State in the northeastern United States
POPULARITY
Categories
164 episodes with new york state
213 episodes with new york state
160 episodes with new york state
71 episodes with new york state
66 episodes with new york state
76 episodes with new york state
60 episodes with new york state
70 episodes with new york state
71 episodes with new york state
53 episodes with new york state
46 episodes with new york state
39 episodes with new york state
76 episodes with new york state
50 episodes with new york state
36 episodes with new york state
72 episodes with new york state
31 episodes with new york state
35 episodes with new york state
36 episodes with new york state
35 episodes with new york state
32 episodes with new york state
15 episodes with new york state
32 episodes with new york state
27 episodes with new york state
18 episodes with new york state
28 episodes with new york state
32 episodes with new york state
25 episodes with new york state
34 episodes with new york state
17 episodes with new york state
9 episodes with new york state
53 episodes with new york state
18 episodes with new york state
25 episodes with new york state
19 episodes with new york state
16 episodes with new york state
![What's The [DATA] Point](https://ivyfm.s3.amazonaws.com/i320/348238.jpg)
20 episodes with new york state
31 episodes with new york state
39 episodes with new york state
21 episodes with new york state
6 episodes with new york state
13 episodes with new york state
17 episodes with new york state
20 episodes with new york state
13 episodes with new york state
11 episodes with new york state
9 episodes with new york state
9 episodes with new york state
29 episodes with new york state
15 episodes with new york state
15 episodes with new york state
13 episodes with new york state
13 episodes with new york state
10 episodes with new york state
When the war in Ukraine began back in February 2022, the remote-controlled unmanned aerial vehicle or drone as its commonly known, was peripheral to the conflict. But three years on, the drone in all its shapes and sizes has taken on a central role in this battle, in the air, on land and at sea, for surveillance, reconnaissance, combat and other purposes. Now drone technology is evolving even further into the area of autonomous weapons. But whilst the drone can offer greater strategic and operational flexibility and a possible reduction in the number of military casualties, there are concerns that the drone, particularly in Ukraine's case, has prolonged the war. Only last year the United Nations reported that 118 countries now had military drones, along with at least 65 non-state actors. And as an increasing number of countries have begun to manufacture and export their own array of military drones, many are concerned about how drone technology is presenting a big challenge in terms of defensive measures. So, on this week's Inquiry, we're asking ‘How are drones changing the landscape of modern warfare? Contributors: James Patton Rogers, Author and Executive Director, Brooks Tech Policy Institute, Cornell University, New York State, USA. Dr Oleksandra Molloy, Senior Lecturer in Aviation, University of New South Wales, Canberra, Australia Stacie Pettyjohn, Director of the Defence Programme, Centre for A New American Security, Washington DC. USA. Dr. Elke Schwarz, Professor of Political Theory, Queen Mary University, London, UKPresenter: Gary O'Donoghue Producer: Jill Collins Researcher: Maeve Schaffer Editor: Tara McDermott Technical Producer: Toby James Production Management Assistant: Liam Morrey
New York State Senator George Borrello: Is a commuter tax next for New Yorkers? | 08-10-25 Learn more about your ad choices. Visit megaphone.fm/adchoices
New York State Senator George Borrello | 08-10-25 Learn more about your ad choices. Visit megaphone.fm/adchoices
BLACK SHIRT MIXTAPE **Episode 103** BILLY JOEL Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure! Tracklisting: 1. Introduction...Billy Joel 2. Say Goodbye To Hollywood (live) 3. You May be Right 4. Easy Money 5. Intro-New York State of Mind 6. New York State of Mind 7. The Stranger Promo 8. Movin' Out (Anthony's Song) 9. Intro-Just The Way You Are 10. Just The Way You Are Session Dialogue 11. Just The Way You Are 12. Intro- Big Shot 13. It's Still Rock and Roll to Me 14. Blonde Over Blue 15. Intro-Pressure 16. Pressure 17. Intro-Allentown 18. Allentown 19. Intro-Vienna 20. Vienna (live) 21. Intro- The River of Dreams 22. The River of Dreams 23. Intro- Lullaby (Goodnight, My Angel) 24. Lullaby (Goodnight, My Angel) (live) 25. I Go To Extremes 26. Keeping the Faith 27. My Life 28. Scenes from an Italian Restaurant Jesse's random picks: 29. Ego Trippin' Pt. 2...De La Soul 30. Bitch, Don't Kill My Vibe...Kendrick Lamar
One of NYC's most likely mayoral hopefuls has been finding success supporting some extremely left-leaning policies. On Today's Show:Zohran Mamdani, New York State assembly member (D-36, Queens) and the Democratic nominee for mayor, makes his pitch to voters as he runs for mayor of New York City.
