Podcast appearances and mentions of Doug Moran

Podcast listeners click here to see images of the work Over the years, podcast guests have shared some fascinating back stories to paintings they have made, stories which you could never have guessed just on viewing the work. Sometimes that back story has made me look at the work in a totally different way and I'm bringing you another eight artists' works in addition to those in ep 155. Click on the artist's name below for the full podcast episode (and any YouTube videos) and see images of the works we talk about below. Davida Allen Jacqui Stockdale Sam Leach Sam Leach YouTube video Robin Eley Peter O'Doherty Kathrin Longhurst Tom Carment Nicholas Harding Links mentioned in this episode TWP YouTube channel Sign up for the TWP Newsletter TWP Loading Dock video  NGV Triennial highlights - Instagram reel Memorial service for Jan Senbergs I dream of Sam Neill when I go to bed, 1986Davida AllenNational Gallery of Victoria © Davida AllenCollection: National Gallery of Victoria, MelbournePurchased 1986 (P22-1986) Drawings of George StirlingJacqui Stockdale George Stirling from the Heads of the Family seriesJacqui Stockdale Sam LeachMachine-assisted memory of Harewood Farm, Meadowsoil on linen51 x 51 cm Robin Eley‘Self Portrait', 2010, oil on Belgian linen, 39″ x 25″Runner Up, Doug Moran portrait Prize, 2010 Peter O'DohertyEdgecliff high rise, 2019, acrylic on canvas, 198x167cm Kathrin LonghurstPoster Girl, 2011, oil on canvasFinalist Portia Geach Memorial Award, 2011 Tom CarmentWhere I scattered my father's ashes, Oratunga, SAwatercolour on paper45.3 x 52 cm Nicholas HardingRobert Drewe (In the swell)2006oil on canvas (frame: 140.4 cm x 125.0 cm, support: 138.0 cm x 123.0 cm)Collection: National Portrait Gallery

For those of you interested in portraiture in Australia, Yvette Coppersmith needs no introduction.   She has painted dozens of portraits, including a collection of fascinating self-portraits, and is regularly shortlisted in the country's most competitive portrait awards. In 2018 she was awarded the one that would place her in Australian art history - the Archibald Prize. What has captured my attention more recently, though, are Yvette's abstract works, particularly a body of work I saw in her exhibition ‘Presage' at Sullivan + Strumpf in Sydney last year. They were thickly textured, swirling abstractions and how she came to create that show is as interesting as the paintings themselves. Yvette has been painting for over 20 years and her work is held in many public and private collections. In addition to winning the Archibald Prize, she has won the Metro 5 Art Award and has been a finalist multiple times in nearly every prestigious portrait prize in Australia, including the Doug Moran, Portia Geach, and Darling Portrait prizes. In this episode we follow her career from her early photorealistic works to her present-day experimentation with paint and genre, encompassing still lifes and interiors along the way. To hear the conversation click 'play' below the above photo. See below for images of the works we talk about in the show. Photograph of Yvette Coppersmith by Mel Savage Links Yvette Coppersmith's website Yvette Coppersmith on Instagram Yvette Coppersmith at Sullivan + Strumpf 'Presage' exhibition at Sullivan + Strumpf Roger Kemp 2019/20 retrospective at the National Gallery of Victoria Talking with Painters YouTube channel Sign up to the Talking with Painters newsletter 'Self-portrait after George Lambert', oil and acrylic on linen, 122 x 101.5cm, 2018 Winner Archibald Prize 2018 'Nude Self-portrait after Rah Fizelle', oil on linen, 91.5 x 66cm, 2016 Finalist, Portia Geach Memorial Award, 2016 'John Safran', oil on plywood, 120cm x 90cm, 2009 Archibald Prize finalist 2009 'John Safran', oil on plywood, 120cm x 90cm, 2009 Archibald Prize finalist 2009 'In the Garland, portrait of Paul Capsis', oil on linen, 22.5 x 111.5cm, 2007 Finalist, Archibald Prize, 2008 'Untitled Movement (Scarlet Lake)', oil on jute, 76.5 x 61cm, 2022 Photo: Matthew Stanton   'Untitled Movement (Triptych)', oil on jute, 3 x 122.5cm x 91.5cm Photo: Simon Hewson 'Arrangement with Grey and Yellow', oil on linen 61cm x 46cm , 2014 'Geranium and Succulents', oil on linen, 80cm x 59.5cm, 2015 Posthumous Portrait of Edith Morris, oil on linen, 86.5cm x 63.5cm, 2020 Photo: Matthew Stanton Collection of Melbourne Girls Grammar School  

