Podcasts about Cubism

In 2003, when the author James Frey published his first book, A Million Little Pieces—a gut-punch account of his experience with addiction and rehab—nobody could have expected what would come next. Thanks to an Oprah Book Club endorsement, A Million Little Pieces was instantly catapulted to bestseller status, but soon blew up in scandal after Frey admitted to having falsified certain portions of the book, which had been marketed as a memoir. The drama that ensued sparked a media controversy—one that now, around 20 years later, feels petty and misplaced, especially in the context of today's cancel-culture climate. More than 10 million copies of A Million Little Pieces have sold since, and Frey is still at it, writing, publishing, and pushing the boundaries of his art. His latest novel, Next to Heaven, is a rollicking, raunchy, absurd-yet-not satire about money, murder, and the all-too-human desires for power, pleasure, and greed. On the episode—our Season 11 finale, in which Frey sat lotus for the entire duration—he reflects on the A Million Little Pieces saga; his long-term study of Taoism; writing as a gateway to vulnerability; and why love, for him, is the greatest drug there is.Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:James Frey[5:08] “Tao Te Ching”[5:08] Lao Tzu[5:08] Stephen Mitchell[5:08] Taoism[8:51] Cubism[13:11] “A Million Little Pieces” (2003)[14:16] “Next To Heaven” (2025)[14:16] New Canaan, Connecticut[17:14] Jackie Collins[17:14] “Hollywood Wives” (1983)[17:14] Danielle Steel[21:35] Honoré de Balzac[29:37] “Katerina” (2018) [29:37] “Full Fathom Five” (1947) by Jackson Pollock[37:14] “Larry King Live” (2006)[39:09] “Tropic of Cancer” (1971)[42:24] “Up to Me” (1985)[44:20] “Kissing a Fool” (1998)[52:22] “My Friend Leonard” (2005)[52:22] “Bright Shiny Morning” (2008)[52:22] “The Final Testament” (2011)[58:56] “Author Is Kicked Out of Oprah Winfrey's Book Club”[58:56] “James Frey: ‘I Always Wanted to Be the Outlaw'”[01:03:18] Bret Easton Ellis[01:03:18] Jay McInerney[01:03:18] Norman Mailer[01:10:54] Rashid Johnson[01:10:54] HBO's “Native Son” (2019)

Researchers uncover serious vulnerabilities in the Signal fork reportedly used by top government officials. CISA adds a second Commvault flaw to its Known Exploited Vulnerabilities catalog. xAI exposed a private API key on GitHub for nearly two months. FortiGuard uncovers a cyber-espionage campaign targeting critical national infrastructure in the Middle East. Threat brokers advertise a new SS7 zero-day exploit on cybercrime forums. The StealC  info-stealer and malware loader gets an update. Passkeys blaze the trail to a passwordless future. On our Afternoon Cyber Tea segment with Ann Johnson, Ann speaks with Christina Morillo, Head of Information Security at the New York Giants. Cubism meets computing: the Z80 goes full Picasso.  Remember to leave us a 5-star rating and review in your favorite podcast app. Miss an episode? Sign-up for our daily intelligence roundup, Daily Briefing, and you'll never miss a beat. And be sure to follow CyberWire Daily on LinkedIn.CyberWire GuestOn our Afternoon Cyber Tea segment with Ann Johnson, Ann speaks with Christina Morillo, Head of Information Security at New York Football Giants, as they discuss how she approaches cybersecurity with curiosity, business alignment, and strong collaboration across the NFL community. Selected Reading The Signal Clone the Trump Admin Uses Was Hacked (404 Media) Critical Commvault Vulnerability in Attacker Crosshairs (SecurityWeek) xAI Dev Leaked API Key on GitHub for Private SpaceX, Tesla & Twitter/X (Cyber Security News) FortiGuard Incident Response Team Detects Intrusion into Middle East Critical National Infrastructure (Fortinet) Hackers Selling SS7 0-Day Vulnerability on Hacker Froums for $5000 (Cyber Security News) StealC malware enhanced with stealth upgrades and data theft tools (Bleeping Computer) Sick of 15-character passwords? Microsoft is going password-less, starting now. (Mashable) Passkeys for Normal People (Troy Hunt) Single-Board Z80 Computer Draws Inspiration From Picasso (Hackaday) Share your feedback. We want to ensure that you are getting the most out of the podcast. Please take a few minutes to share your thoughts with us by completing our brief listener survey as we continually work to improve the show. Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at cyberwire@n2k.com to request more info. The CyberWire is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kyle Wood returns to the show today to talk with Tim about some of their favorite lesser-known artists in art history, and share ideas on why we need to move beyond the traditional art historical canon. Ranging from Abstract Expressionism to Surrealism, Impressionism to Cubism, they pass right by the Picassos and Pollocks and talk about Janet Sobel, Remedios Varo, Charuvi Agrawal, and so many more artists that can expand your students' views on art history. They finish the show by discussing how a more representative set of artists in your curriculum can lead to understanding, engagement, and empowerment for your students. Resources and Links Join the Art of Ed Community Listen to Who Arted? and Fun Facts Daily from Kyle Art Ed Radio Ep. 009: No More Dead White Guys! 6 Contemporary Artists Storytelling, Art History, and Student Engagement

Watch the video: https://www.youtube.com/channel/UCijzViDaoVljjDXyEPTIwyQ?sub_confirmation=1 This week's guest is MonkeyRascal. Known for his bold, genre-defying sound, MonkeyRascal shares the story behind his name and how it reflects his mischievous and playful approach to art. From his early experiences with psychedelics to his fascination with wonky, heavily swung drum grooves, he reveals the personal journey and creative process that shaped his unique style. MonkeyRascal talks about his love for unconventional sounds, like crunchy, saturated drums and "crummy" samples, and how he balances experimentation with anchoring grooves to keep listeners engaged. We compare his music to Cubism, explaining how fragmented and refracted elements create a “hall of mirrors” effect in his tracks. From layering reverb tails to building unconventional grooves, he reveals how his unique approach to sound design makes his music both quirky and immersive. The conversation touches on everything from the melancholy influence of Radiohead and Flying Lotus to the clever experimentalism of G Jones and Mr. Carmack. MonkeyRascal shares how negative space, tension, and unexpected drops add emotional depth to his music, making it perfect for dance battles and headphone sessions alike. He also reflects on live performances, the evolution of bass music, and the delicate balance between chaos and structure in electronic production.

All the sounds in this track are derived from original recordings of ice cubes in a glass. More on the 679th weekly Disquiet Junto project, Ice Age — The Assignment: Record the sound of ice in a glass and make something with it — at https://disquiet.com/0679/

BREAKING THE MIRROR. Michelangelo Pistoletto is one of the most celebrated artists in Europe. Born in Biella, Italy, in 1933 and a leading figure of the radical Italian Arte Povera movement, Pistoletto created his first Mirror Paintings in 1961–62. These influential works earned him international acclaim and have become a hallmark of his oeuvre. Robilant+Voena's recent exhibition in Dover Street, London, presented works by Pistoletto divided across two rooms: the first room showcasing black and white mirror pieces, and the second offering mirror works in bold colours. "I do not call it black and white because the mirror doesn't have the colour white. I call it light: light mirror." "You are already in the painting." "We have to decide if we want peace or war."

Hello, listeners! It's time for a new Brave Story.

