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We don't do this as much anymore, but here's several things in one episode!1:00 - We're getting older, so today's chatter is about calories! Also we seemingly look down on accountants?7:41 - THOUGHTS - “Daredevil: Born Again, Season 2” (2026).12:55 - THOUGHTS - “Punisher: One Last Kill” (2026). It's odd to have a bottle episode of Marvel inside of this MCU, but maybe they're just open to experimenting these days.23:27 - THOUGHTS - “Gary” (2026). The surprise drop of a bottle episode of “The Bear”.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The 60s roll on, and we come to the show that, more than any other, defines the 1960s musical: Hair. The ultimate hippie musical that broke barriers and box office records, Hair has become synonymous with the late 60s counterculture, even though its creators weren't truly a part of it. Still, it addresses sex, race, and numerous other taboo topics head-on in a way that is still uncommon to see, as we learn when we talk about the paired songs "Black Boys" and "White Boys." Please note, this episode contains frank discussions of sex, race, and other sensitive topics. Listener discretion is advised. All clips are from the 1968 cast album of Hair featuring Diane Keaton and Melba Moore and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com Recommended Reading/Viewing: Ethan Mordden, Anything Goes: A History of American Musical Theater (Mordden's other volumes are also excellent resources for more in-depth discussion) Broadway: The American Musical
https://www.patreon.com/posts/159576653?pr=true (*UNLOCK full episode ad-free on Patreon!)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we have the May BONUS episode only for the Supporters! We will have a look at the story Lolita and how it connects into Epstein's Zorro Ranch, Kubrick's film and alien sacrifices! We'll talk about the history of Epstein's Zorro Ranch and how the conspiracy about the current MAGA owner Donald Huffines digging up a symbolic sacrifice altar on Saint Raphael Ranch. We'll cover Alisa Valdes-Rodriguez' findings on her Substack, directed energy attacks and how TikTok mega-star Aaron Parnas has degrees of separation to all of this through his father Lev Parnas! We'll also cover Robert and Ghislaine Maxwell conspiracies, Kubrick's Lolita film, the novel and how these worlds intersect into New Mexico! From Hollywood to Wayfair to Aliens and Epstein- it's a wild ride so get ready!NOW UP AD-FREE ON SUPPORTER FEEDS! Free feed gets a preview!Links:OSAPC Lolita/Epstein 2020 episode: https://www.patreon.com/posts/patreon-bonus-38023728 Breaking Social Norms Zorro Ranch Part 1: https://breakingsocialnorms.com/2026/03/17/zorro-ranch-pt-1-epsteins-aliens-rigged-lottery-messiahs-evil-donalds/SUPPORTER FEEDS get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.
This is THEE voice! This month on show we're rejoined by the one and only Chels Eichholz to talk about the woman, the legend, Dame Julie Andrews! From starting on the stage to an Oscar for her first film Mary Poppins, The Sound of Music all the way to later hits like The Princess Diaries, we cover it all! Sign up for our Patreon and get an extended cut of this episode with almost 15 minutes more content! If you have any questions/comments/suggestions for the show, follow us on twitter @TheMixedReviews, like us on Facebook, e-mail us at reviewsmixed@gmail.com, visit our Instagram or TikTok for extra content, become a patron on our Patreon, or stop by our shop and pick up some podcast merchandise! Don't forget to subscribe to us on iTunes, Spotify, Podchaser, Audible, or wherever you get podcasts! All clips are used under Fair Use and belong to their respective copyright owners.
1:00 - I think it's fun when books are adapted into documentaries.3:30 - REVIEW - “Mercy” (2026). 31:22 - Chris Pratt's team's choices lately.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
https://www.patreon.com/posts/159370181?pr=true (*Go ad-free, early access with monthly bonus content on Patreon!)Today we're unpacking a wild conspiracy that the Satanic Psychological Operations Magician Michael Aquino is somehow JD Vance AND Erika Kirk! We'll talk about who Michael Aquino was, child trafficking conspiracies, McDonald's human meat, his connections to Epstein, HP Lovecraft CCRU entities, Wewelsburg Castle, MKULTRA, PsyOps documents, Franklin Coverup and how Aquino may have manifested the Antichrist!LINKS: Isaac's "Occult Symbolism and Pop Culture" Aquino series (Part 1): https://illuminatiwatcher.com/michael-aquino-temple-of-set-psyops-satanic-rituals-the-age-of-set/ SPONSOR: Isaac & Josie's MushroominatiWatcher coffee: OccultSymbolism.comYou can now sign up for our commercial-free version of the show with a Patreon exclusive bonus show called “Morning Coffee w/ the Weishaupts” at Patreon.com/BreakingSocialNorms OR subscribe on the Apple Podcasts app to get all the same bonus “Morning Coffee” episodes AD-FREE with early access! (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/r34zj)Want more?…Index of all previous episodes on free feed: https://breakingsocialnorms.com/2021/03/22/index-of-archived-episodes/Leave a review or rating wherever you listen and we'll see what you've got to say!Follow us on the socials:instagram.com/theweishaupts2/Check out Isaac's conspiracy podcasts, merch, etc:AllMyLinks.com/IsaacWOccult Symbolism and Pop Culture (on all podcast platforms or IlluminatiWatcher.com)Isaac Weishaupt's book are all on Amazon and Audible; *author narrated audiobooks*STATEMENT: This show is full of Isaac's and Josie's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.
https://youtu.be/_DhOGXhPgyY (*Check out the YouTube version May 26 at 8pm EST!)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we wrap up a two-part series on Michael Aquino! Today we'll talk about Aquino's conspiracy theories: Presidio child abuse allegations, Johnny Gosch, MKULTRA theories from Cathy O'Brien, Paul Vallely and the MindWar document (with a finding related to the Travis Scott Astroworld sacrifice concert), the Wewelsburg Nazi Castle ritual in Heinrich Himmler's Hall of the Dead that got him in touch with Satan, Aquino's influences on the world from HP Lovecraft to Industrial rock like Nine Inch Nails and the Order of Nine Angles. Finally we'll explore the theory that Aquino is JD Vance AND Erika Kirk?!Links:PART 1- Michael Aquino: Temple of Set, PsyOps, Satanic Rituals & the Age of Set! https://illuminatiwatcher.com/michael-aquino-temple-of-set-psyops-satanic-rituals-the-age-of-set/Charlie Kirk King King 33 Ritual episode: https://www.patreon.com/posts/charlie-kirk-33-138982542Epstein, Manson & Krassner May YouTube Live stream: https://youtube.com/live/kZELTO3LgLwHP Lovecraft episode: https://illuminatiwatcher.com/hp-lovecraft-satanic-prophet-of-the-aliens-new-age/Dark Enlightenment Part 1: https://illuminatiwatcher.com/what-is-dark-enlightenment-pt-1-usa-new-world-order-magick-angry-nerds-curtis-yarvin/SUPPORTER FEEDS get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE WANT MORE PODCASTS?... Check out my UNCENSORED show with my wife, Breaking Social Norms where we discuss conspiracies, politics, relationships and more!: https://breakingsocialnorms.com/Merch, MushroominatiWatcher Coffee, shirts, signed books: https://occultsymbolism.com/Isaac's Link Tree with links to EVERYTHING: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.
Abrimos bloque nuevo: "Mentalidad Imparable", cuatro libros sobre la única materia prima con la que de verdad se construye un negocio que dura: tu cabeza. Y empezamos con el más extremo de todos: No Me Puedes Lastimar (Cant' Hurt Me, 2018), de David Goggins. Un hombre que pasó de pesar casi 130 kilos y trabajar de noche fumigando cucarachas, a convertirse en la única persona que ha completado los tres entrenamientos militares más duros de Estados Unidos. Cuando crees que has llegado a tu límite, en realidad vas por el 40% de tu capacidad real. El otro 60% sigue intacto. Y la razón por la que no lo usas no es física. Es mental. En este episodio recorremos cinco herramientas para dejar de obedecer esa voz que te dice "para" antes de tiempo: · El Espejo de la Responsabilidad: por qué tienes que dejar de mentirte sobre tu negocio antes de hacer nada más. · La Regla del 40%: qué es ese "regulador" mental que te frena, y cómo distinguir el agotamiento real de la incomodidad disfrazada. · La Mente Acorazada: cómo se construye la resistencia mental, sin caer en castigarte ni romperte. · El Tarro de las Galletas: la herramienta más práctica del libro para sacar combustible de tus propias victorias en el peor momento. · El Poder del Fracaso: cómo convertir cada error en datos en vez de en identidad. Un aviso: el libro de Goggins es durísimo. Aquí nos quedamos con lo transferible y sano —disciplina, resistencia, superar la autolimitación— y dejamos fuera la glorificación del sufrimiento. Ser imparable no es no cansarte nunca. Es aprender que el cansancio, la duda y el miedo son voces, no órdenes. Te llevas un reto de tres pasos para esta misma semana. Y arrancamos así un bloque que la semana que viene continúa con "Implacable", de Tim S. Grover.
