Podcasts about sag aftra

Broadcast journalists chase breaking news, work unpredictable hours and sometimes put themselves in harm's way to tell stories the public needs to know. But the job is changing. Tracee Wilkins is an investigative reporter with NBC4 Washington and president of SAG-AFTRA's Washington-Mid Atlantic Local. She takes us inside the newsroom to talk about why reporters are being asked to do more with less, what it takes to produce for TV, digital and social all at once, and growing concerns about safety and First Amendment rights. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA

Ever wonder what it takes to earn the Presidential Lifetime Achievement Award before you're 50? In this episode, Steve sits down with Jake Rademacher, for a story-filled conversation about courage, commitment, authenticity, service, and what it means to make the hard choices that move us toward a life that feels like our own. Jake traces his journey from walking away from a promising path in business to pursuing acting and filmmaking, eventually risking everything to tell the story of his brothers serving in Iraq. What began with a borrowed camera and an idea no one wanted to fund ultimately took Jake into a war zone, where he learned firsthand that courage isn't necessarily something we have before taking a leap- it can be something we build by continually choosing the next difficult step. The conversation also explores how Jake's understanding of courage has evolved. Today, it is less about putting himself in dangerous situations and more about having the vulnerability to ask difficult questions, hold space for someone else's story, and follow a conversation wherever it needs to go. Through his work and in partnership with the Gary Sinise Foundation to support families impacted by war, Jake has learned how authenticity, curiosity, and connection can create opportunities for people to confront experiences they may have carried silently for years. In this episode, you'll hear about:  Why some of Jake's greatest periods of growth began with failure or loss How an award-winning film began with a leap of faith, a borrowed camera, and total commitment Why courage is something we can build one difficult decision at a time How vulnerability, curiosity, and difficult questions can create deeper human connection Why being honest about where you're stuck can help you move toward a more authentic life Listen now and ask yourself: Your time is limited- what do you want to do with it? About the guest: Jake Rademacher is the Founder and President of Metanoia Films and Perseverance Productions. Between 2005 and 2007, Jake risked everything, including his life, to tell the story of his brothers serving in Iraq, filming the award-winning feature documentary Brothers at War. The film was released in theaters across America, premiered on Showtime, and was later released around the world. Jake then created the Brothers at War Resiliency Workshops, which have been conducted for more than 60,000 Service Members and their Families. With Gary Sinise returning as Executive Producer, Jake directed and produced the award-winning Brothers After War and currently leads a team conducting 45 events annually. Jake has also written, directed, and produced numerous commercials and short films. He is a recipient of the Presidential Lifetime Achievement Award, the Distinguished Education Award from the Veterans of Foreign Wars, the Soaring Eagle Award from the National Veterans Day Foundation, and the Distinguished Service Award from The Caucus of Producers, Writers, and Directors. He is an honorary Colonel in the Oklahoma National Guard, a Canon Chasing the Light Filmmaker, a member of the Directors Guild of America, and a SAG-AFTRA member. As a performer, he has appeared in numerous theatrical productions and films and narrated hundreds of documentary series and commercials. He graduated cum laude with a degree in English from the University of Notre Dame and studied playwriting and drama at Trinity College Dublin. He lives in Los Angeles, where he is a dedicated father to his two children, Josie and Noel. Connect with Jake Rademacher: Website: https://brothersafterwar.com/  LinkedIn: https://www.linkedin.com/in/jake-rademacher-2bb5403/  Instagram: https://www.instagram.com/brothersafterwar/  Facebook: https://www.facebook.com/brothersafterwar  Send us Fan MailSupport the showConnect with Steve MellorStay connected and keep growing with Steve:LinkedIn - https://www.linkedin.com/in/steve-mellor-cc/Instagram - https://www.instagram.com/coachstevemellorBook Steve to speak at your next event → www.stevemellorspeaks.comSupport the GrowthReady Podcast by leaving a 5-star rating → Apple Podcasts - https://podcasts.apple.com/us/podcast/growthready-podcast/id1406082163Connect with GrowthReadyJoin the community and keep your growth journey going:LinkedIn - https://www.linkedin.com/company/wearegrowthready/Instagram - https://www.instagram.com/growthreadypodcast/Facebook - https://www.facebook.com/growthreadywithcoachstevemellorOfficial Website - https://growthready.com/----This podcast was produced on Riverside and released via ...

This episode is sponsored by NURP NURP helps busy physicians grow their wealth through AI-powered algorithmic trading designed for demanding careers. No day trading, no guesswork, and no constant market watching required.  Ready to put your money to work? Visit start.nurp.com/doctors  to learn more.  Trading involves risk, and results may vary. This is not financial advice. —---------------------------- What would make a doctor walk away from pathology residency just one year from finishing? In this inspiring episode of BootstrapMD, host Dr. Mike Woo-Ming welcomes Jackie Dallas: physician by training, actress by passion, and women's health advocate. She explains how she treated acting as a business rather than waiting to be discovered, leveraged her real medical background to book early roles, and navigated early typecasting as an Asian actress. Listeners hear the story behind her breakout role in Stranger Things Season 1 and her recurring role in the Netflix hit The Hunting Wives. Jackie also discusses her return to medicine through advocacy, launching HerHealth101.com to educate women about underdiagnosed pelvic floor conditions, self-advocacy in short appointments, and the ongoing underfunding of women's health research. She closes with practical advice for physicians curious about creative careers: start small, treat it like a business, and don't quit your day job until you've tested the waters. Three Actionable Takeaways: The sunk-cost fallacy keeps many physicians stuck; Jackie left with one year of residency remaining because she knew the path wasn't right for her. Acting is a business, not magic:  Treat it like any other career; build credits, develop skills, get representation, and persist through rejection. Physicians have unique advantages in creative fields: (authenticity in medical roles, research skills, discipline). Jackie now channels that same training into women's health education via HerHealth101. About the Show: Bootstrap MD is the ultimate podcast for physician entrepreneurs looking to escape traditional healthcare and control their financial futures. Hosted by Dr. Mike Woo-Ming, a successful physician, entrepreneur, and investor, the show delivers actionable insights on starting businesses, creating passive income, and navigating healthcare entrepreneurship. Featuring interviews with industry leaders, physicians, and experts in telemedicine and digital health, it's your guide to building a profitable, fulfilling career. Tune in weekly at http://bootstrapmd.com About the Guest Jackie Dallas is a SAG-AFTRA actress and former physician. She trained in surgery and pathology before leaving medicine to pursue acting full-time. Her credits include Stranger Things (Season 1), 13 Reasons Why, Magnum P.I., NCIS: Hawai'i, Criminal Minds, Fear the Walking Dead, and a recurring role as a political strategist in Netflix's The Hunting Wives. She is the founder of HerHealth101, a platform dedicated to educating women about pelvic floor health and self-advocacy. Connect with Jackie Dallas: Website: https://www.jackiedallas.comHerHealth101: https://herhealth101.comInstagram: @jaxdallasIMDb: imdb.me/jackiedallas  About the Host: Dr. Mike Woo-Ming has over 20 years of experience as a physician entrepreneur. He's built and sold multiple seven-figure companies and now leads Executive Medical, a group of clinics specializing in age management and aesthetics. Through BootstrapMD, he mentors physicians in business, content creation, and autonomy. Let's Connect: www.https://www.bootstrapmd.com  Want to start a podcast? Check out the Doctor Podcast Network!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Benjamin Franklin is back! But it's not going to be so easy getting the location of Lord Bitcherton from one of America's founding fathers...Bitcherton is an improvised comedy podcast inspired by the stories of Jane Austen that tells the tale of a wealthy family's secrets, scandals and shenanigans.To hear the cast talkback and to read Lady Bigg-Wither's in-world gossip sheet, visit us at our PatreonCredits:Katie Marovitch as Violet BitchertonCassie Willson as Patience Bitcherton Carolyn Page as Gwendoline BitchertonIfy Nwadiwe as Vicar Glenwald DevoutlyBrian Flaherty as Davis DevoutlyWill Campos as Benjamin FranklinSpecial Thanks to Dr. Emily FriedmanBitcherton is produced under the SAG-AFTRA independent podcast contract. Produced by Brian Flaherty & Elliot DavisEditing and Sound Design by Brian FlahertyTheme Song by BE/HOLDAdditional Music and SFX courtesy of Artlist.ioProduced by Many Sided MediaAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

ReelShort casting director and Golden Artists Entertainment manager Dante Rusciolelli joins Jesse Malinowski on Get Scene Unscripted to explain why he believes SAG-AFTRA is setting itself up to fail, from a health insurance threshold most members never hit to residuals that still go missing 15 years into streaming. Plus the truth about going Fi-Core, a $790 commercial contract that changed the Georgia market, and why Dante says actors and writers, not tech, are the real inventors of AI, only from Get Scene Studios.

