Podcasts about Moonlight

By Nirmal Verma Tr. by Viplav Saini

A24 has solidified itself as the "indie darling" of film studios, gaining a sizable cohort of devotees (many of them young) who rep the studio's merch like fans of a rock band. Started in 2012, A24 made a name itself by releasing smaller art-house and art-house adjacent films in a time when the mid-size movie was quickly being shuffled from theaters to streaming. Some of the studio's early successes include Harmony Korine's Spring Breakers, Barry Jenkins' Moonlight, and Robert Eggers’ The Witch. The latter being a prime example of A24's unique business model: mid-budget movie gets a mid-size release with some edgy, digital-first marketing to turn a mid-size profit. But, as A24 has grown, so has its movies' budgets. We probably won't see an A24 Superman anytime soon, but the studio’s more recent in-house productions and festival acquisitions show a trend away from the indie films that helped set it apart. Today on FilmWeek, Larry speaks with culture editor for the New Yorker, Alex Barasch, about the rise and evolution of A24. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

SEASON 2 - EPISODE 156 - Barry Jenkins - Director In this episode of the Team Deakins Podcast, we speak with director Barry Jenkins (MUFASA: THE LION KING, THE UNDERGROUND RAILROAD, MOONLIGHT). How did Barry get from South Florida to Hollywood? What did he learn about himself on his walkabout around the country after leaving the industry? What did Barry struggle with in the gap between the release of his debut feature and MOONLIGHT? How did he survive the gonzo shooting schedule of THE UNDERGROUND RAILROAD? Why MUFASA? Barry answers all these questions and speaks on craft, process, and so much more in this extended and enriching conversation about his life, his films, and the many years he spent not actually making anything. Barry and his film school friends Adele Romanski and Mark Ceryak also produce movies through their production company PASTEL, and we discuss why he feels it's important to help introduce new filmmakers and new voices—particularly now. Plus, Barry reveals the premise of his unrealized Stevie Wonder time-travel script.  - Recommended Viewing: THE UNDERGROUND RAILROAD, MOONLIGHT, MEDICINE FOR MELANCHOLY - This episode is sponsored by Barco & Aputure

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

Shoftim 5785 - moonLight of Emuna - R' Dov Elias by Rabbi Avi Zakutinsky

Inner Moonlight is the monthly poetry reading series at the Wild Detectives in Dallas. Curated by Dallas poet Logen Cure, the in-person show is the second Wednesday of every month in the Wild Detectives backyard. We love our podcast fans, so we release recordings of the live performances every month for y'all! On 8/13/25, we featured Austin poet Cindy Huyser!Cindy Huyser is the author of the full-length poetry collection, Cartography (3: A Taos Press, 2025), the contest-winning chapbook, Burning Number Five: Power Plant Poems (Blue Horse Press, 2014), co-author of the collaborative limited-edition chapbook XIII: Taylor Swift-Inspired Poems (Float Press, April 26, 2025), and co-editor of Bearing the Mask: Southwestern Persona Poems (Dos Gatos Press, 2016). She holds an MFA from Pacific University. Learn more at https://cindyhuyser.wordpress.com.www.innermoonlightpoetry.com

Drew, Rob, Lauren, and Nicki go way off the deep end talking about the second half of The Devils. The Final Draft features beers from Stone and Monkless. Visit our website at www.iolpodcast.com and join the conversation on Twitter @IOLPodcast Support us on Patreon: www.patreon.com/inkingoutloud Send us a tip on Ko-fi: ko-fi.com/inkingoutloud Inking Out Loud is Drew McCaffrey and Rob Santos. Sound engineering by Drew McCaffrey. Artwork by Danielle "FelCandy" Prosperie. Intro/outro music: "Moonlight" by Jivemind.

hineys chicken for all!Patreon https://patreon.com/boysloveboyslove for BL and Idol reactions and DiscordBOYS LOVE BOYS LOVEHosts: Adam and RJProducer: Nova EntertainmentMusic: 'Happy Electro Swing' by Studio Le Bus SZP3HLKMXYCNYXFZ Instagram: https://instagram.com/boyslove.boysloveTikTok: https://tiktok.com/@boyslove.boysloveTHE AMPLIVERSE https://theampliverse.comInquiries: pr@theampliverse.com Tip and Support: https://ko-fi.com/theampliverseInstagram: http://Instagram.com/theampliverse Bluesky: https://bsky.app/profile/theampliverse.bsky.social

Una sesión ininterrumpida de melodías pausadas y atmósferas envolventes. Te transportaremos a islas lejanas, selvas inhóspitas, oasis en desiertos y otros paraísos perdidos. Tan solo pedimos que te dejes llevar... y disfrutes.Playlist;THE ISLANDERS “Paradise lost”ARTHUR LYMAN “Yellow bird”DOMINIC FRONTIERE and HIS ORCHESTRA “House of dawn”LES BAXTER “Bird of paradise”THE SURFMEN “Moonlight in paradise”TED AULETTA “Taboo”ESQUIVEL “Misirlou”MARTIN DENNY “Hypnotique”ROBERT DRASNIN “Chant of the moon”GLORIA LYNNE “Bali Hai”BAS SHEVA “Lust”BOBBY CHRISTIAN “Caravan”STANLEY BLACK and HIS ORCHESTRA “Temptation”YMA SUMAC “Taita Inty”GENE RAINS “Lotus land”EDEN AHBEZ “Full moon”ELISABETH WALDO “Within the temple of Macuilizochitl”STOLEN IDOLS “Black orchid”THE MELODY MATES “Enchantment”ROGER ROGER and NINO NARDINI “Bagueera”PAUL PAGE and HIS PARADISE MUSIC “Castaway”Escuchar audio