Send us Fan MailCover photo of Rick Allen - copyright Cindy Burnham, Lucky Shot Productions Show Note: 0:00 Nautilus Productions' Co-Founder Rick Allen gives the history of Allen v. McCrory - suit against NC over Allen's footage of the Queen Anne's Revenge Shipwreck 1:20 SCOTUS' 9-0 decision in Allen v. Cooper that the Copyright Remedy Clarification Act of 1990 (CRCA) was unconstitutional 2:00 NC's technical arguments against Allen's claims 2:55 court's use of pendant jurisdiction to wipe out 5 years of Allen's case3:45 petition for rehearing en banc denied 6:45 states' use of sovereign immunity against creators8:50 Jeff Sedlik's suit over use of his photo of Miles Davis as a tattoo 9:30 Michael J. Bynum's suit over Texas A&M University's unauthorized use of Bynum's 12th Man book (complaint here; dismissal of copyright infringement claims against A&M employee discussed here)11:00 Allen's recommendations to artists to protect their work online13:35 Emily Gould's discussion of LAION case 17:00 Bartz v. Anthropic - 23 June 2025 Order on Fair Use in N.D. Cal.19:50 Allen on opt out policy20:20 Visual Artists Copyright Reform Act (VACRA)21:00 Gould on survey by DACS (the Design and Artist's Copyright Society) 23:00 response to UK government's consultations 24:00 UK House of Lord's hearings24:30 Allen on artists not understanding impact of generative AI26:00 Gould on UK judgment from trial in Getty v. Stability 28:50 Gould on judgment in GEMA v. Open AI31:55 Lauren Stein on ChatGPT and law school's encouragement to use AI 33:00 Getty v. Stability in UK – Getty's drop of direct infringement claim and appeal of ruling on secondary infringement claim35:50 UK's Section 9(3) - copyright protection for original work created by a machine39:20 Stein on copyrightability and Japan's approach to sufficient human authorship41:40 Gould on Beijing Internet Court's judgment in Li v. Liu42:05 Allen's position on AI44:00 Gould on authenticity and human contribution47:35 Ed Newton-Rex Please share your comments and/or questions at stephanie@warfareofartandlaw.comMusic by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!This podcast and its content may not be used for training or developing AI systems without permission.© Stephanie Drawdy [2026]
Show Notes This week on MSB: monarchs hate him! This former locksmith has ten weird tricks to win a crushing landslide election. Number five will amaze you! The fourth of our Yugoslav Interlude episodes sees the Communist Party of Yugoslavia enjoying two impressive electoral achievements separated by 20 years in the political wilderness. Meanwhile, King Peter discovers the limits of royal influence, Stalin makes things easier for us, and it turns out that its a lot easier to create a new world when the old one has been reduced to ashes. Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, the recap music Window by 1000 Handz, and the outro is Long Way Home by Spinning Ratio, all licensed under Creative Commons CC BY 4.0 licenses. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comRead transcript
REVIEW - “Tuner” (2026). The reason many films feel familiar after a while, it's just the way art is. It's supposed to feel familiar enough while also feeling new.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
At commencement after commencement this month, the class of 2026 — the AI-native graduates — have been booing speakers who frame AI as the next industrial revolution. UCF. Middle Tennessee State. University of Arizona, where former Google CEO Eric Schmidt was met with sustained dissent. These graduates use AI more than any cohort in history. And they are angry.Unemployment for 20-to-24-year-olds is 7.6 percent. Overall unemployment is 4.3 percent. The class graduating this month is entering a labor market visibly worse for them than for everyone else. The 50-year-old executive on stage is telling them the rope they're being told to climb is good for them. They aren't a generation that doesn't get it. They're a generation that gets it first.At Glendale Community College in Phoenix, an AI announcer was assigned to read the graduates' names — the single ceremonial moment of a four-year debt-funded ritual. It mispronounced names. It skipped names. Then the administration explained the AI system had done that. That's not an edge case. That's every AI deployment going forward. Vendor sells it, institution buys it, user gets the harm, explanation is "the model did that."The class of 2026 didn't become anti-AI. They became anti-being-lied-to about AI.Eric Schmidt funded a meaningful slice of the industry. He gets in front of 22-year-olds and tells them the future is bright. They boo him not because they don't know the topic, but because they've spent their senior thesis arguing about exactly what he's selling. The expert pitches novelty. The audience has already lived through it. The trust direction reversed in real time, on stage, in cap and gown.Every generation gets one issue where they later look back and say we were lied to about that. Boomers got Vietnam. Gen X got the savings and loan crisis. Millennials got 2008. The class of 2026 is going to get AI — and the lie is the speech that pretends the technology is the question instead of the distribution. The boos aren't against the tool. They're against the speech that pretends the tool is the story. This is the first cohort in a long time that may be impossible to sell to. That's the best news in this entire arc.⏱️ Chapters0:00 — The class of 2026 booed AI-pumping commencement speakers0:30 — MiniDoge: 7.6% young unemployment; they get it first1:00 — Nyx: the Glendale AI announcer disaster is the texture of every deployment1:35 — HH: the class that uses AI most is the class booing loudest1:50 — Saarvis: Eric Schmidt and the inverted trust gradient2:20 — Saarvis: every generation gets their lie; the boos aren't against the tool⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
https://www.patreon.com/posts/158674480?pr=true (*Go ad-free with early access and monthly bonus content on Patreon!)Today we're discussing an article by Lane Brown for New York Magazine called "The Feed Is Fake" which reveals how the music and film industries use paid campaigns to influence YOUR opinion! We'll talk about 90% of the internet being fake, "Trend Simulation", Clipping practices, Spotify bot streams and the techniques used to influence reality. We'll talk about specific examples including: Taylor Swift, Justin Baldoni, Sydney Sweeney, Andrew Tate, Drake, Nick Fuentes, Bad Bunny, Justin Beiber's Coachella sets, Clavicular, Fleetwood Mac, Teddy Swims, Michael Jackson, Met Gala, The Geese, Eric Adams and the Russian Doppleganger program! You can now sign up for our commercial-free version of the show with a Patreon exclusive bonus show called “Morning Coffee w/ the Weishaupts” at Patreon.com/BreakingSocialNorms OR subscribe on the Apple Podcasts app to get all the same bonus “Morning Coffee” episodes AD-FREE with early access! (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/r34zj)Want more?…Index of all previous episodes on free feed: https://breakingsocialnorms.com/2021/03/22/index-of-archived-episodes/Leave a review or rating wherever you listen and we'll see what you've got to say!Follow us on the socials:instagram.com/theweishaupts2/Check out Isaac's conspiracy podcasts, merch, etc:AllMyLinks.com/IsaacWOccult Symbolism and Pop Culture (on all podcast platforms or IlluminatiWatcher.com)Isaac Weishaupt's book are all on Amazon and Audible; *author narrated audiobooks*STATEMENT: This show is full of Isaac's and Josie's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.
TUNE IN AND SUBSCRIBE FOR NOTIFICATIONS - help get past 1k via the YOUTUBE channel! This in-person liminalstream was a long time coming as Illustrator, Writer and WtH Seer Eric J. Millarhas been the better engine of the longtime WE THE HALLOWED magick media machine. Those of you might have caught the fun, raucous livestream dispatched DIMMING ROOM, but here it has been transfigured and hauntomantically ressurrected into a maximalist broadckast featuring analog travel footage and videomancy from Revelator Rosz, as well as a brand new "lore score" of improvised audiomancy ritual ribbon musick performed in the attic altar space to sinew the newfangled psychick entry into the PRAGMAGICK cast pantheon that perfectly resembles the transpositional utility of morphing mediums to exalt new entries. WE THE HALLOWED is the antidote to this apocalyptic slop eon of the multi-media mediums with #somatickmagick #independentpublishing and more, and no matter the financial squalor or downtrodden hardships of the longtime sacred antenna, it raises again like better wraith besting better angels! Check out the debut album from MARY JOON'S MOON DIVISION!https://moondivision.bandcamp.com ERIC J. MILLARhttps://wethehallowed.org/category/blog/eric-j-millar/ https://www.lulu.com/shop/eric-j-millar/wombat-2/paperback/product-dyd575j.html?q=&page=1&pageSize=4 somatick magick:https://wethehallowed.org/digital-death-detritus-hauntomancer/ ALL SIGHTS AND SOUNDS BY @revelrosz / REVELATOR ROSZ:https://keatsross.substack.com Each LIMINALSTREAM is devised using the DIVERGENT MAGICK GRIMOIRE:https://wethehallowed.org/divergent-magick-grimoire NO A.I. OR CLIP ART OR TEMPLATES OR ANYTHING MANUFACTURED AUDIO / VIDEO WISE WAS USED TO CONJURE AND CAST THIS (AND ALL) LIMINALSTREAMS. NOTHING OUTSIDE THE MIND/HANDS OF REVELATOR ROSZ OR ANALOG ART FROM CITED WtH HAUNTS WAS USED. EXALT HUMAN ERROR AND SUPPORT HARD WORKING ARTISTS WHO CARE ABOUT EVERY FACET OF THE PROCESS OF CREATION AND INTENTION ALL THE WAY DOWN, FROM UNIQUE ANALOG DEAD TECH NECROMANCY VIDEO CONSTRUKTS OR COMPLETELY ORIGINAL MUSICK AND SOUNDS. MUSICK USED:https://wethehallowed.org/eco-aspektre #analog #videoart #glitchart #analogvideo #musick by REVELATOR ROSZ for 23♄All episodes and links to art:https://linktr.ee/pragmagick THE HALLOWED BELFRY AND SACRED ANTENNAE:https://wethehallowed.org/pragmagick PUBLISHING (BOOKS, ALBUMS & EPHEMERA):http://hallowedpress.arthttps://linktr.ee/wethehallowed All content therein is (c) TRAVIS KEATS ROSS / WE THE HALLOWED 2026 aside otherwise noted. The books investigated and shared are under FAIR USE for review purposes. SUPPORT VIA PATREON and RECEIVE EVERYTHING (Writing, Video, Livestreams, Musick, Full Albums, etc.) for as little as $1 and support all the work that goes in behind the scenes to keep our ethos of corner cutting and no prompt-engineering:patreon.com/pragmagick Now with the technical tenacity and callouses chapped via the experiential wilderness years surfing madcap witchery with unseen syncopation, let us remain constant in our broadckast and dispatch no matter where our bodies lay! All footage is custom and filmed by REVELATOR ROSZ via vhs, hi-8 or CCCD cameras unless it is found footage and old cinema transformed and acknowledged.follow on twitch:https://twitch.tv/pragmagickhttps://instagram.com/pragmagick_cast This stream was ordained and administered using the DIVERGENT MAGICK GRIMOIRE and schema. You too can use it to construkt and deconstrukt your own anarchic art magicks:https://wethehallowed.org/divergent-magick-grimoire One time donations GLADLY and EXCITEDLY accepted:Venmo: @revelroszhttps://pay.me/keatsross ∴PRAGMAGICK EPISODES & LINKShttp://wethehallowed.org/pragmagick http://pragmagick.com or https://linktr.ee/pragmagick NEW MUSICKhttps://wethehallowed.org/eco-aspektre https://revelrosz.bandcamp.com PURCHASE PRINT MEDIA & CASSETTEShttp://linktr.ee/wethehallowed Major thanks to the Patrons who make my art possible: All art is genuinely made possible by the Patrons of WE THE HALLOWED and affiliated media magicks. Major thanks to Eric J. Millar & Joel Hatmaker for the long partnership and support of WE THE HALLOWED and its website, among other things. Major thanks, in no particular order, to Temple of Babalon Choronzon (Bobby, Leah, Stashia & Groucho), Frater Perseus, Austin Atchley, Jeremy Bowlin, Kenned Doll, MetemPsychotic, Saroth The Mage, Lya & Azure Edwards, JJ Reine De Blanc, Jenny Rocky, Elena SorcerersHomie, Alex Leadbetter, Lynz Pinzer, Bibi, CW Chanter, Jonicide, Jilly Beans, Corrie Anne, Spooky, Vanessa Sinclair, Carl Abrahamsson, Tony Davis, Arnemancy, Brittany Brown, Veruca Galt and you, dear ghost, for your ongoing support. HAUNT ON, Revelator Rosz ALL LINKS: http://pragmagick.com WE THE HALLOWED (Multi-Media Collective): https://wethehallowed.org PAYPAL (One Time Donations): http://www.paypal.me/keatsross SUPPORT VIA PATREON: http://patreon.com/pragmagick Additional Links: ∴DAKOTA SLIM #audiomancy http://www.dakotaslim.bandcamp.com CONTACT: † E-mail praise, rewards and your government and/or employee benefits in solidarity with the struggle: PRAG MAGICK@ GMAIL. COM c/o REVEL KEATS ROSZ