In this episode of Locust Radio, Adam Turl interviews R. Faze, author of the My Body series published in Locust Review. This is part of an ongoing series of interviews with Locust members and collaborators on contemporary artistic strategies. R. Faze's My Body series in Locust Review: R. Faze, “I Live an Hour from My Body,” Locust Review 4  (2021) R. Faze, “My Body Got a New Job,” Locust Review 5 (2021) R. Faze, “My Body Planned Something,” Locust Review 6 (2021) R. Faze, “My Body, Interrogated,” Locust Review 7 (2022) R. Faze, “My Body's Long Term Plan,” Locust Review 8 (2022) R. Faze, “My By Body's Revenge Plan,” Locust Review 9 (2022) R. Faze, “My Body Found a Portal to Another Dimension,” Locust Review 10 (2023) R. Faze, “My Body's Claims, Verified,” Locust Review 11 (2024) Some other writers, artists, texts and artworks discussed: Mikhail Bahktin, Rabelais and His World (1984); Bertolt Brecht; Raymond Chandler;  Jefferson Cowie, Stayin' Alive: The 1970s and the Last Days of the Working-Class (2010); Rene Descartes; W.E.B. Du Bois, The Souls of Black Folk (1903); Mark Fisher, Capitalist Realism: Is There No Alternative? (2009); Karl Marx, The Philosophic and Economic Manuscripts (1844); Scott McCloud, Understanding Comics (1993); Pablo Picasso and Cubism; Edgar Allan Poe, “William Wilson” (1839); Francois Rabalais, Gargantua and Pantagruel (1564); Don Siegal, Invasion of the Body Snatchers (1956); Sister Wife Sex Strike, “From the River to the Sea (2024); Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde (1886) Locust Radio hosts include Tish Turl, Laura Fair-Schulz, and Adam Turl. Locust Radio is produced by Alexander Billet, Adam Turl, and Omnia Sol. Opening music and sound elements by Omnia Sol and Adam Turl. 

This Friday marks the opening of a new major exhibition at the Guggenheim examining an artist movement that inspired the museum's own iconic building design. Harmony and Dissonance: Orphism in Paris, 1910–1930 displays over eighty pieces and examines an abstract form known as Orphism, pioneered in Paris in the early 20th century as artists moved away from Cubism. Curators Tracey Bashkoff and Vivien Greene tell us more about the significance of Orphism and the show, on view through Mar. 9.

We're celebrating the 50th episode of the Hirschfeld Century Podcast in style with a look back at your favorite episodes. Plus, David and Katherine answer your burning Hirschfeld questions and a few surprises are revealed! Thank you to everyone for listening for the last 50 episodes. We couldn't do it without your support and we look forward to telling more stories from the world of Hirschfeld! Follow along with the show notes to view the works and previous episodes mentioned in this episode. Links for episodes go to alhirschfeldfoundation.org/podcasts. Check your service's listings for past episodes. Episode 1 - Fiddler on the Roof Episode 39 - The Murals of 1958 Episode 49 - Hirschfeld and Perelman Episode 45 - 1964 Episode 43 - Brooks Atkinson & The Lively Years Episode 44 - Disney Episode 23 - Interview with Eric Goldberg Episode 33 - The Dog Show (Online Exhibition) Episode 4 - What's My Line Episode 36 - Call Her Madam: Sex, Crime, and Fun in Polly Adler's New York (Online Exhibition with Debbie Applegate) Episode 32 - It Goes So Fast - Our Town (Online Exhibition with Howard Sherman) Episode 12 - Justin "Squigs" Robertson Episode 48 - Hirschfeld's Drag Show (Online Exhibition with Charles Busch) Episode 27 - Hal Prince Alex Trebek, 1999 The West Wing, 2001 Alias, 2002 The King of Queens, 2001 The Nanny, 1999 The Golden Girls, 1991 The Sopranos, 2001 Bust of Abraham Lincoln, 1919 Episode 38 - Bali Bali Works, 1932 1927 Cubism-inspired works (Rang Tang, Ethel Waters, and Katherine Renwick) Lorne Michaels (with Zeppo Marx), 1999 Tommy Tune, 2002 (Final Published Hirschfeld Drawing) Episode 41 - Prints Evita, 1979 The Hirschfeld Broadway Tarot Deck is available now online and where most books are sold. Order here!  Visit our website Visit our shop Like us on Facebook Subscribe to our Youtube Channel   Watch Hirschfeld Moments: Ep.4 - Hirschfeld Draws a Star! Follow us on Twitter Follow us on Instagram HirschfeldHomestyle.com The Hirschfeld Package at The Algonquin Hotel

Laser Dance is a mixed reality game by solo XR game developer Thomas van Bouwel, who previously released minimalist puzzle game called Cubism. I had a chance to try out Laser Dance through Raindance Immersive, and it's one of those types of games that I think will really help define some of the key affordances of successful mixed reality games that modulate your existing context enough to transport you into another realm of play where you use your body as a controller. https://twitter.com/tovanbo/status/1806323145000816867 I had a chance to catch up with van Bouwel to unpack more about the mixed reality and hand tracking lessons from Cubism in the first half of our conversation, and then we dive into many of the peculiar considerations of mixed reality game design for Laser Dance covering everything from gameplay that adapts relative to the uniqueness of someone's space, the evolving Presence Platform functionality for mixed reality along with the types of custom programming needed to solve some of the open problems, as well as collaborating with the newly-formed Creature label that is providing additional support for innovative indie-driven, mixed reality and XR games like Laser Dance, Thrasher (more on this experience tomorrow), as well as their flagship mixed reality game of Starship Home. We also cover some of the unique insights from architecture that have also really helped to shape van Bouwel's journey from architectural visualization into the frontiers of leveraging spatial affordances for mixed reality gameplay. The release date for Laser Dance has not been announced yet, but you can wishlist it here. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Nick brings on Stephy and Dogukan to discuss howPaul Cezanne came to be, what is it that influencedhis art and what did he learn that impacted hisstyling? Who is Ambroise Vollard and how did heimpact Cezanne's life and bring other avant-gardeartists to the limelight? Lastly, of course, what was isit that Cezanne painted and what techniques does heemploy the most? We explore all of that, and howCezanne impacted 19th Century Impressionism and20th Century Cubism.

In today's episode, you will learn a series of vocabulary words that are connected to a specific topic. This lesson will help you improve your ability to speak English fluently about a specific topic. It will also help you feel more confident in your English abilities.5 Vocabulary Words Related to the topicSculpture (noun): A three-dimensional artwork created by carving, molding, or assembling materials. Example Sentences: The museum displayed a collection of ancient sculptures from various cultures.The artist used marble to create a life-sized sculpture of a mythical creature.Modern sculptures can be made from a variety of materials, including metal, wood, and even glass.Abstract (adjective): Not representing a specific object or scene; using shapes, colors, and lines in a non-representational way.Example Sentences: This painting is an abstract expression of the artist's emotions.Abstract art often challenges viewers to interpret the meaning based on their own perception.Modern art movements like Cubism and Abstract Expressionism embraced abstract styles.Palette (noun): A flat surface on which artists mix paints.Example Sentences: The painter carefully selected colors from her vibrant palette.A limited palette can create a sense of simplicity and focus in an artwork.A wider palette allows for a richer and more varied composition.Perspective (noun): The way objects appear to diminish in size as they recede into the distance, creating the illusion of depth in a two-dimensional artwork.Example Sentences: The use of perspective in this painting creates a sense of realism and depth.Mastering perspective is a fundamental skill for any artist working with two-dimensional mediums.Different artistic styles may employ various perspective techniques.Gallery (noun): A building or space for the exhibition of art.Example Sentences: The city has several renowned galleries showcasing works by local and international artists.Visiting art galleries is a great way to experience different artistic expressions.Many online galleries also allow you to view artwork virtually.A Paragraph using the 5 vocabulary wordsThe art gallery buzzed with color! Crazy abstract paintings with wild colors made you wonder what the artist was thinking .- They must have had a large palette with all those colors. Anyway, a giant metal sculpture of a dude in a cool pose grabbed everyone's attention. Then there was this landscape painting, so realistic it felt like you could step right into the mountains. It was nice to hear everyone's different perspectives on it. Art is amazing - it lets people show us the world in their own unique way, using everything from splashy colors to giant metal statues. It's pretty inspiring!If you want to sign up for the free daily English vocabulary newsletter, go towww.dailyenglishvocabulary.com

“While there are many beloved mutant vehicles out there, El Pulpo, in both of its incarnations, is the most beloved.” ~Chef Juke, Communications lead for the Department of Mutant VehiclesEl Pulpo is a 28-foot tall giant octopus, a demented windup toy, a mobile kinetic sculpture with articulating legs, eyes and mouths. It spews fire from its extremities and it has been stealing the limelight for a decade now, first at Black Rock City, then everywhere from LoveBurn to EDC to fire festivals and engineering events.It's merely the newest and largest expression of artist Duane Flatmo and his team of kinetic engineer artists. Many years ago, he gave up music to pursue art, which he has pursued from New York to London to China. He's a hardworking, paperwork-doing, idea person. Duane shares how his influences inspired his innovations and got him to perform on The Tonight Show, open for Carlos Santana, and compete in Junkyard Wars and the Kinetic Sculpture Race. His curiosity and his resourceful team create surprises for people all around the world. Hear the stories of El Pulpo's predecessors, origins, and worldly adventures!www.elpulpomecanico.comkineticgrandchampionship.comBurning Man LIVE: Chef Juke's Wild Art Car R.I.D.E. LIVE.BURNINGMAN.ORG