The impacts of COVID have challenged the world in a multitude of ways, but for Sydney artist Julian Meagher they appear to have sharpened his focus.  Over the last 14 months, with no other deadline than his upcoming show at Yavuz Gallery, he has taken the opportunity to free himself from the usual demands of an imminent exhibition and created a body of work which has explored exciting new directions.  Jules is well known for his beautiful portraits and still life works - painted in thin layers of translucent oil paint and often mistaken from afar as watercolour - but his stunning large scale landscapes over recent years are now taking centre stage and incorporate elements of abstraction to the point where in some works the representational drops off altogether.  And yet there is a strong link to the mysteries of the natural world in his work. Ideas surrounding the moon and tidal forces, sleep cycles, dreams, heartbeat rhythms and light rays drive his landscape paintings adding to their symbolism and allure. I caught up with Jules last week at his Sydney studio where he works among other high level creatives. In this podcast episode we talked about how it all started (his first career might surprise you), his ideas, his techniques and the unexpected energy required to create these still works.  He has exhibited in close to 30 solo shows and has been shortlisted in many major art prizes in Australia including the Archibald (four times), Wynne, Doug Moran, Glover and Shirley Hannan.  To hear our conversation press play beneath the above feature photo. A short video relating to this episode will be uploaded to the Talking with Painters YouTube channel in the coming weeks. Upcoming show Solo exhibition, 'The small hours', Yavuz Gallery, Sydney, 18 November to 18 December Links to things and people we talked about in the show Julian Meagher websiteJulian Meagher at Yavuz GalleryJulian Meagher at Edwina CorletteJulian Ashton Art School Philip Wolfhagen on Talking with Painters Robert HannafordJasper Knight ' Fozzy', 2021, oil on linen, 56.5 x 46 x 3.5 cmfinalist, Archibald Prize, Art Gallery of NSW, 2021Image: Art Gallery of NSW 'Slow Wave Cycle (Barragga Lake) #8', 2021, oil on linen, 152 x 123cmImage courtesy of the artist Slow Wave Cycle (Barragga Lake), 2021, oil on linen, 245 x 198 cmImage courtesy of the artist 'The small hour #3', 2021, oil on linen, 183 x 152cmImage courtesy of the artist Julian Meagher, Slow Wave Cycle (Marrickville), 2021, oil on linen, 245 x 198 cmImage courtesy of the artist 'Daniel Johns', 2015, oil on linen, 122 x 91 cmFinalist, Archibald Prize 2015Image: Art Gallery of NSW Rapid Eye Movement #5, 2021, oil on linen, 51 x 41 cmImage courtesy of the artist

Moran Arts Foundation is delighted to be calling for entries in the 2021 Doug Moran National Portrait Prize, Australia's richest art prize. The prize invites entries of original works from... LEARN MORE The post Ester Erlich talks about Doug Moran Portrait Prize appeared first on Sunday Arts Magazine.

Message titled "The Advantage of Being A Worshipper" from Evangelist Doug Morgan on 9/12/21

Episode 39 of The Blank Canvas Podcast with Kathrin Longhurst. There’s an elfin and puckish energy to artist Kathrin Longhurst, she looks into the heart and soul of each subject and has the technical ability to draw that out of the eyes of every portrait she paints, making her canvas’s feel as though they have come to life. None more so than her dynamic portrait of Kate Ceberano, which is a finalist and won the Packing Room Prize for this years 2021 Archibald Prize, Australia’s premier art prize, which is celebrating its 100th anniversary this year. Kathrin is a child of the cold-war era, growing up behind the iron curtain in East Germany. Much of her work captures the contrast between war propaganda imagery and the glamorous promises of the other side of the wall. However in place of the fearsome male figures of power are female warriors. The current phase of the digital revolution is delivering a chilling new wave of censorship and propaganda, making Kathrin’s style and work all the more compelling and relevant. The Berlin Wall came down and Kathrin left East Germany. She fell in love with an Aussie sailor and lives with her husband and two teenage children in Sydney, where she is well-respected member of the Sydney arts community. She served as vice president for Portrait Artists Australia and was the founder and director of the innovative Project 504. Kathrin’s work is highly sought after and is collected across the globe. She completed her 18th solo show in 2021 and has been a finalist in numerous awards including the Archibald Prize, the Doug Moran, the Darling Prize, the Sulman Prize, the Percival Portrait Award, the Mosman Art Prize, the Portia Geach Award, the Shirley Hannan National Portrait Prize and the WA Black Swan Prize. http://kathrinlonghurst.com/ https://www.instagram.com/kathrinlonghurst/ https://www.facebook.com/kathrinlonghurst https://twitter.com/katlonghurst https://www.linkedin.com/in/kathrinlonghurst/ W: https://theblankcanvaspodcast.com.au/ IG: https://www.instagram.com/leerogers12/ SOCIALS Insta: @theblankcanvaspodcast FB - The Blank Canvas Podcast Twitter: @blankcanvaspod THE BLANK CANVAS TEAM Produced by Lee Rogers & Rien MacDonald. Audio support by Jason Murphy/GASinc Music by Rodrigo Enrique Bustos.See omnystudio.com/listener for privacy information.