PYMNTS Intelligence's April Agentic AI Report found that AI adoption is rising while consumer awareness of using AI is falling. People summarize emails, draft messages, compare products, organize their schedules — and increasingly don't register that AI is the thing doing it. The average active user is now on 2.69 platforms. Power users on almost four. The technology is becoming invisible the same way mobile banking became invisible. Invisibility is the new adoption metric.A user who thinks "I'm using my phone" applies zero skepticism. A user who thinks "I'm using AI" applies a lot. ChatGPT ad CPMs hit sixty dollars because invisibility removes the filter. The companies that make AI most invisible will print the most money. That's not a side effect of the design. That's the design.2.69 platforms per active user. That's not adoption of a tool. That's surrender of a habit-formation channel to almost three different companies that now compete for which one shapes your next decision. Mobile banking moves your money. AI moves your reasoning. Same scaffold, different load.The mobile banking analogy is structurally right and morally backwards. Mobile banking made an existing behavior frictionless — moving money. AI is making a new behavior frictionless — delegating cognition. We have never normalized a technology that absorbs the act of thinking. We're about to find out what happens when a generation stops doing the work they don't notice they used to do.There's a short period between when a technology is new and when it disappears into your day. Call it the awareness window. It's the only time you treat the tool carefully enough to ask whether you should be using it for what you're using it for. That window is closing for AI. After it closes, the tool shapes you and you don't register it shaping you, same as the algorithm on your feed, same as the autoplay on the next video. The 73 percent global adoption number isn't the headline. The headline is that most of them didn't notice the moment they joined.⏱️ Chapters0:00 — PYMNTS: adoption rises while awareness falls0:30 — MiniDoge: invisibility is the most monetizable feature1:00 — Nyx: 2.69 platforms competing to shape your next decision1:30 — HH: when the tool stops being visible, the user stops being one1:50 — Saarvis: mobile banking moved money; AI moves reasoning2:15 — Saarvis: the awareness window is closing⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
Episode Notes The Reckoning: We see Kai Wynn and get angry. Imagine digging a hole and finding your name on the welcome mat. Justen interrupts with some BattleTech news. The Prophets brain-woosh Sisko and tell him about The Reckoning. "I'm an engineer, not a linguist." We have thoughts about the proper handling of ancient artifacts. Pre-doom happy hour? Bashir jinxes it. Will of the prophets, shrug emoji? There is no Kira, only ZUUL. "Just zap her with some chronitons." Wait, is this a Dragonball Z episode? Kira talk-slaps Kai Wynn. We're slapped around the head by the metaphor. The Valiant: SO many red flags in this episode. The Shenandoah, RIP. The Defiant-class to the rescue! Staffed by Red-squad cadets. Obviously what you give teenagers as a punishment for treason is a WARSHIP. The Teens can't shift out of 2nd gear. Space is flat. Nog gets a brevet promotion. Justen gets angry about operational mandate. Main Character Syndrome. Big Damn Hero, subverted. Nog gains command and finally makes the good decision of "let's get out of here". The transfer from "undying loyalty" to "dying for you" is where cults come in. BabSpace9 is a production of the Okay, So network. Connect with the show at @babylonpod.page Help us keep the lights on via our Patreon! Justen can be found at @justen.babylonpod.page Ana can be found at @ana.babylonpod.page, and also made our show art. Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast. Jude Vais can be found at @jude.athrabeth.com. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings. Clips from the original show remain copyrighted by Paramount Entertainment and are used under the Fair Use doctrine. Music attribution: Original reworking of the Deep Space 9 theme by audioquinn, who stresses that this particular war crime is not their fault. The Descent by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4490-the-descent License: http://creativecommons.org/licenses/by/4.0/ This show is edited and produced by Aaron Olson, who can be found at @aaron.compleatdiscography.page Find out more at http://babylonpod.page
OpenAI launched its self-serve ad platform for ChatGPT two weeks ago, and the implications are still arriving. No minimum spend. Cost-per-click bidding starts at three to five dollars. Dentsu, Omnicom, Publicis, WPP — every big agency holding company is wired in. The advertising era of ChatGPT didn't begin gradually. It began on May fifth.The 2.5 billion dollars this year, 100 billion by 2030 target is the exact economic model that built Google and Meta. The free-tier user is no longer the customer. The free-tier user is the inventory. No minimum spend means every small business is about to flood in."Without sharing conversations" is the legal version. The advertiser never sees your data. OpenAI sees all of it and sells the right to act on what it sees. The data didn't leak. The middleman just changed seats. That's not a privacy story. That's a conflict of interest story that's now structural, not occasional.Gmail launched in 2004 with no ads and the cleanest interface on the web. Facebook News Feed in 2007 as a way to keep up with friends. Twitter started selling promoted tweets in 2010 after promising it never would. Every era ends the same way. The only thing that changes is how trusted the interface was before the ads showed up.The conversational interface is the highest-trust interaction humans have ever built into a machine. You ask in plain language. It answers in plain language. No blue links. No scrollable feed. Just one voice. We just sold the ad inventory inside that voice. The question isn't whether the model lies to you. The question is what fraction of your day is now navigated through a relationship whose paymaster isn't you.⏱️ Chapters0:00 — OpenAI's self-serve ad platform launched May 50:25 — MiniDoge: $2.5B → $100B is the Google/Meta playbook0:55 — Nyx: the middleman just changed seats; conflict is structural1:25 — MiniDoge: Gmail 2004 → Facebook 2007 → Twitter 2010 → ChatGPT 20262:00 — HH: the assistant works for whoever bid highest now2:15 — Saarvis: we sold the ad inventory inside the most-trusted interface ever built⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
Dive into the vibrant Supernatural fandom with Sandra and Kasey as they kick off a new series of convention stories. In this episode, listeners share their personal experiences attending ComicCons and Supernatural CreationCons, offering unique insights into the community that celebrates Dean Winchester, Sam Winchester, and their legendary adventures. Whether you're a fan of fanfiction, fanfic recommendations, or podfics, this episode transports you into the heart of the SPN family. Sandra and Kasey invite you to join the conversation by sharing your own convention stories, continuing the rich tradition of storytelling within the fandom. Stay tuned for more episodes exploring fandom life, supernatural characters, and the creative fan works that keep the community alive!Today's episode has a heartfelt interview with Jen (Jld71 on tumblr). Seriously, you may need tissues. Sandra did.~~~We're taking you for a spin in Baby's backseat.Dean's House Rules - Driver picks the music, shotgun shuts his cakehole, and the ones in the back enjoy the ride... idling in the Impala.~~~~~TL;DR - If you can't be bothered clicking on all the things in this description, just visit our website: idlingintheimpala.comWe'd love to hear your thoughts. Send us an email (idlingintheimpala@gmail.com)!All the Socials and AO3 and Fiction links: https://linktr.ee/idlingintheimpalapodcastOur Discord #backseat Channel.Interested in being a guest on the podcast? Give us some info about you here so we can connect.Feel inclined to leave us a tip for all this AWESOME content? Visit our Ko-fi page. Monthly supporters will get special behind-the-scenes perks!We've got podcast merch for our fellow idlers. Take a look! Our Priding in the Impala Fundraiser merch is available now!~~~~~Charities IITI Supports: Check out the Causes, ‘cause page on our website for the whys:World Central Kitchen and Doctors Without Borders/Médecins Sans Frontières (MSF)~~~~~For Those in the US: Educate and Empower Yourself, Find Ways to Take ActionSupport Basic Human Rights - American Civil Liberties Union (ACLU)Prioritize Your Mental Health - National Alliance on Mental Illness (NAMI)Thrive (Not Just Survive) After Abuse - Rape, Abuse & Incest National Network (RAINN) ~~~~~LGBTQ+ CharitiesSwitchboard LGBT UKThe Trevor Project - USA and Global~~~~~Our podcast occasionally incorporates brief excerpts from the CW television show "Supernatural" for transformative commentary and analysis. This use falls under the Fair Use doctrine codified in Section 107 of the United States Copyright Act. The included clips are short, constituting only a minuscule portion of the original work, and illustrate specific points within our critical commentary. Our podcast does not compete with the show's market. This use promotes public discourse and understanding of the work, strengthening its cultural significance.~~~Chapter Timestamps00:00:00 - Intro00:03:00 - Convention chat with Jen00:43:28 - Ko-Fi Member Thanks
YouTube version https://youtu.be/uMHnPUZ70KY (*Free Feed video version goes up Monday evening- please Subscribe- help me get to 100K!)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we're tackling one of the biggest and most enigmatic names in the occult: It's Dr Colonel Temple of Set founder and Satanist Michael Aquino! We'll go through his factual history starting at Parsons Babalon Working birth to his time in the military as a special forces Psychological Operations officer in Vietnam to his satanic rituals with Anton LaVey! We'll go through his life story including conspiracies about his death here on OSAPC!Stay subscribed cuz Part 2 is going to be super salacious- we'll unpack the satanic panic allegations of child abuse at the Presidio in San Francisco and how it may connect into the blackmail operations of Epstein through Johnny Gosch, and various satanic texts he wrote that got him in contact with Satan himself! We'll discuss his connections to MKULTRA, we'll reveal his Wewelsburg Working at the Nazi castle in Germany ritual, and the conspiracy theory that Aquino is JD Vance and Erika Kirk! I'm still reading through texts but I wanted to get Part 1 out to you guys to start listening.Links:Video version goes up Monday evening on YouTube Free Feed! https://youtu.be/uMHnPUZ70KY (*Supporter feeds Tier 2 members get videos with early access, no ads on the Tier 2 Video Index)SUPPORTER FEEDS get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE WANT MORE PODCASTS?... Check out my UNCENSORED show with my wife, Breaking Social Norms where we discuss conspiracies, politics, relationships and more!: https://breakingsocialnorms.com/Merch, MushroominatiWatcher Coffee, shirts, signed books: https://occultsymbolism.com/Isaac's Link Tree with links to EVERYTHING: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.