Barbara was born in 1964 and although given up within the first week of life, she wasn't ultimately adopted until she was 16 months old. She was never told why or where she was that first 16 months. While growing up Barbara occasionally asked about her biological mother. Her adoptive mother told her that she would never be able to find her, as the records in New York State were sealed. Barbara accepted that as fact, and never sought to look further. She lived with her adopted family until she was 18 years old and then her adoptive parents abruptly moved 1000 miles away. She had always had trouble fitting in at home and struggled socially, but when her adoptive parents left, those issues magnified and she was left wondering more and more about her past. Until she married at 28 years old and contemplated having children did she really begin to question her identity. Working for a financial firm in a Human Resources Department, Barbara managed her company's blood drive. It was that day when she gave serious thought about her own bloodlines. She found the adoption agency and the representative shared a list of non-identifying information. And so began the long search for her biological mother. When she found her 2 years later, Barbara discovered that they lived only 20 blocks away from each other when she was growing up and only a town apart when she found her. That was the beginning of a long relationship they still have today. She has met her biological father, as well as extended family. Barbara considers herself blessed and has written a manuscript about the search, and her mother has edited the work. They both feel that they were meant to reunite after all those years apart, and live less than a mile apart today. Season 11: Adoptee Memoirs - books in order: Practically Still a Virgin by Monica Hall You Can't Get Rid of Me by Jesse Scott and Keri Ault Unspoken by Liz Harvie Sign up for our mailing list to get updates and the Eventbrite for our September 12th & 13th Washington, D.C. Event! Thank you to our Patreons! Join at the $10 level and be part of our monthly ADOPTEE CAFE community. The next meeting will be on Saturday, August 9th, @ 1 PM ET. RESOURCES for Adoptees: Adoptees Connect Gregory Luce and Adoptee Rights Law Fireside Adoptees Facebook Group Dr. Liz Debetta: Migrating Toward Wholeness Movement Moses Farrow - Trauma therapist and advocate National Suicide Prevention Lifeline – 1-800-273-8255 OR Dial or Text 988. Kristal Parke Because She Is Adopted Reckoning With The Primal Wound
In this episode, part 2 of the “It's All Greek Retrospective” series, Master Gardener Jean Thomas talks about jargon and acronyms with the help of some examples from our own New York gardens. These previously aired short segments have been grouped together as they all focus on a common topic: helping to better understand gardening nomenclature. From the Dawn Redwood (Metasequoia glyptrostroboides) to the vast Iris family, nicknames and descriptions abound. The Latin name of the Dawn Redwood is great and grand, but when translated, it turns out to be fancy words that repeat themselves. Iris fanciers discuss the German or the Russian or the Dutch or the Japanese types and rave about their standards and their falls. 'Standards' are the three upright and 'falls' are the three down-facing petals. Part of the fun is peeking into the mythology surrounding Iris. Did you know that the Harpies, famously terrible, were related to the famously beautiful goddess of the rainbow? The next two segments focus specifically about other perennials we know and love. Echinacea is named for a hedgehog (which has no population in North America where the Echinacea was “found”). Hemerocallis is Latin for “Beauty for a Day,” although we commonly call it the “Daylily.” Hostas also have identity issues, being often called Funkias in Europe. Peonies have a long history in China as well as some wild mythological rumors in Greece about Zeus and his shenanigans. And while the Greeks are being discussed, there is a wonderful story about the famous doctor Asclepias and how the milkweed got its formal name. The very last segment of this episode delves into the common Rudbeckia and Phlox, both of which have a habit of traveling because of their prolific seed production. Then the episode goes to the Dutch... language, that is. The Dutch nation has always been at the forefront of garden development and production. , And the Hudson Valley of New York State has a special connection going back four centuries. Food names, place names and historical characters call the Hudson Valley home, like the Roosevelts and Van Burens and even Sojourner Truth in her unique way. Listen, learn, and enjoy! Host: Jean Thomas Guest:Jean Thomas Photo By: Jean Thomas Production Support: Linda Aydlett, Deven Connelly, Teresa Golden, Tim Kennelty, Amy Meadow, Xandra Powers, Annie Scibienski Resources
August 6, 2025- As we continue to unpack the ramifications of the Big Beautiful Bill adopted by Republicans in Washington D.C., we're turning our attention to what it means for community health centers that serve low-income New Yorkers in medical deserts. Our guest is Rose Duhan, president and CEO of the Community Healthcare Association of New York State.