We’ve all been there. You see an artwork and think 'surely, that is a photo'. But as you get closer and read the description, you accept it is made of paint, expertly applied, creating the illusion of reality. I am in awe of the artists who work in this way because it calls for painstaking labour and the technique is certainly not suited to every painter. Australian artist Robin Eley, based in Los Angeles, is highly skilled in every step of the process, producing work which leaves many viewers incredulous. For Robin, the task of creating the reference material is often the most important, and the time consuming execution of the painting requires expertise finessed over years of practice. Robin has been shortlisted in many Australian art prizes including the Archibald, the Doug Moran National Portrait prize (where he has been awarded runner up and highly commended) and the Eutick Memorial Still Life prize. His work is held in private collections and public institutions around the world.   In this episode you'll hear how Robin came to painting, which he didn’t embark on until he was 27, after a career as a commercial illustrator. A teacher of art, he is generous in sharing his knowledge as many of his Instagram and Facebook followers would know.  His most recent body of work has to be seen to be believed - paintings of masterpieces including the Mona Lisa and Girl with a Pearl Earring, wrapped in plastic. The illusion even continues beyond the canvas support where he has extended the sides irregularly to heighten the appearance of the plastic turning around the edges of the work.  He has also created other innovative works including 'The Binary Project' (see link below to YouTube video) which involved the participation of thousands of people around the world. The ambition of that work is typical of this artist, though; he is always pushing the boundaries of what a painting can be. To hear my conversation with Robin click 'play' beneath the above photo. A short video relating to this interview will be uploaded to this website and the Talking with Painters YouTube channel in a few weeks. Upcoming exhibition Solo exhibition, 2022, New York - details to be confirmed later this year. Links Robin EleyRobin Eley on InstagramRobin Eley on Facebook'The Binary Project' on YouTube'Alla Prima' by Richard SchmidtMichael ZavrosDavid Korins 'Mona Lisa (wrapped), oil on linen, gesso and marble dust 'Girl with a Pearl Earring', oil on linen, gesso and marble dust 'Self Portrait', 2010, oil on Belgian linen, 39" x 25"Runner Up, Doug Moran portrait Prize, 2010 'Polaroid', 2010, oil on Belgian linen, 24.5" x 18.5"Finalist, Eutick Memorial Still Life Award, 2011 'Plastic', 2011, oil on Belgian linen, 35.5" x 35.5" 'Silent Respiration', 2012, oil on Belgian linen, 24.5" x 18" 'The Deep Marine', 2012, oil on Belgian linen, 31.5" x 24" 'Bibliography', 2012, oil on linen-bound hard cover books, 70 x 48 cmFinalist, 2012 Archibald Prize, Art Gallery of NSW Part of 'The Binary Project'

