Podcasts about drawings

My Son's Drawings Revealed the Truth I Couldn't Face About My WifeBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2026-true-cheating-stories-podcast--5689182/support.

Klein's Kid's Problematic Drawings full 592 Mon, 13 Jul 2026 15:24:00 +0000 UrcLPJQK34ojIzfJCdAQwdFHuFwKcDRT society & culture Klein/Ally Show: The Podcast society & culture Klein's Kid's Problematic Drawings Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture https://player.amperwavepodcasting.com?feed-link=https%3A%2F

Louise Bourgeois Part 2!Mandolyn Wilson Rosen is back in her Book Talks seat to help me dissect a new delicious art book: Drawings & Observations by Louise Bourgeois with Lawrence Rinder. Bourgeois referred to these sketches as her "thought feathers" and revealed her thinking behind the reproduced works in recordings transcribed by curator Lawrence Rinder. It was so cool to get these direct insights into her imagery.This episode is a sequel to the recording right before this one (about our trip to view Louise Bourgeois' NYC home). Check out Part 1 if you missed it!The Book/Monograph:Louise Bourgeois: Drawings and Observations, by Louise Bourgeois with Lawrence Rinder, pub 1995The Exhibition that the monograph accompanied:"Louise Bourgeois: Drawings" University of California, Berkeley's University Art Museum (UAM) from January 24 to March 24, 1996Works mentioned:View all here: https://www.amytalluto.com/lbpodPage 20 "Self Portrait" 1938 Pencil on paperPage 26-7 "Untitled" 1940Page 38 "Le Rebus" 1943Page 44-5 "Femme Maison" 1947 ink on paperPage 68-9 "Untitled" 1949 red ink and charcoal on paperPage 76-7 "Untitled" 1947 crayon, pen & ink and pencilPage 104-5 "Untitled" 1950 charcoalPage 114-5 "Untitled" 1950 ink on paperPage 126-7 "Untitled" 1967 ink and gouache on paperPage 156-7 "Untitled" 1988 Watercolor and Pencil on paperArtists mentioned: Jen Schwarting, Jean Michel Basquiat, Paul Klee, Joan Miro, Robert Gober, Nina Bovasso, Vicki Sher, Jack Whitten, Meret Oppenheim, Peter HalleyOther books mentioned: Peter Halley: Recent Essays 1990-1996 Edgewise Press, Inside the Studio: Two Decades of Talks with Artists in New York by Independent Curators International, New York, Jack Whitten: Notes from the Woodshed Hauser & WirthThank you to my guest Mandolyn Wilson Rosen! Find her online at:⁠MandolynWilsonRosen.com⁠ and IG ⁠@mandolyn_rosen⁠Thank you, Peps Listeners!All music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks Website: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.peptalksforartists.com/⁠⁠⁠⁠⁠⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy's website: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.amytalluto.com/⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Want to be an Art Hound? Submit here.A sprawling surrealist exhibit Twin Cities painter David Amdur recommends seeing "The Internal Affairs of Mr. Invincible," an exhibition of more than 100 mixed-media drawings by Lou Ferreri at Hopkins Center for the Arts, on view through August 1. Amdur says: “To get some sense of it, imagine a collaboration between Salvador Dalí and R. Crumb. They are entire editorial pages from the New York Times that have been painted on with acrylic pens, so they're very colorful, and most of the images are quite complex and very surreal, very strange. Also in the exhibition are monumental charcoal drawings that are more than four feet across. It's not a show to rush through. There's really a lot to take in. I would give myself time to linger with the drawings. You'll find unexpected and surprising connections emerge.” Sculpture walking tours Tony Austinson of Fridley got interested in public sculpture during the pandemic, when viewing art indoors wasn't an option. Visiting the sculpture walks created by various Minnesota cities has turned into a hobby, and he likes to go with his literal art hound, Tillie, at his side. Over time, he's come to recognize and appreciate the work of individual artists, such as Tim Nelson of Bemidji, who makes sculptures from scrap metal. Austinson recommends checking out the sculpture walks in a city near you. Here are links to self-guided walking tours in Mankato, Bemidji, Park Rapids, Fergus Falls, Hutchinson, Red Wing, and Delano, as well as Eau Claire, Wisconsin. Performance art meets political theater Sarra Beckham-Chasnoff is a theater superfan in the Twin Cities. One standout theatrical performance from last fall—which she is excited to see return this weekend—is “In the Backroom,” created and performed by Michael Torsch. The show is 70 minutes without intermission and runs July 2-5 at 7 p.m. at the Southern Theater in Minneapolis. Beckham-Chasnoff says this play-within-a-play surprised her at every turn, and its themes feel timely for the Fourth of July. “Michael Torsch is just a local treasure, so he does a type of performance art that is very smart and funny, and simultaneously very accessible. He introduces some controversial 21st-century American figures. I think it just kind of has a more complicated view of what America is, and so with the 250th anniversary, I just think it will be a poignant piece to see. “The [theater] is just a few blocks away from where the fireworks will be in Minneapolis, and so for folks going to the July Fourth show, they'll be able to walk over and watch the fireworks afterwards.”

