wants to work with Henry to perfect their work, but Henry refuses, horrified by the consequences of his previous experiments. Pretorius, undaunted, makes an alliance with the Creature, who then kidnaps Henry's wife. This will let Pretorius force Henry to work on their ultimate work together-a bride for the Creature. Bride of Frankenstein is a lot tighter than Frankenstein. It was surprising to see how rapidly filmmaking techniques evolved over just four years. Pretorius is an excellent villain, more evil wizard than mad scientist, and the scene where he calmly and effortlessly persuades the Creature to his side was excellent. One amusing note, Bride was framed as Mary Shelley telling the second half of the story to her friends, and then the actress playing Mary Shelley, Elsa Lancaster, also played the Bride. So that was a funny bit of meta humor. Frankenstein and Bride of Frankenstein combined is one of my two favorite movies of Fall 2025. Overall Grade: A+ And now for my second favorite movie of Autumn 2025, which as it turns out is also Frankenstein, but Guillermo del Toro's version that came out in 2025. And honestly, I think Guillermo del Toro's version of Frankenstein is the best version put to screen so far and even does the rarest of all feats, it improves a little on the original novel. Oscar Isaac plays Victor Frankenstein as a brilliant, driven scientist with something of a sociopathic edge. In other words, he's a man who's utterly inadequate to the task when his experiment succeeds and he actually creates an artificial human that have assembled dead body parts. Jacob Elordi does a good job as the Creature, playing him is essentially a good hearted man who's driven to violence and despair by the cruelty and rejection of the world. The recurring question of the Frankenstein mythos is whether or not Victor Frankenstein is the real monster. In this version, he definitely is, though he gets a chance to repent of his evil by the end. Honestly, everything about this was good. The performances, the cinematography, everything. How good was it? It was so good that I will waive my usual one grade penalty for unnecessary nudity since there were a few brief scenes of it. Overall Grade: A+ So that was the Autumn 2025 Movie Roundup. A lot of good movies this time around. While some movies of course were better than others, I didn't see anything I actively disliked, which is always nice. So that's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

Jeff and Richard return to correct a wrong (the "lost" Karloff episode) by recording a brand new retrospective of the life and films of the classic horror legend, Boris Karloff. Among all the "hot takes," they dive deeper into two films: Frankenstein (1931) and Curse of the Crimson Altar, aka The Crimson Cult (1968.) Richard put out the call for listener participation, so we thank Rob Saccone, Billy Dunleavy, and Jamie Dominy for sending us their contributions to an epic episode. We hope everyone enjoys it and maybe even learns something new about King Karloff...

National Espresso Day.  Entertainment from 1955.  Prescribing beer for medicianl purposes now illegal, WW2 food rationing ended, Jukebox debuts.  Todays birthdays - Franklin Pierce, Boris Karloff, Betty Everett, Bruce Hornsby, Miley Cyrus.  Larry Hagman died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/Have another espresso - Shel SilversteinAutumn leaves - Roger WilliamsLove love love = Webb PierceBirthdays - In da club - 50 Cent     https://www.50cent.com/The shoop shoop song (its in his kiss) - Betty EverettJust the way it is - Bruce Hornsby & the RangeParty in the USA - Miley CyrusExit - Two Step - Songwriter Melissa Coston   https://www.reverbnation.com/melissacoston/song/34508022-backwoodscountryundergroundradio.com https://www.coolcasts.cooolmedia.com/show/history-factoids-about-today/

“It's alive, IT'S ALIVE!” famous words uttered by 1931's Dr. Frankenstein left an indelible mark on the heart and mind of director extraordinaire Guillermo del Toro. In his 2025 Netflix film FRANKENSTEIN, del Toro puts his own unique brand on the classic tale. Coupled with performances from Oscar Isaac, Jacob Elordi, Mia Goth and Christoph Waltz this version of the monster tale may be the best since the original with Boris Karloff. Step into madness with as we discuss a modern masterpiece!

In this episode, Phil and JF are joined by independent scholar Peter Bebergal, author of Strange Frequencies, Season of the Witch, and other books on the intersections of culture, religion, and the occult. The topic is Frankenstein—not Guillermo del Toro's latest but James Whale's 1931 talkie along with its 1935 sequel, The Bride of Frankenstein, both starring Boris Karloff. The conversation touches on Gnosticism, alchemy, modern techno-hubris, the Gothic, and much more. Peter's new online course, Hacking the Invisible: At the Intersection of Technology and Magic, begins on November 20th, 2025, and runs for three weeks on Weirdosphere. Visit the Weirdosphere website for details and to enroll. References James Whale (dir.), Frankenstein Tobe Hooper (dir.), Texas Chainsaw Massacre James Whale (dir.), The Bride of Frankenstein Justin Sledge, Esoterica Henry Bergson, Introduction to Metaphysics David Bohm, Wholeness and the Implicate Order Mary Shelley, Frankenstein John the Apostle, The Apocryphon of John Stuart Gordon (dir.), Stuck Jennifer Kent (dir.), The Babadook Stephen T. Asma, On Monsters Thomas Paine, “The Age of Reason” Jean Gimpel, Medieval Machine Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom and Jenny discuss a British film from 1933, long thought lost, in which Boris Karloff plays a dying Egyptologist who is trying to obtain immortality with the help of a stolen jewel. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Instagram. … Continue reading Movie Time: The Ghoul (1933)