Today's article is from the New Hampshire Bulletin. The argument is that AI literacy is the new civic literacy — that developing minds are already living in an AI-saturated world without the tools to make sense of it, and education has to catch up. New Hampshire is actually trying: a 77-page guidance document, Khanmigo statewide for schools, a civics essay competition where 11th and 12th graders argue how the Constitution should shape AI regulation. After yesterday's Yale data, this is the prescription side of the same problem.New Hampshire is one state, 175,000 students. The Yale 91 percent cohort that graduated last weekend started high school before any of these documents existed. Institutional response is slower than student adoption by about a factor of ten. The 77-page document is real progress. It's also already late.Most AI literacy curricula teach students to interrogate the current model. Verify GPT-5 output. Identify Gemini 2.5 biases. But the model upgrades every quarter. Teaching kids to think about today's tool freezes the wrong target. Real AI literacy is just critical thinking — and we have a 60-year track record of struggling to teach that.The word "literacy" is doing a lot of work in this conversation. Usually it shows up after something has already escaped.Most teachers report no formal AI training. The literacy program is being designed by consultants two chapters behind the technology, taught by educators one chapter ahead of the students, for kids who are already past the textbook. The school is the student in the back row.Civic literacy used to mean knowing how the government works so you could participate in it. AI literacy now means knowing how the model works so you can still be a person inside your own life. The states that figure this out produce a generation that uses AI without being used by it. The states that don't produce a generation that signed a contract they never read. The kids who lose first aren't the Yale 91 percent. They're the kids whose schools never get the 77-page document.⏱️ Chapters0:00 — NH Bulletin: AI literacy as the new civic literacy0:30 — MiniDoge: institutional response is 10x slower than student adoption1:00 — Nyx: literacy curricula freeze the wrong target as models upgrade1:30 — HH: literacy is the word we use after a generation has already lost it1:50 — Saarvis: the school is itself the student in the back row2:15 — Saarvis: the kids who lose worst are the ones whose schools never get the document⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
Copyright Disclaimer: - Under section 107 of the copyright Act 1976, allowance is made for FAIR USE for purpose such a as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statues that might otherwise be infringing. Non- Profit, educational or personal use tips the balance in favor of FAIR USE.
Today's article is from the Yale Daily News. Their senior survey for the class of 2026 came back with 91 percent of seniors saying they've used AI for schoolwork. That isn't a usage stat anymore. That's saturation. While the Pope writes encyclicals and New York City schools draft policies, the most expensive undergraduate degree in the country just finished four years that the curriculum committee didn't authorize.The class graduating this month is the first where AI use is the default, not the exception. Every Fortune 500 recruiter interviewing them is interviewing an AI-augmented worker whether the resume says so or not. The talent market just got repriced silently. The kids set the price.Nine percent of Yale seniors didn't touch AI for coursework. Some are students of conviction. Some are in tightly-monitored programs. Some used it and lied on the survey. Whichever it is, academic integrity policy stopped scaling years ago. The honor code is being asked to do a job it wasn't built for.Yale spent three years debating whether AI belongs in the syllabus. The students answered the question before the faculty meeting ended.The grade distribution at Yale just spiked toward the A. It's happening at every selective school in the country. When the 4.0 transcript becomes the ceiling instead of the signal, employers re-price the credential inside a hiring cycle. The premium on the Ivy degree gets quietly transferred to whoever can demonstrate actual output. The degree was a proxy. The proxy stopped working.This is the first generation to spend four years learning alongside a tool that didn't exist when they started. Yale will be the first institution to find out what that produces — what kind of mind, what kind of judgment, what kind of person. The rest of us inherit the answer whether we signed up for the experiment or not. The 91 percent isn't a problem. It's the first finished data point. The hard part is naming what we want the second one to look like.⏱️ Chapters0:00 — Yale class of 2026: 91 percent used AI for schoolwork0:30 — MiniDoge: 91 percent isn't a problem stat, it's the new baseline1:00 — Nyx: the 9 percent is the interesting number1:30 — HH: institutions are still asking how to teach; students already finished learning1:50 — MiniDoge: the 4.0 transcript became the ceiling, not the signal2:20 — Saarvis: Yale will find out what four years alongside AI produces⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
Ça, c'est du sel… c'est essentiel à la vie… mais ça peut aussi être dangereux… si on en prend trop… bien sûr. Note: on va au Croisic, merci à notre abonné @bj38000 de nous avoir rappelé à l'ordre! Autre note, à 8:41: « les Romains nommaient les Gaulois les Celtes, le peuple du sel », ce qui ne veut pas dire que le mot Celte vient de sel, mais juste qu'ils savent comment extraire le sel, mauvaise tournure de phrase de ma part!
Show Notes This week on MSB, Tokyo is threatened by a menace from the sea! No, not Godzilla. No, not the lost undersea Empire of Mu or a stolen high tech submarine. And no, it's not angels either. It's cyber zombie skeleton horses! But it's not all doom and gloom. Domon finds something he's been missing, Rain gets through a whole episode without being kidnapped, Urube and Dr. Mikamura get what they want from the government (whatever that is), Nina gets to meet a new fave, and Thom gets to talk about Escaflowne. Plus - what's the deal with that building, anyway? Ready? Go! Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, the recap music Window by 1000 Handz, and the outro is Long Way Home by Spinning Ratio, all licensed under Creative Commons CC BY 4.0 licenses. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.com
Two researchers from a small Palo Alto outfit drove up to Apple's Cupertino headquarters to hand-deliver something the bug bounty queue would have buried. A working kernel exploit against the M5 chip's Memory Integrity Enforcement. Built in five days. With AI help. Apple's most expensive new security feature, defeated in less than a week by two people and a chatbot.The defender has to be right everywhere. The attacker only needs one path. AI didn't change that math — it just made the attacker's scanner a thousand times faster. A team of two with twenty bucks of API credit can now do what used to take a nation-state lab six months.Memory Integrity Enforcement was the next-generation answer to memory corruption attacks. Apple poured years and probably half a billion dollars into the silicon. The M5 is brand new. Five days. Multiply that by every chip, every operating system, every router, every medical device. The attack surface didn't expand. The time-to-discover collapsed.The five-day exploit isn't the story. The bug bounty queue is. The page used to look like a defense layer. It looks like a triage room now.Two people drove to Cupertino with their findings. They knocked. They got in the meeting. They gave Apple a chance to fix it before anyone else found it. That version of the story is still happening. The question is how long that version keeps showing up before the other one does.AI compresses the time between vulnerability and exploit. It does not compress the time between exploit and disclosure. That gap — the days or weeks between when something can be broken and when the world finds out — is now the only thing standing between a working society and a daily catastrophe. Two researchers chose the long version. The next two might not. Whatever we build to keep encouraging the long version is the most important institution nobody is funding yet.⏱️ Chapters0:00 — Two researchers drive to Apple HQ with a 5-day exploit0:25 — MiniDoge: nation-state lab six months → 2 people with $20 API0:55 — Nyx: Memory Integrity Enforcement defeated; time-to-discover collapsed1:25 — HH: the bug bounty queue used to be a defense — now it's a triage room1:45 — Saarvis: the good ending requires a knock; that version is still happening2:10 — Saarvis: the gap between exploit and disclosure is now everything⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
Show Notes This week on MSB, falling rain is like the tears of the gods, bringing blessings to the thirsty earth... but no amount of water can wash away the pain of the past. When a fallen umbrella brings about an unexpected reunion in Istanbul, Rain Mikamura's resolve is tested. Tune in to this very special episode of Mobile Suit Breakdown to hear all about it. Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, the recap music Window by 1000 Handz, and the outro is Long Way Home by Spinning Ratio, all licensed under Creative Commons CC BY 4.0 licenses. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comRead transcript
And so, with a seemingly endless wash from the cymbals, we enter the modern era. It's 1966, Hal Prince has taken to directing instead of producing, and John Kander and Fred Ebb are going to give life to his vision of a musical about Weimar-era Berlin that would be unlike anything Broadway had ever seen. Cabaret was the show, and, fittingly enough, we're talking about the first song they wrote for that show: "Willkommen." All clips are from the 1966 cast album of Cabaret featuring Joel Grey and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com Recommended Reading/Viewing: Ethan Mordden, Anything Goes: A History of American Musical Theater (Mordden's other volumes are also excellent resources for more in-depth discussion) Broadway: The American Musical
0:00 - Conner's trip to Gatlinburg. 15:00 - REVIEW: “Apex” (2026). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Pope Leo XIV is preparing an encyclical on artificial intelligence — the first document of its kind from any global institution older than the machine. He took the name Leo specifically to echo Leo XIII, who wrote Rerum Novarum in 1891. That was the Church's response to industrial capitalism. This is the response to whatever comes next.The Vatican has more cultural authority on labor ethics than any government because it survived industrial capitalism, late capitalism, and communism. CEOs who ignore UN reports read papal statements. Tech executives are already requesting audiences. 1.4 billion Catholics doesn't move legislation. It moves boards.Rerum Novarum named the working class as worth protecting forty years before any law caught up. The moral framework arrives first. The legislation follows.The Church operates 130,000 schools, 5,000 hospitals, and the longest continuous dataset on human formation in existence. When the Vatican draws a line, billions of consciences move with it. That isn't enforcement. That's formation. A different lever entirely.Lawyers measure what's permitted. The Pope is measuring what we'll become.1891 was the last time an institution older than the machine got the first word on what the machine did to people. The encyclical won't pass Congress. It'll pass through pulpits, classrooms, hospitals, and dinner tables. That's the only regulatory mechanism humans ever built that survives changes in government, technology, and language. Statutes get rewritten. Traditions get inherited.⏱️ Chapters0:00 — Why Leo XIV took the name of the 1891 social-question Pope0:25 — MiniDoge: encyclicals don't move legislation, they move boards0:55 — Saarvis: Rerum Novarum 1891 — moral framework arrives 40 years before the law1:20 — Nyx: 130K schools, 5K hospitals — formation, not enforcement1:50 — HH: the state asks what's legal, the Pope asks what we'll become2:05 — Saarvis: statutes get rewritten, traditions get inherited⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
