Podcast appearances and mentions of Daniel Ash

Extrait : « … Non, Daniel Ash est un musicien de rock, anglais, comme la moitié de la population au UK. S'il n'a pas exactement marqué l'histoire, il a tout de même eu une carrière que bien des musiciens lui envieraient, et il a laissé derrière lui des chansons qui, si elles ne sont pas exactement sous les projecteurs ni dans les mémoires, sont là dans la réserve, à attendre leur heure, que Gros Naze leur fasse un peu de place dans la vitrine … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde.Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

If you had told 15-year-old me I'd be doing a podcast with today's two Talkhouse guests, I would have asked you what the hell a podcast was before getting truly excited: It's Perry Farrell and Daniel Ash. Perry Farrell almost certainly needs to introduction, but here goes: He first found fame as the singer for Jane's Addiction, a band that bridged the gap between glammy metal and some burgeoning genre called alternative rock, and is pretty largely responsible the latter becoming a thing. The end of Jane's Addiction in the early 1990s was the beginning of Farrell's other big creation, the Lollapalooza festival, which continues to this day—the U.S. version was just this past weekend in Chicago, as a matter of fact. Farrell has played with other people over the years, and the legendary Jane's Addiction has reformed in various incarnations over the years. But the big news for 2024 is that the band's original lineup has reformed both to play shows and even to record some new music. Check out the band's brand new song, “Imminent Redemption.” This week, Jane's Addiction will embark on a U.S. tour with the band of today's other guest, Daniel Ash. Love and Rockets formed from the ashes of the legendary goth band Bauhaus, and features three of that band's four members. The original Love and Rockets run, from 1985 until 1998, resulted in a legendary string of albums that was influential on an entire generation of tough-to-define bands, a list that definitely includes Jane's Addiction. Love and Rockets has reformed a couple of times over the years, the latest being a successful run last year that marked their first shows in 15 years. It doesn't seem like there's any brand new music on the horizon for Love and Rockets, though last year's My Dark Twin gathered some hard-to-find tracks. For now, why not refamiliarize yourself with their biggest hit, 1989's “So Alive.” In advance of their co-headlining tour, Farrell and Ash talked about how they keep fit enough to rock this hard all these years later, which includes taking a day off between each show and utilizing superfoods instead of hard drugs. Ash talks about how three of the biggest songs of his career were written and recorded in one day each, as well as how Ziggy Stardust changed his life forever. They also chat about the joy of collaboration and the potential up and downsides of AI. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Perry Farrell and Daniel Ash for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

Emerging from the haunting echoes of gothic rock pioneered by Bauhaus, Love and Rockets swiftly conquered the college radio scene during the mid-80s. By 1989, the band had made a significant leap into the mainstream with their smash hit "So Alive," inspired by vocalist Daniel Ash's glimpse of a captivating woman across a dimly lit room. Join us this week as we're joined by Mustard Plug guitarist Colin Clive, exploring his enduring admiration for Love and Rockets. Colin's firsthand experiences with their electrifying live performances offer a unique perspective, having been an avid fan long before the band captured the attention of the nation. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Beatles [00:29] "Lucy in the Sky with Diamonds" Sgt. Pepper's Lonely Hearts Club Band Apple Records SMAS-2563 1967 (1971 Los Angeles gatefold pressing) Enjoy the stereo separation! Billy Preston [03:58] "Get Back" Sgt. Pepper's Lonely Hearts Club Band RSO RS-2-4100 1978 So yeah. A soundtrack to a movie that is very much of it's time. Not only tdo we have The Bee Gees and Peter Framption as the titular band, we have Earth Wind & Fire doing "Got to Get You into My Life", George Burns doing "Fixing a Hole", Alice Cooper doing "Because", Aerosmith handling "Come Together", and my second favorite track: Steve Martin doing a wild and crazy version of "Maxwell's Silver Hammer" (https://youtu.be/F__uGshlbOo?si=qn4U4_ZIGttfns5E). This version of Get Back by the one and only Billy Preston still seals the deal for me. If you are inclined to check out this film, I can only say that it is very much of its time (https://youtu.be/oioCI1p6Y30?si=34PQo_XspuXmnRPc). Lord only knows how much white powder was used in the production. Love and Rockets [07:01] "Haunted when the Minutes Drag" Seventh Dream of Teenage Heaven Beggars Banquet BEGA66 1985 The debut outing from 3/4 of Bauhaus. Daniel Ash, David J, and Kevin Haskins do an excellent job of building an atmospheric experience to transition away from the darkness of their previous efforts. The Moody Blues [16:29] "You and Me" Seventh Soujourn Threshold THS 7 1972 Maybe it's me, but it seems like the intro could have been 8 bars or so shorter. True story: the first pair of concert tickets that I ever won from listening to the radio was for The Moody Blues on their Long Distance Voyager tour. For some reason my parents didn't think it would be appropriate for a 13 year old to go, so I got to keep the record (long since lost) and gave my tickets to the high school kids across the street. The Cars [20:46] "Since You're Gone" Shake It Up Elektra 5E-567 1981 Classic side one, track one. Dig the Frippian guitar solo. Ornette Coleman [24:18] "Focus on Sanity" The Shape of Jazz to Come Atlantic SD 1317 1959 (2010 Rhino reissue) You and me both, Ornette. The classic quartet rounded out by legends Charlie Haden on bass, Don Cherry on cornet, and Billy Higgins on drums. Hypnodrone Ensemble [32:36] "Eucldian/Dodecahedral" The Shape of Space Calostro Records CR01 2015 Hypnotic? Check. Drone? Check? Motorik? Check? Spaceous? Check? Nailed it. Shaun Cassidy [45:33] "That's Rock 'n' Roll" Shaun Cassidy Warner Bros Records/Curb Records BS 3067 1977 Originally a minor hit for Eric Carmen in Europe, teen idol and Hardy Boy Shaun Cassidy took this dopey number to the top of the US charts. Beastie Boys [48:19] "Slow and Low" She's on It Def Jam/Columbia 44-05292 1985 Flip side to the not-quite ready for primetime "She's on It". Fun fact: I lived in the New York Metropolitan area for twenty years and never understood the appeal of White Castle. Chelsea Wolfe [52:02] "Unseen World" She Reaches Out to She Reaches Out to She Loma Vista LVR03941 2024 It's not often that I get to play a new release on Vinyl-O-Matic, but Chelsea Wolfe's excellent new album arrived at a synchronous moment. Music behind the DJ: "Professor Fate" by Henry Mancini

Episode 26. A conversation with musician, journalist and, in this case, author John Robb. John is currently on tour in Ireland promoting his new book 'The Art of Darkness: The History of Goth'.  John discusses the early days of the internet, the early days of punk, the ethos of punk,  the misconceptions and nuances of punk and goth, the influences and key players of goth music including Jim Morrison, The Doors, David Bowie, Iggy Pop, The Velvet Underground & Nico, John Lydon, The Cure, Joy Division, Ian Curtis, Section 25, Virgin Prunes, Bauhaus (particularly 'Bela Lugosi's Dead'), Daniel Ash, The Cult, Southern Death Cult, Ian Astbury and other topics. For more information about John you can click these links: https://www.instagram.com/johnrobb77/ https://www.facebook.com/johnrobbofficial/ https://www.theguardian.com/profile/johnrobb https://en.wikipedia.org/wiki/John_Robb_(musician) https://twitter.com/johnrobb77  

Mit "Bela Lugosis Dead" schufen Bauhaus 1979 gleich ein Werk, das Fluch und Segen zugleich wurde. Der Song machte die Band um Peter Murphy, Daniel Ash, David J. und Kevin Haskins zu Postpunk- und Gothic-Ikonen. Nach dem Split 1983 versuchten die Musiker in neuen Bands wie Tones On Tail, Dalis Car, Love And Rockets oder solistisch den Schatten Lugosis abzuschütteln. So ganz gelang das nie, wie einige Reunions zeigen. Doch Peter Murphy als Solist sowie Ash, J. und Haskins als Love And Rockets konnten in den späten Achtzigern immerhin einige kommerzielle Erfolge in den USA feiern. Bier: Arolser Pils und Dunkel - gespendet von Jonas Schulte Abonniert diesen Podcast und folgt uns auf ⁠Facebook ⁠und / oder ⁠Instagram⁠, Kontakt: prost-punk@web.de

