Podcasts about Enthusiasm

Do you think you have grit?

(Cloud Mountain Retreat Center)

(Cloud Mountain Retreat Center)

Mazel Tov!!! This week's episode marks the begining of the 5th cycle of the Practical Parsha Podcast. In this week's episode Rabbi Kohn reflects on 4 years of podcasting. He also ties the lessons of the Parsha into this anniversary episode. He talks about the Parsha's lesson on keeping the enthusiasm, how regular people can do great things, and the importance of not letting detractors hold us back on spreading Torah. Subscribe to The Practical Parsha Podcast. For questions or comments please email RabbiShlomoKohn@gmail.com. To listen to Rabbi Kohn's other podcast use this link- the-pirkei-avos-podcast.castos.com/  If you would like to support this podcast please use this secure link to donate: SUPPORT THE PODCAST  Chapters (00:00:00) - The Practical Parsha Podcast(00:05:42) - Parshas Baha Loskha(00:08:02) - The Praise of Aaron(00:14:50) - Parsha 4, Moshe Rabbeinu(00:22:06) - Parsha 10th Anniversary Message

The Rebbe encourages participants of the founding meeting of Tzeirei Agudas Chabad in Montreal to approach their work with youthful enthusiasm and renewal, emphasizing that this energy is accessible to all who serve with a living heart. He highlights the importance of constant inner reflection. https://www.torahrecordings.com/rebbe/igroskodesh/017/009/6290

Fresh tensions in the Middle East send oil prices higher. Plus: Taylor Morrison stock surges after Berkshire Hathaway agrees to buy the home builder for nearly $7 billion in cash. Alexis Green hosts. Sign up for the WSJ's free What's News newsletter. An artificial-intelligence tool assisted in the making of this episode by creating summaries that were based on Wall Street Journal reporting and reviewed and adapted by an editor. Learn more about your ad choices. Visit megaphone.fm/adchoices

We kick off the month of June with an episode devoted to quotes from my gift book for graduates called "Inspiration for the Graduate." I wrote it as a gift book for me to give to my graduating senior athletes whom I coached. Pretty soon after I wrote it, though, I had other coaches wanting to give it to their graduates, too, so I turned it into a book to sell. It has been my bestselling book by far.The book focuses on 10 team themes, each one being focused on in its own chapter. The chapters are then filled with quotes about those themes. Today's episode features the first 5 themes - Work Ethic, Discipline, Poise, Enthusiasm, and Confidence. Next week, I will focus on the other 5 themes.If you are interested in purchasing the book, go to the Shop page of my website, slamdunksuccess.com, or you can purchase it on Amazon.As always, I am so grateful to all of you who support the podcast! I do this show because of you. While I enjoy the quotes myself, I do this podcast because many of you who are looking for inspiration and impact from these quotes come back and listen to it on a consistent basis. Thanks to all of you for being a huge part of this journey! In order to help me keep this journey going, please consider becoming a supporter of the show. You can donate to the show by clicking on the link below.Support the showFor more information to help you on your road to becoming your best, check us out at SlamDunkSuccess.com or email me at scott@slamdunksuccess.com.Our new background music, starting with Episode 300, is "Pulse of Time - Corporate Rock" by TunePocket.Our background music for the first 5 years of the podcast was "Dance in the Sun" by Krisztian Vass.

The Rebbe encourages participants of the founding meeting of Tzeirei Agudas Chabad in Montreal to approach their work with youthful enthusiasm and renewal, emphasizing that this energy is accessible to all who serve with a living heart. He highlights the importance of constant inner reflection. https://www.torahrecordings.com/rebbe/igroskodesh/017/009/6290

Enthusiasm is not decoration in a presentation. It is the force that transfers belief from the speaker to the audience. In Japan, where business audiences often value substance, humility, preparation, and credibility, enthusiasm must be authentic rather than theatrical. When professionals present, they are selling more than information. They are selling their personal brand, their company brand, their message, and their conclusion. The speaker who combines expertise with genuine passion becomes much easier to trust, remember, and follow. Why does enthusiasm matter when presenting in Japan? Enthusiasm matters because audiences do not only evaluate the speaker's information; they evaluate the speaker's conviction. If the presenter does not seem to believe the message, the audience will not feel compelled to believe it either. In Japanese business presentations, especially with executives, clients, sales teams, and internal decision-makers, the audience often watches for preparation, sincerity, and credibility. This is true whether the speaker is presenting in Tokyo, Osaka, Singapore, Sydney, New York, or London. Enthusiasm signals that the presenter has moved beyond data and has reached a clear point of view. It also helps cut through the formality of the room. The best energy is not loudness. It is visible commitment to the message. Do now: Treat enthusiasm as proof of belief. Show the audience that the message matters to you before asking it to matter to them. Are all professionals really in sales when they present? Yes, every professional is in sales when presenting because every presentation asks the audience to accept an idea, support a decision, or remember a message. The word "sales" may feel uncomfortable, but the activity is unavoidable. A lawyer sells an argument. A consultant sells a recommendation. A manager sells a strategy. A professor sells a way of thinking. A founder sells a vision. A country manager in Japan may be selling change to headquarters, while a regional executive may be selling alignment across Asia-Pacific. Even if the business card does not say salesperson, the podium turns the speaker into a persuader. That is why dismissing sales as something only "car salespeople" or "vacuum cleaner salespeople" do is dated and dangerous. Do now: Before presenting, ask: "What am I selling — my idea, my conclusion, my brand, or the next action?" What are presenters really selling to the audience? Presenters sell three things at once: their personal brand, their company brand, and their message. The audience forms judgments about all three while the speaker is talking. Personal brand comes first. Does this person seem credible, prepared, thoughtful, and worth listening to? Company brand follows. If the speaker is dull, confused, or flat, the organisation's reputation also suffers. Finally, the message must be sold: the insight, lesson, proposal, or conclusion the speaker wants the audience to accept. In B2B sales presentations, leadership meetings, investor briefings, training rooms, and conference keynotes, these layers are always operating together. The presenter cannot separate themselves from the impression they create. Do now: Build the talk so your credibility, your organisation's credibility, and your message all reinforce each other. Why is subject matter expertise still essential? Enthusiasm without expertise is empty performance; expertise without enthusiasm is forgettable. The strongest presenters combine technical mastery with human energy. In Japan, where senior audiences often expect depth, precision, and evidence, a speaker must have a strong base in the subject matter. Enthusiasm cannot replace preparation. It can only amplify it. A sales trainer, engineer, financial adviser, HR leader, or university professor must know the topic well enough to answer questions, handle objections, and explain the logic behind the recommendation. As of 2025, audiences are also surrounded by AI-generated content, online lectures, and searchable reports, so the presenter must offer something more valuable than generic information: lived experience, judgment, and conviction. Do now: Earn the right to be enthusiastic by mastering the material first. How can presenters sound genuinely enthusiastic? The best way to sound enthusiastic is to speak about the part of the subject that genuinely lights your inner fire.Forced energy feels fake, but real interest is hard to hide. Inside every profession there are topics that matter deeply to the speaker. A sales leader may care about helping clients make better decisions. A trainer may care about changing behaviour. A founder may care about solving a problem that wasted years of effort. A Japanese country manager may care about bridging local customer needs with global headquarters strategy. When the speaker chooses the angle they truly care about, voice, gesture, pace, and facial expression naturally improve. This is not theatre. It is alignment between message and belief. Do now: Find the emotional centre of the topic. Present from that place rather than from a script alone. Why should presenters use personal experience and stories? Personal stories create enthusiasm because the speaker relives the journey, not just reports the conclusion. The audience feels the trials, mistakes, lessons, highs, and lows as the speaker tells them. Real-world experience is persuasive because it has texture. A speaker who says, "I believe this because I lived through it," is more compelling than one who only quotes frameworks or statistics. This works in Japan and globally because stories humanise expertise. They show how the speaker's belief was formed. A story about a difficult client, a failed presentation, a breakthrough training session, or a hard-won leadership lesson gives the audience a reason to care. When the speaker relives the moment, the audience travels with them. Do now: Choose one story that explains why you believe the message. Let the audience feel the journey that formed your conviction. Conclusion Enthusiasm is the transfer of belief. When presenters stand at the podium, speak on stage, or address a meeting room, they are not merely delivering information. They are selling trust, credibility, personal brand, company brand, and the value of the message. In Japan, enthusiasm must be grounded in preparation, humility, and real experience. Loud performance will not work. Authentic conviction will. When expertise, belief, story, and energetic delivery come together, the presentation becomes far more persuasive. Meta description: Learn why enthusiasm matters when presenting in Japan and how expertise, personal stories, and authentic conviction persuade business audiences. Keywords: presenting in Japan, presentation enthusiasm, Japanese business presentations, personal brand, persuasive speaking FAQs Why is enthusiasm important in presentations? Enthusiasm shows the audience that the speaker truly believes the message. When the speaker's conviction is visible, the audience is more likely to listen, trust, and remember. Is presenting really a form of selling? Yes, presenting is selling because the speaker asks the audience to buy into an idea, conclusion, recommendation, or next step. This applies to executives, consultants, managers, trainers, and technical experts. How can I be enthusiastic without sounding fake? Speak about the part of the topic that genuinely matters to you. Authentic enthusiasm comes from belief, experience, and personal connection, not from artificial performance. Why are stories useful in Japanese business presentations? Stories make expertise human and memorable. They help audiences understand how the speaker formed their belief through real-world experience. Author Bio Dr. Greg Story, Ph.D. in Japanese Decision-Making, is President of Dale Carnegie Tokyo Training and Adjunct Professor at Griffith University. He is a two-time winner of the Dale Carnegie "One Carnegie Award" in 2018 and 2021 and recipient of the Griffith University Business School Outstanding Alumnus Award in 2012. As a Dale Carnegie Master Trainer, Greg is certified to deliver globally across leadership, communication, sales, and presentation programmes, including Leadership Training for Results. He has written several books, including three best-sellers — Japan Business Mastery, Japan Sales Mastery, and Japan Presentations Mastery — along with Japan Leadership Mastery and How to Stop Wasting Money on Training. His works have been translated into Japanese, including Za Eigyō（ザ営業）, Purezen no Tatsujin（プレゼンの達人）, Torēningu de Okane o Muda ni Suru no wa Yamemashō（トレーニングでお金を無駄にするのはやめましょう）, and Gendaiban "Hito o Ugokasu" Rīdā（現代版「人を動かす」リーダー）. Greg also publishes daily business insights on LinkedIn, Facebook, and Twitter, and hosts six weekly podcasts. On YouTube, he produces The Cutting Edge Japan Business Show, Japan Business Mastery, and Japan's Top Business Interviews, which are widely followed by executives seeking success strategies in Japan.