After years of decreasing public funding, the lingering effects of the Covid pandemic and enduring questions around the ethics of corporate sponsorship, UK museums are facing unprecedented financial pressures. Some commentators are suggesting that the time has come to abandon the policy of free admission to museums that is viewed by many as key to the cultural fabric of the UK. Among those arguing for charging is the critic and broadcaster Ben Lewis, who joins Ben Luke to discuss the issue. This week, the British Museum opened the exhibition Michelangelo: the Last Decades. It focuses on the period after 1534, when Michelangelo left his native Florence for Rome, never to return, and embarked on many of his most ambitious projects. We take a tour of the show with its curator, Sarah Vowles. And this episode's Work of the Week is Maria Blanchard's Girl at Her First Communion (1914). The painting features in a new exhibition at the Museo Picasso in Málaga. Its curator, José Lebrero Stals, tells us more about this underappreciated Spanish artist, who was at the heart of the Parisian avant garde in the 1910s and 20s.Michelangelo: the Last Decades, British Museum, until 28 July.María Blanchard: A Painter in Spite of Cubism, Museo Picasso Málaga, Spain, until 29 September.LAST CHANCE subscription offer: subscribe for as little as 50p per week for digital and £1 per week for print and digital, or the equivalent in your currency. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

Talking bout the art style and it founders of the style --- Support this podcast: https://podcasters.spotify.com/pod/show/timmy-sanders/support

In this episode, Marisa interviews contemporary visual artist based in Portland, Oregon, Laine Kolesar. Laine began her career as a social worker, but found healing in creating art. Laine's art is influenced by Cubism, and draws inspiration from the female form, exploring both vulnerability and confidence within the body. Now, she is dedicated to becoming a working artist, and provides insight into her process, color research, and exhibitions.Follow Laine @lainekolesarPurchase her art on her website at https://www.lainekolesar.com

The Le Random team of ⁠thefunnyguys⁠, Peter Bauman (⁠Monk Antony⁠) and Conrad House (⁠Nemo Cake⁠) spoke to special guest and acclaimed gallerist Kate Vass about a whirlwind ⁠one hundred years of generative art history (1850-1949)⁠,the Modern Era. This episode corresponds with: ⁠Generative Art Timeline: Chapter 2 10 Significant Modern Era Moments (Covered in the talk)⁠ The Great Exhibition of London Lights Early Spark of the Arts & Crafts Movement (1851) Modern art Begins: Manet's Work Rejected by Paris Salon (1863) + Cézanne's Mont Sainte-Victoire Series (1870-1906) Les Demoiselles d'Avignon by Picasso kicks off Cubism (1907) The Ten Biggest, No 7 by Hilma af Klint (1907) Tatlin and Rodchenko Found Constructivism and Malevich Stages the 0.10 Exhibition with Black Square. (1915) Walter Gropius Founds Bauhaus (1919) Marcel Duchamp and Man Ray Create Rotary Glass Plates (1920) Gunta Stölzl Named Director of Bauhaus Weaving Workshop (1927) Birth of digital computing: Konrad Zuse Completes the Z3 (1941) + ENIAC (1945) 10. Cybernetics Is Born: Norbert Wiener's Cybernetics + Claude Shannon's "A Mathematical Theory of Communication.” (1948)

Today I'm talking to Briony Brickell, the director of Magic Lantern, an educational charity delivering interactive art history workshops in schools across the UK. We chat about the organisation's work, its values, and the interactive art history sessions they conduct in primary schools for children aged 4 to 11.We explore Magic Lantern's unique cross-curricular approach, incorporating art history into various subjects like science, geography, history, English, maths, and more. We discuss a variety of specific strategies used in sessions, such as inviting students to step into artworks, creating soundscapes, exploring colours and patterns, and engaging students in the making process through dry painting. Briony also details a session involving Henri Rousseau's painting "Surprised" and shares how information is shared in the sessions. Briony concludes with tips for engaging children with art, emphasising the importance of cultivating a culture of looking, letting paintings speak for themselves initially, and gradually introducing historical and narrative context.Hope you enjoy our chat!LinksHenri Rousseau Surprised (1891)Hans Holbein The Ambassadors (1533)The Townley Discobolus statueMagic Lantern is an award winning charity that has been turning primary school classrooms into pop-up art galleries for nearly 30 years. Children are given the opportunity to explore, discuss and bring to life famous artworks, and discover the world of art from cave paintings to Cubism, Gothic to Graffiti, and Turner to the Turner Prize. These unique art history workshops are designed to support classroom topics across the whole curriculum and incorporate elements of drama, soundscape, writing and dialogue. Magic Lantern websiteFollow Magic Lantern on Instagram, Twitter and Facebook

Kole, Ben, Dennis, and Moxie talk about Cookie Cutter, Cubism, Elden Ring GeoGuessr, and much more! The Grind: Moxie: World War Z: Aftermath. Cookie Cutter. Dennis: Super Mario Wonder. Far Cry 6. Ben: Resident Evil 4 Remake VR. Discord Activities. Kole: Final Fantasy VII Remake. Rock Band 4. Cubism. Elden Ring LostGamer.io. The Multiplayer: What's your personal GOTY for 2023? The End Boss: Title of the Year!

This week Wes and Todd sit down with Painter, André Lippard. André discusses the mediums he works in, oil painting, multi-perspective technique, his early engagement with art, his Artist grandfather, when he first started painting, stepping out of your comfort zone, his Art education at the Rocky Mountain College of Art + Design, instructors and mentors, sculpture, his love of Japanese culture, philosophy, Alexander Calder, Chuck Parson, the Industry of Art, his vision for his Art life, Picasso, Dalí, Van Gogh, separating the Art from the Artist, Art business, accessibility of the work, where he shows, business cards, obstacles he's had to overcome, believing in yourself, local resources, city scenes, tracking hours and sales, originals, commissions, Tsukimi, his Gregorio series, Cubism & Surrealism, curation and goals for 2024.Join us for an in depth and enlightening conversation with André Lippard! Check out Andre's magnificent work at his website www.andrelippardart.com  Follow André Lippard on social media: Instagram - www.instagram.com/andrelippard/@andrelippard Facebook - www.facebook.com/andrelippardart  Check out Andre's work in person at: Denver Art Society – www.denverartsociety.orgColorado Plus – www.coloradoplus.net Next Gallery - www.nextgallery.org Art Source International – www.artsourceinternational.com/product-category/colorado-art/andre-lippard/Lion's Lair – www.lionslairlounge.squarespace.com Edgewater Public Market - www.edgewaterpublicmarket.com 