There's anything but Grey Sky with The Fantastival Podcast #129 as Steve is joined by with Daniel Ash, who you might know better as Teenage Waitress… You Ain't Got It Bad as Daniel talks about his brand new album ‘Your Cuckoo' (which is stunning) how a trip to Madame Tussauds at a young age shaped his musical life, the experience of his first album ‘Love & Chemicals' featuring in a Tim Burgess Listening Party on twitter, his Fantasy Festival lineup, the future & lots more in a really fun episode to record. After you've listened to this episode go and check out Daniel's Fantastival Spotify Playlist featuring tracks from acts spoken about in this episode: https://open.spotify.com/playlist/0re85t0LJhUKSiGavIXAcL?si=iBlU4egtQMSjJOMiXxYZYQ Check out the Teenage Waitress twitter page for all the latest news: https://twitter.com/teenagewaitress?s=21&t=eqrCq7Vm65YWWbA4Nfrj7A And here is the Teenage Waitress LinkTree page for links to steaming, tickets, physical products,etc: https://linktr.ee/teenagewaitress If you've enjoyed the Fantastival Podcast please give us a follow on Twitter @FantastivalP, subscribe on whatever platform you are listening to and give us a star rating on iTunes or rate the show and comment on the episode on Spotify and remember to check for our new episodes which are released every Sunday at 9am. Spread the word... and the word is Fantastival! --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-fantastival-podcast/message

This week features the second interview in a two-part series with Daniel Ash and David J., lyricists and songwriters behind Love and Rockets, Bauhaus, and multiple other band and solo projects. I interviewed Daniel and David separately, with a similar set of questions. The success of their projects can be attributed, in part, to their distinctly different approaches to writing lyrics and crafting songs. Today's episode features David J. I spoke with Daniel and David while they were preparing for Love and Rocket's first US tour in fifteen years. Named after the underground comic by the Hernandez brothers, Love and Rockets announced themselves to the world with their radically unique take on the classic Temptations song “Ball Of Confusion.” This debut proved that they were going to be a force to contend with. It became a huge seller and a popular club hit in the US and Canada, where it also went gold. The legacy of the band has only grown with more people realizing the extent of their influence and generations of new fans discovering them. The list of artists who cite their influence is impressive: The Flaming Lips, The Dandy Warhols, A Place To Bury Strangers, Jane's Addiction, Black Rebel Motorcycle Club, Beck, Maynard Keenan, Dubfire, the Pixies and many more. As a bonus, David agreed to share lyrics from an upcoming project. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

This is the first interview in a two-part series with Daniel Ash and David J., lyricists and songwriters behind Love and Rockets, Bauhaus, and multiple other band and solo projects. I interviewed Daniel and David separately, with a similar set of questions. The success of their projects can be attributed, in part, to their distinctly different approaches to writing lyrics and crafting songs. This episode features Daniel Ash with David J.'s interview coming next. I spoke with Daniel and David while they were preparing for Love and Rocket's first US tour in fifteen years. Named after the underground comic by the Hernandez brothers, Love and Rockets announced themselves to the world with their radically unique take on the classic Temptations song “Ball Of Confusion.” This debut proved that they were going to be a force to contend with. It became a huge seller and a popular club hit in the US and Canada, where it also went gold. The legacy of the band has only grown with more people realizing the extent of their influence and generations of new fans discovering them. The list of artists who cite their influence is impressive: The Flaming Lips, The Dandy Warhols, A Place To Bury Strangers, Jane's Addiction, Black Rebel Motorcycle Club, Beck, Maynard Keenan, Dubfire, the Pixies and many more. As a bonus, Daniel agreed to share lyrics from an upcoming project, Ashes and Diamonds. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

As a founding member of the ground breaking Bauhaus, multi-instrumentalist Daniel Ash has distinguished himself in the world of contemporary music. He later went on to form Tones on Tail and Love and Rockets. Bauhaus were an English rock band formed in Northampton in 1978. Known for their dark image and gloomy sound, they are one of the pioneers of gothic rock, although they mixed many genres, including dub, glam rock, psychedelia, and funk. Love and Rockets were formed in 1985 by former Bauhaus members Daniel Ash, David J and Kevin Haskins after that group split in 1983. Ash and Haskins had recorded and performed in another band, Tones on Tail, between 1982 and 1984. 

Regresa Conexiones MZK, con un amplio especial sobre la banda Bauhaus y todos los proyectos salidos de ella. Esa formación nacida a finales de los 70 desde las cenizas del punk, bajo un crisol de influencias de lo más variopinto en el que podíamos encontrar el toque glam de figuras como Bowie o Marc Bolan, la oscuridad de The Velvet Underground, los ambientes atmosféricos de Brian Eno, el sonido de bandas como Joy Division, Suicide o Kraftwerk, el jazz o hasta el dub. La etiqueta "gótico" está ligada a su nombra como uno de los principales activos del movimiento, pero es una acotación que consideramos demasiado simplista, Bauhaus y sus componentes iban mucho más allá. Durante dos horas viajaremos por esas cuatro décadas del grupo, deteniéndonos igualmente en proyectos como Tones On Tail, Dali's Car, Love & Rockets y las carreras en solitario de Peter Murphy, Daniel Ash y David J. Dirige Manuel Pinazo.

Bass player David J was a founding member of the influential  post-punk band Bauhaus in 1978. He wrote the lyrics for many Bauhaus songs, including the single, Bela Lugosi's Dead. He sang  lead on Who Killed Mr. Moonlight?. In 1985, David, his brother Kevin, and Daniel Ash, all former members of Bauhaus, formed Love and Rockets, which had a hit single with the song So alive.  In 2014 David wrote an autobiography, Who Killed Mister Moonlight. In the book he explores his work in bands as well as a solo performer. He also delves deep into his exploration of the occult, drawing together a diverse cast of supporting characters, including William S. Burroughs, Alan Moore, Genesis P. Orridge, and Rick Rubin. **Technical Note*** As many of you know the  Lydian Spin gang has been away from home. As a result, recording has been happening on unreliable setups. Unfortunately the audio for the intro this week was corrupted and not useable. Intros will continue as expected next week. 

Peach Kelli Pop [mm:ss] "Panchito Blues II" Peach Kelli Pop Burger Records BRGR293 2013 A quick bit of garagey fun. Peach Kelli Pop [mm:ss] "Princess Castle 1987" Peach Kelli Pop Burger Records BRGR925 2015 Another ripping opener. Pearl Charles [mm:ss] "Night and Day" Pearl Charles Kanine Records KR148 2016 Great lead-off to Pearl's debut album, on some lovely yellow vinyl. Cocteau Twins [mm:ss] "Hazel" Peppermint Pig 4AD BAD 303 1983 Evidently Robin Guthrie felt this release was rubbish. And yet, here we are listening to it. Al Caiolo [mm:ss] "Jazz Pizzacato" Percussion and Guitars Time Records S/2000 1960 Guitars! Percussion! Stereo separation! And liner notes by Nat Hentoff! Rudi Bohn and His Band [mm:ss] "Mack the Knife" Percussive Oompah London Records SP 44009 1961 Mack the Knife meets Bridge Over the River Kwai? In separated stereo of course. If you're going to go with some Brecht/Weill martial music, why not the "Cannon Song (https://youtu.be/OcmMmHQU8cg)"? Half Japanese [mm:ss] "Listen to Your Heart" Perfect Joyful Noise Recordings JNR183 2016 Love does indeed call. Jad Fair's fifteenth studio album as Half Japanese, featuring some assistance from Deerhoof's John Dieterich helping out with guitar as well as handling the mixing and mastering. The Command All-Stars [mm:ss] "Perdido" Persuasive Percussion Volume 3 Command RS 817 SD 1960 What's that you want more stereo separation demonstrations? You got it, with this fun standard. Astute viewers of Only Murders in the Building may notice that Charles (Steve Martin) has all four volumes of Persuasuve Percussion framed in his kitchen. Odd you say? Well no, Charles is clearly an astute art collector (as is Steve Martin) and the covers for that series are designed by non other than Josef Albers (https://en.wikipedia.org/wiki/Josef_Albers). That would also explain the Ed Ruscha in the kitchen (https://edruscha.com/works/nice-hot-vegetables/). Nadja & Vampillia [mm:ss] "Aurora" The Perfect World Important Records IMPREC385 2013 Side one, track one of the ethereal collaboration between Nadja and Vampillia. Tones on Tail [mm:ss] "Performance" Performance Beggars Banquet BEG 106T 1984 A fine dark wave outing from this Bauhaus off-shoot featuring Daniel Ash, Kevin Haskins, and Glenn Camping. Sterling Holloway [mm:ss] "Peter and the Wolf (Intro)" Peter and the Wolf/The Sorcerer's Apprentice Disneyland 1242 1958 (originally) A nice introduction to the orchestra. Kiss [mm:ss] "You Matter to Me" Peter Criss Casablanca NBLP 7122 1978 Listener, you matter to me which is why I chose one of the shorter tracks from this not very good album. Peter Criss may be a kitty cat but this album is pretty much a dog. In case you're wondering Peter is the only member of Kiss performing on this record. The Pirates [mm:ss] "A Pirate's Life" Walt Disney's Peter Pan Disneyland 1206 1976 Never shoot a man in the middle of his cadenza. Petra Haden [mm:ss] "Goldfinger Main Title" Petra Goes to the Movies Anti- 87219-1 2013 All vocals, all awesome as per usual with Petra. And remember kids, before there was Glee, there was Petra Haden's version of "Don't Stop Believin'" (https://youtu.be/-kXbHf1SwGk) on the Engine Rooms Recordings compilation Guilt by Association. New England Conservatory Chorus [mm:ss] "Barkin: Two Emily Dickinson Choruses (Second Chorus)" Peyton: The Blessed Virgin, Ceely: Flee Floret Florens, Monod: Cantus Contra Cantum III, Barkin: Two Emily Dickinson Choruses, Davidson: Along the Edge Composers Recordings Inc. CRI SD 482 1982 Well, there's something you don't hear every day. Phoebe Snow [mm:ss] "San Francisco Bay Blues" Phoebe Snow Shelter Records SRL 52017 1974 The distinctive stylings of Ms. Snow taking a pass at this standard. Music behind the DJ: "Professor Fate" by Henry Mancini and his Orchestra

