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The exhibition proposes a critical reading of the visual archive compiled throughout the ten years of life of Laboratorio Arte Alameda from Mexico City—a space committed with the exhibition, documentation and research of the practices that engage and dialogue with the relationship between art and technology in the city. The core axis of (Ready) Media revolves around art practices using media and technology, as well as the aesthetic-political questionings that said practice has aroused in Mexico since the early years of the twenty-first century. Curator: Gustavo Romano Artist: Iván Abreu, María José Alós y Artemio Narro, Francis Alÿs y Rafael Ortega, Oscar Rodrigo Alonso Inclán, Víctor Alzina, Rocío Aranda de la Figuera y Uriel López España, Antonio Arango, Adrián Arce, Diego Rivera y Antonio Zirión, Marcela Armas, Ensamble Áspero, Peter Avar, Ulises Barreda, Iñaki Bonillas-DJ Sondera, Alfredo Borboa, Bruno Bresani, Germán Bringas & Julio Clavijo, Tania Candiani, Domenico Capello, Ulises Carrión, Ricardo Castillo, Rocío Cerón y Bishop, Mayra Isabel Céspedes Vaca, Arcángel Constantini, Ángel Cosmos, Juan José Díaz Infante y Arturo Márquez, Antonio Coello, Cremance, Jessica Cruz, Ximena Cuevas, Manuel de Elías, Mario de Vega, Juan Carlos de la Parra, Ana de la Rosa y Lorena Rossette, Paulina del Paso, Iván Edeza, Manuel Enríquez, Felipe Ehrenberg, Carolina Esparragoza, Gilberto Esparza, Generación Espontánea, Antonio Fernández Ros, Nuria Fragoso, Fernando Frías, Arthur-Henry Fork, Arturo Fuentes, Guillermo Galindo, Andrés García Franco, Anni Garza Lau, Guillermo Gómez-Peña, Juan José Gurrola, Ariel Guzik, Alejandra Hernández, Alejandra Islas, Enrique Ježik, Jesse Lerner y Rubén Ortiz, Los Lichis, Erika Loic, Fernando Llanos, Israel Martínez, Sara Minter, José Manuel Mondragón, Taniel Morales, Manrico Montero, Ricardo Nicolayevsky, Txema Novelo, Gabriel Orozco, Andrés Padilla Domene, Elena Pardo, Punto pig, Phantom Power, Iván Puig, Grace Quintanilla, Daniel Reyes, Jorge Reyes y Lidia Camacho, Roberto Reyes, Juan José Rivas, Víctor Manuel Rivas-Dávalos, Manuel Rocha Iturbide, Gregorio Rocha, Alfredo Salomón, Luz María Sánchez, Guillermo Santamarina, Juan Sebastián, Rodrigo Sigal, Rogelio Sosa, Rosario Sotelo, Wilfrido Terrazas, Adriana Trujillo, Naomi Uman, Luis Emilio Valdés, Mauricio Valdez, Bruno Varela, Verbobala, Juan Pablo Villegas. Co-production: LABoral Centro de Arte y Creación Industrial & MEIAC Museo Extremeño e Iberoamericano de Arte Contemporáneo. http://www.laboralcentrodearte.org/en/exposiciones/ready-media
La exposición ofrece una lectura crítica del archivo visual reunido durante los diez años de vida del Laboratorio Arte Alameda de México D.F, espacio dedicado a la exhibición, documentación e investigación de las prácticas que utilizan y ponen en diálogo la relación entre arte y tecnología en la Ciudad de México. (Ready) Media está centrado en la práctica artística relacionada con medios y tecnología, así como las preguntas estético-políticas que dicha práctica ha provocado en México desde inicios del siglo XX. Comisario: Gustavo Romano Coordinación del proyecto: Tania Aedo y Karla Jasso Artistas: Iván Abreu, María José Alós y Artemio Narro, Francis Alÿs y Rafael Ortega, Oscar Rodrigo Alonso Inclán, Víctor Alzina, Rocío Aranda de la Figuera y Uriel López España, Antonio Arango, Adrián Arce, Diego Rivera y Antonio Zirión, Marcela Armas, Ensamble Áspero, Peter Avar, Ulises Barreda, Iñaki Bonillas-DJ Sondera, Alfredo Borboa, Bruno Bresani, Germán Bringas & Julio Clavijo, Tania Candiani, Domenico Capello, Ulises Carrión, Ricardo Castillo, Rocío Cerón y Bishop, Mayra Isabel Céspedes Vaca, Arcángel Constantini, Ángel Cosmos, Juan José Díaz Infante y Arturo Márquez, Antonio Coello, Cremance, Jessica Cruz, Ximena Cuevas, Manuel de Elías, Mario de Vega, Juan Carlos de la Parra, Ana de la Rosa y Lorena Rossette, Paulina del Paso, Iván Edeza, Manuel Enríquez, Felipe Ehrenberg, Carolina Esparragoza, Gilberto Esparza, Generación Espontánea, Antonio Fernández Ros, Nuria Fragoso, Fernando Frías, Arthur-Henry Fork, Arturo Fuentes, Guillermo Galindo, Andrés García Franco, Anni Garza Lau, Guillermo Gómez-Peña, Juan José Gurrola, Ariel Guzik, Alejandra Hernández, Alejandra Islas, Enrique Ježik, Jesse Lerner y Rubén Ortiz, Los Lichis, Erika Loic, Fernando Llanos, Israel Martínez, Sara Minter, José Manuel Mondragón, Taniel Morales, Manrico Montero, Ricardo Nicolayevsky, Txema Novelo, Gabriel Orozco, Andrés Padilla Domene, Elena Pardo, Punto pig, Phantom Power, Iván Puig, Grace Quintanilla, Daniel Reyes, Jorge Reyes y Lidia Camacho, Roberto Reyes, Juan José Rivas, Víctor Manuel Rivas-Dávalos, Manuel Rocha Iturbide, Gregorio Rocha, Alfredo Salomón, Luz María Sánchez, Guillermo Santamarina, Juan Sebastián, Rodrigo Sigal, Rogelio Sosa, Rosario Sotelo, Wilfrido Terrazas, Adriana Trujillo, Naomi Uman, Luis Emilio Valdés, Mauricio Valdez, Bruno Varela, Verbobala, Juan Pablo Villegas. http://www.laboralcentrodearte.org/es/exposiciones/ready-media
We spend this week's show at a one-time musical happening that takes space in a motel on Colorado Boulevard where the rooms are converted into experimental music stages and installation spaces for an afternoon. Arts editor Jesse Lerner condenses a 6 hour sound fest by the Society for the Activation of Social Space through Art and Sound into our half-hour radio show. If you like Ornette Coleman, Kamou Daaood, and John Cage, you don't want to miss this episode of Hear in the City!