Al and Kev talk about their favourite games this year so far Timings 00:00:00: Theme Tune 00:00:30: Intro 00:04:23: What Have We Been Up To 00:25:31: Game News 00:43:48: Story Of Seasons X Royal Zoological Society of Scotland 00:47:59: Mid-year Check-in 01:18:11: Outro Links Moonlight in Garland 1.0 Release Above Snakes Console Release Out and About Release Coral Island 1.2 Update Sugardew Island Dog Aether Wizard Life “Announcement” Trailer Fields of Mistria Merch Collection Story of Seasons x Royal Zoological Society of Scotland Contact Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Al: Hello, farmers, and welcome to another episode of the harvest season. My name is Al. (0:00:36) Kev: My name is Kevin. (0:00:38) Al: And we are here today to talk about cottagecore games. (0:00:41) Kev: Wooo! (0:00:43) Al: I’m back from my holiday. Hello. (0:00:45) Kev: You… from the Isle of Men… (0:00:49) Kev: I don’t know where you were. (0:00:49) Al: All the men. Yeah, I know that’s where I was. I love man, as usual. Yes, I’m back. (0:00:51) Kev: I don’t know where you were. (0:00:54) Kev: Okay. (0:00:56) Kev: Yeah. (0:00:58) Kev: The opposite of No Man’s Sky. (0:01:00) Al: Almanska, yeah. I’m melting because I got home and it’s apparently 25 degrees and that’s too hot for me. (0:01:01) Kev: Heh. Heh heh. (0:01:10) Kev: So, look, the people, you know a lot of Americans, (0:01:15) Kev: and we love to give you a hard time (0:01:16) Kev: because those are nothing numbers for us, (0:01:19) Kev: but I will say, you know, (0:01:20) Kev: I think something a lot of Americans easily overlook (0:01:24) Kev: is you’re pretty far up north. (0:01:26) Al: Mm hmm. Yeah. Yeah, yeah, yeah, I’m further north. I’m further (0:01:26) Kev: Well, like latitude-wise, right? (0:01:28) Kev: Like you’re Canada north, which gets frosty. (0:01:32) Al: north than all America except that last (0:01:33) Kev: Yeah. (0:01:36) Kev: Yeah, so, you know, that’s fair, (0:01:39) Kev: But, but we’re still going to. (0:01:40) Kev: I’m laughing, you know. (laughs) (0:01:41) Al: Well, also, it’s interesting because like every time that someone like from a warmer (0:01:47) Al: place moves to the UK and then the experience, the UK summer, they’re like, oh, people weren’t (0:01:53) Al: just talking nonsense. It is, it’s different. And it’s hard to explain. I don’t know why, (0:01:59) Al: but it is just, it is, I don’t know. Like I don’t know, because I’ve never lived in (0:02:03) Kev: Wha- (0:02:04) Al: a hotter place. But all I will say is that lots of people who have lived in really hot (0:02:09) Al: places come to the UK (0:02:11) Al: and say that the heat is different. (0:02:13) Kev: Huh, I mmm. I don’t know I mean well (0:02:16) Kev: I will say this right like one thing you guys aren’t built for warmer temperatures generally speaking not like (0:02:23) Kev: Alright, so you know down here in the American South for instance, right? (0:02:27) Kev: We have air conditioning so you know you can go in a building and escape the heat (0:02:32) Kev: And that’s not always the case over there in there (0:02:33) Al: Yeah, my office is currently warmer than outside. So, but also I am ginger, so definitely not built (0:02:37) Kev: Yeah, there you go see so say yeah (0:02:43) Al: for heat. Yeah, yeah, I use factor 50 sun cream. All right. This episode we’re going to do, (0:02:44) Kev: Here’s biologically sensitive to pretty much everything (0:02:58) Al: uh, I think, I think Cody and Kevin insinuated that this episode would be the tales of the (0:03:03) Al: shower episode is not, that’s going to be in a couple of weeks, just because we’re having some (0:03:07) Al: scheduling things and, uh, you know, want to make sure we’ve, uh, the game has been played properly (0:03:13) Al: before it is covered. So that will be in a couple of weeks. Um, this week we’re going to talk about, (0:03:19) Al: we’re going to do a major check-in, see how we’re feeling about games for the year. Um, this is (0:03:24) Kev: Mm-hmm (0:03:24) Al: obviously not our game of the year episode that will be in five months, no, four months, four (0:03:30) Kev: Pudby (0:03:32) Al: More months! (0:03:33) Kev: That’s not I’m going to pretend you didn’t say that I’m going to pretend you didn’t say that (0:03:34) Al: That’s how time works, apparently. (0:03:41) Al: It’s halfway through August, and that means it’s four and a half months to the end of the year. (0:03:44) Kev: That’s not true (0:03:46) Al: It also means it’s nearly my birthday, but anyway. (0:03:50) Kev: Well, so get the two-third year check-in (0:03:54) Al: We are going to… We’re just calling… I said mid, not half. I said mid-years, (0:03:59) Al: Yeah, so we’re gonna talk about what we would talk about again. (0:04:04) Al: And what we think might be in the running for Game of the Year this year. (0:04:08) Al: We’ll see. I’ll be interested to see whether we’re right or not. (0:04:12) Kev: All right, I’m first question have I played enough games to come up with three? (0:04:18) Al: Ah, who cares? Before that, we’ve got a bunch of news. But first of all, Kevin, what have you been up to? (0:04:26) Kev: Oh (0:04:27) Kev: Okay, so (0:04:30) Kev: Okay, where should I start? Okay, you know, I’ll start with this (0:04:32) Kev: Okay, the battle cats mobile game with the funny you are our art in the cats. They’re goofy looking (0:04:39) Kev: I’ve discussed it on the show before (0:04:42) Kev: So that’s a game I go on and off and generally something draws me back to it and (0:04:50) Kev: The what is the number one crossover to draw me to any game out (0:04:54) Al: Oh wow, oh goodness. Number one. We had this exact same conversation a month and a half ago, (0:04:58) Kev: Number one (0:05:04) Al: and I can’t remember what the answer was, and I feel like I overthought it, (0:05:04) Kev: Probably (0:05:07) Al: just like I’m overthinking it just now. (0:05:09) Kev: You are I don’t know what but (0:05:12) Kev: It was probably the same because it’s crosses over the law. There you go (0:05:13) Al: Probably. Sonic. Ah, yay, I got it right this time. (0:05:19) Kev: Sanic in in in in the battle cats (0:05:22) Al: Sonic’s in Battlecat! (0:05:24) Kev: Yeah, it’s actually I forgot to bring it up last week (0:05:26) Kev: It was - it started two weeks ago from recording and today I think is the last day. Sorry listeners too late for you (0:05:33) Kev: He’s not but neither is (0:05:37) Kev: Hatsune Miku or (0:05:39) Kev: Street fighter, but they’re in there (0:05:40) Al: I don’t know. If somebody told me that Hatsune Miku is a cat, I would believe it. (0:05:48) Kev: you know, um, you know what, that’s fair. That’s fair. Um, here, let me, uh, as, as we do, I’ll, yeah, I’ll do the, the slack thread. (0:05:57) Kev: Um, uh, let me, I’m going to show you the art, um, because, so how these crossovers and battle cats usually work is, uh, there’ll be a banner of four characters, um, from the actual property crossover, whatever. (0:06:12) Kev: Um, uh, and, and so, yeah, the four. (0:06:18) Kev: Characters, um, and they went with the, the obvious ones, Sonic, Tails, Knuckles, and Shadow, the Hedgehog, because of course the poster children. (0:06:27) Kev: Um, but what’s fun is, uh, they’ll also introduce a series of cats, uh, as in the battle cats TM, um, that look like, or cause play as the other characters. (0:06:40) Kev: Um, and they’re quite goofy looking. (0:06:42) Kev: Um, I don’t. (0:06:42) Al: Why is there such a height disparity there? (0:06:48) Kev: I don’t know. That’s a good question. I don’t, I, that particular image, oh no, that, that particular image, I think it’s just, uh, just the, the framing, like it’s front to back. (0:06:49) Al: Like, shadow is meant to be… (0:06:56) Al: Well, no, I think, sure, for the actual sonic and shadow on the right-hand side, (0:07:02) Al: but on the left-hand side, the sonic cat is clearly like three times the height of shadow cat. (0:07:04) Kev: okay yeah oh yeah yeah okay so there’s a sonic cat that looks like shadow like (0:07:12) Kev: the regular cat like shadow cat but then you can evolve him and he turns into (0:07:16) Kev: this taller cat I don’t know why because it’s the battle cats they love to do (0:07:18) Al: Oh. Oh, so you’ll be able to get both of them as as tall or (0:07:19) Kev: weird things that’s why that’s your answer it looks like a twinkie with a (0:07:23) Kev: sonic cat yeah I’ve only seen Sonic’s evolution so I don’t know if the other (0:07:31) Kev: cats can evolve in tall forms or (0:07:34) Kev: weird forms but Sonic Cat does get weird he turns tall like a Twinkie but (0:07:40) Kev: yeah so yeah it’s I will say Battle Cats is pretty good with their collabs (0:07:46) Kev: because of course you get the characters but you also get stages which come with (0:07:52) Kev: full Sonic soundtracks there’s like four special stages that you can do on a (0:07:56) Kev: repeat in different missions and so it’s been a lot of fun the Sonic cast are (0:08:02) Kev: Actually quite quite good (0:08:04) Kev: The actual characters I pulled I got Sonic (0:08:08) Kev: So I’m happy. I got one at least (0:08:11) Kev: Calvin pulled tails, I believe but sadly we didn’t get the others (0:08:17) Kev: But what is nice these collabs will frequently come back (0:08:21) Kev: Well, maybe not frequently, but but they come back on some regularity. It is to be expected (0:08:26) Kev: So I’ll be saving up for the next time Sonic swings around but it’s it’s been good fun (0:08:32) Kev: I’m getting better and I do (0:08:34) Kev: Enjoy the game battle cats not just the the polls really got your whatever so it’s been nice to get back into the end (0:08:40) Kev: So yeah Sonic and the battle cats. It’s been a lot of fun. Oh, you know what there was an intro video (0:08:44) Kev: Let me find the intro video. Hold on. I’ll put it in you can watch it later (0:08:48) Kev: But but they did a little animation. It was good (0:08:52) Kev: So yeah aside from that, um, oh, you know what I finished monk the the detective show monk (0:09:01) Kev: It’s it’s good. I (0:09:04) Kev: Yeah, eight seasons so I kind of crushed it cuz I don’t know I’ve been binge watching but it’s like the regular show (0:09:10) Kev: I’ll watch when I get home or whatever (0:09:13) Al: Oh, it’s it’s old. I mean, I said it’s old. I mean, not super old, but like 20 years old. (0:09:16) Kev: Sorry, what was that? Oh (0:09:19) Kev: Yeah, yeah, well, that’s a thing they actually did I after I finish I have to watch (0:09:26) Kev: the (0:09:27) Kev: Sorry, I have to see (0:09:29) Kev: There’s a movie they’d made a movie in 2023 50 (0:09:34) Kev: years or so after the end (0:09:36) Kev: and I can’t wait to check that out (0:09:40) Kev: they have all the original actors they (0:09:43) Kev: look quite old but it’s still enjoyable (0:09:45) Kev: but yeah anyways my great series the (0:09:49) Kev: main actor Tony Shalab he’s he is such a (0:09:53) Kev: good actor like his performances are (0:09:55) Kev: just incredible easy recommend for (0:09:58) Kev: anyone but yeah the later seasons were (0:10:01) Kev: really good season sevens really good (0:10:04) Kev: it feels like they knew the end was (0:10:07) Kev: coming so they did a lot of stuff to (0:10:10) Kev: celebrate the series if you will so yeah (0:10:13) Kev: good good stuff was good (0:10:15) Kev: um let’s see other than that nothing (0:10:20) Kev: honestly not that much it’s been crazy (0:10:23) Kev: at work but thankfully I finally finished (0:10:24) Kev: this huge project and so I’ll finally be (0:10:26) Kev: able to partake in other things again (0:10:28) Kev: these upcoming oh wait wait one more (0:10:31) Kev: thing how could I tear a nail after my (0:10:34) Kev: last week I played the update their nail (0:10:36) Al: Oh yes. Nice. It’s just more of the same. (0:10:37) Kev: um it’s yeah turn out a good game still (0:10:40) Kev: good game the core still the same the (0:10:43) Kev: new levels the new line yes and no like (0:10:47) Kev: the center of the general purpose but (0:10:49) Kev: they introduce a lot of new mechanics (0:10:50) Kev: and and different kind of ways to solve (0:10:54) Kev: the puzzle I’ve been enjoying it of (0:10:56) Kev: course but let them fun thing they did (0:10:58) Kev: they’ll add new objectives even to the (0:11:00) Kev: old stages so let’s say I had a hundred (0:11:04) Kev: four all those areas I had a hundred (0:11:05) Kev: percent are not only like seventy five (0:11:08) Kev: percent because they had a new objective (0:11:10) Kev: so gives you a good reason to go back (0:11:12) Kev: and then try the old levels and have fun (0:11:13) Kev: with them again since it’s like a (0:11:16) Kev: procedurally generated level it’s you (0:11:18) Kev: know it’s fun every time so yeah a (0:11:20) Kev: tear in L it’s good all right out what (0:11:24) Al: Hmm. Not a huge amount because I’ve been on holiday and going on holiday with kids means (0:11:33) Al: not having a holiday. So I’ve not had a huge amount of time to do much, but I have started (0:11:36) Kev: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha. (0:11:42) Al: playing Donkey Kong, Bonanza. I’m only like an hour or so in. I mean, I’ve got a good (0:11:47) Kev: okay (0:11:48) Al: idea of how the game plays, but I’m not like super. (0:11:50) Kev: yeah (0:11:54) Al: Super far through it. I got through the tutorial level and I’m kind of like half the way through (0:11:55) Kev: why (0:11:58) Al: the next set of levels. Yeah, mostly, mostly. I am very frustrated with the camera. It is (0:11:59) Kev: okay I’ve heard that game is good like really really good (0:12:05) Kev: mostly (0:12:13) Al: fine when you’re out in the open, but as soon as you get into any like tunnel or like go (0:12:20) Al: underground. It’s super not fun. (0:12:24) Al: a great camera for that. And I think the most frustrating thing is there was a section (0:12:28) Al: in the tutorial where the camera worked really well for underground. It like kind of zoomed (0:12:33) Al: out and you could see through the ground and it was like a really nice way. But it’s I’ve (0:12:37) Al: not seen it again do that since then. And I don’t know why they don’t use that camera (0:12:41) Al: when you’re underground because like you just end up like going up against the wall and (0:12:43) Kev: Hm. (0:12:47) Al: it gets really confused. And it’s really hard to see anything. And considering it’s a game (0:12:54) Al: where you’re like smashing everything up and you’re encouraged to make tunnels through (0:12:57) Al: the ground. I don’t know why they didn’t put more effort into that camera. Not that I can (0:13:00) Kev: is there an option for that i’m gonna guess no because it’s a nintendo game (0:13:04) Al: see. Yeah, not that I can see. There’s a decent amount of controller options, but nothing (0:13:07) Kev: nintendo doesn’t believe in options heck sometimes (0:13:15) Al: for changing how the camera works other than inverted camera. (0:13:19) Kev: do you remember in was it no sword and shield they hid the audio options on an item (0:13:27) Kev: you had to talk to an NPC to get it (0:13:28) Al: Oh yeah, that was a certain field. That was bizarre. And it wasn’t even the first area. (0:13:30) Kev: no it was like motor stoke yeah I’m (0:13:35) Al: You had to get up to Motorstoke, I think. Which is like a third of the way through the game. (0:13:40) Kev: pretty sure so that was there’s a couple (0:13:42) Kev: yeah you had to pass the wilder that’s (0:13:45) Al: You couldn’t change the volume settings until you were a third. It’s just bizarre. (0:13:48) Kev: crazy yeah yeah ha ha ha ha ha ha ha (0:13:50) Al: And then you have to buy it. Yeah, that was a stupid decision. (0:13:56) Al: Like a lot of times with games, I’m like, OK. (0:13:58) Al: Sure, I don’t like that, but maybe that’s stupid, right? (0:14:02) Kev: Oh my gosh, yes, oh. (0:14:02) Al: That’s just that is literally an accessibility option, right? (0:14:05) Al: Like, come on. (0:14:06) Kev: Yep. (0:14:07) Kev: Oh my gosh, you know, I hate them, but I also love, because I just love trash fires. (0:14:16) Kev: I love bad stupid decisions like that. (0:14:19) Kev: Battle Cats actually has one. It’s like the single flaw in the entire game, because the game is very well made in my opinion. (0:14:25) Kev: And it’s a very minor, like very niche thing, but there’s, as you can imagine, (0:14:32) Kev: They have like a gallery or whatever, right? Go through the menu and, you know, go through the characters, see their stats, yada, yada. (0:14:39) Kev: Well, they have an enemy guide too, same thing, but the enemy guide is just a straight horizontal list. (0:14:48) Kev: There’s no pages, you can’t filter, you can’t search, you just have to go left to right through an entire (0:14:55) Kev: huge roster of enemies. It’s almost the worst. (0:15:00) Kev: Anyways options are good (0:15:02) Kev: Forgive people options