Warner Bros. was ready to write off Coyote vs. Acme, and after a sale to another company it has taken in about $85 million as of this episode's release. That sits inside a summer that put $4.7 billion through the box office, a record in dollars with ticket sales still short of the peak, and theaters full of young people lining up for smaller originals like Buddy alongside Nolan's Odyssey and Spider-Man. Chris, Daniel, and James Blevins read it as proof that the majors can no longer pick winners. Daniel adds that Neon and A24 now sell what the studios used to sell, an identity people buy tickets on. Daniel said on an earlier episode that if Backrooms hit, everyone should look into SCP and liminal space horror. A24, the studio behind Backrooms, has since taken worldwide rights to V/H/S: SCP, set for a 2027 theatrical release. Daniel says Spielberg is producing The Mandela Catalogue and Siren Head is headed for a major movie, all from a horror genre born on YouTube that the studios missed while they skipped two generations of filmmakers. He expects There Is No Antimemetics Division to be the next book bought for a film. Chris asks whether anyone can own Backrooms at all. The panel also talks through the Paramount and Warner Bros. deal just days before the settlement was announced. AI gets its own stretch, starting with the AI film festival running alongside Venice and the new guild agreements, and turning into an argument over whether the flood of mediocre AI work corrects itself. James says it does. Chris points to ZBrush and its identical alien creatures. The show ends on Daniel's lineup for a Monstrous Moonshine Film Festival, where Stripes and Full Metal Jacket count as the same movie. Tools and companies mentioned: Warner Bros., Paramount, A24, Neon, Spooky Pictures, Image Nation Studios, ZBrush, Panavision, SAG-AFTRA, WGA Premier Sponsor: Center Grid Virtual Studio >

Is technology helping your acting career, or are you getting left behind?The acting world is changing fast. Self-tapes, casting sites, social media, and online tools have made it easier for actors to be seen from almost anywhere. But actors who do not keep up may miss new chances.In this episode, you'll discover:1. Why being easy to find online can lead to more acting opportunities.2. How technology can help you move faster and stay ready when someone finds your work.3. The big mistake actors make when the industry changes, and why it can slow down their careers.Play the episode now to learn how to use technology to make it easier for the right people to discover your work.Email: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional Resources:Headshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

Adrian Esposito is a Rochester filmmaker who has been writing, producing, and directing films for more than a decade, from Bury My Heart with Tonawanda, a family film about how the Tonawanda Seneca Nation cared for its own people with disabilities, to Greetings From Tromaville!, his documentary on Lloyd Kaufman and Troma Entertainment. He is on the autism spectrum, spent his whole life in special education, and makes a point of putting people with disabilities in the kinds of movies you would never expect to see them in. His latest, Special Needs Revolt!, took six years to get made. In 2023, with the cast finally secured and the crowdfunding still short, he and his mom decided to pay for it themselves. In this episode he talks about the action comedy at the center of Special Needs Revolt!, a Rambo style hero with Down syndrome who takes down a dictator who has sent people with disabilities back to institutions, and the Troma, South Park, and Josh "The Ponceman" Perry influences behind it. He gets into the SAG-AFTRA complications that kept Perry out of the cast, why he believes ableism shaped how some of his crew treated him, the cue cards that helped lead actor Nolan Tierce deliver the film's closing speech, and the day he broke down and cried when an actor threatened to walk off halfway through production. He also shares where he stands on AI in filmmaking, the disability language he is comfortable with and why only the villains use the R word, and his next projects, Campfire Stories and a horror film called Wrong Town. Special Needs Revolt! screens Thursday, October 1 at 7:30 PM at The Little Theatre in Rochester.#SpecialNeedsRevolt, #DisabilityRepresentation, #IndependentFilm, #AutismSpectrum, #PositiveBlatherings, #ROCVox, #DownSyndrome, #RochesterFilm, #TromaRecorded at ROC Vox Recording and Production Studios, Rochester, NY.

On this day, 23 September 2017, the strike of video game voice actors in the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) against 11 US video game developers and publishers, including Activision, Electronic Arts, Disney and others, ended in a partial victory after 340 days. It was the longest strike in the history of the union.In particular, employers agreed to additional bonus payments of between $75 and $2100 depending on the number of sessions worked.More information, sources and map: https://stories.workingclasshistory.com/article/9614/video-game-voice-actors-strike-endsOur work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History

"Your creative identity can get tangled up in gear, and sometimes the best thing for the film is carrying less."In part two, hosts Indeana Underhill and Haeleigh Royall keep the conversation going about making a feature with fewer barriers and fewer backaches.The duo gets honest about a tension a lot of filmmakers feel but rarely say out loud: the pull toward an all-natural-light approach, breaking camera packages down smaller and smaller, and why more equipment doesn't always mean better storytelling, better performances, or a better day on set. They also get real about producing as a tight team, including the messy parts: stress, being too direct, snapping, then repairing quickly because the trust is already there.Meanwhile, Indeana weighs the long-game question of the DP path versus the producer path, and how deep cinematography knowledge becomes a superpower when you're negotiating budgets, crew needs, and priorities. Then the two get practical about making their ultra-low-budget feature Before The Storm in Savannah: SCAD's production placement program, crewing with experienced students, fiscal sponsorship, donations and equity investment, and the momentum hack that worked for them, which was setting a real start date. They also explain why production legal and SAG-AFTRA paperwork matter if you want a film that can actually sell, and how Slack and form automation kept the machine moving.Whether you're planning a lean first feature, figuring out how to finance an indie, or deciding which side of the camera your career leans toward, this one's for you. Subscribe for part three, share it with a filmmaker friend, and leave a review so more actors and crew can find the show.Send us Fan MailFor our listeners, CFA's teamed up with We Make Movies to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your next shoot. Visit wemakemovies.org/insurance and use code CFA23 on your intake form for 10% off your quote.Calling all actors! Take 25% off your membership at WeAudition with code: CFA25Website: www.cinematographyforactors.comInstagram: https://www.instagram.com/cinematographyforactorsTikTok: https://www.tiktok.com/@cinematographyforactorsCinematography for Actors is a community aimed at bridging the gap between talent & crew through our weekly podcast & community events. Our weekly show supports the filmmaking community through transparent, honest & technically focused interviews with the goal of elevating the art of effective storytelling.

EPISODE #490-- We're talking cowboys, vengeance, and the harrowing absence of God with the classic Coen Bros western, TRUE GRIT (2010). Go see it! We love cowboys and the women who sass them. More of this sort of thing, I say! We also talk HOUSE OF DYNAMITE (2025), the Sasori sequel SCORPION: DEATH THREAT (1991), and the original, less good, TRUE GRIT (1969). LINKS-- Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Welcome to a very special edition of All About The Joy!While cleaning out hard drives and reorganizing digital files, I stumbled upon a goldmine of clips from our 2023 episodes. I couldn't stop laughing and knew I had to compile them into one special showcase.In this special clip show:Sneezing while on mute vs. not on mute (Thank you, Cynthia!)Unfortunate mountain bike mishaps and lost wardrobing

Voiceover work covers a lot of ground: audiobooks, animation, commercials, video games, ADR/looping, dubbing. But how different are they really, and what does it take to break in? David Jolliffe has voiced well over 1,000 TV episodes and serves as SAG-AFTRA's L.A. Local Second Vice President. Nancy Linari is a voiceover performer and audiobook narrator best known as the voice of Aunt May in Marvel's Spider-Man. They walk through the distinct skill set each lane demands. They also get into how home studios changed the game post-COVID, why relationships and networking matter and how the union contracts protecting this work came together. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA.