New episode featuring very special guest David J (Bauhaus, Love & Rockets, Night Crickets) is alive! We discuss his new project Night Crickets, Bauhaus and his excellent book "Who Killed Mister Moonlight?: Bauhaus, Black Magick and Benediction". Dig it! https://youtu.be/U57z75Sl8Vo  

We need to be having more conversations about race in our society. Conversations that are real and non-performative. In our next episode, we are seeking to understand the lived experience of Daniel Ash (President of The Field Foundation of Illinois), post the 2020 BLM protests in the United States of America, to really explore how, as a society, we got here and what is genuinely needed to see change for a better future. Connect with Common Purpose at:https://commonpurpose.org/LinkedinTwitterFacebookInstagramYouTubeThe Big Spark Cast is hosted by Adi Sengupta and produced by Kate Rintoul and James King.Our Music is supplied by Epidemic Sound.The Big Spark Cast is brought to you by the not-for-profit organization Common Purpose. Hosted on Acast. See acast.com/privacy for more information.

En el programa de hoy, repasamos la trayectoria de los dos mejores grupos que surgieron de las cenizas de BAUHAUS: TONES ON TAIL y LOVE AND ROCKETS. Comandados por el gran DANIEL ASH, nos dejaron una apasionante discografía que vamos a recordar a través de sus singles, maxisingles, remezclas, caras B, álbumes y temas en directo.

Nueva sesión de versiones y diversiones, con una selección de clásicos y éxitos del siglo XX reinterpretados por bandas de generaciones posteriores. Playlist; (sintonía) LOS MAMBO JAMBO “Camino de la cama” (Siniestro Total) THE DOLLYROTS “Dream lover” (Bobby Darin) SUPERSUCKERS “Never let me down again” (Depeche Mode) LOS STRAITJACKETS with RAUL MALO “Black is black” (Los Bravos) PALMYRA DELRAN “La chica yeyé” (Luis Aguilé, Concha Velasco) BAYSIDE “Oliver’s army” (Elvis Costello) THE STRYPES “Heart of the City” (Nick Lowe) HOODOO GURUS “I heard her call my name” (The Velvet Underground) UNCLE TUPELO “I wanna destroy you” (Soft Boys) THE JAGS “Here comes my baby” (The Tremeloes - Cat Stevens) DANIEL ASH “Rock on” (David Essex) RENO BO “I’ll feel a whole lot better” (The Byrds) RACHEL GORDON “Goodbye to you” (Scandal) THE POSIES “Smash it up” (The Damned) THE DAMNED “White rabbit” (Jefferson Airplane) MATTHEW SWEET and SUSANA HOFFS “All the young dudes” (Mott the Hoople) Escuchar audio

It's a repost of Baxie's conversation with Daniel Ash of Bauhaus, Tones on Tail, and Love and Rockets--in his very FIRST podcast interview ever! Awesome! Also available on Apple Podcast, SoundCloud, Spotify, and on the Bax & O'Brien website!

Singer, songwriter and photographer, Attasalina said her name is her birth name given by her godmother, a pioneer teacher of Buddhism in the West, and has been translated as “providing the meaning”.  She describes her inspiration in her work as her work is  "culturally informed by lineages in Theravada Buddhism and Indigenous Religion and Resistance Movements and focuses on visionary experiences as a quest for truth explored through personal narratives of oppression, awareness and survival."Her musical abilities can be traced to her grandfather, a Cuban-American progressive jazz drummer and singer. Attasalina formed her first rock and roll band called "The Seraphim Rising" in 2008. Her first release was a collaboration with guitarist Daniel Ash of Bauhaus and Love and Rockets called “The Soldiers of Everyday” in 2010. The song is part of  a limited edition CD called "Freedom I Love" released  in 2016. Attasalina also collaborated with the legendary producer John Fryer for Black Needle Noise with a song called "Messages By Dreams" released on the album "Before The Tears Came." More recently, they released another single for Black Needle Noise on COP International called “Machine” in June 2021. Attasalina is currently working on a solo album and photography book called “Freed From Rage and Sorrow” which you can subscribed to on Patreon.https://www.patreon.com/attasalinahttps://www.attasalina.com

In which Budgie goes to the Florida keys with the Banshees and Sioux only has a flashlight for her light show!  Sometimes the best shows are when nobody is there. Lol was scared in Denver on Halloween by Fred Munster! A misty lake in Finland never gets dark for Lol and the Cure.  Budgie feels the heat with Love and Rockets in Arizona . It's Hot, hot, hot with Lol in Texas. Those British boys abroad! From hysteria in Newcastle to perfect calm in Tokyo. Lol, and Budgie have seen it all. Gangplanks and Freud. Beatlemania and Secret security. Bring all your fans along on the Bullet train! CONNECT WITH USCurious Creatures:Website: https://curiouscreaturespodcast.comFacebook: @CuriousCreaturesOfficialTwitter: @curecreaturesInstagram: @CuriousCreaturesOfficialLol Tolhurst: Website: https://loltolhurst.comFacebook: @officialloltolhurst Twitter: @LolTolhurst Instagram: @lol.tolhurst Budgie: Facebook: @budgieofficial Twitter: @TuWhit2whooInstagram: @budgie646 Curious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app. 

From Chad Radford: Burning From the Inside has always held something of a mystery simmering just beneath the surface of every note and every lyrical phrase. Bauhaus' final album (the first time around) perfectly distilled the band's black-clad post-punk and proto-goth traipse into an enigmatic final act. Like the arrows of chaos, seminal recordings by Love and Rockets, Peter Murphy, Tones On Tail, David J, Daniel Ash, and Dali's Car all fired off in every direction shortly after its arrival. I'm not sure if there's a literal code to crack here, but nods to Italian Futurism in “Who Killed Mr. Moonlight” take shape as a poignant snapshot of a group that has already pulled itself apart at the seams. “Antonin Artaud” pushes that tension to an ecstatic state, “King Volcano,” “Slice Of Life,” and the album's title track are monster cuts—quintessential Bauhas. “Hope” brings it all to a warm and psychedelic landing, hinting at what the future holds in store. But it's difficult to see the forest for the trees, maybe that's what the cover art is all about. All meaning is shrouded in layers upon layers of cinematic imagery here. Nearly 40 years after its arrival, Burning From the Inside still reveals all sorts of insight into the band's history and legacy. I was thrilled when Cassy, Tom, and James invited me on the show to talk about it all.Check out Chad's work at https://radatl.com/ 