people (0:15:04) Kev: Do good things (0:15:05) Al: So yeah, I think that’s, that’s about it. I mean, I’ve been watching through the Sandman (0:15:11) Al: show, but I’m not really talking about that because, you know, Neil Gaiman, awkward. So (0:15:15) Kev: Sand man, I wait. What is that? I don’t know what that is (0:15:18) Al: Sandman who’s a DC character at TCC, that one, but it’s the Netflix adapted it into (0:15:21) Kev: Oh, it is that one okay, okay (0:15:26) Al: a show. And they did the first season a couple of years ago, and then the whole Neil Gaiman (0:15:32) Al: and stuff, you know, because he was the one that wrote down, man. (0:15:34) Kev: Uh, yeah. (0:15:35) Al: And they were like, oh, oh, but they did manage to get the second season done without him. (0:15:44) Kev: Well, guess what, anything you do probably gives someone awful money. (0:15:44) Al: He’s almost certainly getting money for it, but whatever. (0:15:53) Al: Yes, I know, I know, I know, I know, I know. It doesn’t make me feel better. (0:15:58) Al: Yeah, so I have been watching that and I’ve mostly been managing to ignore him. (0:16:06) Al: And focus on the show and it’s good. I like it. I enjoy the show. (0:16:08) Kev: sure sure that’s cool yeah it’s wild to me the the the you know years between seasons structure (0:16:18) Kev: that netflix does um I don’t know I just I find it crazy like I was at wednesday the wednesday show (0:16:25) Kev: that was a three-year gap and it was only eight episodes I think the new season that’s insane to (0:16:26) Al: Yeah. Yeah, yeah. (0:16:33) Kev: me you remember when shows I say this someone watching monk you’d get like (0:16:38) Kev: ish episodes of season every year isn’t that great 20 to 26 (0:16:42) Al: Well, you want to have a conversation? No, I don’t like that. (0:16:48) Kev: what what (0:16:48) Al: So, right, OK, so there’s two parts to this. One, do I wish the shows that I like released (0:16:52) Kev: okay (0:16:55) Al: yearly? Probably, if they could keep the quality up, yes. But do I wish that all series were (0:16:58) Kev: yeah okay (0:17:02) Al: still 20 episodes? Absolutely not. Why would I want 20 episodes when half of them are boring? (0:17:09) Al: right, give me the eight episodes that are good, don’t give me the more that (0:17:12) Al: you don’t care about, give me what you think you want, not something that is enforced by (0:17:17) Al: studios because they need year-round episodes, like we don’t need to do that anymore and I don’t (0:17:23) Kev: Mmm, I mean (0:17:23) Al: care for it. It’s like how it’s like, oh you know, like do you complain about the fact that episodes (0:17:32) Al: aren’t always, you know, was it 48 minutes long anymore because they don’t all have to fit into (0:17:36) Al: the exact same advert blocks. Now, (0:17:39) Kev: Mm-hmm. I (0:17:42) Kev: May kind of do (0:17:42) Al: you can take that too far, Netflix with your two and a half hour season finale of Stranger Things (0:17:48) Al: season four last time. That was too far, but other than that, I mean that doesn’t, you can have (0:17:48) Kev: Yes, yes (0:17:53) Kev: Exactly (0:17:58) Al: a middle thing which is not in the extremes there. I like when episodes aren’t like necessarily (0:18:02) Al: consistent because they want to fit in what they want to fit in, that they feel fits their artistic (0:18:07) Al: expression. I like that. (0:18:08) Kev: yeah okay sure I guess okay you know here’s the call here’s the here’s the qualifier right (0:18:13) Al: Do you really miss clip episodes? (0:18:18) Kev: is it good right which is a dumb thing because that’s the question right because let’s all right (0:18:19) Al: Yes, of course. (0:18:23) Kev: let’s yeah you can look at examples on both ends of the spectrum right um look at uh look at cora (0:18:30) Kev: right that that show could have used some more episodes for sure um that that first season needed (0:18:33) Al: possibly. I mean maybe they didn’t have anything else they wanted to put in it, right? Like… (0:18:38) Kev: at least a couple more episodes at first (0:18:41) Al: Yeah, I guess my point is not like, oh, I wish we didn’t have more episodes, right? I’m not saying (0:18:48) Al: that. Like, if there’s good stuff, I want to see it. But I don’t agree with the, oh, wasn’t it (0:18:53) Al: great when every show had 20 to 22 episodes and they were all the exact same length and they (0:18:59) Al: happened. No, I don’t. I don’t long for those days. I don’t. (0:19:02) Kev: Don’t know I got a monk. It’s been pretty good the whole time. I guess it did depends (0:19:04) Al: But I just, it’s just when you, when you got the like episode, that was the clip episode, (0:19:11) Al: because they had to put out an episode and they didn’t care. They didn’t want anything. (0:19:13) Kev: Monk did not do that actually crazy, but you sure yeah, yeah, but but okay. Yes, that’s just (0:19:16) Al: Sure. But most shows did almost every show did. And some of them did it better than others, (0:19:21) Kev: Yes, yes (0:19:22) Al: but you always, every time it happened, you rolled your eyes and went, Oh, here we go. (0:19:24) Kev: Yeah, okay, you know what you’re right (0:19:26) Al: And you watched it anyway, because maybe there was something that was actually going to progress the (0:19:29) Al: story. You don’t know. It might be fully clips or it might actually do something. (0:19:31) Kev: Sure (0:19:33) Kev: Eh, I guess (0:19:34) Al: But I mean, I think the, I think the, as you say, the complication is it depends on the show. (0:19:42) Al: It depends on what they’re doing. And I don’t think it’s, it’s obviously not the case that (0:19:47) Al: creators get to do what they want all the time. Obviously I’m not, I’m not suggesting that is, (0:19:48) Kev: Okay, okay, yeah, yeah, that’s (0:19:53) Al: but I think having more freedom for that, I think is a good thing in general. And. (0:19:59) Kev: Sure, you know, okay fine. I don’t need every show to (0:20:03) Kev: How should I put this? Okay? I don’t it’s not that I want every show to be 26 episodes every year or whatever (0:20:10) Kev: but when I look at (0:20:11) Al: The numbers just getting higher and higher (0:20:13) Kev: when I look at (0:20:16) Kev: Though the Wednesday series (0:20:18) Kev: Right episodes in three years that that seems like you know that it seems cheap for lack of a better word, right? (0:20:20) Al: So, I think, well, I mean, you say that cheap, like you pay for the subscription for Netflix (0:20:32) Al: when you want to get the stuff and you watch it and then you stop subscribing, right? I (0:20:34) Kev: Sure, sure. Yeah. Yeah (0:20:36) Al: think of those sorts of shows as in the same way that people complain about them because (0:20:41) Al: they’re structured like films, I think of them in that sort of way as well, right? Three (0:20:46) Kev: That that is true (0:20:47) Al: years, three years between a film and its sequels. (0:20:50) Al: Not an unusual amount of time, and eight episodes is longer than a film would be. (0:20:51) Kev: That is very true that that’s what that’s what I’m (0:20:56) Kev: You’re right, that’s that’s what I’m not thinking here because that that is more common nowadays (0:21:00) Kev: Isn’t it where a season of a show is really just an extra-long movie like the Marvel Studios shows? (0:21:06) Kev: You’re you’re right about that (0:21:10) Kev: Yeah, that’s a good point touche (0:21:12) Al: I mean Marvel have a problem with sequels in general just now, right? Like when was the last, (0:21:16) Kev: Ah (0:21:18) Al: you know, in we got three Iron Mans and I think it was eight years or something like that and (0:21:26) Kev: Yeah (0:21:26) Al: it’s now been what four years since Shang-Chi and we haven’t even got a second yet. (0:21:30) Kev: Yeah (0:21:31) Al: Like there is a real problem they have with sequels just in general which is a whole other (0:21:34) Al: conversation and is probably part of the reason that they’re not getting big box office numbers (0:21:35) Kev: Yeah (0:21:41) Al: because most. (0:21:42) Al: There are big numbers. (0:21:43) Al: We’re always the third in a series, you know, Iron Man one didn’t make a billion. (0:21:46) Kev: Mmm, that’s a good point. (0:21:48) Al: Iron Man three did make a billion. (0:21:52) Al: Just saying also, you know, it’s things like, you know, the Marvels being called the Marvels (0:21:52) Kev: Uh, yeah. (0:21:57) Al: rather than Captain Marvel two probably would have made more money if it had done that. (0:21:58) Kev: Yeah… (0:22:01) Al: Now, there are obviously other issues with that in terms of misogyny, but that was still (0:22:04) Al: there when the first film came out and it made a billion. (0:22:05) Kev: Yeah… (0:22:06) Kev: Yeah, exactly! (0:22:07) Kev: Right, right? (0:22:07) Al: Why did the mark? (0:22:08) Al: Why did Captain Marvel make a billion and the Marvels didn’t? (0:22:11) Al: And then there’s all this other complications. (0:22:12) Al: Well, nobody has any money anymore and COVID killed everything until blah, blah, blah, blah, blah. (0:22:17) Al: But Deadpool and Wolverine made a billion. (0:22:19) Al: That was the third in the series as well, right? (0:22:22) Al: Like they clearly can make lots of money. (0:22:24) Al: They’re just not doing what they used to do, which made them lots of money. (0:22:28) Al: They make a film and it doesn’t make a lot of money. (0:22:30) Al: And they go, Oh, well, well, let’s not make a second. (0:22:31) Al: But the whole point was your first ones never make a lot of money. (0:22:34) Al: It’s the second and third that make the money. (0:22:36) Al: And also which third film in the MCU made the least money, Thor. (0:22:42) Al: Or three. Why was that? (0:22:43) Al: Cos Thor 2 was bad. (0:22:44) Kev: It was really bad is it is it hmm (0:22:47) Al: Coincidence? (0:22:49) Kev: Have we are I’m thinking got you know on our discords and slacks have we argued which of the worst Marvel films (0:22:55) Kev: I feel like that that needs to happen. Oh (0:22:56) Al: I mean, it’s I mean, it’s Star of the Dark World, right? (0:22:59) Kev: I mean I (0:23:02) Kev: Okay, I don’t want to turn but it’s probably a rise probably dark world. Yeah, I’m struggling to think (0:23:06) Al: Eternals, I’m not trying, I’m not trying to say Eternals was one of the best, but it’s not the worst, not at all. (0:23:10) Kev: It’s not as bad as dark world. Yeah, I believe a dark world (0:23:12) Al: Absolutely not. There is, I don’t think there is an MCU film that is as bad as those. (0:23:18) Kev: Yeah, that was rough. Oh I miss (0:23:22) Al: Like, I mean, try and explain this plot of that film. (0:23:29) Kev: Yeah, yeah, no there’s (0:23:30) Al: Thor’s girlfriend gets injected with something, and he has to get it out of her, (0:23:32) Kev: And they and he used to fight dark elves (0:23:34) Al: and also his mum dies, maybe, I think. (0:23:38) Kev: Did she did I don’t know why but oh god (0:23:41) Al: You can know everything about that film, just from the bit where they go back in time (0:23:46) Al: and endgame to it. That is the only bit about that film that matters. (0:23:47) Kev: They were yeah, yeah, they really didn’t see good. Oh, yeah (0:23:50) Al: It tells you everything. (0:23:53) Al: In fact, there’s more, there’s more character progression and more heart in that scene when (0:23:58) Al: he goes back than there is in the entire film. You know, when he meets his mom and he’s sad (0:24:02) Kev: There is (0:24:03) Al: because he knows she’s about to die, you know, that is more than the entire film has. (0:24:05) Kev: Yeah, you’re you’re right I did enjoy that what 15 minute bit (0:24:10) Al: And then, and then he calls for his, then he calls from y’all near and it comes for him and he’s (0:24:14) Al: so happy. He says, I’m still worthy. (0:24:18) Kev: You’re right, that was better than the entire movie. You’re right. I (0:24:23) Al: I mean, I don’t know how they, how did they make that film so long when there’s so little that happens? (0:24:29) Kev: Don’t I don’t know. I just whatever well, I will say this Kat Dennings (0:24:31) Al: Anyway, you would, you would, you would have to have a, you’d have to have a, well, yeah, (0:24:36) Al: okay, true. I mean, that’s fair. She does improve any film. But you’d have to have a really good (0:24:38) Kev: Yeah, yeah, that’s correct (0:24:44) Al: argument to convince me that that’s not the worst film. I don’t think anything even comes close. (0:24:47) Kev: Yeah, okay, you know what fair fair. I’m gonna yeah fair. I haven’t seen fantastic for (0:24:53) Al: Anyway, what was my point? Yeah. Yeah. I was watching The Sandman and then I’m probably (0:24:58) Kev: Sandman (0:25:00) Al: going to watch Weddings day after that. Cause that’s, I need to, I need to watch that next (0:25:02) Kev: Cool I like the Adams family (0:25:03) Al: season. And then where else have we got Strange, Strange New Worlds, Star Trek. That’s coming out (0:25:09) Al: just now. Need to watch that as well. Name a Star Trek that doesn’t fit that description. (0:25:10) Kev: Oh (0:25:12) Kev: Is that the one with the hot guy I don’t remember (0:25:18) Kev: Oh (0:25:21) Kev: That’s a good point, but that’s a good point (0:25:22) Al: Anyway, that’s what we’ve been up to. Maybe I’ll have more to talk about Bonanza when (0:25:32) Kev: No, we did it (0:25:34) Al: next time we’ll see. All right. We’re going to talk about some, (0:25:36) Kev: Get to the end (0:25:38) Kev: I’m saying get to the end. There’s there’s good things in that game. Mm-hmm (0:25:40) Al: I don’t think I’ll do that in a week. I have heard that the story is good, but I’ve not got (0:25:47) Al: to any point that actually matters with the story yet. Yeah. Let’s talk about some. (0:25:52) Al: Game news. First up, Moonlight in Garland, which Kevin’s probably going, Oh, I can’t remember what (0:25:59) Al: that game is. I don’t recognize that name. Well, it’s coming out of early access on the 27th of (0:26:00) Kev: CORRECT! (0:26:06) Al: August. I mean, it’s pretty much it’s. (0:26:12) Kev: Ha ha ha use the mad libs the cottagecore game mad laser you just yeah (0:26:19) Kev: There I’m looking (0:26:22) Al: Seems like it’s less farming, more community building, and it’s like a kind of town slash (0:26:29) Kev: Yeah (0:26:32) Kev: Yeah, this has a very specific (0:26:32) Al: city rather than village. (0:26:38) Kev: Aesthetic to like mid-2000s. I don’t know a (0:26:42) Al: Yeah, I was thinking Polly Pocket, but like the characters from Polly Pocket rather than the (0:26:45) Kev: Pocket Polly like it’s weird. Um (0:26:50) Kev: Yeah, yeah, yeah exactly the characters right that’s exactly I’m talking (0:26:51) Al: action. Yeah, it’s funny that we both had the same thought that that shows you where it’s at. (0:26:57) Kev: Yeah, that’s so (0:26:59) Kev: Wait, is this the one where you can do crime? No, that might be a different one. We live in the city (0:27:02) Al: No, that’s not this one. That’s not this one. No crime in this one. (0:27:08) Kev: Gosh good old cottagecore. We’re in too deep. Oh, we’re in too deep (0:27:15) Kev: All right (0:27:17) Kev: Wait, so what was the actual news here? Are we at one point a release? Okay, August 27th (0:27:22) Al: Yes, 27th of August. Next, “Above Snakes have announced their console releases coming on the 4th of September.” So that is Switch, Xbox. (0:27:30) Kev: I’m kind of surprised they’re doing console’s release was that do we cover again I I don’t (0:27:35) Al: That was a Kickstarter stretch thing. (0:27:37) Kev: even remember did we come (0:27:39) Al: I don’t know if we did a proper one on it. We had our episode where we talked about the cultural… (0:27:46) Kev: Yeah, yeah, Nami on that, yeah, yeah, I remember that. (0:27:48) Al: I don’t want to say appropriation, the cultural questions around it. (0:27:52) Al: Shall we see? (0:27:52) Kev: Yeah, yeah, I do remember that. (0:27:54) Al: I don’t know if we actually covered that. (0:27:55) Kev: But, well, you know what? (0:27:58) Kev: Hats off to them if that was a goal (0:28:01) Kev: and they’re actually doing it, right? (0:28:02) Kev: Because even games that do release from Kickstarter (0:28:05) Kev: don’t always get to the console port when they promise it. (0:28:08) Al: Absolutely. Yeah, I should probably play at some point. I do have it. I own it on Steam (0:28:19) Al: because I backed it because it came out on that period of time where I was backing basically (0:28:24) Kev: everything before you (0:28:25) Al: every vaguely cottage core Kickstarter. I’m better now. I have not backed a farming game (0:28:33) Al: on Kickstarter since Autonomica. (0:28:38) Al: I went back in April. Yeah. I have backed two Kickstarters back then, but since then, (0:28:39) Kev: So your time on rehab was successful. (0:28:41) Kev: Good, good for you. (0:28:47) Al: but neither of them have been farming. (0:28:49) Kev: Nah, look at