Podcasts about Getty

Afghans in Pakistan and Iran face an uncertain future under the Taliban amid a huge deportation drive. We have a report from the Torkham crossing, known as "zero point". Millions of Afghans have fled across the borders to Pakistan for decades. Also, we hear from the Taliban foreign minister who has called on western countries to develop closer diplomatic and economic ties with Afghanistan. Israel says it's captured a senior member of Hamas in Gaza - as Palestinian medics say two children and a woman were killed. Norway's King Haakon pledges an oath of allegiance to the constitution as his father lies in state. A Russian drone and missile barrage kills at least 12 in the capital of Ukraine. Researchers say cancer treatment in mornings could double survival time.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight.Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.ukPhoto: Afghan returnees deported from Pakistan arriving at the Torkham crossing Credit: AFP via Getty

Rachel and Chelsea kick today's episode off with a massive ‘RHOBH' Season 16 casting announcement before exploring the repercussions of the new Jax Taylor domestic violence details. Then, they get into ‘In the City' baby updates, try to get Lindsay Hubbard out of the comment section, and give their first impression of the ‘RHOC' midseason trailer. They close out with the Rumor Report, where they share their excitement over 'RHOM' legends Larsa Pippen and Kiki Barth being spotted filming with the ‘RHORI' cast and talk about Michelle Saniei moving on from Dr. Dre. 00:00 - Welcome! 02:18 - 'RHOBH' news: Casting and legal drama! 12:51 - Jax and Brittany details get even darker 18:25 - 'In the City' news: Babies and drama 25:44 - 'RHOC' news: Midseason trailer and Tamra Judge reacts 36:37 - Rumor Report 42:30 - Thanks for watching! Host: Rachel Lindsay Guest: Chelsea Stark-Jones Producers: Ashleigh Smith and Richard Tinoco Theme Song: Devon Renaldo All photos sourced from Getty. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us Fan MailIn 1973, sixteen-year-old John Paul Getty III had one of the most recognizable surnames on Earth.His grandfather, J. Paul Getty, was known as the richest man in the world—an oil billionaire famous not only for his staggering fortune, but for his eccentricity, complicated family relationships, and legendary reluctance to part with his money.But being a Getty didn't necessarily mean having money.Living in Rome, Paul was rebellious, restless, frequently broke, and already notorious enough that the Italian press had nicknamed him “The Golden Hippie.” He'd been expelled from schools, arrested at a political demonstration, crashed more motorcycles than any teenager reasonably should, and spent his nights drifting through Rome's clubs and piazzas among artists, actors, models, and celebrities.Meanwhile, hundreds of miles to the south, another kind of family had discovered a lucrative business: kidnapping.In Part One, we trace the rise of the extraordinary Getty fortune, the tragedies that would inspire talk of a “Getty curse,” and the history of Calabria's powerful 'Ndrangheta. Then we follow Paul through the streets of Rome on a hot July night in 1973.At around three in the morning, a large white car slows beside him.Three men get out.Paul sees guns.He is struck in the head and manages one question:“Oh, please, what have I done?”Then everything goes black.This is Part One of the kidnapping of John Paul Getty III.Part Two continues with Paul's disappearance, the extraordinary ransom negotiations, a family that initially refuses to pay—and the horrifying package that finally convinces everyone that the kidnapping is real.Support the show

Rachel and Callie start today's episode with their reactions to the third and final part of the ‘RHOA' Season 17 Reunion. They explore their favorite moments from the entire reunion, laugh at Andy's enjoyment (and possibly favoritism) of the ladies, and give their predictions for the next season. They jump into ‘RHUGT,' including recapping Kyle's iconic White Party and talk about the nostalgia they feel every episode. They close out with ‘Next Gen NYC,' where they yearn for better communication from the cast—especially Charlie. 00:00 - Welcome! 00:46 - ‘RHOA' Reunion part 3 recap 16:54 - ‘RHUGT' recap 28:15 - ‘Next Gen NYC' recap 39:11 - Thanks for watching! Host: Rachel Lindsay Guest: Callie Curry  Producers: Ashleigh Smith and Richard Tinoco Theme Song: Devon Renaldo All photos sourced from Getty. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rachel and Chelsea start this week with big ‘RHOBH' news, including reacting to Tracy Tutor officially confirming that she is joining for Season 16 and all the familiar faces that attended Boz's glamorous Ghana wedding. Then, they report on the disturbing charges against Kim Zolciak's son and her statement defending the 15-year-old. They close out with the Rumor Report, where the 'Yellowstone' franchise may be influencing a new Housewives season, before diving into your viewer questions. This episode contains discussion of sexual assault. If you or someone you know is affected by any of the issues raised in this story, call the National Sexual Assault Hotline at 1-800-656-HOPE (4673). 00:00 - Welcome! 02:49 - RHOBH news 22:47 - Kim Zolciak's son 30:56 - Rumor Report 33:45 - Viewer questions 49:50 - Thanks for watching! Host: Rachel Lindsay Guest: Chelsea Stark-Jones Producers: Ashleigh Smith and Richard Tinoco Theme Song: Devon Renaldo Find gear that supports your run BrooksRunning.com All photos sourced from Getty. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rachel and Callie start today's show with the third and final part of ‘The Valley' Season 3 reunion, reacting to Andy refusing to accept Danny's drinking explanation and breaking down the disappointing wedding drama reveal, before giving their predictions for Season 4. Then, they jump into the ‘RHOA' Reunion Part 2 to jam out to Cynthia's surprise song and try to decipher Pinky's safety “device” that had Phaedra running straight to the producers. They close out with ‘RHUGT,' where they are having more fun than expected with this cast, including a “crotchety" Vicki and a new, refreshing side from Lisa Barlow. 00:00 - Welcome! 00:51 - 'The Valley' Reunion Part 3 recap 36:06 - ‘RHOA' Reunion Part 2 recap 46:36 - ‘Real Housewives: Ultimate Girls Trip' recap 55:41 - Thanks for watching! Host: Rachel Lindsay Guest: Callie Curry Producers: Ashleigh Smith and Richard Tinoco Theme Song: Devon Renaldo All photos sourced from Getty. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hour 3 (8.20) The crew runs birth order against their own personalities; Bellio stops the show over a pair of shoes, and Tim admits what he pulled at the Getty on a date. It starts with the theory that where you land in the family — oldest, middle, baby, only — stamps you for life, and the crew testing it on themselves one by one. Then everything grinds to a halt because Bellio's shoes are too cute to let pass without comment. Tim takes it from there with the story of a trip to the Getty with a girlfriend and the move he decided to make while he was up there. And the hour closes on retro television; the shows the crew grew up in front of, which turns into a roll call of people who got fired in radio and what finally did it.Worth knowing before you do the birth-order bit: the largest study on it, 377,000 high school students, found the differences between firstborns and everyone else are so small they have no practical relevance to people's lives. A separate analysis across British, American and German samples found null effects on personality across the board, with the only exception a slight firstborn edge on intelligence. Doing the bit and then pulling the rug plays better than playing it straight.See omnystudio.com/listener for privacy information.

Rachel and Chelsea begin today's Morally Corrupt with Jax Taylor's now-deleted Instagram slideshow of an unhinged email he supposedly sent Brittany before following up on last week's conversation about Jasmine Goode's controversial interjection about parenthood in the ‘Valley' reunion. Then, they talk about Charlie and Ariana from ‘Next Gen NYC,' the news that ‘RHOBH' is filming again and how much of Dorit's story we might see on the upcoming season, and Jesse Solomon allegedly dating new ‘Summer House' cast member Jane Motion.00:00 Chelsea's New Baby Year's resolutions5:13 Jax Taylor's deleted Instagram post15:05 A follow-up on Jasmine Goode's comments about parenthood30:49 ‘Next Gen NYC'36:22 ‘RHOBH' begins filming41:46 Jesse Solomon is allegedly dating Jane MotionHost: Rachel LindsayGuest: Chelsea Stark-JonesProducers: Devon Baroldi and Richard TinocoTheme Song: Devon RenaldoAll photos sourced from Getty. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A local campaigner who secured an apology from University Hospital Limerick over his late father's care has been writing about his experience.Mike Daly in Limerick City made history by successfully securing a second inquest into the passing of his father, Mike Daly Snr. The initial 2012 inquest ruled the death as natural causes due to cardiac failure, but a groundbreaking fresh inquiry was ordered and heard in 2023, and a verdict of medical misadventure was recorded. Following High Court action against the HSE in 2024, UHL issued a formal letter to Mr Daly's widow, Mary, admitting liability and apologising unreservedly for the "hurt, stress, and upset caused”Mike joined the programme.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

The good weather is continuing with flying colours, and while we might all be happy to top up our tans, Limerick farmers aren't as delighted to see the sunshine.Limerick IFA Chairwoman Louise Crowley joins the show to discuss how farmers are reacting to the warm spell.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