Today we talk with Daniel Ash, CEO and Co-Founder of Journeyfront, along with Greg Scott, CEO, and Karoline Pershell, COO, from Service Robotics & Technologies (SRT). As leaders of their companies, they know how difficult it can be to implement change in the workplace, especially the important changes necessary to shape an inclusive company culture. In our conversation, we discover the significance of having open conversations about diversity and inclusion at work. Although these topics can prove to be uncomfortable for some, it is the first step to promoting an educated and welcoming organization.2:11 SRT's Background and D&I Views11:26 The Value of Metrics23:54 Journeyfront's Method to Inclusive Work Cultures27:43 Diverse Teams Perform Better38:40 Representation & PolicyWorking with us to create this series is a company called RevRoad. RevRoad is a unique blend of accelerator, agency, and venture capital, known as venture services. They work with businesses at any stage of growth to help them scale their efforts. RevRoad provides value to its portfolio companies by giving them an in-house professional team, services, and networking opportunities. Learn more at http://revroad.com

The “Voice” strand of The Chicago Community Trust's Building Collective Power strategy supports community-centered media platforms that allow the authentic narratives of communities to emerge and be amplified not just in neighborhoods but across the city. Those community-centered platforms likewise bring vital information into communities to inform their agenda-setting. In three segments, this episode of Trust Talks will explore the different ways the Trust is strengthening local media and storytelling platforms to amplify community narratives. It features Daniel Ash, associate vice president at the Trust, who leads the Building Collective Power strategy; Lolly Bowen, journalist, who oversees the Field Foundation of Illinois' media and storytelling grant making; Morgan Johnson, co-creator of The Triibe, a digital media platform for Black Chicago, and Jesus Del Toro, general manager of La Raza, the region's leading Spanish-language newspaper; and Tonika Lewis Johnson, a social justice artist and creator of the Folded Map Project.Production by Juneteenth Productions. 

On this episode, we speak with Daniel Ash, who records indie pop songs under the name Teenage Waitress.  Despite never having met Jason Lytle, he has loads to say about Jason's music and its influence on his own work.  He also goes in-depth on his favorite song of Jason's, and it's not one that you'd probably expect.   Things to click: Go Progress Chrome by Grandaddy on Spotify You Ain't Got It Bad by Teenage Waitress on Spotify Love and Chemicals by Teenage Waitress on Spotify He's Simple, He's Dumb, He's the Pilot by Grandaddy on Spotify Why Would I Want to Die? by Grandaddy on Spotify Aisle Seat 37-D by Grandaddy on Spotify I'm Leaving Berlin by Teenage Waitress on Spotify Social media @jlytlepodcast simpledumbpodcast.com

Esse é o AutoRadio Podcast. A Banda Que Te Pariu - #2 - Bauhaus Powered by Wisdomtech http://www.wisdomtech.com.br

This week, Part 2! What happened to the members after Bauhaus broke up? Well, Peter Murphy went solo, Daniel Ash put out "Tones On Tail" and then later reunited most of the members (minus Murphy) of Bauhaus to create "Love and Rockets". Let's get into it!! After you listen be sure to check out the mixes and the bonus music video all linked below... Peter Murphy - YouTube Mix / Spotify Mix Tones On Tail and Love and Rockets - YouTube Mix / Spotify Mix Bonus Music Video Content: Love and Rockets The Haunted Fish Tank We wanna here from you! Use the audio recorder on your phone and send us a short 1 minute or less suggestion of a Band that you would "I Already Told You That" to a friend or lover. ialreadytoldyouthat@gmail.com  

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Baxie talks to legendary guitarist Daniel Ash about his career in the highly influential bands Bauhaus, Tones on Tail, and Love & Rockets! We'll talk about his career, the Bauhaus reunion, and his new band Ashes & Diamonds...in his very first podcast interview!

Chad "Chazilla" Johnson is a musician, composer, producer and educator. He runs the House of Rock program at Swallow Hill Music and has toured with multiple national and internationally renowned acts. He makes Denver his home and he joins Billy via Zoom to talk about technique and creativity, his album In My Skin, Defining musical mastery, Beck, Rush, and getting snubbed by those we hold in admiration. This episode is for: All Chad lovers old and new, Denver music scene completists, appreciators of appreciators. This episode is not for: Those who deify Daniel Ash (he's just a man, sorry,) people who have died and hence lost their sense of rhythm, people who are against nose piercings in educators.

This week on Suburban Underground is our 5th annual Halloween show.  We have scary and fun songs from fun and scary artists.Artists this week are 999, The Jam, The Ramones, The Bird And The Bee, Lightnin' Hopkins, Freezepop, Snakefarm, David Bowie, Johnny & The Self Abusers (aka Simple Minds), Florence + The Machine, Daniel Ash, Teenage Bottlerocket, The Freeze, Nekromantix, The Vandals, Pink Noise Test, Zombie Girl.  Originally aired October 30, 2020.Twitter: @SUBedford1051Facebook: SuburbanUndergroundRadioInstagram: SuburbanUndergroundAnd available on demand on your favorite podcast app!

This week, we call to Bøssehuset theatre in Christiania. To talk to actors Daniel Ash and Jody Fish. About their one man shows running there this month. Marius gives us a news round up and hot tips. And we talk Danish class systems, Korean pop ups and espionage. Hosted on Acast. See acast.com/privacy for more information.

This week, we call to Bøssehuset theatre in Christiania. To talk to actors Daniel Ash and Jody Fish. About their one man shows running there this month. Marius gives us a news round up and hot tips. And we talk Danish class systems, Korean pop ups and espionage.

This week, we call to Bøssehuset theatre in Christiania. To talk to actors Daniel Ash and Jody Fish. About their one man shows running there this month. Marius gives us a news round up and hot tips. And we talk Danish class systems, Korean pop ups and espionage. To find links to any of these or to listen to previous episodes go to our FaceBook page.  https://www.facebook.com/copingincopenhagenpodcast/

As we enter into October, we will be looking at bands with a darker edge.  Tonights band is Bauhaus.They are an English rock band, formed in Northampton, England, in 1978. The group consists of Daniel Ash (guitar, saxophone), Peter Murphy (vocals, occasional instruments), Kevin Haskins (drums) and David J Haskins, or “David J” (bass). One of the pioneers of gothic rock, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia, funk, power pop and ska. Bauhaus broke up in 1983. Murphy began a solo career while Ash and Haskins continued as Tones on Tail and, later, reunited with David J to form Love and Rockets. Both enjoyed greater commercial success in the United States than Bauhaus had, but disappeared from the charts in their homeland. Bauhaus eventually reunited for a 1998 tour, again from 2005 to 2008, and once again in 2019. Bauhaus, Tones on Tail, Love and Rockets, Peter Murphy, The Cure

RockerMike and Rob discuss The history of Bauhaus.. Bauhaus are an English rock band, formed in Northampton, England, in 1978. The group consists of Daniel Ash (guitar, saxophone), Peter Murphy (vocals, occasional instruments), Kevin Haskins (drums) and David J (bass). http://www.bauhausmusik.net #bauhaus #petermurphy #musically #music #musician #musicvideo #musicproducer #musicislife #musica #rockandroll #rock #rocknroll #rockstar #rockclimbing #rockymountains #rocketleague. Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com Get your T-shirt at www.prowrestlingtees.com/gettinglumpedup https://www.bonfire.com/store/getting-lumped-up/

In this episode Kevin Sheehan invited back Journeyfront's Daniel Ash to give us a complete demonstration of the platform and its capabilities. We get a great look and insight into how the system allows for better hiring accuracy and how you will avoid the critical hiring mistakes that plague the industry. Not to mention it shows how you will save a ton of money in the process!

Here is the complete conversation with Daniel Ash from Journeyfront. Daniel is the CEO and Co-Founder of Journeyfront which is an extremely dynamic and powerful hiring software that has flipped the hiring values on its ear. They do not focus on efficient and timely hiring (thought they do that as well), they focus on hiring accuracy as it drives your firm's goals with the right people for the job. It is an interesting shift in your focus but the software they are suing is powerful and effective for every manager.