In the episode “It's Hip to Be a Cube: Maggie Bouillon Unwrapped,” Gravy producers Katie Jane Fernelius and Ishan Thakore take a deeper look at a humble but ubiquitous pantry staple—the bouillon cube. As many home cooks know, these dehydrated cubes of salty, umami flavor dissolve in water to create a makeshift broth. But the result is much more than soup. For immigrants to the American South, for example, bouillon cubes carry powerful sentiments of nostalgia and home. Approximately 120 million Maggi bouillon cubes are sold each day. It's a testament to the reach and ubiquity of the Nestle brand, arguably the most notable brand of bouillon cubes—just as many people call a tissue a Kleenex, so do many people call bouillon cubes Maggi. In fact, if you were to go to an international supermarket, you'd find dozens and dozens of varieties of Maggi. Some would be sold in packages labeled in Arabic, others in French or English… each with its own flavor profile specific to regional cuisines: Djon Djon. Golden Beef. Poulet. Tomato. Ginger and Garlic. Naija Pot. Maggi's diversity of flavor profiles speak to just how readily the little cube has been adopted into so many kitchens around the world. And it's not uncommon for cooks to say it's the secret ingredient to their favorite local dish.  So, how did Maggi manage to become both a global juggernaut and hometown hero? In this episode, Fernelius and Thakore trace Maggi's path from Swiss laboratories in the late nineteenth century, to Cubism, to postcolonial countries across the Global South, to a beloved Nigerian restaurant just outside of Atlanta, Georgia. They speak to Toyin Adesayo, chef and owner of Toyin Takeout in Marietta, Georgia; Nadia Berenstein, an award-winning food writer and scholar of flavor; and Nigerian chef, writer, and activist Tunde Wey. Through these conversations, they learn why the little bouillon cube has become so special to so many. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chapter 1 What's The Story of Art Book by E.H. GombrichThe Story of Art is a book written by E.H. Gombrich, an art historian and scholar. First published in 1950, it has since become one of the most popular and influential books on the subject of art history.The book aims to provide a comprehensive overview of the history of art, encompassing various cultures and periods from ancient times to the mid-20th century. It covers a wide range of topics, including painting, sculpture, architecture, and decorative arts.Gombrich approaches the subject of art history in a way that is accessible to both specialists and general readers. His writing style is engaging and informative, making complex ideas and concepts easy to understand. The book consists of short, focused chapters that introduce and discuss different art movements, artists, and significant works of art.The Story of Art not only provides a chronological account of artistic developments but also offers insights into the social, cultural, and historical contexts in which these artworks were produced. Gombrich explores various artistic techniques, styles, and mediums, highlighting their unique qualities and significance.Throughout the book, Gombrich emphasizes the importance of experiencing and appreciating art firsthand. He encourages readers to look closely, analyze, and interpret artworks, encouraging a deeper understanding and engagement with the subject.The accessible nature of The Story of Art has made it a popular choice for art students, educators, and enthusiasts alike. It has been translated into numerous languages and remains a widely read and respected resource in the field of art history. Gombrich's book is often considered an excellent starting point for anyone interested in exploring the world of art.Chapter 2 Is The Story of Art Book A Good BookYes, The Story of Art book by E.H. Gombrich is widely considered to be a good book. It is a classic and highly regarded introduction to the history of art. Gombrich's writing style is engaging and accessible, making it a great choice for both art enthusiasts and beginners. The book covers a wide range of artistic periods and styles, providing a comprehensive overview of the history of art. Overall, it is highly recommended for anyone interested in learning about art history.Chapter 3 The Story of Art Book by E.H. Gombrich Summary"The Story of Art" by E.H. Gombrich is a comprehensive and engaging overview of the history of art. The book covers the development of art from prehistoric times to the 20th century, exploring various styles, techniques, and artistic movements.Gombrich begins by examining the earliest known art forms, such as cave paintings, and discusses how art has evolved throughout different civilizations and cultures. He explores the artistic achievements of ancient Egypt, Greece, and Rome, as well as the impact of religion on art during the medieval period.The book then delves into the Renaissance and the revolutionary changes that occurred in art during this time. Gombrich explores the works of Renaissance masters such as Leonardo da Vinci, Michelangelo, and Raphael, and discusses their influence on subsequent generations of artists.Gombrich also explores the development of various artistic movements, such as Impressionism, Cubism, and Surrealism. He analyzes the works of artists like Monet, Picasso, and Dali, highlighting their unique contributions to the art world.Throughout the book, Gombrich not only analyzes individual works of art but also considers the social, political, and cultural contexts in which they were created. He examines how art has been influenced by factors such as religion, patronage, and technological...

Chapter 1 What's What Are You Looking At Book by Will Gompertz"What Are You Looking At? 150 Years of Modern Art in the Blink of an Eye" is a book written by Will Gompertz. It is a guide to understanding modern and contemporary art, exploring major art movements and artists from the 19th to the 21st century. Gompertz, who is an art expert and the former director of Tate Media, presents a lively and accessible narrative that breaks down complex ideas and demystifies the world of modern art. The book aims to help readers develop a deeper appreciation and understanding of art, encouraging them to engage critically and ask questions about what they see.Chapter 2 Is What Are You Looking At Book A Good Book"What Are You Looking At?: 150 Years of Modern Art in the Blink of an Eye" by Will Gompertz has generally received positive reviews and is considered a good book for those interested in modern art. It offers an accessible and engaging introduction to key art movements and artists from the 19th century to the present day. However, opinions on books can vary depending on personal preferences and interests, so it is always recommended to read reviews or sample chapters to determine if it aligns with your own tastes.Chapter 3 What Are You Looking At Book by Will Gompertz SummaryThe book "What Are You Looking At?" by Will Gompertz is a comprehensive and engaging introduction to modern art. Gompertz, the former Director of Tate Media, uses his extensive knowledge and passion for the subject to guide readers through the often perplexing world of contemporary art.The book begins by addressing the commonly asked question of "what is art?" Gompertz explains that art is not limited to paintings and sculptures but encompasses a wide range of mediums, including photography, video, and performance art. He explores various art movements and styles, from Impressionism to Cubism to Pop Art, shedding light on the conceptual ideas behind each movement and the artists who championed them.Gompertz also delves into the personal lives of famous artists, such as Picasso, Warhol, and Van Gogh, to provide insight into their motivations and struggles. He discusses the societal and political context in which these artists were working, allowing readers to better understand the influences that shaped their creations.Throughout the book, Gompertz counteracts common misconceptions about modern art, challenging readers to think critically and engage with the work on a deeper level. He encourages readers to trust their instincts and form their own opinions, rather than relying on conventional standards of what is considered "good" or "bad" art."What Are You Looking At?" is not solely a historical account of modern art but also a reflection on its relevance in the present day. Gompertz examines the impact of technology and globalization on the art world, discussing how artists continue to push boundaries and challenge established norms.Ultimately, the book aims to demystify the world of modern art and inspire readers to explore, appreciate, and engage with contemporary works. Through its accessible and informative approach, "What Are You Looking At?" serves as an essential guide for anyone interested in understanding and navigating the ever-evolving world of art. Chapter 4 What Are You Looking At Book AuthorWill Gompertz is a British author, journalist, and former director of Tate Media at the Tate galleries in London. He is best known for his book "What Are You Looking At?: 150 Years of Modern Art in the Blink of an Eye," which was published in...

A conversation with Pace Gallery CEO Marc Glimcher about the gallery's current Picasso exhibit which honors the artist on the 50th anniversary of his passing. The exhibit, titled “Picasso: 14 Sketchbooks”, is just that - fourteen sketchbooks that provide unrivaled insights into the development of iconic Picasso artworks over a period of nearly sixty years.https://www.pacegallery.com/exhibitions/picasso-14-sketchbooks/https://www.fabarte.org/es/

In today's episode, our host, Meta CTO and Head of Reality Labs Andrew “Boz” Bosworth is joined by Thomas Van Bouwel, the indie developer behind beloved puzzle game Cubism.A former architect turned solo XR developer, Van Bouwel has been a pioneer of Meta's Presence Platform suite of tools—in fact, Cubism was one of first Meta Quest games to integrate Passthrough and hand tracking. Currently, Van Bouwel's working on a game built for the ground up for mixed reality called Laser Dance.Together, Boz and Van Bouwel discuss how mixed reality is inspiring creativity among the XR development community. As MR unlocks the ability to blend virtual elements with your physical environment, we find ourselves in an exciting time that mirrors the energy around room-scale VR back in 2017. And there's a unique opportunity for developers to design and ship MR-native games that interact with your space as opposed to requiring you to move furniture around to create a large enough playspace. Thanks to color Passthrough and our Scene API, there's more potential for truly room-scale experiences than ever before.For feedback and suggestions, drop Boz a message @boztank on Instagram, Threads, or Twitter.