The Bitchertons encounter a strange “commoner” on the road. Bitcherton is an improvised comedy podcast inspired by the stories of Jane Austen that tells the tale of a wealthy family's secrets, scandals and shenanigans.To hear the cast talkback and to read Lady Bigg-Wither's in-world gossip sheet, visit us at our PatreonCredits:Katie Marovitch as Violet BitchertonCassie Willson as Patience Bitcherton Carolyn Page as Gwendoline BitchertonIfy Nwadiwe as Vicar Glenwald DevoutlyBrian Flaherty as Davis DevoutlyErika Ishii as Tibbult Fizzingbum / Prince Branthwaire Chudley / Bingby BorblechuffSpecial Thanks to Dr. Emily FriedmanBitcherton is produced under the SAG-AFTRA independent podcast contract. Produced by Brian Flaherty & Shenuque TisseraEditing and Sound Design by J StrautmanTheme Song by BE/HOLDAdditional Music and SFX courtesy of Artlist.ioProduced by Many Sided MediaAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This month, Alex and Toni tackle the question everyone's asking: what does AI mean for theatre? They dig into the Tilly Norwood "AI actress" controversy, SAG-AFTRA's pushback, and where companies should (and shouldn't) use AI tools in design, marketing, and criticism — plus a surprising listener story about ChatGPT quoting Toni's own review back at her. Along the way: recent reviews of Misery, The Outsiders, Les Misérables, Gypsy, and Brindlewood; news on Boulder Ensemble Theatre Company's sold-out streak and the Denver Center's community open house; and an interview with Anne Penner and Brian Pertl on DU's new Lamont School of Music and Theatre. Plus your Colorado Headliners for the weeks ahead.In this episode:The Denver Center's community open house, with a clip from Mayor Mike JohnstonWhere OSC draws the line on AI in journalism and criticismInterview: Anne Penner & Brian Pertl on the Lamont School of Music and Theatre mergerColorado Headliners: The Weir, The Tempest, The Catastrophist, and more

On today's Labor Radio Podcast Daily: On the SAG-AFTRA podcast, AFL-CIO president Liz Shuler urges workers to organize and make their voices heard. In labor history, women cotton workers strike for a 10-hour day. Quote of the day: Susan B. Anthony. @wpfwdc @AFLCIO #1u #UnionStrong #LaborRadioPod Proud founding member of the Labor Radio Podcast Network. Produced by Chris Garlock, Patrick Dixon and Harold Phillips.

We're trying something new this week — a Q&A episode pulled straight from the hat. Residuals and SAG-AFTRA pensions, protecting couple time as business partners and parents, audition habits that used to work against us, roles we've turned down, comedy vs. drama prep, and how we decide what gets our time. Plus a recap of our 5-year anniversary trip to Yosemite. Send us your questions for next time!

Are you learning more and more about acting, but still not sure what to do next?Too much advice can make your acting career feel harder. You may watch videos, take classes, and study the business, yet still feel stuck.Sometimes, giving your mind more space can help you see what really matters and make better choices.In this episode, you'll discover:Why more acting advice can sometimes make it harder to move forward.How mental space can help you feel more clear, creative, and sure of your next move.What can change when you spend less time taking in information and more time moving your career ahead.Play this episode to learn how creating more space in your mind could help you find the next big step in your acting career.Email: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional Resources:Headshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

This week, Zak and Aaron draw a throughline connecting numerous recent episodes, and discuss the state of the games industry in general. Namely, the fact that many of its woes can be tied to the idea that games are now a mature market rather than a growing one. But that has no bearing on investors' insatiable need to see the all-important line go up - whatever the cost.Please, enjoy.Sources:The Death Of Physical Games Is A Sign Of What's Coming - Jason SchreierThe Video Game Industry Is Collapsing - Adam ConoverPRESENTATION: The State of Video Gaming in 2025 - Matthew BallListen to Beach Girl on SpotifyCheck Out MosscatMarket on Instagram

In honor of Labor Day we ask the Fair question for today and yes, it pertains to Labor Unions! Are they necessary? - whether it is nurses or even our union at WCCO Radio in SAG AFTRA - we discuss!

Do you feel like you always look bad in photos, no matter what you do?A lot of actors and other professionals feel nervous in front of the camera. You may worry about your skin, your weight, your age, or what other people will think.But most people are not looking at those small flaws. They are paying much more attention to your expression and how you come across.In this episode, you'll discover:Why you may judge your own headshots much harder than anyone else does.What casting directors and other people really notice when they look at your photo.Why feeling more relaxed in front of the camera can help your headshots feel more natural and real.Play this episode to learn how changing the way you think about photos can help you feel more confident and get stronger headshots.Email: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional Resources:Headshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

This Labor Day, we step back and ask a bigger question: what's the state of the unions in America right now? Not just SAG-AFTRA, but the whole movement. Where we've made real gains, where we're facing challenges and what it actually means to be a union member in 2026. To tackle these topics, we're joined by two prominent labor leaders who are at the center of that fight. Sean Astin is President of SAG-AFTRA and was recently elected a Vice President of the AFL-CIO. Liz Shuler is President of the AFL-CIO, representing nearly 15 million working people. The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA.  

The Bitchertons hit the open road...and some bumps along the wayBitcherton is an improvised comedy podcast inspired by the stories of Jane Austen that tells the tale of a wealthy family's secrets, scandals and shenanigans.To hear the cast talkback and our bonus BEACH EPISODE visit us at our PatreonCredits:Cassie Willson as Patience Bitcherton Carolyn Page as Gwendoline BitchertonKatie Marovitch as Violet BitchertonIfy Nwadiwe as Vicar Glenwald DevoutlyBrian Flaherty as Davis DevoutlySpecial Thanks to Dr. Emily FriedmanBitcherton is produced under the SAG-AFTRA independent podcast contract. Produced by Brian Flaherty & Elliot DavisEditing and Sound Design by Brian FlahertyTheme Song by BE/HOLDAdditional Music and SFX courtesy of Artlist.ioProduced by Many Sided MediaAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

John discusses the chaos surrounding impending government shutdowns and the recent devastating flash floods at the Grand Canyon. He also critiques the toddler-in-chief's latest antics, including AI-generated memes celebrating military actions in Iran. He explores the irony of corporate profits soaring while workers struggle, and the shady dealings surrounding U.S. oil interests in Venezuela. Then, he speaks with Dr. Jason Nichols who's an is an award winning full-time senior lecturer in the African American Studies Department at the University of Maryland College Park. They explore the war in Iran, which has now entered its sixth month, and the administration's shifting rhetoric from economic warfare to military strikes. John and Jason discuss the fallout of Trump's controversial decision to expand access to imported lean beef trimmings, a move that has left American cattle farmers furious and raised questions about the true meaning of "America First". Next, John welcomes back the National Affairs correspondent for the Nation - John Nichols. They talk about the remarkable legacy of Dolly Parton, exploring her role not just as a beloved entertainer but as a steadfast union advocate. The conversation highlights Dolly's long-standing commitment to the labor movement, including her nearly six-decade membership in the American Federation of Musicians and SAG-AFTRA. They discuss how her iconic song "9 to 5" resonates as a powerful anthem for workplace equality and the working class, and how Dolly's personal experiences shaped her understanding of union solidarity. They also tackle her nuanced relationship with feminism, her clever responses to political questions, and her impact on the LGBTQ community. And finally, Professor Corey Brettschneider is back to share his legal wisdom. They kick off with a discussion about the controversial remarks made by Texas politicians regarding the need for unity behind Ken Paxton, despite his unpopularity. John reflects on the recent march in D.C. led by Reverend Al, commemorating Dr. King's legacy and advocating for new voter protections, emphasizing the importance of persistent activism in the face of political fatigue. They also dissect a recent court ruling that deemed the Trump administration's targeting of international students for deportation based on their political opinions unconstitutional. Professor Brettschneider explains the implications of this ruling on First and Fifth Amendment rights, and they explore the concept of viewpoint discrimination in the context of free speech.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Are your headshots and acting clips helping you stand out, or do they look like everyone else's?Years ago, actors could get more auditions just by adding photos, clips, and slate shots to their casting profiles. Today, almost every actor has those things.That means agents and casting directors now look for actors whose materials feel more polished, clear, and professional.In this episode, you'll discover:Why strong acting materials can help agents and casting directors take you more seriously.What can make your casting profile look more professional in today's busy acting world.Why high-quality footage may help you stand out when thousands of other actors are trying to get noticed.Play this episode to learn what your acting materials may need today so you can create a stronger first impression and open the door to more opportunities.Email: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional Resources:Headshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