Today, we're back talking about the electrification of New York State, but with a slightly different angle. We're talked about how New York State's push to go full electric will hurt your wallet in the way of increased school taxes to fund electric busses, but have you thought about just how much it'll cost you in the way of appliances. Imagine it's 2030, you just had a gas powered appliance die on you, and can't get it repaired, hence you have to go out and buy a new electric powered version of the appliance. Had you thought about that yet?
In this episode of "Building Tomorrow," we delve into New York State's ambitious climate goals and the pivotal role buildings play in achieving them. New data analysis from Urban Green Council reveals that one-third of all large buildings in the state exist outside of New York City, but we know little about their energy use. Listen in as Danielle Manley, Associate Director of Policy at Urban Green Council, makes the case for why statewide benchmarking is a crucial first step towards empowering large building owners with energy insights that can guide building upgrades, and drive market demand for efficiency.Guest: Danielle Manley, Associate Director of Policy at Urban Green CouncilDanielle is responsible for advocacy, analysis and collaboration on Urban Green's policy initiatives in New York City and State. She previously worked at the Center for Climate Systems Research at Columbia University's Earth Institute researching and communicating local climate risk information for stakeholders in global cities and ecosystems, and served as project manager for the Third New York City Panel on Climate Change Report. Danielle also worked for nonprofits in Buffalo on environmental education and advocacy. She holds a Master's Degree in Climate and Society from Columbia University and a Bachelor of Science in Environmental Studies from the University at Buffalo.Host: Ellen Honigstock, Senior Director, Education, Urban Green Council. Ellen oversees the development of Urban Green's Public Programs. She is also responsible for developing the curriculum for Urban Green's signature programs, including GPRO and Crushing the Code. Ellen has 28 years of experience as an architect and volunteered for Urban Green for several years before joining the staff, where she served as the first Residential Green Building Advocate for Urban Green Council, working to increase green building and LEED for Homes certification in the New York residential marketplace, and as a committee chair of the Green Codes Task Force. ResourcesThe Case for Statewide Benchmarking, May 21, 2025, Urban Green CouncilDataTrends: Benchmarking and Energy Savings, US EPAEnergy Benchmarking and Transparency Benefits, IMTIntegrated Energy Data Resource (IEDR) Program, NYSERDAIf you enjoyed this episode, please consider becoming a member of Urban Green, and subscribing to our podcast for more insightful conversations on building a sustainable future.We'd like to thank Carrier for sponsoring the event and podcast.#ClimateGoals #BuildingDecarbonization #EnergyEfficiency
Join me for an insightful and timely conversation with historian Timothy Kneeland about his book Declaring Disaster: Buffalo's Blizzard of '77 and the Creation of FEMA (Syracuse University Press, 2021). This book masterfully bridges the gap between academic research and real-world policy implications. Hear from the author himself as he reflects on the historical roots of disaster policy, the political forces that shape emergency response, and the enduring implications for governance today. Timothy W. Kneeland is a Professor and Director of the Center for Public History at Nazareth University. He writes on American politics and disaster policy, American science, and psychiatry. ABOUT THE BOOK: On Friday, January 28, 1977, it began to snow in Buffalo. The second largest city in New York State, located directly in line with the Great Lakes' snowbelt, was no stranger to this kind of winter weather. With their city averaging ninety-four inches of snow per year, the citizens of Buffalo knew how to survive a snowstorm. But the blizzard that engulfed the city for the next four days was about to make history. Between the subzero wind chill and whiteout conditions, hundreds of people were trapped when the snow began to fall. Twenty- to thirty-foot-high snow drifts isolated residents in their offices and homes, and even in their cars on the highway. With a dependency on rubber-tire vehicles, which lost all traction in the heavily blanketed urban streets, they were cut off from food, fuel, and even electricity. This one unexpected snow disaster stranded tens of thousands of people, froze public utilities and transportation, and cost Buffalo hundreds of millions of dollars in economic losses and property damages. The destruction wrought by this snowstorm, like the destruction brought on by other natural disasters, was from a combination of weather-related hazards and the public policies meant to mitigate