Guest host is Whitehot Magazine former writer Kofi Fosu Forson in conversation with painter and collage artist, Sharon Anderson. Fueled by her love for rock and roll, assumed the role of musician, David Bowie's Aladdin Sane in her costuming, among others. Her spontaneous encounters excite and inspire an art narrative of mixed media and Surrealism, Figurative Art and Cubism. --- Support this podcast: https://podcasters.spotify.com/pod/show/noah-becker4/support

This week we open up The Backline Mailbag and answer your questions about the longform format The Deconstruction. Also discussed: Future Favors the Bold, types of longform openers, 2-person improv, Cubism, and so much more. Brought to you By: The Sonar Network https://thesonarnetwork.com/

Vondran Legal® - VARA Copyright Law Firm - Kerson vs. Vermont Law School - the Underground Railroad Mural.  If you have a legal issue involving art law, paintings, scultpures or illustrations, call us at (877) 276-5084. The Visual Artists Rights Act (VARA) is a United States copyright law that was enacted in 1990. It was introduced to protect visual artists and their artwork from destruction, mutilation, or modification that could harm an artist's honor or reputation. VARA grants certain rights to artists, including the right to prevent the destruction, distortion, or modification of their artwork, and the right to be credited as the author of their works. The history of VARA can be traced back to the early 20th century when modern art movements like Cubism and Surrealism emerged. These groundbreaking art forms challenged traditional notions of representation and pushed the boundaries of artistic expression. However, artists often faced significant criticism, and their works were sometimes destroyed or modified without their consent, leading to infringement of their artistic integrity. In response to such incidents, artists and art collectors began advocating for legal protection of an artist's moral rights, which had been recognized in some European countries. Moral rights refer to an artist's non-economic rights, such as the right to claim authorship and to prevent the distortion or modification of their work. The concept of moral rights was enshrined in the Berne Convention for the Protection of Literary and Artistic Works in 1928, which established international copyright standards.      

Jon Goldman is not your typical artist; he is a master of intermedia art, a genre that fuses various forms of expression into one powerful narrative. His journey through the realm of art has been marked by an unwavering dedication to his vision and a resolute focus on his craft, regardless of the financial constraints that often come with pursuing one's passion.This conversation covers diverse topics ranging from the frontiers of interactive art and a lifelong fascination with intersection of Art, Design, Technology and Science. Goldman discusses the influential artists who mentored him at MIT's Center for Advanced VIsual Studies including Joe Davis known for pioneering Space Art and Bio-art, Otto Piene (Sky Art, ZERO), Aldo Tambellini (Video Art, Poetry and Experimental Theatre) and emphasizing that art is work. The conversation touches on Goldman's ambitious current work TRUTH PROJECT a series involving the word “TRUTH” on variety of scales from a nanometer(“GRAIN OF TRUTH”) to 44-foot long “TRUTH LOST AT SEA”.  In this episode, we discuss: The obstacles artists face in achieving success, especially in relation to privilege and connections. How groundbreaking art movements like GRÜPPE ZERO, Bauhaus, Cubism, Environmental Art, Interactive Art, challenged art. The role of art in addressing and challenging societal issues, with a focus on race,class and environment. Jon Goldman's unique approach to building community through art, particularly using humor and elaborate inflatable costumes. The importance of innovation and originality when making interactive “public" art that fosters a sense of community, connection and belonging.  Looking for a podcast that delves into the fascinating world of art, technology, and community? Look no further! Check out The Truth in This Art podcast with host Rob Lee and special guest Jon Goldman!

Flashback poetry from NonBinary Review Issue #8: The Art of War

Tracklist Tracklist: Sonny Fodera & MK feat. Clementine Douglas - Asking AKA AKA, Artenvielfalt - Let Me Show You Jansons Feat Dope Earth Alien - Hypnotic Andrew Meller - Insomnia (Matt Sassari Extended Remix) AtcG - Don't Stop The Music CASSIMM - All Right Sam Supplier & Marlon Sadler - Better Off Alone FISHER (OZ), Aatig - Take It Off Mobb Deep - Shook Ones Pt 3 (Nick Morgan Remix) Dave Winnel – Alegria Aqua - Barbie Girl (Ape Rave Club Edit) Julio Navas, Tony Romera vs. Jefferson Airplane - Somebody To Love vs. Raw Block & Crown, Maickel Telussa - Flash Dancer Todd Terry, Riva Starr - This Is The Sound

We have 20 more trivia questions to challenge your brain!In which country are genuine Panama hats made?Who is the only actor to win Emmys for acting, writing and directing?What is the only number that is twice the sum of its digits?Who was credited with inventing Cubism, along with Picasso?What do snake milkers collet?Which is the longest river in New Zealand?Adelaide's Lament, Luck Be a Lady and Sit Down, You're Rockin the Boat" are songs in which musical?What nickname was given to the M9A1 rocket launcher?Which cocktail means "very good" in Tahitian?Little Boy and Fat Man were names for what?Members of what religion pay a tax called zakat which is arabic for purifaction?Who played Burt Reynolds' female cohort in Smokey & the Bandit?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5857487/advertisement

Stephen Hicks is a professor of philosophy at Rockford University, U.S. and the author of several books, including the best-seller Explaining Postmodernism, which details the philosophical roots of today's cultural climate. Mr. Hicks highlights Immanuel Kant's role in undermining objectivity and reason, showing how his ideas remain the corner stone of Post Modernism and "Fine Art" to this day. Giving an overview of Kant's aesthetics, metaphysics and epistemology, the conversation further explains how this cocktail necessarily cripples classically minded people: If we cannot know reality then the act of painting it becomes naive. If nothing is objective then we cannot trust the rules of any craft and if nothing is universal then we become estranged from the mythic perspective. You can listen to Hicks' lecture How Art Became Ugly or check out his appearances on various podcasts including his own Open College Podcast. His official YouTube-channel is CEE Channel (Center for Ethics and Entrepreneurship).

In this episode, Tony is joined by his good friend, Gary Collins. Together they dive into several topics of interest, from affordable housing to architecture throughout history. Gary talks about his journey into architecture and reveals how he ended up in this profession.   He explains the significance of mentors in his career and discusses architectural design specifically in Southern California. Tony and Gary explore how architecture has remained an intriguing profession throughout history, from the awe-inspiring pyramids to the innovative water pressure systems in Rome.   They then shift their focus to Germany, the Bauhaus movement's influence on modernism, and the gap it filled in public taste. Gary provides insights into the characteristics of the Bauhaus movement, such as clean, simple lines and the use of modern materials, including its impact on art deco and Cubism. The symbiotic relationship between art and architecture is one that cannot be ignored, tune in to learn more!   * Now offering workshops! Learn more at https://www.shapeshiftedu.com   * Don't forget to leave a 5-star rating and written review!

#639. City win the league and United beat Bournemouth to (almost) qualify for the Champions League. Lots for Ed & Dan to digest. Then there's Chelsea on Thursday to look forward to.If you are interested in supporting the show and accessing exclusive bonus episodes, check out our Patreon page. Keep us ad free - Friend of the Show status for just £1.No Question About That is available on Apple, Google, Stitcher, Spotify, Amazon and all podcast apps. Hit that subscribe button, leave a rating and write us a review. Hosted on Acast. See acast.com/privacy for more information.

  In this episode of "Chats and Tatts," host Aaron Della Vedova interviews tattoo artist Mike Boyd. The episode begins with a discussion of Franz Marc's artwork, "The Tower of Blue Horses," which inspired Boyd. They continue with a discussion of Boyd's art style and his decision to pursue his unique Picasso style of tattooing. Despite potential criticism, the Cubism artistic movement that inspires his designs has proven to be desired by many around the world. The conversation also touches on social media, modern health, and cultural opinions. Check out Boyd's killer mushroom tattoo he rips on Aaron Della Vedova during the show.   [00:00:00] Avant-garde tattoo art. [00:03:29] Learning tattoo techniques. [00:07:56] Tattoo apprenticeship experience. [00:10:14] Tattooing and art style evolution. [00:13:41] Watercolor effect and psychedelics. [00:17:53] Artists breaking through the universal firewall. [00:22:40] Brexit and UK politics. [00:24:10] Supply Chain Issues. [00:28:14] Homelessness in left-leaning cities. [00:31:15] Mental health crisis among homeless. [00:34:26] Microdosing with mushrooms. [00:40:32] Psychedelics experiences. [00:42:23] DMT and marijuana sandwich. [00:45:21] Psychedelics and self-improvement. [00:50:31] Gratitude for being alive. [00:52:16] The power of hallucinogenics. [00:56:07] The genesis of the internet. [01:00:08] Social media addiction. [01:02:56] Authenticity on social media. [01:05:40] AI and creativity. [01:09:25] AI-generated movies and art. [01:13:09] Becoming cyborgs in art. [01:20:05] Color theory book for tattooers. [01:21:56] Large-scale body work. [01:25:51] Following your heart in tattooing.   Connect with Mike: Youtube: https://www.youtube.com/@mikeboyd5654 IG: https://www.instagram.com/mikeboydtattoos/ Tik Tok: https://www.tiktok.com/@mikeboydtattoos   Connect with Aaron:⁠  Website: http://www.chatsandtatts.com⁠  Tik Tok: https://www.tiktok.com/@chatsandtatts IG: http://www.instagram.com/chatsandtatts Chats & Tatts YouTube: https://www.youtube.com/c/chatsandtatts Aaron IG:⁠ http://www.instagram.com/aarondellavedova⁠ Guru Tattoo: http://www.Gurutattoo.com  