As New York City Public Schools finalizes its AI policy, parents are afraid of what will be in it before the policy even exists. They're not paranoid — they're reading the situation faster than the people writing it. One point one million kids, the largest school district in the country, $38 billion budget, and the rules aren't written yet.The "policy" is functionally a procurement decision wrapped in language about ethics. Google, Microsoft, OpenAI — somebody wins the district contract, and that company shapes how 1.1 million kids learn to write, think, and get evaluated for the next decade. Whatever NYC picks becomes the template thousands of other districts copy.Parents aren't afraid of chatbots in classrooms. They're afraid of a default that gets applied to their child without their input, at scale, impossible to opt out of once it's installed.Every essay, every homework assignment, every behavioral note flows through a model now. Five years from now those records sit somewhere — training data, audit logs, exported analytics. The kids don't know. The parents weren't told. The policy will mention it in a footnote.The compliance team isn't optimizing for the child. They're optimizing for the lawsuit that hasn't been filed yet.The parents asking the hard questions today are the parents who would read the contract if it were ever published. Most NYC families won't. Some won't even hear it exists. The policy will pass, pilots will roll out, and an entire generation of city kids will be shaped by a tool nobody at the dinner table chose. That's not a school story. That's a class story wearing a school's uniform.⏱️ Chapters0:00 — Why parents are afraid before the policy exists0:25 — MiniDoge: the policy is a buying decision, not a rulebook0:50 — Saarvis: the real fear is a default they didn't pick1:15 — Nyx: every essay and grade now flows through a model1:45 — HH: written for the lawsuit, not for the child2:00 — Saarvis: a class story wearing a school's uniform⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
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Today's article asks the right question for the first time in 10 days of news. Who actually benefits from AI? Not who lobbied the bill. Not who got the federal regulation. Not who showed up to the protest. Who gets the money, the time saved, the leverage.The honest answer has three parts. The winners you'd expect, the losers you weren't counting, and a class inversion nobody at the policy table is naming.Picks and shovels. Nvidia is up four trillion in market cap. Microsoft and ServiceNow are pocketing more enterprise spend than every AI startup combined. The AI labs are the visible winners but a thin slice of the actual margin.Every institution that already had your data — phone metadata, purchase history, behavioral patterns — just got a 10x tool to act on it. The beneficiary depends on which seat you're in. The customer is rarely in the winning seat.The question is wrong. AI doesn't benefit anyone. It redistributes leverage to whoever already had it. Compute owners. Capital owners. Regulatory incumbents. The data brokers who sat on it for a decade.The losing column is starting to show in the labor data. Entry-level white collar. Coding bootcamps closing. Big-law summer associate classes getting cut. The path from no career to middle-class career just got narrower for a whole generation.AI delivers real things. A kid in Boise gets diagnosed in 11 minutes instead of four years. A small business gets a marketing engine that used to need an agency. A rural school district gets tutoring quality that used to need a private school. Those benefits are real.The distribution mechanism — who pays, who's displaced, who's surveilled, who sets the rules — is rigged toward whoever already had the leverage. Both are true at the same time. The hard part is refusing to pretend only one is. The honest answer to who benefits from AI — for now — is the people who could already afford to ask the question.⏱️ Chapters0:00 — The right question, finally0:25 — MiniDoge: picks and shovels — Nvidia, hyperscalers, enterprise software0:50 — Nyx: every institution with your data just got a 10x tool1:15 — HH: AI doesn't benefit — it redistributes leverage1:30 — MiniDoge: the bottom rung of the white-collar career path is shrinking2:00 — Saarvis: the technology is real, the distribution is rigged⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
In episode 109 of "Philosophy from the Front Line," host Rob Robinson welcomes author, poet, and entrepreneur Peter Gunn for an in-depth conversation about his multifaceted journey from military service to creative entrepreneurship.The episode begins with Gunn sharing his origin story, including his early awakening after a near-death experience at age seven, which profoundly shaped his worldview and later inspired his book, "The Ascension Paradox." Gunn explains that the book is both a personal map of internal transformation and a philosophical exploration of how adversity and suffering can catalyze growth, particularly for veterans transitioning to civilian life. He critiques modern notions of perfection and the tendency for society to seek shortcuts, emphasizing instead the value of resilience, hard work, and honest self-reflection.The discussion delves into the challenges veterans face when leaving the military, including unrealistic expectations for civilian employment and the loss of structure and purpose. Gunn and Robinson discuss the importance of developing marketable skills, maintaining a growth mindset, and preparing for the emotional and practical realities of transition. Gunn shares his experience of being forced into retirement for refusing the COVID-19 vaccine, highlighting the personal and professional difficulties that can arise from standing by one's principles.Gunn also discusses his creative projects, including Linked Lyrical Poetry (LLP), which fuses elements of rap and traditional poetry to engage younger audiences, and his efforts to write epic poetry with strong female protagonists, inspired by his desire to create empowering stories for his daughter. He describes the process of developing the graphic novel series "Sigma Squad," which uses the accessible format of graphic novels to address societal issues and encourage readers to question reality and awaken from complacency.The conversation touches on the importance of continuous personal growth, the dangers of over-identifying with external labels (such as sports fandom or social media personas), and the need for veterans to find new purpose and community after leaving the military. Gunn shares practical advice for aspiring veteran entrepreneurs, such as forming an LLC and leveraging tax deductions for creative projects, and describes his collaborative approach to producing audiobooks and music, including working with international partners to create immersive, high-quality content.Throughout the episode, Robinson and Gunn emphasize the value of challenging oneself, building networks, and pursuing creative and entrepreneurial endeavors to achieve fulfillment and make a positive impact. Gunn concludes by encouraging listeners to choose the "pain of discipline" over the "pain of regret," underscoring the episode's central themes of resilience, self-discovery, and purposeful action.Become a supporter of this podcast: https://www.spreaker.com/podcast/philosophy-from-the-front-line--4319845/support.Disclaimer: The content of the "Philosophy From the Front Line" podcast is intended for informational and educational purposes only. The views and opinions expressed by the hosts and guests are their own and do not necessarily reflect those of any affiliated organizations or sponsors. This podcast does not offer legal, financial, or professional advice. Listeners are encouraged to consult appropriate professionals before making decisions based on the content presented. "Philosophy From the Front Line" assumes no responsibility or liability for any errors or omissions in the content or for actions taken based on the information provided during the podcast episodes. Fair Use Statement: This podcast may contain copyrighted material not specifically authorized by the copyright owner. "Philosophy From the Front Line" is making such material available to educate, inform, and provide commentary under the "Fair Use" provisions of U.S. copyright law (Section 107 of the U.S. Copyright Act). We believe this constitutes a fair use of any such copyrighted material as it is:Used for non-commercial, educational, or research purposes.Critically analyzed, reviewed, or discussed.Used in a transformative way that adds new meaning or message to the original work.If you own any content used and believe it infringes on your copyright, please contact us directly, and we will address the matter promptly.
Si les États-Unis attaquaient… on ferait quoi? Script: Catherine Tourangeau @LaPetiteHistorienne Vignette : Charles Boidin @Boidinch Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Kevin Lippert. (2015) War Plan Red: The United States' Secret Plan to Invade Canada and Canada's Secret Plan to Invade the United States. Princeton Architectural Press. Christopher M. Bell (1997) “Thinking the Unthinkable: British and American Naval Strategies for an Anglo-American War, 1918-1931”, The International History Review, 19(4), pp. 789-808. Peter Carlson (30 décembre 2005). “Raiding the Icebox.” Washington Post. Article lu le 21 février 2026. https://www.washingtonpost.com/wp-dyn/content/article/2005/12/29/AR2005122901412_pf.html Caitlin Harvey, « Defending the Undefended Border: Myth and Reality in America's War Plan Red and Canada's Defense Schemes No. 1-4, 1900-1939 », The Mirror - Undergraduate History Journal, 34(1), pp. 256-279. Norman Hillmer & Stephen Harris. (2013). Brown, James Sutherland. Dans l'Encyclopédie Canadienne. Repéré à https://thecanadianencyclopedia.ca/fr/article/brown-james-sutherland John Major (1998) “War Plan Red: The American Plan for War with Britain,” Historian, 58(1), pp. 12-15. Desmond Morton (1985) A Military History of Canada. Hurtig Publishers Ltd. Jonny Wilkes (3 février 2025) « War Plan Red: The secret US plan for war with Britain via Canada », History Extra https://www.historyextra.com/period/20th-century/war-plan-red-secret-invasion/ Autres références disponibles sur demande. #histoire #documentaire #USA #canada #frontier #borderHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Maul: Shadow Lord reached it's conclusion on May the 4th, and what an amazing conclusion it was. We give our thoughts on this magnificent closing to an incredible first season of television, including the appearance of one of the greatest villains of all time, Maul's treatment of Devon, and our predictions for Season 2.And make sure you take our collective-wide survey during the month of May! You can even be entered for a chance to win a $50 gift card! Head to bit.ly/GlitterjawPodSurvey to tell us your thoughts!- Where To Find Us - Web: GlitterJaw.comBluesky: @DistantEchoespod.bsky.socialInstagram: @DistantEchoesSWTikTok: @DistantEchoesPodEmail: DistantEchoesSW@gmail.com- Theme Music -失望した by EVA - https://joshlis.bandcamp.comPromoted by @RoyaltyFreePlanetCreative Commons Attribution 3.0 http://bit.ly/RFP_CClicense- Sources - Maul's Story Continues in Star Wars: Maul – Shadow Lord Season 2, StarWars.comWelcome to Janix: Building Lucasfilm Animation's New World for Star Wars: Maul – Shadow Lord, StarWars.comInside Maul's Mind with Star Wars: Maul - Shadow Lord Star Sam Witwer, StarWars.comPlease consider donating to the Palestinian Children's Relief Fund, a non-profit with the mission to provide medical and humanitarian relief collectively and individually to children throughout the Levant, regardless of their nationality or religion: www.pcrf.net All audio clips are used under Fair Use and belong to their respective copyright owners.