TOPIC - SCORYTELLLINGHello you wonderful creative folks - today we explore SCORE-YTELLING - yes, telling story with music and score - and with our super groovy expert guests >>>>CAT BLACKARD AND JESSICA MUDDThey have a good number of superb shows you can find and explore, linked below - and some of which is showcased through clips on this 'ere indie af interview show with me, SARAH GOLDING - HALLO! >>> Hunt and find and enjoyyyyy>>>>MOTHER SHE WROTECALL OF CTHULU MYSTERY PROGRAMMEDUNGEONS AND DORITOSAnd more! Cat and Jess said>>>>>>>> “We'd love to hear more original scores in indie audio fiction spaces and want to de-mystify this process to inspire more collaboration and offer storytellers a whole new toolset of storytelling possibilities.” Yes, I think this ep does that in abundance! Enjoy !Hearty thanks once more to my amazing patreons who support my work on this podcast and help keep it buoyant - if you've like to support Quirky Voices and Indie AF,  and have more episode topics of your choice, please do… here! Or ping me a ko-fi here I would love feedback which you can do directly on Spotify, by leaving a review or by emailing me direct on quirkyvoices@gmail.com with grateful thanks indeed.We explore so much in the ep including>>>>Working for free to get crackingWhat to pay musicians you work with - and SAG AFTRA pay grades for actorsWhere to find collaboratorsCollaborating as a non musician with a composerFinding themes in musicCreating character motifs with musicCreating mood with musicBlending instruments to give certain vibesWhat diegetic music doesHow to feedback notes to a musicianWe truly hope this inspires you to work with a composer to enhance the awesome of your audio fiction, or if you are a musician, to advertise your wares on places such as the audio drama hub or audio drama reddit! and get collaborating! And do ping me on any of my links below and I will happily ping out your wares!HAPPY MUSICI-NG AND COMPOSING AND CREATING!Thank you so much for listening - please do share this in your own audio fiction loving circles! THANK YOUPNOW GET OUT THERE AND MAKE AMAZING AF AF! Sarah

SUBURBAKNIGHT: Act Two Walter Knope has finally discovered the one thing worse than suspecting your new neighbor is a sex demon. Being right. Inside Richard's immaculate house, Walter gets the confirmation he was looking for. The Maitlands are dead. Richard isn't human. And he isn't just interested in Samantha. He wants everything Walter has. Walter tries to warn Sam. It goes badly. What starts as an argument about Richard quickly becomes an argument about money, sex, failure, jealousy and every other thing a married couple has been politely not saying out loud. Sam packs a bag. Walter, terrified Richard will get to her, practically helps her leave. Written by Nick Bannister, SUBURBAKNIGHT is a wicked suburban horror-comedy about marriage, masculinity and what happens when your midlife crisis actually grows horns. Walter needs someone who understands monsters. Enter Bobby Joe Williams. Local horror host. Full-time drunk. Part-time monster expert. Possibly the least reassuring person you could want standing between your family and eternal damnation. Bobby Joe confirms the bad news. Richard is an incubus. He feeds on souls, controls his victims through desire and, unfortunately, appears to be immortal. Meanwhile, Richard has already started remaking the neighborhood. Walter goes looking for Andy and instead finds him dead in the bathtub, his wife Alli transformed into something considerably less neighborly. Walter barely escapes with his life. Then Samantha comes home. Richard is waiting. This time, Sam sees him too. When Richard finally drops the charm and shows them what he really is, he offers Walter everything he ever wanted. Money. Freedom. A fresh start. All he wants in return is Samantha. Walter says no. Then Mia introduces Richard's face to a medieval mace. For a moment, it feels like the Knopes may actually have this thing under control. Then Richard takes their daughter. Now Walter and Sam are done running. They need Mia back. They need help. Unfortunately, the closest thing they have to a professional is Bobby Joe Williams in boxer shorts drinking margarita straight from a blender pitcher. So they do what any responsible parents would do. They raid the failed antique business. Crossbow. Mace. Axe. Sword. Armor. Walter's junk has finally found a purpose. And across the street, Richard is waiting. Starring Darin Toonder, Jim O'Heir, Jade Tailor, Jack Daniel, Rob Fitzgerald, Logan Laurel, Emily Brolin, Ashley Platz, and Zeke Alton. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell. Find The Show: Table Read PodcastSee omnystudio.com/listener for privacy information.

Seahawks sign Terrion Arnold, a player with 8 felony charges. Survey says Seattle voters lack confidence in Mayor Wilson. A shooting at a bar in Pioneer Square and surveillance cameras were not available. The staff at KOMO voted to remove SAG-AFTRA union out of their newsroom. // LongForm: GUEST: RNC Dallas Spokesman Zach Kraft previews what's in store for the GOP midterm convention in Dallas next month. // LongForm: GUEST: Michael Russell Gunn is the Director of the new movie "The Brink of War," which chronicles the 1986 Reykjavik Summit between President Reagan and Soviet leader Mikhail Gorbachev. // Quick Hit: A former Fauci adviser plead guilty to attempting to cover up COVID-19 research records during the pandemic.

What do Unions stand for?  How and why do Unions work?  And how exactly have Unions made life better for millions of workers and their families? Host Timothy Regan welcomes 6 Union leaders to share from the heart about what Unions are all about.  We take a deep dive into Union principles, and hear several stories about successes of Union work. Hear from: Keith Brown, Educator and Executive Secretary/Treasurer of the Alameda Labor Council AFL-CIO. Vilma Serrano, Oakland Teacher and Lead Negotiator/Bargaining Chair of the Oakland Education Association Union. Tanzil Chowdhury, Graduate Student Research Assistant at Lawrence Berkeley National Lab, and the Unit Chair for the Berkeley Unit of UAW Unit 2865, representing 36000 student workers across the University of California. Sarah Arveson, PhD, Vice President of UAW 5810, union for post-doc and academic researchers across the University of California system. Doug Jones, Political Organizer for SEIU-UHW and health care worker of many years, representing 85,000 health care workers at Kaiser Permanente and across California Michael Sommers, Actor and union member of SAG-AFTRA, currently on strike. The participants ask that you visit these websites for more information: Unionize California Coalition of Kaiser Permanente Unions SAG-AFTRA Oakland Education Association United Auto Workers       The post The Union Episode: A Panel of Union Leaders on How and Why Unions Work appeared first on KPFA.

Our summer tradition at Here’s the Thing continues, as staff members choose their favorite conversations from the archives for our Summer Staff Pick series. This week, we revisit Alec’s conversation with Justine Bateman. In 2023, as the writers’ and actors' strike in Hollywood stretched into the fall, many have called this moment “existential.” After negotiations with AMPTP, the Alliance of Motion Picture and Television Producers, broke down, SAG-AFTRA and WGA members took to picket lines over dwindling wages and the use of artificial intelligence, which may change the entertainment industry forever. Writer, director, and producer Justine Bateman is one guild member warning of A.I.'s potentially devastating influence. Following her roles in Family Ties and Satisfaction, among many others, Bateman transitioned to working behind the scenes as a filmmaker and author. She earned her Computer Science and Digital Media Management degree from UCLA in 2016, which has become all the more relevant facing the rise of A.I. Bateman speaks with Alec Baldwin about the threat A.I. poses to the entire entertainment industry, how the business has changed since she first started in it, and what drives her creative work.See omnystudio.com/listener for privacy information.