Do you know you can learn a secret power from dogs that will change your life? It is called extending loving energy without expectation. On this week's episode of Love University, we explore how dogs offer a simple but profound lesson in elevated human connection. They give affection freely, stay emotionally present, and express warmth without constantly calculating what they will receive in return. You can benefit greatly when you apply this kind of unconditional loving energy in your relationships, work, and everyday interactions. Here are three ways to utilize the dog love secret in your own life: Show Genuine Interest in Other People Dogs pay close attention to humans. They follow them, observe them, and stay emotionally engaged. Human beings often do the opposite, becoming trapped in self-consciousness and constantly thinking about their own worries, appearance, or needs. One of the most attractive qualities you can develop is the ability to display sincere interest in others. Ask people about their goals, passions, struggles, and dreams. Listen carefully instead of waiting for your turn to speak. When you focus on others with curiosity and empathy, people feel seen and appreciated. That emotional connection naturally draws them closer to you. Bring More Enthusiasm Into Daily Life Dogs greet life with enthusiasm. They play, explore, run, jump, and approach ordinary moments with excitement. Adults often lose that spirit through routine, stress, and emotional heaviness. Enthusiasm changes your emotional presence. This week, aim to be more playful and laugh more freely. Enjoy spontaneous moments and approach life with greater openness and less rigidity. People will be drawn to you when you radiate energy, warmth, and humor. Do Nice Things Without Keeping Score Dogs show affection naturally. They comfort people, stay close during difficult moments, and offer companionship without worrying about what they will receive back. Your relationships become more loving and joyful when you give in a similar spirit. You can have a tremendous emotional impact on others when you offer a kind word, listen empathetically without judgement, and help someone through a hard time. When you give from your genuine goodwill rather than hidden expectations, you strengthen both yourself and those you help. This creates more rewarding relationships, greater emotional peace, and a deeper sense of fulfillment. Start today. Apply the loving energy of the dog and learn the secrets of authentic connection.  Love without expectation and your world will be transformed

Do you know you can learn a secret power from dogs that will change your life? It is called extending loving energy without expectation. On this week's episode of Love University, we explore how dogs offer a simple but profound lesson in elevated human connection. They give affection freely, stay emotionally present, and express warmth without constantly calculating what they will receive in return. You can benefit greatly when you apply this kind of unconditional loving energy in your relationships, work, and everyday interactions. Here are three ways to utilize the dog love secret in your own life: Show Genuine Interest in Other People Dogs pay close attention to humans. They follow them, observe them, and stay emotionally engaged. Human beings often do the opposite, becoming trapped in self-consciousness and constantly thinking about their own worries, appearance, or needs. One of the most attractive qualities you can develop is the ability to display sincere interest in others. Ask people about their goals, passions, struggles, and dreams. Listen carefully instead of waiting for your turn to speak. When you focus on others with curiosity and empathy, people feel seen and appreciated. That emotional connection naturally draws them closer to you. Bring More Enthusiasm Into Daily Life Dogs greet life with enthusiasm. They play, explore, run, jump, and approach ordinary moments with excitement. Adults often lose that spirit through routine, stress, and emotional heaviness. Enthusiasm changes your emotional presence. This week, aim to be more playful and laugh more freely. Enjoy spontaneous moments and approach life with greater openness and less rigidity. People will be drawn to you when you radiate energy, warmth, and humor. Do Nice Things Without Keeping Score Dogs show affection naturally. They comfort people, stay close during difficult moments, and offer companionship without worrying about what they will receive back. Your relationships become more loving and joyful when you give in a similar spirit. You can have a tremendous emotional impact on others when you offer a kind word, listen empathetically without judgement, and help someone through a hard time. When you give from your genuine goodwill rather than hidden expectations, you strengthen both yourself and those you help. This creates more rewarding relationships, greater emotional peace, and a deeper sense of fulfillment. Start today. Apply the loving energy of the dog and learn the secrets of authentic connection.  Love without expectation and your world will be transformed

How do I get my enthusiasm going? By using some really good sayings! We give The Lord our Time!

Great presentations do not depend on words alone. Even when the language is unfamiliar, audiences can still detect structure, energy, enthusiasm, pacing, vocal variety, and body language. That is the real lesson for leaders, trainers, salespeople, and executives who want their message to land. Why does presentation structure matter so much? Presentation structure matters because it helps the audience follow the logic, even when the subject is complex or unfamiliar. Without clear structure, listeners get lost and the speaker's expertise becomes harder to trust. A well-designed business presentation has a clear opening, main points, sub-points, transitions, examples, and a strong close. This matters in Japan, Mongolia, Australia, Singapore, the US, and Europe because audiences everywhere need signposts. In leadership training, sales presentations, investor pitches, and corporate town halls, the speaker usually knows the topic far better than the audience. That creates a danger. The presenter can jump between ideas and assume the connection is obvious. It often isn't. Do now: Build your presentation like a guided journey. Make every point and sub-point visibly support the main thesis. How can speakers make transitions between presentation sections clear? Speakers make transitions clear by using deliberate bridges between sections, rather than suddenly leaping from one topic to another. A bridge tells the audience why the next idea belongs in the story. The audience is hearing the material in real time. They cannot rewind the room. That is why transitions, linking phrases, recap lines, and preview statements matter. Ancient storytelling understood this well. Classic literature such as The History of the Three Kingdoms used chapter-end hooks to make readers continue. Business presenters can do something more elegant: "Now that we have seen the client problem, let's examine the cost of leaving it unsolved." That small bridge protects the narrative arc. Do now: Write your bridges before you present. Do not rely on improvisation to connect major sections. Why is enthusiasm important in public speaking? Enthusiasm signals to the audience that the message matters, even before they process every word. If the speaker sounds indifferent, the audience quickly borrows that indifference. Energy is contagious in training rooms, boardrooms, webinars, and conference halls. A coffee-chat level of energy is not enough when presenting to clients, employees, or senior executives. Speakers need to move up several gears. In Asia-Pacific training environments, including Japanese and Mongolian contexts, enthusiasm helps cut through hierarchy, fatigue, translation gaps, and topic complexity. This does not mean fake cheerleading or theatrical overkill. It means controlled intensity, visible commitment, and the physical presence to carry the message. Do now: Raise your energy above normal conversation. Let the audience feel that you care before asking them to care. How does vocal variety keep an audience engaged? Vocal variety keeps attention because changes in volume, speed, pause, tone, and emphasis prevent the audience from mentally checking out. A flat voice is an invitation to daydream. If the speaker is soft and low-key from beginning to end, modern audiences reach for their phones fast. If the speaker is all fire and brimstone from start to finish, the audience gets exhausted. The best delivery uses contrast. Slow down for important ideas. Pause before a key point. Increase pace when building momentum. Lower the voice to create intimacy. Lift the volume when the message needs force. Executives at companies like Toyota, Rakuten, Google, and Salesforce all face the same human attention problem: monotony loses people. Do now: Mark your script for pace, pause, power, and softness. Do not let your vocal delivery get stuck in one groove. Can body language communicate across language barriers? Yes, body language communicates confidence, clarity, and conviction even when the words are not understood. Gesture, posture, facial expression, and movement all carry meaning. When a speaker presents in a language the listener does not know, the non-verbal signals become more obvious. You can still sense whether the presenter is organised, energetic, nervous, passionate, or disconnected. That is why trainers, public speakers, sales leaders, and executives need physical self-awareness. In Japan, where restrained delivery is common in some corporate settings, body language still matters. In the US or Australia, the expected range may be broader, but the principle is the same: the body either supports the message or weakens it. Do now: Practise with the sound off. Check whether your posture, gestures, and movement still communicate confidence. What can presenters learn from speaking across cultures? Presenting across cultures teaches us that communication is bigger than vocabulary. Structure, enthusiasm, vocal variety, and body language travel across borders. Working with presenters from Ulan Bator, Tokyo, Sydney, Singapore, London, or New York reveals a universal truth: audiences respond to organised thinking and human energy. Language matters, of course. Native-language fluency gives a speaker huge advantages. Yet even when the words are blocked by a language barrier, listeners still feel rhythm, confidence, variety, and intent. That should be encouraging. If those signals work in an unfamiliar language, imagine their impact when combined with clear words in your own language. Do now: Treat presentation delivery as a full-body, full-voice skill. Words are only one part of the message. Conclusion: How can leaders become more engaging presenters? Leaders become more engaging presenters by paying attention to the basics they already know but often forget. Structure the talk. Bridge the sections. Lift the energy. Vary the voice. Use the body. Keep improving the craft. None of this is new, complicated, or reserved for professional keynote speakers. The problem is not that executives, trainers, or salespeople have never heard these ideas. The problem is that habits take over. We get comfortable. We lose self-awareness. Then our presentations become flat, fragmented, and forgettable. Let's not do that. FAQs Why is structure important in presentations? Structure helps the audience follow the speaker's logic and remember the message. It turns separate ideas into a coherent journey with a clear beginning, middle, and end. What is vocal variety in public speaking? Vocal variety means changing pace, pause, tone, volume, and emphasis to keep the audience engaged. It prevents the delivery from becoming monotonous or exhausting. How much energy should a presenter use? A presenter should use more energy than normal conversation, while still staying authentic. The goal is controlled enthusiasm, not fake performance. Can audiences understand delivery even if they do not understand the language? Yes, audiences can still read structure, energy, confidence, and body language across language barriers. Words matter, but delivery carries meaning too. How can I improve my presentation delivery quickly? Record yourself and review structure, transitions, energy, vocal variety, and body language. Small adjustments in these areas can make a presentation immediately more engaging. Author bio Dr. Greg Story, Ph.D. in Japanese Decision-Making, is President of Dale Carnegie Tokyo Training and Adjunct Professor at Griffith University. He is a two-time winner of the Dale Carnegie "One Carnegie Award" in 2018 and 2021 and recipient of the Griffith University Business School Outstanding Alumnus Award in 2012. As a Dale Carnegie Master Trainer, Greg is certified to deliver globally across all leadership, communication, sales, and presentation programs, including Leadership Training for Results. He has written several books, including three best-sellers — Japan Business Mastery, Japan Sales Mastery, and Japan Presentations Mastery — along with Japan Leadership Mastery and How to Stop Wasting Money on Training. His works have been translated into Japanese, including Za Eigyō（ザ営業）, Purezen no Tatsujin（プレゼンの達人）, Torēningu de Okane o Muda ni Suru no wa Yamemashō（トレーニングでお金を無駄にするのはやめましょう）, and Gendaiban "Hito o Ugokasu" Rīdā（現代版「人を動かす」リーダー）. Greg also publishes daily business insights on LinkedIn, Facebook, and Twitter, and hosts six weekly podcasts. On YouTube, he produces The Cutting Edge Japan Business Show, Japan Business Mastery, and Japan's Top Business Interviews, which are widely followed by executives seeking success strategies in Japan.