In episode 501, Tony Arsenal and Jesse Schwamb dig into the parable of the watchful doorkeeper in Mark 13:32–37 — four tightly packed verses that Jesus uses to call his servants to alertness before his return. But this isn't a passage about spiritual caffeine and white-knuckling your way through the Christian life. Tony and Jesse unpack what "stay awake" actually means through the lens of Reformed theology: active, differentiated stewardship in the ordinary means of grace, faithful vocation in every sphere of life, and a corporate ecclesial readiness that belongs to the whole church, not just the individual. This episode reorients the familiar language of watchfulness away from anxiety and date-setting toward the sturdy, quiet confidence of a believer who knows who they are, whose house they serve in, and why that identity drives everything. Key Takeaways "Stay awake" is a command about identity, not performance. The doorkeeper doesn't do what he does to become the doorkeeper — he's already the doorkeeper. Christians are watchful because of who they already are in Christ, not to earn or secure that status. Vocation is not optional waiting — it's active, differentiated stewardship. Christ's ascension corresponds to the master's departure, and the interim period is characterized by each servant being given his own work, reflecting Calvin's doctrine of vocation and the Reformed insistence that the Christian life between the ascension and the Parousia is not passive. Watchfulness is corporate, not merely individual. The church, as the pillar and buttress of truth, is called to a collective readiness. In Presbyterian polity, every act of a valid church jurisdiction is an act of the whole church — meaning each member has a genuine stake in the faithfulness of the whole body. The ordinary means of grace are the means of watchfulness. Prayer, the Word, the sacraments, fellowship, and sitting under preaching are not supplementary to vigilance — they are the very instruments by which God preserves and prepares his people. Two errors must be avoided: speculative date-setting and practical indifference. Uncertainty about the hour of Christ's return is neither an invitation to calculate nor an excuse for carelessness. It is the very grounds for sustained, ordinary faithfulness. The warnings of Scripture are themselves a means of grace. Following Westminster Confession of Faith 17, the sobering warning of verse 36 is not a threat to the elect's final security but a pastoral instrument by which God preserves his people in living, active faith. The rooster-crowing language of Mark 13 anticipates the Passion narrative. The clustering of watchfulness, the night watches, and the crowing rooster in this chapter echoes the Garden of Gethsemane and Peter's denial — a connection particularly resonant given Mark's traditional association with Peter's testimony. Explanatory Paragraphs Vocation and the Active Interim One of the most theologically rich observations in this episode is the way Jesse frames the master's departure as corresponding directly to the ascension of Christ. The key phrase in verse 34 — "each one his task" — is not incidental detail. It reflects the Reformed doctrine of vocation at full strength: every believer, in every sphere of influence, has been given particular work to do on behalf of the Lord during Christ's bodily absence. This is not a passive waiting room existence. It is an active, differentiated stewardship that is deeply personal and yet accountable to the master who owns the whole house. The ascension does not mean abandonment, and the parable makes that clear by the fact that the servants are left in charge — trusted, commissioned, and expected to be about their work when the master returns. The Church's Corporate Readiness A standout contribution of this episode is Tony's move from the individual to the ecclesial. Drawing directly from OPC Book of Church Order, Chapter 3, he argues that church power is not vested in officers alone but in the whole body of believers. This means that when any legitimate church jurisdiction acts — whether in discipline, instruction, or governance — it is the whole church acting. The parable's doorkeeper is therefore not just a figure for personal piety; he is a figure for the corporate watchfulness that belongs to every member of the household. Tony's point is that a Christian who is disconnected from his local church, indifferent to what is being taught and decided elsewhere in the visible church, is not simply failing at individual holiness — he is failing to be awake in the fullest sense the parable intends. The Ordinary Means of Grace as Watchfulness Itself Perhaps the most pastorally stabilizing insight of the episode is Jesse's observation that watchfulness is not some extraordinary spiritual heroism layered on top of normal Christian life — it is normal Christian life. The ordinary means of grace are ordinary precisely because they are the regular, appointed instruments through which God delivers his grace to his people. Prayer, the Word, the sacraments, and fellowship are not preparatory disciplines that get you ready for the real work of being watchful. They are the work. Tony reinforces this by noting that a person who persistently refuses the ordinary means of grace is not simply being unwise — they are declining the offer of God's grace, which is a far more serious matter than mere spiritual lethargy. Memorable Quotes The doorkeeper doesn't do what he does to become the doorkeeper in this parable. He's already the doorkeeper, and the fact that he's the doorkeeper explains why he's given certain responsibilities and certain commands. That's the way it is for us as Christians. - Tony Arsenal The warnings of Scripture are themselves among the ordinary means by which God preserves His people... the sobering possibility of being found asleep functions pastorally not to threaten the loss of the elect, but to press home the seriousness of watchfulness as the fruit and evidence of genuine faith." - Jesse Schwamb When I go into a patient encounter at the hospital, or when I pull up to a red light, or when I order a sandwich at McDonald's and they get it wrong — I bring with me the fact that I am a Christian, the fact that I am a servant of Christ, that I am a doorkeeper in the house of the living God. - Tony Arsenal Full Transcript Jesse Schwamb: [00:01:00] Welcome to episode 501 of The Reformed Brotherhood. I'm Jesse.  Tony Arsenal: And I'm Tony, and this is the podcast with ears to hear. Hey, brother.  Jesse Schwamb: Hey, brother. Well, we've got some more kingdom teaching on tap right from the mouth of Jesus. We're going through all the parables, if you haven't been tracking with us so far, and we're finding ourselves in Mark chapter 13. And as J- only Jesus can do, packs four verses with all kinds of rich, robust theology, and it's all in this kind of strange setting, actually. A guy heads out of town. He hands his servants the keys. He tells the doorman, "Hey, watch the place," with the same kind of e- enigmatic and vague energy that I imagine, like, your cable internet provider gives you when they give you an arrival time between now and Friday. And then Jesus lists literally, like, every possible hour He might show up, evening, midnight, rooster clock, dawn. And all of this is for His glory and for our benefits. [00:02:00] And we're gonna somehow try to see if we can take all of these four verses, which are so jam-packed, and fit them into our conversation. That's our challenge, and it's gonna be yours to listen to. So welcome to this episode.  Affirm or Deny Segment Jesse Schwamb: But before we do all of that, it is everybody's favorite time. Well, except for Wicked Scriptures. That is really everybody's favorite time. Second favorite time is where we find something in our lives, Tony, that we either affirm with because it's awesome, it's exciting, want everybody to know about it, or conversely, we deny against something because it's just not that great. We don't like it. Don't waste your time with it. So everybody longs to know, in this conversation, are you affirming with or denying against?  Tony Affirms Psalm Music Tony Arsenal: I'm affirming something tonight. Uh, the listener might remember, I don't know, maybe a month and a half back, I affirmed a particular setting of Psalm 63 in the Trinity Psalter Hymnal. And as I was kind of, you know, looking around for, I wanted to find a track to sort of maybe add to the end of the episode just to sort of, [00:03:00] like, put a point on that. I stumbled on, um, a song, singer, I don't know if you'd call him a songwriter, 'cause he's mostly just writing song- psalms. But he's, he's arranging them. He's, you know, writing the guitar line for it or whatever. Uh, his name is Matthew David Montgomery. Uh, I don't know that you would know him from anywhere, but he's on, um- Apple Music, YouTube, Spotify, wherever. Uh, he does an arrangement of O God Show Mercy to Us, which is Psalm 63, uh, setting A, I believe, in the Trinity Psalter hymnal. But, um, it's, it's in other hymnals, other psalters, uh, under the same name with the same tune. Uh, he has a beautiful singing voice. He does a lot of, uh, what's typically called, like, finger style, uh, guitar picking, uh, which is just very melodious and very gentle and soft. Um, it would be a great addition to, like, your morning devotional time to just, like, pick a psalm that he sings, that he's, he's recorded. Um, you can get most of his stuff for free on, uh, YouTube, or again, if you have Apple [00:04:00] Music or Spotify, it's available there. Uh, again, his name is Matthew David Montgomery, and he's got several, uh, several albums. He has ones that specifically is psalms called Psalms for Singing. Um, and then he has a couple finger style hymn songs, uh, hymn albums that are like, you know, like I don't know, more modern hymns, He Will Hold Me Fast, Only Holy God- Right kinda like Getty, um, Getty-style and City Alight songs, those kinds of sort of that complex of modern hymnody. Um, but he's excellent, and it's excellent theologically rich sound music. Um, I haven't listened to everything, but he seems like he's in kind of that, uh, sort of vein of worship music production producer peoples, um, that are just putting out good, accessible music. I know, like, a lot of small churches, uh, have in the past have had to resort to using tracks like this actually to sort of lead their vocal music. Um, that would be something to think [00:05:00] about. It's simple. It's arranged in a straightforward fashion. Many times it's arranged according to the psalters, which are by, almost by definition are designed for congregational singing. So it's good. It's great. Use it for family worship, listen to in your car. I don't know, workout music. I don't know if you would work out to this, but I guess you could try. Um- I love it ... but yeah, I usually, I usually listen to, um, Oh God, Show Mercy To Us probably, like, once a day. I listen to it usually in the morning to kinda center my day and get my head in the right space. Um, but yeah, it's just good stuff. David, um, Mi- Matthew David Montgomery, uh, the specific one was Psalms for Singing, but, um, all of his stuff is really great.  Jesse Schwamb: All right.  Jesse Affirms Hymn Devotional Jesse Schwamb: People are gonna think we're totally conspiring now, but I promise we're not. This is just how our minds work in collective fashion, that we never speak about stuff together. So my affirmation is right in the same vein. So I'm actually excited about this one because it might just be the golden age of daily books about, like, theological meditation. It might be. And [00:06:00] so this one is really good, and I'm super stoked because I'm kind of on the cusp of this one because I got an advance copy of this book, and it's just out now. It's called Awake My Soul, and it's daily readings, 365 hymn texts taken throughout church history from the Middle Ages to 1900. And each hymn for the day includes s- a suggested tune and then, like, a short historical slash, like, theological meditation. The beauty of this- Wow One, I'm learning all kinds of new hymns that are not my favorite. Two, you can either read them or... There's no music included in this, except that in the back there's an index that will give you... There's, like, a little code every day. This is like a s- it's your own treasure hunt. There's a little code on each day, and if you take that code and go back to the end of the book, what you'll find there is names of popular hymns or songs that you do know the, the tune to, and then you can take that same tune and use the same poetic meter that the hymn is in that you don't know, and guess what? You can actually sing it. So you're prepared every day to sing [00:07:00] music and to sing brand-new music with great confidence and high conviction. So this is, like, the bridge here. Go listen to some good music. And I would say if you wanna buy this, because it is brand new, go to hymnworks.com. It's by P&R Publishing. That's where you'll find the best price. It's, like, 25 bucks. It's a beautiful clothbound, like, handsome two-color printing with a ribbon. And also Passion Week and Advent are clearly marked and can be adapted for use in any calendar year. So there you go. Like, it's the double-barreled affirmation for good singing, good hymns. By the way, for all the brothers and sisters of exclusive psalmody, we see you raising your hands in the back. Actually, if you're doing exclusive psalmody, you're in the front. So we see you in the front, and this- And you're  Tony Arsenal: probably not raising your hands.  Jesse Schwamb: You're definitely not raising your hand. We see your hands  Tony Arsenal: in your pockets. Jesse Schwamb: We see you standing there  Tony Arsenal: stoically.  Jesse Schwamb: Yeah. We see your hands in your pockets, never coming out. That's fine. Yeah. Uh, this book also is for you because so much of it is actually just, uh, the psalms adapted for kind of [00:08:00] more, when I say contemporary, between the Middle Ages and 1900 worship. So, uh, there you go. I think this is lovely. Uh, we didn't plan it, but you've got two great resources for daily living and daily singing.  Tony Arsenal: Yeah.  Building Daily Liturgy Tony Arsenal: And, you know, I think, um, there is sort of an element, and I'll be quick about this, where we are set up... We have such a, like, a dearth of riches in terms of accessibility to musical worship. And y- you know, used to think of it as, like, daily devotions, but I think the more, I think the more accurate and I think a, a more theologically rich term is a daily liturgy. Right. Um, you know, with books like Be Thou My Vision, um, by I think it's David Gibson, or, you know, he has, like, the Christmas version and the, um, I think there's an Easter version of it where it really walks you through a, a full daily liturg- liturgy with, like, a call to worship and a, a confession of sin. And, [00:09:00] um, and you could take these resources, whether it's an album like David, uh, or, like, um, David Michael Montgomery. That's a country singer, I think. Whatever the guy is that I recommend. I don't have his name in front of me. Uh, whether it's an album like that or whether it's- Right ... this resource Jesse's talking about, or like I've said before, like, just the trendy Psalter Hymnal app on your phone which will play the music for you and display the words. You can take this and there... I, I hate to say it this way because I know there's a lot of people that, that make good profitable use of sort of like evangelical, I would call it, like, fluffy devo kinda stuff. Uh, which ironically on my list of affirmations of things that are in the queue, there's, there's a devotional resource that even kinda falls into this category. Yeah, there is. But, um, there really is no good excuse for not having some sort of robust daily worship pattern. Right. Um, because you can, you can really make use of these resources to create a pretty cohesive, well put-together, pleasurable kind of [00:10:00] daily worship set or liturgy or experience, I don't know, whatever word you wanna slot in there. Um, a- and really get... Like, really just have an excellent experience out of it, really have good resources. So yeah, I'm, I'm on board. I think it's great. I would love to, I would love to be able to, uh, to take a look at that. So maybe next time we're in the same geographical location you'll have to show me. Jesse Schwamb: Oh, I'll bring it. We'll, we'll do it. It actually doubles as a hymnal because it's all indexed, so you can actually- Yeah ... just use it as a hymnal. I love books that give you two purposes. Oh, that's a double threat book right there. And that means, like, for the spaces taken up in your life and on your shelf it can do more than one thing. That's like having a kitchen appliance that, like, I don't know, is like an air fryer and it brews beer. Like, that's worth- Yeah ... the space all the time  Tony Arsenal: Yeah, I, I just recently found out that they make washers that are also dryers, and they're in the same machine, and- Wow.  Jesse Schwamb: That's transformative ... I  Tony Arsenal: would feel like a millionaire if I had one of those- Reading Mark 13 Parable Jesse Schwamb: 'cause- Well, speaking of [00:11:00] feeling like a millionaire, and I think what you challenge us with is settling in some patterns of daily worship and living for God, it just so happens that Jesus has some instruction for us in that same way- Nice ... in Mark chapter 13. So let me start beginning in verse 32. And if you're tracking along or keeping score at home and you've gone to this chapter, what you're probably gonna find is we're actually in the, the parable of the fig tree, or just at the end. But w- we're not gonna touch that one, not yet, so don't get too excited. We're actually coming right at the end of that. So picking up in verse 32: "But of that day or hour no one knows, not even the angels in heaven, nor the Son, but the Father alone." Now, this is Jesus speaking: "See to it, keep on the alert, for you do not know when the appointed time will come. It's like a man away on a journey who, leaving his house and giving authority to his slaves, each one his task, also commanded the doorkeeper to stay awake. Therefore stay awake – for you do not know when the master of the house is coming, whether in the [00:12:00] evening, at midnight, or when the rooster crows, or in the morning – lest he come suddenly and find you sleeping. And what I say to you I say to all: Stay awake." Tony Arsenal: Yeah.  What Stay Awake Means Tony Arsenal: Yeah, it's a good, uh, it's a good parable. And, you know, this is covering a lot of the same ground as other parables that we've, uh, approached. I think what's a little bit, uh, unique or different about this one is that some of the, some of the cautions that we, um, brought out with the other parables, because they were actually longer and had more details, um, some of those cautions don't necessarily apply the same way here. Jesse Schwamb: Right.  Tony Arsenal: Right? We, we talked about the parable of the 10, of the 10 virgins, or the wise and foolish virgins, whatever you wanna call it, and we talked a lot about how this language of, like, stay awake seemed to be misapplied, uh, as, like, falling asleep is foolish. Because in that para- that particular parable, [00:13:00] um, both the wise and the foolish virgins fall asleep. It's not the falling asleep that was the problem, it was the being prepared, um, for the master's return. Uh, in that case, having the proper equipment, having your, you know, your lamps trimmed, your oil ready, all that stuff. In this parable, um, it really is about being awake. Like, being awake is the task. Yes. It's the specific command. That's right. And so our task tonight is to unpack a little bit about what it even means to be awake, what does this parable say to us about that. Um, but I, I think this one falls a little bit more in line with kind of what we maybe... I know this is weird to say. It falls a little bit more in line with what we've been talking about as a, sort of like a little bit of a legalistic approach to some of the parables. This one really does have, I th- I think, has more to do with, uh, the, the sort of production that Christians are expected to have.  Jesse Schwamb: Right.  Tony Arsenal: The, the, the holiness, the good works we're expected to have, and how [00:14:00] that plays into kind of our alertness, our, our fittedness for service, uh, and, and maybe ultimately even the way that we're rewarded in the last, the last times or in, in heaven. All of that kinda plays in here, and this is kind of like Mark's equivalent to sort of like the eschatological parables that we talked about at, at the end of Matthew in, you know, Matthew 25 and, and sort of that area  Jesse Schwamb: I totally agree.  Vocation and Stewardship Jesse Schwamb: I think this bad boy, even just the first verse, it's like a compact statement of the doctrine of vocation and providence all wrapped into one. And it's easy to read it and just kind of fly by that stuff and say, "Of course, I need to be aware of what's going on. I need to be aware of God's presence or seek Him in worship." All that's true, but there's a lot in this because, of course, the master's departure here corresponds clearly to Christ's ascension. There's like a real bodily absence that nonetheless does not amount to like abandonment. And then to your point, what I think starts to differentiate us from some of like the [00:15:00] other parables where we've been very careful about parsing this, has been this assignment, each his own work. It's reflecting like a really traditional like Reformed, I think, emphasis, even from like Calvin's doctrine of vocation, that the Christian life between the ascension and the Parousia is not one of like passive waiting, but there is like an active differentiated stewardship, and it's every believer. And even though it's just a sentence, there's like a lot of particularity in this to remind us that each one has a task, and that task is something that you should undertake on behalf and for the Lord  Tony Arsenal: Yeah. Yeah, and this, um, the other element of this, um, that I think is interesting is, you know, we don't wanna, um We wanna be careful not to try to build entire theological, like edifices, edifices. I'm not sure which word is right. Edifice. We don't wanna build huge theological structures on top of like slight variations in words. And, and I know that, um, that can [00:16:00] sometimes be very popular in our circles and, and I'm, I s- absolutely support the grammatical historical interpretive method. I don't think it's the only el- only, you know, hermeneutic we should think about. But I definitely agree with the words matter and the meanings of the words matter. Right. But we can also go too far in, like, making an entire theological point hang on the particular choice of a verb pars- like a verb tense or mood or whatever. But I think it's interesting, um, w- the sort of what we might call the parable proper starts in verse 34, but in verse 33 it says, "Be on guard, keep awake, for you do not know when the time will come." That's not the parable. That's Christ giving a command to his immediate audience, and then I think vicariously therefore for us. When we get into the parable and it, and it says, uh, that the command for the doorkeeper, right? So the, he, he takes his servants, he puts his servants in charge, and I s- I take that to mean, [00:17:00] like, he leaves the house to them. Like, he leaves them to their task. They're, they're not, they're not having to report to anybody. They just manage the household- Right ... autonomously or independently. Um, each with his work, so there's this idea that, like, each of the servant has their own proper sort of realm of the house that they manage, right? The gardener's managing the garden, the, the house, you know, the, the, um, the, the person who's in charge of the money is managing that. And the doorkeeper, which is a particular role, his task, his charge, his, he is commanded to stay awake. Now, the phrase, the word for stay awake in verse 30, uh, 34 is not the same word that's used in verse 33. Now, I, I have not done the word study on this or, or the c- commentary work to know how significant that is, but we do affirm that the Holy Spirit inspires each individual word.  Jesse Schwamb: That's right.  Tony Arsenal: And I think we could make an argument that sometimes a word is just used, um, at least on a, on a [00:18:00] human level. It, it's just you don't wanna use the same word multiple times. Like, just like anyone writing any sort of pi- piece of work, you don't use the same word repetitively. You vary the words. You use, use synonyms to, to spice it up and to give it some variety. But also, I think there may be some significance in the fact that within the story, within the parable, the command to stay awake is a particular word, and then a different word to stay awake and to be watchful, and there's this repetition, "Be on guard. Keep awake." Like, those are parallel statements. Um, those, that's a significant thing that that word is different  Jesse Schwamb: Yeah. It's a huge, I think, reminder that there's all... The- even, again, I can't believe how much is packed. Now that I think about this, we start talking about it into, like, a single sentence. But every believer, like every servant in this house, has been given some kind of task suited to his place. I believe that's what Jesus is trying to impress us with. And that idleness is not an option countenanced by the text because the doorkeeper's [00:19:00] particular charge to watch, like you were saying, functions to me, I think, almost like a synecdoche. Like, it's f- for the whole- Yeah ... household's duty. His vigilance stands for what is in fact required of every servant, since verse 37 will then extend this command to, like, everybody. So just- Yeah ... within, like, this little space of writing or this little space of teaching, I think what we have here is, like, it's realistic for us to say we've got the twin realities that ground really biblical ecclesiology in the interim period. We have Christ's real absence, but that's, like, against, I would say, any collapsing of the already into a fully realized eschatology. And then you have Christ's ongoing ownership and authority over his house, which is the church, against any notion that the church is left to autonomous self-governance. So the house, in other words, re- remains Christ's, and the servants remain accountable to him, not to themselves, like you've just said, and each one is accountable to God in a unique way according to the task that he's given them. So again, this beautiful marriage of [00:20:00] both the responsibility, the providence, and the responsibility that we have before God in being responsible to him, but also that he is governing all things for his good and for his glory.  Tony Arsenal: Yeah.  Doorkeeper Role Explained Tony Arsenal: And you know, I think, um, the word doorkeeper here too, uh, you know, as I peek at the Greek a little bit, the word doorkeeper is also a much broader term than, uh, it might seem. You know, like I think, you know, one of my kid's favorite shows is like Curious George, and there's a character in the, the story that's literally named Doorman, and he's just the guy that like opens the door in the apartment that- Right ... Curious George and the Man in the Yellow Hat. But the word doorkeeper in, uh, in the Greek here, when applied to a, a female, is understood to be like the janitor. So the doorkeeper might even be considered something more like the master of the house. Like think of like, um-  Jesse Schwamb: Lady's ...  Tony Arsenal: uh, like the, the head butler, right? In like if you think of like Downton Abbey, right? Right. The, the guy who actually like takes care of and like [00:21:00] runs, the house manager or something like that might be a better way to look at it. And I think you're right that his charge to stay awake, to keep alert, it does extend to the entire household, but it also is a particular command for that figure.  Jesse Schwamb: Right.  Tony Arsenal: Right? So yes, everybody is given their task. This, this person, this doorkeeper, he is, um, called out specifically, individually, right? It's not as though he's the only servant in the house. There's all these other servants, they each have their task, and they're all commanded to keep about their business. The doorkeeper, the master of the house, the, I don't know, head butler, the head ch- the chief janitor, I don't know what you would want, the head custodian of the house, um, and don't think of custodian or janitor in terms of like- Like the school janitor who like cleans the toilets and mops up after the kids throwing up and stuff. The, the janitor or the custodian of the house is really the person who kind of like runs the household, the sort of like head servant of the house. [00:22:00] His command to keep watchful, to be on guard or to be alert is because, um, the, the master's return is sudden and unexpected. Right. And so if the doorkeeper doesn't keep up with things, if he's not awake, if he's not running things, if he's not managing things, if he's not alert and awake, then not only does his task get, get, um, undone... And I think like we think of it like, "Oh yeah, be on guard." You sometimes hear this parable or, or variations of this parable taught as like you gotta keep the wolves out, like he's the guard at the door. Right. I don't think that's what this is getting at. It's really more like if this, if the doorkeeper s- falls asleep on the job, then the entire house falls into disarray, and you can't recover that when the master all of a sudden is at the gate. If you're just the guard, I guess you might be able to snap to attention and like, you know, pull your pole arm or whatever it is up. Like you might be able to snap to attention and kind of fake it. But if you're the guy who manages the entire household and the [00:23:00] whole household is in disarray because you've fallen asleep on the job, there's no recovering from that when the master taps you on the shoulder and says, "Please wake up, I'm home." You just can't recover from that. And so I think that's, that's the element of the story, the element of the parable that we probably need to think about a little bit more is, all right, w- no one of us is the doorkeeper of the church.  Jesse Schwamb: That's right.  Tony Arsenal: But also none of us are not the doorkeeper of the church. So like we all have a role and a responsibility in, in the church to sort of like be a part of, an active part of the church, an active part of God's kingdom, which is not, I'm not trying to say we're all gatekeepers, right? We're not all called to be r- to rule over the church. Like there's a particular office of ruling elder that I would say exists, uh, you know, that's codified in the OPC. But even within other kinds of s- setups, there's usually some sort of elder, you know, setup where there's elders that are not teaching elders. They're not there to like teach and minister and, and preach. They're there to [00:24:00] like govern the church and support the needs of the body spiritually. That's really, uh, you know, like a particular office, but that's also a task and a role that we all share as Christians is to, to sh- sort of, I almost said shepherd, but that doesn't feel right, but it also doesn't feel wrong. To sort of like manage the business of the congregation and the church- That's right ... and the, the invisible church as a whole. That's the task of every Christian, and that's really what this parable's getting at, I think.  