them. Buffalo's 1977 blizzard, the first snowstorm to be declared a disaster in US history, came after a century of automobility, suburbanization, and snow removal guidelines like the bare-pavement policy. Kneeland offers a compelling examination of whether the 1977 storm was an anomaly or the inevitable outcome of years of city planning. From the local to the state and federal levels, Kneeland discusses governmental response and disaster relief, showing how this regional event had national implications for environmental policy and how its effects have resounded through the complexities of disaster politics long after the snow fell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Join me for an insightful and timely conversation with historian Timothy Kneeland about his book Declaring Disaster: Buffalo's Blizzard of '77 and the Creation of FEMA (Syracuse University Press, 2021). This book masterfully bridges the gap between academic research and real-world policy implications. Hear from the author himself as he reflects on the historical roots of disaster policy, the political forces that shape emergency response, and the enduring implications for governance today. Timothy W. Kneeland is a Professor and Director of the Center for Public History at Nazareth University. He writes on American politics and disaster policy, American science, and psychiatry. ABOUT THE BOOK: On Friday, January 28, 1977, it began to snow in Buffalo. The second largest city in New York State, located directly in line with the Great Lakes' snowbelt, was no stranger to this kind of winter weather. With their city averaging ninety-four inches of snow per year, the citizens of Buffalo knew how to survive a snowstorm. But the blizzard that engulfed the city for the next four days was about to make history. Between the subzero wind chill and whiteout conditions, hundreds of people were trapped when the snow began to fall. Twenty- to thirty-foot-high snow drifts isolated residents in their offices and homes, and even in their cars on the highway. With a dependency on rubber-tire vehicles, which lost all traction in the heavily blanketed urban streets, they were cut off from food, fuel, and even electricity. This one unexpected snow disaster stranded tens of thousands of people, froze public utilities and transportation, and cost Buffalo hundreds of millions of dollars in economic losses and property damages. The destruction wrought by this snowstorm, like the destruction brought on by other natural disasters, was from a combination of weather-related hazards and the public policies meant to mitigate them. Buffalo's 1977 blizzard, the first snowstorm to be declared a disaster in US history, came after a century of automobility, suburbanization, and snow removal guidelines like the bare-pavement policy. Kneeland offers a compelling examination of whether the 1977 storm was an anomaly or the inevitable outcome of years of city planning. From the local to the state and federal levels, Kneeland discusses governmental response and disaster relief, showing how this regional event had national implications for environmental policy and how its effects have resounded through the complexities of disaster politics long after the snow fell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Slam the Gavel welcomes back Marc Fishman to the podcast. He was last on the podcast Season 5, Episodes 202, 224, 240, 264 and 276. Today Marc is accompanied by Ann Elliott who was his Supervisor on the day of Marc's arrest on 12-15-18. She has also witnessed and testified to Parental Alienation of Marc's children and their behavior's toward their father. Ann Elliott explained in depth how long she accompanied Marc through his Supervised Visits. Ann spoke about the family court system, its treatment of parents and children, and the importance of court watching. To Reach Marc Fishman: newrochellepoliceabuse.com To Reach Ann Elliott: www.reformcwn.orgSupportshow(https://www.buymeacoffee.com/maryannpetri)Maryann Petri: dismantlingfamilycourtcorruption.comhttps://www.tiktok.com/@maryannpetriFacebook: https://www.youtube.com/@slamthegavelpodcasthostmar5536Instagram: https://www.instagram.com/guitarpeace/Pinterest: Slam The Gavel Podcast/@guitarpeaceLinkedIn: https://www.linkedin.com/in/maryann-petri-62a46b1ab/ YouTube: https://www.youtube.com/@slamthegavelpodcasthostmar5536 Twitter https://x.com/PetriMaryannEzlegalsuit.com https://ko-fi.com/maryannpetrihttps://www.zazzle.com/store/slam_the_gavel/about*DISCLAIMER* The use of this information is at the viewer/user's own risk. Not financial, medical nor legal advice as the content on this podcast does not constitute legal, financial, medical or any other professional advice. Viewer/user's should consult with the relevant professionals. Reproduction, distribution, performing, publicly displaying and making a derivative of the work is explicitly prohibited without permission from content creator. Podcast is protected by owner. The content creator maintains the exclusive right and any unauthorized copyright infringement is subject to legal prosecution. Support the showSupportshow(https://www.buymeacoffee.com/maryannpetri)http://www.dismantlingfamilycourtcorruption.com/
Join me for an insightful and timely conversation with historian Timothy Kneeland about his book Declaring Disaster: Buffalo's Blizzard of '77 and the Creation of FEMA (Syracuse University Press, 2021). This book masterfully bridges the gap between academic research and real-world policy implications. Hear from the author himself as he reflects on the historical roots of disaster policy, the political forces that shape emergency response, and the enduring implications for governance today. Timothy W. Kneeland is a Professor and Director of the Center for Public History at Nazareth University. He writes on American politics and disaster policy, American science, and psychiatry. ABOUT THE BOOK: On Friday, January 28, 1977, it began to snow in Buffalo. The second largest city in New York State, located directly in line with the Great Lakes' snowbelt, was no stranger to this kind of winter weather. With their city averaging ninety-four inches of snow per year, the citizens of Buffalo knew how to survive a snowstorm. But the blizzard that engulfed the city for the next four days was about to make history. Between the subzero wind chill and whiteout conditions, hundreds of people were trapped when the snow began to fall. Twenty- to thirty-foot-high snow drifts isolated residents in their offices and homes, and even in their cars on the highway. With a dependency on rubber-tire vehicles, which lost all traction in the heavily blanketed urban streets, they were cut off from food, fuel, and even electricity. This one unexpected snow disaster stranded tens of thousands of people, froze public utilities and transportation, and cost Buffalo hundreds of millions of dollars in economic losses and property damages. The destruction wrought by this snowstorm, like the destruction brought on by other natural disasters, was from a combination of weather-related hazards and the public policies meant to mitigate them. Buffalo's 1977 blizzard, the first snowstorm to be declared a disaster in US history, came after a century of automobility, suburbanization, and snow removal guidelines like the bare-pavement policy. Kneeland offers a compelling examination of whether the 1977 storm was an anomaly or the inevitable outcome of years of city planning. From the local to the state and federal levels, Kneeland discusses governmental response and disaster relief, showing how this regional event had national implications for environmental policy and how its effects have resounded through the complexities of disaster politics long after the snow fell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
Join me for an insightful and timely conversation with historian Timothy Kneeland about his book Declaring Disaster: Buffalo's Blizzard of '77 and the Creation of FEMA (Syracuse University Press, 2021). This book masterfully bridges the gap between academic research and real-world policy implications. Hear from the author himself as he reflects on the historical roots of disaster policy, the political forces that shape emergency response, and the enduring implications for governance today. Timothy W. Kneeland is a Professor and Director of the Center for Public History at Nazareth University. He writes on American politics and disaster policy, American science, and psychiatry. ABOUT THE BOOK: On Friday, January 28, 1977, it began to snow in Buffalo. The second largest city in New York State, located directly in line with the Great Lakes' snowbelt, was no stranger to this kind of winter weather. With their city averaging ninety-four inches of snow per year, the citizens of Buffalo knew how to survive a snowstorm. But the blizzard that engulfed the city for the next four days was about to make history. Between the subzero wind chill and whiteout conditions, hundreds of people were trapped when the snow began to fall. Twenty- to thirty-foot-high snow drifts isolated residents in their offices and homes, and even in their cars on the highway. With a dependency on rubber-tire vehicles, which lost all traction in the heavily blanketed urban streets, they were cut off from food, fuel, and even electricity. This one unexpected snow disaster stranded tens of thousands of people, froze public utilities and transportation, and cost Buffalo hundreds of millions of dollars in economic losses and property damages. The destruction wrought by this snowstorm, like the destruction brought on by other natural disasters, was from a combination of weather-related hazards and the public policies meant to mitigate them. Buffalo's 1977 blizzard, the first snowstorm to be declared a disaster in US history, came after a century of automobility, suburbanization, and snow removal guidelines like the bare-pavement policy. Kneeland offers a compelling examination of whether the 1977 storm was an anomaly or the inevitable outcome of years of city planning. From the local to the state and federal levels, Kneeland discusses governmental response and disaster relief, showing how this regional event had national implications for environmental policy and how its effects have resounded through the complexities of disaster politics long after the snow fell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Join me for an insightful and timely conversation with historian Timothy Kneeland about his book Declaring Disaster: Buffalo's Blizzard of '77 and the Creation of FEMA (Syracuse University Press, 2021). This book masterfully bridges the gap between academic research and real-world policy implications. Hear from the author himself as he reflects on the historical roots of disaster policy, the political forces that shape emergency response, and the enduring implications for governance today. Timothy W. Kneeland is a Professor and Director of the Center for Public History at Nazareth University. He writes on American politics and disaster policy, American science, and psychiatry. ABOUT THE BOOK: On Friday, January 28, 1977, it began to snow in Buffalo. The second largest city in New York State, located directly in line with the Great Lakes' snowbelt, was no stranger to this kind of winter weather. With their city averaging ninety-four inches of snow per year, the citizens of Buffalo knew how to survive a snowstorm. But the blizzard that engulfed the city for the next four days was about to make history. Between the subzero wind chill and whiteout conditions, hundreds of people were trapped when the snow began to fall. Twenty- to thirty-foot-high snow drifts isolated residents in their offices and homes, and even in their cars on the highway. With a dependency on rubber-tire vehicles, which lost all traction in the heavily blanketed urban streets, they were cut off from food, fuel, and even electricity. This one unexpected snow disaster stranded tens of thousands of people, froze public utilities and transportation, and cost Buffalo hundreds of millions of dollars in economic losses and property damages. The destruction wrought by this snowstorm, like the destruction brought on by other natural disasters, was from a combination of weather-related hazards and the public policies meant to mitigate them. Buffalo's 1977 blizzard, the first snowstorm to be declared a disaster in US history, came after a century of automobility, suburbanization, and snow removal guidelines like the bare-pavement policy. Kneeland offers a compelling examination of whether the 1977 storm was an anomaly or the inevitable outcome of years of city planning. From the local to the state and federal levels, Kneeland discusses governmental response and disaster relief, showing how this regional event had national implications for environmental policy and how its effects have resounded through the complexities of disaster politics long after the snow fell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
Join me for an insightful and timely conversation with historian Timothy Kneeland about his book Declaring Disaster: Buffalo's Blizzard of '77 and the Creation of FEMA (Syracuse University Press, 2021). This book masterfully bridges the gap between academic research and real-world policy implications. Hear from the author himself as he reflects on the historical roots of disaster policy, the political forces that shape emergency response, and the enduring implications for governance today. Timothy W. Kneeland is a Professor and Director of the Center for Public History at Nazareth University. He writes on American politics and disaster policy, American science, and psychiatry. ABOUT THE BOOK: On Friday, January 28, 1977, it began to snow in Buffalo. The second largest city in New York State, located directly in line with the Great Lakes' snowbelt, was no stranger to this kind of winter weather. With their city averaging ninety-four inches of snow per year, the citizens of Buffalo knew how to survive a snowstorm. But the blizzard that engulfed the city for the next four days was about to make history. Between the subzero wind chill and whiteout conditions, hundreds of people were trapped when the snow began to fall. Twenty- to thirty-foot-high snow drifts isolated residents in their offices and homes, and even in their cars on the highway. With a dependency on rubber-tire vehicles, which lost all traction in the heavily blanketed urban streets, they were cut off from food, fuel, and even electricity. This one unexpected snow disaster stranded tens of thousands of people, froze public utilities and transportation, and cost Buffalo hundreds of millions of dollars in economic losses and property damages. The destruction wrought by this snowstorm, like the destruction brought on by other natural disasters, was from a combination of weather-related hazards and the public policies meant to mitigate them. Buffalo's 1977 blizzard, the first snowstorm to be declared a disaster in US history, came after a century of automobility, suburbanization, and snow removal guidelines like the bare-pavement policy. Kneeland offers a compelling examination of whether the 1977 storm was an anomaly or the inevitable outcome of years of city planning. From the local to the state and federal levels, Kneeland discusses governmental response and disaster relief, showing how this regional event had national implications for environmental policy and how its effects have resounded through the complexities of disaster politics long after the snow fell. Learn more about your ad choices. Visit megaphone.fm/adchoices