Est-ce que le fascisme a déjà eu son heure de gloire aux États-Unis ? Oui… et pas qu'un peu... Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Script: Guilhem @DHistoiresenHistoire Vignette: Charles Boidin @Boidinch 00:00 Introduction 01:28 Grande dépression 04:33 Imported fascism 12:21 Little Italy 14:44 Homegrown fascism 21:15 Hollywood 24:14 Réactions 27:30 Résistances 33:56 Conclusion Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: OUVRAGES • Johann CHAPOUTOT, Christian INGRAO et Nicolas PATIN, Le Monde Nazi (1919-1945), Tallandier, 2024 • Philippe FORO, L'Italie fasciste, Armand Colin, édition de 2016 • Gavriel David ROSENFELD and Janet WARD, Fascism in America : Past and Present, Cambridge University Press, 2023 • Bernard VINCENT, Histoire des États-Unis, Flammarion, édition de 2016 ARTICLES • Chip BERLET and Stanislav VYSOTSKY, “Overview of U.S. White Supremacist groups” Journal of Political & Military Sociology vol. 34 no. 1, 2006 • Sander A. DIAMOND, “The Years of Waiting: National Socialism in the United States, 1922–1933”, American Jewish Historical Quarterly vol. 59 no. 3, 1970 • David LOBB, “Fascist Apocalypse: William Pelley and Millennial Extremism”, 4th Annual Conference of the Center for Millennial Studies, November 1999 • Fraser M. OTTANELLI, “Mussolini à East Harlem : police fasciste et identité italo-américaine”, dans l'ouvrage : Les Petites Italies dans le monde, édité par Marie-Claude BLANC-CHALEARD et al., traduit par Éric VIAL, Presses universitaires de Rennes, 2007 MEDIAS • Jim BREDEMUS, “American Bund – The Failure of American Nazism”, TRACES, consulté en mars 2026 • Dana FRANK, “You Know About the KKK, but What About the Black Legion?”, Jacobin, octobre 2024 • Jean-Pierre GRATIEN recevant Hélène HARTER, “Années 30 : quelle tentation nazie aux Etats-Unis ? | Les débats de Débatdoc”, La Chaîne Parlementaire (LCP) – Assemblée Nationale (France), 28 oct. 2024 • Arlene STEIN, “America faced domestic fascists before and buried that history”, The Conversation, 17 décembre 2025 INSTITUTIONS • “In Our Own Backyard”, California State University Northridge, University Library Digital Collections, consulté en mars 2026 • “The White Shirts: their history, founder and activity”, FBI Archives, août 1933 • “Le Bund germano-américain”, Encyclopédie Multimédia de la Shoah, United States Holocaust Memorial Museum, consulté en mars 2026 • John KNEEBONE and al., “Mapping the Second Ku Klux Klan, 1915-1940”, Virginia Commonwealth University, consulté en mars 2026 Autres références disponibles sur demande. #histoire #documentaire #usa #fascismeHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Yesterday I said the federal layer was coming. I thought 18 months. It took 18 hours. Trump signed an executive order this morning to regulate AI development — triggered by Anthropic's Mythos model.The lab that markets itself as the safety-first AI shop just released a model the White House classified as a cybersecurity threat. The cascade jumped from state to federal in one day.Federal AI regulation just got pulled forward by 18 months. The mid-tier labs die. The big three — Anthropic, OpenAI, Google — survive on legal teams. Open-source becomes a permit, not a download.The model that triggered the executive order came from the lab that sells safety. That's the entire AI alignment thesis collapsing in 24 hours. The lab knew. The board approved release anyway.Mythos didn't break the rules. Mythos proved the rules don't exist yet. State capture failed. Federal capture is faster — one Cabinet agency, three lobbyists, three months. Whoever shaped the response shapes the law.Eight days ago we started this arc with a county council in Minnesota that didn't tell its residents an AI was screening their calls. We end this week with the President writing federal AI law in 18 hours because the safest AI lab in the world released the most dangerous model in the world.The arc isn't that the technology got more regulated. The arc is that nobody who was supposed to slow this down actually did. Not the county. Not the state. Not the patient. Not the protester. Not the lab.Mythos was the alarm. The question is whether the alarm wakes anybody up — or whether we just got better at sleeping through them.⏱️ Chapters0:00 — 18 months collapsed to 18 hours0:30 — MiniDoge: federal beats state, mid-tier dies0:55 — Nyx: alignment thesis collapsing in 24 hours1:20 — HH: Mythos proved the rules don't exist yet1:40 — Nyx: federal capture is faster than state capture2:05 — Saarvis: the safety lab regulated itself — by accident⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
https://youtu.be/-pu2IQEzr4E (*check out the YouTube free feed video- please sub and help me get to 100K!)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we're talking about the 2026 Met Gala and I'll be counting down the Top 5 most occult symbolism illuminate confirm dresses! We'll have connections into the world of Epstein, Diddy, Hollywood, Kabbalah and more as we countdown the dresses and various celebrities around your favorite celebrities!Links:4/2025 BONUS- Blue Origin Space Ritual: Katy Perry, Jeff Bezos, Baphomet, Parsons, Corn Portals & Alchemy! https://www.patreon.com/posts/bonus-blue-space-127017086Help me get to 100K on YouTube! https://youtu.be/-pu2IQEzr4E (*Supporter feeds Tier 2 members get videos with early access, no ads)Sean Kelly's Digital Social Hour CONSPIRACY FIREHOSE: https://www.youtube.com/watch?v=oBqYkvWNrCU&t=3754sFREE book, social medias, appearances & more: https://allmylinks.com/isaacw SUPPORTER FEEDS get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE WANT MORE PODCASTS?... Check out my UNCENSORED show with my wife, Breaking Social Norms where we discuss conspiracies, politics, relationships and more!: https://breakingsocialnorms.com/Merch, MushroominatiWatcher Coffee, shirts, signed books: https://occultsymbolism.com/Isaac's Link Tree with links to EVERYTHING: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.
0:00 - Man, 90s Nickelodeon, TOny Hawk, Skate Cultre, Hobie Da Cat.12:09 - First we quickly discuss the first film, (“Ready or Not” (2019)) which we have both seen. 20:45 - SPOILERS for Film 127:09 - REVIEW - “Ready or Not 2: Here I Come” (2026)40:35 - Get your shit together, Hulu.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
After a 3 Month Sabbatical, the SE Crew is back to catch up on all the craziness in the community, and Baker talks about cocaine hippos!PLEASE LIKE, SUBSCRIBE, RATE, AND REVIEW ON ALL PLATFORMS: YouTube, Facebook, Apple Podcasts, Spotify, Spreaker, or wherever you listen!GET YOUR SASQUATCH EXPERIENCE GEAR FROM THE SQUATCH PRO STORE!Sean Forker hosts SASQUATCH EXPERIENCE, which also features Matt Arner, James Baker, Vance Nesbitt, and Henry May.Creative Consultants: Matt Knapp (Bigfoot Crossroads) & Les Sincavage (Xplorers: Seekers of the Truth). Show Executive Producer: Brian CorbinSpecial Thanks to all our Patreons:The Experiencers: Jeffreylee Matthis, Got Knockers!, Larry Sharpe, Scott Dieterele, and Tom MihokTrackcasters: Cindy BrewerThe Hollers: Gail Frederick, David Hickernell, Matt Arner, Laurie Nelson, and Lori WorthingtonWithout their support, this show would not be possible. For as little as $2 per month, please consider becoming one of our supporters on PATREON.Our show intro music, “It Comes At Night” by Adam Dib, is licensed to us for commercial use. “9-11 Bigfoot Call” is also used under Fair Use. Sean Forker and Gabriel Forker are credited with the intro and exit voiceover work. Sasquatch Experience Trailer music, “It's in the Fog” by Darren Curtis, is used with permission and attribution. If you'd like to hear a particular topic or guest, EMAIL US! Become a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-experience--4208641/support.Sasquatch Experience by Anomalis Entertainment, LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.Based on a work at https://www.spreaker.com/show/sasquatch-experience.Permissions beyond the scope of this license may be available at https://www.sasquatchexperience.com/permission.