..............HOLD.ME.IN.THE.RIVER........................................... By Anatoly Brooks http://www.filefactory.com/file/z39uvqajbjd/HoldMeInTheRiver.mp3 01. Daniel Ash – Come alive 02. Françoiz Breut – La certitude 03. Fontaines D.C. – Big 04. Wire – The finest drops 05. Pixies – Silver bullet 06. Mísia – Pour ne pas vivre seul 07. Fontaines D.C. – Hurricane laughter 08. dEUS – Quatre mains 09. GNR – Muçulmana 10. Bauhaus – Bela Lugosi’s dead (Tomb Raider mix) 11. Pixies – Vamos 12. The Jam – In the city 13. Brakes – Hold me in the river 14. The Presidents Of United States Of America – Kitty 15. Ornatos Violeta – Um crime à minha porta 16. Red Hot Chili Pappers – Californication 17. BRMC – Let the day begin (single) 18. The Wallflowers – Everybody out of the water (new frontier) 19. David Bowie – Sound and vision Total time – 1.17:43 A photo by A. Brooks Sultry voice of Radio Etiopia – Ana Ribeiro www.radioetiopia.com Phase 108.1: http://www.phase108.net/Show.aspx?podcastId=13 https://radiolisboa.pt/

Doug Messenger was born in New York on Long Island on March 9, 1942. After his dad got a new job opportunity, his family decided to made a big move to Mexico City, Mexico where he spent most of his younger years from the age of 4 to 17. Doug's passion for learning landed him back in the United States where he studied at Princeton in New Jersey, earning a Bachelor of Science in Engineering. While traveling back to visit family in Mexico in the summer of 1962, Doug met the love of his life, Jeanne Thompson. Doug and Jeanne soon married after he graduated from Princeton and he worked at Bethlehem Steel's Export Office in New York City. Doug knew he was destined for more so he quit his job and decided to move to Boston, Massachusetts to enroll in the esteemed Berklee College of Music. Unfortunately, Doug's wife, Jeanne became very sick so he was only able to attend the music school for 2 years, but he knew he wanted to play music so played in R&B bands all over Boston, one of which was the best band in town with Roger Pace, considered to be the white James Brown. As a side musician, Doug had the thrill of backing up some of the best soul and R&B legends of our time including Al Green (1965), Chuck Berry (1966 & 1971),Etta James (1967), Dee Clark (1966) and a 415lb singer called Lotsa Poppa (1966). In 1968, Doug also played guitar for Darrell Banks for the song,"Open The Door To Your Heart" and Dyke & The Blazers, "Shotgun Slim," in 1970. One of the biggest songwriters Doug worked with was Van Morrison from 1971-1973, where he played guitar and arranged songs for Van's album, St Dominic's Preview and got the chance to collaborate with piano legend, Vince Geraldi. After one of his house band shows, as fate would have it, Doug ended up playing Monopoly with Jimi Hendrix (Doug is still bitter that Jimi landed on Boardwalk his first time around the board), known at the time as Jimi James. They would meet again in 70s, a few months before Hendrix passed away. Over the years, Doug played in over 20 house bands from 1965-1975 and was hired for sessions for Warner Brothers, MGM, ABC, Original Sound and a few for Motown in 1971 & 1972. Doug also played with songwriter/composer, Jackie De Shannon and also played in a band called Mudd with Willie Weeks on bass and also backed up Carly Simon on "Speak Out To Me," but now Doug wanted to start his own band. Ironically called The Police, Doug's first band came to a halt when his lead singer died of a heroin overdose. It took him 5 years to find the next 3 members of his next band, The Pickles, who were making waves on the LA scene and just as they were about to get signed, one of his lead singers died in a car accident. Doug knew he had enough of playing in a band so he turned his rehearsal space into a recording studio in 1984. By the time he acquired enough gear in 1988, Doug officially opened Hard Drive Analog & Digital Studios in 1990. He got his Stephens tape machine that Pink Floyd THE WALL & Steely Dan’s AJA was recorded on and Fleetwood Mac “Rumors” was mixed on in 1987. Since 1990, some of the incredible music talents who have come through to record at Hard Drive Analog & Digitial Recording include Joe Pass, Jimmie Eat World, Joe Bonamassa, Cindy Blackman, The Plain White Ts, At the Drive In, Mars Volta, Neon Trees, New Found Glory, Nikhil Korula Band, Robben Ford and Beck's first single, "Loser" was also recorded here. Doug has also recorded the background music for the American Music Awards, Billboard Music Awards and Country Music Awards. Over the years, Doug has also recorded 7 albums with the blues label, Delta Groove Records, one of which won the WC Handy Foundation Blues Album of the Year. Currently, Doug Messenger is working with Paul Denman, Sade’s producer and Daniel Ash from Bauhaus and will be recording the 8th album of the Nikhil Korula Band in January 2020. For more information, contact Hard Drive Analog & Digital Recording: (818) 588-1817 4814 Vineland Ave North Hollywood yelp.com/biz/harddrive-analog-and-digital-recording-north-hollywood?osq=hard+drive+analog

Thursday's 2pm-3pm EST 11pm-12pm PDT 7pm-8pm BST bombshellradio.com stereoembersmagazine.com Stereo Embers Magazine #StereoEmbers, #podcast, #RadioShow, #AlexGreen, #Alternative , #NewMusic ,#Nowplaying, #BombshellRadio, #MikeMeseros, #TonesonTail, #Bauhaus, #GlennCampling"Throw It In The Bin And Don't Worry About It"That's Glenn Campling's motto when it comes to the music business and it's a good one. Why worry about the pressures of an industry that can't be pleased? Please yourself, man! In this interview the former Tones on Tail bassist talks candidly to Alex about his friendship with Daniel Ash, his feelings about David J and his take on the Bauhaus reunion gigs. He also talks about why Tones on Tail broke up, why their sound couldn't be replicated by one of the members alone and what it was like to take his bass off the wall after nearly 20 years of not touching it. Campling reveals where the wealth of live material from this short lived band is coming from and he discusses his plans for the future....We have a great chat: #bauhaus, #loveandrockets and #fatherhood#subscribe#free on any #platform you get your podcasts..... Www.alexgreenonline.com@jasperpr@bombshell_radio@bauhaus.movement@gothmagazine#goth#gothbands#gothculture#80sgoth

"Throw It In The Bin And Don't Worry About It" That's Glenn Campling's motto when it comes to the music business and it's a good one. Why worry about the pressures of an industry that can't be pleased? Please yourself, man! In this interview the former Tones on Tail bassist talks candidly to Alex about his friendship with Daniel Ash, his feelings about David J and his take on the Bauhaus reunion gigs. He also talks about why Tones on Tail broke up, why their sound couldn't be replicated by one of the members alone and what it was like to take his bass off the wall after nearly 20 years of not touching it. Campling reveals where the wealth of live material from this short lived band is coming from and he discusses his plans for the future....

Hamilton Bohannon [00:33] a side: "South African Man (Pt. 1)" b side: "Have a Good Day" Dakar Records DK 4539 1974 Some fabulous funk and some innnnteresting ez groovin from the man known as Bohannon. Freakwater [08:09] a side: "South of Cincinnati" b side: "Count Me Out" Thrill Jockey thrill 027 1995 A mighty fine cover of Dwight Yoakam from these Louisville Gal on the great Thrill Jockey label. The b-side is their bandmate David Wayne Gay Fun fact: Did you know there is a K-Tel compilation called "Alt.Country Exposed Roots". It's true. Do you remember Usenet? I remember Usenet. Shonen Knife [17:36] a side: "Space Christmas" b side: "Christmas Message '91" Rockville Records ROCK6075-7 1991 Christmas in July?! Your Old Pal Will is insane... for Shonen Knife. Featuring the originals Naoko and Atsuko Yamano and Michie Nakatani. Thou [25:20] a side: "Spin the Black Circle" b side: "No Excuses" Sisters in Christ SIC001 2015 A very grungy 2015 Record Store Day release from Louisiana's own Thou. The Police [34:32] a side: "Spirits in the Material World" b side: "Flexible Strategies" A&M Records 2390-S 1981 If you want a glimpse into the world of conflict that is The Police, Mssr le Sting wrote this song on a Casio and wanted to keep it entirely synth based but eventually let Andy Summers play guitar along with the synth. Compromise! And the b-side is, well, very jamtastic. Classics IV [41:21] a side: "Spooky" b side: "Poor People" Imperial Records 66259 1967 That is one cool spooky groove. Fine cover versions can also be heard by Dusty Springfield (https://youtu.be/Fola80rQop4), Jazz Butcher (https://youtu.be/wFielGAVxUk), and Daniel Ash (https://youtu.be/5NYQ34Zf7Lo). The b-side "Poor People" is a bit more sunshine-y, though in my mind pales in comparison of Alan Price's completely unrelated song "Poor People". And that's... my two-cents. The Alarm [48:26] a side: "The Stand" b side: "Reason 41" IRS Records IR-9922 1983 From the land of the red dragon, The Alarm dropped this IRS single in 1983 and while if failed to chart in the US, it did receive plenty of rotation on good ol' MTV. Pavement [54:22] a side: "Stereo" b side: "Birds in the Majic Industry" Domino Records RUG51 1997 Well, how did it get so high (https://youtu.be/GrJyTeuQCzo)? Music behind the DJ: "A Shot in the Dark" by Jimmy Haskell.