"Les Demoiselles d'Avignon" by Pablo Picasso is a seminal work of art that marks a turning point in the history of modern art. Its innovative approach to perspective, use of symbolism and allegory, and influence on the development of Cubism and other modern art movements make it a touchstone of 20th-century art history. The painting remains a testament to Picasso's revolutionary vision and enduring legacy, and its significance in the canon of modern art is undisputed. --- Support this podcast: https://podcasters.spotify.com/pod/show/vidalsocial/support

Oh boy. Today Professor Kozlowski is talking about Ortega y Gasset's 1925 essay "The Dehumanization of Art", which observes that contemporary art movements (like early modernism in literature, or abstraction and dada in visual art) are "dehumanizing", or de-prioritizing human experience in favor of artifice itself. But he's actually going to talk about the political dimension of art and literature - how politicians in WWI, WWII, and the Cold War co-opted art and artists to serve propagandist purposes, and whether or not art can be successfully separated from its political dimension. Today espionage, skullduggery, and military agendas meets philosophy, aesthetics, and art criticism. Suggested supplementary readings include: Familiarize yourself with early 20th-century art movements and artists, such as: Cubism (esp. Picasso) Abstraction (esp. Klee, Kandinsky, and Jackson Pollock) Dada (esp. Hoch and Duchamp) Surrealism (esp. Dali and Magritte) Finks: How the CIA Tricked the World's Best Writers by Joel Whitney To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ And please consider contributing to Professor Kozlowski's Patreon at: https://www.patreon.com/ProfessorKozlowski - where you'll also be able to vote for and suggest new topics for future lectures.

This one's got it all: Theory of a Hot Costanza, fried dough nostalgia, cartel infiltration in Mexico, and "Cubism and the Trompe L'oeil Tradition" at the Met. Enjoy.

They may be 450 years old but they're called 'baby books' – the oldest printed books are baby books!

Episode No. 574 features curator Emily Braun and artist Mark Steinmetz. With Elizabeth Cowling, Braun is the co-curator of "Cubism and the Trompe L'Oeil Tradition" at the Metropolitan Museum of Art in New York. The exhibition considers cubist works by Georges Braque, Juan Gris and Pablo Picasso in the context of the centuries-long trompe l'oeil painting tradition. In addition to dozens of major cubist works, the exhibition includes paintings by Samuel van Hoogstraten, William Harnett, and more. "Cubism" is on view through January 22, 2023. It is accompanied by an outstanding catalogue that was published by the museum. Indiebound and Amazon offer it for $43-50. Steinmetz is included in "Reckonings and Reconstructions: Southern Photography from the Do Good Fund" at the Georgia Museum of Art at the University of Georgia. The Do Good Fund is a Columbus, Ga.-based charity that collects and makes available to museums photography of the American South made from the 1950s to the present. The exhibition, which includes artists such as Jill Frank, Baldwin Lee, Deborah Luster, Gordon Parks, and RaMell Ross. It's at the GMOA through January 8, 2023. Steinmetz also contributed a portfolio titled "Irina & Amelia" to the new, 70th anniversary issue of Aperture magazine. The issue also features work by John Edmonds, Hannah Whitaker, Dayanita Singh, and others, and is available from Aperture for $25. Air date: November 3, 2022.

The book, Old Masters and Young Geniuses shows there are two types of creators: experimental, and conceptual. Experimental and conceptual creators differ in their approaches to their work, and follow two distinct career paths. Experimental creators grow to become old masters. Conceptual creators shine as young geniuses. University of Chicago economist, and author of Old Masters and Young Geniuses, David Galenson – who I interviewed on episode 105 – wanted to know how the ages of artists affected the prices of their paintings. He isolated the ages of artists from other factors that affect price, such as canvas size, sale date, and support type (whether it's on canvas, paper, or other). He expected to find a neat effect, such as “paintings from younger/older artists sell for more.” But instead, he found two distinct patterns: Some artists' paintings from their younger years sold for more. Other artists' paintings from their older years sold for more. He then found this same pattern in the historical significance of artists' work: The rate at which paintings were included in art history books or retrospective exhibitions – both indicators of significance – peaked at the same ages as the values of paintings. When he looked closely at how painters who followed these two trajectories differed, he found that the ones who peaked early took a conceptual approach, while those who peaked late took an experimental approach. Cézanne vs. Picasso The perfect examples of contrasting experimental and conceptual painters are Paul Cézanne and Pablo Picasso. Paintings from Cézanne's final year of life, when he was sixty-seven, are his most valuable. Paintings from early in Picasso's career, when he was twenty-six, are his most valuable. A painting done when Picasso was twenty-six is worth four times as much as one done when he was sixty-seven (he lived to be ninety-one, and his biographer and friend called the dearth of his influential work later in life “a sad end”). A painting done when Cézanne was sixty-seven – the year he died – is worth fifteen times as much as one done when he was twenty-six. Cézanne, the experimenter Cézanne took an experimental approach to painting, which explains why it took so long for his career to peak. Picasso took a conceptual approach, which explains why he peaked early. Cézanne left the conceptual debates of Paris cafés to live in the south of France, in his thirties. He spent the next three decades struggling to paint what he truly saw in landscapes. He felt limited by the fact that, as he was looking at a canvas, he could only paint the memory of what he had just seen. He did few preparatory sketches early in his career, but grew to paint straight from nature. He treated his paintings as process work, and seemed to have no use for them when he was finished: He only signed about ten percent of his paintings, and sometimes threw them into bushes or left them in fields. Picasso, the conceptual genius Picasso, instead, executed one concept after another. He had early success with his Blue period and Rose period, then dove into Cubism. He often planned paintings carefully, in advance: He did more than four-hundred studies for his most valuable and influential painting, Les Demoiselles d'Avignon. One model described how he simply stared at her for an hour, apparently planning a series of paintings in his head, which he began painting the next day, without her assistance. Cézanne said, “I seek in painting.” Picasso said, “I don't seek; I find.” Cézanne struggled to paint what he saw, and Picasso said, “I paint objects as I think them, not as I see them.” Experimental vs. conceptual artists Here are some qualities that differ between experimental and conceptual artists: Experimental artists work inductively. Through the process of creation, they arrive at their solution. Conceptual artists work deductively. They begin with a solution in mind, then work towards it. Experimental artists have vague goals. They're not quite sure what they're seeking. Conceptual artists have specific goals. They already have an idea in their head they're trying to execute. Experimental artists are full of doubt. Since they don't already have the solution, and aren't sure what they're looking for, they rarely feel they've succeeded. Conceptual artists are confident. They know what they're after, so once they've achieved it, they're done, and can move on to the next thing. Experimental artists repeat themselves. They might paint the same subject over and over, tweaking their approach. Conceptual artists change quickly. They'll move from subject to subject, style to style, concept to concept. Experimental artists do it themselves. They're discovering throughout the process, so they rarely use assistants. Conceptual artists delegate. They just need their concept executed, so someone else can often do the work. Experimental artists discover. Over the years, they build up knowledge in a field, to invent new approaches. Conceptual artists steal. To a greater degree than experimental artists, they take what others have developed and make it their own. Other experimental & conceptual artists Some other experimental artists: Georgia O'Keeffe: She painted pictures of a door of her house in New Mexico more than twenty times. She liked to start off painting a subject realistically, then, through repetition, make it more abstract. Jackson Pollock: He said he needed to drip paint on a canvas from all four sides, what he called a “‘get acquainted' period,” before he knew what he was painting. Leonardo da Vinci: He was constantly jumping from project to project, rarely finishing. He incorporated his slowly-accrued knowledge of anatomy, optics, and geology into his paintings. Some conceptual artists: Georges Seurat: He had his pointillism method down to a science. He planned out his most-famous painting, Sunday Afternoon, through more than fifty studies, and could paint tiny dots on the giant canvas without stepping back to see how it looked. Andy Warhol: Used assistants heavily, saying, “I think somebody should be able to do all my paintings for me,” and “Why do people think artists are special? It's just another job.” Raphael: Who had a huge workshop of as many as fifty assistants, innovated by allowing a printmaker to make and sell copies of his work, and synthesized the hard-won methods of Leonardo and Michelangelo into his well-planned designs. Experimental & conceptual creators in other fields Galenson has found these two distinct experimental and conceptual trajectories in a variety of fields. This runs counter to the findings of Dean Simonton, who believes the complexity of a given field determines when a creator peaks. Galenson argues that the complexity of having an impact in a field changes, as innovations are made or integrated into the state of the art. Sculpture In sculpture, Méret Oppenheim had a conversation in a café with Picasso, and got the idea to line a teacup with fur. It became the quintessential surrealist sculpture, Luncheon in Fur, but it was totally conceptual. She continued to make art into her seventies, and never did another significant work. Constantin Brancusi spent a lifetime as an experimental sculptor. He said, “I don't work from sketches, I take the chisel and hammer and go right ahead.” He did his most famous work, Bird in Space, when he was fifty-two. Novels In novels, Mark Twain wrote The Adventures of Huckleberry Finn experimentally, in at least three separate phases, over the course of nine years. He finally published it when he was fifty. Hemingway's novels were conceptually driven, using his trademark dialog as one of his major devices. He picked up this technique and synthesized it from studying the work of Gertrude Stein, Sherwood Anderson, and Twain himself. When I talked to Galenson on episode 105, he explained the way to spot the difference between an experimental and a conceptual novel is to ask, “are the characters believable?” Conceptual novelists focus on plot, while experimental novelists focus on character. Poetry In poetry, Robert Frost, who spent his career trying to perfect how rhythms and stress patterns affected the meanings of words – so-called “sentence sounds” – wrote “Stopping by Woods on a Snowy Evening” when he was forty-eight. Ezra Pound developed his technique of “imagism” when he was twenty-eight, and had thought it through so well he published a set of formal rules. With this conceptual approach, he created the bulk of his influential poems before he was forty, despite living well into his eighties. Movies In film, Orson Welles created Citizen Kane when he was only twenty-six. The carefully-planned conceptual innovations in cinematography and musical score make it widely-regarded as the most influential film ever. Alfred Hitchcock didn't make his most-influential films until the final years of his life, as he was about sixty. He said, “style in directing develops slowly and naturally.” Are you an old master, or young genius? I really enjoyed Old Masters and Young Geniuses. I find this dichotomy of experimental versus conceptual approaches really helpful in understanding why, in general, some creative solutions come quickly, while others take months or years of searching. Do you have a choice in the matter? Galenson is careful to stress that you aren't either an experimental or conceptual creator – it's a spectrum, not a binary designation. But in case you're wondering if you can make yourself a conceptual creator, to become successful more quickly, Galenson says you can't. You might switch from a conceptual to an experimental approach, and find it works better for you, as did Cézanne, or you might try to go from experimental to conceptual and find it doesn't, as did Pissarro. But you can't change the way you think. He told me, “It's like trying to change your brain, and we don't know how to do that.” About Your Host, David Kadavy David Kadavy is author of Mind Management, Not Time Management, The Heart to Start and Design for Hackers. Through the Love Your Work podcast, his Love Mondays newsletter, and self-publishing coaching David helps you make it as a creative. Follow David on: Twitter Instagram Facebook YouTube Subscribe to Love Your Work Apple Podcasts Overcast Spotify Stitcher YouTube RSS Email Support the show on Patreon Put your money where your mind is. Patreon lets you support independent creators like me. Support now on Patreon »       Show notes: http://kadavy.net/blog/posts/old-masters-young-geniuses

We discuss some art history, "Pablo Picasso" and "Cubism". Info links: http://www.talkartpodcast.com Artists: Clyde J. Kell, Diane Hunt, Constance Brosnan. Sponsor msg: C Brosnans Jewelry Designs http://www.etsy.com/shop/cbrosnans

Matthew Willie Garcia is an incredibly promising mokuhanga printmaker. Having only, relatively recently, begun his mokuhanga journey, Matthew has already travelled to Japan to participate in MI Lab, and is about to have his first solo mokuhanga show at COOP Gallery in Nashville, Tennessee.  On this episode of The Unfinished Print I speak with mokuhanga printmaker, Matthew Willie Garcia, about his mokuhanga journey, his technique,  and learning new ways of printing. Matthew speaks on the concept of queer mokuhanga, the generosity of the mokuhanga community, and we discuss his other forays in printmaking, compared to his mokuhanga work.  This episode was recorded before Matthew headed off to Japan to participate in the advanced MI Lab workshop in June of 2022. Please stay tuned until after the end credits for my bonus conversation with Matthew about his time at MI Lab.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com  Artists works follow after the note about them. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after their note about them. Matthew Willie Garcia - website, Instagram Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. Jazz (2017) Meiji Era Prints - The Meiji Era of Japan was between 1868-1912 CE. This was a period of immense modernization and industrialization in Japan, where the Japanese economy was booming. New ideas within mokuhanga was occurring as well. Perspective, colour, through new pigments (gamboge, certain yellows), the advancement of photography, and new topics and themes (war, industry, architecture), the Meiji era print designer and publisher had a lot of choice when producing their prints.  Kansas University - founded in 1866 and is the state's flagship University. More info, here. They have a fine printmaking department as taught by Yoonmi Nam, Shawn Bitters, and Michael J. Kreuger. This department focuses on screen printing, lithography, and relief printing. Shawn Bitters - is a printmaker, painter, draftsperson, and photographer. He is Associate Professor, and Undergraduate Director at Kansas University.  Leftward (2007) Michael J. Kreuger - is a printmaker, ceramicist, painter, and animator. He is a Professor at Kansas University.  Two Moons on The River from the series Nondoing (2016) Lawrence Arts Center - is an arts space founded in 1975 in Lawrence, Kansas. More info, here.  Awagami Bamboo Select - is a heavy washi paper (170g), used in printmaking, letterpress, amongst other mediums. It can be purchased by Awagami Factory in Japan, here.  Pansion paper - is a medium-heavy, between 89-95g, paper used in printmaking.  Rives-BFK (Blanchet Frères & Kiebler) - is a type of paper made of 100% cotton, which comes in a variety of colours and weights.  Richard Steiner - is a mokuhanga printmaker who has been making prints for over fifty years. He has lived and worked in Kyōto, Japan since 1980. He is currently still making work. His interview with The Unfinished Print can be found, here.  Nine Left, One Thanked (2017) Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here.  riff (2021) David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form outside Japan. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here.  bokashi -  is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Marvel Comics - is an American comic book publisher founded in 1961. Famous for Spider-Man, Wolverine, and the X-Men.  Jack Kirby (1917-1994) - was an artist and comic book innovator who focused on narrative in his work. More info can be found at the Kirby Museum, here.  from The Eternals (1976) Roy Lichtenstein (1923-1997) - was an American Pop artist, who worked in New York City. His early work was based on comic books, and later developed into abstract and the melding of different types of Western artistic genres such as Cubism, and Futurism. More info on Lichtenstein's work can be found, here, at the Roy Lichtenstein Foundation.  serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.  reduction printmaking - is a process in printmaking where the printmaker cuts away on a piece of wood, or linoleum. After every carving, the printmaker makes an impression with pigments, beginning with lighter colours, gradually using darker colours. William H. Mays has a fine description of reduction on his website, here.  Cameron Bailey - is a mokuhanga printmaker based in Queens, New York. He works predominantly in the reduction method. His interview with the Unfinished Print can be found, here.   Paul Binnie (b. 1967) - is a Scottish born, mokuhanga printmaker, painter, and portraitist, based in San Diego, California. Paul's theme's in all of his mediums are of landscapes, beautiful men and women, as well as the kabuki theatre. You can find more information about his work, here, and on his Instagram, here.  Romanticism - was a Western art movement in the 1800's focusing on imagination and emotion. Coming after the Enlightenment, a period of order and morality, Romanticism focused on the power of nature, and the chaos of the world. More info can be found at the MET, here.   mudabori - is a technique in mokuhanga where the printmaker carves away unwanted wood in their key block during the colour separation process when planning their work. Power Grip - made by Mikisyo, Japan, Power Grip are wood carving tools of various types. Usually used by beginners, but are used by woodblock printmakers of all levels. masa paper - is a machine-made Japanese washi. Can be used in printmaking and is 100% sulphite pulp.  codex - is a type of book binding in the Western method and is a precursor to the modern book.  Japanese book-binding - in Japan the binding of books began with scroll books based on the Chinese method. Other binding methods evolved over time, such as flutter books (sempūyō) and butterfly books (detchōsō). By the Edo Period (1603-1868) and with the relative peace of the period, paper began to be produced at a steady rate creating a demand for books. Tale of Genji. and Tales of Ise were published for the very first time in this form. * Jon Lee - is a mokuhanga printmaker and tool maker based in Arizona. His interview with The Unfinished Print can be found, here.  LO912 (2009) Gotō Hidehiko (b.1953) - is a mokuhanga printmaker and tool maker based in Japan. He makes and teaches seminars about the construction of the mokuhanga tool, the baren.  Nothingness (Kyomu) [2010] Chihiro Taki (b. 1988) - is a mokuhanga printmaker who lives and works in Japan. She helps to teach students at MI Lab as an instructor.  とばり - Shroud of Night  Michiko Hamada - is a mokuhanga printmaker based in Japan. She is an instructor at MI Lab. Her Instagram can be found, here.  AB and K ball-bearing baren - is a type of baren used in mokuhanga. It is considered an alternative to the traditional hon baren which is made of a bamboo sheathe, and cord. The ball-bearing baren is made up of plastic, metal, and ball-bearing balls of various types.  Bumpōdō - is an art store based in Tōkyō, Japan, and founded in 1887. The website can be found here, in Japanese. The English pdf, can be found, here.  Lucy May Schofield - is a British printmaker who works in mokuhanga, book binding, byōbu (screens), kakemono (scrolls). Her work has been shown all over the world. Her website can be found, here. Her Instagram, here.  The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. Instagram CfSHE Gallery - is a gallery located in Chiyoda, Tōkyō. It is associated with MI Lab. More info, here. Their Instagram can be found, here. MI Lab - is a mokuhanga residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  * Ikegami, Kojiro, and Barbara B. Stephan. Japanese Book Binding: Instructions from a Master Craftsman. New York etc.: Weatherhill, 1990. © Popular Wheat Productions opening and closing musical credit -Life is What You Make It,  by Diamon D from his newest record, The Rear View. (2022) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  

Bernard T. Joy joins the fellas to talk Faulkner, the Black Atlantic, Cubism, Modernism, the great Canadian band Rush and more. And listen to the After Dark episode for Patreon subscribers at: patreon.com/artofdarkpod twitter.com/bernardtjoy twitter.com/artofdarkpod twitter.com/bradkelly twitter.com/kevinkautzman

Welcome to Xbox Game Passengers. Once a month, host Derek and a guest will dissect and discuss just one game available on Microsoft's Xbox Game Pass service, which was chosen for them (usually) at random. Whether the game is a magical or a horrible experience, they'll force themselves through it, share their thoughts, and let you know whether or not the game is worth your time! At the end of each episode, they'll also randomly select the game for the following show, so you always know what's coming up on the next adventure. Shane volunteered live on the last episode (see Snowrunner here) to dig into Two Point Hospital as well. Can the game recapture the joy of playing Theme Hospital as a young boy? Listen on to find out! BUILD, CURE and IMPROVE! Design stunning hospitals, decorate them as you like, cure very unusual illnesses and manage troublesome staff as you spread your budding healthcare organisation across Two Point County.  Design and build your own hospital — Build up a hospital from nothing to a masterpiece as you design the most beautiful – or functional – healthcare operation in the whole of Two Point County. Cure unusual illnesses Don't expect Two Point County to be populated with your usual types of patients.  In this world, you'll experience Two Point's trademark quirky illnesses; from Light-headedness to Cubism – each requiring their very own special type of treatment machine. The County's the limit! Listen to find out how things went, and if you like what you've heard, here's where you can subscribe to the show: Anchor Apple Podcasts Breaker Castbox Google Podcasts iHeartRadio Overcast Pocket Casts PodBean RadioPublic Stitcher Spotify TuneIn Thanks for joining us for another episode! We took a long (long) break as the world fell apart, but we're glad to be back playing games and making new content. We really hope that you enjoy the episode — if you have any feedback for us, we'd love to hear it at derek@geekscape.net. Anything you listeners can do to help spread the word about the podcast would be immensely appreciated — from sharing it on social media like Facebook or Twitter, to leaving us five stars (or even a review) on Apple Podcasts, to sending it to a single friend, it can all make a massive difference! Thanks again for coming along on this ride! You can also follow us on twitter @XGPPodcast Theme Song: I Adore My C64 by Nicolai Heidlas from HookSounds.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Alexa, play “Taps.” The body count in the second half of the Revenge Arc might not be as high as the Umbara Arc. But as Mandalore descends into civil war and political leaders become cannon fodder, it feels like this is just the start of something bigger. In our recap of The Clone Wars 5.15–16, “Shades of Reason” and “The Lawless,” we dissect both spectacular darksaber duels blow-by-blow. We talk about Duchess Satine's isolation as she tries to live out her ideal of pacifism. (Also, how it's a direct contrast to Bo-Katan's warlike alliances.) We even talk about all the Mandalorian artwork we see — moar Cubism! — and how it's a form of propaganda that helps keep Mandalorian society together. Next week, we start the final arc of Season 5: the Jedi Temple Bombing arc, part one (5.17–18, “Sabotage” and “The Jedi Who Knew Too Much”). --- Send in a voice message: https://anchor.fm/growingupskywalker/message

Art has been appropriated for military purposes throughout the 20th century. Camouflage was inspired by Cubism, Abstract art was used as anti-soviet propaganda and In the 1950's the CIA covertly funded literary magazines to service US Imperialism. See acast.com/privacy for privacy and opt-out information.

If you like true crime podcasts, be sure to download this episode!Author Luke Jerod Kummer uncovered new evidence about the real-life case that captivated New York during the Gilded Age--Jack the Ripper. In this episode, he shares the new evidence that's completely shifting the thoughts on who committed the murder. It's mind-blowing!In this episode:Choosing between being a professional harmonica player or a writerProblems with the investigationThe conviction of the wrong personInspector Thomas F. Byrnes' powerHow "Frenchy's" lack of English hurt himAmeer Ben Ali being tortured yet never giving a confessionThe key that was withheldThe research behind his book Takers MadDiscovering new evidenceThe man who turned in the keyWhy he chose to make this an audio-only bookHow he chose the narratorLuke Jerod Kummer is a writer and an editor. His work has appeared in the New York Times, the Washington Post, New Republic, the Washingtonian, Bloomberg Businessweek and the Village Voice. In 2015, he was honored to edit Shanoor Seervai's bestselling nonfiction Kindle Single, Daughters of the Red Light, the story of a Wall Street Journal reporter's return to India and her struggle to chronicle the lives of women and children in Mumbai's red light district. Kummer's 2019 historical novel, The Blue Period, depicts the tragic events that led a young Pablo Picasso to paint somber portraits in nocturnal shades, before Cubism turned the artist into a celebrity. Booklist called it "lush biographical fiction," and the story was featured in American Way, Literary Hub, The Millions, Full Stop magazine and Marie Claire Greece. Takers Mad, Kummer's new Audible Original, picks up the trail of a real-life murder that transfixed New York during the Gilded Age.You can grab the audiobook here:https://www.audible.com/pd/Takers-Mad-Audiobook/B09F3W99PL