Investors remain optimistic despite an uncertain backdrop in the Middle East. Plus: Shares of quantum-computing companies climb further after the Commerce Department announces $2 billion in grants. IMAX shares jump after the WSJ reports sales talks. Alexis Green hosts. Sign up for the WSJ's free What's News newsletter. An artificial-intelligence tool assisted in the making of this episode by creating summaries that were based on Wall Street Journal reporting and reviewed and adapted by an editor. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is Part 2 of our conversation with Michele Pouliot. Michele is best known as a dog trainer, but she also has a strong horse background. , Since 1974 Michele has been a professional guide dog instructor with the largest US guide dog school serving the blind. Before entering the guide dog field, she was a professional in the field of horse training, mentoring under Linda Tellington Jones and Wentworth Tellington. Michele retired from Guide Dogs for the Blind after 42 years of service. During her last 16 years, she held the position of Director of Research and Development for programs at Guide Dogs. In that position Michele was responsible for bringing science based Clicker Training to guide dog training and promoting the expansion of Clicker Training internationally within the guide dog field. In her "hobby world", Michele has actively competed in both horse and dog sports since 1970. After successfully competing in dog obedience for 20 years, she moved into the new sport of agility in 1992. In 2006, Michele became fascinated with the sport of canine musical freestyle and began a dog sport journey she continues to love. She has competed in canine musical freestyle with her English Springer spaniel, Cabo, Australian Shepherd, Listo and her young Springer spaniel Deja Vu. Michele thoroughly enjoys this artistic sport that combines the precision of obedience with trick behaviors and challenges her creative side through music and choreography. Michele has won numerous international competitions and Championship Titles. She thoroughly enjoys the ongoing challenges in the sport of canine freestyle and the use of Clicker Training to achieve innovative and entertaining routines. In 2007, Karen Pryor invited Michele to join the faculty of Clicker Expo Conferences. Her presentations are for me always one of the highlights of the Expo. In this episode Michele shares strategies she uses for developing her freestyle routines where she can't click and treat during the performances. Maintaining her dog's enthusiasm for the behaviors she asks for is essential if they are to succeed in competition. So the question is how do you go from clicking and treating every small effort to long sequences in which you can not include a click and treat mid-way through a performance.

3906 – May 18, 2026 – There is a Certain Enthusiasm in LIBERTY – “There is a certain enthusiasm in liberty that makes human nature rise above itself in acts of bravery and heroism.” Alexander Hamilton That quote was on my mind this weekend. I'm not sure of the reason why exactly, other than I believe that it's time for ... The post There is a Certain Enthusiasm in LIBERTY appeared first on CSC Talk Radio.

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On the day Sonny Baker is selected for the England Test squad, Simon Hughes interviews the new fast bowling hope at his home ground. He talks about the people who've influenced him including Brett Lee and Jason Gillespie and overcoming the disappointment of his two one day international appearances last year. Also how Bone Broth and a meat-based diet has got him faster and fitter and which star player he would love to be for a day. For more information on Asthi Bone Broth visit www.weareasthi.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Grab your sweet tea and pull up a chair! Heidi and Joel sit down with Scott Colom, candidate for U.S. Senate from Mississippi, to talk about what it actually takes to turn one of the reddest states in the nation. If you care about expanding the map, building real coalitions, and what Democrats can win when they show up, this episode's for you.In this episode:How engaging directly with voters increased turnout by 90% in Mississippi's primariesScott Colom's stance on tariffs, healthcare, and rural economic revivalThe importance of authenticity and listening in modern politicsHow Colom plans to combat voter suppression and fight for fair electionsThe story about a soldier missing his daughter's softball game—and why it hits homeInsights into Mississippi's unique primary system and demographic challengesThe power of community voices—like barbers and farmers—in shaping policyMost people have already written Mississippi off before the ballots are even printed. But Scott Colom isn't most people. In this conversation, the senate candidate makes the case that the most unexpected races can become the most important ones — and that the path to a Democratic Senate majority might just run through the heart of the Deep South.Whether you're a political junkie, a grassroots organizer, or just someone who believes no voter should be left behind, this episode will challenge the way you think about the electoral map. Don't count Mississippi out. Hit play and hear why.Connect with Scott ColomScott Colom for SenateScott Colom on InstagramScott Colom on Facebook And remember: the dish is hottest when the race is closest. Don't miss the next Hot Dish — more flavor, less fuss!The Hot Dish is brought to you by the One Country Project. To learn more, visit OneCountryProject.org, or find us on Substack (Onecountryproject.substack.com), and on YouTube, Bluesky, and Facebook (@onecountryproject). (00:00) - Introduction to The Hot Dish and Mississippi Politics (03:02) - Scott Colom's Campaign and Vision for Change (06:05) - Challenges Facing Mississippi Farmers (09:07) - Building Trust with Voters (11:50) - Understanding Mississippi's Primary System (14:55) - Impact of Tariffs and Economic Policies (18:08) - Personal Stories and the Cost of War (21:02) - Centering Voters in Political Conversations (24:02) - Scott Colom's Unique Position in the Race (26:45) - Conclusion and Future Aspirations (29:13) - Enthusiasm in Politics (32:09) - Analyzing Senate Races (35:14) - Grassroots Support and Community Engagement

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Fanbase already imagining who could be the next Wizard come draft time Junkies split on who they would draft and/or trading the pick NBA cracking down on tanking but Wizards get lucky with number 1