On this week's episode, we offer a mixed bag of art and culture happening around Los Angeles. Luis Sierra Campos visits a community garden in Highland Park that serves as a model for urban sustainability and food security in a depressed real estate market, Jesse Lerner reviews the Cuban photography show at the Getty, and Patrick Miller invites us to preview a group of musicians who will use their bicycles as improvisational instrument sin the upcoming Tour da Arts festival.
On this week's Hear in the City, we check in with artist, educator, and bicycle activist Patrick Miller about an incident in Los Angeles that made international news last week when 11 cyclists were injured by an alleged drunk driver. And arts editor Jesse Lerner reviews James Benning's newest film titled, simpley "RR" (for railroad). Benning is a long-time figure in Los Angeles experimental film, best known for meticulous timing of 10-minute-long shots --the length of an unedited 16mm film reel-- and striking landscapes of California.
Hear in the City's arts editor, Jesse Lerner, breaks down some of the contradictions of MOCA's ultra-popular Art in the Streets exhibition at the Geffen Temporary Contemporary in downtown Los Angeles.
On this week's Hear in the City, we experience the Native American tradition of council in a non-traditional setting: a high school classroom just east of the Greyhound station in L.A.'s oldest schoolhouse, Metropolitan High where student build a theater piece inspired by on Dave Eggers non-fiction relating of Hurrica Katrina Zeitoun. And arts editor Jesse Lerner critiques the new Art in the Streets show at the Geffen Temporary Contemporary art museum in Little Tokyo.
This past Saturday evening, Mexican photographer Maya Goded inaugurated a solo exhibition called Las Olvidadas at the California Museum of Photography in Riverside. Goded is a documentarian associated with the Magnum cooperative and known for her work in marginalized and stigmatized communities. She’s been honored with prestigious fellowships and prizes, including a Guggenheim fellowship, the Netherland’s Prince Claus prize, and the Eugene Smith award. Our arts editor, Jesse Lerner, talked with the artist at the opening. (c) Hear In The City. 2011. www.hearinthecity.org Airs on Mondays at 2:00pm in Los Angeles on 90.7FM KPFK or www.kpfk.org
In December of last year, Republican Congressmen John Boehner and Eric Cantor ordered the removal of an artwork from the National Portrait Gallery’s Hide/Seek exhibit at the Smithsonian claiming that it was "an outrageous use of taxpayer money and an obvious attempt to offend Christians during the Christmas season." Major museum funders threatened to pull their money out in protest. The director of the National Portrait Gallery resigned. The piece in question is “A Fire in My Belly”, a short film meditation on the ravages of HIV and AIDS made in 1986 by artist David Wojnarowicz. Hear in the City Art and Film Contributor, Jesse Lerner has this take on how other museums are protesting the censorship by the Smithsonian. (c) Hear In The City. 2011 . www.hearinthecity.org Airs Mondays on KPFK 90.7FM in Los Angeles at 2:00pm or www.kpfk.org
Arts, film, and music correspondent Jesse Lerner for a visit with creator of Pixel This!, the premier Pixel Vision alternative film festival in Venice, CA. Visit Pixel This! website: laughtears.com. Hear in the City: Radio Realities from the Urban Landscape A Monday magazine on KPFK, 90.7FM, airs at 2pm, in Los Angeles with Sara Harris www.hearinthecity.org
Film Forum will be bringing a touring program of independent and experimental Spanish cinema to L.A. called “New Landscapes for the New World” to the American Cinemateque at the Egyptian Theater on Hollywood Blvd. Our music, film, and arts commentator Jesse Lerner sat down with the programmer of the “New Landscapes for the New World, Garbiña Ortega to talk about the upcoming screenings. Hear in the City: Radio Realities from the Urban Landscape A Monday magazine on KPFK, 90.7FM, airs at 2pm, in Los Angeles with Sara Harris www.hearinthecity.org