Director Guillermo Del Toro is a master at bringing gothic horror to the big screen in glorious fashion, which he does for this episode's movie “Frankenstein”, but only in a small number of theaters. Most people will have to see this on the small screen because Del Toro decided to make his long-awaited “Frankenstein” movie for Netflix, the king of small screen. Nevertheless, it's fantastic to see a classic movie monster on the screen, with an excellent cast no less. Oscar Isaac plays Dr. Victor Frankenstein, Mia Goth is Elizabeth, Christoph Waltz as Harlander and Charles Dance as Leopold Frankenstein. This version of the classic tale introduces us to Victor Frankenstein as a young boy to begin to explain his mad ambitions, then onto his creation of The Creature  and then the aftermath. We even get to see The Creature's story from his perspective. Does this all add up to an entertaining movie? Check out this episode to find out! “Frankenstein” also stars Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, Nikolaj Lie Kaas, Kyle Gatehouse, Lauren Collins, Sofia Galasso, Ralph Ineson and Burn Gorman. Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

Frankenstein es una de las figuras más importantes en la ficción, trascendiendo las letras para llegar a más medios, y aunque su conceptualización parecería arcaica, sigue dando de qué hablar ya que los temas que toca son relevantes. Con la llegada de la versión de Guillermo Del Toro, damos una revisión al tema, y hablamos de lo gótico y cómo encaja con la mitología monstruosa.Esta es la tercera entrega de nuestra trilogía que inició con la revisión al cine de zombies y de vampiros.Tú también puedes apoyar la creación de este y más programas y recibir crédito (para que aumentes currículum) y otros extras exclusivos en www.patreon.com/churrosypalomitas.Puedes suscribirte en YouTube para ayudarnos a producir más contenido de calidad, así como en apoyar este proyecto donando el dinero de Jeff Bezos y a ti no te cuesta nada! Instrucciones aquí.Notas del episodio.- La confrontación con la ciencia y la aberración de la ambición humana.- Malentendiendo el mito de Frankenstein, y como la visión de Boris Karloff perpetuó algo alejado de la descripción original, domesticando el expresionismo alemán.- Algunos ejemplos de las parodias y los sucesores en el cine.    El primer corto de Thomas Edison en 1910    El Show de Terror de Rocky.    2001: Odisea en el espacio.    El Joven Frankenstein.- El horror analógico y la esencia de lo gótico.- Del Toro y sus criaturas (con todo y aplausos)- Hombre vs TecnologíaEsta entrega fue traída gracias a:Productora Ejecutiva: Blanca LópezCo-Productor: Dany SaadiaCo-Productor: Román RangelAgradecimiento especial a nuestros Patreons: Adriana Fernández, Agustín Galván, Cris Mendoza, Jaime Rosales, Juan Espíritu, Luiso Uribe, Zert, Álvaro Vázquez, Arturo Manrique, Fabiola Sándoval, Lau Berdejo, Marce, Alejandro Alemán, Arturo Aguilar, Enrique Vázquez, Ernesto Diezmartínez, Jorge I. Figueroa, Mariana Padilla, Tania RG y Fernando Alonso.¡Gracias a nuestros suscriptores en Twitch ! Gracias a CoyoteRax por su apoyo.Tú también puedes apoyar la creación de este y más programas y recibir crédito (para que aumentes currículum) y otros extras exclusivos en www.patreon.com/churrosypalomitas¿Quieren continuar la discusión? Tenemos nuestro canal de Discord de Charlas y Palomitas, con distintos temas, unos solo para productores del show y otros para toda la banda.

On this episode of Kinescope, John Siuntres, Jeff Parker, and Gabriel Hardman spotlight the remarkable live television work of Boris Karloff — best known as Hollywood's original Frankenstein Monster but equally commanding on the small screen. From the tense anthology dramas of the early 1950s to his chilling appearances on Studio One, Westinghouse Studio One, Climax!, Suspense, and The United States Steel Hour, Karloff proved that terror and empathy could coexist in real time — without retakes.The hosts revisit surviving kinescopes that capture Karloff's range — cultured villains, haunted men, and tragic figures performed before live audiences. They explore how these broadcasts bridged the golden age of horror and the birth of television drama, revealing how Karloff's gravitas and restraint brought unexpected humanity to live anthology television. Expect insights, behind-the-scenes stories, and production history from the era when Boris Karloff mastered the art of live fright.

Support our Halloween “Overcoming the Darkness” campaign to help people with depression: https://weirddarkness.com/HOPENOTE: Episodes in this series are low quality. You can still hear and understand the story, but some people may find the quality distracting. But you have to expect some degradation when listening to something that is almost 100 years old!Step back to 1931 and experience the complete 13-episode Frankenstein radio serial that aired the same year as the legendary Boris Karloff film—a rarely heard vintage horror dramatization starring George Edwards as Baron Victor Frankenstein. Bolt your doors, turn off your lights, and journey into the darkness for over two hours of classic old-time radio terror. | #RetroRadio EP0546CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open, Introduction to “Frankenstein”00:02:46.604 = Part 01: “The Wanderer”00:15:43.563 = Part 02: “Strange Genesis”00:29:01.911 = Part 03: “The Power And The Price”00:42:00.781 = Part 04: “The Monster Returns”00:55:39.429 = Part 05: “A Death in The Woods”01:08:08.822 = Part 06: “The Hunter And The Hunted”01:21:39.422 = Part 07: “The Promise”01:34:21.772 = Part 08: “Reunion on Ornkey Island”01:47:22.910 = Part 09: “Bitter Homecoming”02:00:23.457 = Part 10: “Vendetta”02:12:40.793 = Part 11: “Escape and Exile”02:25:29.324 = Part 12: “Pursuit”02:38:21.820 = Part 13: “The Last Death”02:51:40.621 = Show Close(ADU) = Air Date Unknown***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = =ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#WeirdDarkness #Frankenstein1931 #OldTimeRadio #VintageHorror #ClassicRadioDrama #BorisKarloff #RetroRadio #GoldenAgeRadio #1930sHorror #ClassicMonstersCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0546

Happy Halloween! This is the final week of Josh and Drusilla's deep dive of Universal Horror and they saved the best for last. Frankenstein (1931) and Bride of Frankenstein (1935). From wiki: “Frankenstein is a 1931 American pre-Code science fiction gothic horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from the 1927 play Frankenstein: An Adventure in the Macabre by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston, while the screenplay was written by Garrett Fort and Francis Edward Faragoh, with uncredited contributions from Robert Florey and John Russell.”Bride of Frankenstein is a 1935 American Gothic science fiction horror film, and the first sequel to Universal Pictures' 1931 film Frankenstein. As with the first film, Bride of Frankenstein was directed by James Whale starring Boris Karloff as the Monster and Colin Clive as Dr. Frankenstein.[3] The sequel features Elsa Lanchester in the dual role of Mary Shelley and the bride. Also discussed: The Chair Company, Bugonia, Yorgos Lanthimos, Death and the Maiden, Jessie Plemons, Halloween Kills, Slayyyter, and more.  NEXT WEEK: Presence (2024)  Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Happy Halloween!  Byrd, Lux, Tom and Kevin get together to discuss Rankin-Bass' stop motion Halloween feature, Mad Monster Party.  Dr. Frankenstein (voiced by Boris Karloff) is about to retire and invites the classic monsters to his castle for a party where he will announce his successor.  Among the guests are the Frankenstein Monster and his bride, Dracula, Dr. Jekyll and Mr. Hyde, the Wolf Man, the Gillman, the Hunchback, the Invisible Man, the Mummy, and "It," a legally distinct stand-in for King Kong.  This cult favorite was directed by Jules Bass and animated by the legendary Tadahito Mochinaga.  We discuss the Rankin Bass holiday specials, enduring an annoying Phyllis Diller performance, the career of animator Tadahito Mochigana, whether the film could be considered anime and/or tokusatsu, and more!  Relax and enjoy the conversation.

This week marks the final chapter of our Month of Spooky, and we're ending it with a creaking door and a chill in the air. It's a double dose of fright from one of old-time radio's finest — Inner Sanctum Mysteries. We'll hear two unforgettable tales: Dead Man's Vengeance (October 7, 1944) – A chilling story where the host himself, Raymond, becomes the target of a supernatural hit list.  The Corridor of Doom (October 23, 1945) – Starring the great Boris Karloff, this haunting tale follows a man lost in a hospital corridor that may lead straight into madness. Between the stories, Ron dives deep into Inner Sanctum's eerie history — its creaking doors, its pun-loving host, and its strange ability to make us both laugh and shiver. He also reflects on why we like to be scared and what keeps these old tales alive more than 80 years later. So, pull up a chair, dim the lights, and join us for one last visit to the shadows. What You Will Hear The chilling world of Inner Sanctum Mysteries A discussion on why fear entertains us Insights into Boris Karloff's legendary career Classic audio from two of radio's creepiest stories A fond farewell to the Month of Spooky Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at audibletrial.com/ronsamazingstories. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod (incompetech.com) and is Licensed under Creative Commons: By Attribution 3.0. Other pieces are in the public domain. You can find great free music at FreePd.com which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from Apple Podcasts, stream it on Stitcher Radio or on the mobile version of Spotify. Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on AMFM247.COM. Check your local listing or find the station closest to you at this link. Social Links: Main Podcast Site by LibSynThe Blog Site by WordPressFacebook LinkTwitter Link Contact Links: EmailStory Submissions Contact Ron

George Noory and author Chris Alexander discuss the enduring appeal of horror movies, some of the stars of classic horror movies like Vincent Price, Boris Karloff and Bela Lugosi, and why low budget horror movies like Night of the Living Dead remain so popular decades after they were released.See omnystudio.com/listener for privacy information.

Trick or treat! It's time for the annual Down These Mean Streets Halloween Special! In this king-sized bonus show, we'll hear a parade of stories - both spooky and silly - designed to get you in the spirit of the season. First, big screen horror legend Boris Karloff lends his voice to "The Corridor of Doom," a thriller from Inner Sanctum Mysteries (originally aired on CBS on October 23, 1945). The Great Gildersleeve attends a Halloween party (originally aired on NBC on October 29, 1947) and a Halloween prank backfires on Henry in The Aldrich Family (originally aired on NBC on October 30, 1940). Then, it's ghosts vs. gumshoes in a pair of old time radio mysteries. Michael Shayne finds a dead body in a haunted house in "The Ghost of Moccasin Hill" (originally aired on Mutual on April 9, 1945), and a ghost may be responsible for a murder in a syndicated adventure of Boston Blackie. The Origin of Superstition tells us the story of the Boogey Man in a syndicated show from 1935, and Favorite Story dramatizes Washington Irving's classic "The Legend of Sleepy Hollow." Dorothy McGuire reprises her screen role as The Screen Director's Playhouse adapts "The Spiral Staircase" (originally aired on NBC on November 20, 1949), and Herbert Marshall makes a monster in a Suspense production of "Frankenstein" (originally aired on CBS on November 3, 1953).

We are back, not only with our first episode of the year, but in our beloved Rankin/Bass cinematic universe. ITM covers the bizarre Halloween film Mad Monster Party?which features plenty of classic monsters, an horror icon Boris Karloff himself. Did Mad Monster Party? succeed where Universal's Dark Universe fails? Maybe not. Does this film have plenty of non-sequiturs that make no sense and cheap, borderline offensive humor? Of course. ITM also addresses the pod's long hiatus and is very excited for the return of Christmas programming in a few weeks.

Tonight on GhostBox Radio with Greg Bakun, Greg talks with special guest Sara Karloff, the daughter of Boris Karloff. We talk about the legacy her father achieved as an actor and how he never played a monster. E-mail: comment@ghostboxradio.com Listen Live Streaming: www.am950radio.com Watch Live: www.facebook.com/MNGhostBox www.facebook.com/AM950Radio www.facebook.com/ParaFriendsEvents/ www.facebook.com/gethauntedusa www.facebook.com/PUNMedia1 Website: www.ghostboxradio.com Twitter: @mnghostbox #GhostBoxRadio #AM950 #GregBakun #ParanormalRadio #ParanormalPodcast #TalkRadio #AMRadio #Paranormal #SaraKarloff #BorisKarloff #Frankenstein #UniversalHorror #Movies #Films

In this horrific start to Halloween 2025, Stuart and Jacob embark on a thrilling adventure through the sands of time as they compare the original 1932 classic "The Mummy" with its 1999 blockbuster remake. They dig deep into the lackluster atmosphere of the early Universal monster film, featuring Boris Karloff's iconic performance, and contrast it with the action-packed Fraser romp that quickly became quite the sensation. What elements of horror and charm persist in both of these? How do the characters and their motivations differ across the decades? And just why does Jacob find 1999 a bit too... busy?Also featured in this episode are discussions on "Hollow Knight: Silksong", the charm of Universal's monster movies, when exactly it's time to trim the character fat, and a ranking of these classic monsters. All this and more on They Remade It!Plot Synopsis Timestamps: 12:13 - 22:26----------Socials----------@theyremadeit.bsky.social on Blueskytheyremadeit@gmail.com

GGACP celebrates Halloween week by revisiting this conversation from 2021 as Gilbert and Frank celebrate the 90th anniversaries (1931-2021) of Universal Studios' original “Dracula” and “Frankenstein” with Oscar-winning makeup creator Rick Baker and late author-historian David J. Skal. In this episode, Rick and David talk about sympathetic monsters, mad scientists (real and imagined), the genius of Jack Pierce and the premature deaths of Colin Clive, Dwight Frye and Lon Chaney. Also, David interviews Carla Laemmle, Rick turns Martin Landau into Bela Lugosi, Glenn Strange appears in Boris Karloff's obit and Bram Stoker's widow tries to kill off “Nosferatu.” PLUS: Ghoulardi! “Man of a Thousand Faces”! The influence of Forrest J. Ackerman! Bette Davis (almost) plays the Bride of Frankenstein! And the boys (once again) try to make sense of “The Black Cat”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Lights Out. Creeps By Night. Suspense. Enjoy some classic old time radio this Halloween season! Plus Kenny's Look at Famous Monster of Filmland and Mark Matzke's Beta Capsule Review (Ultraman Taro)! Voicemail: (360) 524-2484‬ Email: Deth Designs - Monster Kid Radio on Patreon - Monster Kid Radio on Twitch! - Monster Kid Radio on YouTube - Follow Mark Matzke Small Town Monsters - Classic Horror Film Board -  Executive Producer -  "Phantom of the Poles" provided courtesy of Bride of Monster Kid Radio is a Production. All original content of Bride of Monster Kid Radio is licensed under a . You can learn more about Team Deth, our other projects like Deth Merchant, Mail Order Zombie, Deth Writer, and more at . Please rate and review Monster Kid Radio wherever you download your favorite podcasts. Next time on Bride of Monster Kid Radio:

Double Edgar Allan Poe! The Universal Classics deep dive continues with two very loose Poe adaptations: The Black Cat (1934) and The Raven (1935) both starring Bela Lugosi and Boris Karloff. From wiki: “The Black Cat is a 1934 American pre-Code horror film directed by Edgar G. Ulmer and starring Boris Karloff and Béla Lugosi. It was Universal Pictures' biggest box office hit of the year, and was the first of eight films (six of which were produced by Universal) to feature both Karloff and Lugosi. In 1941, Lugosi appeared in a comedy horror mystery film with the same title, which was also named after and ostensibly "suggested by" Edgar Allan Poe's 1843 short story.”The Raven is a 1935 American horror film directed by Louis Friedlander (who started to be credited as Lew Landers the following year) and starring Boris Karloff and Bela Lugosi. Billed as having been "suggested by" Edgar Allan Poe's 1845 poem of the same title, excerpts of which are quoted at a few points in the film, it was adapted from an original screenplay by David Boehm. Lugosi stars as a neurosurgeon obsessed with Poe who has a torture chamber in his basement, and Karloff plays an escaped murderer on the run from the police who Lugosi manipulates into doing his dirty work.Also discussed: ™, gay Halloween, Bubble Bath (1980), Frankenstein (2025), deaf crocodile, Soviet fantasy films, Knives Out,  NEXT WEEK: Frankenstein (1931) and The Bride of Frankenstein (1935) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

This Halloween, Two Strike Noise digs into the eerie side of America's pastime — haunted ballparks, ghostly players, and one pitcher who went by so many names they just called him Mysterious Walker. Jeff & Mark unearth the weirdest stories ever to cross the foul line: Boris Karloff playing baseball in full Frankenstein makeup Night-shift ghosts at the Baseball Hall of Fame Ghoulish player names and cursed team legends that feel too strange to be true Then it's back to reality — sort of — with another round of Wax Pack Heroes, opening vintage cards and revisiting cult favorites like Al Newman and Pete Incaviglia. If you like baseball, Halloween, or stories that make you say “that can't be real,” this is your episode. 00:00 Introduction and Halloween Special Announcement 01:20 World Series Ring Raffle and Spooky Baseball Quotes 02:56 Hollywood's Monsters Love Baseball 08:23 Haunted Baseball Hall of Fame 10:53 Spooky Baseball Names 17:46 The Mysterious Life of Frederick Mitchell Walker 33:01 Wax Pack Heroes: Opening the 1987 Tops Pack 56:50 Wrapping Up and Final Thoughts YouTube - www.youtube.com/@twostrikenoise Twitch - https://www.twitch.tv/twostrikenoise Bluesky - @twostrikenoise.bsky.social Facebook -https://www.facebook.com/TwoStrikeNoise/ Instagram - @twostrikenoise E-mail - twostrikenoise@gmail.com We pull ALOT of commons in Wax Pack Heroes. If you've got those Tim Foli or Ernest Riles cards just sitting around you can donate those commons to charity and maybe spark a child's interest in baseball and collecting. Find out more here: http://commons4kids.org/ #podernfamily #podnation #baseball #mlb #history #podcast #baseballcards

This week, the Pop Culture Historians dive into the world of Abbott and Costello. First, they tackle perhaps the most famous of their films, where the comedy duo MEET FRANKENSTEIN! Is..is this the best Universal monster crossover ever made? Then, A&C move on to meet THE KILLER, BORIS KARLOFF! Is Boris Karloff the killer? You'll just have to listen and find out

Episode 411 is about “Black Sabbath”. No, not that one…the 1963 Mario Bava movie with Boris Karloff. But your hosts can't help but talk about the band as well. Enjoy the show! Find us on Instagram where we are @chewingthescenery or easily find us on Facebook. CTS can be found on Soundcloud, Apple Music and anywhere fine podcasts can be found. Please rate, review, subscribe- it really does help new listeners find us! #horror #horrormovies #horrornerd #horroraddict #horrorjunkie #monsterkid #bmovie #scary movies #monstermovie #podcast #chewingthescenery #zombies #zombie #VHS #bava #mariobava #boriskarloff #karloff #blacksabbath

Frankenstein 2025… Y también en el cine de luchadores Hoy y ahora, todo mundo habla del Frankenstein de Guillermo del Toro. Y no es para menos. Pero como aquí nos gusta ir siempre al fondo, a propósito del estreno de la película más reciente de don Memo, nos lanzamos a un recuento película a película, emoción por emoción y máscara a máscara, por varios monstruos de Frankenstein en el cine. Y como el monstruo de este año tiene toque mexicano, nada nos va a impedir viajar de Boris Karloff a los varios y coloridos Frankenstein del cine mexicano, en particular aquellos que causaron pesadillas enfrentándose al Santo y Blue Demon en el famoso cine de luchadores. Para hacerlo invitamos al crítico de cine César Martínez, colaborador de Fósforo UNAM: Revista de crítica cinematográfica de la Filmoteca de la UNAM, amigo de Cinegarage y una de las voces más creíbles de la nueva crítica. Recorramos, tornillo a tornillo, al monstruo de Frankenstein en todas sus manifestaciones. Learn more about your ad choices. Visit megaphone.fm/adchoices

The celebration of Halloween month continues with this classic episode from 2018 that helped inspire the format of Frank's "Fun For All Ages" podcast as Metallica guitarist, Rock & Roll Hall of Famer and monster kid Kirk Hammett discusses his lifelong love affair with horror films, his priceless collection of movie memorabilia and the shared connection between horror fans and metal heads. Also, Boris Karloff goes digital, Kirk meets Robert Crumb, Forrest Ackerman drives a hard bargain and Gilbert pens a fan letter to the Wolf Man. PLUS: “White Zombie”! Maria Ouspenskaya returns! The twisted genius of Basil Gogos! And Horrible Herman, the Asiatic Insect! Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate the release of Guillermo del Toro's Frankenstein (Netflix, 2025), Bella and Nick revisit three unforgettable film adaptations of Mary Shelley's iconic Gothic novel.From the classic Universal monster movies that defined early Hollywood horror, to Mel Brooks' legendary parody and Kenneth Branagh's (somewhat) faithful 1994 retelling, this episode of the Gimme Three Podcast dives into how each filmmaker reimagined Frankenstein for a new generation.First, James Whale and Boris Karloff create the pre-Code masterpiece that cemented the image of Frankenstein's monster in pop culture. Second, Gene Wilder and Mel Brooks deliver a comedic yet affectionate homage in the cult favorite Young Frankenstein (1974). Finally, Kenneth Branagh directs Mary Shelley's Frankenstein (1994), starring Robert De Niro as The Creature in a lavish, Shakespearean take on the timeless story.Whether you're a horror movie buff, a classic film fan, or just curious how Mary Shelley's Frankenstein keeps coming back to life on screen, this episode has you covered.❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Vuelve Bernardita Ojeda a La Ruta Secreta para hablar de la criatura más fascinante y trágica de la literatura: Frankenstein. Analizamos la novela de Mary Shelley, su origen en el "año sin verano", las tres versiones del libro y el legado cinematográfico: desde Boris Karloff hasta Robert De Niro y las próximas adaptaciones de Guillermo del Toro y Maggie Gyllenhaal. ¿Quién es el verdadero monstruo? ¿El doctor, la criatura o el hielo?

It's Monster Rally time! Troy and I have been looking forward to discussing this Universal Horror film for a long time. Easily one of the most fun of the studio's 1940's horror films HOUSE OF FRANKENSTEIN (1944) has extraordinary highs and some bizarre lows. We dig into every single one we can think of including my obsession with werewolf footwear. I'll admit that I may have been overprepared for this episode which explains how the show's running time stretches to double the length of the film itself! Of course, this movie marks Boris Karloff's return to the Frankenstein series but in a new role as a mad scientist. He is fantastic here with his short-sighted goals always overruling wiser choices. Stepping into the oversized boots of the Frankenstein Monster for the first time is Glenn Strange, causing us to look at the common use of his version of the character in products aimed at fans. John Carradine becomes Universal's new Dracula in the episodic film's first segment but I make the argument that he might be playing an imposter. “Is you is, or is you ain't my Dracula?”   J. Carrol Naish appears as the hunchbacked assistant to Karloff and the actor does his usual excellent job playing a character that swings wildly from brutal murderer to pitiable, lovelorn soul. We also discuss several of the returning bit players that always show up in these movies and lament that Goerge Zucco doesn't get more screentime. At a certain point we realize that we have gotten lost on the brain swapping carousel trying to figure out which noggin should get which lump of gray matter. Luckily the film has a proper torches and pitchforks villager attack to bring things to a destructive end. Plus – quicksand!   If you have any comments about this film or any of the Universal horror movies thebloodypit@gmail.com is the place to send them. Thank you for listening and Happy Halloween!