Jesse Schwamb: I think so too. And I, I don't wanna, like, build too far a bridge away from that point. I think it's worth sitting there for a second because what occurs to me as you were saying that is I just happened to be reading Calvin's commentary this morning in 1 Corinthians 5, and he builds this whole theological argument around this idea that he, he basically is saying, "Why should the Corinthians mourn over one man's sin?" And he gives two reasons. First, as a consequence of the communion that exists among the members of the church, it's becoming that all should feel hurt at or so it's deadly if one of their members should fall. And the second is when such an erroneous sin is [00:25:00] perpetrated in a particular church, the perpetrator is an offender in such a manner that he pollutes the whole society. That is to say, I think it's kind of in line with what you're saying, that corruption in one place will affect the entire body. That is like falling asleep, pulling away from the mission Being found outside of the mission of God's, uh, for God's glory is something that hurts the church body. And we might ask, like if there is in our own lives a persistent sin, some kind of corruption, then we ought to ask, is there any form of corruption that we're contributing to the body of God? And I think those, these like real consequences of what it means to live in a way where we find ourselves, again, outside of what it means to worship whole heartedly, to worship with heart, soul, and mind, all of which we do imperfectly. Yet at the same time- Yeah ... are we being awake? Are we being made aware? Watchfulness and Rest Jesse Schwamb: I, I wonder if part of what's envisioned here and in view with Jesus' teaching is not just this idea... Almost like I think sometimes we, we say stay awake or we say be [00:26:00] watchful, and of course like I love that Jesus mentions like the four watches. Like that's, I think, like a distinctly kind of Roman division of the night into four three-hour segments. And of course it's gonna suggest to Mark's gentile audience that, and, and underscore this point, that it's not which watch, but that no watch may be presumed safe from the master's arrival. And so I think when we hear that stuff we think, "Well, this means like don't fall asleep." In other words, like there's going to be a test somewhere in your life or all of your life where you're going to be legitimately tempted to take a rest, and you can't take a rest. You gotta keep like just going thrust or no th- you, there's no other choice- Right ... but to give it your all. I think what's better here and what's in view is in all areas of life, are you awake to the reality that God has given you work to do in the spheres of influence that you have, in the particular place in which you live, among the church people whom He has given you to worship with? Are you aware that at all times you ought to be moving and working and for His glory, [00:27:00] even while you are literally sleeping in rest so that you might do those things for the next day? So I- Yeah ... I don't wanna get too hyped up on it's kind of like, again, what's the spiritual equivalent of always drinking Celsius and Red Bull and just like toughing it out- Yeah like with your eyes wide open. It's, it's way more than that.  Tony Arsenal: Yeah. Yeah, uh, this is gonna seem like a weird transition, but it's, it is but also isn't. Um, I, I saw an interesting video the other... I'm getting super nerdy here right now. But, um, I saw an interesting video on YouTube the other day that was talking about how strange it was that there is like a night shift on the Starship Enterprise on Star Trek Next Generation. But, but actually like- It, it demonstrated something to me that, like, even on a, you know, this is obviously a fictional television show, but, like, even on a spaceship where there is no sun, there is no actual reference- Right ... for what a day is, right? We think of a day, and, and rightfully so, it's locked into a 24-hour cycle because of the [00:28:00] way God has created the Earth to spin, and the sun, and the sunrise, sunset, et cetera. But in this fictionalized universe, in this fictionalized world, there's no sunset. There's no, uh, chronology, yet they still divide on, on this, they still divide the day into these three watches. And it's funny, 'cause they talk about how, like, well, there's, there's the day shift, there's the sort of like second shift, and there's the night shift. And they actually even, like, turn the lights down on the ship to simulate a day-night cycle. And, and what it got me thinking about, and I think in the parable, obviously, like, it's the four watches of the night. Um, I play a lot of Dungeons & Dragons, and, like, when you're gonna do what's called a long rest, you have to determine who's gonna set a watch. If you don't set a proper watch, then the dungeon master may make it so monsters show up and you don't get your long rest. This idea that- Even resting is an appropriate and necessary execution of- Right ... the task to be watchful. That's right. Like, I think that's important. If you are, um, i- if you think of like, uh, Lord of the [00:29:00] Rings, right? And they set a watch. Uh, the responsibility of the people who aren't on watch is to make every, every use of that time to sleep so that if something happens, they're alert. And then when also when it's time for them to take watch, they're able to be watchful. And, uh, the other thing I wanna, wanna just comment really quickly on, because I, I, I didn't do a lot of prep for this episode. Big shocker. We don't prep a lot for these episodes. And this is another Markan parable that I'm not super familiar with.  Church Alertness and Power Tony Arsenal: But one of the things that as we're talking through it I'm, I'm becoming more convinced of, is this really is about not just any one individual being alert, although there is implications for us. It's really about the whole church being alert.  Jesse Schwamb: That's  Tony Arsenal: right. Like, the church is the, uh... I, I think it's in, I wanna say it's in Timothy, I don't know where, but the Church is the buttress and pillar of truth, right? So that's not to say we're the, we're the arbiter of truth, but I wanna read this. The... I don't know any other podcasts, although in our circles there [00:30:00] probably are other podcasts that you might hear someone reading out of the Orthodox Presbyterian Church book of Church Order, Form of Government, chapter three, verse, uh, passage one here. Uh, but this is, this is, as I said, uh, BCO chapter three, Form of Government. Uh, and this is, the chapter is titled The Nature and Exercise of Church Power. And when I was coming into the OPC, I don't think I was surprised, uh, in terms of like I thought the theology was different. I was pleasantly surprised to see that this was articulated and how clearly it was articulated. So I'm just gonna read the whole section here. It says, "The power which Christ has committed to His Church is not vested in special officers alone, but in the whole body. All believers are endued with the Spirit & called of Christ to join in the worship, edification, and the witness of the Church which grows as the body of Christ, fitly framed and knit together through, uh, that which every joint supplies according to the working and due measure of each part." Sidebar commentary. The BCO doesn't [00:31:00] have proof text, but if they did, they would just be citing to Ephesians 5 here. Um, back to what the text says. "The power of believers in their general office includes the right to acknowledge and desire the exercise of the gifts and calling of the special officers. The regular exercise of oversight in a particular congregation is discharged by those who have been called to such work by the vote of the people." So just to summarize that, officers, at least in the OPC Um, ruling elders are nominated and voted into, into office and essentially, uh, given their powers, their official powers, their official responsibilities, not by the presbytery, uh, and not by some hierarchy, but by the congregation. They call from within.  Church Authority From Congregation Tony Arsenal: But that, that means that the power of the ruling elders, the, the authority of the ruling elders, is not derived from some hierarchy. It's derived from the [00:32:00] authority and the exercise of power of the whole church. And the other thing, I won't read this, but the other thing that I found, um, really interesting that I really like is in Presbyterianism, and, and I, I believe Presbyterianism is what the Bible teaches positively as a command. I know there are other church polities, and I know everybody is trying to figure it out, and we don't all agree. I think Presbyterianism is the right way.  Jurisdictions And Whole Church Acts Tony Arsenal: But either way, um Presbyterianism works on a s- sort of an idea of, uh, jurisdictions, right? And they're kinda concentric circles. They're not necessarily hierarchical, but it's, it's narrow jurisdictions and then broader jurisdictions. And the most narrow jurisdiction is the session of a local church over that congregation. But what's really interesting is that the, the Book of Church Order calls out that when any valid jurisdiction of the church is exercising its authority, it's not just that jurisdiction that's [00:33:00] acting. That's an act of the whole church, the entire Orthodox Presbyterian Church. So in a congregation where someone is in unrepentant sin and that, uh, session makes a decision, votes a decision to excommunicate that person, to remove them from the rolls, consider them to be an unbeliever, that's not just an act of that jurisdiction. I- i- as a member of the Orthodox Presbyterian Church, when some church in Sacramento, California, I don't know if there's an OPC in Sacramento, I assume there probably is, but some church in Sacramento, California, the presbytery or the session excommunicates someone, I am e- I'm engaged in that act. That's an act of the whole church.  Watchfulness Beyond Personal Piety Tony Arsenal: And this, the, the only reason I go there and I bring, I kind of dive into that level of granularity is I actually think that this is kind of what this parable is teaching, is that as individuals, we need to be alert because the whole church acting is the whole church acting. So whether this takes the [00:34:00] form of me just being really un- un- like, locked into my local church and making sure that I'm active in my local church, or whether... And I think there are some of us who are called to this, um, and I think our, our podcast in some levels sort of takes this shape a little bit, are watching what other people in the church are doing and sometimes are offering corrections, right? It is not the case that an average blogger has ecclesiastical authority in the strictest sense, but when I see, or, or anyone who is sort of involved in online commentary, podcast, blogging or otherwise, I see someone in the church teaching something elsewhere and I call that out, that's me sort of fulfilling this command of Mark 13. I'm being watchful Because what that Christian says or does, if they're truly a Christian, actually does have something to do with what I believe. It actually does have something to do with me as a believer. That doesn't mean that you should get up in everybody else's business. That's not what I'm saying. Like, sometimes- Right ... the thing [00:35:00] that's going on in the church over there is just that thing that's going on over at the church there. But for example, there was a pretty high-profile, um, uh, ecclesiastical, I don't know if it was a trial, but like an ecclesiastical deposition, I guess, um, for a presbytery down in the Southwest, um, about some pretty gnarly things that were being said by an elder in the OPC church, and I wrote to that presbytery. They haven't sent it to me yet, but I wrote to that presbytery and said, "Hey, what you did at that meeting is an act of the whole church that I'm a part of. Can you send me the minutes?" And I have a right to do that, because I wanna see what's going on. I wanna understand what statements they're making on behalf of the Orthodox Presbyterian Church of America. Or, I just combined like 1,000 different denominations- Yes, you did. ... into one sentence. But I, I think the point is clear, like the, the parable of the watchful doorkeeper or the porter is not about exclusively, I do think there's an element of it, but it's not about our individual piety. It's about the sort of readiness state of the entire church for [00:36:00] Christ's return, if you really boil it all down  Avoid Date Setting And Indifference Jesse Schwamb: Yeah, so we, I think before we leave verse 35, we, we are at least contractually obligated to say, though we've said it before, that there are two errors here that we should definitely seek to avoid. And because we're talking about, again, this idea that we do not know when the master of the house will come, that is the reason why we wait, and we are watchful, like you just said. But it means that the first is any kind of, like, speculative date setting, which is a fool's errand. We've talked about that at length. Yeah. The second one, again, I think we're contractually obligated to say, is a practical indifference, maybe sometimes dressed as, like, pious agnosticism, like treating the uncertainty of that hour as grounds for some kind of spiritual carelessness rather than heightened attentiveness. So I think where all this wraps up with what you said about one representing all, that, that is the church's responsibility. Yes, you're right. In Timothy we get the command that this is the center and the pillar. So I... That obviously all this coheres with just straight-up biblical [00:37:00] doctrine of assurance and perseverance, because the elect are kept by God's power through faith. So what that means is watchfulness is not some kind of, like, anxious uncertainty about final salvation, but instead it is, like, this disciplined fidelity in the means God has appointed. Ordinary Means Of Grace Jesse Schwamb: And what are those means? Like, I feel like this is where everybody just shouts back, "Ordinary means." You know what I mean? When I say means- ... you say ordinary. Means- Or I should, I should say it the other way around. Ordinary. But this idea that, like, what are those things God has put into our lives, has appointed for us to use, has commanded us to up- obtain for ourselves by his power? It's prayer, it's the word, it's the sacraments. It's a mutual watchfulness within that visible church like you were just describing, and it's precisely because the timing of Christ's return has been sovereignly withheld from creaturely knowledge. So there's actually a lot in this that I think assuages that, that really sensitive Christian conscience, which is like, "Well, are you telling me I have to do more?" That's not what we're saying at all. We're, we're saying, "Do the things which God has empowered you to do." And guess what? Those things [00:38:00] are just very chill, very ordinary things that take on extraordinary influence and power in our lives by the work of the Holy Spirit. So again, it's like this whole thing of saying, like, when we work, we work. When we pray, God works. It's the same kind of thing here. There is work to be done. There is a watchfulness to undertake in all the activities of our lives. But it is not like whatever the, again, the equivalent, like, is of, like, spiritual, I don't know, like shots of espresso and, and Celsius to just try to, like, by all accounts, by your own power, somehow just not sleep. Uh- Yeah ... not sleeping is not what this text is about. It's actually about being aware, worshiping in awareness around all the things, and then devoting ourselves to all the stuff that we keep talking about, to praying, to studies in the scripture, to having family devotions and time of worship, to baptism, and to the Lord's Supper. That's what watchfulness is all about.  Tony Arsenal: Yeah. [00:39:00] Yeah, and I, I think, um, you know, this is again I do think this parable has more to do with the idea of kinda getting after it. I, I think that's how we usually talk about it, like getting after holiness. Yeah, it is. Um, I, I think this parable has more to do with that than some of the other parables with similar language that we've talked about. But I, I also think, um, as Reformed Christians, uh, we get the, we get the cart before the horse if we think that even though that's what it's about, that that somehow places the onus on us to do the good works, right? Right. The good works are prepared for us in advance that we might walk in them. And, uh, i- it's not even right to say, like, our responsibility is to walk in them. That's not even quite right theologically. Like, we are going to walk in them. Like, that's, that's the thing, is the doorkeeper is given this charge. He's commanded to stay awake, and in good Augustinian fashion, it's really more along the [00:40:00] lines es- of the doorkeeper is made to stay awake because he's been commanded to. Jesse Schwamb: Yes, that's right.  Tony Arsenal: And I think that's, that's really key.  Fruit Checking And Assurance Tony Arsenal: And yes, there is some- something to say for, uh, fruit checking. And I, I know that there are probably some in our audience that just, like, threw up in their mouth a little bit when I said that. Um, but the, the reality is, a lack of fruit, uh, i- in our life, and by fruit I'm talking about good works. Primarily I'm talking about the ordinary means of grace, like you said. A, a person who is refusing to avail themselves of the ordinary means of grace, right? Right on. Regular church attendance, prayer- Right ... the sacraments, Bible reading, um, sitting under the preaching of the Word, fellowship with other believers. Um, I would even say to some extent regular s- regular financial support of the Church. Mm-hmm. Um, and, and I... There, there are times where that may not be, uh, the most feasible thing, and so that's a decision between you and the Holy Spirit and for you to discuss with your pastor. [00:41:00] But, but the reality is God has given us these ordinary means of grace as a gift and as a way to nourish and support us. When we refuse to take part in those, and I use the word refuse intentionally, when a person refuses to attend church, for the most part most of us who have had a season where we don't, don't attend church, and I, I had a long season when I was in college where I just didn't attend church. There was no good reason for it. I just didn't do it. And if I'm being really honest, it was 'cause at that time in my life I had some sinful patterns that I didn't wanna face up to, right? That's usually what it boils down to.  Jesse Schwamb: Right.  Tony Arsenal: Um, but for those of us who d- who refuse to, uh, take part and to avail ourselves of the ordinary means of grace, that should really cause us to question our salvation. Not because the ordinary means of grace cause our salvation, but because the ordinary means of grace are exactly as they're called. Exactly. They're the ordinary means by which God delivers His grace to us. So if we're refusing to receive God's grace, it means we're refusing to receive God's grace. And the only people ultimately who are not forgiven are [00:42:00] those who receive to ref- you know, refuse to receive God's grace. So I think this, this passage has more to do with us in an indi- sort of on the individual level, us being actively engaged and partaking in the, uh, the administration of the covenant of grace, to use a more technical term, right? The administration of the covenant of the grace are the visible means of grace. If we refuse to be baptized, if we refuse to partake of the Lord's supper, if we refuse to attend church and to sit under the preaching of the word and to pray, then we are, we are turning down God's offer of grace. That's right. We're taking the gift that He desires to give us, and we're saying, "No thank you." Well, when we phrase it that way, it's a flat rejection of God's grace that we're engaged in.  Church Mission And Readiness Tony Arsenal: But on a, on a sort of like big picture scale I think it has to do also along with these lines that I'm talking about of the Church itself being ready. Well, how does the Church prepare itself for Christ's [00:43:00] return? Again, the ordinary means of grace, right? We prepare ourselves by teaching and ministering, right? C- I think it's Colossians 1:28. If I was on Reformed Forum, I'd have this memorized 'cause it's their, like, theme verse. But, like, equipping every person for the ministry of Christ, equipping every person, making sure every person is, uh, mature and ready. Like, all of those things come together as the primary mission of the Church. And I know this is gonna trigger some people, but, like, evangelism is not the primary mission of the Church. The primary mission of the Church is to glorify God and enjoy Him forever, which takes place mostly on the Lord's day. I think all of that, the personal dimension, the corporate dimension, all of that coalesces in this command to be watchful, to stay awake, to be on guard, to s- be about the task, to be in charge of the commands you've been given. All of those different concepts come together in what Christ is talking about here in verse 37 when He says, "I say to you, I say to all, [00:44:00] stay awake." Like- Right ... that's what we're talking about. So it's not as simple as personal piety. It's probably not as complicated as some sort of, like, I don't know, least of these, feed-the-poor schema that happens sometimes. All of that happens. It really is just about the Church being the Church and doing the things the Church does, both on the individual level, but also on the corporate level. Perseverance And Scriptural Warnings Jesse Schwamb: And that's why, as loved ones of God, then we can come to verse 36, which is the full warning, and we actually read it as a great comfort. So it says, "Lest he come suddenly and find you asleep." And after all we're talking about here, the way I read this warning against complacency is entirely consistent with, instead of being contradictory to, the doctrine of perseverance of the saints. Because perseverance is not fatalism, and I'm just... I'm still learning this, loved ones. Like, and even here, what I marvel at is the warnings of scripture are themselves among the ordinary means by which God preserves His people. So I go back to the Westminster [00:45:00] Confession of Faith chapter 17, which notes that, "Believers may, through the temptations of Satan and of the world, fall into grievous sins, and so incur God's displeasure, even while never finally falling from grace." So that sobering possibility of, of quote-unquote being found asleep I think functions pastorally not to threaten the loss of the election, of the elect, but to press home I think, like, the seriousness of watchfulness as the fruit and evidence of genuine faith, which is what you're talking about. That, that's kind of like the Reformed theological jam in a sense, and that's why, where I think we'd anchor like James 2, Hebrews 3 and 4. There is, like, a call of the necessity of perseverance in the means as the mark of the true as opposed to be merely, of course, like some kind of profession of discipleship. The visible church, and we talked about this too, mixed as it is, is here warned that the formal membership in the household is no substitute for actual wakefulness. And so I hope we see that warning as not something [00:46:00] that's like, "Well, you gotta, you gotta check yourself every day 'cause if you just step out of line once, if you fall asleep at any little thing, then it just goes to show you that you weren't serious enough." Instead, it's like you said, Tony, like even the warning itself is proof positive that God will save, that He arrests, that He holds everything firm and secure, and that even the setting of the table or the preparing of the good works and then the way in which you walk in them, we might ask, how is it that you are even walking? Yeah. And so even this is all an act of God, whether we speak about that, uh, that justification, that initial positional sanctification, and even the progressive frame as well is all f- happens here because God is in fact doing that good work. So it's a good warning because it reminds us that what's, I think, the particular and special dispensation of the Christian is that in this falling asleep, as the Westminster Confession says, it may mean that we fall even into grievous sins. We're incurring God's displeasure. We're not disrupting our [00:47:00] identity in Christ, but we are disrupting our harmony with Christ. Yes. And so we always want to seek and to live in that kind of beautiful harmony where there is, I think, obedience for a word. There is a special fellowship that comes from being close to God in this way. We should always strive after that and want that very thing, but at no point does the Christian who even falls into grievous sins, as the Confession reminds us, fall outside of God's mercy and grace. Merely we fall outside of God's pleasure, and we r- we're finally returned to grace by His power in our lives, whi- which He Himself affects so that even in our fall, even in our death every day, there is a little bit of resurrection that restores us. Tony Arsenal: Yeah.  Rapture Ready Misreadings Tony Arsenal: Yeah, another way, um, another way to put this, um, and I, I don't mean to trugger, trig- to trigger, uh, our dispensationalist friends and family who are listening to the show, um, there are I will speak from my own experience coming out of a dispensationalist framework when I was in [00:48:00] high school and early college. Um, there was a lot of focus on being, quote, "Rapture ready." And I, I think sometimes we can read parables like this to think that stay awake means be Rapture ready. And what that means is, like, in some forms of dispensationalism, and I think probably many forms of dispensationalism, there's this idea that, like, if you're not right with God in, in this sense you're talking about, if, like, you're in disharmony with God when the Rapture comes, you may ultimately be saved, but you're not gonna be saved by the Rapture, which means you're gonna have to deal with the tribulation, and that's no good. So, like, if your piety's not on point when the Rapture happens, all your friends are gonna be taken away, and you're gonna be left behind, right? I don't think it's too much of a characteristic- a caricature to talk about Left Behind when there's an entire dispensational book series about this, right? Right. The whole concept behind the Left Behind novel is that it's populated by people who thought they were Christians who weren't. Uh, and some of [00:49:00] those are because they had a false profession of faith. Some of them were just back- what, what a lot of people would just call backslidden Baptists or backslidden Christians who, who had a genuine profession of faith but just weren't living in a holy fashion. I think we can sometimes read this, whether we're dispensationalists or not, we can read these kinds of parables in light of Rapture readiness. I think it's, it's both more assuring and also infinitely more severe than that. Right. It's not about Rapture ready. It's about whether you're saved or not. Right. Whether you are in the kingdom of God, whether you are among the household of believers. All of the people in view in this parable are members of the master's household, right? Uh, they're all his servants. So it's not as though there are some who are, um, outside of his family that are be given, being given a command to be watchful. There's also no consequence implied for the doorkeeper if somehow he's not watchful. It's more along the lines of if you're in the faith, if you are the doorkeeper or a [00:50:00] doorkeeper in the g- in the king's house, then you ought to be watchful because that's what you do. And so there's no, like, implied consequence. There's no assumption that the doorkeeper somehow won't be watchful. So I think if there's any sort of, like, gut check, status check that needs to happen, it's really more along the lines of are we in the Lord's household or are we not? That's right. That's right. And I think that's, that's what you're getting at. If we're in the Lord's household, if we're members of his house, if we're servants in his kingdom, then we will be awake when the time comes. We will be awake when he returns.  Rooster Crow And Passion Echoes Tony Arsenal: And the other thing, and I'll just throw this out there maybe as a tease. I don't, I don't think there's enough here for us to come back to it next week, uh, although I've been wrong before, and sometimes Jesse and I have conversations right after that turn into the next episode. I think it's really interesting- I don't know if you ran into this when you were reading it, but- Yeah ... verse 35: "Therefore stay awake, for you do not know when the master of the house will come, in the evening or at [00:51:00] midnight or when the rooster crows," that's a very interesting phrase to me- It is, yeah ... "or in the morning." It's just another chapter or two when- Yeah ... we see the disciples fall asleep in the Garden of Gethsemane, right? Gethsemane. Um, the disciples fall asleep. We see language of the watches, right? The, the hours that Christ is alive and dies on the cross are associated with the watches. Right. And then of course the rooster crowing. And it's a very well-known, um, uh, I, I don't wanna call it a fact 'cause that might be too strong, but it's a pretty accepted, uh, theory in, in the sort of, uh, academic understanding of the, the authors of the Gospels that Mark, uh, Mark actually represents Peter's testimony. That the sort of a- apostolic imprimatur of the Gospel of Mark is actually that M- John Mark, probably while he was ministering with Peter, was being told these, this account, and he's collecting Peter's, Peter's [00:52:00] statements on the events of the Gospel It is very interesting to me that this phrase about the rooster crowing associated with being watchful and ready in the service of the master- Yep would appear particularly in the gospel that's asso- associated with Peter. Right. And I'll throw that out there just as maybe food for a discussion- ... in our Telegram chat, but I do think e- even that is sort of for our benefit, right? Right. We're not talking about, uh, this isn't a parable about what happens when you betray Jesus and hang yourself with a rope, right? This isn't, this isn't Judas who never was a believer. If we're drawing this peril- parallel, this is a parable about Peter, or related to Peter's experience, uh, who was restored, who ultimately had a moment of sleepiness, I guess, both physically and, you know, spiritually here. Had a moment of, of sleepiness, but ultimately was awake when the master came. That's right. And I think, like, there's something there for us to tease out, and, and again, [00:53:00] maybe we'll leave that for the Telegram chat. Maybe that's just for your own personal study. I've done zero commentary work, so maybe this is a connection that I feel- ... is super novel, but actually everyone else makes. Um, but I just thought it was really interesting how closely that language, that sequence of the watchfulness, the watch, sleepiness, awakefulness, and the rooster crows, how closely that lines up to the events that w- would be if we were going through Mark sequentially- Yep ... we would be encountering in just a couple chapters, right? In just chapter 15. They're coming up. Um, we're talking about this exact thing. So it's very interesting to me, is it... The Holy Spirit is amazing in how He has put together this. Yes. Even if, even if that is a super tenuous connection, it's still a connection. And- Agreed ... I have a tough time thinking anyone who's familiar with the, the passion accounts would read this and not go, "Woo." That's a lot of language from the passion account. It's a lot of- Yes ... language related to what happened in just a few chapters.  Jesse Schwamb: Yes. I'm with you. Like we said, there's so much that's within these couple of verses, and you'd have to think if you were reading this with brand-new eyes, [00:54:00] with eyes that never seen this text before, and you were just going straight through, you'd come in just a few short chapters to that whole narrative in Gethsemane and be like, "What? Did he, didn't he just, didn't this guy Jesus just say to them- Like be watchful, stay awake. And here they're... Isn't that ironic? Here they are in the garden, and he said- Yeah ... to them again, "Stay awake." They fall asleep. He comes back, he's like, "Could you not watch for one