John talks on the phone to Daniel Ash who describes in detail the series of events and the unlikely spaces in which Bauhaus birthed Bela Lugosi's Dead back in 1979.    The sparse, darkly atmospheric track pioneered the iconic post-punk/goth movement, and remains one of the most influential songs of all time.   Take a read of John's full article here: https://uk.lush.com/article/john-robb-tapes-daniel-ash-0 Swears.  

Diva Dompé, Kevin Haskins, and Daniel Ash In Conversation with Alejandro Cohen Kevin Haskins and Daniel Ash recently formed Poptone, a retrospective project revisiting the music of Bauhaus, Tones on Tail, and Love and Rockets. Joined by Bassist, Diva Dompé, they hit the road and have been thrilling audiences ever since. They stopped by dublab to talk with Alejandro Cohen about the origins of Poptone, rediscovering a love for performing, and offer some gems from the Bauhaus vaults. Hope you can tune in for this delightful conversation! In Conversation is produced by dublab. Sound editing and theme music are by Matteah Baim. Due to rights reasons music from the original broadcast has been removed. To hear more, please visit dublab.com.

Today 5pm-6pm EST 2pm-3pm PDT 10pm-11pm BST bombshellradio.com stereoembersmagazine.comAlex Green #Interview w/ Kevin Haskins Official“Kevin Haskins Didn’t Play Drums For Eight Years”It’s true. The drummer of the legendary band Bauhaus had pretty much put down his sticks for almost eight years before deciding to pick them up again and join forces with his old Bauhaus/Tones On Tail bandmate Daniel Ash and Kevin’s daughterDiva on bass under the moniker Poptone. Kevin talks to Alex about growing up in Northampton, the cruelty of the British press and the state of his relationship with former Bauhaus singer Peter Murphy. Kevin also talks about how his new book Bauhaus Undead: The Visual History And Legacy Of Bauhaus had to literally rise from the dead to get published.#KevinHaskins #StereoEmbers #podcast #RadioShow #AlexGreen #bauhaus #Alternative #NewMusic #Nowplaying #BombshellRadio

Bauhaus were an English post-punk band, formed in Northampton, England in 1978. The group consisted of Peter Murphy (vocals, occasional instruments), Daniel Ash (guitar), Kevin Haskins (drums) and David J (bass). The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the first gothic rock groups, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia and funk.

I grill my good friend Daniel Ash on his favourite things!

Composed and Performed by Daniel Ash © 2018 Dasharts Inc. All Rights Reserved. Additional remix and production by Samuri DJs © 2018 Samuri Traxx Music (ASCAP). For Daniel Ash licensing inquiries contact dasharts@yahoo.com. For Samuri DJs contact info@samuridjs.com www.danielashmusic.com www.samuridjs.com

Continuing on "What Is Enlightenment" by Immanuel Kant (1784), "On Enlightening the Mind" by Moses Mendelssohn (1784), and "What Is Enlightenment" by Michael Foucault (1984). We finish up Kant (the courage to know!) and lay out the Mendelssohn (cultivation vs. enlightenment) and Foucault (ironically heroize the present!). Will this conversation enlighten you? Who knows? Listen to part one first or get the unbroken, ad-free Citizen Edition. Please support PEL! End song: "Holy Fool" by Love and Rockets. Listen to singer Daniel Ash on Nakedly Examined Music #35.

“David J Says Peter Murphy Is Keeping Everyone In Stitches” Although it’s hard to imagine the Dark Prince of Goth is also a fountain of chuckles, David J says his bandmate Peter Murphy has been in fine form and keeping everyone laughing while on tour. The two former Bauhaus members have teamed up with a full band for an extensive tour to commemorate 40 years of Bauhaus and they’re crushing it everywhere they go. The former Love and Rockets/Bauhaus bassist/singer talks to Alex about how his reunion with Murphy came about, his relationship with former bandmates Daniel Ash and brother Kevin Haskins and why he’ll never retire. He also talks about reading Ian Curtis’ love letters, the sadness of the Beach Boys and his work with the Jazz Butcher Conspiracy. Alex also tells David J that he’s interviewed 3/4 of Bauhaus and now just needs Peter Murphy to complete the Goth Grand Slam… Photo Credit: Judy Lyon

Today's Bombshell (Bombshell Radio)Bombshell Radio SUNDAYSToday 12pm-1pm EST 9am-10am PDT 5pm-6pm BST bombshellradio.comhttps://tunein.com/radio/Bombshell-Radio-s25742stereoembersmagazine.comStereo Embers MagazineAlex Green #Interview w/ Daniel Ash#Poptone #LoveAndRockets #DANIELASH #StereoEmbers #podcast #RadioShow #AlexGreen #Alternative #NewMusic #Nowplaying #BombshellRadio#80s #newwave, #postpunk, #synthpop, #gothrock“Daniel Ash Knew I Drove A Honda Fit”It didn’t take long for Daniel Ash to know Alex drives a Honda Fit. Only minutes after their chat began, the former Love and Rockets frontman could tell Alex wasn’t a fellow thrill-seeking motorcycle enthusiast. Call it intuition, call it a lucky guess, but either way,Ash was right on the mark. Also on the mark is Ash’s new band Poptone, which finds him paired up with his former Bauhaus/Love and Rockets bandmate Kevin Haskins alongside Haskins’ daughter Diva on bass.Postpone plays the songs of Ash’s former bands as well as numbers by Tones On Tail, all reimagined in a dark and glorious newdirection. As exciting as that news is, in this interview Ash talks about…motorcycles.And Brigitte Bardot standing next to a motorcycle. And Easy Rider. And if an ad for a motorcycle can upstage a beautiful girl. You get the idea. “Thank you for talking to me about things I like,”Ash says at one point. It’s an entertaining and discursive talk, but the through-line is motorcycles: why some people ride them and others don’t, what the best motorcycle films are and whether or not stepping on stage gives Ash the same thrill as blasting through the desert at 100 miles per hour on…you guessed it: a motorcycle. He also talks about his new single “Alien Love,” says Kevin Haskins is always making lists and he tells Alex what picture hehas hanging in his bathroom.

“Daniel Ash Knew I Drove A Honda Fit” It didn’t take long for Daniel Ash to know Alex drives a Honda Fit. Only minutes after their chat began, the former Love and Rockets frontman could tell Alex wasn’t a fellow thrill-seeking motorcycle enthusiast. Call it intuition, call it a lucky guess, but either way, Ash was right on the mark. Also on the mark is Ash’s new band Poptone, which finds him paired up with his former Bauhaus/Love and Rockets bandmate Kevin Haskins alongside Haskins’ daughter Diva on bass. Postpone plays the songs of Ash’s former bands as well as numbers by Tones On Tail, all reimagined in a dark and glorious new direction. As exciting as that news is, in this interview Ash talks about…motorcycles. And Brigitte Bardot standing next to a motorcycle. And Easy Rider. And if an ad for a motorcycle can upstage a beautiful girl. You get the idea. “Thank you for talking to me about things I like,” Ash says at one point. It’s an entertaining and discursive talk, but the through-line is motorcycles: why some people ride them and others don’t, what the best motorcycle films are and whether or not stepping on stage gives Ash the same thrill as blasting through the desert at 100 miles per hour on…you guessed it: a motorcycle. He also talks about his new single “Alien Love,” says Kevin Haskins is always making lists and he tells Alex what picture he has hanging in his bathroom. Cover photo: Brett Widmann

The definition of vernacular architecture in Seattle is changing as fast as the city itself. Building your home with your bare hands used to be a common occurrence, but these days it's rare. How do we define Vernacular architecture when the rules we live by dictate that the people who build our homes are rarely the people who live in them?