Today we look back through time and it looks back in The Mummy. We discuss the iconic mummified visage of Boris Karloff before he becomes and ashy old man, the ancient egyptian love story, and the mystical madness of the finale. This is another Messed Up Monster given life by Karloff that you best not ignore...the Mummy never forgets.  Synopsis: A resurrected Egyptian mummy searches Cairo for the girl he believes to be his long-lost princess. Starring: Boris Karloff, Zita Johann, David Manners Directed by Karl Freund Youtube: https://youtu.be/ATp88rpfyJw Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

GGACP celebrates Halloween month with this ENCORE of an informative and entertaining two-part conversation about Gilbert and Frank's beloved Universal horror classics with historian, screenwriter and author of "Top 100 Horror Movies," Gary Gerani. This week: Directed by Roger Corman! The music of Billy Goldenberg! The trials of Colin Clive! Boris Karloff goes bowling! And King Tut inspires “The Mummy”! Learn more about your ad choices. Visit megaphone.fm/adchoices

The deep dive of class Universal Horror Movies continues with a deep cut, The Old Dark House (1932). From wiki: “The Old Dark House is a 1932 American pre-Code comedy horror film directed by James Whale. Based on the 1927 novel Benighted by J.B. Priestley, the film features an ensemble cast that includes Boris Karloff, Melvyn Douglas, Gloria Stuart, Charles Laughton, Lilian Bond, Ernest Thesiger, Raymond Massey and Eva Moore.[5][6] Set in interwar Wales, the film follows five travellers who seek shelter from a violent storm in the decaying country house of the eccentric Femm family.”Also discussed: feeling good and self-improvement, Jacob's Ladder, The Exorcist II: The Heretic, The People Under the Stairs and other Wes Craven deep cuts, and more. NEXT WEEK: The Creature from the Black Lagoon (1954) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.socialJoshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

The Doctor prescribed Death aired on February 2, 1943. Boris Karloff plays psychiatrist Antonio Bacile, who believes that a suicidal person can, instead, be convinced to murder someone else.

We're kicking off the spooky season with a return to the Universal monster movies and Boris Karloff in Karl Freund's 1932 version of The Mummy! Join in as we discuss Karloff the union organizer, the fights between Freund and star Zita Johann, the film's connection to silent film trends, and Imhotep's convoluted scheme. Plus: What was Imhotep doing for ten years? Why aren't there any classic novels about ancient Egypt? And, most importantly, how could Helen's final outfit be so bad? Make sure to rate, review, and subscribe! Next week: The Babadook (2014)--------------------------------------------------Key links for this episode:"Boris and Bela" miniseries from You Must Remember This"Ben Carson Stands by Statement that Egyptian Pyramids Built to Store Grain" (PBS NewsHour)That picture of the Babadook Will sent everyone at the end of the episode

Today we bring life to the early horror genre with one of the greatest horror movies ever made, Frankenstein. We discuss the iconic look and performance of Boris Karloff as the monster, Dr. Frankenstein's unbound pursuit of playing and being worshipped as a God, and the empathy we feel with this creature brought into and abandoned in one of the coldest corners of the human experience. Del Toro once said “When I saw the James Whale Frankenstein as a kid, I completely emptied my soul into the creature. I thought, ‘That's me.' It was a religious and spiritual moment.” I don't think we can say it any better than the Master.  Synopsis: Dr Henry Frankenstein is obsessed with assembling a living being from parts of several exhumed corpses. Starring: Colin Clive, Boris Karloff, Mae Clark, Edward Van Sloan, Dwight Frye Directed by James Whale Youtube: https://youtu.be/a6077mPxLjE Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g