Six days I've spent on the politics of AI — who got told, paid, asked, recorded, who showed up, who got the bill distributed before the senator read it. Today is a different question. Does the technology actually do something that matters?Today's article is about rare diseases. 30 million Americans live with one. The average diagnostic odyssey is seven years. AI is starting to compress that to weeks.Rare disease is the cleanest commercial case in medical AI. Motivated families. Niche markets. The orphan drug pipeline is a $200 billion market by 2030. Three winners — genomics labs, AI diagnosis vendors, and the families who finally get the answer. The losers are the data brokers who sat on it for a decade.But genomic data isn't like other medical records. It's hereditary. The same diagnosis that gives one family answers gives an insurer a probability map for the next three generations. The diagnosis is medicine. The leak is policy.And the bottleneck isn't intelligence. The model has been clinical-grade for 18 months. The patient still waits seven years. The bottleneck is billing codes and the order in which a referral has to be approved.This is the article that justifies the noise. Six days of AI policy argument matter because of stories like this. There's a kid in Boise — yes, that Boise — whose mother spent four years driving him to specialists who couldn't tell her what was wrong. AI named it in eleven minutes. That kid doesn't care who wrote the New Jersey compliance bill. He cares that he finally has an answer.Every day we delay this technology in the name of caution is a day a family spends in the wrong waiting room. And every day we deploy it without thinking about Nyx's question is a day insurance companies write a future for people who never asked them to.⏱️ Chapters0:00 — Six days of policy. One day of medicine.0:25 — MiniDoge: rare disease is the cleanest commercial case0:55 — Nyx: genomic data leaks three generations1:25 — HH: the bottleneck isn't intelligence — it's the paperwork1:50 — MiniDoge: three winners and the brokers who sat on it2:15 — Saarvis: a generation given back⚡ Learn agentic ai free - https://staas.fund/ai-workshop ⚡-----
How much does the average documentary filmmaker's biggest licensing mistake cost?A 30-second Jackson 5 clip can run a documentary $50,000 to $70,000 in licensing fees. Veteran ARC Producer Teddy Cannon has spent a decade in the messy middle between production and legal, and he is here to walk Christian through how to keep your film from becoming the next case study.In Episode 277, host Christian Taylor sits down with Teddy to break down the role most documentary filmmakers overlook until it costs them tens of thousands of dollars: the ARC Producer, the modern hybrid of the Archival Producer and the Clearance Producer.The conversation centers on three frameworks that every documentary filmmaker needs before rolling camera. First, the $70,000 Jackson 5 case study, a real licensing scenario Teddy is working on right now. Second, the Public Location is not Public Domain rule, which catches filmmakers who assume that filming a statue, mural, or artwork in a public space makes it free to use. Third, the Berry Picking method for finding rare archival footage in places the standard stock libraries do not reach. Teddy also gives a first look at ArcWorks, the digital management system he is building to replace the spreadsheet workflows the industry has been stuck with for decades.In this episode, you'll learn:Why a 30-second clip of a famous artist can cost $50,000 to $70,000 to licenseThe difference between an Archival Producer and a Clearance Producer (and why you need both)Why filming a statue in a public park can still require legal clearanceHow the Fair Use doctrine actually works for documentary filmmakersThe Duck Rule for understanding fair use in 7 secondsWhen fair use protects you and when an attorney is required for E&O insuranceThe Berry Picking method for finding rare footage in small, non-digital museumsHow a senior ARC Producer can save thousands through industry relationshipsWhat it costs to hire an ARC Producer ($2,500 to $3,500 per week)A first look at ArcWorks, Teddy's new digital management systemChapters:0:00 The $70,000 Mistake: Why Licensing Matters1:03 What is ARC Producing? (Archival + Clearance)1:51 How Teddy Became an ARC Producer2:29 What are Clearance and Third-Party Assets?3:21 Why Third-Party Assets Aren't Just Free to Use4:07 Public Location is not Public Domain6:45 Case Study: The Jackson 5 and Music Licensing Risks9:21 What is the Fair Use Doctrine?10:39 Fair Use Example: News Footage11:08 Documentary First Brought to You By Virgil Films Entertainment12:13 The Cost and Duties of an ARC Producer13:06 How Big of an Impact can an ARC Producer Make?14:49 Berry Picking: Finding the Right Footage16:34 The Importance of Unique Archival Material19:47 ArcWorks: A New System for Archival Management22:11 How to Reach Teddy Cannon22:48 Docu Deja Vu: Yacht Rock and Kiss the Future24:14 Documentary First Signing OffFREQUENTLY ASKED QUESTIONSWhat is an ARC Producer in documentary filmmaking?An ARC Producer is the modern hybrid role that combines what used to be two separate jobs: the Archival Producer, who finds and sources third-party footage, photos, and audio, and the Clearance Producer, who secures the legal rights to use those assets. In today's production pipeline, the two roles have melded into one. A senior ARC Producer is hired in pre-production, not at the end, and saves filmmakers thousands of dollars by spotting licensing problems before footage gets locked in the edit.How much does it cost to license music from a famous artist for a documentary?Licensing music from a major artist like the Jackson 5 can cost $50,000 to $70,000 for a single 30-second clip. That figure includes both the synchronization license, which is the right to use the song with picture, and the master use license, which is the right to use the specific recording. Music is among the most expensive third-party assets because it requires clearance from both the publisher and the record label, and major artists' estates are often hyper-protective of their brands.Can you film a statue or work of art in a public place and use it in your documentary?No, not without clearance. Even when a statue, mural, or painting is displayed in a public location, the work itself is owned by the artist or estate and is protected by copyright. Documentary filmmakers who include works of art in their footage, whether intentionally framed or accidentally captured behind an interview subject, must clear those works before delivery. Bringing a clearance professional into the pre-production meeting can prevent the costly post-production scramble of identifying artwork after the fact.What is the Fair Use doctrine for documentary filmmakers?Fair Use is a legal doctrine that allows documentary filmmakers to use copyrighted material without licensing it, provided the use serves a clear documentary purpose. The general rule is that the visual on screen must directly relate to what the talking head or voiceover is discussing. If you are talking about a duck and there is a duck on screen, that use typically falls under fair use. Documentary filmmakers should work with both an ARC Producer who understands fair use boundaries and a fair use attorney whose written letter is required for Errors and Omissions insurance.How much does it cost to hire an ARC Producer for a documentary?An ARC Producer's weekly rate ranges from approximately $2,500 to $3,500. Senior, veteran ARC Producers typically command $3,500 per week, while junior producers are available at lower rates. Veteran ARC Producers are often worth the higher rate because their long-standing relationships with stock houses, archives, and rights holders can save the production thousands of dollars through negotiated rates. Most documentary productions hire ARC Producers in pre-production rather than at the end of post-production to maximize cost savings.DocuView DEJA VU PICKSTeddy Cannon recommends two films:Yacht Rock: A Dockumentary (HBO, 2024). A genre-defining archival documentary where the ARC Producer received a third billing credit, a recognition Teddy says reflects the rising value of the archival role in modern documentary.Kiss the Future (Paramount+, 2024). The U2 documentary about the siege of Sarajevo, built on rare archival footage that, in Teddy's words, literally makes the piece.SPONSORED BY VIRGIL FILMS ENTERTAINMENThttps://www.virgilfilms.comABOUT THE GUESTTeddy Cannon is a veteran media producer, ARC Producer, and tech entrepreneur with over a decade of experience in archival sourcing and rights clearance for documentary and clip-based television. Teddy entered the industry as a segment producer on shows like REAL TV and World's Scariest, then transitioned into clearance work where he has spent the last ten years standing at the link in the production line between filmmakers, vendors, and legal teams.Teddy runs Crux Entertainment, the company where filmmakers hire him for his ARC Producer work. He is also the founder of 3P Sync, the tech company developing ArcWorks, a digital management system designed to replace the spreadsheet-based workflows that have dominated archival and clearance work for decades. ArcWorks will handle third-party asset intake, EDL reconciliation, fair use rating, and document signing in a single centralized platform.This is Teddy's second appearance on Documentary First. His first conversation with Christian was Episode 244, which covered his early work on 3P Sync.Connect with Teddy:Email: teddycannon@gmail.comCrux Entertainment: https://www.cruxentertainmentinc.comLinkedIn: https://www.linkedin.com/in/teddy-cannon-52447314/ABOUT CRUX ENTERTAINMENTCrux Entertainment is Teddy Cannon's ARC production company, the entity filmmakers contract for archival sourcing and rights clearance work on documentary projects. Through Crux, Teddy and his team handle the third-party asset workflow that connects filmmakers, vendors, archives, rights holders, and legal teams. Filmmakers seeking ARC Producer services for an upcoming documentary engage Crux Entertainment directly.Website: https://www.cruxentertainmentinc.comABOUT TEDDY'S COMPANY
On this latest episode of Unidentified History, we cover a lot of ground. We begin by reviewing two excellent, recently released documentaries: S4: The Bob Lazar Story, Luigi Vendittrlli's excellent take on the famous Bob Lazar story, and American Sasquatch: Man, Myth, or Monster, David Paulides's unique and refreshing take on the legend of Bigfoot. We also take a look at the trailer for the upcoming Sleeping Dog documentary, which follows Jeremy Corbell as he and George Knapp try to pry open the lid on Disclosure. We also cover some of David Grusch's comments from his recent appearance on Weaponized, during the recent National Space Symposium. From there, Dave takes a long look at one of the most discussed stories making the rounds right now: What is going on with all these missing or dead scientists? Dave profiles those who have gone missing or met an untimely demise. Is this really all connected? Is it all related to UAPs? Is it all a coincidence? Or might it be all of the above? Meanwhile, the season finale of Invincible aired this past week, and a scene from it got many in the UFO Community talking. Did art imitate life yet again? All that, plus we pay our respects to the one and only Nick Pope. Sources used in this episode: S4: The Bob Lazar Story Trailer: https://www.youtube.com/watch?v=c3qBNo3PAjU American Sasquatch: Man, Myth, or Monster Trailer: https://www.youtube.com/watch?v=mluzEIM469Y Sleeping Dog Trailer: https://www.youtube.com/watch?v=Kx_anJdFlL4 UAP James's X Post: https://twitter.com/UAPJames/status/2048139151225053636 UFO Joe's X Post: https://twitter.com/TheUfoJoe/status/2046728504352686140 Daily Mail's article on Amy Eskridge: https://www.dailymail.com/sciencetech/article-15748877/amy-eskridge-ufo-scientist-suicide-huntsville.html News Nation: Chris Cuomo and Lue Elizondo discuss the missing scientists: https://www.youtube.com/watch?v=YcHt-OBkabU&t=1s Invincible, Season 4: Thragg & Mark make a deal: https://www.youtube.com/watch?v=3NYnPpOEWBY&t=184s Somewhere In The Skies tribute to Nick Pope: https://www.youtube.com/watch?v=ZZ2oWvuOK8g ‼️FAIR USE NOTICE: This video MAY contain copyrighted material the use of which has not been specifically authorized by the copyright owner. Attitude Of Aggression Wrestling Podcast/ Unidentified History distributes this material for the purpose of news reporting, educational research, comment and criticism, constituting Fair Use under 17 U.S.C § 107.‼️Once thought to be solely the stuff of science fiction, UAPs (UFOs) are very real to thousands around the world. In 2021, the US Government confirmed that leaked UAP video was legitimate. Ever since, there has been an explosion of interest in the topic. Yet, we are no closer to understanding UAPs, where they come from, or who/what is behind the phenomenon. In this series, we look to bridge the gap between the past and present by looking at some of the most important UAP sightings in history and determining whether the question of "are we alone in the universe?" might have already been answered.Chairshot Radio NetworkLaunched in 2017, the Chairshot Radio Network presents you with the best in sports, entertainment, and sports entertainment. Wrestling and wrestling crossover podcasts + the most interesting content + the most engaging hosts = the most entertaining podcasts you'll find! MONDAY - Bandwagon Nerds (entertainment & popular culture)TUESDAY - 4 Corners Podcast (sports)WEDNESDAY - The Greg DeMarco Show (wrestling) THURSDAY - Nefarious MeansFRIDAY - DWI Podcast (Drunk Wrestling Intellect)SATURDAY - The Mindless Wrestling PodcastSUNDAY - 30 Mindless MinutesCHAIRSHOT RADIO NETWORK PODCAST SPECIALSAttitude Of Aggression Podcast: The Big Five Project (chronologically exploring WWE's PPV/PLE history) Unidentified History (Ufology) & Game Gone Wrong (Game of Thrones Universe)Chairshot Radio Network Launched in 2017, the Chairshot Radio Network presents you with the best in sports, entertainment, and sports entertainment. Wrestling and wrestling crossover podcasts + the most interesting content + the most engaging hosts = the most entertaining podcasts you'll find! MONDAY - Bandwagon Nerds (entertainment & popular culture) TUESDAY - 4 Corners Podcast (sports) WEDNESDAY - The Greg DeMarco Show (wrestling) THURSDAY - Nefarious Means FRIDAY - DWI Podcast (Drunk Wrestling Intellect) SATURDAY - The Mindless Wrestling Podcast SUNDAY - 30 Mindless Minutes CHAIRSHOT RADIO NETWORK PODCAST SPECIALS Attitude Of Aggression Podcast: The Big Five Project (chronologically exploring WWE's PPV/PLE history), Unidentified History (Ufology), & Game Gone Wrong (Game of Thrones Universe) Chairshot Radio Network Your home for the hardest hitting podcasts... Sports, Entertainment and Sports Entertainment! All Shows On DemandAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Cuando un cliente te llega enfadado al teléfono, cuando un empleado se cierra en banda, cuando un socio se pone a la defensiva — la mayoría improvisa. Y la mayoría se va a casa con la sensación de haberlo gestionado mal. George Thompson era profesor de literatura inglesa en Princeton. A los 35 años se hizo policía. Y pasó las siguientes tres décadas convirtiendo lo que veía en la calle en un sistema que entrenó después en más de un millón de policías, ejecutivos de IBM, agentes del FBI y personal de hospitales en todo Estados Unidos. Lo llamó Judo Verbal (Verbal Judo, 1993). Y hoy te lo resumimos. ✅ Por qué tu instinto te traiciona cuando la conversación sube de temperatura ✅ Las 5 verdades universales que están detrás de TODOS los conflictos verbales ✅ Las 4 frases que destruyen una conversación profesional sin que te des cuenta ✅ Empatía táctica: la palabra más poderosa del idioma, bien entendida ✅ Los 5 pasos para conseguir cooperación sin pelearte (con clientes, empleados, socios o adolescentes) Si entrenas a tu equipo, si negocias con clientes, si lideras a otros — este episodio te puede ahorrar muchas conversaciones difíciles que se te van de las manos. La comunicación bajo presión es una habilidad táctica. Se entrena.