Elizabeth Blackwell was born in London in the early 18th century, and was known in her lifetime for her achievements as a botanical illustrator. Research: “A Genuine Copy of a Letter &c.” Stockholm, August 20. H. Carpenter in Fleet Street, 1747. https://books.google.com/books/about/A_Genuine_Copy_of_a_Letter_from_a_Mercha.html?id=EPRbAAAAQAAJ Alexander, Isabella and Cristina S. Martinez. “2. The First Copyright Case under the 1735 Engravings Act: 
The Germination of Visual Copyright?” From Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century. Marie-Stéphanie Delamaire and Will Slauter, editors. https://doi.org/10.11647/OBP.0247 Beharrel, Will. “Elizabeth Blackwell's Curious Herbal.” The Linnean Society. 7/28/2021. https://www.linnean.org/news/2021/07/28/elizabeth-blackwells-curious-herbal Blackwell, Elizabeth (1737). A Curious Herbal. Containing Five Hundred Cuts of the most useful Plants, which are now used in the Practice of Physick. Engraved on folio Copper Plates, after Drawings, taken from the Life. By Elizabeth Blackwell. To which is added a short Description of ye Plants; and their common Uses in Physick. London: Printed for Samuel Harding in St Martin’s Lane, MDCCXXXVII (1737) Rubenstein QK99.A1 B53 1737 folio v.1 c.1. Scan of preface. https://blogs.library.duke.edu/rubenstein/files/2022/10/blackwell-preface-scaled.jpg Bruce, James. “Lives of Eminent Men of Aberdeen.” Aberdeen. The University Press. 1841. https://archive.org/details/b33028722/ Chelsea Physic Garden. “Curious Herbal; Curious Tale.” Newsletter. Spring-Summer 2005. Child, Lydia Maria. “Biographies of Good Wives.” Boston: Munroe & Francis. 1850. https://archive.org/details/biographiesofgoo00chil_0 Elliott, Brent. “The World of the Renaissance Herbal.” Renaissance Studies. Vol. 25, No. 1. February 2011. Via JSTOR. https://www.jstor.org/stable/24420235 Evenden, Doreen A. "Blackwell [née Simpson], Elizabeth (1699–1758), botanical author and artist." Oxford Dictionary of National Biography. August 08, 2024. Oxford University Press. Date of access 18 Jun. 2026, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-2540 Grosjean, A. N. L. "Blackwell, Alexander (bap. 1709, d. 1747), agricultural improver and government agent in Sweden." Oxford Dictionary of National Biography. June 08, 2023. Oxford University Press. Date of access 18 Jun. 2026, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-2539 Huler, Scott. “A Beautiful Find.” Duke Mag. 9/5/2023. https://dukemag.duke.edu/stories/beautiful-find Madge, Bruce. “Elizabeth Blackwell—the forgotten herbalist?” Health Information & Libraries Journal, 18: 144-152. https://doi.org/10.1046/j.1471-1842.2001.00330.x Monroe, Nicky. “Elizabeth Blackwell’s Curious Herbal.” RHS Libraries and Collections. https://www.rhs.org.uk/education-learning/libraries-at-rhs/articles/elizabeth-blackwell Newman, Joyce. “Will The Real Elizabeth Blackwell Please Stand Up?” New York Botanical Garden. 7/1/2013. https://www.nybg.org/blogs/plant-talk/2013/07/exhibit-news/will-the-real-elizabeth-blackwell-please-stand-up/ O’Keeffe, Lynda. “Guest post by Lynda O’Keeffe – A Curious Herbal Elizabeth Blackwell’s Pioneering Masterpiece of Botanical Art.” All Things Georgan. 3/8/2024. https://georgianera.wordpress.com/2024/03/08/guest-post-by-lynda-okeeffe-a-curious-herbal-elizabeth-blackwells-pioneering-masterpiece-of-botanical-art/ Pardoe, Heather and Maureen Lazarus. “Images of Botany: Celebrating the Contribution of Women to the History of Botanical Illustration.” Collections: A Journal for Museum and Archives Professionals, Volume 14, Number 4, Fall 2018, pp. 545–566. RHS Digital Collections. “Elizabeth Blackwell's Curious Herbal.” https://collections.rhs.org.uk/collection/111276 Royal College of Physicians of Edinburgh. “Elizabeth Blackwell: Prison, Plotting and the Curious Herbal.” https://www.rcpe.ac.uk/heritage/heritage-blog/elizabeth-blackwell-prison-plotting-and-curious-herbal Shirk, Henrietta Nickels. “Contributions to Botany, the Female Science, by Two Eighteenth-century Women Technical Communicators.” Technical Communication Quarterly. Vol. 6, No. 3. Summer 1997. Tyson, Janet Stiles. “Introducing Elizabeth Blackwell to Hans Sloane.” British Library Untold Lives Blog. 5/18/2021. Via Archive.org. https://web.archive.org/web/20210619032948/https://blogs.bl.uk/untoldlives/2021/05/introducing-elizabeth-blackwell-to-hans-sloane.html Tyson, Janet Stiles. “The Rubenstein Library’s disruptive copy of A Curious Herbal.” 11/14/2022. https://blogs.library.duke.edu/rubenstein/2022/11/14/a-curious-herbal/ Tyson, Janet. “'A Curious Herbal' as Material Witness.” The Linnean Society. 1/10/2023. https://www.linnean.org/news/2023/01/10/a-curious-herbal-as-material-witness See omnystudio.com/listener for privacy information.

Today on Journey Map, we're joined by Rob Duncan, creative director and partner of Mucho. In this episode, we discuss Rob's journey from childhood passions to working at some of the most respected names in design, the evolution of the industry and how authentic relationships drive lasting success. Learn More from Rob and Mucho:Visit Mucho: https://wearemucho.com/Connect with Rob: linkedin.com/in/robduncandesign

"We have 2,000 agents going through your document, checking every single item in detail."This week we sat down with Brandon Smith and Raymond Zhao, co-founders of Structured AI, fresh off a $4.2M seed round they closed in just five days.Tune in to find out about:✅ How Brandon went from training an AI fighter jet at 17 to building construction AI after a single Reddit message✅ Why agentic AI finally cracks drawing review when traditional machine learning never could✅ The deterministic, no-confidence-score system with a full audit trail your team can sign off on✅ Where this goes next - an AI coworker that fixes errors straight back into your Revit model

It's pride month, and in this episode of Sustainability Matters we discuss how queer and trans youth have always fought to shape their own futures—and why their rights have become a flashpoint in contemporary culture wars. From Gay-Straight Alliances and gender-neutral bathrooms to representation in sports and the concept of trans joy, we unpack the narratives shaping identity, belonging, and inclusion in today's political climate.All this and more with Dr. Julia Sinclair-Palm, author of “Queer and Trans Youth Political Activism,” which is Chapter 17 in the De Gruyter Handbook of Youth Activism, published by De Gruyter Brill. Host: Ramzi NasirGuest:  Dr. Julia Sinclair-PalmCitations:1. Sinclair-Palm, Julia. (2024). Names as a trans technology: Exploring the naming practices of trans youth in Australia, Ireland and Canada. Nordic Journal of Socio-Onomastics, 4 (1), 137-161. https://doi.org/10.59589/noso.42024.166692. Sinclair-Palm, Julia. (2023). The Role of Family in Trans Youths' Naming Practices. International Journal of Qualitative Studies in Education, 1-14. https://doi.org/10.1080/09518398.2023.21814503. Dyer, Hannah, Julia Sinclair-Palm and Miranda Yeo. (2020). "Drawing Queer and Trans Kinship with Children: Affect, Cohabitation, and Reciprocal Care." Review of Education, Pedagogy, and Cultural Studies, 42(4), 257-276. https://doi.org/10.1080/10714413.2020.17247644. Dyer, Hannah, Julia Sinclair-Palm, Chase Joynt, Miranda Yeo, and Calla Tait. (2020). Aesthetic Expression of Queer kinship in Children's Drawings. Journal of Canadian Studies, 54(2-3), 526-543. https://www.muse.jhu.edu/article/780618.5. https://thebaffler.com/latest/reject-transgender-liberalism-gill-peterson6. https://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=1088&context=jqtsie7. Tourmaline, S., Eric, A., & Burton, J. (2017). Trap Door: Trans Cultural Production and the Politics of Visibility.8. Westbrook, L., & Schilt, K. (2014). Doing gender, determining gender: Transgender people, gender panics, and the maintenance of the sex/gender/sexuality system. Gender & society, 28(1), 32-57.9.  Cruz, C. (2001). Toward an epistemology of a brown body. International Journal of Qualitative Studies in Education, 14(5), 657-669.10. McCready, L. T. (2004). Understanding the marginalization of gay and gender non-conforming Black male students. Theory Into Practice, 43(2), 136-143.11. Brockenbrough, E. (2015). Queer of color agency in educational contexts: Analytic frameworks from a queer of color critique. Educational Studies, 51(1), 28-44.