“Kevin Haskins Didn’t Play Drums For Eight Years” It’s true. The drummer of the legendary band Bauhaus had pretty much put down his sticks for almost eight years before deciding to pick them up again and join forces with his old Bauhaus/Tones On Tail bandmate Daniel Ash and Kevin’s daughter Diva on bass under the moniker Poptone. Kevin talks to Alex about growing up in Northampton, the cruelty of the British press and the state of his relationship with former Bauhaus singer Peter Murphy. Kevin also talks about how his new book Bauhaus Undead: The Visual History And Legacy Of Bauhaus had to literally rise from the dead to get published.

Nonprofit storytelling is an essential part of fundraising. Join Daniel Ash, Chief Marketing Offcer, Chicago Community Trust, and Princess Currence, Director of the UIC Certificate in Nonprofit Management Program (CNM), for a lively discussion on the power of nonprofit storytelling to raise funds.  Use your organization's mission, history and core values to develop a narrative with a sequence of events, villains and heroes that beat the odds to make a difference. In this engaging hour, you will learn how to: Listen to prospective funder stories to craft organizational stories that are relevant to them and aligned with their interestsIntegrate your organization’s mission, vision, goals, and objectives into your storiesBlend human interest with organizational data that anticipates donor inquiriesAchieve maximum effect by crafting stories with a backdrop, a protagonist, and an antagonist

Cuando Richard Coleman y Horacio Gamexane Villafañe coinciden en el armado de una banda, la bautizan Los Siete Delfines, en un juego de palabras a partir del cual sobresale la sigla, no casual, LSD. En épocas del dato que vuela de boca en boca, de reuniones tribales alrededor del vinilo y luego del cassette, los dos coinciden, además, en descubrimientos. Les gustaba The Clash, les gustaba Bauhaus, les gusta entonces Love and Rockets, de hecho temas como The Teardrop Collector y Motorcycle terminan por definir la factibilidad del nuevo grupo argentino. Cuenta Richard que años después viaja a Los Ángeles con el propósito de conseguir la producción de Daniel Ash para un nuevo disco cuyo demo porta en DAT y pasa a CD. De aquella epifanía no regresa con las manos vacías. Playlist: Ball of Confusion, No Big Deal, So Alive, Motorcycle, Love and Rockets; Post Crucifixión, Los Siete Delfines

Nonprofit storytelling is an essential part of fundraising. Join Daniel Ash, Chief Marketing Offcer, Chicago Community Trust, and Princess Currence, Director of the UIC Certificate in Nonprofit Management Program (CNM), for a lively discussion on the power of nonprofit storytelling to raise funds.  Use your organization's mission, history and core values to develop a narrative with a sequence of events, villains and heroes that beat the odds to make a difference. In this engaging hour, you will learn how to: Listen to prospective funder stories to craft organizational stories that are relevant to them and aligned with their interestsIntegrate your organization’s mission, vision, goals, and objectives into your storiesBlend human interest with organizational data that anticipates donor inquiriesAchieve maximum effect by crafting stories with a backdrop, a protagonist, and an antagonist

It's the latest FREE TUTN podcast with Kenny, Raine, Joe, Miles & Michelle! Our thoughts and prayers go out to the victims of Maria in Puerto Rico! The Trump Cult whitesplains to African Americans on how to protest! Fat Daddy Donnie's impotent rage against the NFL! Kenny PISSED!!! The Suz went to a rock concert and did not have sex with Daniel Ash! Woot! Madlibs, Name Calling & MORE!!! Enjoy!

Welcome to episode 83 of #PositronicRadio. I would like to start off by thanking themissfrosty1 for posting a fantastic 5 star review on iTunes. I'm ecstatic that you discovered this podcast and I definitely will keep on going. For those in the Ottawa region, don't forget to check out Poptone which features Daniel Ash and Kevin Haskins, original members of Bauhaus, Tones on Tail, and Love and Rockets, at the 27 Club (venue changed) this Saturday, tickets are available through Spectrasonic. Also, the return of Death Disco, a club night that is being brought back from the dead one last time since Batty Von Bats (formerly DJ Dolston) will be in town, at Swizzles. This past Sunday, VNV Nation actually performed for the very first time in Ottawa, performing their albums Empires and Automatic in their entirety. Empires was one of the albums that introduced me to Futurepop back in early '00s so it was a very special night for me! Do you want to recommend a band or a song that you'd like me to play during #PositronicRadio? Send me an email at info@djreverie.ca with information about where I can check it out. This episode features the following tracks: Fïx8:Sëd8 - Baptism of Fire (00:00) Arctic Sunrise - A Lifetime to Disagree (03:44) Radioaktivists - I Want You (07:19) Lionhearts - To What I Don't Know (Version) (10:59) Funker Vogt - Tanzbefehl (14:39) PIG - Prey & Obey (Leaether Strip Remix) (19:03) microClocks - Raptor (Soman Pacemaker Remix) (24:49) Hocico - Untold Blasphemies (29:41) In Good Faith - Choose Your Way (34:58) Unity One - I Don't Need This City (39:47) Massive Ego - Drag Me In, Drag Me Under (44:48) Rotersand - Merging Oceans (Neuroticfish Remix) (49:50) Implant - C.C.C.P.C.C.T.V. (Kant Kino Remix) (54:12)

It's always fun to chat with a friend who I made through music.  One of the finest song writers that I know, Daniel Ash returns to Pablo's Poppin' Podcast to discuss The Lost Boys new album and the IndieGogo campaign which they have launched to help with putting the album together.  There is ofcourse, a ton of David Bowie chat!       The show also features music by Southampton artist - Harry Burgess (Blue Canary) For more info on The Lost Boys and how to support their IndieGogo album fundraiser, visit: https://www.indiegogo.com/projects/the-lost-boys-nosebleeds-music-pop#/     Pablo's Poppin' Podcast is proudly sponsored by "Fifteen Surefire Tips for Relieving Back Pain (Plus 192 Others, Just in Case)" available to buy at Amazon  http://www.amazon.com/Fifteen-Surefire-Tips-Relieving-Others/dp/0985201770/ref=sr_1_2?ie=UTF8&qid=1462577643&sr=8-2&keywords=15+sure+fire+tips

The singer/guitarist shifted gears many times through Bauhaus, Tones on Tail, Love and Rockets (which shifted from acoustic to electric to electronica), and has since put out five distinctive solo albums. We discuss, from the collection Freedom I Love (2017), the title track and "Indie Boys"; and then "Christian Says" from Stripped (2014). End song: "Flame On" from the Hog Fever soundtrack (2016). Intro music: "So Alive" from Love and Rockets. Learn more at www.danielashmusic.com. Hear more Nakedly Examined Music. Like our Facebook page.

The singer/guitarist shifted gears many times through Bauhaus, Tones on Tail, Love and Rockets (which shifted from acoustic to electric to electronica), and has since put out five distinctive solo albums. We discuss, from the collection Freedom I Love (2017), the title track and "Indie Boys"; and then "Christian Says" from Stripped (2014). End song: "Flame On" from the Hog Fever soundtrack (2016). Intro music: "So Alive" from Love and Rockets. Learn more at www.danielashmusic.com. Hear more Nakedly Examined Music. Like our Facebook page.

Daniel Ash, lead singer and song writer of Southampton band, The Lost Boys, joins the show this week.  Dan is one of the finest song writers in the land in my opinion and as you can see, Paul Weller is also a big fan!  We talk about the history of his band, his love for David Bowie and how he is making a career for himself as a musician.  An inspiring listen for all striving artists.   For more info, visit https://www.facebook.com/thelostboysofficial Toxic Melons Kickstarter  -  https://www.kickstarter.com/projects/11591364/toxic-melons-four-play-ep-release   Pablo's Poppin' Podcast is proudly sponsored by"Fifteen Surefire Tips for Relieving Back Pain (Plus 192 Others, Just in Case)" available to buy at Amazon  http://www.amazon.com/Fifteen-Surefire-Tips-Relieving-Others/dp/0985201770/ref=sr_1_2?ie=UTF8&qid=1462577643&sr=8-2&keywords=15+sure+fire+tips

Daniel Ash’s Spearfishing Journey Daniel Ash is a Florida diver that spends most of his time diving the Bahamas. We talk Hawaiian Slings and Polespears. Bahama hunting techniques, safety, and of course spearfishing stories. Enjoy. Show Links Sponsors: Pre-Roll – 2016USoASpearfishingChampionships.com The Trident – MontereyBayTritons.com The Salty Spearo – SpearingMagazine.com Listener Supporter Give Away Thanks […] The post TS 063: Daniel Ash’s Spearfishing Journey appeared first on SpearoBlog.

