Podcast appearances and mentions of Jonathan E Abel

Jonathan Abel's The New Real: Media and Mimesis in Japan from Stereographs to Emoji (U of Minnesota Press, 2023) is a history of our relationships to new media. The book centers on different modalities of mimesis and mediation and more as it explores the important transformation of “new media” into “the new real.” Abel describes this “new real” as the phase when the newer, better, faster, more realistic media of marketing hype becomes absorbed into the fabric of society and daily life. The New Real uses diverse case studies from over a century of modern Japanese history―including stereoscopic photographs, the phonograph, the television, video games, and even emoji―to explore the social effects of the new real. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jonathan Abel's The New Real: Media and Mimesis in Japan from Stereographs to Emoji (U of Minnesota Press, 2023) is a history of our relationships to new media. The book centers on different modalities of mimesis and mediation and more as it explores the important transformation of “new media” into “the new real.” Abel describes this “new real” as the phase when the newer, better, faster, more realistic media of marketing hype becomes absorbed into the fabric of society and daily life. The New Real uses diverse case studies from over a century of modern Japanese history―including stereoscopic photographs, the phonograph, the television, video games, and even emoji―to explore the social effects of the new real. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Jonathan Abel's The New Real: Media and Mimesis in Japan from Stereographs to Emoji (U of Minnesota Press, 2023) is a history of our relationships to new media. The book centers on different modalities of mimesis and mediation and more as it explores the important transformation of “new media” into “the new real.” Abel describes this “new real” as the phase when the newer, better, faster, more realistic media of marketing hype becomes absorbed into the fabric of society and daily life. The New Real uses diverse case studies from over a century of modern Japanese history―including stereoscopic photographs, the phonograph, the television, video games, and even emoji―to explore the social effects of the new real. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Jonathan Abel's The New Real: Media and Mimesis in Japan from Stereographs to Emoji (U of Minnesota Press, 2023) is a history of our relationships to new media. The book centers on different modalities of mimesis and mediation and more as it explores the important transformation of “new media” into “the new real.” Abel describes this “new real” as the phase when the newer, better, faster, more realistic media of marketing hype becomes absorbed into the fabric of society and daily life. The New Real uses diverse case studies from over a century of modern Japanese history―including stereoscopic photographs, the phonograph, the television, video games, and even emoji―to explore the social effects of the new real. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Jonathan Abel's The New Real: Media and Mimesis in Japan from Stereographs to Emoji (U of Minnesota Press, 2023) is a history of our relationships to new media. The book centers on different modalities of mimesis and mediation and more as it explores the important transformation of “new media” into “the new real.” Abel describes this “new real” as the phase when the newer, better, faster, more realistic media of marketing hype becomes absorbed into the fabric of society and daily life. The New Real uses diverse case studies from over a century of modern Japanese history―including stereoscopic photographs, the phonograph, the television, video games, and even emoji―to explore the social effects of the new real. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Jonathan Abel's The New Real: Media and Mimesis in Japan from Stereographs to Emoji (U of Minnesota Press, 2023) is a history of our relationships to new media. The book centers on different modalities of mimesis and mediation and more as it explores the important transformation of “new media” into “the new real.” Abel describes this “new real” as the phase when the newer, better, faster, more realistic media of marketing hype becomes absorbed into the fabric of society and daily life. The New Real uses diverse case studies from over a century of modern Japanese history―including stereoscopic photographs, the phonograph, the television, video games, and even emoji―to explore the social effects of the new real. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Jonathan Abel's The New Real: Media and Mimesis in Japan from Stereographs to Emoji (U of Minnesota Press, 2023) is a history of our relationships to new media. The book centers on different modalities of mimesis and mediation and more as it explores the important transformation of “new media” into “the new real.” Abel describes this “new real” as the phase when the newer, better, faster, more realistic media of marketing hype becomes absorbed into the fabric of society and daily life. The New Real uses diverse case studies from over a century of modern Japanese history―including stereoscopic photographs, the phonograph, the television, video games, and even emoji―to explore the social effects of the new real. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Show Notes We're looking back at another season of Gundam through the rear view mirror, and we have a few loose ends to tie up. Lingering musings, listener questions, and a few more research topics! Thanks for supporting us through another season! We couldn't do it without all of you. Show Notes On the state of Sydney and the notion of Canon Books: Azuma Hiroki, Otaku: Japan's Database Animals. Translated by Jonathan E. Abel and Kono Shion. Kodansha Gendai Shinsho 2001, trans. Minnesota UP 2009. Tomino Yoshiyuki, 機動戦士ガンダム, aka Mobile Suit Gundam: Awakening, Escalation, Confrontation. Asahi Sonorama. Volume 1 (Nov. 30, 1979), Volume 2 (Sept. 30, 1980), Volume 3 (Mar. 16, 1981). English translation by Frederick Schodt, 2004. 宇宙翔ける戦士達 GUNDAM CENTURY, aka Gundam Century. Ed. by Matsuzaki Kenichi. Minori Shobo, Sept. 22, 1981. Tomino's "Defeatist Manifesto", a long interview in which he mentions his father's role in World War II and his subsequent relationship to Japan as a nation. An English summary of the key information contained in Gundam Century, by Mark Simmons. Translation of a 1979 interview in which Tomino mentions that the other sides were destroyed during the opening phases of the war. _Translation of an interview with Takayama Fumihiko, chief director of 0080, in which he addresses Sydney, the colony drop, and why they chose Australia. _ The Walther MP/MPL Wikipedia page for the Walther MP/MPL. The Japanese Gundam wiki page on the Zaku MMP-80, mentioning the identification with the Walther MPL. The STEN The STEN on Wikipedia. Variations on the STEN added a pistol grip, but still don't look like the GM Cold Districts Machine Gun. Some versions added a wireframe pistol grip that was "predictably uncomfortable to fire." The Sterling Submachine Gun The Sterling on Wikipedia. A brief illustrated history of the Sterling submachine gun. A run down of less-well-known guns used in the Vietnam War, including the Sterling. The SA80 Bullpup firearms generally. The SA80 on Wikipedia. Articles: Paul Richard Huard for National Interest. SA80: The Worst Military Rifle Ever? Available at https://nationalinterest.org/blog/buzz/introducing-sa80-worst-military-rifle-ever-44987 Antill, P. (28 August 2009), SA80 (Small Arms for the 1980s): The Sorry Saga of the British Bulldog's Bullpup, http://www.historyofwar.org/articles/weapons_SA80.html Anthony G. Williams. SA80: Mistake or Maligned - And What Next? Available at https://www.quarryhs.co.uk/SA80.htm BBC Q&A: Army rifles: What's gone wrong? Available at http://news.bbc.co.uk/2/hi/uk_news/656786.stm A visual aide for comparing these weapons can be found on our website. Hayashibara Megumi, 林原めぐみ ANN Encyclopedia page, Wikipedia page (English), and Behind-the-Voice-Actors page (with visual filmography), for Hayashibara Megumi. Book: Hayashibara, Megumi. Megumi Hayashibara's The Characters Taught Me Everything: Living Life One Episode at a Time. Translated by Jenny McKeon and Nathaniel Hiroshi Thrasher, Yen On, 2021. Wikipedia page for Asagi Sakura. Christmas in Japan Articles about Christmas in Japan (contemporary), from jrailpass.com, Timeout Tokyo, and gurunavi.com. _Timeline of the history of Christmas in Japan. _ Japanese Christmas history and traditions from Kansai-Odyssey.com, livejapan.com, and japantoday.com. About religion in Japan generally, and Christianity in Japan specifically. _Additional information about Christianity in Japan, and a timeline of Christianity in Japan. _ _An academic paper about Japanese Christmas-Cake. _ _Christmas parades in the US, and around the world. _ _About the Disney Parks Christmas Day Parades, and about Tokyo Disney. _ Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 licenses. The recap music is "pieces of life" by Analog by Nature, licensed under a CC BY attribution license. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.com