This week, we talk about finishing another interior page (3:35), fixing the issues that arise in a nonlinear story (15:10), leaning into the unnatural on a drawing (24:30), reviewing art pages from different artists (44:45), and a Kickstarter packing party (53:20).

No two sets of construction drawings are exactly the same, but mastering the absolute basics of civil utility plans is your ticket to navigating any job site with confidence. In this episode of the Build America Podcast, host Scott Jennings breaks down how to read and interpret utility plan and profile drawings. From understanding the differences between a bird's-eye plan view and a cross-section profile view, to untangling critical acronyms like HDPE, IE, and O/S, Scott shares lessons from his years in heavy civil company ownership to save you time, money, and headaches on your next project. Tune in to learn:Drawing Organization & Sequence: How civil sheets are organized in a massive project set (like a Costco or Walmart) and how to identify them using the letter C. Plan vs. Profile Perspectives: Why the plan view handles horizontal positioning while the profile view unlocks critical depth and grade data. Key Terms & Blueprints: Deep dives into baselines, stationing, offsets, and standard DOT plans. Hidden Site Complexities: What you need to watch out for regarding distorted drawing scales, dense urban utility crossings, and geotechnical soil boring overlays. Grab your highlighters, buckle up, and learn how to talk intelligently on the site. Work safe!

The Chalk Drawings Revealed What We Tried to BuryBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

Conrad is a painter, illustrator, musician and an awesome human being. This was an art dialogue we did some time ago, but I edited now.Conrad Keely's InstagramConsider checking:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buymeacoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ko-fi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Contributes: Johan R. Andreas K. Anders L.

As I celebrate both my mom and my wife this week for Mother's Day and being the glue that keeps us all together, I am flashing back to Episode 176 where I became Mr. Mom (still wondering how Moms do it all). Will be back next week for Episode 330!Here's the original preview that was used:Frank has transferred into Mr. Mom. Find out how he handled school drop-off, and almost getting into a car accident. Plus he talks about his daughter's puppet, his son's drawings, a rock incident at school, sharing his unfiltered thoughts on someone calling dads losers, and much more!Check out the podcast and all the fun at www.thedailylifeoffrank.com--------------------------------------------------------------------------------------------Let's connect! Find all my social channels here: https://linktr.ee/thedailylifeoffrank

On this weeks episode Daniel and Slothy talk about Niv-Mizzet Visionary. This is a burn based draw deck that enables possibly some of the largest draw spells that can be found in commander. What would you have run in this ? Do you like having 40 cards in hand? If so this deck is definitely for you!Deck list herehttps://archidekt.com/decks/13036759/nivmizzet_damaged_drawingBudget version herehttps://archidekt.com/decks/22434158/nivmizzet_damaged_drawing_budget Patreon: https://www.patreon.com/Intothe997Go to house of cards for the best place to grab your singles! Use the promo code IT99 for a discount! Supports a great shop, saves you money and supports the show! https://houseofcards.ca/Check out Nerd Gear! They are a great place for playmats, commander trays, life counters and a bunch of other awesome MTG accessories! Use the link below or promo code "IT99" to get a discount at check outhttps://www.nerdgear.gg/intothe99If you want awesome audio equipment buy Rode ! Our affiliate link is below!https://brandstore.rode.com?sca_ref=6254570.6h6a2qaxNBWe have new merch! Make sure you check it out!teespring.com/stores/intothe99    Intro musicIntro Music by:Track: Hollow PurpleMusic from: Daniel RudeOutro music Music: www.purple-planet.com   Support the show

In this episode of the Construction Corner Podcast, host Dillon dives into what truly sets an engineering firm apart — and it comes down to one thing: time spent with people.Dillon explores the idea that great engineering isn't just about calculations and drawings; it's about curation, communication, and collaboration. Like choosing a favorite winemaker or craft brewer, clients gravitate toward engineers whose judgment and taste they trust. The real value lies in helping contractors understand the "why" behind design decisions, so they can have better conversations with owners, price jobs more confidently, and ultimately win more work.He also gets into the importance of treating contractors as true partners — teaching them, collaborating on solutions, and avoiding the nickel-and-dime mentality that erodes trust. From running real load data instead of relying on nameplates, to handling reasonable changes without fuss, Dillon makes the case that the best engineering relationships are built on transparency, education, and genuine investment in your clients' success.A great listen for engineers and contractors alike who want to build stronger partnerships and grow together.

There's a new trend at your local bar… Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're exploring the extraordinary world of visionary artist and poet William Blake and we'll be finding out how this radical thinker influenced writers and artists from WB Yeats to U2 and beyond. Featuring: Anne Hodge, the exhibition curator and Curator of Prints & Drawings at the National Gallery of Ireland; Alice Insley, Curator of British Art c. 1730–1850 at Tate and co-curator of the William Blake exhibition; and Dr Christina Morin, Professor of English and Assistant Dean of Research for the Faculty of Arts, Humanities and Social Sciences at the University of Limerick.

PrimePoint just raised $10M to solve the one problem AI still can't crack in construction: drawings.Lubomir Bourdev built the first computer vision system at Facebook. Sold a neural net startup to Apple. Hamid was employee five at Trello. Now they're betting that drawings are the key to unlocking AI's full potential in construction.Tune in to find out about:✅ Why LLMs fundamentally can't handle technical drawings — it's an architecture issue, not a capability gap✅ How PrimePoint's Knowledge Graph connects drawings, specs, RFIs, submittals, and schedules✅ How AI does the first pass on constructability reviews, RFIs, and submittals — and why humans still make the call✅ Why early users are actually spending more time understanding their projects, not lessWatch the exclusive episode on Bricks & Bytes YouTube Channel now. Link in the comments below. #aec #construction #constructiontech #bricksandbytes #bricksbytes #ai #vcOur Sponsors:BreadCrumb- 50,000+ projects globally. All running safer, faster, with Breadcrumb. - breadcrumb.coAphex is the multiplayer planning platform where construction teams plan together, stay aligned, and deliver projects faster – check out aphex.coArchdesk - “The #1 Construction Management Software for Growing Companies - Manage your projects from Tender to Handover” check archdesk.com