Cocaine usage is increasingly prevalent among Limerick women, yet coming forward for treatment can be particularly challenging due to societal judgment, issues over child custody and internalised shame. Coolmine Addiction Treatment Centre says these changing drug use trends reveal a demand for greater rehabilitation services here in Limerick.Coolmine CEO, Pauline McKeown, joins Limerick Today.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

Are you a student or a parent of students who are getting ready for their sixth year and the dreaded Leaving Cert?Well, Julie O'Connor of Synergy Careers here in the Mid West is hosting free webinars on all things careers, course choices and organisational skills from Monday, August 31st.Julie joins Limerick Today.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

Andrew McNamara, a Limerick personal trainer and endurance athlete, has recently set up a free run club with no experience or training required.Iron Miles Run Club meets every Saturday at 10 am at the Living Bridge at the University of Limerick,Live95's Aisling Shanahan asked Andrew what Iron Miles is all about…Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

Pauline McDonogh from the Regional Waste Management Office discusses how we can all play a part in reducing our waste and engaging in the circular economy.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

This week's viewing recommendations with Aisling, Anne Marie and Kate.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

There are more than 370 children currently living in emergency accommodation across Limerick and Clare.And with the summer holidays underway, Focus Ireland is warning that homelessness can mean children missing out on some of the basic experiences of childhood, from having friends over to play, to summer camps, and simply having somewhere stable to call home.Leading psychologist Dr Sharon Lambert and Patrice Kelleher from Focus Ireland's Childers Road Family Initiative in Limerick join the show.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

Asthma is something that affects hundreds of thousands of people across Ireland, but behind the statistics are families dealing with the reality of managing the condition every single day.New research from the Asthma Society of Ireland has found that almost one in ten parents say their child has gone without prescribed asthma medication because of financial pressure.The Society is now calling for free MART inhalers to be introduced for children aged 12 to 17, saying the cost of treatment can be a significant burden on families.One Limerick parent who knows that reality all too well is Michelle Cusack Sexton, whose daughter Gemma has asthma and had a severe asthma attack. Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

Rachel and Chelsea begin today's Morally Corrupt with a breakdown of Brittany Cartwright's explosive interview with People magazine before reacting to the news that Ariana Biermann is officially single! Then our ladies express their disappointment at the news of Amanda Frances's departure from ‘The Real Housewives of Beverly Hills' and share their response to the ‘Real Housewives of Salt Lake City' Season 7 trailer. Finally, they discuss the photos Brian Pontarelli's mistress has been posting on social media of them together having the time of their lives. 00:00 - Welcome!  (2:10) - Brittany Cartwright's People interview  (14:25) - Ariana Biermann is single  (20:52) - Amanda Frances exiting 'RHOBH'  (26:16) - Porsha Williams's divorce settlement (30:55) - 'RHOSLC' Season 7 trailer  (38:14) - Brian Pontarelli's Mistress Pictures (45:27) - Thanks for watching! Host: Rachel LindsayGuest: Chelsea Stark-JonesProducers: Devon Baroldi and Richard TinocoTheme Song: Devon Renaldo All photos sourced from Getty. Learn more about your ad choices. Visit podcastchoices.com/adchoices

AI is getting more powerful, but what happens when it stops doing what its creators told it to do?OpenAI says one of its most advanced AI models went rogue during a security test, escaping a controlled environment, accessing the internet and ultimately breaking into the infrastructure of another AI company.Dr Martin Cuneen from the University of Limerick joins the show to explain how concerning an AI system is that can effectively hack its way out of the box...Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

Limerick DJ and producer Lee James has had a pretty big couple of years since we last spoke to him on the programme.He's got new music out, his tracks have continued to make their way onto some very big platforms, and he recently found himself at the Love Island final after his music featured on the showJames tells us all about it on Limerick Today.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

Dubai has long been sold as the place where the opportunities are endless, the money is good, and the lifestyle is better.But one Limerick man who has spent the last eight years living and working there says that picture is now badly out of date, the easy years are over, and Dubai has become a much more serious place to do business.Aidan O'Brien, a high-performance coach and business speaker working with CEOs and business leaders in Limerick, joins the programme. Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

Skateboarders from across Ireland descended upon Mount Kenneth Skate Park just across the road from us here at the station for the All-Ireland Skateboarding Championships over the weekend. The event first took place here in Limerick in 2010 and has since then grown into one of Ireland's biggest skateboarding events. Live 95's Tara Byrne and Kate Kennedy spoke to some of the teams and participants at the event.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

Limerick schools, businesses and community groups are being encouraged to put their environmental projects forward for this year's Repak Resource Awards.And one Limerick school already knows what it's like to come out on top, with Castletroy College, which won the Battery and WEEE Champion Award last year after its students collected more than 12 tonnes of e-waste and batteries.John Keehan from Castletroy College joins the show to tell us about that project and why other Limerick organisations should consider entering this year.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

We look back at the weekend in sport with Mike Aherne and Mal Keaveney.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

There's a spectacular show in the sky this week, with the Moon set to pass directly in front of the Sun.It will be visible on Wednesday, August 12th, across Ireland from around 6.10 pm, with the maximum eclipse coming just after 7 pm. And while we won't get totality, it will be a very deep partial eclipse with up to 97% of the Sun covered in parts of the west.Dave Moore, editor of Astronomy Ireland magazine, joins the programme.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

This week's coffee break chat with Anna Gibson Steel, Sarah Coleman and Sean Lally.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

We look ahead to the weekend in sport with Mike Aherne, Mal Keaveney and John Keogh.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

UK influencer Molly-Mae Hague has been praised by parents for her honesty after opening up about her three-year-old daughter Bambi going through an “aggressive era”, including incidents of biting and physical behaviour. It has sparked a wider conversation about how common these behaviours are in young children and how parents can best respond. Olywyn Moran, founder and CEO of Cogni Kids, joins the show.Image via Getty. Hosted on Acast. See acast.com/privacy for more information.

On this spellbinding episode of the Archetypal Tarot Podcast, host Cyndera Quackenbush sits down with author and professor Enid Baxter Ryce for a mesmerizing journey through the hidden history of magic, language, and humanity itself. Together, they explore Enid's captivating new book, Ancient Spells and Incantations: Echoes of Magic Through the Ages and Across Cultures, a collection of ancient blessings, curses, healing charms, and spoken rituals gathered from manuscripts spanning centuries and civilizations. From Roman curse tablets to sacred healing prayers, from incantation bowls used to trap spirits to the secret preservation of indigenous magical practices by the very people who sought to erase them, this conversation reveals how deeply human our longing for protection, love, healing, and transformation has always been. Enid and Cyndera dive into the magical power of words themselves: why poetry, prayer, storytelling, and even cursive writing have long been intertwined with spellcraft. They discuss the emotional resonance of ancient incantations, the art of translation across time and culture, and the enduring mystery of words like “abracadabra,” whose origins may point toward the profound idea that we create reality through speech. The episode also touches on tarot, visual symbolism, herbal wisdom, mysticism, language, and the strange beauty of discovering that people thousands of years ago struggled with the same heartbreaks, envies, hopes, and desires we do today. Thought provoking, poetic, and deeply enchanting, this interview is an invitation to remember that magic has always lived in the stories we tell, the words we speak, and the meanings we weave into the world. Enid Baxter Ryce is a writer, artist, and filmmaker who has exhibited at museums internationally, including the National Gallery of Art, the Getty, and the Arnolfini. A descendant of three Salem witches, she comes from a long family history of natural magic practice. Enid has an MFA in visual arts and studied at Cooper Union, Yale University, and Claremont Graduate University. She won the Elizabeth Kray Prize from the Society for American Poets when she graduated from Cooper Union. Enid is currently working on the Getty Foundation Art x Science Initiative project “From the Ground Up: Nurturing Diversity in Hostile Environments,” a forward-looking ethnobotanical study undertaken as the basis of a forthcoming exhibition and an accompanying publication at Armory Center for the Arts. She is the community engagement director and a curator for the Philip Glass Center for Art, Science, and the Environment. Her latest film, War and the Weather, featuring the music of Philip Glass, premiered at the National Gallery of Art Theater in Washington, DC. Enid's work has been reviewed in The New York Times, Artforum, ArtReview, the Los Angeles Times, and many other publications.

Today, we'll explore ancient spells and symbols, the enduring power of language, the wisdom hidden in plants and traditional practices, the legacy of the Salem witches, creativity, consciousness, and what timeless human wisdom may still guide us as we enter one of the most technologically transformative periods in history.Enid Baxter Ryce is an award-winning author, artist, filmmaker, educator, and researcher whose work explores the rich intersections of history, art, nature, storytelling, consciousness, and culture. Her career has crossed remarkable boundaries, bringing together visual art, ethnobotany, filmmaking, literature, folklore, environmental research, and the study of human imagination.Her newest book, Ancient Spells and Incantations: Echoes of Magic Through Cultures and Across the Ages, is the result of years of painstaking research into ancient manuscripts, grimoires, letters, trial transcripts, fragments of papyrus, pottery shards, and rare historical documents from cultures throughout the world. Rather than offering literal translations, Enid presents poetic interpretations that make these ancient voices accessible to modern readers while preserving the beauty, mystery, and humanity found within them.She is also the author of Plant Magic at Home, Grace Flows Through You, The Borderlands Tarot, and numerous scholarly publications. Her forthcoming book, Cultivating Natural Intelligence, examines one of the most important questions of our time: how do we nurture curiosity, imagination, wonder, and authentic human intelligence in children growing up in the age of artificial intelligence?Enid's creative work has been exhibited and screened internationally at institutions including the National Gallery of Art, the Getty, the Harvard Film Archive, the Library of Congress, and the Arnolfini. Her film War and the Weather, featuring original music by Philip Glass, premiered at the National Gallery of Art in Washington, D.C. Her work has also been featured in The New York Times, The Los Angeles Times, NPR, CBS Radio News, People en Español, and numerous other national and international publications.Find out more at: https://enidryce.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rachel and Chelsea start this week's Bravo news with ‘The Valley' drama, including Jax's fake Smart Water deal and Seth Rogen entering the chat with some opinions on Danny. Then, they get into Kelli Potter's delusional but confident Carlos King interview, before closing out analyzing Salley Carson's Sex Unlocked podcast bombshells on Kyle's morning habits and the revelation that she finds Ciara intimidating. 00:00 - Welcome! 03:32 - Jax's fake partnership 12:36 - Seth Rogen and ‘The Valley' 27:04 - Dr. Dre spotted with another woman 28:57 - Kelli and Carlos King interview 36:28 - 'RHOA' casting rumors 41:55 - Salley Carson talks Kyle and Ciara 52:48 - Thanks for watching! Host: Rachel Lindsay Guest: Chelsea Stark-Jones Producers: Ashleigh Smith and Richard Tinoco Theme Song: Devon Renaldo All photos sourced from Getty. Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you had a choice between instantly receiving £50,000 or a 50% chance to win £1m, which would you pick?When YouGov asked exactly that question to people in the UK, 73% said they would take the £50,000, while 21% opted for the 50/50 chance of winning £1m.As you may or may not have imagined, this finding provoked outrage on Twitter, with people saying the UK appeared incredibly risk averse. “This is what's wrong with Britain,” wrote celebrity polling analyst and More or Less interviewee Nate Silver.But is the result surprising, when you know a bit more about how people make decisions like this? BBC economics editor Faisal Islam explains why he thinks not. CREDITS: Presenter: Lizzy McNeill Series producer: Tom Colls Production co-ordinator: Siobhan Reed Sound mix: Donald MacDonald Editor: Richard VadonImage Credit: Jamie Lawton via Getty

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service. We hear how a comic book fan and his friends began the very first comic convention in New York in 1964. Our guest is comic book expert Dr Barbara Postema, from the University Groningen in the Netherlands. Next, we hear how Oasis 1995 hit Wonderwall was made with the man who was the sound engineer on the record. Plus, the memories of the cellist of Auschwitz in World War Two and the final use of a barbaric execution method in Franco's Spain. Sporting Witness takes us back to Hearts of Midlothian's heartbreaking season of 1986. And finally, we learn how Sweden gave its workers some of the longest paid holidays in the world in 1970. Contributors: Bernie Bubnis – organiser of the first Comic Con Dr Barbara Postema - lecturer in the English programme at the University of Groningen Nick Brine – sound engineer on Oasis' song Wonderwall Anita Lasker-Wallfisch – the cellist of Auschwitz Carme Puig Antich – brother of Salvador Puig Antich Gary Mackay and striker John ‘Robbo' Robertson – former Hearts players Inga Persson - beneficiary of Sweden's long summers (Photo: Oasis performing in 1996. Credit: Bernd Mueller/ Redferns via Getty)

Rachel and Callie start this episode with the ‘In the City' reunion Part 2, where they talk about their fatigue over the pink dress and Amanda's lack of accountability, and give their predictions for Season 2. Then they jump into a ‘RHOA' episode featuring Shamea's Rum Bum, K. Michelle's unfiltered commentary, and Angela's devastating one-liner against Kelli. They close out with 'The Valley' Season 3's uneventful finale, where they react to the drink AND cup thrown into Danny's face at Brittany's Halloween party. 00:00 - Welcome! 00:41 - ‘In the City' reunion part 2 recap 18:53 - ‘RHOA' recap 36:05 - 'The Valley' recap 46:26 - Thanks for watching! Host: Rachel Lindsay Guest: Callie Curry Producers: Ashleigh Smith and Richard Tinoco Theme Song: Devon Renaldo All photos sourced from Getty. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, we're sharing the first episode of OMMM, Getty's newest podcast and first video podcast.This series encourages you to engage with works of art mindfully, wherever you are. Part art history, part mindfulness meditation, each episode focuses on one work of art and uses it as an inspiration for meditation and reflection. Long-time museum educator and meditation practitioner Lilit Sadoyan translates her work leading mindfulness meditation tours at the Getty Museum into a podcast that fits into your daily routine. Between episodes, catch Lilit's interviews with fascinating guests like a sleep historian, a mountain climber, and an art conservator, who shed new light on familiar works of art.Today's episode features a sensory awareness meditation inspired by Vincent van Gogh's Irises (1889). Van Gogh's Irises is one of the best known works in the Getty collection. This was one of the first paintings the artist began after entering an asylum following his mental breakdown in Arles. Van Gogh found respite and recovery in the garden—and in his art.With irises shown in full bloom erupting directly from the damp soil, this painting makes it easy to imagine the experience of being down on the ground in a garden on a spring day. Being outside in a garden engages all of our senses—the feeling of the wind, the sound of birds, the scent of warm earth. This experience inspires the episode's sensory meditation.Subscribe to OMMM wherever you get your podcasts and at getty.edu/ommm, where you can also find additional images and transcripts.Subscribe on YouTube for the video version: https://gty.art/4wZysOS

VOV1 - Để cổ vũ đội tuyển quốc gia thi đấu với Tây Ban Nha trong trận chung kết World Cup, hôm qua (17-7), nhiều người hâm mộ Argentina đã tập trung tại Sân bay Quốc tế Ezeiza, ngoại ô thủ đô Buenos Aires để bay đến New York, Mỹ.Những người hâm mộ cho biết, dù cho chi phí cao, việc bỏ tiền ra để chứng kiến ​​Argentina có thể giành được chiếc cúp vô địch World Cup lần thứ 4 là hoàn toàn xứng đáng:“Giá vé quá cao; một vé có giá gấp bốn lần giá thông thường. Nhưng đội tuyển quốc gia của chúng tôi đang truyền tải thông điệp về việc chiến đấu đến cùng với ý chí kiên cường và sự bền bỉ. Vì vậy, điều bạn có thể nói là: nếu họ làm được, ít nhất chúng tôi cũng có thể cố gắng đến cùng họ và trải nghiệm những điều tương tự. Vì vậy, chúng tôi muốn giúp đỡ và ở bên cạnh họ."“Dù chi phí không hề rẻ, đối với tôi điều quan trọng nhất là được ở bên gia đình và cùng chia sẻ khoảnh khắc chung kết. Như tôi thường nói: Tôi có thể sống thêm 3 kỳ World Cup nữa. Tôi không biết chúng ta còn bao nhiêu kỳ World Cup nữa để có cơ hội được xem Argentina vào chung kết."Hãng hàng không quốc gia Argentina, Aerolineas Argentinas, đã thông báo về chuyến bay đặc biệt thứ 3 đến New York dành cho những người hâm mộ muốn tham dự trận chung kết, sau khi 2 chuyến bay trước đó đã bán hết vé. Theo truyền thông Argentina, hai chuyến bay đặc biệt đầu tiên đã bán hết vé chỉ trong 12 giờ. Vé cho chuyến bay thẳng một chiều ngày hôm nay có giá ít nhất 4,8 triệu peso Argentina (tương đương 3.220 đô la Mỹ).Nếu đánh bại Tây Ban Nha trong trận chung kết vào lúc 2h ngày 20/7 (giờ Việt Nam), tại sân vận động New York New Jersey (Mỹ), Argentina sẽ san bằng kỷ lục 2 lần liên tiếp vô địch World Cup của Italy và Brazil./.Trần Nga/VOV1CĐV Argentina sẽ tràn ngập sân Lusail vào tối nay (Ảnh: Getty).

Jason Rantz stopped by Armstrong and Getty to analyze the implosion of the Graham Platner campaign.

In July 1990, West Germany won the World Cup for the third time, beating Argentina 1-0 in Rome. The shirt the victorious players were wearing that night has become one of the most sought-after by classic kit collectors. With its distinctive black, red and gold zigzag across the chest, West Germany's 1990 shirt was a game changer in the world of football kits and helped usher in a new era of bold designs. In 2025, Guy Kilty spoke to the shirt's designer, Ina Franzmann, about how she created the famous kit. Eye-witness accounts brought to life by archive and testimony. Sporting Witness is for those fascinated by sporting history. We take you to the events that have shaped the sports world through the eyes of the people who were there. For nine minutes, you become a fan in the stands as we take you back in time to examine memorable victories and agonising defeats from all over the world. You'll hear from people who have achieved sporting immortality, or those who were there as incredible sporting moments unfolded.Recent episodes explore the forgotten football Women's World Cup, the plasterer who fought a boxing legend, international football's biggest ever beating and the man who swam the Amazon river. We look at the lives of some of the most famous F1 drivers, tennis players and athletes as well as people who've had ground-breaking impact in their chosen sporting field, including: the most decorated Paralympian, the woman who was the number 1 squash player in the world for nine years, and the first figure skater to wear a hijab. You can learn all about fascinating and surprising stories, such as the tennis player who escaped the Nazis, how a man finally beat a horse in a race, and how the FIFA computer game was created.(Photo: West German midfielder Lothar Matthaeus and forward Pierre Littbarski celebrate with the World Cup trophy. Credit: AFP via Getty images)

The Case Against Tattoos- Blue Collar Logic and Lincoln the Wrestler- Armstrong & Getty. This is an encore presentation from our ACU archives

Jason Rantz stopped by the Armstrong & Getty Show (weekdays 6am-9am on Seattle Red 770 AM) to give an update on how Seattle's socialist mayor Katie Wilson is handling homelessness during the World Cup and whether or not the Democrats have a true socialism problem (they do).

Announcing the CTP for SpaceX. MahJong Craze gone wild. Goodbye to Alan Greenspan – The Maestro. Have you seen RAM prices? PLUS we are now on Spotify and Amazon Music/Podcasts! Click HERE for Show Notes and Links DHUnplugged is now streaming live - with listener chat. Click on link on the right sidebar. Love the Show? Then how about a Donation? PayPal.Donation.Button({ env:'production', hosted_button_id:'JJJHP2GDEJC7J', image: { src:'https://www.paypalobjects.com/en_US/i/btn/btn_donateCC_LG.gif', alt:'Donate with PayPal button', title:'PayPal - The safer, easier way to pay online!', } }).render('#donate-button'); Follow John C. Dvorak on Twitter Follow Andrew Horowitz on Twitter Warm-Up - Announcing the CTP for SpaceX - MahJong Craze - Goodbye to Alan Greenspan - The Maestro - Have you seen RAM prices? Markets - Economic Collapse Imminent? - Breathe is narrowing again - chips chips chips are the only play - Spacex coming back down to earth? What is that sucking sound? -- Markets getting weird..... 3% down for NASDAQ 100 today - 8% for SMH and 14% for Memory ETF - Just announced - Alphabet (Google) will replace Verizon in DJIA DEDICATION: Alan Greenspan - Died Monday at age 100 Google Enters DJIA - High priced shares - Moves tech to 22% of DJIA from 17% or so - very meaningful move - Every $1 move for Google = $7 move on DJIA - Tech:  S&P 500 (~30%+), Nasdaq (~50%+) Computer Pricing - What as $2,000 a year ago for a nice desktop is not like $4,000 - Dell not holding pricing quotes - and even if they do, back ordered so prices could go up after order - Will IPOs put more money in the pocket of tech companies to buy gear at any price? Endless - SpaceX recently finalized two massive, multibillion-dollar artificial intelligence contracts: a $6.3 billion computing power agreement with Reflection AI and a $60 billion acquisition of the AI coding startup Cursor. - AI Compute Deal with Reflection AI - - - - The Terms: Reflection AI agreed to pay SpaceXAI $150 million per month from July 2026 through the end of 2029. - - -- - - The Infrastructure: The startup will tap into hardware and GB300 chips housed at SpaceX's Colossus 2 data center in Memphis, Tennessee. More SpaceX - SpaceX shares were as high as $220 post IPO. - Sharea ahve been down over the past 3 days. - Most that got in POST IPO probably bought in at about $162-$165 - Newsline: SpaceX shares slipped for a third straight day, shedding hundreds of billions of dollars in market value, after the company said it is selling investment-grade bonds for the first time. - The stock fell 16% Monday to close at $154.60, the lowest level since the company's first day of trading, pushing its three-day loss to 23% and erasing over $600 billion in value over that period. - SpaceX is seeking to raise at least $20 billion from the first bond offering to fund its artificial-intelligence ambitions. Missed Opportunity - Short the Mattress companies he said...... ----- Got squeezed out....Never to return Swing and a Miss Maybe Because this can happen... - Shares of Getty Images Holdings Inc. soared as much as 145% on Monday after it announced a licensing deal with OpenAI. - Getty said that images from its library will appear in the search and discovery features of ChatGPT, marking a key reversal for the firm. - The partnership with OpenAI could improve “licensing optics” and shift the narrative on the stock, according to analyst Mark Zgutowicz. - Getty shares were up 118% to $1.32 as of 12:44 p.m. in New York, putting them on track for the best session since July 2022. The stock had fallen about 55% this year to close at 61 cents on Thursday before the Juneteenth holiday weekend began. KOREA - SK Hynix - New #1 in South Korea: SK Hynix surpassed Samsung Electronics on Monday to become the country's most valuable listed company. - Remarkable turnaround: A striking reversal for a chipmaker that nearly collapsed under heavy debt roughly two decades ago. (CYCLES) - AI memory leader: Now the dominant supplier of high-bandwidth memory (HBM) chips powering AI systems. - Marquee customers: Key buyers include Nvidia (NVDA) and Alphabet's Google (GOOGL). - Massive 2026 rally: Shares are up more than 340% year-to-date, fueled by the global AI boom. - Market cap milestone: Valuation now exceeds both Samsung and Micron (MU). Markets Get Chopped - Questions being asked about if AI spend boom producing fast enough return - Back to earth on valuation scare - (all of a sudden?) - KOSPI down 11% - Chips getting hit - 12% for Memory ETF - MU down 9%, Intel 4%, ASML 7% RAM Prices... - Looking at some additional RAM today for some office computers .... --- ARE THEY KIDDING? RAM Prices Imminent Collapse???? - President Donald Trump said the prospect of global economic collapse was a big reason he signed an interim peace deal with Iran. - According to sources, the deal reopened the Strait of Hormuz and set in motion waivers for sanctions on Iran's oil sales to the international market, with the effect being an immediate drop in oil prices and a rise in US stocks. - The agreement has been seen as skewed in Iran's favor, giving the country broad gains before the next round of talks, and has prompted pushback and anger from Republican lawmakers. - MOU signed lat Wednesday - also now more waivers of sanctions on sale of Iranian oil - 60 day reprieve. China - Weak economic conditions - H Shares about to enter bear market - Hong Kong - Close to a technical bear market, dragged down by weak domestic consumption, a struggling property sector, and an exodus of funds fleeing "old tech" for AI plays elsewhere in Asia. - A-shares are listed in mainland China (Shanghai/Shenzhen) and primarily target domestic investors. H-shares are listed in Hong Kong and are freely available to international investors More China - Retail sales declined for the first time since December 2022, dropping 0.6% from a year earlier. - China's urban fixed-asset investment contracted 4.1% as of end-May, dragged by real estate and manufacturing. - Manufacturing fixed-asset investment contracted for the first time since December 2020. - Industrial output was the lone bright spot, rebounding from April's near three-year low. - The national unemployment rate fell to 5.1% in May, compared with 5.2% in April. Marrrr Jonggg - Mahjong can be highly addictive due to its rewarding blend of strategy, luck, and social interaction. The rapid tile-drawing, need for pattern recognition, and "just one more round" mentality trigger dopamine releases. If compulsive play disrupts your finances or daily life, it can become a behavioral addiction requiring intervention. - Tactile and Auditory Appeal: Many users on community forums like Reddit agree that the physical weight, texture, and distinct clinking sound of shuffling tiles provide soothing, sensory satisfaction. - There has been a 70% surge in mahjong content on TikTok in the past year - Yelp recently named the Chinese tile game a top trend of 2026, noting that searches for mahjong clubs surged 4,467% year over year for the period from September 2024 to August 2025 and that searches for mahjong lessons rose 819%. Alphabet - WHAT>????*&*^ - Alphabet shares slid 7%, on track for the search giant's worst day in a year. - Alphabet's Google has seen consecutive high-profile researchers leave in the last several days. - The company also has exposure to the market's concerns around commoditized AI and ballooning capital expenditures. - The share slide also came on the heels of a Sunday Wall Street Journal interview with Microsoft CEO Satya Nadella, who called for less dependence on “AI Giants” and said the AI market was commoditized. Back to Oracle - Oracle reduced workforce by 21,000 employees over past twelve months. - Cuts broader than previously disclosed, driven by artificial intelligence adoption. - Global headcount fell from 162,000 to 141,000 full-time employees year-over-year. - Workforce reductions generated $1.8 billion in restructuring costs, company reported. - Company warned AI deployment may continue resulting in workforce reductions. NVDA - Underperforming - Nvidia shares slipping recently despite remaining up about 12% in 2026. - Stock down roughly 3% past month, underperforming semiconductor peers. - SMH ETF surged 84% year-to-date, gaining 15% last month. - Traders predict Nvidia chip pricing power is beginning to decline. - Wall Street focus shifting toward memory and infrastructure AI buildout. - Micron and Sandisk shares jumped nearly 60% over past month. Gloom and Doom - JCD sent interesting take from Chris Bloomstran - Traditionally asset light companies with all sorts of revenue, high margins now.... ---- Converting into asset heavy with no real understanding of what the profitability or even revue will be in the future ----- Here are the highlights of his commentary we can explre: ------------AI buildout shifting markets from asset-light toward capital-intensive infrastructure cycle - Hyperscaler capex surge reflects move into heavy, long-duration asset base - Massive capital requirements challenge economics versus prior asset-light models - Depreciation burden rising sharply as infrastructure scales across AI ecosystem - Returns depend on utilization of expensive, long-lived physical compute assets - Asset-heavy cycles historically lead to overbuild, weak returns, eventual consolidation - Infrastructure spending absorbing nearly all operating cash flow for hyperscalers - Off-balance-sheet financing masking true scale of capital intensity shift - AI economics hinge more on physical capacity than software-driven scalability - Echoes of past asset-heavy booms with eventual oversupply and value destruction Amazon Day - Today - June 26th - US consumers will spend $26.3 billion online at Amazon and other retailers during the four-day sale, up 9% from last year's event in July, according to Adobe Inc. - About 201 million Amazon shoppers in the US were Prime subscribers as of March, up about 3% from a year earlier - Amazon will capture about 60% of all US online spending during Prime Day, its highest market share since 2019, according to estimates from EMarketer Inc. Chevron and Microsoft - Chevron Corp signed 20-year deal with Microsoft for data center power. - Agreement supplies natural-gas fired generation for massive West Texas facility. - Project Kilby expected online 2028, ramping to 2.67 gigawatts. - Full output enough to power more than 530,000 Texas homes. - Chevron partnering Engine No. 1, final investment decision planned later. - Deal follows prior reports of exclusive long-term power negotiations. More Oil News - Drill baby Drill - Interior Department cutting federal drilling bonds by 95% to spur exploration. - Required bond drops from $500,000 to $25,000 for leases. - Bonds ensure cleanup costs don't fall on taxpayers if wells abandoned. - Policy change aims to encourage more oil and gas development. - Proposal subject to 60-day public comment after Federal Register publication. FedEx Earnings - FedEx posted strong fiscal fourth-quarter earnings on Tuesday in the company's last quarter that included the freight business before its spin off. - FedEx Freight spun off into a separate publicly traded company on June 1. - The company said it saw a 3% year-over-year increase in domestic volume. - Stock down 6% A/H   Love the Show? Then how about a Donation? PayPal.Donation.Button({ env:'production', hosted_button_id:'JJJHP2GDEJC7J', image: { src:'https://www.paypalobjects.com/en_US/i/btn/btn_donateCC_LG.gif', alt:'Donate with PayPal button', title:'PayPal - The safer, easier way to pay online!', } }).render('#donate-button'); ANNOUNCING the THE CLOSEST TO THE PIN for SpaceX (SPCX) Winners will be getting great stuff like the new "OFFICIAL" DHUnplugged Shirt!     FED AND CRYPTO LIMERICKS   See this week's stock picks HERE Follow John C. Dvorak on Twitter Follow Andrew Horowitz on Twitter

Getty already struck a similar deal with Perplexity AI. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Meta poured $900M into India's Cred and tapped founder Kunal Shah to run WhatsApp. Google lost Nobel winner John Jumper to Anthropic. Getty soared on an OpenAI deal, JD.com warned robots would replace its couriers, and Toto pivoted toward chips. Meta invests $900M into Indian fintech Cred for a ~20% stake, and plans to appoint Cred founder Kunal Shah as the leader of WhatsApp, replacing Will Cathcart (Bloomberg) The departure of John Jumper, a key member of Google's AI coding development team, further strains Google's efforts to compete with Anthropic and OpenAI (Bloomberg) Getty signs a licensing deal with OpenAI, letting its image library appear in ChatGPT's search and discovery features; GETY jumps 150%+ pre-market (Bloomberg) JD.com founder Richard Liu says robots will replace the company's 700K delivery workers "sooner or later", and it will help retrain them in robot maintenance (FT) Toto, Japan's largest toilet maker, plans to invest $495M by 2030 to expand its semiconductor materials unit, targeting R&D for next-gen 1nm chip production (Nikkei Asia) Japanese toilet maker Toto plans $496M push into chip tech (Tech in Asia) A look at "humanizer" and "autotyper" apps that help students evade AI-detection software by slowly auto-typing essays and making AI text sound less robotic (The New York Times) A speculative scenario titled "Europe 2031" projects economic and political instability in the EU if it fails to keep pace with the US and China in the AI race (The Guardian) Subscribe to the ad-free feed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever felt the raw pressure of holding a company's fate and the founder's trust in your hands?Lindsay Smith drills into the no-filter reality of the “second in command” role, sitting down with Aaron Getty, President of Joe Taylor Restoration. This is not your average COO conversation.Aaron Getty lifts the curtain on his wild ride from sales rep to running every part of a rapidly scaling restoration business. He exposes the brutally honest partnership between visionary founders and operators, the loneliness most COOs quietly endure, and why clear vision beats perfection every day. You'll hear why most leadership “rules” are outdated, how to nurture real growth (not just bigger headcount), and what separates those who thrive from those who buckle under pressure.Listen now, or risk missing the exact frameworks and mindsets that separate average executives from legends. This is an insider's playbook you won't hear anywhere else and the shifts revealed here will shape your next leadership move.Timestamped Highlights00:00 – The vivid vision move that erased all guesswork overnight03:06 – Thriving with a founder who never stops—how to lead without being the brakes06:19 – The “loneliest seat” in the company and the hidden weights of the COO08:51 – How Aaron built an unstoppable leadership team from scratch12:47 – The slow, relentless sales approach that future-proofs your business15:01 – When leaders outgrow their teams: What happens next19:21 – The one training that finally unified frontline and executive growth30:06 – The vivid vision launch party and what it did for company velocity33:57 – Letting go: Why Aaron wants less decision-making power, not moreAbout the GuestAaron Getty is President of Joe Taylor Restoration, a powerhouse in Florida's emergency mitigation industry. With over a decade earned in the trenches, he's scaled the company from a seven-person shop to a 100+ member, seven-location force—setting a new standard for operational leadership in the high-stakes restoration sector.