How can upgrading your verbs transform flat writing into vivid, page-turning prose? Why do so many writing problems turn out to be verb problems — and how can you fix yours? Sarah Kaufman explores the art of the verb and shares practical tips for making your writing stronger, clearer, and more alive. In the intro, writing as a caregiver and grief [Stark Reflections; The Creative Penn episode]; Beyond Bookshops — Bulk Sales, Gifting and Alternative Distribution [Self-Publishing Advice]; list of money books; London walk along SouthBank; Bones of the Deep: AI-Assisted Artisan Author webinars. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Sarah Kaufman is a Pulitzer Prize–winning critic, an award-winning author, and a writing teacher. Her latest book is Verb Your Enthusiasm: How to Master the Art of the Verb and Transform Your Writing. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why verbs are the most versatile and underrated tool in a writer's toolkit How to replace flat, explanatory sentences with vivid, action-driven prose The power of physical and metaphorical verbs to show emotion instead of telling it When passive voice works, and when it's hiding something Balancing beautiful language with the demands of storytelling and deadlines How to broaden your writing expertise into a sustainable portfolio career You can find Sarah at SarahLKaufman.com. Transcript of the interview with Sarah Kaufman Jo: Sarah Kaufman is a Pulitzer Prize–winning critic, an award-winning author, and a writing teacher. Her latest book is Verb Your Enthusiasm: How to Master the Art of the Verb and Transform Your Writing. Welcome to the show, Sarah. Sarah: Thank you so much. I'm delighted to be with you. Jo: This is such a great topic, but first up— Tell us a bit more about you and how you got into writing. Sarah: I got into writing in a backwards way, I guess. The romantic, wonderful thing about writing is the freedom that it gives you, right? That's what we all think about—this freedom to address the world. Then the practical, wonderful thing about writing is developing a focal point, which I had to do in order to write in the first place. I'll explain a little bit about that. I became a dance critic, which is what I did at the Washington Post for 27 years, to have something to write about. That was necessary because, though I've always known that I wanted to be a writer ever since earliest childhood, I just didn't really find things to write about when it came time to actually try to make a living at it. As I was approaching leaving college as an English major, I was getting very anxious about what I was actually going to do, and I didn't have this burning desire to write about any certain thing. I happened to be working as a full-time secretary at a ballet school because I had been a ballet nerd all through my youth. I knew quite a bit about doing ballet, about the steps and about the lingo, so I was a suitable candidate to work at a ballet school. I was learning so much from the teachers there—who had all been professional dancers—about the aesthetics of ballet and how you shape the steps into art and into a performance. I was getting more and more interested in dance. One day the director took me out to lunch and she said, “You should write about dance.” I had seriously never considered that before, but she knew that I was an English major, that I wanted to write. She said, “Look, you know so much,” and she really encouraged me. So I said, “Well, okay, I'll give it a go,” because I had been reading dance criticism. I just started picking it apart and seeing how critics put their reviews together, called up a local paper, took on some freelance assignments, and did a lot of freelancing for years and eventually landed at the Washington Post. So the point I want to make is that I had that thing to write about. Now I had a focal point, and my books grew out of that. The first book I wrote is The Art of Grace: On Moving Well Through Life. That was an exploration of aspects of grace stemming from physical grace, which I knew about from dancers, and looking at connections there with social grace and spiritual grace. Then this verbs book likewise grew out of my work as a dance writer because my goal in writing about dance was to capture the experience of it. I didn't want to be a scholarly type of critic, though I do love that kind of criticism and I read it and learn so much from it, but I knew that was not going to be my style. I wanted more to primarily recreate the experience for the reader, as well as then coming in with analysis of it. I was just so fascinated by the look and the feel of what I was seeing on the stage. I wanted to be able to share that with the reader. So I had to lean on verbs to capture the action, and people occasionally would say, “Oh, you're so good with verbs, Sarah,” which I thought was kind of interesting. It's like, oh, so this is a strength I had developed. I didn't really realise it. Then that, coupled with my teaching experience, is what led me to think I have some things to talk about regarding verbs. I'd like to share with the world because, as a teacher, I often see that writing issues my students have are actually verb issues. They get into a corner with a lot of explanation or clauses on top of clauses, and they get lost. Where is the point that you want to make here? What is the meaning? What is it you want me to take away from your work? Well, if we pare that back and look at the verbs and try to get some direction in the sentences, that often brings clarity. Suddenly the student will say, “I was thinking more about adjectives and nouns. I didn't realise that verbs were really something to focus on.” I thought that would be an interesting challenge to bring that out. Jo: It's so fascinating. I love how your career has emerged and that you've leaned into different things. It has a kind of dance to it itself. We're going to come back to your career, but let's start with that, because you mentioned that with many of your students you are reading their work and you think, “Oh, we can fix this with some verbs.” Let's get into that because you talk about weeding and this verb-first editing process. Most of the listeners will have some kind of writing already—either they've got a lot of books or they've got a draft in progress. This is the kind of thing we struggle with: how do we make our work stronger? Talk about why you are so obsessed with verbs some tips for making our work stronger. Sarah: Yes, I am obsessed with verbs. I will cop to that. They're so interesting and I felt like they were a little underrated as a writing tool. Verbs, as we learned in school, drive your sentence forward. They're the engine. Really, I feel like they are the secret soul of language, because they're so versatile, they're so essential. First of all, they hold it all together. They're the only part of speech that in itself is a full sentence. You can have a full sentence that's a verb. “Watch.” “Look.” “Continue.” You could go on and on. That is a full grammatical sentence. You can't do that with any other part of speech. They're so essential. The word “verb” itself comes from the Latin verbum, which means “a word.” So verbs became that name for all words. Our literary ancestors understood this—that they're really the beginning and the end as far as words go. They can add to your work when you start thinking about verbs in this way, and you start thinking about how can I elevate my writing—well, verbs are very efficient and very evocative. They can add not only clarity to your work, but a kind of elegance. They can say so much in such a little amount of space. For example, say you have something like this: “The cook was facing the dinner rush, and so she decided to put together something quick and easy so no one would know how nervous and unprepared she was.” In that sentence, I'm doing a lot of explaining and describing. I'm just explaining to you the situation, but I haven't really brought it to life much. A better way to do it might be something like this—and you can see it comes a little bit more active: “The dinner rush pressed upon her. To hide her nerves, she whisked eggs and milk into omelettes, shredded parsley with her bare hands and flung it all onto plates like Jackson Pollock splashing his canvas.” I show you what her nerves and the pressure resulted in. I show that manifesting. Or you could even shorten it and just say: “Dinner rush loomed. She whisked and whipped, chopped and dripped and masked her nerves with glistening omelettes.” There are stylistic differences there, but it's just to give an example of how you can take something that, on the face of it, sure, it makes sense—it's perfectly fine as a sentence—but it just lies there. It's flat. Maybe it's not very exciting. It doesn't really move the story forward. You can bring it to life by showing us. You show us with the action. Jo: You haven't really specifically said what a verb is in that sentence you just had around “whisked” and all of those things. Those sentences were actually quite different in a lot of the different words you used. You didn't just swap out for stronger verbs. Could you just point out what the verbs were, in case people are confused about which words are which? Sarah: Right. Great. In the first, inferior example I have: “The cook was facing the dinner rush.” So then I amended it to: “The dinner rush pressed upon her.” I'm giving the dinner rush itself a verb—”press.” It weighed on her, it pressed on her. Also, in the third example—”the dinner rush loomed”—so that's even shorter. “Loom” is a wonderful verb. I love it because it conveys a sense of threat. That's what I mean by verbs being so efficient and evocative in one word. “A storm loomed.” “The dinner rush loomed.” You convey the emotion around the whole event. “To hide her nerves, she whisked eggs and milk into omelettes, shredded parsley.” So “hide”—she's hiding her nerves rather than just saying she felt nervous. You give it a little bit more action, you give her a little bit more character by saying she's doing this to hide her nerves. Then whisking the eggs, shredding the parsley, flinging it onto plates—that shows how she's being creative and surmounting this problem, right? Instead of simply describing—”So she decided to use her expertise and create a nice dinner”—you show that in motion with things like whisking and shredding and flinging it onto plates. That's an example of how you can slide in upgraded verbs to lend a sense of energy and life. Jo: I think this idea of motion is so great, and you tie this in a lot to your work. You've written a lot about physical action, and in the book there is a chapter on physical action. I think this is so important because many authors will say, “Use the word ‘said'” without thinking about dialogue within a pattern of action. Your chef there could say something as she flung the parsley on the plate, rather than “the chef said this.” Get moving as she flung the stuff onto the plate. The action verbs are so important. Could you talk a bit more about [action verbs] and the physical action side of it? Sarah: Yes, and that's so right. When you have a scene really rolling, you don't need to do so much explaining about the way a person says something with those dialogue tags. It's very interesting. I feel like words are alive—they're living, breathing things—and the more that we let them come to life on the page, the more you can draw your reader into the story. The reader gets a sense of that life and wants to come into the story with you. You've really created a scene that your reader feels immersed in. And that's so exciting as a reader to discover. Writing about movement is part of that. Of course writing is very vast—it's hard to say, “Well, you should always write about movement.” That would be silly. If we think about movement and action and action verbs as being effective not only for the actions that we see around us, but for inner actions—the subtle feelings, thinking, non-action, but internally what's going on—that's also space for effective verbs. For churning emotions, for metaphors about fright and what that feels like in the body. Or despair. Or regret. I have a lot of examples of that in the book. It's another beautiful use of verbs where, instead of explaining what someone is feeling, you can show it through metaphorical verbs and actual physical changes—things roiling inside the body. Jo: For example, someone in their draft has “she was afraid”— How could they make that much stronger and use a lot of those things you were just talking about? Sarah: That's an excellent question. Instead of “she was afraid,” you might say something like: “She felt her chest fill with ice, freezing her lungs and choking her breath, and her heart bashed around as if to tear itself from her body.” We could get very dramatic about it, but you can play with that. What I like to encourage readers to do is open their minds and open their imaginations. When you have a pretty standard phrase like “she was afraid” or “she felt too frightened to move”—well, put yourself in that position. What does that feel like? What does that really feel like inside when you're too frightened to move? Is it an icy feeling or is it a burning? Is it a numbness? And what verbs might help with that? Is it thrashing? Is it raging? Is it paralysing? How can that type of expressiveness fill in the picture and make it palpable to the reader—what it's like to be in the room with this person? Jo: Do you recommend using a thesaurus? I try to do this myself, and I often use Power Thesaurus, which I just find so useful, because as writers, when we are writing novels or books in a similar genre, we often reach for the same words. Are you a big thesaurus user? Sarah: I am a huge thesaurus user. I have a stack of actual book-type thesauri, but I do like, as you mentioned, Power Thesaurus. I like OneLook, which is an interesting resource. I think it's OneLook.com and you can go in the other way—you can use it as a thesaurus, but you can also use it to find one verb that combines a couple of words. Like “walk clumsily,” for example. You could put that into OneLook and it would come up with lists and lists. And among them might be “hobble” and “limp” and other words to say what a weak verb plus an adverb can say. Online resources are wonderful. I like Merriam-Webster.com—that's what I rely on a lot. Cambridge too. A thesaurus is wonderful. Now, the caution with the thesaurus, however, is that I would like to urge people to be mindful about just swapping in one word for another, or one verb for another, because even though they may appear in the same groupings, there are going to be subtle differences among them. I find it fascinating to really investigate the subtle difference between, say, “limp” and “hobble” and “stumble.” Those all mean slightly different things. So the finishing tip is just to make sure the word you choose is going to be right for the context. Jo: And also perhaps the audience. I mean, you are a Pulitzer Prize–winning critic, which is amazing, and you were writing for an audience who wanted dance pieces. The audience for dancing in terms of the words you would use—I'm not really into it myself, but I would know the word “pirouette.” I imagine there's a ton of words that you would know and use in your writing that wouldn't be so relevant for a wider audience. So we have to think about the audience as well. Sarah: Yes, absolutely. We want to be very thoughtful in our choice of words. If you distilled my book down to one single message, it is to think carefully. Not in the first draft, perhaps, and certainly not when we're speaking, because we speak so spontaneously. But in writing, where you put your thoughts down and then—hopefully, if you're not under too much deadline pressure—you can come back, give it another look, shape it, refine it, and really make sure that you've chosen your words with care. I feel like that's really what writing is all about—communicating one mind to another through this magnificent medium of language. Language is intentional, and having that intention in mind about what you want to share and what you want to communicate and how you want your readers to approach your work—well, that's up to you. That's the freedom I hope to be able to present to people who check out my book: here are some ways, here are some suggestions, here are some techniques and tips for issues that can arise. Really, once you've taken these in, I hope to fire your imagination and inspire you with being able to communicate what it is that you really have inside that you want to share. Jo: I think it is a book for falling in love with the joy of words again. You did mention deadlines, though, and the pressure. Especially for those of us who write genre fiction series, which is a lot of people listening, sometimes we might feel that we don't have the time for that. Do our readers appreciate it, or do they want story first? Sometimes is it too much? Where do you come down on balancing getting story over words? How long can we spend on finding beautiful words when we are writing another 70,000-word book? Sarah: I think that's an excellent point. I think story comes first. That's probably what first drives you to your desk—telling a story. Although it may not. The realities of writing are so vast and unlimited that it's very hard to come out with rules, and I don't write about rules. I really want to give suggestions and examples and insights, but I do think that story is absolutely tops. And that's the power of verbs, in fact. They can help us tell the stories with clarity and with efficiency. I do want to make sure that I'm being clear. I'm not advocating that before you ever sit down and write, or you write one sentence, you then go back and check every single word, because that wouldn't make any sense at all. The idea is to free yourself, free your imagination. These are ways to open your imagination up that maybe you haven't thought about before. But storytelling is primary, and the way that you tell it is going to be individual to every writer. It's useful to bear in mind that there are a lot of avenues one can take in terms of creating a scene or building a character and even evoking the landscape and the atmosphere, and we can look at verbs to help us do that. Jo: One of the biggest problems, I think, especially for new writers, is the passive voice versus more active voice. Can you give some examples of passive voice? Often in editing we're told to get rid of passive voice, but of course you do need it sometimes. Sarah: Yes. There's understandably a lot of confusion about passive voice. Just to have a tiny tidbit of grammar nerdery here: the voice of a verb refers to a very specific construction. It doesn't simply mean that the writer is expressing something in a boring way or taking on a dull subject. The voice of the verb tells you how it relates to the subject of the sentence. When the subject does the action—when it's doing the verb—then you have a verb in the active voice. But when the subject of the sentence is receiving the action, then it needs a verb in the passive voice. Here's an example. If I said, “Hey, Jo, guess what? My grandmother walked on the moon.” That's active voice. “My grandmother walked on the moon”—it's interesting, right? But if I said, “Hey, Jo, guess what? The moon was walked on.” You might be left thinking, “What? What am I supposed to take away from that? Is there more to the story?” “The moon was walked on”—well, that's the passive voice construction. There's no subject who did the walking. I haven't told you, and yet the subject was actually pretty important. My grandmother was the one who walked on the moon. So that's the frustration that often comes when we read the passive voice. We don't know the full story, and we might suspect: are they hiding something? Do they not really know who did the thing? It brings up a lot of questions. Especially in official situations. The classic example is “mistakes were made.” Officials love to say that because it puts nobody on the hook. Nobody is responsible. “Mistakes were made.” Well, who were they made by? They're not telling us. I heard this just recently, by one of the representatives here. This phrase is still being used: “Mistakes were made.” I think most people understand there's a bit of obfuscation. There is something being hidden. Now, there are times when the passive voice is perfectly fine. It's not necessary to say who did the action. If you say, “Joe Blow was arrested and charged with murder,” you pretty much have the full thing there. You don't need to say, “The police arrested him. The prosecutor filed the paperwork.” It's kind of assumed. If you just want to get to the point—he was arrested and charged with murder—that's sufficient. Maybe further down in the story you'll explain the circumstances, but you don't need them right there. Or say, “Fires are still being reported throughout the region.” In a news story, that's perfectly fine. We just need to know that fires are still happening. We don't necessarily need to know who's reporting it. More details may come later in the story, but right then it's perfectly fine. In news reports, in historical situations when we're giving a history, in scientific data and scientific reports, you often see the passive voice. It can be a perfectly good and oftentimes even more efficient way to tell something, but you don't want to lean into it and overuse it because it becomes very dull. When you don't have someone doing an action, it becomes very dull. Jo: As you've mentioned the legal side of things, and I'm reading a lot of academic papers at the moment. I'm doing another master's degree, and goodness me, I feel like sometimes it's designed to turn you off. Sarah: You are exactly right. I've come to that feeling too, and especially in seeing student work, where I feel like there is so much of that in academic writing, which students are reading and digesting. It naturally comes out of them, and it's a kind of cycle that's hard to break. Jo: Do you think it's a form of hedging? “Mistakes were made”—or anything legal—you are hedging it so it can be ambiguous. Whereas a strong verb—and you mentioned “your grandmother walked on the moon”—you are really making it very clear. If you want to hedge things, then using passive voice might be more appropriate. If you want to make it stronger, the activeness is important. Sarah: Yes. And it makes such a difference. I discovered this in my own work. I would read other critics, for example, and I would think, “I feel like the piece I've just written is kind of flat. It doesn't really have the effect I want, doesn't have any zip.” I would go and read other critics—not just dance critics, but other critics. It's so useful to just read other people in any type of writing that you're doing. I advocate doing a lot of reading. I would see that the pieces that really touched me, that really inspired me, had a lot of active voice constructions. They're not turning things around passively, which I think, as a young critic, I may have been doing because I was a little bit afraid to take a stand. Jo: Mm. Sarah: I think I see that in student work, that sometimes we don't want to take a stand, and so we hedge. But writing is intentional, and readers can pick up on that hedging. If you don't intend to hedge—in many cases it can be perfectly appropriate to be fuzzy for an effect that you want, or something like that in the context—but if you are hedging and you're trying to get away with it, like you don't want anyone to notice that you don't really want to give an opinion on this matter, it's going to be very clear. So it's better to address something directly. Jo: And make it stronger. I also wanted to ask you more about the writing career, because I, perhaps like many people listening, was like, I didn't even know you could make a career as a dance critic. Now I know you are not at the Washington Post any more, and it's possible that that role no longer exists—like a lot of writing roles. How has your writing career changed over the years? Do you have these various aspects of a portfolio career? We often talk about multiple streams of income on this show and how, as writers, we can't necessarily rely on one thing. Sarah: Yes, exactly. It's true, there is no longer a dance critic at the Washington Post. The position was eliminated. It's a shame, and it's happening to critics in all fields, in all media organisations, sadly. That's where, for me at least, having that focal point was very key. A thing that I became comfortable writing about, that I could then spiral out and use the eyes and the brain that I had developed from writing about this certain focus for a while. Where can I take that? Oh, athletes. They also move. I began writing stories and pieces and essays about athletes that moved beautifully, beyond racking up statistics about winning. They were just gorgeous to look at, just so pleasurable to watch. I started writing about the body language of political candidates in debate situations and so forth. Using my focal point to then widen my lens, to mix a metaphor, I guess. Having that subject matter and then broadening it out beyond the limits of the actual subject matter, broadening it out imaginatively into where I could find other places to use this perspective. That was really key for me. Say you are writing historical fiction or you're writing thrillers. I would imagine that you would develop a kind of expertise in things that I would find very difficult. Suspense, maybe, or political or police procedure, or what exactly was the weaponry in seventeenth-century France. How can you take that expertise and use it either in an aesthetic way or an actual factual way to address other topics? I think there are so many people that would be interested in what writers who have knowledge and expertise in anything can then use to show us something that we've overlooked. Something we always thought we knew, but that really, when you look at it this way, is reminiscent of how the scabbard was used in seventeenth-century France—or whatever it is, in whatever way. People are craving a new perspective on something they've overlooked or taken for granted. And that's where writers who have a body of work, or are interested in pursuing a certain topic. That's the promise that they have. They can work towards being able to enlighten us on so many other things that maybe only have a tangential connection, but they can make that connection for us. Jo: Fantastic. Where can people find you and your books online? Sarah: I am at SarahLKaufman.com. That's my website. My books are available on any website or bookshop that you want to order them from. Verb Your Enthusiasm comes out April 28th. I am not much on social media at the moment, but I do enjoy hearing feedback from readers, and there are ways to do that on my website. Jo: Well, thanks so much for your time, Sarah. That was great. Sarah: Thank you very much. I've enjoyed it.The post Verb Your Enthusiasm: Transform Your Writing With Stronger Verbs With Sarah Kaufman first appeared on The Creative Penn.