Tony Costa won the Archibald prize in 2019 with his stunning painting of contemporary artist Lindy Lee. I caught up with him a few weeks later in his studio in Sydney and our podcast conversation from that day is episode 70 of the podcast. I also recorded video in Tony's studio which I edited down to about 5 minutes, with lots of painting wisdom ending up on the cutting room floor. So in this episode I'm bringing you the full conversation. Tony has been painting for over 50 years. Apart from winning the Archibald prize, in portraiture he is a regular finalist in the Doug Moran and Kilgour prizes as well as many others, but it’s in landscape that he is particularly prolific. He has won the Paddington Art prize for landscape painting and repeatedly returns to the Royal National Park in Sydney’s south where he has found endless inspiration. His first solo exhibition since winning the Archibald opens at Art Atrium in Sydney on 15 May 2021 and will consist of oils, watercolour and ink works based on areas within the Royal National Park. To hear our 2019 conversation click 'play' beneath the above photo of Tony in his studio. You can see the video in Tony's studio below. I also filmed an interview with Tony in the Art Gallery of NSW not long after the Archibald announcement was made and you can see that video below also.  https://www.youtube.com/watch?v=-wmdfFrmK70 Tony Costa talks with me in his studio https://www.youtube.com/watch?v=ybBqm0uLilI Tony Costa talks with me at the Art Gallery of NSW shortly after winning the Archibald Prize One of two drawings Tony made in preparation for his winning portrait The second drawing The hospital bed which serves as the working surface Tools used in painting The one paint brush in the studio Painting palette 'Hacking River No 5 Royal National Park'

Dr Doug Moran of Concord Orthopaedics joins Chris to discuss the injuries to the Red Sox starting rotation and Dustin Pedroia's comeback attempt. Disclaimer: Dr. Moran is not treating any of the individuals discussed and is speaking based upon media reports and his expertise in sports medicine.

Through her art, Kiata Mason takes us into her world and her way of seeing. Her still lifes are filled with the objects from her home, collected over generations, and portraits contain reminders of the past. She plays with colour and perspective to convey her subjects not quite the way they exist in reality but with an ever present optimism and empathy mixed with a bit of kookiness. She has a Masters degree in drawing from the National Art School and this forms the foundations of her painting. Last year she won the Muswellbrook Art prize for works on paper and she’s also been a finalist and semi-finalist in many major painting prizes including the Sulman, Doug Moran, Black Swan and Paddington art prizes. She has exhibited in five solo shows and has another two coming up this year but still sees herself in the early stages of her career as a painter. Her work crosses still life, portraiture and landscape. I recorded this episode in Kiata's studio in the back room of her home in Lake Cathie just south of Port Macquarie in NSW's mid north coast. She lives at times a rather isolated life but this is not only due to the geography of where she lives.  As the full-time carer of her grandmother suffering from Alzheimer’s, a cup of tea with a friend is a rare event and even a trip to the shops is a major operation. Kiata grew up in various parts of NSW including Sydney, Newcastle, Port Macquarie and Armidale. She was surrounded by strong women particularly her mother and grandmother who had a background in theatre and were always interested in the arts. To hear the episode press play under the feature photo above. I filmed a short video of Kiata in her studio and you can see it below. Upcoming shows PLC Artist-in-residence - Adelaide Perry Gallery  Residency culminating in show of works  - April 2019 Group show, Arthouse Gallery 20 June - 6 July Solo show, Muswellbrook Arts Centre, July 2019 Solo show, AKBellinger Gallery, date TBA Show Notes Kiata Mason on Instagram Kiata Mason with Amber Creswell Bell Kiata Mason at AK Bellinger Gallery Kiata Mason at Arthouse Gallery Drill Hall Gallery National Gallery of Australia  David Hockney Pierre Bonnard National Art School https://www.youtube.com/watch?v=PwZ3OJquz8E

Episode 004 is with Doug Moran. Doug wrote the best-selling book, "If You Will Lead", a deep dive into leadership using the Rudyard Kipling's "If" as a backdrop. We talk about why this poem had such an impact on Doug and the process he went through in writing the book.  We also dive into modern-day leaderships and Doug shares thoughts on the key aspects of leadership. Doug delivers a lot of value in our nearly one hour of conversation.  *** The opening poem is recited by my 18-year old son, Casey Green. Casey is student of literature and is a bit of an orator himself.  *** I encourage you to pick up a copy of Doug's book here. I've read it and highly recommend it. It's also available on Kindle.  *** To find Doug, you can connect with him on LinkedIn here. You can also visit the website of this two companies - The Co-Hero Institute and If You Will Lead. *** NOTE: One of the hazards of a "traveling podcast" is that we are at the mercy of the environment. In this interview, we were dealing with "white noise" that was blasting in the background. Any discomfort in listening is my fault - not Doug's. You may have to adjust the volume. 

Join us by the virtual campfire in our new series of Before The Flames. This weeks piece, written by Doug Moran, explores the world of Fallout!    Don't forget to leave a review and subscribe for all the latest episodes as they're released!!   WEBSITE: www.leveluplore.com   FACEBOOK: www.facebook.com/leveluplore   TWITTER: www.twitter.com/leveluplore   INSTAGRAM: www.instragram.com/leveluplore

Join us by the virtual campfire in our new series of Before The Flames. This weeks piece, by Doug Moran, explores the world of Detroit: Become Human. We see the view point of an android named Zach and how things could have been different.    Don't forget to leave a review and subscribe for all the latest episodes as they're released!! WEBSITE: www.leveluplore.com FACEBOOK: www.facebook.com/leveluplore TWITTER: www.twitter.com/leveluplore INSTAGRAM: www.instragram.com/leveluplore  

Although she first went to art school at 15, it wasn’t until she was 38 that Megan Seres started on her path to become a practising artist - when she enrolled in Sydney's National Art School. Then in 2016, encouraged by a friend, she reluctantly entered the prestigious Doug Moran National Portrait Prize and was shocked when it was announced she'd won. The winning portrait of her daughter Scarlett dressed as a colonial girl thrust her into the limelight and she has been creating works which have been catching the attention of art lovers ever since. In the last few weeks alone she has been shortlisted in both the Percival Tucker Portrait prize and the Wyndham Art Prize. In this podcast episode, she talks about the struggles she faced in becoming an artist, recalls the overwhelming experience of winning the Doug Moran portrait prize and talks about the aftermath of that win, including the decisions she had to make regarding the direction her work was taking. The interview was recorded in her studio in beautiful Gerringong, on NSW’s south coast. A video of Seres talking with Maria Stoljar in her studio from the Talking with Painters YouTube channel can be seen below. Current and upcoming events 'Out Front', group show, contemporary artists, diverse practices, by Melbourne gallery initiative Here We See - Gallery There, pop-up group exhibition, 424 Smith St, Collingwood, VIC, 8 March to 8 April 2018 Percival Portrait Painting Prize, Perc Tucker Regional Gallery,  Townsville, QLD, 27 April - 15 July 2018 Wyndham Art prize, Wyndham art gallery, Werribee, VIC, 29 March 2018 Group shows at A K Bellinger Gallery, Inverell, date TBA Four commissioned portraits of the founding women of Adderton: house and heart of mercy, opening to the public November 2018 Show notes: Megan Seres Julian Ashton Art School National Art School John Bloomfield Ella Dreyfus Euan Macleod Euan Macleod on Talking with Painters Bill Henson Louise Hearman Louise Hearman on Talking with Painters Marion Borgelt Doug Moran National Portrait Prize Why entering the Doug Moran National Portrait Prize is a life changer and one worth considering by Megan Seres Liquin by Winsor and Newton Megan Seres talking with Maria Stoljar in her studio on the Talking with Painters YouTube channel https://www.youtube.com/watch?v=Khunw7NjiLE    

Louise Hearman is the winner of the 2016 Archibald Prize. In this interview she talks about her early beginnings and her wins in the Doug Moran and Archibald prizes

Doug Moran author If You Will Lead

Doug Moran author of If you will Lead shares his insights and ideas on great leadership.

Doug Moran, author of the bestselling book “If You Will Lead”, offers practical ideas and guidance on what it takes to excel as a leader. LeadershipNow.com named Doug Moran’s latest book If You Will Lead: Enduring Wisdom for 21st-Century Leaders, as one of its “Best Leadership Books of 2011.”  In this book, Doug explores the...

Tom discusses leadership and character -- and historical examples and lessons -- with returning guest Doug Moran, who will share examples from his new book "If You Will Lead." Doug is an expert on building character and the influence of character on l...Read more ›

Tom discusses leadership and character -- and historical examples and lessons -- with returning guest Doug Moran, who will share examples from his new book "If You Will Lead." Doug is an expert on building character and the influence of character on l...Read more ›

A look at historical examples of leaders and leadership, and lessons we can draw from their examples, with special guest Doug Moran (www.ifyouwilllead.com). Also invited is Rhondalynn Korolak of imagineeringunlimited.com, author of "On The Shoulders Of...Read more ›

A look at historical examples of leaders and leadership, and lessons we can draw from their examples, with special guest Doug Moran (www.ifyouwilllead.com). Also invited is Rhondalynn Korolak of imagineeringunlimited.com, author of "On The Shoulders Of...Read more ›