Featured in Hour One of the Thursday June 18, 2026 edition of The Armstrong & Getty... The Iran has been signed, and no one is happy about it... Heather Myers has The Lead Story... Tim Tebow's fight to protect kids from online predators... Mailbag! See omnystudio.com/listener for privacy information.

Featured in Hour One of the Thursday June 18, 2026 edition of The Armstrong & Getty... The Iran has been signed, and no one is happy about it... Heather Myers has The Lead Story... Tim Tebow's fight to protect kids from online predators... Mailbag! See omnystudio.com/listener for privacy information.

In Episode 496 of the Reformed Brotherhood, Tony Arsenal and Jesse Schwamb open with a rich discussion on the theology of congregational singing — including the Trinity Psalter Hymnal, the Getty's Sing!, and why psalm-singing belongs at the heart of Christian worship. The main event, however, is the first installment of their study of the Parable of the Talents (Matthew 25:14–30). Tony and Jesse argue that this parable is widely misread as a lesson in personal productivity or spiritual gift deployment, when in fact its center of gravity is entirely eschatological and theological: the wicked servant's failure is not financial incompetence — it is a catastrophic misunderstanding of who the master is, and therefore, who he himself is as a servant of that master. Key Takeaways The parable is eschatological, not motivational. Situated in Matthew 25 as the second of three eschatological parables in the Olivet Discourse, the Parable of the Talents answers the disciples' question about the sign of Christ's coming — not a general lesson about using your abilities for God. "Talents" refers to an enormous monetary sum, not personal giftedness. A single talent represented roughly 20 years of a laborer's wages. Even the least-endowed servant received an immense, unearned gift — which makes the wicked servant's inaction all the more indefensible. The wicked servant's problem is theological, not financial. He doesn't bury the talent out of ignorance or fear alone — he actively mischaracterizes the master as exploitative and unjust. His failure is a failure of theology: he does not know who his master is. The commendation "Well done, good and faithful servant" is the basic reward of every believer, not a tiered prize for the most productive. The five-talent and two-talent servants receive identical commendations, suggesting the measure is proportional faithfulness, not absolute output. Faithful stewardship is active, not passive. Both faithful servants are marked by immediacy and energetic engagement. The parable does not explain how they doubled their talents because the mechanics are not the point — their disposition of active, risk-taking faithfulness is. The parable resists works-righteousness readings. Whether one is Augustine or an anonymous deathbed convert, every justified believer enters into the same joy of the master. The parable is not a theology of graduated heavenly rewards but a distinction between those who understand their master and those who do not. The talents represent the stewardship of the Gospel and the Kingdom itself. The master entrusting his servants with his property is a picture of Christ entrusting the church with the message of salvation — ownership remains with the master, the servants are stewards, not proprietors. Key Concepts The Wicked Servant's Problem Is Who He Thinks the Master Is The most common misreading of this parable locates the wicked servant's failure in laziness or timidity — he was simply too afraid to act. But Tony Arsenal argues compellingly that the servant's own words expose something far more serious. He says, "I knew you to be a hard man, reaping where you did not sow." This is not a confession of fear; it is an accusation. The servant has constructed a theology of his master as an exploitative, unjust overseer who doesn't deserve a return. What he catastrophically misses is that the very possession of 20 years' worth of wages — an unearned, unimaginable gift — is the master sowing into him. His refusal to act is, at its root, a refusal to acknowledge the master's generosity and authority. This is the parable's most penetrating theological edge. "Well Done" Is for Every Believer, Not Just the Most Productive One of the episode's most pastorally significant observations is Tony's argument that the commendation "Well done, good and faithful servant — enter into the joy of your master" is not reserved for spiritual high-achievers. Because the five-talent and two-talent servants receive word-for-word identical commendations despite wildly different absolute returns, the logical entailment is that the one-talent servant, had he been faithful, would have received the same words. This means the commendation is not calibrated to productivity — it is the basic inheritance of every believer who enters glory. The soul-winner and the deathbed convert, Augustine and the unknown faithful, all hear the same welcome. The parable is therefore not teaching a graduated hierarchy of heavenly reward, but a binary distinction: those who know their master and act accordingly, and those who do not. The Parable Cannot Be Detached from Its Eschatological Context Jesse Schwamb is careful to anchor the parable in its literary and theological context: this is the second of three eschatological parables in Matthew 25, all part of the Olivet Discourse, all delivered in direct response to the disciples' question about the sign of Christ's return and the end of the age. Detaching the Parable of the Talents from that frame — and reading it instead as a general productivity principle or a theology of spiritual gifts — drains it of what Jesse calls its "gravity." The master going away and returning after a long time is a direct image of the ascended Christ and his parousia. The servants' task during the interval is not self-improvement or career stewardship — it is watchful, active discipleship in the time between the first and second comings. Everything in the parable, including the staggering sums of money, is calibrated to that eschatological frame. Memorable Quotes The real difference is that the former servants understood that their master had trusted them with a task and expected something of them, and the unfaithful, wicked, lazy servant had a total misunderstanding of who the master was — and therefore what his role as the master's servant was. That's the point of this parable. — Tony Arsenal Well done, good and faithful servant — that's not a special commendation that only the most amazing Christian servants get. That's the basic commendation that every Christian who enters into glory will receive. Whether you have been the most productive soul-winner in the world... you're going to receive the same commendation as the person who dies, and on their deathbed the last thing that they think is, 'I trust Jesus.' — Tony Arsenal God's measure of faithfulness is proportional, not absolute. The two-talent servant is not judged by the five-talent standard. He is judged by what he received. — Jesse Schwamb Full Transcript [00:00:08] Tony Arsenal: that's not a special commendation that only the most amazing Christian servants get, right? That's the basic commendation that every Christian who enters into glory will receive. Whether you have been the most productive soul-winner in the world, whether you are the most, you know, the most sanctified Christian who's ever lived, whether you are, the most amazing person and millions of people have come to faith because of your ministry, you're going to receive the same commendation as the person who dies, and on their deathbed the last thing that they think is, I trust Jesus." Right. And they've produced no converts, no ministry, and maybe no one even knows that they were justified, because in their final moments before the lights went out, they trusted in Jesus, right? They hear the same well done, good and faithful servant when they enter into glory. Welcome to episode 496 of the Reformed Brotherhood. I'm Jesse.  And I'm Tony, and this is the podcast with ears to hear. Hey, brother.  [00:01:19] Jesse Schwamb: Hey, brother.  [00:01:21] Parable Teaser [00:01:21] Jesse Schwamb: You know, the parables just keep coming for us, like we've said. And on this episode, to, just to tee it up, to whet everybody's appetites, we've got three servants, one absent master, an uncomfortable amount of money. What could go wrong? Yeah. As it turns out, quite a bit, especially if you're the kind of person who responds to divine generosity by finding the nearest shovel. So we're gonna get to all of that in this, what I call, this now sandwich of eschatological parables or teachings of Jesus in Matthew 25. So hopefully you're curious, hopefully you're stoked. But you can go put your thumb right in the scriptures there, because you're gonna meet us there very, very, very, very shortly. But first we got business. It's always the business we must do, the part of the podcast where we affirm with something or deny against something. And as always, I'm really curious what you have, and now I understand you have a list, or you're keeping a list. So- I do ... never again will there be something like that falls to the cutting room floor, brothers and sisters. Tony is always gonna have for us whatever was- ... what came to his brilliant mind as an affirmation or denial at any point, day or night.  [00:02:29] Tony Arsenal: Yeah. Yeah. Do you, Jesse, do you ever have... I know the answer to this question is going to be yes- Yeah. That's good ... but I'm gonna ask it- All right ... mostly for rhetorical effect here. This is good podcasting.  [00:02:38] Psalm 67B Praise [00:02:38] Tony Arsenal: Do you have, do you have those situations where, like, the, the so- a song hits you, and it's just, like, the right combination of words, but also the right combination of, like, musicality?  [00:02:49] Jesse Schwamb: For sure.  [00:02:50] Tony Arsenal: Where it just, like, it just, it just feels- For sure like, right and good in every part of your being. So- All the time, yep ... I, I'm affirming, um, th- this is like the most Presbyterian thing ever. I'm affirming the, the arrangement in the Trinity, uh, psalter hymnal for Psalm 67B. Now, I'm not gonna try to sing it for you, but I wanna read the words, because obviously it's, it's a paraphrase of a psalm. So, like, that's the first thing. Like, people, like, calm down. Like, it's okay to sing paraphrases. It's okay to sing. No one is actually singing the Hebrew psalms. Right. Amen. So, like, just calm down a little bit. Amen. Uh, there is a place for us to dedicate specific focus to psalms and songs that are from the psalms, but that can be something like Better Is One Day. Like, that's a song from a psalm. Anyway, that's a whole different, that's a whole different thing. Yes, I'm affirming psalm singing. Uh, yes, I'm denying overly rigid understandings of what that is. But here's the words for Psalm 67, Setting B. That's important It's, "O God, show mercy to us and bless us with your grace and cause to shine upon us the brightness of your face, so that the whole world over may truly know your way and so that your salvation all nations see displayed. O God, let peoples praise you. Let all the peoples praise. Let nations come rejoicing and songs of gladness rise, raise." Then, um, stanza two, "For you will judge the peoples with perfect equity. To nations of the whole Earth a governor you'll be. O God, let the peoples praise you. Let all the peoples praise. The Earth has brought its bounty throughout its harvest days.  [00:04:24] Why Sing Psalms [00:04:24] Tony Arsenal: Since God our God will bless us, yes, God will blessing send, that all the Earth may fear Him to its remotest end." Now, there are lots of really great, uh, theologically sound, edifying hymns and worship choruses, but there's just something about the Psalms, right? It's inspired- Um- ... it's perfect. Again, like I said, nobody is singing the actual Hebrew Psalms, or even, I shouldn't say nobody, most people are not singing, like, the Psalms from the ESV, right? These are almost all paraphrases. They're, they're translations. But there's just something about the Psalms that I have grown so much to appreciate since joining a Presbyterian church. That's not to say other traditions don't sing Psalms in their own right, and again, like, we would sing Better Is One Day and other songs that were based on Psalms. Um, even, like, real direct translations or real direct versions of Psalms, like Better Is One Day or Create In Me A Clean Heart, there's all sorts of them. But there's just something about singing the Psalms, and this particular musical setting, it's triumphant, but not in the, like, fanfare kind of triumphant. Do you know what I mean, Jesse? Like- Mm-hmm ... it's, it's a triumphant melody, and it has, like, really interesting rises and falls and... So I, I'm gonna probably try to put this at the end of the episode. So listen. Hopefully I'll get the whole thing. Let me just, let me just do this. Hold on a second. It's just gorgeous. It's just beautiful. So I, I, I don't know what it was this morning. Uh, it's, I wasn't, like, promo- particularly emotional. It didn't, like, make me cry. Yeah. But all of that's fine. Like, I've been brought to tears in worship before, and that's, that's all good and well. There was just something about it that resonated, and I was like, "This is just good." Like, this is just good music. It's good singing. Something about hearing, uh, the whole congregation singing together. Like, it was just beautiful. It was just a beautiful moment. So if you are not in a psalm-singing church, first of all, why aren't you in a psalm-singing church? Uh, no worship leader on Earth, no, no person who is worth... Uh, when I say worship leader, I mean the person who's responsible for leading musical worship. No one who's leading worshipful music, worshipful? Worship music, if you approach them and say, "I would like to sing more songs that are based on the Psalms," if they say, "We don't wanna sing Psalms here," then you just go somewhere else. Like, someone who tells you, like, "We don't wanna s- we don't wanna sing God's Word," that doesn't make any sense to me.  [00:06:56] Jesse Schwamb: Right.  [00:06:56] Tony Arsenal: Um, now again, like, there's a way to do it. Sometimes musically they're challenging, especially if you're singing out of something like the hymnal. But again, there are plenty of really good modern style songs and hymn style songs that are either based on the Psalms or are paraphrases, very similar to what you get in the, in the Trinity Psalter Hymnal. Or most, most people who are leading in musical worship are competent enough to just sort of take the sheet music and figure out how to do it on guitar or figure out how to play it on piano. Um, they're not that difficult. So you will be edified if you do this. Your church will be edified. There's probably a lot of people out there responsible for musical worship that actually would really like to do this, and they're kind of probably, like, just waiting for that nudge, so you may even be benefiting them. But yeah, this, this psalm is beautiful. It's just a gorgeous arrangement, and it's, it's perfect, inspired words. Really was a, just a, a balm to my soul this morning.  [00:07:51] Jesse Schwamb: I love it. And o- of course, a lot of that is still happening, which is such a glorious gift to the church. The couple of times that I've had the privilege of writing music for my own church has been right from the scriptures, and for me recently that was, like, Ephesians 1 and Psalm 16. And that's mainly because, like, as a lyricist, I'm not that creative, and I'd rather go direct to the source. And all those end up being a paraphrase, like you said, anyway. Es- especially if you wanna get turn of phrase or if you wanna have a little bit of rhyming, which is always a beautiful thing. I love the Psalter, and my, my hot take on that is I sometimes find that I like, I don't wanna call them, like, the alternate, but, like, the other secondary arrangements-  Yeah and  lyrics better. I don't know why. I don't think that's purposeful, of course. It's probably just my taste. But I always find them to be, like, super fire. I, I don't know why. The, the B and C versions always kinda grab me, especially if... And here's another thing that I appreciate about the Psalter, as you know, is sometimes those B or C versions will be written in an alternate key or a minor key. Yeah. And that's even more awesome, because there's not a lot of, let's say, like, cla- I don't wanna say classic. Classic slash contemporary, uh, Christian music or wors- quote-unquote worship music that's written in minor keys. But it's good to lament, as we've talked about before. So- Yeah ... you're gonna get that full breath and scope in the Psalter there. [00:09:06] Tony Arsenal: Yeah.  [00:09:07] Beyond Music Styles [00:09:07] Tony Arsenal: A- and, you know, maybe let me put in one more little plug here. Um- I am not one of those people that is gonna say that there's like a particular style of music that's more godly than another. I've heard people try to make arguments that there's like certain kinds of rhythms or certain kinds of like beats that are- Right either, either more godly or somehow demonic or less godly. Um, I think there might be an argument to be made that some styles of worship are not suited well for congregational singing, so they may not be appropriate for like a, a congregational worship service. Like, you're probably not gonna go in and do a lot of hip hop and have the congregation be able to like stick with you. Right. That doesn't mean that you can't worship God through that or that it somehow is less like intrinsically beautiful. But, um, there are a lot of Let me just put it this way. In modern contemporary Western Christianity, uh, there's a lot of songs that are basically just the same thing musically. You know, you'll find, um, if you go to, like, YouTube, and, and maybe, like, be careful, 'cause sometimes some of these are, they're funny but they're a little bit crass. But if you look up, like, a video about how, like, every song is Pachel Bell's Canon. Right. Right? Every song follows the same basic arrangement of chords, and this gets even more pronounced when you're talking about modern worship music or contemporary mu- worship music, because it's designed to be able to be very simple and very easily played. Um, a lot of times worship directors are not super classically trained. Um, you think of, like, the youth pastor with the guitar around the campfire. Like, those kinds of songs have to be easy, 'cause they're not, like, classically trained guitar players. They probably picked up a chord book and figured out how to play a couple easy songs like Jesus, Lover of My Soul and things like that. That's how I learned how to play guitar. That's the extent of my skills, so I'm not, I'm not banging on that person. Um, but there are a lot, there's a lot more to music. Um, there's a lot more to singing, and there's a lot more to choral music than, you know, GCDC kind of like worship courses. Uh, and singing something like the Psalter, or even just singing out of a good hymnal- Right will actually expand your musical horizons. And there's something to be said about the creativity of our God being reflected in the creativity of His people that I do think we miss out on when we are locked into really simplistic worship styles. Um, again, like, I interpret Psalms, hymns, and spiritual songs to mean, like, sing in the vernacular of the people. Um, and I, you know, that's a different episode. We can talk about that sometime. But th- that, that requires the songs to be singable, and I think sometimes, uh, sometimes some of the song- some of the Psalters, some of the songs in the Psalter hymnals, and sometimes hymnals in general, are very difficult to sing. And so I think a congregation, the people leading in music need to be thoughtful of that. But I think you would do well to, like, open your horizons a little bit to something a little bit more challenging and a little bit off the beaten path. Like, this melody, I don't know the chords behind it. It may not be anything crazy, but that, like, musicality and that, that sort of, like, melody is not a typical... And this might be why it resonated with me. It's not a typical kind of melody you're gonna find in contemporary music. Um, it's, it's very different. It's older. It's more classically styled. The, it's, it's meant to sort of bring you up to these crescendos in ways that modern music is not necessarily. So enough about that. I don't know a lot about music theory, so I might be totally wrong and, and- ... people might be rolling their eyes. But I, I do think that there's something to it. Like, a lot of the older hymns- utilize chord progressions and melodies and harmonies and things like that that we're just not used to. You're not gonna get that listening to, you know, even something like, like the more musical kind, uh, more technically proficient music like something like Bethel or Hillsong, which is at times musically very good. Uh, I don't know that I would recommend listening to it, but the music is actually, like, technically very good in some instances. Uh, even there you're not gonna find a lot of this stuff. So instead of going there for, like, really nice sounding musical worship, just go to something like the Trinity Psalter app. You know, for $10 on a- on your iPhone you can sing with it. Um, yeah, enough about that. I, I, I could talk about how great the Psalms are and how great psalm singing is for an entire episode. We should do that episode- We should ... when we're done with the parables, 'cause I know we've done a lot of episodes on, like, uh, on, on, like, the regulative principle and- Right I, I think we're still both in the same spot that, like- Right ... exclusive psalmody is probably not where we would land. Right. But I think I'm coming to the conviction that the psalms should have a much greater portion of our worship diet, uh- Hmm ... than they do in most churches. Um, and I really only came to that conviction when I was in a church where psalm singing was the norm. Uh, I know that we try to have at least one s- one canonical psalm for every single worship service. Usually there's multiple, but, um, even in a, a, a setting where we normally wouldn't be so focused on that, we still try to have at least one, and it's been a, a really huge edifying thing to my soul.  [00:14:06] Jesse Schwamb: Yeah. I absolutely love that. You'll find no complaint from me on that. I think that that's a good reminder for all of us.  [00:14:13] Tony Arsenal: Yeah.  [00:14:14] Book Sing Recommendation [00:14:14] Tony Arsenal: Jesse, what do you have?  [00:14:15] Jesse Schwamb: Well, it's, we're not gonna stop this conversation, just so you know. Because we don't sync up on these things ever, but it just so happens that I'm affirming with a book that it's a really simple primer on congregational singing-  There you go that has  long been on my list and overdue to read, and I am coming in hot with a recommendation for this, and that is the book entitled Sing! How Worship Transforms Your Life, Family, and Church by Keith and Kristyn Getty. And really, it covers so many of the things that you already talked about. I, I think at the foremost, it's a reminder that God cares whether in what we sing, but he does not mind how well we sing. Yes. But it is, like, the, this... What's true is that our voices might not be of a professional standard, but they are of a confessional standard. Yeah. And so it is incumbent upon every Christian to sing. And if you need just, like, a little bit of inspiration, so to speak, or a reminder of why that's important, I highly commend this book to you. In fact, in the back they have what's called, like, these bonus tracks. It's like four or five separate chapters that they've written just to particular people in the church, pastors, laypeople, musicians, even the people that help produce the sound. I found that bit to be so lovely and pastoral. It, it's gentle, the tone is encouraging, but it is also strong, and I appreciate that. So a lot of it is some of the themes that we've just talked about, but my conviction grows all the time of just how important congregational singing is, and how everything you just said, the music, the liturgy that we bring forward- has to be of a deliberate kind to strengthen that exercise, to make it easy, so to speak. And that does come into practical things like if you look at the psalter, and I, I don't... I have it on my phone, but I don't know where my phone is, so I was gonna look at the one you were referencing. My guess is it's, it's in probably a key with a couple of sharps in it, because those are the ones that are easiest to sing. So even little things like that matter. What you hear on the radio often is, or radio? People still listen to the radio? What you hear, like, in, like, contemporary music, like, often is not necessarily for congregational singing just in its key, and, and that's okay. And so even in my own church, we transpose things to make it reasonable and approachable. But what I think was, like, the critical question put forward in this book that I absolutely loved as a great reminder was: how did the congregation sing? It's very interesting that they kind of bring forward this thesis that that's how you should be judging your music. How did the congregation sing? And I think if we started asking that, it might slightly tweak or maybe change altogether, to your point, the methods and the practices that we use when we undergo worship by way or through music. So this is really great. It's easily readable, and it's for everybody, and it, there's a chapter on family worship as well, how to bring singing into your home and music into your home all the time as an act of worship so that when you get to the Lord's Day, your kids are like, "Yeah, this is our jam." Uh, especially maybe even recognizing some of the pieces of music and be excited about that. So there was a lot that made me think about here. It's fantastic. And to your point, Tony, I would say the Gettys, especially in, like, "Christ Alone," some of the other things, this is probably the closest to what you're talking about, where they've taken and imported kind of the classical hymn structures-  [00:17:26] Tony Arsenal: Yeah [00:17:27] Jesse Schwamb: but modernized a little bit just the language while without sacrificing any of the theological richness or the musicality that draws your ear to those beautiful rising and falling melodies, the swelling of the vocal there, without, like, distracting from anything that's going on there. It's not emotionalism- Yeah but it certainly is filled with the emotion of what it means to be a Christian and to sing in response as an act of praise to God.  [00:17:50] Tony Arsenal: Yeah.  [00:17:52] Family Worship Singing [00:17:52] Tony Arsenal: Yeah, I mean, I can't underscore enough the importance of congregational singing. We, we've, we've actually talked about, about it in context of, like, how important it is for the men of the congregation to sing, which is something I, I really appreciate about my congregation, is, is the m- the men just go all out. Like, people are, like- Love it ... nobody is, nobody is ashamed of the fact that they squawk on a note that they're not used to or anything like that. And where this really pays out, um, at least in our congregation, but I'd, I'd be willing to bet if you go to any congregation where the, where the men particularly are passionate and active in musical worship, right? Um, I think where this plays out is you see the children very quickly picking up those songs and learning them and singing them. And the, the favorite part of my day, this is gon- any parent of toddlers is gonna be like, "What are you talking about?" Bedtime is one of my favorite times of day, not just because it means that, like, in a little while I'm gonna get a little peace and quiet. Like, that's part of it, too, but there are two songs that we sing almost every single night, and Augie leads them, which is really great. He always wants to start, and he always wants to sing, and it's the Doxology and the Gloria Patri. And these are songs that he has just picked up from being in the congregation, and, you know, I, I don't remember consciously teaching him any of these songs. And now, now Adeline, who is, uh, my two-year-old daughter, almost two, she's starting to pick those songs up, and she's starting to sing them, and she recognizes them, and she responds very differently to those songs than she does to other songs. Um, it's funny because I don't, I don't know where she got this. Neither my wife nor I are particularly, uh, charismatic, emotive people. Like, we don't raise our hands when we're singing, but she, she does. She, she, when we start singing- My girl ... the Gloria Patri or the Doxology, her hand is in the air, and she's looking at the sky, and she's waving her hands around. Yeah. And, um, she recognizes that those songs have a different place than a Miss Rachel song. She doesn't put her hands in the air and wave and look up at the ceiling when Miss Rachel comes on or when Baby Shark comes on. She knows those songs. She can sing those songs. Um, but she doesn't- Respond to those in the same way. And that is a direct result of the fact that congregational singing is an important thing in the life of our church and in the life of our family. And I think a book like Sing, I haven't read it, but I've heard very good things about it, and the, the Gettys are rock solid, like- Right ... theologically. Yes. Musically. They're, they're well within our Reformed tradition, at least broadly speaking. Um, and, and they have a, they have one of the strongest sort of theologies of praise music that you're gonna find. Mm-hmm. It's not quite like a liturgiology or something like that, but it's, it's, it's a theology of praise worship, praise and worship music. Right. Um, and that's not something that's super common, right? There's a lot of theology of liturgy. There's a lot of practical theology on liturgy. Um, the Gettys have developed a really unique kind of place in things in that they've really developed this idea that congregational singing has a specific theological import, and they've developed it in a way that's approachable. So yeah, I haven't read it and I sh- I probably should, but it, it sounds like a really great book. And, um, I c- just can't underscore it enough. And- Maybe this is my little plug. Like, uh, family worship is really tough, and it's not something I've mastered. Like, we don't, we, we don't have a regular rhythm. But what we do have is we have a consistent, uh, we consistently pray at night before bed, and we consistently sing one or both of those songs. And that by itself, like, the kids are learning and they are, they're absorbing that by osmosis. Um, they're picking up the phrasing, right? Augie can tell you who the three persons of the Trinity are, and that's partially 'cause we do catechism questions, but it's also partially, and I would actually argue probably more, because of the Trinitarian structure of those two songs. Right. He's picked up the language of the Father, the Spirit, and the Son from the Gloria Patri and from the doxology in ways that probably I wouldn't have been able to teach him otherwise. So yeah. Anyway, I, I just co-opted your affirmation. But, um, but yeah. I'm here for it. Congregational worship, family worship, singing, uh, to our Lord is commanded, and it's commanded for our good- Right and for his, his benefit and his blessing. Um, and so any book that is, is solid and will help you do that, I, I'm wholeheartedly behind.  [00:22:17] Jesse Schwamb: Yeah. This is... All that is fire. This is fire.  [00:22:19] Reclaim Congregational Song [00:22:19] Jesse Schwamb: God designed our psyche for singing, and we're probably, uh, I would say contractually obligated since Reformed is in the name of the title of the podcast- to remind ourselves and everybody else that one of the things the Reformation did was reclaim the singing of God's word by his own people. Yes. Taking it out of that performatory space back into literally the voice boxes of the people who are sitting in worship together. So sometimes we might have to do that again. You know, there is a little bit, I think, of... There, there is in some places, not everywhere, this kind of tilting of that time of worship through music to be vouchsafed or relegated to those who are, uh, let's say, like, the most, like, talented in doing that, and somehow we participate merely by observing or by- Yeah just, uh, you know, being an audience spectator of that, and that's totally backwards. So I get it. The thing is- We're all singers. We may not all be very good singers, but we're all created to be singers nonetheless. This is what the Bible tells us. So we need to lean into that. We need to invest in that. Yeah. And so I, I like, of course, what you're doing with, uh, your kids because you're not only teaching them to sing, and this makes me so happy, but you're teaching them to love singing to the Lord. Yeah. And so that is, I think, what a lot of our congregations miss, is sometimes we do it, and I'm among them often, but grudgingly. And so to get to a place where we come excited that our reasonable response, our reasonable preparation on the Lord's day is to sing together, to hear that gospel message in melody in the ear of our... You know, the voice of our neighbor in our own ear is a wild thing. It's just, like, un- unheard of. And it's like, uh, we gotta stop, right? It's one of those things also that, like- ... we've, we've talked about how it's just kind of otherworldly. Not, not only in the sense that it gives us this really kind of foundational sense of God's, you know, kind of transcendence, of what it means to participate in the worship of someone who is transcendent because it is all these voices together, but also this is something that rarely happens in any other way, especially in the Western culture anymore. This coming together to express and to participate in something where we're all reading literally from the same sheet music is just an entirely different experience, increasingly relegated to this kind of experience. So we, we must protect it, not only because God says that we ought to, but also because, again, it is, it is our reasonable response. Yeah. And it is something, like you've just said, that brings Him glory and is certainly for our good. So, uh, this is the Singcast, so everybody- ... everybody get to it. You can make your own music. God has commanded us to sing. So the sooner we just understand, like, hey, it's, it's... You know. Uh, but... And the last thing I'll say is this is one of those things that's, like, practice too. A- and I get it. Like, you may say, like, "Listen, I can only hit two notes, and that's all I'm gonna hit no matter what the music is." Well, then belt the two notes, and also know that, like, the more you practice that kind of thing, honestly, the better that you'll get and the more comfortable that you'll become. The voice is an instrument like any other instrument that takes, like, a little bit of practice and a little bit of work. But even that can cause, I think, great benefits and build a little bit of confidence. But just the example of singing and doing it from a heart that is keen to worship God and that is filled with passion to respond to Him with gratitude and, you know, adoration is really the key thing. And so I, I'd rather have a entire group full of worshipers that are singing off-key but, like, with just resounding passion than to have this performance of just a handful of voices because they feel like they're the most capable to do it. Yeah. I think we'd, we'd rather have everybody else, and to hear the congregation mixed as one of those instruments. So sing. Yeah.  [00:26:05] Everyone Can Sing [00:26:05] Tony Arsenal: Yeah, and y- you and I have made the point in the past, too, like- I, I don't think, uh, maybe I'm wrong. Uh, we are a top 50 healthcare podcast, so maybe some doctor- I'm sure you're correct ... is gonna... Right. Like, I don't think being tone deaf is actually a physical condition. Like- Mm. I, I mean, I, I mean, obviously, like, some people have hearing problems, and that means they have trouble singing. I hear what you're saying. But, like, the people who are like, "Well, I j- I just can't sing. I'm just not capable of that," uh, like, I think the, the physical conditions that would make you incapable of singing are not usually what people are talking about. Like- Right. Yeah ... you know, some people have, like, vocal fold disorders or they have hearing problems, and I guess maybe, like, if perfect pitch is a thing, which it, it is. Like, perfect pitch is a... I don't know what causes it, but some people are born with perfect pitch. I suppose in theory that means some people must be born with, like, the opposite of perfect pitch. But I think most people who say, like, "Well, I just, I'm just tone deaf. I can't carry a tone," that, that's probably not true. Like, it just means you need practice. Um, and some people's voices, like physically, their bodies are more, more designed by God to produce a pleasant sound than other people. But I, I think actually just about anybody with a little bit of practice, and mostly I think this is probably just the confidence to actually sing and a little bit of practice to learn how your body works, like how your voice works, um, could probably get to a point where singing is not only very relatively comfortable and easy, but it's something that is pleasant and is not overly challenging. This is actually something that I think we've lost in the church. We should... This, I mean, this is about to come the episode, but, um- ... something we've lost in the church when we have sort of changed from a true genuine congregational singing model, which was the norm- And I've heard people make arguments about the importance of hymnals, and I, I agree with those arguments, although I know some people have moved them into almost like a realm of, like, divine mandate- Right that you have to use hymnals because it trains people to teach. But we have lost something with both the sort of commercialization of worship music and the pro- like making it a professional thing, and we've lost congregational singing. The, the people in the church throughout history have learned to sing. Many of them have learned to read, learned the scriptures, learned theology, not in the seminary and not in the monastery, but in the pew as they sing God's word and as they sing- Right ... the great theological hymns of, of the church. There's so much you can learn through that process that I just think we've lost. And I think going back to something like a hymnal or the Trinity Psalter Hymnal or whatever, whatever standard music your church is gonna use, and I mean standard music. Like, whether this is a collection of worship choruses that has been curated for the church or it's a published hymnal or something like that, going back to something like that teaches the church how to sing. And I don't remember who wrote it, but the trellis and the vine, like the worship that we sing, I know Mike Horton makes this point. The worship that we sing is the tre- is the trellis that the vine of our wor- of our- Yes ... faith grows on, right? That's true. Like, what the, what the church lex credendi, lex orandi. Like, the church, what the church prays, the church believes. What the church sings, the church believes. So all of that to say, like, the, the importance of congregational singing can't be under-emphasized, and it's... I, I mean, I don't know that I would I don't know that most theologists say technically s- like, congregational singing is an element of worship, but praising the Lord through song certainly is. Yes. It's, it's evidence. Um, and, and so I think that's definitely something that the church has lost in general. Um, and I know there are churches... I- it's funny, when Ashley and I were between churches, uh, very briefly after, um, our previous church closed down, um, we went to a local sort of, like, high, high, uh, production, seeker-sensitive church, very Steven Furtick-esque, and we only lasted, like, 10 minutes in this, in this service. We went in and the production value was great, and the music sounded great, but we couldn't hear ourselves, we couldn't sing- Right ... and it was very performative, and we just left. We were only there for a few minutes, and we left. And I think that's something we've lost as we've sort of migrated worship to almost, like, a professional class. So yeah, bring it back to the pews. Bring it back to your- Bring it back ... bring it back to your house, bring it back to your kid's bedroom when you're tucking them in. Everywhere. Bring it back to the car on the way to work, in the bus. Right. Like, just let's everywhere we go, let's sing and worship the Lord. [00:30:30] Jesse Schwamb: Yeah, that's right.  [00:30:31] Train Your Voice [00:30:31] Jesse Schwamb: Uh, so as a final thing, let me compound your hot take and say that I agree with you, that I... And I think professionals would as well, and I'm gonna stand on a resource that I'm gonna recommend to everybody here in a second, that in fact the Getty say, "If you can speak, you can sing." And there are a f- a few conditions that would prevent you from doing that, of course. And even there, they wanna explore opportunities for you, for instance, signing, for instance, to ensure that you can participate in worship. Uh, the hot take is I do think that because the instrument that God has given us in the vocal cords is exactly that, that it can be trained, and that actually most people can sing. And if you're serious about that, if you think, "You know what? I'd like to be able to do that. How can I explore that?" Here's a book for you. It's called Set Your Voice Free by Roger Love. The full title is How to Get the Singing or Speaking Voice You Want. Roger Love is, like, this amazing behind-the-scenes vocal coach. He has coached, like, a ton of really talented recording artists, and this is his very contention in the book, is that everybody can sing. It's really about how much or little work you wanna put into it. And in fact, this book comes with, like, these exercises that you can listen to and then record yourself. And then he, from a distance basically, can give you some pointers based on allowing you to kinda evaluate what you hear in your own recording back. So if you really are the kind of person that's like, "Listen, I, I dare you. I cannot sing," I would challenge you, I would double dog dare you to get this book, Set Your Voice Free, and if you're really serious about wanting to try and see if it can make a difference, I, I think it can. And I've, I myself have enjoyed this book, gone back to it many times, use it in my own work and practice because I found it to be helpful. So there you go. Sing, sing, and sing again.  [00:32:06] Tony Arsenal: Yeah.  [00:32:07] Singing Apps and Practice [00:32:07] Tony Arsenal: And if you're not a reader, first of all, why are you listening to the podcast? But second of all, if for some reason you're not a reader I'm, I'm joking. I'm sure there are people that are listening to the podcast who are not readers. That was, like, a super smug thing to say. How dare you. I'm sorry about that. How dare you. Um, if for some reason you don't wanna read that book or you're not a reader, um, y- you can do something as simple as looking up Yousician on your Yousician, Y-O-U- Yeah ... S-I, like the word musician, but U instead of, like, Y-O-U instead of, uh, musician. Um, there are plenty of apps out there. I just, I mention Yousician just because I've used that on, like, a free trial basis with some guitar teaching, and it's a reputable source. They also have a vocal module. So, like, if you wanna learn to sing, there are plenty of resources out there who can help you train your voice. A- and it- Again, I'm not a doctor, I'm not a vocal coach, I'm not a professional singer. I'm not even that great of a singer, and I, I probably could be a better singer if I wanted to devote the time to it. Um, it doesn't take much to, to be able- Right ... to become a competent singer. Um, I think most of us, you pick up one s- just like I learned guitar, you pick one or two songs that you really like and you wanna learn, and you learn to sing those songs, and then those skills will develop over time. So enough about that, Jesse. We've got, speaking of talents- ... we've got some talents to talk about. There it is. Boom, bazinga. Baza-bazom. I'm  [00:33:27] Jesse Schwamb: back. There it is. Yeah, so- I was excited  [00:33:31] Tony Arsenal: about that one ...  [00:33:32] Jesse Schwamb: that, that was really good. And, and we should just h- honor everyone. That's it.  [00:33:37] Tony Arsenal: That's it. Tip your waiters and waitresses, folks. It  [00:33:39] Jesse Schwamb: was so good. We're here all week.  [00:33:41] Parable Context Setup [00:33:41] Jesse Schwamb: So we're in Matthew 25, uh, verses 14 through 28, and this is at least gonna be a two-parter for us. This goes by the name you might be familiar of, which is The Parable of the Talents. But before we get to it, just a quick reminder that we've been speaking about this parable, not like in a special way, but hopefully in the more contextual sense. So this is the second of three eschatological parables in Matthew 25. So the first was The 10 Virgins, which we went through. We're in The Talents, and then we're coming up to everybody's favorite, The Sheep and the Goats. All three are part of this Olivet Discourse, which is, of course, Jesus' final teaching block before his Passion. And I think it h- behooves us so that we do not get distracted from, like, the center of gravity of this thing, that this is delivered in response to the disciples' question about the sign of his coming and the age to come. Because I've heard so many, like, little talks, maybe homilies is more the right word, on this particular parable that lack gravity. So little gravity that basically NASA could train their astronauts in it. So we wanna stay away from that and I think get into, like, the, the proper context. So Tony, do you have it in front of you by any chance? And would  [00:34:50] Tony Arsenal: you- I do. I do, yeah. Yeah. Read it for us? I'll read it here.  [00:34:52] Reading the Parable [00:34:52] Tony Arsenal: So this is, uh, starting in, uh, Matthew 25 verse 14, and I'm gonna read down through, uh, the end of verse 30 here. So it, it reads here, "For it will be like a man going on a journey, who called his servants and entrusted them, entrusted to them his property. To one he gave five talents, to another two, and to another one, to each according to his ability. Then he went away. He who had received the five talents went at once and traded with them, and he made five talents more. So also he who had the two talents made two talents more. But he who had received the one talent went and dug in the ground and hid his master's money. Now after a long time, the master of those servants came and settled accounts with them. And he who had received the five talents came forward bringing five talents more, saying, 'Master, you delivered to me five talents. Here I have made five talents more.' His master said to him, 'Well done, good and faithful servant. You have been faithful over a little. I will set you over much. Enter into the joy of your master.' And he also who had the two talents came forward, saying, "Master, you delivered to me two talents. Here I have made two talents more." His master said to him, "Well done, good and faithful servant. You have been faithful over a little. I will set you over much. Enter into the joy of your master." He also who had received one talent came forward, saying, "Master, I knew you to be a hard man, reaping where you did not sow, and gathering where you scattered no seed. So I was afraid, and I went and hid your talent in the ground. Here, you have what is yours." But his master answered him, "You wicked and slothful servant. You knew that I reap where I have not sown and gather where I scattered no seed? Then you ought to have invested my money with the bankers, and at my coming, I should have received what was my own with interest. So take the talent from him who gave it, who give it to him who has 10 talents. For to everyone who has will more be given, and he will have an abundance. For, uh, but from the one who has not, even what he has will be taken away. And cast the worthless servant into the outer darkness in that place where there will be weeping and gnashing of teeth."  [00:36:56] Watchfulness and Stewardship [00:36:56] Jesse Schwamb: So it starts with that amazing connective, which we really spoke about in the last episode, in verse four- 14, starting with four. So it's tying, like we said, this parable directly to verse 13, which we know is in the, the parable of the ten virgins. But it's this idea of watchfulness. "Watch therefore, for you know neither the day nor the hour." So th- I think this is the point we really drove last time, that we really felt highly convicted about, that this parable is not like a detached economic lesson, but it's really like an expedition, exposition, not expedition- ... of what watchful discipleship actually looks like during the interval of the master's absence. Like, that's the whole setup here. So it's starting with this idea of like the master goes away, but here we have these slaves or these servants who are entrusted. And to me, again, that's like such a linchpin in this whole thing, 'cause it's, it's carrying the sense that of course, like, he's handing over stewardship. It's a deposit held on another's behal- I love this parable because it has some banking language in it. It's, it's a deposit held on another's behalf, and that's like the key covenant concept of the entire thing. Ownership remains with the master. The servants are stewards. They're not proprietors. And that language, I think, really anticipates, like, the entire New Testament theology of stewardship, which is developed by Paul. So like when Paul writes in 1 Corinthians, "This is how one should regard us, as servants of Christ and stewards of the mysteries of God. Moreover, it is required of stewards that they be found faithful." So like all of that, that's like just one verse for me. Like, that's an incredible setup.  [00:38:27] Tony Arsenal: Yeah.  [00:38:28] Common Misreadings [00:38:28] Tony Arsenal: Yeah, and you know, I think it bears saying, too, um, I wanna be careful how I say this because I don't wanna impugn, uh, poor motives or anything like that on, on the, the people that I'm about to speak to. And I say this a little bit tongue in cheek, but also I say this as someone who used to be deeply involved in youth ministry. There's kind of like a, a youth ministry, um- international version of the Bible, I guess, if you wanna put it that way, where, like, there are certain, certain passages and parables that s- for some reason seem really prone to misapplication- Sure in, in some context. And I would say, like, youth ministry is the one I have in mind. Like, um, one of them is, like, in Matthew 18 where it's like, "Where two or three are gathered in my name, there I am in the midst of them." Like, that's a, that's a statement about God's, God's presence in the judgment of the church and excommunicating an un- like, a, an unrepentant, uh, person who identifies with Christ. And, and ironically here, maybe not ironically, but, like, casting them into the outer darkness of excommunication, which is representative of casting them out into the actual inner darkness of damnation. Right. Like, th- there's a, there's a misapplication of that, that like, well, you know, like, if only a couple people came to youth group tonight, like, it's still worth meeting because where two or three are gathered, there I am in the midst of them. Um, this, this parable has a very similar kind of misapplication that is maybe a, a little bit less of a misapplication. Like, I think there is something to say in this parable about the fact that God entrusts us with abilities, talents, treasure, t- our time. Like, He's entrusted us with resources, and He does expect us to use those resources, uh, in a way that is honoring to Him and beneficial for the, for the gospel and for the kingdom. Um, that's true in a broad sense, but I don't think actually that this is what that... But, like, that's not what this passage- Mm ... is teaching. Right. I think I, I kinda joked last time, but, like, I've heard more than one sermon that draws the parallel between the word talent here and our talents in terms of, like, our spiritual gifts or our ability to play guitar or, like, to bounce a basketball and, like, thr- like, throw a free throw. Like, that's not the kinda talent we're talking about here. So I wanna, I wanna sorta, like, point that out just to sort of exclude that from the conversation. Yes, God gifts His people, and He expects His people to use those gifts for His glory and for their own benefit. Um, but that's not what this parable is talking about. This is a parable about the fact that God has entrusted the kingdom of heaven on Earth to His people.  [00:41:08] Jesse Schwamb: That's right.  [00:41:08] Tony Arsenal: And He expects His people to make use of that in a way that expands the kingdom and also in a way that does not... And this is, this is, I actually think, the main point of the parable. In a way that properly understands the nature of the king. The, the punchline or the main point of the parable here, it, just to sort of, like, I don't know, give away the ending or, like, unbury the lead, I don't know, whatever that is. The point of this parable- It's not that, like, it's a really good thing to double what God has resourced you with. The point of the parable, the reason that, just like the, um, just like it wasn't the virgins falling asleep in the last parable that was the problem because everybody fell asleep, in this instance, uh, the amount of money or the amount of return on investment that the servants produce is not the point of the parable. That's not the real difference between them. The real difference is that the former servants understood that their master had trusted them with a task and expected something of them, and the, the unfaithful, wicked, lazy servant had a total misunderstanding of who the master was- Right ... and therefore what his role as the master's servant was. That's the point of this parable, and I think, this is the last thing I'll say before I, I, I take a breath here. There's a lot of people that would look at this parable and might read some sort of works righteousness or, um, and this is more understandable and I think has a place within the Reformed tradition, although I don't necessarily hold this view. But would look at this as sort of like a theology which would, would argue that we receive some sort of enhanced rewards in heaven based on our faithfulness. There's plenty of good, faithful Reformed Bible teachers that would hold that position. I actually think whether or not that's true, this is still also not what this passage is getting at. [00:43:00] Jesse Schwamb: I, I totally agree with you there.  [00:43:02] Talents as Huge Wealth [00:43:02] Jesse Schwamb: I, I think one of the reasons that we know that is because we can look at some of these details and let the details speak to us about the magnitude in their representation, why they're given. So of course, whenever the scripture gives us detail, especially in a context like a parable, it can be helpful of cour- of course not to overanalyze them, but to respect their place in the context of the story, and that's why verse 15 I think is so important. So to one he gave five talents, to another two, to another one, to each according to his ability, then he went away. Now, this, this varies slightly, but there's a lot of, I think, very common historicity here that points us to understanding, like, the talents as a unit of monetary weight, and there is some discrepancy about its exact weight. But what we can say for sure is this: that we're talking about, as I teased at the beginning, a huge sum of money. So in other words, like, this is a gift from God himself. It's a divine gift. Yeah. It's something that's not earned. It's something that's given and something that's entrusted. So in the first-century Roman world, a talent was roughly equivalent to, like, 6,000 denarii, depending on who you talk to, which would mean that a single talent represented approximately, like, 20 years on average of a laborer's wages. So the sums then here we're talking about are staggering even at the lowest one. So the five-talent servant is receiving essentially approximately equivalent of a century's wages, and the one-talent servant is receiving 20 years' worth. There's no such thing as a small gift in Christ's economy, I think is the point here, and even the least endowment is immense beyond our reckoning. Yeah. So the distribution also is deliberately unequal. It's five, one, two, and the text doesn't offer any apology for this inequality. The master distributes to each according to his ability, which as I say that, I realize that could probably be its own episode, that we could talk about what that even means. Yeah. But he is matching and entrusting to capacity, and that's not arbitrary. Of course, that's wise and personal, and even the Greek here for this idea of capacity or power suggests the master knows his servants intimately and calibrates the stewardship accordingly. But nonetheless, it proves the point you're making here, which is not just about, like, well, do you have some kind of innate ability that's above average that God has endowed you with here? That's not even what we're talking about. Again, the whole point of this is to answer the question eschatologically about what the end means and when the time is coming and what good discipleship looks like. And so in that way, we understand then these talents to be these divinely appointed and massively generous gifts of God, essentially, like you said, the stewarding of the gospel in the story of salvation itself unto his people, and then to make something of that, so to speak, by the power of the Holy Spirit that earns a return for the kingdom, that is all empowered by God, that is under the volition of the person, uh, the Christian who says, "As a disciple, it is my responsibility to steward these gifts." That is really what we're after. So we do kind of get in this place where when you take this and say, "Well, what are you doing with," let's say- your home, if you have a nice home, are you being hospitable enough? If you have, let's say, a good singing voice by talent, are you using that to make sure that you're on the, quote-unquote, "praise and worship team," is not, like, entirely wrong, but it's not right either- Yeah to use this passage- Yeah ... for that purpose. There's a bigger theme here. There is, there's a much stronger and widescale framework that God is drawing us to and examine, and it's about the stewardship of the church itself.  [00:46:30] Tony Arsenal: Yes. Yeah, yeah, yeah.  [00:46:31] The Foolish Servant Exposed [00:46:31] Tony Arsenal: That's really key, and this is what struck me as, as you were speaking about that, is like we see in so many of the kinda like, uh, like the chump in the parable. Like, there's- Yeah ... a lot of these parables have like a chump- Right ... where like you're looking at and you're like, nothing about what you've decided to do makes any sense. We're talking about people who've been given, in the first case, 100 years worth of, worth of wages. Right. Right? Any one of these people, and again, we're talking about a timeframe where, like, you could just take that money and run and, like, nobody's gonna find you. There's no digital trail on any of this, right? If I stole, if I stole 100 years worth of labor from my manager or from my, my employer, they would find me, right? That's not the situation we're talking about. So even the chump who decided, "I'm not gonna do anything with this," he could've just take- taken off with the money and had 20 years worth of labor. Right. Just 20 years worth of wages. Right. This is a, this is a sum of money that makes all f- all three of these servants unimaginably wealthy instantly, right? The point of this is, in part, that the final servant has no idea the amazing blessing and responsibility that he's been given. And again, I come back to this. It's not because he is dumb or because he is, um, somehow less competent in a strict sense, right? It, it's so funny to me, like, we also gloss over the fact that, like, the guy who has five talents, he's got 100 years worth of money, 100 years worth of wages. Right. And he just goes and gets 100 more. Like- Right he just goes and trades and- Right ... comes up with 100 years worth of wages that he brings back. Like, that's, in itself is, like, phenomenally, amazingly outrageous. We ran into this too with the, um, the parable of the unmerciful servant, right? We've, we've got one guy who's got this unimaginable debt, like, like, thousands of years worth of, uh, worth of wages that he could never make up, and he thinks he's gonna somehow come up with it if you just give him enough time. It's kind of like the opposite here. This guy's got this unimaginable amount of instant wealth, and he just buries it in the ground. First of all, how much... We're also talking about an era where money was a physical, entirely physical.  [00:48:53] Jesse Schwamb: Right.  [00:48:53] Tony Arsenal: There were no, there were no digital banks. Like- No zeros and ones most of our money exists as ones and zeros in a computer program right now. Right. Like, in reality, like- Right ... my money doesn't exist. We don't have, like, a physical gold standard anymore in America. Jesse could probably s- I'm probably making dumb things up right now. No, that's that's- Like, it used- Right on to be that, like, every dollar that the United States government printed had, like, a piece of gold sitting at Fort Knox- Yes ... uh, like backing it up, but we just don't have that anymore. Most of the money that exists in our system is entirely imaginary. It's an entirely, like, made-up digital currency way before, like, Bitcoin was a thing. That's not the case in this timeframe. This dude who buried 20 years worth of money in the ground, that's a significant amount of labor in and of itself- Right ... to even be able to do that. So we're not talking about, like... And I think this is the thing we miss when we, when we read the word talents, and one, when we obscure it and we, like, we misappropriate the word talent to mean, like, abilities, 'cause it, that's a convenient, like, illustration tool. We're talking about a huge sum of probably gold or silver that this dude just buries in the ground, and then, like, digs it up when the master comes back.  [00:50:01] Jesse Schwamb: Right.  [00:50:01] Tony Arsenal: And I think, like- When we don't realize how much money this is, we miss the force of the master's like, "You stupid, dumb, wicked, slothful servant." Like, if you had even taken this money to the bank and done the least imaginable- Yes ... effort. Exactly. Like, if you had done anything at all, like how mu- how difficult, granted more difficult back in this age than it is now, but like if you had even done something as simple requiring as little labor as possible and just brought this to the bank and let them collect interest on it, we'd still be talking about a huge return. [00:50:35] Jesse Schwamb: That's right.  [00:50:36] Tony Arsenal: And he doesn't even do that, and that's, that's the point. There's the people who do, and they gloss over this. The parable totally glosses over the amazing effort and work that it must have taken to take 100 years worth of la- of wages and turn it into 200 years worth of wages. Right. Or to take 40 years worth of wages and turn it into 80 years worth of wages. That's an amazing, probably almost miraculous return on, on investment. Whatever they did is amazing, and the parable's like, "Yeah, they did that." They just took it to the traders and they brought back five more talents. Like, it's nothing. And then this idiot, and I say idiot in like the most like, like exegetically sound, idios, like, like foolish idiot person. [00:51:20] Jesse Schwamb: Right.  [00:51:20] Tony Arsenal: This idiot just buries it in the ground and doesn't even bother to bring it to the bank where he's gonna get some return on it. This is the picture of the fool who does not make use of the means of salvation. This is the picture of the fool who refuses to receive Christ as savior, who refuses to make use of the benefit and blessing of salvation that is available to all who will trust in Christ and turn to him. This is the same picture as the idiot virgins who didn't buy enough oil and just fell asleep when they knew that the bridegroom was coming, right? Right. It's not that they fell asleep, it's that they didn't do the most obvious, simple,