Show Notes This week, we recap, review, and analyze Mobile Suit Zeta Gundam (機動戦士Ζガンダム) episode 30 - "Jerid's Desperate Attack" (ジェリド特攻), discuss our first impressions, and provide commentary and research on kissing in Japanese culture, and AEUG, Melanie Hugh Carbine, and the Young Officers Revolt of February 26, 1936. - Essay on Kissing in Japanese culture:“The Japanese Kiss.” A Lateral View: Essays on Culture and Style in Contemporary Japan, by Donald Richie, Stone Bridge Press, 2001, pp. 220–225.- Dictionary page for seppun (接吻・せっぷん), the Japanese word for kiss.- Essay about censorship that talks about kissing in Japan, and specifically about the exhibition of Rodin's "The Kiss."Redactionary Global Modernism: Kisses in Imperial Japan Jonathan E. Abel From: Modernism/modernity Volume 21, Number 1, January 2014 pp. 201-229 | 10.1353/mod.2014.0020- Papers that discuss kissing in Japanese culture, and how it was changed by the Occupation:“Kissing Is a Symbol of Democracy!” Dating, Democracy and Romance in Occupied Japan 1945-1952, Journal of the History of Sexuality, 19(3), September 2010, 508-35.Kamei, Shunsuke. “The Kiss and Japanese Culture after World War II.” Comparative Literature Studies, vol. 18, no. 2, 1981, pp. 114–123. JSTOR, . Accessed 21 Jan. 2020.- Contemporary (early 2010s) articles about PDA and dating in Japan (the dating articles are written from the perspective of non-Japanese people dating a Japanese person, with an eye to likely culture clashes, and includes a section of physical affection):SoraNews24.com - PDA in Japan: Is it OK to Kiss on the Street Corner?Tofugu.com - Dating a Japanese Girl and Dating a Japanese Guy- Book about the Young Officers Revolt (and gift from a listener!):Ben-Ami Shillony, Revolt in Japan: The Young Officers and the February 26, 1936 Incident. Princeton UP (1973).- The music used in the TNN was Floating Cities and the music used in Mouar's elegy was Clear Water. Both from https://filmmusic.io by Kevin MacLeod (https://incompetech.com) and licensed under CC BY (http://creativecommons.org/licenses/by/4.0/). You can subscribe to the Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, follow us on twitter @gundampodcast, check us out at gundampodcast.com, email your questions, comments, and complaints to gundampodcast@gmail.com.Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photo and video, MSB gear, and much more!The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 license. Both have been edited for length. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comFind out more at http://gundampodcast.com

Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovative forms for individual and collaborative scholarly work. I had the privilege of talking with Charlotte Eubanks, Jonathan E. Abel, and Tina Chen about Volume 1, Issue 2: Collecting Asias (Fall 2015), which includes – among several fascinating essays – a portfolio of Akamatsu Toshiko’s sketches of Micronesia, an interview about Mughal collections, an introduction to three wonderful digital projects, and a field trip to collaboratively-curated exhibition. In addition to exploring the particular contributions of this special issue, we talked about some of the features of the journal that really excitingly push the boundaries of what an academic journal can be, considering aspects of the innovative forms that are curated in the Convergence section of Verge and reflected in its essays. Highly recommended, both for reading and for teaching! Carla Nappi is Associate Professor of History at the University of British Columbia. Her research and writing concern the histories of science, medicine, materiality, and their translations in early modern China. You can find out more about her work by visiting www.carlanappi.com. She can be reach at carlanappi@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovative forms for individual and collaborative scholarly work. I had the privilege of talking with Charlotte Eubanks, Jonathan E. Abel, and Tina Chen about Volume 1, Issue 2: Collecting Asias (Fall 2015), which includes – among... Learn more about your ad choices. Visit megaphone.fm/adchoices

Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovative forms for individual and collaborative scholarly work. I had the privilege of talking with Charlotte Eubanks, Jonathan E. Abel, and Tina Chen about Volume 1, Issue 2: Collecting Asias (Fall 2015), which includes – among several fascinating essays – a portfolio of Akamatsu Toshiko’s sketches of Micronesia, an interview about Mughal collections, an introduction to three wonderful digital projects, and a field trip to collaboratively-curated exhibition. In addition to exploring the particular contributions of this special issue, we talked about some of the features of the journal that really excitingly push the boundaries of what an academic journal can be, considering aspects of the innovative forms that are curated in the Convergence section of Verge and reflected in its essays. Highly recommended, both for reading and for teaching! Carla Nappi is Associate Professor of History at the University of British Columbia. Her research and writing concern the histories of science, medicine, materiality, and their translations in early modern China. You can find out more about her work by visiting www.carlanappi.com. She can be reach at carlanappi@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovative forms for individual and collaborative scholarly work. I had the privilege of talking with Charlotte Eubanks, Jonathan E. Abel, and Tina Chen about Volume 1, Issue 2: Collecting Asias (Fall 2015), which includes – among several fascinating essays – a portfolio of Akamatsu Toshiko’s sketches of Micronesia, an interview about Mughal collections, an introduction to three wonderful digital projects, and a field trip to collaboratively-curated exhibition. In addition to exploring the particular contributions of this special issue, we talked about some of the features of the journal that really excitingly push the boundaries of what an academic journal can be, considering aspects of the innovative forms that are curated in the Convergence section of Verge and reflected in its essays. Highly recommended, both for reading and for teaching! Carla Nappi is Associate Professor of History at the University of British Columbia. Her research and writing concern the histories of science, medicine, materiality, and their translations in early modern China. You can find out more about her work by visiting www.carlanappi.com. She can be reach at carlanappi@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovative forms for individual and collaborative scholarly work. I had the privilege of talking with Charlotte Eubanks, Jonathan E. Abel, and Tina Chen about Volume 1, Issue 2: Collecting Asias (Fall 2015), which includes – among several fascinating essays – a portfolio of Akamatsu Toshiko’s sketches of Micronesia, an interview about Mughal collections, an introduction to three wonderful digital projects, and a field trip to collaboratively-curated exhibition. In addition to exploring the particular contributions of this special issue, we talked about some of the features of the journal that really excitingly push the boundaries of what an academic journal can be, considering aspects of the innovative forms that are curated in the Convergence section of Verge and reflected in its essays. Highly recommended, both for reading and for teaching! Carla Nappi is Associate Professor of History at the University of British Columbia. Her research and writing concern the histories of science, medicine, materiality, and their translations in early modern China. You can find out more about her work by visiting www.carlanappi.com. She can be reach at carlanappi@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovative forms for individual and collaborative scholarly work. I had the privilege of talking with Charlotte Eubanks, Jonathan E. Abel, and Tina Chen about Volume 1, Issue 2: Collecting Asias (Fall 2015), which includes – among several fascinating essays – a portfolio of Akamatsu Toshiko’s sketches of Micronesia, an interview about Mughal collections, an introduction to three wonderful digital projects, and a field trip to collaboratively-curated exhibition. In addition to exploring the particular contributions of this special issue, we talked about some of the features of the journal that really excitingly push the boundaries of what an academic journal can be, considering aspects of the innovative forms that are curated in the Convergence section of Verge and reflected in its essays. Highly recommended, both for reading and for teaching! Carla Nappi is Associate Professor of History at the University of British Columbia. Her research and writing concern the histories of science, medicine, materiality, and their translations in early modern China. You can find out more about her work by visiting www.carlanappi.com. She can be reach at carlanappi@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is much to love about Jonathan Abel‘s new book. Redacted: The Archives of Censorship in Transwar Japan (University of California Press, 2012) brilliantly takes readers into the performance of different modes of censorship in the early and mid-twentieth century. Some practices of censorship by Japanese writers, readers, and authorities... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