you, progress. (0:28:53) Kev: Well, hey, that’s September 4th. (0:28:56) Kev: Oh, I don’t like how close that is. (0:28:58) Kev: How’s it going so fast now? (0:29:00) Al: I don’t know. Time. (0:29:04) Kev: Time. (0:29:07) Al: Next we have Out and About. They managed to release this time successfully. This was the (0:29:10) Kev: Your comment. (0:29:15) Kev: This time. (0:29:19) Al: one where last week they tried to release, but they accidentally, or they realized they (0:29:23) Al: hadn’t clicked the access button, which put it into review, and then it took several days (0:29:24) Kev: They deleted the button. (0:29:30) Al: so now they have actually released their early access. Congratulations to Out and About. (0:29:34) Kev: good for them they did it I don’t know the game looks fine I guess it’s walking (0:29:45) Kev: through a forest looking (0:29:48) Al: Yeah, it’s doing something different. It’s not just like, it’s not farming, it’s foraging, (0:29:52) Al: and the idea is you’re exploring, and it’s another picture-taking one as well, but (0:29:58) Al: you’re foraging for things. It’s cute. (0:30:00) Kev: Yeah, it is. It’s, uh, it’s like, uh, what is it? Uh, the, the, the, the, the hike game. Um, I forget, it kind of reminds me of that, but a little more involved. (0:30:10) Al: Oh, a short hike. Yeah. It’s much more, you know, it’s 3D, third person view. No. Yeah. (0:30:12) Kev: Yeah. It’s the one. Yeah. But you know, you’re actually foraging. (0:30:16) Kev: Yeah. Yeah. It looks like an extension of that. Not necessarily better extension, but just, you know, kind of in that vein of ideas of just going through the woods and looking at stuff. (0:30:28) Al: I’m also comparing it to Alba in my head because it was kind of similar where you’re (0:30:35) Kev: Yeah, yeah that too yeah, um yeah, okay. Well hey good good for them. They found the button finally (0:30:44) Al: Congratulations. Next we have Coral Island have announced that their 1.2 update is out. (0:30:51) Kev: Okay, why why is there someone in a dinosaur suit? (0:30:56) Al: Why not? What a silly question! I’m guessing that’s one of the spooky costumes, cause. (0:30:58) Kev: How good (0:31:00) Kev: You know, that’s a good counterpoint, okay (0:31:06) Al: So the things that are coming in this update, multiplayer, they’ve revamped their romance (0:31:11) Al: progression, adding more hearts. You can get up to a heart event, sorry, you can get up (0:31:15) Al: to 15 hearts now with heart events. So 11 to 15 are after marriage, like the stargy (0:31:22) Al: ones added in like 1.4 or something, I forget. (0:31:27) Al: But they’ve also added spooky costumes, okay? (0:31:35) Al: Like, this is one of those ones that feels weird that this feels like (0:31:40) Al: something they wanted to do for 1.0 and just didn’t, but. (0:31:43) Kev: yeah that’s it that is very much what it feels like Mitch drew I guess good for (0:31:49) Kev: them that a gate got here like yeah I am NOT gonna fault them for that because (0:31:54) Kev: it’s a game dev is hard I don’t know if you know that out oh oh I like you I’m (0:32:00) Al: Yeah, yeah, yeah, that’s fair. (0:32:02) Kev: looking I’m sorry I’m looking for the video some of the costumes the the NPC’s (0:32:06) Kev: rather pretty good there’s like a tinker the good chicken a Tinkerbell costume I (0:32:09) Kev: like that that’s good (0:32:11) Al: Yeah, there does seem to be a lot of care taken on these costumes. They’re not, they’re not just like generic things. Each person has like a unique costume and they’re all very interesting. The twins have almost the same costume, which is fun, but they’re not quite. They’re slightly different, which is based on, you know, their personality. (0:32:32) Kev: That’s fun to, yeah, that’s, yeah, I like that, that’s, that’s good, yeah, um, dressing (0:32:37) Kev: up your NPCs. (0:32:38) Kev: You know what, I take it that the dinosaur costume is a good idea. (0:32:41) Al: I’m trying to find them. So I’ve asked you motivates us that I found their spooky festival section of the video. I’m guessing that’s where you saw it. Well, I see someone as a panda. (0:32:48) Kev: Yeah, there’s near the start (0:32:51) Kev: All the twins. Oh (0:32:51) Al: I was near the start of the video. (0:32:54) Kev: Yeah, it’s near the start all that. I’m looking at the twin costumes. Those are good. Actually (0:32:59) Kev: They might be the best costumes (0:33:01) Kev: It’s a I don’t know. There’s like little blueberry monsters. I don’t know how to describe it better (0:33:09) Kev: That’s cool. What is that guy there? (0:33:10) Al: It’s definitely you have to see. (0:33:12) Kev: Yeah, there’s a guy in a black turtle. What is that is that supposed to be a costume that doesn’t look that’s just a (0:33:18) Kev: Guy in a sweatshirt and jeans. I don’t get that (0:33:22) Al: And yeah, OK, I don’t know what his I don’t know what Pablo’s costume is he trying to be Steve Jobs or something? (0:33:30) Kev: I guess with Shane. I don’t know. I don’t know (0:33:33) Al: I don’t know. (0:33:37) Al: Where’s this dinosaur costume you’re talking about? (0:33:38) Kev: Yo (0:33:40) Kev: Okay, okay, let me let me find it it’s in the video it was near the very start (0:33:45) Al: Oh, I’ve got it, I’ve got it, I’ve got it. Yeah, that’s, that’ll be a spooky costume, (0:33:47) Kev: You found it great (0:33:49) Kev: Yeah, it probably is I like it. It’s dumb. I like it what? (0:33:49) Al: because it’s pumpkins and lights around them. (0:33:55) Al: There are some silly costumes you can use as your player as well in the game that I’ve (0:33:59) Al: put on before. I can’t remember what I was dressed up as, but they, it’s not just like, (0:34:05) Al: they have a decent amount of player customization already. (0:34:08) Kev: Yeah, yeah. There’s also a collab with Fungi Swarm. (0:34:09) Al: Uh, yeah, that’s their game. (0:34:15) Al: Our other game, isn’t it? Um, uh, what, there’s, uh, redeemable items. Okay. (0:34:17) Kev: Yeah, it is. Which, yeah, but I think… (0:34:24) Kev: There’s a antler dog guy. I don’t know what that is, but, uh… (0:34:27) Al: Uh, a mythical pet outfit. (0:34:31) Kev: I don’t know what… I don’t… Okay, I don’t know what this creature is. (0:34:34) Al: “Razzi” or “Razzdi” (0:34:37) Kev: whereas the it’s an off. (0:34:41) Kev: It’s a blue reindeer dog. (0:34:42) Kev: I don’t know what else to describe it. (0:34:44) Al: Well, speaking of dogs, (0:34:45) Kev: Uhhh… (0:34:47) Kev: You! Ooh, good transition, tell me. (0:34:48) Al: for some reason we’re talking about Sugadoo Island again, (0:34:51) Kev: W-w-why?! (0:34:51) Al: this game. (0:34:53) Al: ‘Cause, dog, they’ve released a code (0:34:57) Al: that you can redeem in the game and it gives you dog. (0:35:01) Kev: But okay spotted dog, that’s (0:35:04) Al: If it’s anything like everything else in this game, (0:35:07) Al: you won’t be able to name it. (0:35:08) Al: It won’t do anything other than just follow you around (0:35:11) Al: like a blind rat, I don’t know. (0:35:14) Kev: I’m not sure how well blind rec could follow you but they do that is true you’ll fly like (0:35:15) Al: It’s not really turned on for metaphors just now. (0:35:22) Al: They have a good sense of smell. (0:35:28) Kev: a dog I have a dog they do follow you yeah that is true its name is spotted dog that’s (0:35:32) Al: Yeah, but with personality, I doubt this one a lot. (0:35:41) Kev: That’s it. (0:35:41) Al: That would, I mean I’d be surprised if it wasn’t just dog. (0:35:44) Kev: Yeah. (0:35:48) Al: Next we have Aether Wizard Life have released a what they’re calling their first announcement (0:35:56) Al: trailer but I’m confused because this game was announced multiple years ago so I don’t (0:35:57) Kev: Okay (0:36:00) Al: know how this is an announcement trailer. (0:36:01) Kev: And (0:36:02) Kev: It’s only for backers, which I don’t know you probably want to make that available. Oh, there is. Oh, okay. Let me see. Oh (0:36:06) Al: There’s a link to the actual video as well. (0:36:11) Kev: Yeah, there is. Okay. Yeah, that’s all right. I was like at the Kickstarter page (0:36:15) Kev: First of all, I don’t like this name at all. I don’t know if we covered this game, but I don’t like that at all (0:36:18) Al: No. (0:36:23) Al: This is, I don’t know if we’ve seen gameplay before. (0:36:26) Al: This is the first time seeing some of this stuff. (0:36:29) Al: The building of your house is basically (0:36:32) Al: exactly the same as the Spiritfarer building, (0:36:36) Kev: Yup! (0:36:37) Al: which I’m not complaining about because that is good. (0:36:39) Al: I like that. (0:36:40) Al: More of that, please. (0:36:40) Kev: Yeah, that modularity, it’s good. Build your castle. (0:36:44) Al: There are some, shall we say, thirsty characters (0:36:48) Kev: Oh, geez. Good. That guy, I mean, that one guy alone, he’s the worst offender. It’s the first one they show you, too. (0:36:59) Al: There’s yep, it’s uh, you’re gonna this is this is a weed game apparently (0:37:00) Kev: Good heavens. (0:37:06) Kev: Oh my gosh, that… Oh, shit. You know what? Fine. Lean into it. Just full thirst into it and just do it. (0:37:16) Kev: If you’re going to do it, go all in. (0:37:16) Al: Every game has to have a hook, I just don’t think that that is a unique hook. (0:37:22) Kev: True? That’s true. It probably worked for some people, not me, but… (0:37:27) Al: You’re definitely not you. Not you. Have you got to the other characters yet? (0:37:32) Kev: Yeah, I see the other characters like they’re (0:37:36) Kev: Is it this is hmm, this is a problem when everyone does it like everyone loses their (0:37:42) Kev: You know, it’s it’s it’s tough to stick out in the crowd, right? Like these just look generic (0:37:46) Kev: I don’t know the guy who looks like he’s dressing up like an elf (0:37:50) Kev: I don’t know and then why are there two in silhouettes? Why do you have to silhouette those characters? I feel like you shouldn’t (0:37:56) Al: for our secret. We’re going to tell you later. I don’t just like the character designs. The (0:37:58) Kev: Okay (0:38:01) Kev: There’s a girl with the ponytail of the sword (0:38:03) Al: character design’s okay. What I do find a bit weird is not the character designs and not your (0:38:11) Al: playable character design. They’re both fine. What’s weird is them both together in the same (0:38:17) Al: game. They look like very different designs. They look like they’re from different games. (0:38:20) Kev: They do (0:38:22) Kev: Right because yeah, cuz we’re looking at the (0:38:27) Kev: The oh (0:38:29) Kev: Yeah, yeah, you’re right. You’re right. Absolutely cuz these NPCs, you know very (0:38:34) Kev: Detailed sort of designs and and whatnot and you’re a little in the generic side (0:38:35) Al: much more detailed. (0:38:38) Al: I don’t dislike the playable characters design, it just feels, I think it looks bad purely (0:38:40) Kev: You’re right, I agree with it (0:38:44) Kev: Yeah (0:38:48) Al: because of how the other one. (0:38:52) Kev: you’re right it doesn’t you know what the problem is I as far as i’ve seen there’s no like (0:38:57) Kev: portrait art for your character right because yeah yeah yeah because it’s it’s a very different (0:38:59) Al: That’s what it is, it’s the portrait art of course I’m just yeah I’m looking at a bit of one of them in game and yeah they look, they look much more similar to your characters but the portrait art is so much more detail. (0:39:11) Kev: art style as as portrait arts are so frequently done but there’s not one for your your character (0:39:18) Kev: And so I don’t know it’s just I see I get what you’re saying. Absolutely (0:39:22) Kev: Um (0:39:24) Kev: But I mean even in the in-game art style like it’s there’s still a little more detail than your character (0:39:31) Kev: Because like your characters is (0:39:32) Al: It’s the face, there’s no nose. (0:39:33) Kev: Yeah, ooh, that’s a good point, right? There’s no facial features. It’s just like the eyes and the smile (0:39:39) Kev: That’s it on your the player character. You’re right. You’re super right (0:39:42) Al: Anyway, the interesting thing about this, I guess, is the magic stuff, and it does look quite detailed. (0:39:48) Al: So maybe that could be interesting. (0:39:50) Al: And then there’s some combat. (0:39:52) Kev: yeah there’s a lot of stuff going on here there’s an owl with the flower on its head and (0:39:58) Kev: I don’t even know what’s going on with these like skill trees or I don’t know there’s a lot going on here (0:40:03) Al: I think, I think they’re for like making new spells, possibly. (0:40:07) Kev: yeah honestly (0:40:08) Al: Look, I’m gonna, I’m gonna probably play it because I did back on Kickstarter, (0:40:12) Al: like the idiot that I was, but. (0:40:14) Kev: the the magic stuff I think is the bigger draw here that looks pretty interesting slash well done (0:40:19) Al: Yeah. Yeah. Agreed. (0:40:21) Kev: There’s combat (0:40:22) Kev: Magical creatures that looks fun (0:40:26) Kev: It’s wild the data will NPCs just they don’t even live up to that it’s crazy (0:40:33) Al: Next, fields of mystery, I have announced a merch collection. (0:40:37) Al: So, you know, go get your fields of mystery on merch, I guess. (0:40:40) Kev: is it good merch let’s see i’m looking (0:40:45) Al: So they they have a they have they have a pin. (0:40:47) Kev: oh goodness what is that the first the first one is the oh yeah yeah the first one they show you is (0:40:53) Al: They have a pin that you tilt and it changes between (0:40:58) Al: more clothes and fewer clothes. (0:41:00) Kev: Yeah, it’s it’s (0:41:03) Kev: Presumably it’s I don’t know the characters, but that’s datable guy and yet (0:41:07) Kev: You know you tilt it and it’s and now he’s shirtless cuz good heavens (0:41:11) Al: That’s the entire marriage. That’s all the marriage. That’s everything. (0:41:12) Kev: Oh (0:41:14) Kev: My god, it’s all that. I’m not good in the laundry. It’s just (0:41:20) Al: It’s just like the pen from Friends, which Joey had, and you click it, and the women’s clothes (0:41:27) Al: come off, right? Like, what is this? Why is this your only piece of marriage? And it’s two characters. (0:41:28) Kev: Yeah! laughs (0:41:37) Kev: Yes, too! laughs (0:41:38) Al: Two characters, one male, one female. (0:41:41) Kev: Oh, that’s incredible! laughs (0:41:41) Al: What a weird decision. (0:41:47) Kev: Oh, and… (0:41:48) Al: I need to go what I need to go read the comments. (0:41:49) Kev: Beholds in… it’s… why I need to understand how… because… (0:41:55) Al: Oh, people, people like this. (0:41:58) Kev: Oh, the first one’s “Lily, Take My Money.” Oh my goodness, these… oh! (0:42:05) Kev: This is why we’re in this cottagecore world, brain rot, dateable nonsense. (0:42:12) Kev: It’s your fault, commenters. (0:42:15) Kev: And what kills me is Fields of Mystery has that kind of 90s anime art style vibe. (0:42:23) Kev: You could play off that, right, for your merch, but no, we get to… (0:42:28) Kev: Two pins that take off the character’s clothes! (0:42:34) Al: odd decision it’s like they sit down and they go right okay we’re gonna make some merch what’s our (0:42:38) Al: first merch gonna be a poster no no not a poster like a t-shirt no not a t-shirt a pin yeah we (0:42:40) Kev: Apparently according to the commenters. (0:42:47) Al: could do a pin but what if it was a pin where they undress them I just I don’t I don’t (0:42:54) Kev: Ohh, look, alright, look, I mean, I mean, I tried to be delicate, I have kids gloves when I talk about these subjects, but look, this commenter here said it’s straight, it’s the fields of gooning. (0:43:15) Kev: Ohh, good heavens. Worst part is, it looks like it’s gonna be a huge success, so. (0:43:21) Al: Oh probably, probably. I just like what you I can’t imagine. It just it would feels like it would be even if you want it. It feels like embarrassing to own. (0:43:31) Kev: Well… (0:43:33) Al: And the whole point of pins is to show them off, right? (0:43:36) Kev: Yeah? laughs (0:43:38) Kev: You just make sure to always show it off at one angle and never ever move it to the other angle. laughs (0:43:49) Al: All right moving on to a very interesting story, a story of seasons. (0:43:54) Kev: - Yeah, okay, from the worst story to the best. (0:43:59) Al: It’s a little bit of shame we don’t have Cody on to talk about this but let’s go with it anyway. (0:44:04) Al: So story of seasons and well Marvelous, the company that makes, well they’re the European (0:44:12) Al: company that ports and not ports, they translate and publish the story of season games. (0:44:20) Al: I just know that Marvelous is the Japanese version of the company as well, (0:44:24) Al: they are the same company now aren’t they, I think. Anyway it doesn’t matter, (0:44:27) Al: anyway story of seasons company, the European part of it have made a partnership, they started in 2020, (0:44:36) Al: they

Re'eh 5785 - moonLight of Emuna - R' Dov Elias by Rabbi Avi Zakutinsky

Join me (Anna Stone) and guest host Halley Platz as we break down 2016's Moonlight. In this episode, we discuss the intimate nature of the film, the phenomenal casting, and I end the episode with my ranking of this season's movies. Make sure to follow Halley on Instagram @watchpartayyy.

On Election Night, 2000, the final call came down to the decision of one state: Florida. What would follow would be the most infamous recount in American history. But to understand what came next, we need to go back to 1876, when Florida famously served as a turning point for yet another major American election. Pick up your copy of FLORIDA! right here! Thank you to Chelsea Rice for her incredible design of our logo! Follow Chelsea on Instagram here!   I do not own the rights to the clips used in this episode.  "Moonlight" wins Best Picture | 89th Oscars (2017) CNN: Flashback to 2000, U.S. presidential election recount "The Election of 1800" from HAMILTON Al Gore Announces Presidential Run - 1999 | Today in History USA: BUSH JR. PREPARES FOR POSSIBLE PRESIDENTIAL BID   Besides the clips above, all the music was originally composed.

Send us a textWelcome to Laundromat Resource! In today's episode, host Jordan Berry spins us through the fascinating role of laundromats in pop culture. From the hum of fluorescent lights to the rhythmic spin of washers, laundromats are more than just pit stops for dirty laundry—they're cinematic, emotional stages where stories unfold. Jordan explores why these humble spaces keep appearing in our favorite movies, TV shows, music videos, and novels—as backdrops for life's pivotal moments, transformations, and unexpected connections.We'll dive into iconic scenes from films like Fight Club and Moonlight, memorable sitcom moments with Ross and Rachel in Friends, and even the metaphors baked into Breaking Bad. Laundromats, as Jordan reveals, are liminal spaces—transitions between jobs, relationships, and versions of ourselves, where authenticity and self-reflection take center stage. Whether filled with tension, tenderness, or laughter, laundromats mirror who we are in moments when no one's looking.So, grab your basket and settle in as we explore why laundromats remain powerful symbols in storytelling—and what they reveal about our humanity, one spin cycle at a time.In this episode; Jordan discuss:00:00 Laundromats: Cinematic Pop Culture Icons05:37 "Laundromats: Liminal, Mundane, Meaningful"Show noteshttps://www.laundromatresource.com/show210/Connect With UsYouTubeInstagramFacebookLinkedInTwitterTikTok

Drew and Rob are joined by their better halves for a discussion of the first half of The Devils—Joe Abercrombie's hit new fantasy book. The Final Draft features beers from Burley Oak and TRVE. Visit our website at www.iolpodcast.com and join the conversation on Twitter @IOLPodcast Support us on Patreon: www.patreon.com/inkingoutloud Send us a tip on Ko-fi: ko-fi.com/inkingoutloud Inking Out Loud is Drew McCaffrey and Rob Santos. Sound engineering by Drew McCaffrey. Artwork by Danielle "FelCandy" Prosperie. Intro/outro music: "Moonlight" by Jivemind.