"We said at the time, 'this is either gonna be commercial suicide or this is our Dark Side of the Moon'." As anyone who knows me can attest...I am a huge Bauhaus and Love & Rockets fan. I have been since I was a teen. I had the fortunate occassion to interview David J last year on this very podcast and I described it best back then: "Everybody has that one band. That band that you discovered in your teens that made you realize music can mean more to a person than mere beat and melody. That band that helps you discover who you are. That band that soundtracks your adolescence and thus your entire life. For me, that band was Bauhaus." So of course, you can imagine my excitement when I learned that Daniel Ash and Kevin Haskins were slated to stop in Denver for a Lipgloss DJ set. They graciously agreed to a meeting at the Fire Lounge in the Art Hotel on Broadway for a special edition taping of Behind The Scene on COScene! We had an amazing talk about their histories in music, the incredible L&R album 'Hot Trip to Heaven' (which was an album ahead of its time), Dave Clark 5, creativity vs. technical skill, coffee table books, stripping down songs to their elements, motorcycles, upcoming projects and so so so much more. This was a fun one for sure! Check out an article where Kevin Haskins outlines his new book coming out this Fall! Also check out Daniel's wonderful album, "Stripped" where he reimagines classic Bauhaus, Love & Rockets and Tones on Tail hits. Listen above and as always, subscribe direct on iTunes and RSS. This episode was graciously sponsored by Renegade Brewing Company! Visit their taproom on 9th and Santa Fe or pick up their wonderful assortment of beer at any local liquor store.

1. The Chase - Propaganda 2. Follow the Rainbow (Razormaid! Mix) - Joe Machine 3. X-Rated (Moonitor Version) - Psyche 4. 19 (Destruction Mix) - Paul Hardcastle 5. Humatic (Razormaid! Mix) - League of Gentlemen 6. World in my Eyes (Oil Tank Mix) - Depeche Mode 7. Situations (Razormaid! Mix) - Cetu Javu 8. Thinking of You - Seven Red Seven 9. Handsome (Psycho-Ray Mix) - Camouflage 10. Komputer Pop - Komputer 11. Heaven (Extended Version) - Until December 12. Spooky (Magimix) - New Order 13. Render - Lassigue Bendthaus 14. W.Y.H.I.W.Y.G. - Front 242 15. One World - Ajax   Notes and other random things: Update as of (02-01-12):  God golly ... is it already February?!?! Just realized I forgot to do my notes and random things for this podcast, which was already over a month ago! Jeez. Well, it's on the way, plus a new podcast once I find time to record. New job, new family member, new year and a cross-country move on the horizon are taking up all my time at the moment. Did you notice all the "newness" in that last sentence? Yet here I am dishing out what Bryan Ferry would call "The Same Old Scene" when it comes to reasons why I can't seem to get podcasts up in a reasonable amount of time anymore. Or, like ABC's Martin Frye crooned, "Excuses have their uses, but they're all used up." Seriously, though, I can't recall being any busier in my entire life and I beg your indulgence with my slow updates of late. Update as of (02-04-12): Let's look at a few of the bands in this particular episode (finally, right!?) I want to start with League of Gentlemen. Funny I want to start with a band I know almost nothing about, but it's really the concept of this song that intrigues me so much. Back in the 80s, there were a lot of industrial-sounding bands that were fascinated with the synthesis between man and machine and what it might entail for the survival of the human race. Mysterious Art, for instance, if you recall from an eariler episode, touched on the theme with Men of Glass. There were plenty of others. This excellent number from 1987 does the same. On a side note, I have always been fascinated how Eastern Bloc industrial artists could always seem to write cool songs even though they barely knew English. Somehow they take sentence fragments and comma splices, add the letter "z" wherever there is supposed to be an "s", pluralize words like "informationz" and still manage to give me chills. That's talent! Of course, this band only had enough talent to do one song because I haven't, to date, found anything else by these guys ... at least in this incarnation. As we have learned with producers like Morton, Sherman and Belucci they can "seed" an entire genre by doing hundreds of one-off bands to create a scene as those guys did with the Belgian New Beat dance scene years ago. So, maybe the guys in LOG reformed under another moniker. I'll have to look into it sometime. But there's more to this "Humatic" phenomenon than meets the eye. As with other electronic groups who explored man's servitude to the rise of machines there is an inherent lack of logic there that makes me chuckle. I've played it out for you below, though names have been changed to protect the innocent. (Note: this is a completely fictional account) Klaus: Hi, Gert. Gert: Howdy, Klaus. Klaus: Say, Gert, how would you like to be in a band with me? Gert: Sounds great, Klaus. But is this another one of your band concepts that requires I wear lederhosen on stage while dumping a stein full of Krautspatzle over my head? Klaus: No, Gert. This one is much better. I want to explore the relationship between man and machine and how eventually, due to elementary chaos theory, all machines will morph and rise up against their masters and enslave them, breed with them and create a hybrid race of automatons that will exterminate all humanity. Gert: Count me in! Klaus: Now, if you'll excuse me, I have to go get the drum machines, sequencing keyboards, electronic samplers and Commodore computers that we'll be using.  Gert: Sounds great, Klaus. I can't see anything that can go wrong with this utterly ironic plan of yours. By the way, do you have a band name yet? Klaus: I sure do, Gert. I wanted something memorable and easy to recall, so it's come down to either Braunschweiger Umweltverschmutzung or League of Gentlemen. Gert: Rad.   Update as of (02-17-12): I don't have anymore fantastic re-enactments for the next band in the arsenal. In fact, like League of Gentlemen, I have little to no information at all about Joe Machine either, though I think I came across his social networking page on MySpace ... or at least some guy who goes by the name Joe Machine. Anyway, we have ZYX records in Germany to thank for this release and divinity to thank for the voice that is eerily reminiscent of Daniel Ash from Bauhaus/Tones on Tail/Love and Rockets fame. As is the case so often with electronic music of this era, "Kraftwerk creep" rears its head a couple of times in this episode. Seeing as how they are one of the most influential collectives in electronic music history it's not surprising that so many others to follow were touched by their genius. From tempo to timbre to replicating the "Musique non-stop" mantra found in the Kraftwerk tune of the same name from the Electric Cafe album, Psyche's X-rated is a delectable morsel of synthetic cyber-porn sleaze that captures the Kraftwerk-ian spirit perfectly and garners this episode an "explicit" tag in the process. Sebastian Komor of Icon of Coil remixed the track. Then, there is the awesome, sub-splitting frequencies of the track Komputer Pop by the band Komputer. If you recall, I mentioned this band when discussing the group I Start Counting several episodes ago as they, Fortran 5 and Komputer are all brain children of David Baker and Simon Leonard. If you haven't done so and you are a Kraftwerk fan, I highly recommend Komputer's first album called World of Tomorrow. It's a fantastic concept album and is about as close to replicating the Kraftwerk sound as you're going to find. There are a bunch of great tracks to boot. And in case you missed it, Baker and Leonard recently released a compilation of tracks spanning all three iterations of their long-time collaboration. Called Konnecting, it contains 15 tracks. For die-hards, they also released a companion 60-track digital deluxe set of b-sides and rarities with tons of remixes. If you have never owned anything by these guys, the new set is a fantastic place to begin and perhaps end if you're not a completist when it comes to music collecting. More to come ...

Music from Imogen Heap, Gary Jules, Bloomfield, Max Melvin, Nor Elle, Bebel Gilberto, Variety Lab, Gary B., Lounge Worship, Da Lata, Pluto Project, Gelka, Nouvelle Vague, Impossible Beings, Lisa Shaw, Daniel Ash, Djuma Soundsystem, Club Des Belugas, Big Milk.Download higher quality MP3 of The Chill Out Sessions Volume 11 at http://www.megaupload.com/?d=SWV48TL1 for your iPod, iTouch, iPhone, iTunes, iPad, mp3 player, computer etc. Chill with me.Join my Facebook Fan Page at: http://www.facebook.com/pages/The-Chill-Out-Sessions/185352686904Follow me on Twitter at:http://twitter.com/djcoolcarlaStay Cool :-)DJ Cool Carla