SUBURBAKNIGHT: Act Two Walter Knope has finally discovered the one thing worse than suspecting your new neighbor is a sex demon. Being right. Inside Richard's immaculate house, Walter gets the confirmation he was looking for. The Maitlands are dead. Richard isn't human. And he isn't just interested in Samantha. He wants everything Walter has. Walter tries to warn Sam. It goes badly. What starts as an argument about Richard quickly becomes an argument about money, sex, failure, jealousy and every other thing a married couple has been politely not saying out loud. Sam packs a bag. Walter, terrified Richard will get to her, practically helps her leave. Written by Nick Bannister, SUBURBAKNIGHT is a wicked suburban horror-comedy about marriage, masculinity and what happens when your midlife crisis actually grows horns. Walter needs someone who understands monsters. Enter Bobby Joe Williams. Local horror host. Full-time drunk. Part-time monster expert. Possibly the least reassuring person you could want standing between your family and eternal damnation. Bobby Joe confirms the bad news. Richard is an incubus. He feeds on souls, controls his victims through desire and, unfortunately, appears to be immortal. Meanwhile, Richard has already started remaking the neighborhood. Walter goes looking for Andy and instead finds him dead in the bathtub, his wife Alli transformed into something considerably less neighborly. Walter barely escapes with his life. Then Samantha comes home. Richard is waiting. This time, Sam sees him too. When Richard finally drops the charm and shows them what he really is, he offers Walter everything he ever wanted. Money. Freedom. A fresh start. All he wants in return is Samantha. Walter says no. Then Mia introduces Richard's face to a medieval mace. For a moment, it feels like the Knopes may actually have this thing under control. Then Richard takes their daughter. Now Walter and Sam are done running. They need Mia back. They need help. Unfortunately, the closest thing they have to a professional is Bobby Joe Williams in boxer shorts drinking margarita straight from a blender pitcher. So they do what any responsible parents would do. They raid the failed antique business. Crossbow. Mace. Axe. Sword. Armor. Walter's junk has finally found a purpose. And across the street, Richard is waiting. Starring Darin Toonder, Jim O'Heir, Jade Tailor, Jack Daniel, Rob Fitzgerald, Logan Laurel, Emily Brolin, Ashley Platz, and Zeke Alton. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell. See omnystudio.com/listener for privacy information.

Have you ever felt great after an audition, only to feel stuck and discouraged when things suddenly go quiet?Acting can be an emotional career. Rejection, slow progress, and seeing other actors succeed can make you wonder if you are falling behind.In this episode, you'll learn how to build a healthier mindset so you can keep moving forward without letting every audition or booking control how you feel.In this episode, you'll discover:Why acting can feel so personal, and how a healthier way of looking at your career can make rejection easier to handle.How to notice real signs of progress, even when you are not booking as many roles as you want.Why building a full and happy life can help you stay motivated, avoid burnout, and enjoy acting for years to come.Play this episode to learn how to stay strong through the ups and downs of acting while building a career you can truly enjoy.Email: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional Resources:Headshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

In July 2026, Meta launched an AI tool that let anyone generate images using your face and photos without asking, and the backlash canceled it in three days. Mike Brevik breaks down what that reversal proves about the power audiences hold in 2026, and contrasts it with The Nude Project, a Spanish clothing brand built from 600 euros into a $30 million company by deciding everything with its community instead of for it. KEY TAKEAWAYS Meta's Muse Image let any user generate AI content using a public account's face and photos with no opt-in, no warning, and no visible way to say no, and the backlash from SAG-AFTRA, the Creative Artists Agency, and everyday users forced Meta to kill the feature in three days. Audiences in 2026 don't just consume, they co-create. Over 85% of brands now call community marketing essential to growth, even though 59% still don't know how to execute it. Lego Ideas, Glossier, and Duolingo all prove the same point: brands that let their community shape the product see it in revenue, in organic reach, and in loyalty that traditional marketing can't buy. The Nude Project turned 600 euros into nearly $30 million a year in revenue by building 90% of its content around real, unpolished moments instead of sales pitches, and by treating its community as collaborators, not customers. The real differentiator between brands in 2026 isn't budget or technology. It's whether a brand decides for its audience or with them. LINKS AND RESOURCES Brand Retro Podcast: brandretro.com Cyberdogz Agency: cyberdogzmarketing.com Mike Brevik: mike@cyberdogzmarketing.com KEYWORDS AI ethics, Meta Muse Image, AI image generation, deepfake AI, digital consent, community marketing, brand community, The Nude Project, audience power, SAG-AFTRA, Instagram AI, brand authenticity, co-creation marketing, Lego Ideas, Glossier, Duolingo, brand trust, digital privacy, Brand Retro Mindset, Cyberdogz EPISODE HIGHLIGHTS [00:01:12 - 00:02:15] Mike breaks down exactly how Muse Image worked: any user could @mention a public account and generate new content using their face, with every adult public account opted in by default. [00:02:15 - 00:02:52] SAG-AFTRA, the Creative Artists Agency, and Public Citizen go public against Meta within 48 hours, calling it a miscalculation of public sentiment around non-consensual digital replicas. [00:02:52 - 00:03:35] Meta discontinues Muse Image three days after launch, and Mike asks what that reversal says about the power your audience holds right now. [00:04:12 - 00:04:48] The stat that frames the whole episode: 85% of brands call community marketing essential in 2026, but 59% still don't know how to execute it. [00:05:55 - 00:06:15] Brands that actively encourage community-generated content see 5x higher engagement and $6.40 back for every $1 invested in community. [00:07:05 - 00:07:40] Two 19-year-olds with 600 euros between them built The Nude Project into a $30 million brand with stores in four cities and collaborations with Madonna. [00:08:45 - 00:09:15] A nationwide blackout in Spain becomes the unlikely spark for The Nude Project's Art of Boredom campaign, built on the insight that people needed permission to be bored. [00:10:55 - 00:11:55] Mike lands the thesis: in a world where anything can be manufactured, luxury is no longer what you can show, it's the experience you make for people. SHAREABLE QUOTES [00:09:05] "What people needed wasn't more content. It was permission to be bored." — Mike Brevik [00:10:20] "They watched what their audience was living through. They listened before they built." — Mike Brevik [00:11:20] "The barriers between what's real and what's fabricated are becoming imperceptible." — Mike Brevik [00:11:35] "In a world where everything can be manufactured, luxury is no longer what you can show." — Mike Brevik [00:11:40] "Luxury is the experience you make for people." — Mike Brevik [00:11:50] "The audience doesn't just cancel brands that get it wrong, it rewards the brave ones too." — Mike Brevik [00:12:05] "Does your brand decide for its audience, or with them?" — Mike Brevik [00:12:10] "That's the difference between a launch that lasts three days and a community that lasts decades." — Mike Brevik [00:13:45] "Digital privacy is not something you delegate. It's something you manage." — Mike Brevik [00:13:50] "Your face, your content, your digital identity. They're yours, but only if you actively protect them." — Mike Brevik

Not every commercial is a big-budget ad for a national brand. Local restaurants, car dealerships, state lotteries, to name a few, all need commercials too. But the terms of our national commercial contract don't always make sense for these regional advertisers. That's where Regional Commercial Codes come in. These agreements create opportunities for working actors in small to mid-size markets across the country by making it easier for local businesses to hire union talent. SAG-AFTRA Vice President, Mid-Size Locals, Nikki Izanec joins the show to walk us through what Regional Commercial Codes are, how they work and why they matter. The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA.

What’s Trending: Seahawks sign Terrion Arnold, a player with 8 felony charges. Survey says Seattle voters lack confidence in Mayor Wilson. A shooting at a bar in Pioneer Square and surveillance cameras were not available. The staff at KOMO voted to remove SAG-AFTRA union out of their newsroom. // LongForm: GUEST: Founder of We Heart Seattle Andrea Suarez on why volunteer groups that try to address the homelessness crisis get more scrutiny from the state than the homeless themselves. // Quick Hit: Former Chicago Mayor Rahm Emanuel says DSA candidates need to leave the Democrat Party.