“Few things are worse than running in the wrong way enthusiastically.” — Lee Brower “Nothing great was ever achieved without enthusiasm.” — Ralph Waldo Emerson, Circles, 1841 Emerson was right. But here's what he didn't say. “It is unfortunate, considering that enthusiasm moves the world, that so few enthusiasts can be trusted to speak the truth.” — Arthur Balfour, 1900 Nearly sixty years later, Balfour named the problem. Enthusiasm without truth isn't a gift — it's a counterfeit. And counterfeits don't just misinform. They crowd out the real signal. The ancient Greeks called it en theos — God within. A quiet, persistent pull toward what you were made for. Not performed. Not manufactured. Received. Which means the most dangerous thing we can do to someone we love is layer our enthusiasm on top of theirs — and drown out the voice already speaking inside them. “Hype seeks applause. Enduring Enthusiasm develops people.” — Lee Brower This week's Monday Morning Message is about learning to tell the difference — and asking an Empowering Question you may have never thought to ask before.

Was patriotism in the First World War really shared by all, or was it shaped and enforced from above? In the latest episode of Oh What a Lovely Podcast, we speak with Richard Batten about his book For King and Country, an examination of patriotism in Devon during the First World War. Using Devon as a case study, Richard explores how local elites tried to encourage, direct, and sometimes police patriotic behaviour on the Home Front. From recruitment drives and conscription tribunals to charity work, farming, and fishing, the conversation looks at the many ways people were expected to serve the nation between 1914 and 1918.   References: Batten, R. (2025) For King and Country: The Role of Patriotism in Mobilisation in the First World War. Barnsley: Pen & Sword History. Catriona Pennell (2012) A Kingdom United: Popular Responses to the Outbreak of the First World War in Britain and Ireland. Oxford: Oxford University Press Gregory, A. (2008) The Last Great War: British Society and the First World War. Cambridge: Cambridge University Press. Silbey, D. (2005) The British Working Class and Enthusiasm for War, 1914–1916. London: Frank Cass.