100 Paintings: An Artist’s Life in New York City by Rob Mango https://www.robmango.com/100-paintings-an-artist-life-in-new-york https://www.amazon.com/100-Paintings-Artists-Life-York/dp/0692263136 Equal parts monograph and memoir, 100 Paintings: An Artist’s Life in New York City is one man’s artistic journey from his native Chicago to a pioneering residency in Manhattan’s storied neighborhood of Tribeca. Rob Mango, as much an athlete as an artist, has explored New York City on foot since 1977–its architecture and its denizens, its streets and its harbors providing the former track star with the inspiration for much of his highly individualistic work. As noted in the foreword by art critic Robert Mahoney, ”Mango’s paintings can be seen as being produced by a man whose body was fed oxygen to a fantastical high while running through the city.” With more than 200 full-color artworks and photographs, this book documents Mango’s journey and the body of work he has created over the past four-plus decades. From the birth of Tribeca to the horrors of 9/11 and its aftermath, Mango reveals the details as only such a singular artist can. Along the way, he rubs shoulders with Wall Street titans, the art world’s up-and-comers, punk rockers, and such celebrated downtowners as Martin Scorsese, Robert De Niro, Andy Warhol, Larry Rivers and Bob Dylan. A central hub of Tribeca was the Neo Persona Gallery, which Mango founded in 1984 to represent and exhibit the work of the neighborhood’s burgeoning art scene. Mango’s diverse body of work, depicted here, includes vividly imagined, surreal meditations on the artist in the city and abroad, animated by figures from his personal mythology. Drawings, assemblages, sculptures, paintings, and groundbreaking painted-sculptural hybrid works, from 1975 2014, represent Mango’s entire life as an artist, including stints in the Midwest, New Mexico, Paris, Prague, Venice, and Tuscany. Featured in this retrospective are a series of epic, large-scale paintings set in a fantastic New York, replete with the city’s iconic architectural landmarks, but populated by gods, warriors, shamans, and other figures drawn from many epochs and cultures. Also here are portraits of the famous and infamous, pastoral scenes from a rural Tuscan village, and Mango’s breathtaking series of nudes. About the author Interview originally published in Du Jour, Oct 21, 2014. What brought you to New York City in the ’70s, and how did the city influence you and your artwork? I quickly became aware that the center of the art universe was New York City. The fantasy of coming to [the city] and becoming part of it was launched by painters I encountered while roaming the halls of the Art Institute of Chicago as a teen–Rivers, Johns, DeKooning and Rauschenberg. My obsession with New York became so highly evolved that it sustained me long after I arrived. In many ways, the fantasy of New York exceeded the actual experience initially, which was, in a word, cruel. My Midwestern fantasy of New York sustained the creation of numerous major works, which blend realistic detail and imaginative or surreal invention, particularly “Millennium” and “Return to the City.”

What can a five-foot-long magic scroll tell us about early modern fears, beliefs, and the people who sought protection through cunning folk? Sara Lent Frier, Assistant Curator of Prints and Drawings at the Cantor Arts Center at Stanford University, joins Josh Hutchinson and Sarah Jack to explore her exhibition "Cunning Folk: Witchcraft, Magic, and Occult Knowledge."Sara walks us through this collection show, which draws from both the Cantor Arts Center and Stanford's Green Library to present rare artifacts from the early modern period, roughly 1500 to 1750. The exhibit also features contemporary California artists whose work responds directly to that history, creating a conversation across centuries.In this episode:What cunning folk were and the roles they played in early modern communities How the Cantor Arts Center brought together artifacts and contemporary art in a single exhibition The stories behind objects including magic scrolls and a miniature bureau connected to the Salem witch trials What Stanford's collections reveal about the intersection of magic, medicine, and knowledge in early modern Europe How contemporary artists are engaging with this history todayWhether you are a historian, an art lover, or someone drawn to the deeper history of witchcraft accusations and occult belief, this conversation offers a rare look at objects that survived centuries and the scholars keeping their stories alive.The Thing About Witch Hunts is hosted by Josh Hutchinson and Sarah Jack.Learn more at endwitchhunts.org and aboutwitchhunts.com.LinksView Cunning Folk Exhibit Cantor Arts Center

You don't get a medal for exhausting yourself in the name of community. A brilliant artist in my world recently asked a question that so many of you will recognise. Let's call them Kenny. Kenny runs socially engaged projects. They work with communities over weeks, sometimes months. Workshops turn into conversations. Conversations turn into drawings. Drawings become objects. Objects evolve into sound pieces. Eventually, it all lands as an installation with sculpture and layered audio. It is rich. It is generous. It is complex.  And the budget never quite matches the reality. Kenny finds themselves topping up production costs. Paying for extra studio time. Covering additional fabrication. Giving more hours than were funded. Holding the emotional labour that was never costed. They asked me, should I scale up to bigger institutions with bigger budgets, or should I reduce what I deliver? If this sounds familiar, you are not alone. Here is what is really happening.  If you've ever felt stretched thin by a commission that looked generous on paper but drained you in reality, this one will land.  I break down how to design modular versions of your practice, how to cost invisible labour properly, and how to stop reflex over-delivering just to secure the opportunity. KEY TAKEAWAYS Many artists, especially socially engaged artists, end up producing three projects under one fee - Community workshops. Research and relationship-building. Drawings, objects, sound, sculpture. Installation. Coordination. Care – And when the budget only stretches for one strand of that work, they quietly top it up themselves. - More hours. More energy. Design the project to fit the budget, not the other way round. Always pay yourself properly, and if the full ecosystem of your practice costs more than the fee use one of the 3 options Ceri shares to bring balance back and avoid burnout. Designing modular versions of your practice means you stop pouring the whole symphony into every commission and instead offer clear tiers that match the budget, so the work stays true without draining you. BEST MOMENTS “When you consistently top up a commission with your own time and money, you are not being noble. You are subsidising someone else's remit with your personal capacity.” “What you can't do is quietly over deliver and hope someone notices.” “Open your last project, calculate how many unpaid hours you gave, multiply that by your day rate, look at the number, then ask yourself, would I agree to that again knowingly?” HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

TODAY on the GWA PODCAST: esteemed curator DITA AMORY, discussing HELENE SCHJERFBECK! Currently the Robert Lehman Curator in Charge of the Robert Lehman Collection at The Met, Amory has curated numerous critically-acclaimed exhibitions, such as Pierre Bonnard: the Late Interiors, Madame Cézanne, Félix Vallotton, Vertigo of Color, and more. A graduate of art history at Trinity College, Sarah Lawrence College, and the Institute of Fine Arts, New York University, where she earned a master's degree – Amory began her career as a librarian, before becoming Curator of Drawings, then Chief Curator at the National Academy of Design. She joined the Met in 1997 as Assistant Curator of the Robert Lehman Collection, taking charge of the department in 2007 as Acting Associate Curator in Charge, and later Curator in Charge. And WOW has she worked on the most incredible projects since…. including the reason why we are speaking to her today: the extraordinary, current exhibition: Seeing Silence: The Paintings of Helene Schjerfbeck, that brings together 60 works by the Finnish-born artist, who travelled to Paris to study in the late 1800s, as one of few women who could be awarded an education on a par with their male counterparts. Leading an artistic life imbued with freedom, Schjerfbeck spent summers in Brittany – where she painted en plein air – producing radical paintings devoid of figures but full of modernist feeling. It was also here where she embarked on a life-long subject, her self-portrait, that she would tackle in Helsinki and beyond… She was an artist whose life moved with changes in the 20th century, and worked in a style that not only charted the changes in a war-filled world, but a woman battling with her own ageing. Seeing Silence: The Paintings of Helene Schjerfbeck is the first exhibition to showcase the work of the artist in a major US museum. On now, until April 5. https://www.metmuseum.org/exhibitions/seeing-silence-the-paintings-of-helene-schjerfbeck -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Tory Peters and Nada Smiljanic Music by Ben Wetherfield

Thank you to Belgium's own artist Laurens J Drawings for coming on my show for an interview! Laurens talked about the restock of his Ewing 33HI collaboration with Ewing Athletics, his expo on the Rock the Bells cruise, and his time as a pro-basketball player. He discussed his love for old school Hip-Hop, starting out with black and white drawings, and then having the idea to make Hip-Hop heads in color. He spoke about his expo for The Notorious B.I.G.'s Ready to Die album anniversary, his Yo! MTV Raps expo for their big anniversary show, and DMX appreciating his drawing of himself. Laurens also spoke about what he has planned for this year, meeting Fat Joe, and pressing up some of his drawings on t-shirts on Dope On Cotton. Stay tuned! You can purchase Laurens J's Ewing 33HI's on Ewing Athletics: https://shop.ewingathletics.com/products/33-hi-white-grey-gold-ice-x-laurens-j-preorder.  You can purchase Laurens J's t-shirts on Dope On Cotton's website: https://www.dopeoncotton.be/en/our-brands/lawtheog/. Follow Laurens J Drawings on Instagram: @lawtheog Follow me on Instagram and X: @thereelmax Website: https://maxcoughlan.com/index.html. Website live show streaming link: https://maxcoughlan.com/sports-and-hip-hop-with-dj-mad-max-live-stream.html. MAD MAX Radio on Live365: https://live365.com/station/MAD-MAX-Radio-a15096. Subscribe to my YouTube channel Sports and Hip Hop with DJ Mad Max: https://m.youtube.com/channel/UCE0107atIPV-mVm0M3UJyPg. Laurens J Drawings on "Sports and Hip-Hop with DJ Mad Max" visual on YouTube: https://www.youtube.com/watch?v=uffhJsOyHwY&t=228s. 

This week, great Haunted Mansion tattoos, edible Haunted Mansion art, the French fry apocalypse, pieces of Disneyland are coming to the new Topps 70th Anniversary collector cards, Indiana Jones at the Walt Disney Family Museum, Joe Rohde's new book, plus, Olaf is going to teach you to draw. Listen now at: https://www.podketeers.com/610 or watch this episode at: YouTube.com/Podketeers   Our most frequently requested links can be found at: https://www.podketeers.com/links/   Help us make a difference!  Teamboat Willie is the official charity team of the Podketeers Podcast. For more information on the charity that we're currently supporting, head to: http://www.teamboatwillie.com   Check out our series of Armchair Imagineering episodes here:  https://www.podketeers.com/armchair-imagineering/ --- Join the FGP Squad Family! Support for Podkeeters is provided by listeners and viewers like you! We like to call our supporters our Fairy Godparents (they call themselves the FGP Squad). You can find more info on how to become part of the FGP Squad family by going to:  https://www.podketeers.com/fgp --- We're on Discord! Join other members of our community and us on our Discord server! Use the invite link below to join us: https://discord.gg/gG8kJ2a ---  

Vincent has a lot to say on this episode.  He talks about an obscure show he watched; he didn't know what a 50/50 drawing was and we talk about his love life.  Have a show idea, question or comment?  Email Johnny at johnnyo@thejohnnyopodcast.com. 

What a sweet idea from this elementary teacher in Washington who knitted hats based on her students' drawings! VIDEO: https://www.wdjx.com/teacher-turns-students-drawings-of-hats-into-real-hats/

Joyous but nervous. Alex’s dad is in town. Superbowl half-time. Question of the day …..nude life drawing. Ski jumpers injecting their bits. If you've got something to add to the show, slide into our DMs @matt.and.alex Hosts: Matt Okine and Alex Dyson Produced By: James ParkinsonPost Production: Linc Kelly Find more great podcasts like this at www.listnr.com See omnystudio.com/listener for privacy information.

Host Silas Farley is back with another fascinating Hear the Dance conversation, joined this week by Kay Mazzo, Christine Redpath, and Jean-Pierre Frohlich to discuss Jerome Robbins' masterpiece Dances at a Gathering. In this wide-ranging and intimate conversation, they share memories of the ballet's momentous 1969 premiere as well as time spent with Robbins in the rehearsal studio. As they discuss the various sections of Dances, they reflect on moments when Robbins' humor emerges; the "freedom" and even suspense of certain passages; and the ways in which the ballet is a gift from the choreographer as much to the dancers, who share in its rich sense of community, as to the audience. (1:09:57) Written by Silas Farley Edited by Emilie Silvestri Music:  Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Mazurka, op. 63, no. 3; Waltz, op. 69, no. 2; Mazurka, op. 33, no. 3; Mazurkas, op. 6, nos. 2 and 4, op. 7, nos. 4 and 5, op. 24, no. 2; Waltz, op. 24; Waltz, op. 34, no. 2; Mazurka, op. 56, no. 2; Etude, op. 25, no. 4; Waltz, op. 34, no. 1; Waltz, op. 70, no. 2; Etude, op. 25, no. 5; Etude, op. 10, no. 2; Scherzo, op. 20, no. 1; Nocturne, op. 15, no. 1 All music performed by New York City Ballet Orchestra Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Life of Chopin by Franz Liszt Chopin: Prince of the Romantics by Adam Zamoyski Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein

For the last three years, my boy and I have had a pet mouse. We got her from a pet store, and he's carried her in his hand through so many adventures in forests, beaches, and playgrounds. She sat on many little handmade boats down the creeks of New Zealand. Sand castles and Lego houses built just for her. Drawings and stories for and about her. You've never seen a mouse so loved. The past six months, she's been next to me on my desk, twelve hours a day, as I wrote this book. Moving slower and wobbling, looking like she's in pain. This week, she kept falling over when trying to eat. Thirty minutes ago, she died. I'm surprised how much I've been crying. As soon as she died, she looked at peace for the first time in months. It led to a thought that seems like a nice end to this book, and gives it extra meaning for me. Heaven is such a useful reframing. Maybe it's the original reframing. Death can be terrifying or devastating, so no wonder every culture found a way to reframe it. Some people avoid loving pets or even people, because they're scared of the eventual heartbreak and loss. But avoiding sadness is like listening to music with only major chords. The minor chords are so beautiful. I'm crying, but isn't that wonderful? It's a part of a rich life. And even that is reframing. It's a useful belief that has helped me love people and pets, again and again.

D&P Highlight: Cave drawings shed more light on how long humans have walked the Earth. full 423 Thu, 22 Jan 2026 19:56:00 +0000 klRM1RM7qITVhT6n4KSXrHAM0m0wGlt8 news The Dana & Parks Podcast news D&P Highlight: Cave drawings shed more light on how long humans have walked the Earth. You wanted it... Now here it is! Listen to each hour of the Dana & Parks Show whenever and wherever you want! © 2025 Audacy, Inc. News False https:

Being proactive in AEC has always been the goal but until now, it's been hard to achieve at scale. In this episode of Bridging the Gap, host Todd Weyandt is joined by David Spergel of Graitec to explore how AI is reshaping workflows to help project teams anticipate risk, surface intent earlier, and make better decisions across the project lifecycle. The conversation dives into how shared project artifacts, like drawings and PDFs, are evolving into intelligent layers that connect design teams, project managers, and the field. Rather than reacting to issues after they appear, AI-powered workflows help teams reduce ambiguity, improve communication, and move work forward with greater clarity and confidence. This episode offers a hopeful, practical look at how AI supports people, not by replacing expertise, but by enabling more proactive, aligned, and predictable project delivery. You'll Learn: How AI workflows are helping project teams shift from reactive problem-solving to proactive decision-making Why shared project artifacts like drawings and PDFs are evolving into intelligent layers that connect design, construction, and the field How surfacing intent and context earlier reduces coordination gaps, RFIs, and late-stage surprises Ways AI improves communication and collaboration without replacing human expertise or forcing new workflows What proactive, AI-enabled project delivery looks like and why it leads to more predictable outcomes   MEET OUR GUEST David Spergel is an AEC technology leader with deep experience helping design and construction teams improve how they collaborate, communicate, and execute projects using digital tools. His background spans software enablement, workflow optimization, and customer-facing strategy, with a strong focus on how platforms like Bluebeam support real-world project delivery. David brings a practical, people-first perspective to emerging technologies, translating AI and data-driven workflows into clear, adoptable processes that help teams reduce risk, break down silos, and make better decisions across the project lifecycle. TODD TAKES AI isn't a threat. It's a force multiplier for people. In AEC, AI isn't replacing expertise. It's removing the tedious, time-consuming work that pulls teams away from judgment, creativity, and problem-solving. When the noise is reduced, people can focus on decisions that actually move projects forward. The industry's real opportunity is turning shared artifacts into shared understanding. Drawings, markups, and documents already hold enormous intent and context. When that information becomes easier to interpret and act on, teams spend less time searching for answers and more time aligning across design, construction, and the field. Better data leads to better conversations and better outcomes. When information is surfaced proactively instead of reactively, collaboration improves. Fewer misunderstandings, fewer late surprises, and clearer accountability create momentum toward predictability, trust, and stronger project delivery.   Thanks for listening! Please be sure to leave a rating and/or review and follow up our social accounts. Bridging the Gap Website Bridging the Gap LinkedIn Bridging the Gap Instagram Bridging the Gap YouTube Todd's LinkedIn   Thank you to our sponsors! Graitec North America Graitec North America LinkedIn Autodesk's Website   Other Relevant Links: David Spergel's LinkedIn

Get ready for Twin Games on the Alex Perry On Fire Podcast! Brothers Alex and Elliot Perry compete in trivia and Pictionary challenges that test everything from general knowledge to family history. How many chicken nuggets tall is the Statue of Liberty? Can you identify a waffle driving a Formula One car from stick figure drawings? The Perry twins tackle bizarre questions, share embarrassing childhood stories, and prove that terrible artistic ability runs in the family. This episode delivers laughs, nostalgia, and surprisingly competitive moments. Perfect for anyone who loves game shows, sibling dynamics, and wholesome entertainment. Your turn to start the fire. Like what you heard today on Alex Perry on Fire? Tell us about it. Want to share what has helped you on your journey? We want to hear about that, too. Comment on social, DM us or give us a call.  Instagram: @alexperryonfire     TikTok: @alexperryonfire Call: 214-506-8023 

Learn more at TheCityLife.org

We're launching a new season of City Ballet The Podcast with an enlightening Hear the Dance conversation on Jerome Robbins' Antique Epigraphs. Host Silas Farley is joined by former NYCB dancers and original cast members Maria Calegari and Heléne Alexopoulos, and current Repertory Director Rebecca Krohn, who performed several roles in the work and now coaches today's performers. They describe learning this lyrical ballet, following the delicate Debussy score through its unique solos and romantic passages for the cast of "eight glamorous women." (49:32)  Written by Silas Farley Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Six Epigraphes Antiques (1915), orchestrated by Ernest Ansermet (1932) and Syrinx (1912) All music performed by New York City Ballet Orchestra Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir by Jerome Robbins Edited by Amanda Vaill Claude Debussy: A Critical Biography by François Lesure, Translated by Marie Rolf Documenting: Lighting Design (Performing Arts Resources, Vol. 25) Jennifer Tipton, Contributing Author

Welcome to Monsters on the Edge, a show exploring creatures at the edge of our reality in forests, cities, skies, and waters. We examine these creatures and talk to the researchers studying them.After a couple of years as a graphic designer, Rick was able to take his love of prehistoric animals and combine it with sculpting skills and found work as an exhibit designer for a small natural history museum. This led to illustrating books about dinosaurs, which then led to illustrating books about cryptids... 10 titles in all, each written by Kelly Milner Halls. Since retiring from his "day job", he still make models for museums in between illustration projects.Rick's websitehttp://www.rickspearsart.com/Kelly & Rick's Bookshttps://www.amazon.com/stores/author/B000APA4OW/allbooks?ccs_id=1aed8a06-7ebd-4556-b6e9-3b72d52402ceClick that play button, and let's unravel the mysteries of the UNTOLD! Remember to like, share, and subscribe to our channel to stay updated on all the latest discoveries and adventures. See you there!Join Barnaby Jones each Monday on the Untold Radio Network Live at 12pm Central – 10am Pacific and 1pm Eastern. Come and Join the live discussion next week. Please subscribe.We have ten different Professional Podcasts on all the things you like. New favorite shows drop each day only on the UNTOLD RADIO NETWORKTo find out more about Barnaby Jones and his team, (Cryptids, Anomalies, and the Paranormal Society) visit their website www.WisconsinCAPS.comMake sure you share and Subscribe to the CAPS YouTube Channel as wellhttps://www.youtube.com/channel/UCs7ifB9Ur7x2C3VqTzVmjNQ

Learn more at TheCityLife.org

ENTERTAINING SHORT FILMS is a new category on the RPA Network, which features indie short films for your enjoyment! We applaud these creators! When a lonely polar bear can't find a friend... he makes one. Created with more than 11,000 Drawings , animated over 3 years , and crafted entirely by 1 artist , Oscar-nominated director and Disney veteran Aaron Blaise

It's a Behold Christmas special! Beth and Craig share some of their favorite Christmas things, reflect on the joy of the season, and open a festive grab bag that leads to laughter. A cozy, lighthearted episode meant to bring joy and rest this Christmas.SUBSCRIBE TO OUR NEW CHANNELhttps://www.youtube.com/@behold.podcast @behold.podcast  Last Episode: https://youtu.be/KKQLuGme774Watch more episodes: https://www.youtube.com/playlist?list=PLK6oXv2ImzCII7jOHIUsPv4k9oSPmbnB0Send your questions to behold@arcadechurch.comVisit us at arcadechurch.comFollow us on social mediaInstagram: @arcadechurchYouTube: @behold.podcast Facebook: Arcade Church#beholdpodcast #bible #christian #podcast #christianpodcast #parenting #parents #Theology #church #unionwithchrist #jesus #gospel #hopeinjesus #religion #christianity #worship #conflict #leader #socialmedia #mentalhealth #baptism #obedience #holyspirit #salvation #Christmas #portraitdrawing #christmastraditions

This story will melt your heart! Karen Taylor, who works with students at Mount Pleasant Elementary, brought holiday magic to first-grade students by hand-making hats based on each child’s drawing of hats! Greg and Holly describe the incredible photo showing the kids’ colorful sketches alongside the real-life replicas, and hear from Karen about what inspired her, how long it took, and the challenges she faced.

Artist Helen Frankenthaler was always innovating. A new exhibition at the Museum of Modern Art explores her experimentation with paint over the decades of her career, beginning in New York and later in Darien, where she spent much of her life. Samantha Friedman, curator in the Department of Drawings and Prints, discusses 'Helen Frankenthaler: A Grand Sweep,' on view through February 8.

A discussion on how alien creatures that appear within the 2023 Las Vegas alien cellphone footage filmed by the Kenmore family meet the descriptions of aliens reported by people who have either been abducted by or who have seen non-human intelligent beings. Also, an email message that provides an overview of the proof that we are not alone was submitted to the New York Times last week.Links/Sources:Alien abduction experience: the examination tableChris Hinton and "thousands of other people" experienced the alien abduction phenomenonEyewitnesses talk about observing a landed UFO and aliens in a field, Missouri, 1983Alien Abduction: The Chilling Truth Behind the Examination Table • Latest UFO SightingsBEYOND MY WILDEST DREAMS: DIARY OF A UFO ABDUCTEE by Kim Carlsberg: https://amzn.to/4rlbnmXTHE ALLAGASH ABDUCTIONS by Raymond Fowler: https://amzn.to/3MkGnDySupport Extraterrestrial Reality/Quirk Zone on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/Extraterrestrial_Reality⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out my YouTube channel:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quirk Zone - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Extraterrestrial Reality Book Recommendations:Link to ROSWELL: THE ULTIMATE COLD CASE: CLOSED: https://amzn.to/3O2loSILink to COMMUNION by Whitley Strieber: https://amzn.to/3xuPGqiLink to THE THREAT by David M. Jacobs: https://amzn.to/3Lk52njLink to TOP SECRET/MAJIC by Stanton Friedman: https://amzn.to/3xvidfvLink to NEED TO KNOW by Timothy Good:  https://amzn.to/3BNftfTLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 1:  https://amzn.to/3xxJvlvLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 2: https://amzn.to/3UhdQ1lLink to THE ALLAGASH ABDUCTIONS: https://amzn.to/3qNkLSgUFO CRASH RETRIEVALS by Leonard Stringfield: https://amzn.to/3RGEZKsFLYING SAUCERS FROM OUTER SPACE by Major Donald Keyhoe: https://amzn.to/3S7WkxvCAPTURED: THE BETTY AND BARNEY HILL UFO EXPERIENCE by Stanton Friedman and Kathleen Marden: https://amzn.to/3tKNVXn#ufos #aliens #vegas aliens #ufo podcast

A discussion on how alien creatures that appear within the 2023 Las Vegas alien cellphone footage filmed by the Kenmore family meet the descriptions of aliens reported by people who have either been abducted by or who have seen non-human intelligent beings. Also, an email message that provides an overview of the proof that we are not alone was submitted to the New York Times last week.Links/Sources:Alien abduction experience: the examination tableChris Hinton and "thousands of other people" experienced the alien abduction phenomenonEyewitnesses talk about observing a landed UFO and aliens in a field, Missouri, 1983Alien Abduction: The Chilling Truth Behind the Examination Table • Latest UFO SightingsBEYOND MY WILDEST DREAMS: DIARY OF A UFO ABDUCTEE by Kim Carlsberg: https://amzn.to/4rlbnmXTHE ALLAGASH ABDUCTIONS by Raymond Fowler: https://amzn.to/3MkGnDySupport Extraterrestrial Reality/Quirk Zone on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/Extraterrestrial_Reality⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out my YouTube channel:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quirk Zone - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Extraterrestrial Reality Book Recommendations:Link to ROSWELL: THE ULTIMATE COLD CASE: CLOSED: https://amzn.to/3O2loSILink to COMMUNION by Whitley Strieber: https://amzn.to/3xuPGqiLink to THE THREAT by David M. Jacobs: https://amzn.to/3Lk52njLink to TOP SECRET/MAJIC by Stanton Friedman: https://amzn.to/3xvidfvLink to NEED TO KNOW by Timothy Good:  https://amzn.to/3BNftfTLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 1:  https://amzn.to/3xxJvlvLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 2: https://amzn.to/3UhdQ1lLink to THE ALLAGASH ABDUCTIONS: https://amzn.to/3qNkLSgUFO CRASH RETRIEVALS by Leonard Stringfield: https://amzn.to/3RGEZKsFLYING SAUCERS FROM OUTER SPACE by Major Donald Keyhoe: https://amzn.to/3S7WkxvCAPTURED: THE BETTY AND BARNEY HILL UFO EXPERIENCE by Stanton Friedman and Kathleen Marden: https://amzn.to/3tKNVXn#ufos #aliens #vegas aliens #ufo podcast