微信公众号：「听潮馆」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐：1.Ólafur Arnalds - Near Light (Live)；2.Zak Gott - Ocean (Pacific)；3.Vladimir Ashkenazy - Beethoven： Piano Sonata No.14 in C sharp minor, Op.27 No.2 -＂Moonlight＂ - 1. Adagio sostenuto；4.Yusuke Tsutsumi - Tokyo Love Theme；5.International Cinephonic Orchestra - Piano sonata no. 14 in C-sharp minor ＂Moonlight＂： I. Adagio sostenuto。

This week, we're joined by THE fabulous SimiMoonlight as she takes us through what it's really like being a notable fashion and lifestyle content creator in a world with increasing parasocial relationships & fewer boundaries as you become more visible on the internet. An episode without our silliness doesn't exist, so obviously we talked about the big lady age that is 30+ and all it comes with, and the comedic relief that is Nollywood. We also tackle some fascinating dilemmas around twin-sibling relationships, broken trust in a very new marriage and what it's like to dislike your in-laws. Of course, we're still reeling from the high of our New York show & we'd like to say a huge thanks to you guys for coming out. See you next yearrrDon't forget to use #ISWIS or #ISWISPodcast to share your thoughts while listening to the podcast on X! Rate the show 5 stars on whatever app you listen to and leave a review. Share with everyone you know, and if you also watch on YouTube, subscribe, like, and leave a comment!Choose Bolden products for all your skincare needs like we do! They're available at Medplus Pharmacy locations, Nectar Beauty, Beauty Hut S Teeka4! For US, UK & Canada, shop at www.boldenusa.comMake sure to follow us on.Twitter: @ISWISPodcastInstagram: @isaidwhatisaidpodYouTube: @isaidwhatisaidpod Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn today's episode, I am chatting with Janet Skelsien Charles. Janet is the New York Times, USA Today and #1 international bestselling author of The Paris Library, Moonlight in Odessa, Miss Morgan's Book Brigade and the audiobook The Parisian Chapter. Janet was born and raised in Montana. After graduating from the University of Montana, she got a job teaching English in Ukraine. She later when to France intending to teach for a year, and has been there ever since. Place is at the heart of every story she has ever written. She loves traveling, spending time with friends and family, and reearching stories of forgotten people and places. We are here today to discuss her latest multicast audiobook, The Parisian Chapter.We dive into her latest work, The Parisian Chapter, a rich, immersive story that connects to Miss Morgan's Book Brigade and The Paris Library. Each can be enjoyed as a standalone, but together they form a tapestry of interconnected characters and the many roles within a library.Episode Highlights:How teaching English in France led Janet to stay.The highs and lows of researching historical fiction.Why she avoids reading in her own genre while writing.The real history behind the women she brings to life on the page.How small contributions can still create a lasting impact on a community.Whether you're drawn to historical fiction, fascinated by research deep-dives, or simply love a good literary journey through time and place, this episode is full of stories, insight, and inspiration.Connect with Janet:WebsiteInstagramFacebookBooks and authors mentioned in the episode:Fiona Davis booksKristin Harmel booksTheir Eyes Were Watching God by Zora Neale HurstonThe Bookbinder's Secret by A.D. Bell (coming 01/13/2026)The Tainted Cup by Robert Jackson BennettThe River We Remember by William Kent KruegerBook FlightThe Ice Cream Queen of Orchard Street by Susan Jane GilmanHow the Garcia Girls Lost Their Accent by Julia Alvar

Eikev 5785 - moonLight of Emuna - R' Dov Elias by Rabbi Avi Zakutinsky

Drew and Lauren conclude their discussion of the latest Sanderson Secret Project! The Final Draft features beers from Pontoon and TRVE. Visit our website at www.iolpodcast.com and join the conversation on Twitter @IOLPodcast Support us on Patreon: www.patreon.com/inkingoutloud Send us a tip on Ko-fi: ko-fi.com/inkingoutloud Inking Out Loud is Drew McCaffrey and Rob Santos. Sound engineering by Drew McCaffrey. Artwork by Danielle "FelCandy" Prosperie. Intro/outro music: "Moonlight" by Jivemind.

Everybody's favorite beagle is front and center in 144. And I don't mean my dog Beans. It's Snoopy! (You knew that.) Author Andrew Farago returns to the podcast to tell us about channeling his inner beagle in his new book "Snoopy: The Story of My Life - The Myth, The Legend, The Beagle!" For just any podcast, that would be more than enough. But not us! We've also got a Random Strip of the Month, a discussion of the "Peanuts by Schulz" episode "The Winter Games", news from in and around the Peanuts universe, and, of course, your feedback.  I think that'll do it.  Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Hidden Agenda", "Mining by Moonlight" and "Bass Walker".  Thanks to Sean Courtney for the "This Month in Peanuts History" theme and the "Random Strip" generator. Thanks to Nick Jones for the use of his song "25% Off". Thanks to Henry Pope for the use of his "Linus & Lucy" remix.  patreon.com Carnival of Glee Creations All audio or images used here are the property of the respective copyright holders and are used here solely for entertainment purposes. No infringement is intended. 

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

I'm back in Pennsylvania once again to look at Bigfoot sightings, this week in Lycoming County! A truck driver laying stone at a campsite sees two Bigfoot creatures watching him from behind his truck, and he returns later to find huge footprints. Two hikers see what thy think is a bear - until is stands up on two legs and runs up a hill into the woods. And a young boy playing in a stream looks up, only to find Sasquatch staring at him from just a few feet away. Do you think Bigfoot roams the Keystone State?#bigfoot #pennsylvania #cryptozoology #lycomingChapters:1:34 - Truck driver has late afternoon encounter while dumping stone13:44 - Hikers catch glimpse of Bigfoot from 30 yards away17:-5 - Man describes childhood incident on Steam Valley Mountain. He was quietly observed at close range from opposite side of small stream29:14 - Final thoughts on Bigfoot in Pennsylvania's Lycoming CountyLinks!Follow us on Social media!Instagram: https://www.instagram.com/oddanduntold/Facebook: https://www.facebook.com/oddanduntoldWebsite: https://www.oddanduntold.comEmail me! : jason@oddanduntold.comMerch Store: https://oddanduntold.creator-spring.comBigfoot Sightings in Pennsylvania | Lancaster & York CountiesBigfoot Sightings in Pennsylvania | McKean CountyBFRO Reports | Lycoming County, PennsylvaniaCheck out Riversend, the band behind "Moonlight," our awesome theme music!Spotify: https://open.spotify.com/track/1yIwfeu2cH1kDZaMYxKOUe?si=NIUijnmsQe6LNWOsfZ2jPwRiversend Facebook: https://www.facebook.com/RiversendbandRiversend Instagram: https://www.instagram.com/riversendband/

Vaeschanan-Nachamu 5785 - moonLight of Emuna - R' Dov Elias by Rabbi Avi Zakutinsky

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

This weeks 'Track Of The Week' goes to Future Flex - Really Love [New State Music] Globalsessions is now reaching audiences in over 40 countries across 140+ stations each week. Stay up-to-date with the latest by following Paul Rudd and Globalsessions on social media @theglobalsessions @djpaulrudd and remember that you can download a free podcast of the show every Monday. Hypaton Norma Jean Martine Henri PFR - Outta My Head (Radio Edit) [Warner Music] Cyril x Moonlight x The La's - There She Goes (Radio Edit) [Atlantic] Ada Morghe - Amin Bird (Mousse T Radio Edit) [Lalabeam] Sunsparks Feat Amanda Wilson - Hell Of A Night (Radio Edit) [Safo Music] Mr Belt & Wezol, Millean., Alex Hosking - and it felt like.. (Radio Edit) [Insanity Records] Gorgon City - Loveless (Radio Edit) [REALM Records] Cedric Gervais x Alex Mills - Need Your Love (Radio Edit) [Ultra] Texas - Inner Smile (Eric McKenna Remix) [PIAS] Sonny Fodera x Jazzy - All This Time (Edit) [SOLOTOKO] TRACK OF THE WEEK Future Flex - Really Love [New State Music] Ev Wilde - Oasis (Radio Edit) [Capitol Records] Kinchy - Live This Life (Radio Edit) [VIVIFIER RECORDS] Ben Nicky x ARTY - Oxygen [Armada] Lost Prince, Leila Dey - I Wanna Feel (Original Mix) [Physical Presents] Harpoon Feat Leah Guest - You Got The Energy (Radio Edit) [Lift Me Up Records] Jayda G - The Shiver [Ministry Of Sound] MFX2 - Around The World (Radio Edit) [New Music Group] Sunsets & Sandals - Am I Wrong (Original Mix) [Sunset Beat] Not Without Friends - Without U (Radio Edit) [Blue Music] Camisra & James Hype - Let Me Show You (Radio Edit) [Armada Music] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Episode 84Fresh introductions...For Pookajutsu ♥️Catch us live every Sunday at 14:00ET on https://www.twitch.tv/rpgclinic#RPGClinicBlue Sky: https://bsky.app/profile/rpgclinic.bsky.socialWebsite: http://www.rpgclinic.com/Wiki: https://rpgclinic.fandom.com/wiki/Discord server: https://discord.gg/kenG3xuFollow the cast on Bluesky:Kate: https://bsky.app/profile/zen.r0b0.caElizabeth: Jon: https://bsky.app/profile/jonverrall.bsky.socialScott: https://bsky.app/profile/shumphrey1212.bsky.socialAn RPGClinic campaign promises committed storytelling and performances, professional tech, dynamic overlays, and info boxes to keep the system accessible to new viewers. Games swing between comedy and drama at the drop of a hat. There will be laughter. There will be tears. There will definitely be double-entendres.

你一定和我一样，也曾为自己埋下过一颗时间胶囊，可能是一段随手记，一首没写完的诗，随手买的可爱小玩意儿，很久没翻看的手机相册，或者一期还没有编辑的歌单……在这个过了今天忘了昨天的世界里，这些了不起的小小痕迹标注出每个人的轨道，而每一次回顾，都因此而变得甜美。 这期节目所挑选的歌也有这样的特别意味。我一直在等待对的时机把它与你分享。它是我留给这个八月的时间胶囊。让我陪你度过无所事事的一小时，这里有清凉的竖琴，松弛的摇摆，还有只属于夏天的白日梦。 曲目单： 00. (00:00)

Dive into the chilling depths of one of America's most enduring UFO mysteries.  If you're hooked on West Virginia cryptids like the Mothman, Bigfoot, or Grafton Monster, or fascinated by 1950s UFO sightings, alien encounters, and government conspiracies, this episode uncovers the eerie truth behind the Braxton County Monster. Host MF Thomas, who personally trekked to Braxton County last summer, unravels a 1952 close encounter of the third kind that left eight witnesses terrified and the world questioning: Was it an extraterrestrial visitor, a mechanical robot from another world, a misidentified natural phenomenon, or a secret missile test suppressed by the US government? Packed with eyewitness accounts, physical evidence, and lingering enigmas, this podcast episode blends history, folklore, and the unexplained—perfect for fans searching for information about the 1952 Flatwoods Monster. Picture this: It's September 12, 1952, twilight in sleepy Flatwoods, West Virginia—a state dripping with eerie legends like the Mothman, Grafton Monster, and Snarly Yow, even inspiring Silent Hill's foggy nightmares. Amid the 1950s UFO frenzy, with the "Invasion of Washington" buzzing D.C. and Life Magazine hyping flying saucers next to Marilyn Monroe, a group of boys playing football spots IT: a massive fiery object streaking the sky. Pulsing cherry red to orange, trailing flames, wobbling like a dying aircraft—not a meteor, but something controlled. It vanishes behind a hill on the Fisher farm, igniting chaos. Freddie May, just 11, recalls a "round ball of fire" spiraling like a leaf. Local bigwig Jack Davis swears it's a lit-up oblong craft, slowing to land, brighter than mercury vapor. No noise, just eerie descent. The boys bolt home, dragging mom Kathleen May, 35, into the fray. With 17-year-old Eugene Lemon and his dog, plus pals Neil Nunley (14), Teddie Neal, Edison May (13), Ronald Shaver, and tiny Tommy Hyer (6), they form an unwitting expedition. Flashlights in hand, they trek half a mile through darkening woods, spotting a red-purple flare atop the hill. Hearts pounding, they push on—unaware they're stepping into nightmare fuel. The path steepens: Mist rolls in, thick and foreboding. A sharp metallic stench hits—like burning TV tubes—searing throats, watering eyes. Kathleen shudders, still smelling it decades later. Mechanical wRead MF Thomas' novels Like Clockwork https://amzn.to/417lOzyArcade https://amzn.to/4aTpisxA Sickness in Time https://amzn.to/41apSPKSeeing by Moonlight ...