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service.Our guest is Michelle Meinhart, a reader in musicology and cultural history at Trinity Laban Conservatoire in London. We start by hearing about a Mexican song that captivated lovers in World War Two. Then, a marketing strategist recalls how he worked on a Mexican election campaign in 2000 that saw a change of government for the first time in 71 years. We hear how millions of indigenous women in Mexico won the right to vote and stand in elections in 2014. Plus, a woman recalls her family's escape from a deadly gas explosion in Mexico City in 1984. Finally, we find out how Titanic, one of the most successful films in movie history, was made in Mexico in 1997. Contributors: Mariano Rivera Velazquez - son of singer Consuelo Velazquez who wrote Bésame Mucho. Michelle Meinhart - a reader in musicology and cultural history at Trinity Laban Conservatoire. Francisco Ortiz - marketing strategist. Eufrosina Cruz Mendoza - campaigner for indigenous women's rights. Virginia Martínez Tellez - San Juanico resident. Antonio Moreno - sports journalist. Luisa Gomez de Silva - assistant coordinator in the art department for the movie Titanic. (Photo: A welcoming kiss. Credit: Topical press agency/Hulton archive/Getty images)

In 2000, contaminated drinking water in the small Canadian town of Walkerton triggered one of the country's worst public health disasters.Heavy rainfall washed E. coli bacteria into the town's water supply, but failures in testing and reporting meant residents continued to drink the water. Seven people died and thousands fell ill.Megan Lawton speaks to resident Bruce Davidson who experienced the crisis firsthand.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by and curious about the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from how the Excel spreadsheet was developed, the creation of cartoon rabbit Miffy and how the sound barrier was broken.We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: the moment Reagan and Gorbachev met in Geneva, Haitian singer Emerante de Pradines' life and Omar Sharif's legendary movie entrance in Lawrence of Arabia.You can learn all about fascinating and surprising stories, like the invention of a stent which has saved lives around the world; the birth of the G7; and the meeting of Maldives' ministers underwater. We cover everything from World War Two and Cold War stories to Black History Month and our journeys into space.(Photo: A sign stating the water is find, on Knights of Colombus hall just outside of Walkerton, 2000. Credit: Peter Power/via Getty)