This week's Empire Podcast sees Alex Godfrey sit down for an audience with music superstar Billie Eilish and her co-director on her new concert movie, Billie Eilish: Hit Me Hard And Soft: The Tour Live In 3D, one James Cameron. Blimey! Then Alex slides into the podbooth to join Helen O'Hara, James Dyer and host Chris Hewitt for a fun-filled episode in which they discuss Karl Urban's killiest characters, the best movie farmers, a whole bunch of trailers (including The Odyssey, Evil Dead Burn, and Resident Evil), and review the aforementioned Billie Eilish movie, The Sheep Detectives, Remarkably Bright Creatures, and Mortal Kombat II, a Helen-led review that may be more fun than the film. Oh, and what the hell is Thrawnhub? Enjoy!

That's a strange occurrence- something must be working! 700,000 jobs have been created in the private sector just in Trump's second term. It's a number that's starting to be felt. Sonderling is the current Acting Labor Secretary.

3AW Breakfast are joined by Professor in Conservation Biology, School of Life and Environmental Sciences, Professor Peter Banks, to discuss the life and accolades of Sir David Attenborough on his 100th Birthday. See omnystudio.com/listener for privacy information.

Pres. Trump energized Florida with his rally in The Villages, boosting efforts to keep GOP dominance in the state. FL 3rd US House Rep. Kat Cammack on the local significance of the Farm Bill that passed the House, including preventing foreign adversaries from owning land. And Congress moving to eliminate ‘cognitive warfare,' the embedding of China and foreign nationals influencing, controlling, and scamming US institutions.

Want to know your English level? Take our ⁠free English-level quiz⁠ here to find out what your current English level is.  Do you love All Ears English?  Try our other podcasts here: ⁠Business English Podcast⁠: Improve your Business English with 3 episodes per week, featuring Lindsay, Michelle, and Aubrey ⁠IELTS Energy Podcast⁠: Learn IELTS from a former Examiner and achieve your Band 7 or higher, featuring Lindsay McMahon and Aubrey Carter with Jessica Beck in previous episodes Visit our website⁠ ⁠⁠here⁠ or ⁠https://lnk.to/website-sn⁠ If you love this podcast, hit the follow button now so that you don't miss five fresh and fun episodes every single week.  Don't forget to leave us a review wherever you listen to the show. Send your English question or episode topic idea to support@allearsenglish.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 500: The Three Pillars of Achievement In this special milestone episode, Mark and Theron reflect on 500 episodes of "Achieve Results NOW!" and nearly 40 years of professional experience to distill the three most impactful qualities for success. Whether you are leading a business, a family, or your own personal development, these three pillars, underpinned by gratitude, are the keys to life-shifting results. The Three Pillars 1. Enthusiasm: The Contagious Spark: Enthusiasm is more than just a "rah-rah" attitude; it is a physiological and psychological process. The "Fake It" Factor: It is okay to start by acting enthusiastic. Positioning your body and voice with energy eventually signals your brain to follow suit. Contagion: Enthusiasm is contagious, but so is a lack of it. As a leader, your energy sets the ceiling for your team. Realistic Optimism: True enthusiasm isn't about ignoring problems; it's about having the confidence to address challenges with a "let's get it done" mindset. 2. Adaptability: Rigid Flexibility: Adaptability is the ability to maintain a firm destination while remaining flexible in your tactics. Hierarchy of Importance: Learn to rank challenges. Is a setback a minor speed bump or a mission-critical hurdle? Persistence vs. Quitting: The closer you get to a goal, the harder the "walls" become. Success belongs to those who find a way around the brick walls rather than giving up when the work gets difficult. Mission-Driven: When the "earthquake" happens and the deck gets reshuffled, a strong mission and vision allow you to pivot without losing your way. 3. Communication: The Art of Active Listening: Most people don't listen; they just wait for their turn to speak. Effective communication is the foundation of every successful relationship. Active Listening: This involves eye contact, removing distractions (like phones), and picking up on physical cues. Empowering Questions: Shift from "keeping score" to seeking understanding. Ask questions that dig deeper into the other person's perspective. The Grace Factor: High-level achievers give others the grace to be imperfect. Long-term relationships are built on the desire to understand before being understood. The Secret Sauce: Gratitude The episode concludes with the one element that bridges all three pillars: Gratitude. * Gratitude fuels Enthusiasm by focusing on what you have. It aids Adaptability by allowing you to be thankful for the lessons within your challenges. It strengthens Communication by fostering a genuine appreciation for the people around you. "Be specific with your gratitude. Don't just say you're grateful for someone—tell them exactly why." Key Takeaways for Listeners: Actionable Mindset: Enthusiasm is a choice and a habit you can develop daily. Leadership Lesson: Meet people at their energy level and slowly pace them up to yours. Growth Tip: Don't avoid failure; embrace it as the ultimate learning experience. Resources Mentioned: Book: Ignite Results (Available at AchieveResultsNow.com) Community: Join the conversation on Facebook at facebook.com/achieveresultsnow Questions? 1.   Do you have a question you want answered in a future podcast? 2.   Go to www.AchieveResultsNow.com to submit. Connect with Us: Get access to some of the great resources that we use at: www.AchieveResultsNow.com/success-store www.AchieveResultsNow.com www.facebook.com/achieveresultsnow www.twitter.com/nowachieve Thank you for listening to the Achieve Results NOW! Podcast.  The podcast that gives you immediate actions you can take to start seeing life shifting results NOW!

These May 2026 messages spotlight stories, inspirations, and soul songs offered by Marie Mohler to empower and inspire spiritual seekers in their Divine Creative Hero/Heroine's Journeys to Embody the Fullness of Light that We Are. Marie's May messages are found in 2 videos. Part 1 contains themes for the month, a big picture review, Gathering At The River with Dr. Terry Cole Whittaker (Dare To Be Great inspiration), Garden Insights #13 (an intuitive energy update for the month), & themes of Daring To Be Great Again, Fire Horse Fire, How The Nature of Change is Changing, Embracing Again-ness in Ascension Times, Being A Vibrational Sieve with Discernment and Conscious Intention, Embracing The Power of Enthusiasm, Honoring Soul Recognition & Resonance, & more. Part 2 contains 12 new soul songs that aim to inspire, uplift, and fortify divine creative heroes, heroines, and people around the globe. Soul Songs this month include: Dare Again, Again I AM, The Light I Knew, Living Garden, Know Me Again, Embodying Home Again, Dare To Know Again, Fire Horse Home, Dare To Be Great Again, Again We Rise, Homecoming Ride, and Greatness Again. Thank you for joining me, and please share with others who could benefit from these empowering insights and positive energies.Please like, subscribe, and share!For more of my inspirational messages, podcasts, soul songs, & subscription offerings on Substack, please click either link:https://www.frequencywriter.com/https://frequencywriter.substack.com/To listen to more amazing podcasts and insightful broadcasts, or to make a donation, visit:  http://www.wholesoulschoolandfoundation.orgTo donate: https://give.cornerstone.cc/wholesoulschoolandfoundationTo shop our apparel: https://www.bonfire.com/store/whole-soul-school-and-foundation/You can also tune in here:Substack: https://www.frequencywriter.com/https://frequencywriter.substack.com/X: https://x.com/marie_mohlerFacebook: https://www.facebook.com/wholesoulmasteryYouTube:  https://www.youtube.com/@colorthemagicRumble.com: https://rumble.com/c/c-353585​​​​Telegram: https://t.me/wholesoulmasteryInstagram: https://www.instagram.com/frequencywriter (@frequencywriter)Truth Social: https://truthsocial.com/@frequencywriterTune into Frequency Writer Messages, Empowering Podcasts, and Whole Soul School and Foundation's Inspirational Podcasts via: Spotify, Apple iTunes, Buzzsprout, Stitcher, iHeartRadio, Google Play Music + other favorite podcast platforms If would like to support my work directly, please send donations to: https://buy.stripe.com/3csbIU4v8a52eR2aEEYou can also mail donations to:Marie Mohler/Whole Soul Mastery400 S. Elliott Rd., Suite D259Chapel Hill, NC 27514Thank you for your generous gifts.

Frequency Writer's May 2026 messages spotlight stories, inspirations, and soul songs to empower and inspire spiritual seekers in their Divine Creative Hero/Heroine's Journeys to Embody the Fullness of Light that We Are. Marie's May messages are found in 2 videos. Part 1 contains themes for the month, a big picture review, Gathering At The River with Dr. Terry Cole Whittaker (Dare To Be Great inspiration), Garden Insights #13 (an intuitive energy update for the month), & themes of Daring To Be Great Again, Fire Horse Fire, How The Nature of Change is Changing, Embracing Again-ness in Ascension Times, Being A Vibrational Sieve with Discernment and Conscious Intention, Embracing The Power of Enthusiasm, Honoring Soul Recognition & Resonance, & more. Part 2 contains 12 new soul songs that aim to inspire, uplift, and fortify divine creative heroes, heroines, and people around the globe. Soul Songs this month include: Dare Again, Again I AM, The Light I Knew, Living Garden, Know Me Again, Embodying Home Again, Dare To Know Again, Fire Horse Home, Dare To Be Great Again, Again We Rise, Homecoming Ride, and Greatness Again. Thank you for joining me, and please share with others who could benefit from these empowering insights and positive energies.Please like, subscribe, and share!For more of my inspirational messages, podcasts, soul songs, & subscription offerings on Substack, please click either link:https://www.frequencywriter.com/https://frequencywriter.substack.com/To listen to more amazing podcasts and insightful broadcasts, or to make a donation, visit:  http://www.wholesoulschoolandfoundation.orgTo donate: https://give.cornerstone.cc/wholesoulschoolandfoundationTo shop our apparel: https://www.bonfire.com/store/whole-soul-school-and-foundation/You can also tune in here:Substack: https://www.frequencywriter.com/https://frequencywriter.substack.com/X: https://x.com/marie_mohlerFacebook: https://www.facebook.com/wholesoulmasteryYouTube:  https://www.youtube.com/@colorthemagicRumble.com: https://rumble.com/c/c-353585​​​​Telegram: https://t.me/wholesoulmasteryInstagram: https://www.instagram.com/frequencywriter (@frequencywriter)Truth Social: https://truthsocial.com/@frequencywriterTune into Frequency Writer Messages, Empowering Podcasts, and Whole Soul School and Foundation's Inspirational Podcasts via: Spotify, Apple iTunes, Buzzsprout, Stitcher, iHeartRadio, Google Play Music + other favorite podcast platforms If would like to support my work directly, please send donations to: https://buy.stripe.com/3csbIU4v8a52eR2aEEYou can also mail donations to:Marie Mohler/Whole Soul Mastery400 S. Elliott Rd., Suite D259Chapel Hill, NC 27514Thank you for your generous gifts.