There is much to love about Jonathan Abel‘s new book. Redacted: The Archives of Censorship in Transwar Japan (University of California Press, 2012) brilliantly takes readers into the performance of different modes of censorship in the early and mid-twentieth century. Some practices of censorship by Japanese writers, readers, and authorities left traces that now rest in a transnational and multi-sited archive of marks, symbols, and conspicuous absences. In extended sections of the book that treat the preservation, production, and redaction of censors’ traces as they emerge from this translocal archive, Abel considers how the structures and processes of a textual archive (broadly defined) offer an architecture for building a history of censorship. Along the way, we are offered insights into the kinds of texts in which the history of the censor is inscribed, the kinds of texts and subjects that most invited the censor’s hand (whether the “censor” was an author self-editing or an authority figure coming to a text after its completion), and the capacities of censorship to generate new forms of literary production. At several points in the book (and especially in Pt III) Abel is wonderfully self-reflexive, experimenting with narrative forms to embody the kinds of textual practices that he writes about in his own writing style. The book closes with a coda that looks at information restriction in mid-twentieth century Japan and critically considers prevailing attitudes toward historicization in the disciplines of Asian studies. Redacted is full of contributions to fields that might not be obvious from the title: readers interested in archive studies, histories of the body, studies of translation, and histories of observation and violence will find inspiration here. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

There is much to love about Jonathan Abel‘s new book. Redacted: The Archives of Censorship in Transwar Japan (University of California Press, 2012) brilliantly takes readers into the performance of different modes of censorship in the early and mid-twentieth century. Some practices of censorship by Japanese writers, readers, and authorities... Learn more about your ad choices. Visit megaphone.fm/adchoices

There is much to love about Jonathan Abel‘s new book. Redacted: The Archives of Censorship in Transwar Japan (University of California Press, 2012) brilliantly takes readers into the performance of different modes of censorship in the early and mid-twentieth century. Some practices of censorship by Japanese writers, readers, and authorities left traces that now rest in a transnational and multi-sited archive of marks, symbols, and conspicuous absences. In extended sections of the book that treat the preservation, production, and redaction of censors’ traces as they emerge from this translocal archive, Abel considers how the structures and processes of a textual archive (broadly defined) offer an architecture for building a history of censorship. Along the way, we are offered insights into the kinds of texts in which the history of the censor is inscribed, the kinds of texts and subjects that most invited the censor’s hand (whether the “censor” was an author self-editing or an authority figure coming to a text after its completion), and the capacities of censorship to generate new forms of literary production. At several points in the book (and especially in Pt III) Abel is wonderfully self-reflexive, experimenting with narrative forms to embody the kinds of textual practices that he writes about in his own writing style. The book closes with a coda that looks at information restriction in mid-twentieth century Japan and critically considers prevailing attitudes toward historicization in the disciplines of Asian studies. Redacted is full of contributions to fields that might not be obvious from the title: readers interested in archive studies, histories of the body, studies of translation, and histories of observation and violence will find inspiration here. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices