Podcasts about italian futurism

The Aeonic Futurist Manifesto, published in 2020, is a high-speed collision of white nationalism, Hitlerism, Italian Futurism and amphetamine. 99% form, 1% (prescription) substance. VERY IMPORTANT INFORMATIONPatreon: www.patreon.com/TheBookClubfromHellJoin our Discord (the best place to interact with us): discord.gg/ZMtDJ9HscrWatch us on YouTube: https://www.youtube.com/channel/UC0n7r1ZTpsUw5exoYxb4aKA/featuredTwitter: @bookclubhell666

====> Join Arkos Academy Telegram to keep you updated! https://t.me/arkosacademy ====> Read the text while you're listening! https://www.arkosacademy.com/podcast-futurismo-parte-2/ Marinetti was the father of Italian Futurism. But why, once he got his law degree, did he suddenly decide to pursue his literary passion completely? What radically changed his point of view, allowing him to conceive Futurism? To answer these questions, read and listen to the second installment of this podcast series dedicated to Futurism! *** Please, spread the word and leave a feedback! It' s important for me and my Arkos Academy and it can help other students like you!***

====> Join Arkos Academy Telegram to keep you updated! https://t.me/arkosacademy ====> Read the text while you're listening! https://www.arkosacademy.com/futurismo-podcast-1/ We are inaugurating a new series of podcasts dedicated to an artistic movement that developed in Italy at the beginning of the twentieth century. More than just an artistic movement, it was a real avant-garde: have you ever heard of Italian Futurism? Listen to the podcast to find out more! *** Please, spread the word and leave a feedback! It' s important for me and my Arkos Academy and it can help other students like you!***

From Chad Radford: Burning From the Inside has always held something of a mystery simmering just beneath the surface of every note and every lyrical phrase. Bauhaus' final album (the first time around) perfectly distilled the band's black-clad post-punk and proto-goth traipse into an enigmatic final act. Like the arrows of chaos, seminal recordings by Love and Rockets, Peter Murphy, Tones On Tail, David J, Daniel Ash, and Dali's Car all fired off in every direction shortly after its arrival. I'm not sure if there's a literal code to crack here, but nods to Italian Futurism in “Who Killed Mr. Moonlight” take shape as a poignant snapshot of a group that has already pulled itself apart at the seams. “Antonin Artaud” pushes that tension to an ecstatic state, “King Volcano,” “Slice Of Life,” and the album's title track are monster cuts—quintessential Bauhas. “Hope” brings it all to a warm and psychedelic landing, hinting at what the future holds in store. But it's difficult to see the forest for the trees, maybe that's what the cover art is all about. All meaning is shrouded in layers upon layers of cinematic imagery here. Nearly 40 years after its arrival, Burning From the Inside still reveals all sorts of insight into the band's history and legacy. I was thrilled when Cassy, Tom, and James invited me on the show to talk about it all.Check out Chad's work at https://radatl.com/ 

Hello and welcome back! This is everything about early Italian films that we didn't cover in the last two episodes. That means we talk a little about how Italian studios were run throughout the 1910's,  Important actors not playing Maciste, influential directors (including another of the most prolific women of early film),and a film movement: Futurism. We talk about the movement's origin, and it's only surviving film – Thaïs – and how it, and the whole Italian film industry, entered a decline throughout the 1920's.If you would like to contact me, you can email me athistoeyoffilmpodcast@gmail.comAnd you can visit the shows website atHistoryoffilmpodcast.com

Ready for an Artpop RANT?! In this episode we're ranting about some of the art that we actually don't like so much. From Gilmore Girls and Kiki Smith to Italian Futurism and their “original” movement. We're asking questions like: why aren't we allowed to say we don't like a work of art? What are the benefits of art historical critique? And how could art education benefit from embracing hating on some art?For all of Artpop Talk's resources, click HERE.For 50% off your first Harvest, use code APT50 at hungryharvest.net.

A night call from a data scientist offers more accurate information about how our phones are “listening” to us. Then we take a road trip of the mind to the haunted Clown Motel in Tonopah, Nevada and find out why the graveyard next door is doubly haunted for reasons not related to clowns (hint: plague). Then a night email prompts a fun chat about the sentience of A.I. as Molly puts forth the theory that the A.I. revolution could be stopped by making the robots neurotic. Another email endorses delicious fresh milk.  For the second half we get back into Italian Futurism and end up talking about the Bon Appetit debacle and the politics of food. After a serious discussion about food and fascism it’s cocktail time as Emily, Molly and Tess reveal our favorite non-milk beverages for the summer, both alcoholic and non. All this and Excited Pig, on an all new Night Call! Footnotes: Apophenia  Privacy International on Bluetooth tracing  More on Bluetooth beacons  Clown Motel Old Tonopah Cemetary  1905 newspaper article on Tonopah plague  Italian Futurism  Bon Appetit exodus Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Lecture summary: The idea that all states are equal, however powerful or wealthy they might be, is an axiom of international law both in theory and in practice. Yet from Araribóia to Grenfell to Hodeidah to Nauru, the astonishing levels of violence and inequality that characterise our formally post-fascist, post-colonial, post-communist world are striking. Breaking with certain methodological conventions, this talk will deploy a new, ‘modular’ approach to the study of the history of international law. Its aim in doing so is to draw attention to the process – simultaneously coercive and interpellative – through which the surface of the earth has come gradually, over the course of five centuries, to be covered in reproductions of the same, originally Western European form of human collectivity – namely, the sovereign state. Turning on their heads a series of canonical episodes from the history of international law (among them, the ‘Abyssinia Crisis’ of 1935-36), the talk will suggest that attending to this process, to the relentless logic of accumulation it sets in motion, and to the profound distributive consequences of that logic, throws into sharp relief international law’s role in perpetuating precisely the relations of domination it purports to challenge – relations that attend between species as much as they do between individuals and communities. Crucially, however, this commitment to transforming the world into a series of homogenous, ‘self-governing’ and, therefore, competitive and ruthlessly expansionist legal subjects has not been – and cannot be – entirely successful. Indeed, as the talk will show, it is, historically, in stubbornly mixed-up or hybrid nature of international legal ‘personality’ that those seeking to resist the process of international legal reproduction and its logic have often found their most powerful resources. Rose Sydney Parfitt is a Senior Lecturer at Kent Law School. Her research brings together texts, images and sounds – and traditions dedicated to analysing texts, images and sounds – with the aim of apprehending, understanding and responding more effectively to the role of international law, in the past and present, not just in ameliorating but also in constituting inequalities of wealth, power and pleasure. Her work in this area has been published widely, touching on a range of different contexts including fascist colonial architecture in Libya; the inbuilt historiography of the doctrine of sources; Italian Futurism, the First World War and contemporary fashion; international personality under the League of Nations; statehood and international recognition; the chronotope (in the Bakhtinian sense) employed by the new states at the Bandung Conference of 1955; Bolsonarismo, the far-right and the Global South, and others. Her current project, which examines the relationship between fascism and international law has been supported by grants from the Australian Research Council (2016-19), the Socio-Legal Studies Association (2019-20), and elsewhere. Her monograph, The Process of International Legal Reproduction: Inequality, Historiography, Resistance, was published by Cambridge University Press in January 2019.

In the second half of their discussion of Cubism, the Babes shine a spotlight on the lovely lady cubist, Blanche Lazzell and explore the relationship between Cubism & Italian Futurism. Plus book recommendations! Originally Released August 26, 2016. AHB YouTube: http://www.youtube.com/c/TheArtHistoryBabes Check out our Patreon for bonus episodes: www.patreon.com/arthistorybabes Website: www.arthistorybabes.com Insta: @arthistorybabespodcast Twitter: @arthistorybabes Email: arthistorybabes@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fourth lecture of the series "Italy and the Design of Modern Beauty" featuring Ara Merjian (New York University).

Episode 2.04 is a special crossover show featuring Tamar Avishai's The Lonely Palette, one of the founding shows in our new podcast collective, Hub & Spoke. In this episode Tamar focuses on Italian Futurism, a pre-World War I art movement fueled by a heady mix of diesel and testosterone. The Futurists consciously aimed to use painting, sculpture, and photography to celebrate speed, power, industry, and all of the exhilarating ways technology was changing the world. What they couldn't represent—because it hadn't happened yet—was the ruin and destruction technology would bring to Europe as soon as the war began. After the war, artists developed more ambivalent and nuanced ways of representing technological change, but Futurism still stands out as art's first bold embrace of modernity. Theme music by Graham Gordon Ramsay. Additional music by Javier Suarez / Betterwithmusic.com. For more details on this episode, visit soonishpodcast.org and thelonelypalette.com. Soonish is a proud member of Hub & Spoke, a Boston-based collective of smart, idea-driven podcasts. Check out all of our shows at hubspokeaudio.org.

As a follow-up to last week’s program, “The Elected Coup,” tonight we confront The Authoritarian Creep. I should note that I spoke with both of our guests last Thursday (2/2) and as mindless speed seems to be the name of Donald Trump’s game (a la Italian Futurism), this show may already be behind the times! …

Alain Lévesque is a Canadian artists recognized by automotive enthusiasts throughout the world. He has painted posters for Barrett-Jackson, the New York City Concours d’Elegance in Central Park, Retromobile in Paris, and the Pebble Beach Concours d’Elegance. His art is collected by celebrities including: Jay Leno, Jerry Seinfeld, Nick Mason and I’m proud to say several of his prints hang in my home as well. Alain’s work has been published in numerous international magazines and publications. Inspired by the Art Deco and Italian Futurism movement, his work has a style and look that is unique and wonderfully suited to automobiles old and new.

What do the poets + artists of the Italian Futurism movement (1909-1944) have in common with a bunch of mothers? To celebrate our first anniversary + Mother's Day, we collected "Mom Manifestos" from a group of mothers: our family, friends, and several inmates at the Indiana Women's Prison. Logo created by Justin Schnarr. See acast.com/privacy for privacy and opt-out information.

Slate critics Stephen Metcalf, Julia Turner, and guest Gabber Jacob Weisberg discuss Stephen Colbert's move to late night television, chat with author Adam Begley about the legacy of John Updike, and then it's a Guggenheim field trip to check out the exhibit, "Italian Futurism, 1909-1944: Reconstructing the Universe."

Slate critics Stephen Metcalf, Julia Turner, and guest Gabber Jacob Weisberg discuss Stephen Colbert's move to late night television, chat with author Adam Begley about the legacy of John Updike, and then it's a Guggenheim field trip to check out the exhibit, "Italian Futurism, 1909-1944: Reconstructing the Universe." Learn more about your ad choices. Visit megaphone.fm/adchoices