In this week's I Ching forecast, we power up the vibes and energise our people while keep an eye out for areas we should step back from. Listen to this episode for more insight into how to work with this flow this week! I Ching Resources and Links: https://linktr.ee/ichingcafe Timestamps 0:00 Intro 0:44 Last week's recap 3:30 Hexagram 16 Enthusiasm 10:09 Hexagram 16 Enthusiasm, Changing Line 3 11:17 Hexagram 16 Enthusiasm, Changing Line 5 13:52 Hexagram 16 Enthusiasm, Changing Line 6 16:45 Hexagram 33 Retreat Tech Specs Main or Present Hexagram - Hexagram 16 Enthusiasm Changing Lines - 3rd, 5th and 6th Positions Outcome Hexagram - Hexagram 33 Retreat

Eric Goodman - Delivering Dollars and Enthusiasm for Great Causes - Founder and Owner of Your Fundraising Team - and Co-Host of the Hot Takes with Goodman and Haertl sports podcast I met Eric Goodman at a local non-profit event, when I happened to be seated at his table, and complimented him on an above-average performance as a volunteer emcee.  We shared some fun banter, but during the paddle-raise it was more than obvious (which I already suspected) - that he was a pro - and a damn good one.   We connected after that, and during our first long phone call I shared how I sometimes emcee or paddle raise for events - but only as a volunteer - ya know, so he wouldn't be threatened.  He challenged me - “You should charge - and learn enough so you do a great job and deserve to be paid!  I'll mentor you, or teach you and a group of others from NOCO how to do it right if you like - no charge!”  I didn't take him up on it - too busy I told myself - but we may revisit the idea. That's the kinda guy Eric is - focused on being the best at his craft, and encouraging others to fulfill their potential, and to live generously.  He drops a ton of great information to help non-profits fundraise better - and he's a great conversationalist, so please enjoy my time together with Eric Goodman.

Pre-show: Mythos Anthropic’s blog post Follow-up: ATP Store Yes, it happened again. The ATP Neo Silver made it! UPenn is an Ivy Kieran Healy’s story Marina Epelman’s thought US News & World Report 2026 Best Engineering Schools Gurman’s transition coverage Tim Cook’s remarks to employees Comparison between Cook & Ternus The Ability to be Hotter New material proves to be more heat conductive Backblaze is no longer backing up cloud storage Backblaze Mac Release Notes for version 9.2.2.878 Backblaze Windows Release Notes for version 9.2.2.877 Response on Reddit Reparse point Additional response on Reddit Backblaze blog post MJ Tsai roundup Alternatives: Arq Parachute for iCloud Ask ATP: What generation is John’s Accord? What’s the plan for replacement? (via Brian Ashe) ATP Neutral: Car Shopping 2014 Honda Accord Which Apple CEO will

Thanks to our Partners, Shop Boss and AppFueledLeadership isn't always about learning how to manage other people. Sometimes it's about getting uncomfortable enough to finally lead yourself.In this episode, Brian talks with J.R. Portman about his experience at Bold Advanced Leadership, a training that pushed him physically, mentally, and emotionally. They talk about enthusiasm, honesty, trust, getting over the fear of looking foolish, and how those lessons apply just as much at home as they do inside the business.If you own an auto repair shop and you're trying to grow as a leader, this is one you'll want to hear.Listen now and go fill those bays.Show Notes with TimestampsIntroduction to Bold Advanced Leadership (00:01:04) J.R. Portman introduces the leadership training event, describing it as "Navy SEAL training for emotional leadership" focused on individual growth.Discovering the Training (00:02:09) J.R. explains how he heard about the event from a peer at a coaching group for marketing agency owners.The Value of Peer Recommendations (00:03:54) The speakers discuss the power of recommendations from trusted peers in similar professional roles over traditional advertising.The "Fight Club" Mystique (00:05:15) J.R. describes the intentionally vague and cryptic nature of the event, which adds to its mystique and shared experience.An Intense, Immersive Experience (00:06:16) The training is described as an intense, sleepaway camp-like experience that bonds participants through shared trials and breaks normal routines.Expectations vs. Reality (00:08:02) J.R. shares his initial expectations, like doing a trust fall, and how the intensity and methodology pushed him beyond comfort.Learning Personal Limits (00:09:05) The training challenged J.R.'s comfort zones, particularly in public speaking, forcing him to unlearn control and embrace emotional expression.The Breakdown and Rebuilding Process (00:10:30) The event intentionally broke participants down to rebuild them, using intimate group settings and intense, personal leadership exercises.Applying Leadership Skills to Real-Life Situations (00:14:42) J.R. discusses how the training helps manage healthy conflict and emotional situations, like those in a leadership team meeting.Main Takeaway: Living with Enthusiasm (00:16:42) J.R.'s biggest takeaway was the permission to live more enthusiastically and bring more energy to his professional and personal life.Balancing Business and Personal Growth (00:18:33) The discussion highlights how the training's lessons apply equally to business leadership and personal life, such as being a parent.Who Should Attend This Training? (00:20:14) The ideal attendee is someone actively seeking personal growth and willing to be pushed, not someone forced to be there.The Power of Positive Self-Talk (00:21:55) An exercise demonstrated the physical power of positive self-talk ("I can") versus negative self-talk ("I can't").Second Takeaway: The Importance of Honesty (00:23:29) Another key lesson was being more direct and honest with people, and the value of genuinely getting to know team members.The Value of Getting Uncomfortable (00:26:24) J.R. explains how being forced out of his comfort zone and facing the fear of failure was a powerful lesson.Final Advice for Listeners (00:28:50) J.R. advises listeners to act quickly on growth opportunities and intentionally seek out experiences that challenge and upset their norms.How To Get In TouchJoin The Auto Repair Marketing Mastermind Group on FacebookMeet The ProsFollow SMP on FacebookFollow SMP on InstagramGet The Ultimate Guide to Auto Repair Shop Marketing BookEmail Us Podcast Questions or Topics Lagniappe (Books, Links, Other Podcasts, etc)Bold Advanced Leadership by Driven LeadershipSeven Figure AgencyThe 21 Irrefutable Laws of Leadership by John MaxwellThe Great CEO WithinThanks to our Partners, Shop Boss and AppFueledThis episode is sponsored by Shop Boss. You know, other shop management software makes you work, but Shop Boss works for you.AppFueled at appfueled.com. “Are you ready to convert clients to members? AppFueled™ specializes in creating custom apps tailored specifically for auto repair businesses. Build your first app like a pro.”The Automotive Repair Podcast Network: https://automotiverepairpodcastnetwork.com/Remarkable Results Radio Podcast with Carm Capriotto: Advancing the Aftermarket by Facilitating Wisdom Through Story Telling and Open Discussion. https://remarkableresults.biz/Diagnosing the Aftermarket A to Z with Matt Fanslow: From Diagnostics to Metallica and Mental Health, Matt Fanslow is Lifting the Hood on Life. https://mattfanslow.captivate.fm/Business by the Numbers with Hunt Demarest: Understand the Numbers of Your Business with CPA Hunt Demarest. https://huntdemarest.captivate.fm/The Auto Repair Marketing Podcast with Kim and Brian Walker: Marketing Experts Brian & Kim Walker Work with Shop Owners to Take it to the Next Level. https://autorepairmarketing.captivate.fm/The Weekly Blitz with Chris Cotton: Weekly Inspiration with Business Coach Chris Cotton from AutoFix - Auto Shop Coaching. https://chriscotton.captivate.fm/Speak Up! Effective Communication with Craig O'Neill: Develop Interpersonal and Professional Communication Skills when Speaking to Audiences of Any Size. https://craigoneill.captivate.fm/

Cass got her chicken cutlets squished! She is doing so good keeping her health in check!Also, in this episode, Meredith shares a detailed recap of her recent cruise vacation. She outlines the overall experience, including the onboard environment, daily routines, and general atmosphere.A significant portion of the discussion focuses on passenger behavior (YUCK!). Meredith describes multiple situations where common social etiquette was not followed, including saving pool chairs for extended periods, excessive food portions at buffets, and lack of awareness in shared spaces such as elevators and hallways. CUE THE CHERRY PITS IN GROCERY STORES!The episode also reviews standard cruise etiquette practices, comparing expected behavior with what was observed during the trip. Topics include hygiene practices, adherence to dress codes, respect for staff and other guests, and maintaining appropriate noise levels in cabins and public areas.Overall, the episode provides an overview of cruise culture, highlighting both typical expectations and real-world examples of guest behavior.Mentioned in this episode:Tammy Turpin, Luxury Travel Advisor | Technology SpecialistTravel Leaders Troy | The Travel Exchange

In this special episode, recorded on her birthday, Julia takes the hotseat while Folawe interviews her. They reflect on how Julia's understanding of leading has evolved and what feels more important now than ever. Julia speaks about becoming clearer over time that leading must be done in your own way, and with a combination of love, energy, hope, and enthusiasm, even when the world feels uncertain and the work feels difficult. The conversation challenges many of the assumptions often associated with leadership. Julia questions the language that surrounds it, particularly words that are widely used but rarely examined, and reflects on the importance of going beyond labels to understand what leading actually looks and feels like in practice. A central theme in the episode is the realisation that many women have been leading for far longer than they recognise. Through her work with Women Emerging, Julia has seen women shift from hesitation to ownership, recognising that leading is not something they need to become, but something they are already doing. She also speaks candidly about the reality of leading. It is not always rewarding, and it is rarely easy. It involves mistakes, self-doubt, and moments of getting things wrong and learning to continue regardless. The conversation explores how Julia's thinking has deepened over time, from relying primarily on intellect to recognising the importance of instinct, the body, and the rhythms of nature in shaping how we lead. The episode closes with a powerful reflection: women are often conditioned to believe they are not enough. But leading begins when that narrative is challenged, when we recognise that we are already enough to begin, even if we are not perfect. About the Guest Folawe Omikunle is a social entrepreneur with over 15 years of experience in education, international development, non-profit leadership, and sustainability. A Tutu Fellow and finalist for the Africa Education Medal, she has been recognised as one of Nigeria's most inspiring women. Folawe serves on multiple boards and is deeply committed to unlocking Africa's potential through investments in human capital.