The story unfolds a gripping tale of mystery and suspense, beginning with a man who awakens in a dark alley with amnesia. As he navigates his new life at Scotland Yard, he becomes embroiled in a murder investigation linked to a skeleton found in a backyard. The story reveals his past connections to the case and culminates in a dramatic revelation about his identity and the events that transpired years ago.Introduction: On a stormy night in December 1910, a man awoke in a dark London alleyway, soaked to the skin and with no memory of his past. This was the beginning of a mystery that would span decades, involving the disappearance of Ashley Norton and his wife, Sarah. As the investigation unfolds, we delve into the secrets hidden within the walls of their secluded home on the cliffs of Clovelly.The Discovery: The investigation began when a human skeleton was unearthed in the garden of the Norton's former residence. The townspeople of Clovelly were quick to suspect foul play, linking the bones to the mysterious disappearance of the Nortons twenty years prior. Inspector Drury, a man with no recollection of his own past, was tasked with uncovering the truth behind the bones and the Nortons' sudden vanishing.The Investigation: As Inspector Drury delved deeper into the case, he encountered a web of secrets and suspicions. The Nortons were known for their reclusive nature and strange experiments, which fueled rumors of murder. Key witnesses, including the Nortons' former servant Effie Wilkes and a local named Ben Sykes, provided crucial insights into the couple's enigmatic lives.The Revelation: The investigation took a dramatic turn when it was revealed that the bones belonged to a demonstration skeleton, buried by Sarah Norton to avoid scandal. The true mystery lay in the Nortons' disappearance, which was ultimately a case of mistaken identity and a series of unfortunate events. Ashley Norton, now known as Terence Drury, had lost his memory and lived a new life, unaware of his past.Conclusion: The case of Ashley Norton's disappearance is a testament to the power of memory and identity. As Inspector Drury pieced together the fragments of his past, he uncovered not only the truth about the Nortons but also his own identity. This tale of suspense and intrigue serves as a reminder that the past is never truly forgotten, and the truth will always find its way to the surface.Subscribe Now: Stay tuned for more captivating stories and mysteries. Subscribe now to receive the latest updates and insights.TakeawaysThe story begins with a mysterious awakening in London.The protagonist suffers from amnesia and seeks his identity.He is taken in by Scotland Yard and begins working there.A skeleton is discovered in a backyard, leading to a murder investigation.The investigation uncovers connections to a couple named Ashley Norton.The protagonist learns about experiments conducted by Mr. Ashley Norton.Blind Ben, a key witness, provides crucial information.The protagonist's past is intertwined with the case he investigates.A dramatic twist reveals the truth about the skeleton's identity.The story concludes with a revelation about the protagonist's true identity.mystery, amnesia, Scotland Yard, murder, investigation, identity, suspense, detective, historical fiction, drama

Robert and John are joined by Amber for the final episode in our Universal Monsters limited series. They wrap it up with The Mummy. Send us a textTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7 https://www.youtube.com/@DockingBay77podcast

Diane and Sean discuss the Godfather II of Frankenstein movies, Bride of Frankenstein. Episode music is, "The Creation", by Franz Waxman from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

GGACP marks the recent 50th anniversary of ABC's "Welcome Back Kotter" (September 9, 1975) with this ENCORE of an 2020 interview with Rock ‘n' Roll Hall of Famer and The Lovin' Spoonful founder (and singer-composer of the "Welcome Back, Kotter" theme song!) John Sebastian. In this episode, John entertains Gilbert and Frank with anecdotes about Cass Elliott, Jimi Hendrix, Keith Moon and Jim Morrison and reveals the stories and inspirations behind hits like “Daydream,” “Summer in the City,” and “Do You Believe in Magic?” Also, Groucho co-hosts “Music Scene,” Richard Pryor plays the Cafe Au Go Go, Art Garfunkel nails a Spoonful cover version and John remembers legendary bandmate Zal Yanovsky. PLUS: Vivian Vance! “What's Up, Tiger Lily?” John plays Woodstock! Boris Karloff plays Captain Hook! And Ed Sullivan introduces the “American Beatles”! Learn more about your ad choices. Visit megaphone.fm/adchoices

The House of Franklin-Stein returns! Chris and Cindy begin their 12th Annual Spooky Season Spectacular with a stone-cold Universal Monsters classic! Ancient Imhotep rises to reunite with his lost love by any means necessary in the original The Mummy (1932) starring Boris Karloff! Then they unwrap a Mummy tale from the comic crypt, Superman #5 (1987) by John Byrne and Karl Kesel! The Man of Steel battles an oversized and powerful ancient mummy unearthed in South America! Subscribe via iTunes. Or Spotify.. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Please consider supporting us on Patreon: https://www.patreon.com/fwpodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Like our FACEBOOK page - https://www.facebook.com/supermatespodcast Use our HASHTAG online: #FWPodcasts Email us at supermatespodcast@gmail.com Clip credits: The Mummy (1932) directed by Karl Freund Superman Ruby Spears Animated TV series theme by John Williams and Ron Jones "The Mummy" by Dyke and the Blazers (with Boris Karloff and Phyllis Diller) from Mad Monster Party? (1966), directed by Jules Bass “The House of Franklinstein” by Terry O'Malley, of Stop Calling Me Frank https://www.facebook.com/rockSCMF

Send us a textRobert and John are joined by Scott Hoffman of the A Film By podcast and they continue our series into the classic Universal Monster films. Listen to the end to hear details on a contest!Twitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7 https://www.youtube.com/@DockingBay77podcast

Diane and Sean discuss the mummy movie from when movie's were easier...The Mummy (1932). Episode music is, Tchaikovsky's "Swan Lake", as featured in the movie.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show