To celebrate the show's 100th episode week, DeAndre drops a special Bonus Giveaway mini-episode outlining the prizes, how to enter, and key dates. Grand Prizes include a 4-night Tulum Airbnb stay (with a simple way to extend to 5 nights) and a surprise worth ≈$3,000. DeAndre also walks through entry mechanics (newsletter + channel follows, proof of podcast review/rating, a secret code hidden in Episode 100, and a refer-a-friend boost), basic rules, and timelines. The giveaway runs through November 30, 2025; winners are drawn a few days after close and must confirm within about a week.Notes: No cash value; non-transferable; no cost to enter; substitutions at sponsor's discretion. You may decline an award, but that doesn't re-enter you into drawings. Some certificates have varying expirations (into 2027).Click here to enter the 100th episode giveawayHow to Enter (Quick)Use the link in the show notes to register (name + email).Earn entries by: subscribing to the newsletter; subscribing to both YouTube channels (podcast + vlog); following on Instagram/TikTok/Threads; visiting the website; following listed partner accounts; uploading proof of your Apple review or Spotify rating; and entering the Episode 100 secret code.Refer-a-friend unlocks bonus entries.Deadline: 23:59 on November 30, 2025 (local time). Drawings occur a few days later; winners have ~1 week to confirm.Resources:Book a Free 30 minute points & miles consultationStart here to learn how to unlock nearly free travelSign up for our newsletter!BoldlyGo Travel With Points & Miles Facebook GroupInterested in Financial Planning?Truicity Wealth ManagementSome of Our Favorite Tools For Elevating Your Points & Miles Game:Note: Contains affiliate/sponsored linksCard Pointers (Saves the average user $750 per year)Zil Money (For Payroll on Credit Card)Travel FreelyPoint.meFlightConnections.comThrifty Traveler PremiumLTH Online Points & Miles In Depth Course: Use coupon code "BOLDYGO" for a 50% discount!Connect with DeAndre & Taryn: Instagram: BoldlyGo.world

Episode 222 In this episode of The Observers Notebook Podcast, host Tim Robertson sits down with Alberto Anunziato, an ALPO Lunar Observer from Argentina. Together, they explore the fascinating intersection between art and science in lunar observation — how detailed sketches made at the eyepiece can capture fleeting features of the Moon, aid in scientific study, and preserve the personal experience of observation. Is sketching an artistic pastime or a scientific tool? Alberto shares his insights, techniques, and passion for visual recording of lunar phenomena, reminding us that even in the digital age, a sketch can reveal what a camera may miss. You can contact Alberto at: albertoanunziato@yahoo.com.ar For more information you can visit the ALPO web site at: www.alpo-astronomy.org/ You can also support this podcast at Patreon: https://www.patreon.com/ObserversNotebook Listen to the podcast on Soundcloud: https://soundcloud.com/observersnotebook Subscribe on our YouTube Channel: https://www.youtube.com/c/AssociationofLunarandPlanetaryObservers Subscribe on iTunes: https://itunes.apple.com/us/podcast/observers-notebook-the-alpo-podcast/id1199301885?mt=2 I want to thank the Producers of this podcast, Steve Siedentop and Michael Moyer for their generous support of the Observers Notebook. Our Patreons: Jerry White Jason Inman Bob Lunsford Steve Seidentop Stephen Bennett Michael Moyer Shawn Dilles Damian Allis Carl Hergenrother Michael McShan Michael Blake Nick Evetts Stan Sienkiewicz Carl Hergenrother Stan Sienkiewicz John Rogers Jim McCarthy Stanley McMahan

Send us a textOn this special edition of the Lost In The Sauce Podcast, Sauce and special guest interviewer Mike Ewing sit down with Danielle Myers for her 2nd Draw-a-thon, where each lead artist draws 1,000 prompted drawings within 24 hours! Danielle's guest artist this year was none other than Dominique “YOUNIQUE” Coleman. Tune in as we discuss everything with a live audience at the Forge Nashville! Platforms:  https://linktr.ee/Lostinthesauce5Instagram:  https://www.instagram.com/sauceville_615/

The legendary illustrator talks with LIT NYC hosts Amy Sohn and Harry Siegel about what he wants to illustrate now that he no longer needs to take assignments, how New York City shaped his work, why he thinks being called "the Vermeer of the Borscht Belt" is a misnomer, and much more.

In a special two-part Hear the Dance Episode, host Silas Farley leads us on a wide-ranging discussion of Jerome Robbins' 1971 ballet The Goldberg Variations. In this first part, Farley is joined by former NYCB Dancer Bruce Wells, an original cast member, and current Principal Dancer Emilie Gerrity, one of the ballet's present-day interpreters. Wells shares the challenges Robbins faced after an injury forced him to choreograph from a wheelchair, as well as highlights from the year-long creative process. Gerrity describes the "class" section of this monumental ballet as "simple but beautiful," and recalls learning the work from original dancer Christine Redpath, among other memorable coaches. (1:12:53) Written by Silas Farley Edited by Emilie Silvestri MUSIC:  Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach All music performed by New York City Ballet Solo Pianist Susan Walters Quotations from the writings of Lincoln Kirstein are © 2019 by the New York Public Library (Astor, Lenox and Tilden Foundations) Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Bach: Music in the Castle of Heaven by John Eliot Gardiner Bach's Musical Universe: The Composer and His Work by Christoph Wolff Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein

In the second part of this deep dive Hear the Dance discussion of Jerome Robbins' The Goldberg Variations, host Silas Farley is joined by former NYCB Dancers and current Repertory Directors Christine Redpath and Jean-Pierre Frohlich. Redpath, an original cast member of Goldberg, digs into Robbins' approach to the creation of this remarkably multi-faceted ballet, while Frohlich remembers the adjustments the choreographer made through the ensuing performances. Both talk about coaching Goldberg on today's company members and the ways in which the work has influenced the dancemakers of today. (42:29) Written by Silas Farley Edited by Emilie Silvestri MUSIC: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach All music performed by New York City Ballet Solo Pianist Susan Walters Quotations from the writings of Lincoln Kirstein are © 2019 by the New York Public Library (Astor, Lenox and Tilden Foundations) Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Bach: Music in the Castle of Heaven by John Eliot Gardiner Bach's Musical Universe: The Composer and His Work by Christoph Wolff Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

They're Not Hiring You for Your DrawingsIn this solo session of the EntreArchitect Podcast, Mark R. LePage explores how artificial intelligence and automation are reshaping the profession of architecture. While efficiency tools continue to evolve, Mark reminds us that technology alone cannot define success for small firm architects. What sets you apart is not how quickly you complete tasks, but how deeply you connect with the people you serve. This episode challenges architects to think beyond productivity and focus on building the kinds of human relationships that truly matter.Mark breaks down the shift from being seen solely as experts to being trusted guides for clients. He shares why empathy, attentive listening, and transparent communication are no longer optional, but central to a thriving practice. By prioritizing trust over transactions, architects can move away from being commoditized service providers and instead become indispensable advisors. Through real-world examples and practical steps, Mark paints a clear picture of how these skills create long-term value for both architects and their clients.Ultimately, this session is a call to embrace what machines cannot replicate: authentic human connection. Technology will continue to accelerate, but the architect's role as a guide and relationship-builder is what will secure the future of the profession.This week at EntreArchitect Podcast Solo Sessions, They're Not Hiring You for Your Drawings.Please visit Our Platform SponsorsArcatemy is Arcat's Continuing Education Program. Listen to Arcat's Detailed podcast and earn HSW credits. As a trusted provider, Arcat ensures you earn AIA CE credits while advancing your expertise and career in architecture. Learn more at Arcat.com/continuing-education.Visit our Platform Sponsors today and thank them for supporting YOU... The EntreArchitect Community of small firm architects.