EJ talks about some things he's been enjoying, including DTF St Louis, the new Tom Waits song, and a video game from nine years ago.   Boots on the Ground

The mystical secrets of Station Alpha begin to reveal themselves as the heroes of the Nova Rush investigate the Arcane Laboratory. Can they make peace with the outside entities that have seemed to take up residency here or will their orbs be cooked? Find out on another thrilling adventure of Cosmic Crit!

This is message 36 in Gospel Record of John John 12:12-19 Jesus is the true King, but He does not come to fulfill human expectations or earthly ambitions. He comes in humility to bring peace with God, and every person must decide whether to receive Him for who He is or reject Him because He does not fit their desires. Enthusiasm and outward praise are not enough, because a heart that seeks Him only for personal gain will turn away when His purpose leads through sacrifice, while genuine faith recognizes His authority and submits to Him as Lord. Don't forget to download our app for more from the Riverview Baptist Church. http://onelink.to/rbcapp Find more at https://riverviewbc.com/ Donate through Pushpay https://pushpay.com/pay/riverviewbc

A look at how audiences that consume media differently feel about AI generated voices.Sounds Profitable's new Audio Primes study reveals that podcast listeners who consume at least 75% of their content through audio are significantly more resistant to AI-generated voices than their video-first counterparts, with 48% of Audio Primes saying they would be less likely to continue listening compared to only 40% of Video Primes. The research, drawn from The Podcast Landscape 2025, introduces a new mindset-based framework for understanding podcast audiences and its implications for creators, platforms, and podcast advertisers.Written by Tom WebsterEdited and narrated by Gavin GaddisText and audio edited by Gavin GaddisClick here to register for the Audio Primes webinar.Find the full article here on Sounds Profitable.

A look at how audiences that consume media differently feel about AI generated voices.Sounds Profitable's new Audio Primes study reveals that podcast listeners who consume at least 75% of their content through audio are significantly more resistant to AI-generated voices than their video-first counterparts, with 48% of Audio Primes saying they would be less likely to continue listening compared to only 40% of Video Primes. The research, drawn from The Podcast Landscape 2025, introduces a new mindset-based framework for understanding podcast audiences and its implications for creators, platforms, and podcast advertisers.Written by Tom WebsterEdited and narrated by Gavin GaddisText and audio edited by Gavin GaddisClick here to register for the Audio Primes webinar.Find the full article here on Sounds Profitable.

What if the Ten Commandments were never about punishment, but about being pursued by a God who desperately wants you close? Dr. Aaron Schade brings compassion and depth to Exodus 19-20, revealing the law of Sinai as a loving covenant code designed to transform a weary, trail-worn nation ready for communion with their God.SHOW NOTES/TRANSCRIPTSEnglish: https://tinyurl.com/podcastOT217ENFrench: https://tinyurl.com/podcastOT217FRGerman: https://tinyurl.com/podcastOT217DEPortuguese: https://tinyurl.com/podcastOT217PTSpanish: https://tinyurl.com/podcastOT217ESYOUTUBE: https://youtu.be/Xe-NizHxbf8ALL EPISODES/SHOW NOTESfollowHIM website: https://www.followHIM.coFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookBook of Mormon: https://tinyurl.com/PodcastBMBook WEEKLY NEWSLETTERhttps://tinyurl.com/followHIMnewsletter SOCIAL MEDIAInstagram: https://www.instagram.com/followHIMpodcastFacebook: https://www.facebook.com/followhimpodcastTIMECODE:00:00 Part 1 - Dr. Aaron Schade01:31 John's burning question and a bio05:35 Come, Follow Me Manual06:48 Setting the scene - 3 months out of Egypt09:10 Reading with compassion11:13 Jacob's wrestle to become Israel13:51 Creating holiness once and for all15:00 Eagle's wings and relentless pursuit17:49 Back the the Red Sea, again20:00 D&C 8 and revelation21:45 Translating past faith to future trust23:04 Song of the Sea25:42 The worth of Segulah29:00 A kingdom of priests and priestesses32:35 Moses and Jethro - 40 years of preparation35:05 The Burning Bush37:56 Moses 140:51 Elder James E. Faust and seeing who God intends you to be43:40 What does it feel like tobe in God's presence46:35 The God of the OT is not mean48:40 Delineating holy space at Sinai50:06 Enthusiasm is common, endurance is rare50:53 Intro to the Ten commandments54:06 No other gods: removing Egypt from their minds57:45 Commandments bring us closer 59:14 Graven images and the creation account1:01:02 Made in God's image and likeness1:03:10 The Sabbath and Creation1:05:10 The seventh day - an unfinished story1:07:22 President Nelson: the Sabbath as a personal pledge1:08:23 End of Part 1 - Dr. Aaron SchadeThanks to the followHIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish TranscriptsAmelia Kabwika: Portuguese TranscriptsHeather Barlow: Communications DirectorSydney Smith: Social Media, Graphic Design "Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com

Cat & Cloud Podcast  Cat & Cloud Coffee www.catandcloud.com/ What We Think Matters vs. What Actually Matters w/ Chris and Casey - Ep# 444  This episode opens with an introduction to Casey Ryan—his background in filmmaking and eventually as an independent school principal, and how he found his way into Cat & Cloud—but quickly shifts into a deeper conversation about hospitality, coffee culture, and business. At the center is the question of what guests actually care about versus what coffee professionals think they care about, leading to a thoughtful breakdown of service, empathy, and meeting people where they are. Chris reflects on the tension between passion and practicality in specialty coffee, how to build excitement without overwhelming people, and why creating a welcoming, human experience ultimately matters more than showcasing expertise. Chapters 00:00 Casey Ryan's Path from Education to Cat & Cloud 08:00 What Guests Care About vs What We Think They Care About 17:00 Passion vs. Business in Specialty Coffee 22:00 Santa Cruz, Coffee Culture, and Meeting People Where They Are 29:00 Service as Soft Skill, Performance, and Human Connection 29:00 Training, Teaching, Enthusiasm and Not Overloading People 40:00 Coffee Curiosity, Guest Journeys, and No Gatekeeping 47:30 Gratitude for Team Cat & Cloud: Instagram: www.instagram.com/catcloudcoffee/ Webstore: Buy Our Coffee! www.catandcloud.com/ Roasters Choice Subscription www.catandcloud.com/collections/subscriptions Wholesale Partners! Interested in serving our coffee at your business? Learn more about our Partner Program https://catandcloud.com/wholesale Links – Cafe Imports Event at World of Coffee: Moderated by Chris Baca https://www.eventbrite.com/e/source-where-do-we-go-from-here-tickets-1983895046489 The Truth! Colombia Truji y Angelita Thermal Shock Natural  https://catandcloud.com/products/colombia-truji-y-angelita-thermal-shock-natural Jared Truby Zine https://www.flipsnack.com/965BBFD6AED/letter-to-young-coffee-owners-issue-with-jared-truby World of Coffee/SCA https://usa.worldofcoffee.org/ Cat & Cloud Coffee was founded in 2016 by three friends who believe experiences and connections shape our lives. Former barista champions and lifelong coffee professionals, they envisioned a better way to do business and set out to create a values-driven organization that put culture first. Our mission is to inspire connection by creating memorable experiences. Whether it's with guests in our 4 retail locations in Santa Cruz, our team members, or our wholesale partners across the country, we strive to leave everyone better than we found them.  The Cat & Cloud Podcast is a space for us to share our experiences and adventures in coffee and business in hopes of inspiring more people to create culture and values-driven organizations.  Hosted by Chris Baca and Jared Truby Produced by Casey Ryan April 2026

The Inside Economics crew (minus Dr. DeAntonio) parses the March jobs report, which came in surprisingly strong. They all agree that the headline number is deceptive and the labor market is actually quite weak and poised to weaken further in the wake of the conflict in the Middle East. Mark unveils his new take on the Sahm Rule indicator, which points to a surprising conclusion. The stats game is back (and not going anywhere), and the team takes several good listener questions.  Email us at InsideEconomics@moodys.com for more info about the Moody's Summit '26 Conference in San Diego Hosts: Mark Zandi – Chief Economist, Moody's Analytics, Cris deRitis – Deputy Chief Economist, Moody's Analytics, and Marisa DiNatale – Senior Director - Head of Global Forecasting, Moody's Analytics Follow Mark Zandi on 'X' and BlueSky @MarkZandi, Cris deRitis on LinkedIn, and Marisa DiNatale on LinkedIn Questions or Comments, please email us at InsideEconomics@moodys.com. We would love to hear from you. To stay informed and follow the insights of Moody's Analytics economists, visit Economic View. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Average California voter is still largely not paying attention to this race and the LA Mayor's RaceSee omnystudio.com/listener for privacy information.

Connor and Mike'l addressed the lack of spring game interest given the fact that football isn't as successful as the men's basketball program.