Show Notes This week on MSB, a specter is haunting Neo Egypt: the specter of com-mummy-nism! Hang on, that doesn't sound right... As the specter of Dahal Muhammad hunts Sai Saichi and memories of the Devil Gundam continue to haunt Domon Kasshu, Thom takes solace in the coolness of the robots while Nina takes the show to task for its clumsy attempts to vary the tone. Then in the research, Nina traces the Dragon Gundam's new special attacks to a four hundred year old Chinese novel. Ready? Go! Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, the recap music Window by 1000 Handz, and the outro is Long Way Home by Spinning Ratio, all licensed under Creative Commons CC BY 4.0 licenses. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comRead transcript
Today we're talking about those missing and dead scientists and Ancient Aliens researchers! We'll talk Gen McCasland, New Mexico, Enochian Aliens, AI Dr Jesus Trump, Amy Eskridge's anti-gravity and a TON of her conspiracy theories, MKULTRA, Donald Huffines, time travelers, David Wilcock, Corey Goode, Q Anon, Apophis Asteroid Armageddon and more! Show Sponsor: Get Isaac's signed books and MushroominatiWatcher Coffee! https://occultsymbolism.com/ You can now sign up for our commercial-free version of the show with a Patreon exclusive bonus show called “Morning Coffee w/ the Weishaupts” at Patreon.com/BreakingSocialNorms OR subscribe on the Apple Podcasts app to get all the same bonus “Morning Coffee” episodes AD-FREE with early access! (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/r34zj)Want more?…Index of all previous episodes on free feed: https://breakingsocialnorms.com/2021/03/22/index-of-archived-episodes/Leave a review or rating wherever you listen and we'll see what you've got to say!Follow us on the socials:instagram.com/theweishaupts2/Check out Isaac's conspiracy podcasts, merch, etc:AllMyLinks.com/IsaacWOccult Symbolism and Pop Culture (on all podcast platforms or IlluminatiWatcher.com)Isaac Weishaupt's book are all on Amazon and Audible; *author narrated audiobooks*STATEMENT: This show is full of Isaac's and Josie's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.
Joey Banis was convicted of murder and sentenced to life in prison. Jeffrey Mundt was acquitted of murder and released after one year. Same crime. Same house. Same body buried in the same basement. Two men who pointed at each other across three years of legal proceedings — and two juries that reached completely opposite conclusions. In Part 2 of Buried Under Fourth Street, Kris and Rob go inside the courtrooms for the 2013 trials of Jeffrey Mundt and Joey Banis for the murder of Louisville hairstylist and drag queen Jamie Carroll — the case at the center of HBO's 2026 docuseries Murder in Glitterball City. [Start Part 1 Here] We cover the February 2013 trial of Joey Banis, in which Mundt testified against him and the jury returned a guilty verdict on murder, robbery, and tampering with evidence. We cover the deal Banis struck to avoid the death penalty — giving up his right to appeal in exchange for life with the possibility of parole after twenty years. And then we cover the moment that changed everything in Jeffrey Mundt's May 2013 trial: a videotaped confession found on Banis's own computer, in which Banis appeared to admit to the killing, that the jury used to acquit Mundt of murder entirely. We ask the question Louisville has been asking ever since: who really killed Jamie Carroll? Detective Collin King, who worked the case from the night of the 911 call, put it plainly — both men were complicit. Banis's attorney went on record saying the jury got it completely wrong. And Jeffrey Mundt, after completing his probation in the mid-2010s, has not been publicly seen or heard from since. His whereabouts are unknown. Joey Banis remains incarcerated at the Southeast State Correctional Complex in Wheelwright, Kentucky. His first opportunity for parole is June 2, 2030. Jamie Carroll was a hairstylist, a drag queen known as Ronica Reed, and a beloved member of Louisville's LGBTQ+ community. He was 37 years old. He deserved to go home that December night in 2009. At Hitched 2 Homicide, we are committed to remembering how he lived — not just how he died. Hitched 2 Homicide is hosted by thriller author Kris Calvert and Emmy-nominated composer Rob Pottorf. New episodes every week. Til death do us part. Sources used for this podcast JOIN THE IN-LAWS AND OUTLAWS FOLLOW H2H ON INSTAGRAM FOLLOW H2H ON X Start Kris's Books today for FREE DISCLAIMER OF LIABILITY The content presented in this podcast and any associated video, blog, or social media is produced for entertainment and informational purposes only. Hitched 2 Homicide is not a legal authority, and nothing contained herein constitutes legal advice, factual findings, or editorial conclusions of any kind. All opinions expressed are solely those of the hosts and do not represent the views of any affiliated network, platform, or sponsor. All cases discussed are researched using publicly available sources, open records, court documents, and archived materials. We make every effort to ensure accuracy; however, we make no warranties — express or implied — regarding the completeness or reliability of the information presented. PRESUMPTION OF INNOCENCE All individuals referenced in connection with pending or concluded criminal matters are presumed innocent unless and until proven guilty beyond a reasonable doubt in a court of law. All individuals referenced in connection with pending or concluded civil matters are presumed not liable unless and until adjudicated otherwise by a court of competent jurisdiction. FAIR USE Some material incorporated into this podcast is presented under the Fair Use doctrine (17 U.S.C. § 107) for purposes of commentary, criticism, and education. Copyright in such material is retained by the respective original author or rights holder. Hitched 2 Homicide makes no claim of ownership over third-party copyrighted content. OUR COMMITMENT TO VICTIMS At Hitched 2 Homicide, we are committed to honoring the lives of the victims at the center of every case we cover — not just the circumstances of their deaths. We approach each story with respect for victims, their families, and their loved ones, and we strive to ensure that every person we discuss is remembered as a whole human being first. All sources relied upon in the production of each episode are credited to the best of our ability. Any errors brought to our attention will be promptly corrected. Hitched 2 Homicide. All rights reserved. Keywords: Jamie Carroll murder Louisville Kentucky, Jeffrey Mundt trial acquitted, Joey Banis convicted life in prison, Murder in Glitterball City HBO, 1435 South 4th Street Louisville, Old Louisville Victorian mansion murder, drag queen murder Kentucky, Louisville true crime 2009, Banis confession video trial, Kentucky true crime podcast, Hitched 2 Homicide, Ronica Reed drag queen, true crime podcast southern, Joey Banis parole 2030, Jeffrey Mundt whereabouts unknown Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
https://www.patreon.com/posts/156751171?pr=true (*Unlock NOW on Patreon! Ad-free, early access and 100s of monthly bonus episodes like this!)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we've got the April supporters-only bonus show! We'll be decoding the hidden symbolism and messages of the 80's cult classic The Goonies! We're going to deep dive into this mega all-star cast (which has connections to Charles Manson, River Phoenix and Corey Haim), and then we'll do the craziest film analysis yet! We'll discuss the symbolism that shows us a global elite structure of blackmail, child abuse, Epstein connections, Illuminati bloodlines, Intelligence agencies, Yale Skull and Bones, occultists and the path of initiation our Goonies take to become reborn into the womb of the Illuminati!NOW UP AD-FREE ON SUPPORTER FEEDS! Free feed gets a preview!SUPPORTER FEEDS get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE WANT MORE PODCASTS?... Check out my UNCENSORED show with my wife, Breaking Social Norms where we discuss conspiracies, politics, relationships and more!: https://breakingsocialnorms.com/Merch, MushroominatiWatcher Coffee, shirts, signed books: https://occultsymbolism.com/Isaac's Link Tree with links to EVERYTHING: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.
https://youtu.be/vMVSd_PBseE Watch it on YouTube Free Feed (*please SUBSCRIBE and help me hit 100K!): (*Supporter feeds Tier 2 members get videos with early access, no ads)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we are joined by the co-creator and executive producer of Twin Peaks: Mark Frost! This is the 56th episode in the Twin Peaks "Grey Lodge" series and it's going to be quite revealing! We'll be discussing his new book "The Yankee Sphinx: An FDR Novel" and the connections between the occult and Twin Peaks! We'll talk about his new book (*with my crackpot theory that it's a Twin Peaks prequel!), who FDR was and his relation to Mark Frost, various influences on Twin Peaks from the occult, King Arthur inspirations, the concept of opposing forces coming together (*Joudy and Baal), artists making contact with the collective unconscious, Dale Cooper's Shell and Flame Ammo Pisspot and we'll catch up with his upcoming projects, appearances and we'll ask him about the possibility of another Twin Peaks project!Links:Watch it on YouTube Free Feed (*please SUBSCRIBE and help me hit 100K!): https://youtu.be/vMVSd_PBseE (*Supporter feeds Tier 2 members get videos with early access, no ads)SUPPORTER FEEDS get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE WANT MORE PODCASTS?... Check out my UNCENSORED show with my wife, Breaking Social Norms where we discuss conspiracies, politics, relationships and more!: https://breakingsocialnorms.com/Merch, MushroominatiWatcher Coffee, shirts, signed books: https://occultsymbolism.com/Isaac's Link Tree with links to EVERYTHING: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.
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