微信公众号：「听潮馆」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐：1.eufonius - ナルキッソス inst；2.Arthur Rubinstein - Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 ＂Moonlight＂： I. Adagio sostenuto；3.Clifford Curzon,Benjamin Britten - Sonata for 2 Pianos in D major, K. 448：II. Andante；4.Vladimir Ashkenazy - Beethoven： Piano Sonata No.14 in C sharp minor, Op.27 No.2 -＂Moonlight＂ - 1. Adagio sostenuto；5.Yusuke Tsutsumi - A Little World。

A quick update from the Krewe on a short release break & things to come! Big things poppin' with the Krewe!!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Info & Upcoming Events ------Support the Krewe - Donate to JSNO!JSNO Event CalendarJoin JSNO Today!

Devarim - Tisha BAv 5785 - moonLight of Emuna - R' Dov Elias by Rabbi Avi Zakutinsky

Hoy escuchamos: Brainstorm- Beyond the enemy lines, Badana- Lucharé. Entrevista Hadadanza: Hadadanza- ¡Corred insensatos!, Hadadanza- Festival trovador. Moonlight fear- La última hora, Hadadanza- El callejón del beso.Escuchar audio

Chad writes "Back in 1992, I was stationed at Ft. Lewis in the 3rd Battalion, 1st Special Forces Group (Airborne). We were running a force-on-force training operation. I don't recall the exact location—maybe an hour's drive from Lewis. Our task was to defend a simulated Surface-to-Air Missile (SAM) site consisting of a trailer and container meant to resemble a rocket launcher. We had two Special Forces Operational Detachment Alphas (ODAs) involved, roughly 20 guys total, plus a few support personnel. The site was backed up against the “no play zone,” so any attacking team could only approach from the west. It was fortified: two M-60 machine gun nests, a perimeter of seasoned operators, M-16s for each of us, a couple of HF radios—basic gear for a simulated “enemy” approach. No high-speed tech, no grenade simulators that I can recall. The terrain was layered: a track in front of the site, then woods, then a clean trail parallel to a ridge 150 meters to the west. Beyond that, a large field of tall grass. Ferns covered the ridge slope—dense and knee-to-hip high. Our mission was to intercept and resist any attempt to assault the SAM site, likely between dusk and sunrise. We ran rotating two-man patrols along the trail, each covering a three-hour shift. The night of the encounter, I was paired with a Sergeant First Class—an 18D medic whom I'll call “Guy.” He'd been in group for years. I was 22 at the time, on of the youngest on site. Moonlight was strong—brilliant enough to allow stealth movement. We paced slowly, stopping every few meters to kneel and scan. After an hour, we paused under a shadowed area. Guy lit a cigarette with quiet precision—no glow exposed. I asked how he did that. He smirked and said, “Sniper check.” Then it happened. A deafening scream rang out from the ridge. At first, I thought it was an animal. But then came a bizarre shift: halfway through, it took on a human tone. Eight to ten seconds of sustained vocalization that morphed into a frantic, incoherent babble… and finally, a coyote-like cackle or laughing sound. The volume never dropped. We scanned the ridge. I spotted a silhouette—a massive figure, turning swaying side to side near a tree at the top of the ridge. It looked human. I thought, “Who in group is that size?” We went guns up. The figure turned north and walked away. We pursued him, assuming a diversion tactic to draw us away from the site. But despite jogging, we couldn't close the gap. He moved quickly—strangely so. This went on for nearly a kilometer and a half. The forest thickened. The ridge narrowed – bottle necked. And then the figure veered east—straight toward us—charging downhill like a bipedal rhino through underbrush. Not sticks snapping… limbs breaking. I think at this moment, I realized It wasn't human and started to categorize it. We veered northwest off the trail to intercept. It turned north, the woods were dark – perfect place for a kill zone, an ambush, I could still track its movement. Then… silence. It stopped moving. Total quiet. We crept forward—as noted this was textbook ambush territory. But nothing came. The smell did. It hit in layers. First: wet dog tangled with decay. Then: putrid infection, feces, rot. It overwhelmed me. As the stench peaked, dread set in. Danger. Immediate and primal. I glanced at Guy. He nodded: time to back out. We backed out—me facing rear, unwilling to turn my back. I feared a charge. Surprisingly, Guy was only 15 feet behind. I suspect he walked backward too. Eventually we hit the trail again, dazed. We stood in silence. Not tactical—just stunned. I have no concept of how long we stood there. I remember being totally surprised by how far we went, and how far off the trail we went. Almost like an unexplainable time warp. We never spoke of it again. The only time I had heard what Guy had experienced was later that morning as he debriefed the CO and some of the others. There is much more to this encounter that I would like to discuss with you.”

Send us a textFrom Deities to Deep Throats: A Stellar Ride with Mina BrowerGods who beg. Dreams that fuck. Grief, guilt, and galaxy-sized smut.In this unholy episode, debut indie baddie Mina Brower takes us on a wild ride through A God of Moonlight and Stardust, her slow-burn, soul-punching romantasy where a haunted heroine is torn between two powerful men: one who mourns her, one who dreams of her, and both who want to ruin her in ways that are… spiritually devastating.We go deep (in every sense) on writing trauma with tenderness, slipping spice into celestial settings, and the anatomy of a good "squelch" scene. Plus, Mina spills the behind-the-scenes filth—including dream threesomes, villain worship, clit-sucking commentary, and why the word “grind” should win a Pulitzer.Featuring a “Sip & Strip” segment that had us sweating and a quote so filthy it nearly broke the transcript.Spoiler-free. Spiritually feral. Galactic thirst turned all the way up. You're not ready—but press play anyway.GRAB YOUR COPY OF: A God of Moonlight and Stardust!✨ Follow Mina: @minabrowerauthor 

On the night of August 28, 1996, Yvette Rodier and Zach Snarr were on a date, taking pictures of the full moon in the mountains of Utah. They were interrupted when a stranger drove up, pulled a gun and opened fire. Zach was killed and Yvette was shot four times but survived by pretending to be dead. Years later, she faced her killer in court. This classic "48 Hours" episode last aired on 9/2/2011. Watch all-new episodes of “48 Hours” on Saturdays, and stream on demand on Paramount+. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week on the New Music Business podcast, Ari sits down with Jess Furman—a creative executive, Emmy-nominated composer, and music industry leader whose work spans TV, film, Web3, and beyond. Named one of Billboard's Top 40 Industry-Shaping Executives, Jess blends creative vision with business savvy. She founded Sound Revolver (now part of Big Noise Music Group), where she led award-winning music campaigns and earned Tellys, Clios, and RIAA Gold certifications. Her credits include Moonlight, Westworld, My Little Pony: Pony Life, Littlest Pet Shop, and campaigns for brands like Ralph Lauren. As a singer-songwriter and multi-instrumentalist, Jess's music has been featured on Sesame Street, MTV, Drop Dead Diva, Sundance, and SXSW.In this episode, we follow Jess's journey from New York singer-songwriter to a leading force in the world of sync licensing in Los Angeles. She shares what it takes to write custom music for film, TV, and branded content—and breaks down the creative and business challenges that come with it. In the second half, things get lively as she and Ari debate the future of AI in music. Jess previews her next project: an AI-generated artist built to test a blockchain-driven brand model. The music is created by AI, refined by humans, and designed to support real artists through tech. Jess sees promise in it. Ari isn't so sure—and questions the ethics and long-term effects of AI-generated content on platforms already flooded with music.https://www.instagram.com/jessfurmanmuse05:45 Introduction and History11:16 Journey to Sync Licensing21:31 Founding Sound Revolver31:06 Custom Music for TV and Film45:56 AI in Music Creation1:01:16 Debating The Future of the Music Industry1:15:46 Final Thoughts and Making It in MusicEdited and mixed by Peter SchruppMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Craving chills and killer takes? This week, Shelby's off, but Zena and Keenan bring the heat with special guest Chris Vander Kaay as they dive headfirst into the twisted, DIY world of horror. We're unpacking his series FOUND FOOTAGE FINDS on FoundTV and hunting down the creepiest corners of found footage horror! We're also digging into listener-submitted horror hot takes you won't want to miss, breaking down James Gunn's bold claim that “Clayface is a complete horror film,” spotlighting Jennifer Tilly's return in School Spirits Season 3, and serving up plenty more genre goodness along the way! Next year marks the 25th ANNIVERSARY of Bloody Disgusting! If you love keeping up with all things creepy, gory, and downright horrific, we want your two cents! Get involved: https://bloody-disgusting.com/the-further/3888175/reader-survey If you're here for the jump scares, the laughs, and a community of horror lovers, you've found your people. New episodes drop weekly.  Stay creepy. Stay disgusting. Got a burning horror question you want us to tackle on the show? We're all ears! Call and leave us a message at (224) 475-1040, shoot us a text, or drop us an email @ bdisgustingpodcast@gmail.com. Your question could be featured and answered on the next episode! Don't forget to rate, review, and subscribe on your favorite apps. *** // Follow The Bloody Disgusting Podcast   Twitter/X: @BDisgustingpod  IG: @bdisgustingpod  Bluesky: bdisgustingpod.bsky.socialFacebook: www.facebook.com/bloodydisgustingpodcast  Follow Bloody Disgusting on TikTok: @bdisgusting  // Follow Chris Vander Kaay   IG: @chrisvanderkaay | Bluesky: ckvanderkaay.bsky.social Watch FOUND FOOTAGE FINDS on FoundTV: https://watch.foundtv.com/show-details/found-footage-finds Facebook: https://www.facebook.com/askthemovie // Follow Zena Dixon   Twitter/X: @LovelyZena | IG: @realqueenofhorror/ | Bluesky: lovelyzena.bsky.social  YouTube: https://www.youtube.com/@RealQueenofHorror/videos  TikTok: @realqueenofhorror  // Follow Shelby Novak Twitter/X: @shelbybnovak | IG: @shelbybnovak/ | Bluesky: shelbybnovak.bsky.social/ / Follow Scare You To Sleep Podcast Twitter/X: @scareyoutosleep  IG: @scareyoutosleep/ Bluesky: scareyoutosleep.bsky.social // Follow Keenan McClelland   Twitter/X: @horror_guy | IG: @horror_guy | Bluesky: horrorguy.bsky.social YouTube: www.youtube.com/channel/UCiDnFIBSNxo-cPzSE0nDF4w TikTok: @horrorguy_ Facebook: www.facebook.com/hallowseve365/ The Every Day is Halloween Podcast: creators.spotify.com/pod/show/hallowseve365 ***    Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode....Amy kissed a gas attendant, Ryan used to churn butter as a child, Amy made a wonderful new connection, we chat skin tags, Coyote Ugly, Leanne Rimes' teeth fell out, we pay our respects to Marge Simpson, we do the Bartman, we pay Dee in chips, some new gym adventures for Amy, Ryan chats dim lighting again, a new edition of '40 IS', a PLT story about a drunk couple who had to throw away their dryer, a PLT story about wiping yourself with poison ivy, and we play 2005! Hosted on Acast. See acast.com/privacy for more information.

Inner Moonlight is the monthly poetry reading series at the Wild Detectives in Dallas. Curated by Dallas poet Logen Cure, the in-person show is the second Wednesday of every month in the Wild Detectives backyard. We love our podcast fans, so we release recordings of the live performances every month for y'all! On 7/9/25, we caught the final stop of MA Nicholson's tour for a very memorable show!Michelle (M.A.) Nicholson is a New Orleans poet, editor, educator, journalist, and arts-organizer with work featured in Best New Poets 2022 and Winter in America (Again anthologies, as well as Trampoline Poetry, Peauxdunque Review, Diode Poetry Journal, New Orleans Review, Tilted House Review, and elsewhere. An M.F.A. graduate from the University of New Orleans—where she served as Associate Poetry Editor for Bayou Magazine—M.A. was the recipient of the 2021 Andrea-Saunders Gereighty Academy of American Poets Award and was Kenyon Review's 2024 Peter Taylor Fellow. Her debut poetry collection Around the Gate was selected for The Word Works' 2023 Hilary Tham Capital Collection prize.www.innermoonlightpoetry.com

Matos-Masei 5785 - moonLight of Emuna - R' Dov Elias by Rabbi Avi Zakutinsky

A new NASA technology will use moonlight to enhance measurements from space.

Moonlight Monsters by Heather Millard https://www.amazon.com/Moonlight-Monsters-Heather-Millard/dp/1665543523 This story is about a boy who is around 8 years old and sees scary shadows on his wall which frighten him so much that he believes the shadows to be monsters. The shadows are called, Jangles, Mozzarella, Daisy and Ritzi. They have come from the office of shadows with the job of helping children find out how brave they can be. Alexander decides to give them his chocolate chip cookie and even though he is so scared he confronts them and tells them to share it. Alexander then discovers that he can be brave even when he is afraid. Children have vivid imaginations and can create fearful situations where perhaps none exist. They need to know that in spite of the feelings of being frightened they can rise above it and find out that they can choose their thoughts and choose what they wish to think. My hopes are that this story will give a child the realization that they can experience a happy thought at the same time as being scared. So when Ritzi suggests this to alexander it becomes an idea that he can use. So that alexanders actions provide him with a discovery that he can even be brave enough to confront his fear.

Drew and Lauren discuss Parts One and Two of the newest Cosmere book! The Final Draft features beers from Loveland and Cerebral. Visit our website at www.iolpodcast.com and join the conversation on Twitter @IOLPodcast Support us on Patreon: www.patreon.com/inkingoutloud Send us a tip on Ko-fi: ko-fi.com/inkingoutloud Inking Out Loud is Drew McCaffrey and Rob Santos. Sound engineering by Drew McCaffrey. Artwork by Danielle "FelCandy" Prosperie. Intro/outro music: "Moonlight" by Jivemind.

Mina Brower* is a Mexican-American lawyer and author who immigrated to the United States from Mexico. With over 14 years of experience in the legal field, Mina currently serves as a partner at her law firm, specializing in appeals work. In addition to her legal practice, Mina frequently lectures at universities, sharing her insights and professional expertise with students.Mina's writing career began in 2022, and in 2024, she self-published A God of Moonlight and Stardust.  The book follows the journey of Renna Strongborn, a female Ph.D student and daughter of a villainous god.  Renna craves normality and hates her magical abilities. When a dark force threatens her safety and that of her friends, Renna must confront her fears about using her magic and embrace her power and truth.  Set in an exciting post-apocalyptic world, A God of Moonlight and Stardust is a fresh take on adult romance, fantasy, and science fiction.  The book is perfect for fans of Star Wars and series like A Discovery of Witches and is the first installment in the Daughters of Chaos series.A God of Moonlight and Stardust has received recognition from Kirkus Reviews and earned an Editor's Pick from Booklife Reviews, a division of Publisher's Weekly. The novel was selected to appear in the Best Books of 2024 print editions of Kirkus Reviews and Publisher's Weekly.Outside of her professional endeavors, Mina* mentors aspiring female law students and young female attorneys.Make sure to check out this amzing author on Instagram @minabrowerauthorYou can listen to the podcast on Apple Podcast, Spotify, Google Podcast, or visit my website www.drkatherinehayes.com•••#authors #podcast #interview #apple #spotify #google #authorsofinstagram #books #read #reader #writerscommunity #listen #writer #write #mayhem #authorlife #author #bookstagram #blog #book #booklover #authorssupportingauthors #writersofinstagram #writers #readersofinstagram #readersofig #readersgonnaread #mystery #diversebooksmatter #MinaBrower #AGodofMoonlightandStardust #TheDaughtersOfChaosSeries

A writer seeking solitude in a quiet village rumored to have a vampire is enchanted by a beautiful woman.A writer retreats to a quiet town rumored to be haunted by a vampiric presence residing in the local château. While roaming the castle grounds, he crosses paths with a seductive and mysterious woman who just might be the undead legend herself. Hear the tale from Hall of Fantasy!| #RetroRadio EP0464Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Men With The Magic Fingers” (July 22, 1976)00:45:36.269 = Hall of Fantasy, “Marquis of Death” (June 22, 1953)01:09:09.619 = Dark Venture, “Pursuit” (July 31, 1945) ***WD01:38:55.364 = The Weird Circle, “Evil Eye” (October 01, 1944) ***WD02:06:18.806 = The Whistler, “Death Demands Payment” (December 19, 1943)02:35:56.465 = Witch's Tale, “Spirits of the Lake” (January 02, 1933)03:05:58.922 = X Minus One, “Jaywalker” (April 17, 1956)03:32:53.306 = The Zero Hour, “The Princess Stakes Murder, Part 1” (November 26, 1973) ***WD04:02:19.568 = The Zero Hour, “The Princess Stakes Murder, Part 2” (November 27, 1973) ***WD04:32:22.760 = The Zero Hour, “The Princess Stakes Murder, Part 3” (November 28, 1973) ***WD05:02:26.814 = The Zero Hour, “The Princess Stakes Murder, Part 4” (November 29, 1973) ***WD05:31:29.930 = The Zero Hour, “The Princess Stakes Murder, Part 5” (November 30, 1973) ***WD06:01:35.512 = ABC Mystery Time, “The Tale” (1956-1957)06:25:03.246 = Strange Adventure, “The Borigo Ring” (1945) ***WD06:28:18.923 = Appointment With Fear, “Pit And The Pendulum” (September 18, 1943) ***WD06:55:26.357 = BBC Radio 4, “Murders In The Rue Morgue” (January 22, 2000)07:51:37.093 = Beyond The Green Door, “Harwell And The Matland Indians” (1966) ***WD07:55:06.934 = The Black Book, “My Favorite Corpse” (February 24, 1952) ***WD08:09:34.274 = The Avenger, “The Ghost Murder” (January 13, 1946)08:39:32.835 = Box 13, “Design For Danger” (June 05, 1949)09:06:02.699 = CBC Mystery Theater, “Mr. Higginbothom's Catastrophe” (1967) ***WD09:34:58.046 = Chet Chetter's Tales From The Morgue, “Return of the Master Constipator” (1990) ***WD09:58:33.191 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0464

The Sunday after this episode is released, July 20th, 2025, at 4 p.m. Eastern time, there will be an online gathering of folk who use song to help navigate life -- and we'll sing through this Ribbon of Songs with live-looping! To learn more, click here, or sign up right now to join us!   Lyrics ​& Links to the original episodes for the songs in this ribbon.   140. The Feast By Heidi Wilson (sung by Heidi Wilson)   Holy Fire in the sun Water in the river, and Wind within my lungs Oh holy Earth beneath my feet All of us are offerings and also at the feast   67. Gandalf's Blessing Words: J.R.R. Tolkien (The Hobbit & Lord of the Rings) Music​: Joshua Blaine   ​May the wind, may the wind, may the wind under your wings Bear you where, bear you where the sun sails and the moon walks. Not all who wander are lost.   122. September Moon By Chandler Yorkhall (sung by Patricia & Rebecca Csuy)   Full Moon outside my window this warm September night Pulls me into wakefulness far too early. I'd rather be sleeping the day is already too long for me I'll just wait for dawn.   53. Wish For We By Judi Vinar   Every little wish that I wish for me, is a wish for we.   Sunshine, then some rain. Sunshine, and then some rain.   Moonlight and starlight (3x)   112. Let Me Sing By Jane Lewis   Let me sing as the sun rises Let me sing as the day falls Let me offer this prayer to the moonlight Let me stand in the beauty of it all   (Let me sing to the beauty)   57. Farewell By Patricia Norton   May you know the love that surrounds you is as warm as summer sun on sand; and until the time that we meet again, ​may love hold you in the palm of her hand.   Join this community of people who love to use song to help navigate life? Absolutely: https://dashboard.mailerlite.com/forms/335811/81227018071442567/share   Help us keep going: reviews, comments, encouragement, plus contributions... we float on your support. https://www.abreathofsong.com/gratitude-jar.html

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Last night's Fated Mates Live was so much fun, but now we're back in your earholes again. It's time again for our annual Sarah MacLean deep dive (with no spoilers!). As per tradition, Jen asks Sarah a bunch of fun questions and forces Sarah to talk about her book. And it all ends with Julia Whalen reading two chapters of These Summer Storms! It was a delight to see so many of you in St. Louis yesterday, and to everyone else, we're just as glad you're here with us today. NotesIt's finally time for These Summer Storms! And it might not be too late to see Sarah on book tour! Mary Kay Andrews is very fierce on Instagram, and we love her for it. You can also see her with Renee Adiah, author of the forthcoming Park Avenue, which she mentions at the end of the show.When the New York Times published their Best Books of the 21st Century so far, Sarah shared her ballot. Rhode Island has a long history of being associated with big money.On Inside the Actors Studio, the host James Lipton always ended with the same list of questions, known as the Pivot questions after their originator Bernard Pivot. Similarly, the New York Times column By the Book (Jen called it Get Booked, sorry for any confusion!) has a rotating list of questions, but some are very common. If you are interested in reading some of these columns, check out By The Book: Writers on Literature and the Literary Life, published in 2015. The books on Sarah's nightstand were: The Second Coming by Carter Sherman, It's a Love Story by Annabel Monaghan, Can't Get Enough by Kennedy Ryan, and Full Bloom by Francesca Serritella. SponsorsKylie Scott, author of Wildflowers: An End of the World romance, available in print and ebook from Amazon, Barnes & Noble, Kobo, Apple Books, and Bookshop.org.1001 Dark Nights, publisher of Midnight Myths and Magic, available in print and ebook from Amazon. Mina Brower, author of A God of Moonlight and Stardust, available in print, ebook, and with your monthly subscription to

This week, in Chappaqua, New York, a brutal murder sends this extremely upscsale area into a panic, with ideas of a shadowy killer, lurking in the darkness. But the real story makes people begin to look in their own homes for monsters, after a prominent attorney's family suffers what appears to be a violent tragedy, but what turned out to be a diabolical, and well planned cold blooded murder! Affairs, scamming, and much more lead to the truth!! Or does it?   Along the way, we find out that fires weren't the only thing that could take out a town, that yiou shouldn't crash into the emergency room, if you have a problem, and that you should never send your girlfriend flowers, on the day you plan to murder your wife!   New episodes every Wednesday night!!   Donate at patreon.com/crimeinsports or go to paypal.com and use our email: crimeinsports@gmail.com   Go to shutupandgivememurder.com for all things Small Town Murder, Crime In Sports & Your Stupid Opinions!   Follow us on... instagram.com/smalltownmurder facebook.com/smalltownpod   Also, listen to James & Jimmie's other shows, Crime In Sports & Your Stupid Opinions on Apple Podcasts, Spotify, or wherever you listen to podcasts!!