Tony Gapastione is a SAG-AFTRA actor, speaker, and the founder and executive director of BraveMaker, a California-based nonprofit that uses film to educate, entertain, and create community through conversations about mental health, justice, diversity, and belonging. Since founding BraveMaker in 2018, he has built a year-round organization that produces a film festival, filmmaker grants, educational programs, networking events, the BraveMaker Academy, and the BraveMaker Podcast, all with the mission of empowering artists and fostering meaningful connection. As a writer, director, and producer, Tony creates character-driven stories about people falling apart who find hope, healing, and belonging through unexpected communities. His recent projects include 33 Days, inspired by the true story of Roger Huang's 33-day hunger strike, and NonProfiting, a heartfelt comedy-drama about rebuilding a life through community. Tony is driven by a simple belief: stories have the power to heal, challenge injustice, build bridges across differences, and inspire people to become brave enough to tell the stories that matter.   / tonygapastione  Khristopher “Squint” Sandifer, our 2026 BraveMaker Culturista, is a Visual Composer, award-winning creative director, photographer, filmmaker, and storyteller whose work bridges culture, technology, and authentic human connection. He has created impactful visual narratives across sports, entertainment, and business, collaborating with some of the world's leading brands and cultural figures. His recent accolades include a 2026 Webby Award People's Voice Winner, a 2026 Clio Award, four Drum Awards including The Drum Awards President's Award, and recognition as part of a New York Times bestselling project. Squint is the primary photographer for Stephen Curry's book Shot Ready. As a director, writer, and producer, he has led documentaries, television projects, commercials, and branded content across multiple platforms. Through every project, he remains committed to creating work that connects, inspires, and leaves a lasting impact.   / iamsquint  Dana Harris-Bridson, our first ever Brave Journalist Honoree, is Senior Vice President and Editor-in-Chief of IndieWire, where she oversees editorial strategy across film, television, and culture and helps guide the publication through a period of rapid industry change. A longtime advocate for independent filmmakers and creative risk-takers, she has played a key role in evolving IndieWire into a forward-looking platform centered on analysis, point of view, and the future of the business. She launched IndieWire's Future of Filmmaking initiative, a cross-platform series of editorial, events, and conversations examining how filmmakers build sustainable careers amid shifting economics, new technologies, and changing audience habits. She also writes and curates In Development, IndieWire's newsletter focused on emerging models, new voices, and the realities shaping today's filmmakers.   / danalharris  Phillip Andre Botello, our 2026 Luminary Actor Honoree, is an award-winning actor known for his memorable performances in The Art of Self-Defense opposite Jesse Eisenberg, as well as Sunset on the River Styx and Pledge. Most recently, he completed filming the upcoming Netflix feature One Attempt Remaining alongside John Cena and a new feature from A24, while also appearing in Season 2 of The Rehearsal with Nathan Fielder. A graduate of the prestigious Juilliard School, Phillip has earned multiple Best Actor awards for his performances in Twenty Nine, Free Pass, and You Still See Dead People. Recognized for his authenticity, emotional depth, and commitment to his craft, Phillip continues to build an impressive body of work across film and television while inspiring fellow artists and audiences alike.   / phillipandrebotello  

Have you ever wondered why some actors seem to get noticed by casting directors while you still feel invisible?Getting more auditions is not only about talent. Casting is built on relationships. The right research and steady follow-up can help the right people learn who you are and what kinds of roles fit you.In this episode, you'll discover:How to find casting directors who work on the kinds of shows and films you want to book.Why a simple approach can help you stand out without bothering busy casting teams.The key mindset that can help you build stronger industry relationships over time.Play this episode to learn how to stop waiting to be discovered and start creating more chances for casting directors to notice your work.Contact MartinEmail: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional ResourcesHeadshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

Mary M Flynn is a SAG-AFTRA Union member from southern California. We talk about Economic Policy Institute EPI.org and the AFL-CIO Executive PayWatch - Union Membership & more. Find Mary on IG @Slate.of.the.Union and on TikTok she is @Slate.of.the.Union Thanks to CWA-Union.org  UAW2209.org  BACLocal4.org  MLaborPress.org  AnneFeeney.com 

Jeremy Urann and Sherri Bylenga are a brother-and-sister filmmaking duo from Spokane, and together they run Fat Gratitude Productions. Jeremy is a SAG-AFTRA actor, dancer, and model whose recent work includes Netflix's "Forever" and national campaigns for Nike and Columbia. Sherri is an award-winning director and cinematographer with more than 15 years of documentary film experience.Their short film HOTSHOTS is a rebellious queer comedy set in the world of Spokane bikini baristas, following June, a barista with until sunset to buy the coffee stand out from under her jerk boss before her dreams go up in flames. It's hyper local, hyper femme, hyper queer, and shooting right here in Spokane with a cast and crew of local LGBTQIA+ talent.This is a special vault edition of Spokast. We open with a brand new catch-up on where HOTSHOTS is today, then roll the full conversation from December 2024, where we dig into how a bikini stand outside their grandpa's funeral sparked the idea, Jeremy's road from BTS janitor to network TV, Sherri's path from backcountry documentaries to narrative film, and why they're determined to make this movie in Spokane, with Spokane people.Here's the important part: the HOTSHOTS Seed & Spark campaign ends August 20th, and every dollar pledged is being matched and doubled by a mystery donor until then. They have to hit 80% of their goal or they don't receive a dime. If you can't give, following the campaign is free and earns them festival fee waivers, and sharing costs you nothing.Pledge before the match ends August 20th: seedandspark.com/fund/hotshotsLearn more about HOTSHOTS: hotshotsthemovie.comFollow on Instagram: @hotshotsthemovieShow Flow00:00:00 — What Is HOTSHOTS?00:00:32 — Intro: Out of the Vault, Why Now?00:03:45 — 2026 Catch-Up with Jeremy & Sherri Begins00:06:01 — Jeremy on Dancing with the Stars: The Next Pro00:07:37 — Sherri's Update: Terrain Documentary & Counseling00:08:59 — What Is HOTSHOTS? The Pitch00:11:57 — The Pivot: $500K Feature to 17-Minute Short00:19:50 — How to Help: Seed & Spark, the Fires & the Final Push00:22:29 — The Mystery Donor Match & Mark Duplass Backs the Film00:28:41 — One More Time: Where to Go Before August 20th00:31:19 — The Full December 2024 Interview Begins00:33:21 — Jeremy's BTS "Permission to Dance" Janitor Story00:35:44 — Fat Gratitude Origins: Bay Window Plays & Backcountry Docs00:43:20 — The Spokane Arts Grant & Pitching HOTSHOTS00:44:05 — A Bikini Stand at Grandpa's Funeral: The Origin Story00:46:13 — Why Film It in Spokane & the Washington Filmworks Path00:54:04 — Five Applications, One Grant: Queer Joy Wins00:59:23 — Working as Siblings & the Future of Fat Gratitude01:06:00 — Advice for Aspiring Filmmakers & Why Spokane

The Tim Conway Jr Show Hour 4 (8.12) Timmy’s studio is pure comedy royalty tonight with Zoe Friedman and Amber J. Lawson — co-founders of Comedy Gives Back, the real safety net that catches stand-up comics when life gets rough. They’re gearing up for next week’s annual 818 Benefit: Brody Stevens Festival of Friendship Show at The Comedy Store in West Hollywood, raising serious money for comedians in crisis. Zoe’s dad was the late great Budd Friedman, the godfather of modern comedy clubs who founded The Improv (now 23 locations), discovered Adam Sandler, and managed Jay Leno. Speaking of which… who’s that calling in? The duo breaks down how medical insurance and SAG-AFTRA work for comics living paycheck to paycheck, and how their nonprofit steps in for mental health and financial help. Both were close to the late Brody Stevens, the larger-than-life 818 comic from Reseda, which is why this benefit hits so close to home. Rounding out the hour, KFI’s House Whisperer Dean Sharp drops by to plug his brand-new website housewhisperer.design — the digital front door where he and partner Tina help turn ordinary houses into extraordinary homes. See omnystudio.com/listener for privacy information.

EPISODE #489-- We delve into the world of vetspolitation/counter-culture/biker/American Indian movies with the baffling and actually kind of cool BILLY JACK (1971), directed by Tom Laughlin, who also wrote and started in the movie. The film is about a half-Indian Green Beret who takes off his shoes to karate kick guys. Yes, Quentin Tarantino is obsessed with this movie, how did you guess? We also talk about A LEAGUE OF THEIR OWN (1992, dir. Penny Marshall), SILENCE OF THE LAMBS (1991, dir. John Demme)), Apple TV's WIDOW'S BAY (2026 - ), JAPAN'S LONGEST DAY (1967, dir. Kihachi Okamoto), and DC'S latest superhero flick, SUPERGIRL (2026). LINKS-- Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

What does it take to carry one film idea for more than 20 years and finally bring it to the screen? William Joseph Hill is an actor, writer, martial artist, producer, and independent filmmaker whose love of movies began with Star Wars. We explore how his childhood in Hawaii, business training, acting career, and martial arts experience led him to create Cyber Fighter. William shares how he turned the story into a novel, comic book, audiobook, and short film while learning crowdfunding, directing, visual effects, sound design, and post-production. You will also hear how AI tools are changing independent filmmaking, why strong preparation matters, and how support from the right people can keep a creative dream alive. William's story clearly shows what can happen when you keep learning, trust your vision, and refuse to stop. Highlights: 00:04:35 How movies and Star Wars inspired William's filmmaking dream. 00:21:51 How martial arts and brain science shaped Cyber Fighter. 00:26:39 Why a short film became the best way to prove his vision. 00:32:44 How William moved forward without waiting for Hollywood gatekeepers. 00:46:30 Why persistence and support are key to an unstoppable mindset. 00:56:35 How AI can support filmmakers without replacing human creativity. About the Guest: William Joseph Hill is a SAG-AFTRA actor, filmmaker, writer, and producer based in Los Angeles, California. Raised in San Diego and Hawaii on Ford Island — the historic naval base at the center of Pearl Harbor — William grew up with a perspective shaped by the intersection of military history, multicultural community, and the vast Pacific. That island upbringing instilled in him a belief that where you come from is never a limitation on where you can go.  He began making films as a teenager on Ford Island. Returning to San Diego after college, William moved to Hollywood where he began his professional acting career.  He met his actress wife Pamela through a theater group and the both of them founded Four Scorpio Productions where they've created their own content including three seasons of That Darn Girlfriend, their YouTube channel sitcom which is an homage to classic 1960s/1970s TV. In 2023, William channeled more than two decades of experience into his most ambitious project: CYBER FIGHTER, an original sci-fi martial arts short film that he wrote, directed, produced, and completed entirely in post-production — solo. With a $20,000 budget raised entirely through an Indiegogo crowdfunding campaign launched during the SAG-AFTRA and WGA strikes, William refused to let industry upheaval stop him from making his vision real. He performed his own stunts, edited the film, created all visual effects, mixed a 5.1 surround soundtrack, and delivered a 4K DCP for festival screenings — all from his home studio in Hollywood. CYBER FIGHTER is more than a short film — it is the proof of concept for a full transmedia franchise that William has been building since 2015. The IP exists across multiple formats: a completed short film now entering the festival circuit, a feature-length screenplay, an original novel, and a comic book adaptation. It is the story of a filmmaker who refused to wait for permission, refused to accept that resources determine vision, and refused to quit when everything around him said stop. Ways to connect with William**:** Personal Website: www.williamjosephhill.com Production Company: www.fourscorpio.com Film and Video CYBER FIGHTER Official Trailer: https://youtu.be/Ja-S5HgNK5E YouTube Channel (Four Scorpio Films): https://youtube.com/fourscorpio Making CYBER FIGHTER BTS Series: https://www.youtube.com/watch?v=v5Sj6Du4oNA&list=PLbYhzGWWTWrpvoT2eh730iA6_b_2qhFsO IMDb Profile: https://www.imdb.com/name/nm0384069 Social Media LinkedIn: https://www.linkedin.com/in/williamjosephhill/ Instagram: https://www.instagram.com/williamjosephhill/ Facebook: https://www.facebook.com/CyberFighterMovie Stage32: https://www.stage32.com/williamjosephhill Amazon Listing CYBER FIGHTER - novel: https://www.amazon.com/dp/B081SJRMJ1 CYBER FIGHTER comic adaptation: https://www.amazon.com/dp/B08ZL6X6W6 About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes:

Hey Streetwalkers. This is a throwback episode with guest Jeremy Swift. Jeremy first appeared on the show on 9.25.23.It was such a compelling & fun episode, l decided it needed to be re-visited!Enjoy this throwback episode, tell a friend, and thanks for listening!Jeremy SwiftTake a walk with me down Fascination Street as I get to know Jeremy Swift. You may know Jeremy from Downton Abbey, Apple TV's Ted Lasso, or the Wachowski Siblings' epic Jupiter Ascending. But you may not know that Jeremy is arguably a more talented musician, than he is an actor.Just kidding. He is superb in both endeavors!In this episode, we chat about how he came to be an actor, and some of his first roles. I mean he toured with a cabaret troupe that played shows in various prisons! Holy Moly! Of course, we discuss some of his experiences on the previously listed projects, and a couple of others. I ask him what it is like to work with his wife on set, and he spills the beans on Ted Lasso season 4!Jeremy also shares the story of why he chose to get his Sag / Aftra card, and his upcoming film: "Descendants 4: The Rise of Red". Next we get into music. Jeremy started playing music at a very early age, and we definitely dive into that aspect of his creativity. Jeremy shares stories of his punk phase, seeing The Sex Pistols live, and his thoughts on the "Oi!" movement of the late 70's. Jeremy has a new album out called "Songs of Escape and Endless Night", which is catchy as hell. We discuss a couple of the tracks from that album, and he lets me play my favorite song from it. Jeremy shares his love for David Bowie, building synthesizers with his dad, and Christo Fernandez working on Jeremy's new album.Follow Jeremy Swift everywhere.See Jeremy Swift in everything.Listen to Jeremy Swift on Spotify.

Finneas O'Connell is a two-time Academy Award winner, an 11-time Grammy winner, and the creative force behind some of the biggest music of the last decade. He's also a lifelong SAG-AFTRA member who grew up watching his family navigate the industry. In this episode, Finneas talks about his path from child actor to multi-hyphenate creative, the craft behind his music, and why union membership has meant something to him his whole life. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA.

Richard D. Jewell, CPRC is a certified peer recovery coach with Lifeboat Addiction Recovery Services, a SAG-AFTRA actor, educator, investigator, and longtime advocate for addiction recovery and personal transformation. His work has taken him across criminal investigations, higher education, workforce development, addiction recovery, and the film industry. Today, he works directly with individuals and families impacted by substance use disorder, helping people navigate recovery, access support, and build meaningful lives rooted in worth, wellness, and hope.In this conversation, Richard Jewell and Dr. Joe Kort explore what recovery looks like today and how the field has changed over the years. Richard explains the role of a certified peer recovery coach, how it differs from an AA sponsor, and why recovery support must look at the whole person, not just the substance. He discusses the eight pillars of wellness, including emotional, environmental, financial, intellectual, physical, spiritual, occupational, and social well-being, and how these areas can help someone rebuild a life worth living.They also discuss the importance of addressing sexuality, intimacy, trauma, and sober sex within recovery. Richard shares why people in recovery may not know what sex or relationships feel like without substances, and why shame-free conversations about sexual identity, abuse, intimacy, and presence are essential. He also reflects on his own relationship with his wife and how working with Dr. Kort helped them build a monogamous, loving, soulful relationship that has lasted for decades.The conversation also looks at addiction as a disease, not a choice, and why substance use disorder must be understood through compassion, science, and lived experience. Richard talks about emotional development, relationships in early recovery, relapse, denial, rationalization, medication, recovery campuses, and the importance of supportive environments. He also discusses why rules like avoiding relationships for the first year of sobriety may come from a valid concern, but should not always be treated as one-size-fits-all.Richard and Dr. Kort also explore harm reduction, Narcan, mocktails, recovery-friendly workplaces, LGBTQ+ communities in recovery, mental health, suicidal thoughts, worthiness, and what it means to help people find their value again. Richard shares powerful insight from his own life and work, including how recovery coaching can help people access treatment, housing, Medicaid, identification, food, clothing, and long-term support.Listen to this Smart Sex, Smart Love episode as Dr. Joe Kort talks with Richard Jewell about addiction recovery, peer recovery coaching, sober sex, trauma, relationships, worthiness, harm reduction, recovery-friendly workplaces, the eight pillars of wellness, and what it really means to build a life worth living.Support the show

The Screen Actors Guild was founded in 1933. AFTRA was founded around the same time. For nearly 80 years, they tried to become a single union and kept falling short of the 80% supermajority required by both constitutions. Then, in 2008, employers used the gap between them to restructure primetime scripted television in ways that stripped members of their health insurance. By 2012, the two unions were one. On today's episode of America's Work Force Union Podcast — part of the Labor 132 series — SAG-AFTRA National Executive Director Duncan Crabtree-Ireland tells the full story, from the very different founding cultures of SAG and AFTRA in the 1930s through the McCarthy era, Ronald Reagan's complicated labor legacy, the 2008 employer maneuver that finally made the cost of disunity impossible to ignore and what the merged union has built in the 14 years since. He also addresses the AI fight, now the most urgent focus of SAG-AFTRA's resources, and explains why the strength of the merged union is exactly what that fight requires. Visit sagaftra.org for more.

Wonder Dynamics co-founders Tye Sheridan and Nikola Todorovic join GG Hawkins to explain how their filmmaking backgrounds shaped the development of AI-powered production tools for artists. They trace the company's evolution from an interactive storytelling startup to Autodesk Flow Studio, a tool designed to transfer live-action performances to CG characters while preserving creative control and compatibility with established VFX pipelines. The conversation covers Hollywood's changing relationship with artificial intelligence, the potential for lower-cost sci-fi filmmaking, Autodesk's acquisition of Wonder Dynamics, the continuing importance of marketing and distribution, and how emerging filmmakers can prepare for an AI-integrated industry. In this episode, No Film School's GG Hawkins and guests Tye Sheridan and Nikola Todorovic discuss... How Sheridan and Todorovic met while working on Last Days in the Desert and bonded over their interest in making independent science-fiction films Why the expense of CG and visual effects inspired them to pursue a lower-budget, “Blumhouse model” for sci-fi and animation Wonder Dynamics' pivot from interactive narratives to AI tools focused on film production Why AI filmmaking technology should be developed by people who understand professional production and post-production workflows The differences between tools made for social media content and tools made for long-form narrative filmmaking Why editability, control, and compatibility with established VFX pipelines became central to Autodesk Flow Studio How Autodesk Flow Studio captures a performance from single-camera footage and transfers it to a CG character without a traditional motion-capture stage Why Sheridan and Todorovic do not believe an actor's performance should be generated entirely through prompts Hollywood's pushback against AI during the SAG-AFTRA and WGA strikes and the industry's gradual shift toward discussing responsible use How filmmakers can evaluate AI tools according to their ethics, usefulness, and respect for artistic control The potential for AI to lower production costs and help independent filmmakers create ambitious sci-fi and VFX-heavy projects Why cheaper production does not eliminate the challenges of marketing, distribution, and audience discovery How short films, YouTube projects, commercials, and music videos can serve as testing grounds for new filmmaking technology The opportunity to create visually ambitious genre films that remain grounded in original ideas and character-driven storytelling What Autodesk's acquisition of Wonder Dynamics provides in terms of 3D expertise, scale, resources, and integration How small production teams have used Autodesk Flow Studio to revive scripts they previously could not afford to produce Why future filmmakers may see AI as an ordinary part of every creative tool rather than a separate category Sheridan's advice to practice whenever an opportunity appears and learn from every film set Todorovic's advice to persistently seek mentors and approach experienced professionals with genuine curiosity Memorable Quotes: “For us, that became our core theme, is just building something for artists that leaves them in control.” “AI is like the Internet. You can't just say AI is bad or AI is good. It means so many different things. It really depends on how you're using it and whether or not you're maintaining the integrity of the artist process.” “We're kind of allowing distribution to everybody, we're going to allow the production to everybody, but now it's a matter of being discovered.” “Be stubborn, be persistent, and try to find the best mentor you can possibly think of, someone you admire, and then just bother them with emails for six months. You'd be surprised.” Guests: Tye Sheridan Nikola Todorovic Resources: Autodesk Flow Studio Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Hour 1: A young actor from the Godzilla franchise tragically passed away in a car accident. Conan has a new hairdo. ‘Who Wants To Be A Millionaire' is apparently still on? Matty checked out Will Ferrell's new show. Benson Boone is still doing his signature backflip, don't worry. 22% of people claim they NEVER use AI. Is that even possible with its invasion into everything? Even dating! Hour 2: MrBeast is married! Taylor Swift and Travis Kelce's karaoke song revealed! Matt Damon's stunt double was a woman! Elon Musk claims to care about the historical accuracy of The Odyssey, so he's making his own. Danae is running a marathon! A slightly disturbing fast fact about horses. Are these really “guy flexes” or just things a well adjusted person should do? Hour 3: It's time to Bridge The Gap! Giovani is back representing GenX and today his Zillennial opponent is Eric from South San Francisco. (Zillennial is a cross between Millennial and GenZ btw). Let's play! Vinnie is accepting that cash is going away. Isn't that common cents? You know what sucks? Not having a dryer. Many people consider themselves a “slow walker.” Well, they need to get out of the way! I ain't saying she a gold digger… but Sarah is. Hour 4: Send us your problems! Badadvice973@gmail.com. The gang is joined this hour by Alycia from SAG-AFTRA. PSA 80s bands: Don't play your new stuff tonight at Totally Tubular. Let's talk about Olivia Rodrigo and her rumored new boyfriend. Ella Langley is still kicking it at #1. Many people are opting for smaller weddings - like incredibly small. Plus, How Old Is That Guy?

Send us your problems! Badadvice973@gmail.com. The gang is joined this hour by Alycia from SAG-AFTRA. PSA 80s bands: Don't play your new stuff tonight at Totally Tubular. Let's talk about Olivia Rodrigo and her rumored new boyfriend. Ella Langley is still kicking it at #1. Many people are opting for smaller weddings - like incredibly small. Plus, How Old Is That Guy?

RECALL: Act Three By the time RECALL reaches Act Three, Miami Military Academy is no longer pretending it can survive. The school is still marching, still saluting, still shining brass and barking orders into the Florida heat, but the center is gone. Colonel Barnes is dying. Commander Patterson knows it. Sally knows it. And the boys, even when they are laughing too hard to say it out loud, can feel the whole place slipping into history. Written by Academy Award nominee Bruce Davison, and once optioned and held by the great Carroll O’Connor with eyes on a Pacino lead,, RECALL is a funny, savage, deeply human coming-of-age drama about abandoned boys, broken fathers, old soldiers, Cuban exiles, secret weapons, and the terrible bargain countries make when they ask the young to carry the sins of the old. Act Three begins with the last quiet hours before everything breaks. Lishinsky and Sally steal a small piece of freedom on the water, drifting toward Captain Kidd’s Island, talking about California, escape, fathers, graves, and the strange fantasy that two damaged kids might simply sail away from all of it. But nobody really gets away from Miami Military Academy. Not yet. Inside Barnes’ house, Patterson sits beside a dying friend and is handed the thing no soldier wants: responsibility without rescue. Barnes tells him the Army is calling in its chips. The school, the land, the boys, the munitions, the whole dream is coming apart. Patterson rages because he knows what the place is, and what it has been. A broken institution, yes. A madhouse, absolutely. But also the only home some of these boys have ever had. Then the machinery starts moving. The Army arrives. The Cuban officials arrive. The inspection becomes theater. A live round falls where it should not. The old bunkers by the bay are suddenly more important than the boys standing in formation. The parade takes them through Miami and into the Dade County Fair, where the whole strange, glorious organism of “A” Company explodes into one last carnival of cigars, sheep, majorettes, busted noses, bad decisions, and Patterson turning, for one mad instant, into the hero the boys still need him to be. But the comedy cannot hold the line forever. Colonel Barnes is gone. The flag drops to half-mast. The Razor Fiend is finally revealed. Lindquist, the feral boy from the mango trees, becomes a cadet, a savior, and maybe the strangest proof that the academy was never only a school. It was a place that took in the lost and gave them a uniform because it had no better language for love. Slouch and Bebop reach the end of pretending. Bebop is called home by a country that no longer exists the way he remembers it. Slouch follows because friendship, for him, is the only oath that ever meant anything. The Cuban exiles come in the night. Patterson tries to stop them. History steps over him. Sally leaves for California. Lishinsky stays behind with the ache of first love and the knowledge that some people are not meant to be held. Patterson sits with his ghosts. The boys graduate into a world already waiting to use them. And somewhere beyond the academy walls, the Bay of Pigs turns courage, loyalty, and bad American promises into blood in the surf. RECALL is about boyhood at the edge of the American century, when duty still sounded clean from a podium and war still knew how to dress itself up as honor. It is about boys who wanted fathers, fathers who failed them, soldiers who could not save themselves, and a country that keeps asking the young to pay for the old men’s maps. Starring Alan Rosenberg, Carson Bolde, Stone Garcia, Wesley Kimmel, Dan Lauria, Kensington Tallman, Roxton Garcia, Bruce Davison, Luca Diaz, Amari O’Neil, Amir O’Neil, David Errigo Jr., Zeke Alton, Gian Franco Rodriguez, Miki Yamashita, Nemil Mudvari, Sofia D’Marco, and Ashley Ciarra. A portion of proceeds from RECALL will benefit the National Veterans Foundation and the Lifeline for Vets. To support NVF or speak with a Veteran who understands, visit https://nvf.org or call 888-777-4443. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell.See omnystudio.com/listener for privacy information.