Join me for an insightful and timely conversation with historian Timothy Kneeland about his book Declaring Disaster: Buffalo's Blizzard of '77 and the Creation of FEMA (Syracuse University Press, 2021). This book masterfully bridges the gap between academic research and real-world policy implications. Hear from the author himself as he reflects on the historical roots of disaster policy, the political forces that shape emergency response, and the enduring implications for governance today. Timothy W. Kneeland is a Professor and Director of the Center for Public History at Nazareth University. He writes on American politics and disaster policy, American science, and psychiatry. ABOUT THE BOOK: On Friday, January 28, 1977, it began to snow in Buffalo. The second largest city in New York State, located directly in line with the Great Lakes' snowbelt, was no stranger to this kind of winter weather. With their city averaging ninety-four inches of snow per year, the citizens of Buffalo knew how to survive a snowstorm. But the blizzard that engulfed the city for the next four days was about to make history. Between the subzero wind chill and whiteout conditions, hundreds of people were trapped when the snow began to fall. Twenty- to thirty-foot-high snow drifts isolated residents in their offices and homes, and even in their cars on the highway. With a dependency on rubber-tire vehicles, which lost all traction in the heavily blanketed urban streets, they were cut off from food, fuel, and even electricity. This one unexpected snow disaster stranded tens of thousands of people, froze public utilities and transportation, and cost Buffalo hundreds of millions of dollars in economic losses and property damages. The destruction wrought by this snowstorm, like the destruction brought on by other natural disasters, was from a combination of weather-related hazards and the public policies meant to mitigate them. Buffalo's 1977 blizzard, the first snowstorm to be declared a disaster in US history, came after a century of automobility, suburbanization, and snow removal guidelines like the bare-pavement policy. Kneeland offers a compelling examination of whether the 1977 storm was an anomaly or the inevitable outcome of years of city planning. From the local to the state and federal levels, Kneeland discusses governmental response and disaster relief, showing how this regional event had national implications for environmental policy and how its effects have resounded through the complexities of disaster politics long after the snow fell. Learn more about your ad choices. Visit megaphone.fm/adchoices
Democratic lawmakers in Texas flee to Illinois, Michigan, an New York State in an attempt to block Texas redistricting. With WBEN, political analyst Jim Ryan explains the situation.
EP200: RussiaGate, Tulsi v Obama, Brennan & Routh, Ghislaine Maxwell, NFL Training CampSPORTSNFL Training Camps Open https://www.nfl.com/news/series/training-camp-news CLICKSRogan Declines Netanyahu https://nypost.com/2025/07/25/media/netanyahus-son-claims-joe-rogan-refused-to-have-father-on-his-show-years-of-antisemitic-propaganda/Bongino on X https://x.com/fbiddbongino/status/1949125573055332672?s=46&t=ye-2GyAK2iDh3yT1vKjfJgGhislaine Maxwell - https://www.zerohedge.com/political/brace-yourself-ghislaine-maxwell-appeal-has-substantial-chance-success; Moved to Texas Prison https://nypost.com/2025/08/04/us-news/inmates-at-ghislaine-maxwells-new-prison-arent-happy-she-got-transferred-to-the-minimum-security-texas-lockup/ Ryan Routh Blocked https://lawandcrime.com/high-profile/its-disclosure-could-cause-serious-damage-judge-cannon-shields-classified-info-from-trump-assassination-attempt-suspect-gives-doj-approval-to-protect-it/ John Brennan & Ryan Routh https://www.youtube.com/watch?v=dfvOBcYLTto&t=2277s POLITICSTulsi vs Obama https://www.zerohedge.com/political/tulsi-about-drop-more-evidence-against-barack-obama?utm_source=daily_newsletter&utm_medium=email&utm_campaign=5285Obama Russia Interview https://x.com/mazemoore/status/1952174515238084971 RussianGate https://substack.com/home/post/p-169822694 Durham Annex Declassified https://www.zerohedge.com/political/smoking-gun-declassified-durham-appendix-confirms-hillary-clinton-plan-smear-trump-use?utm_source=daily_newsletter&utm_medium=email&utm_campaign=5369##About the Sports, Clicks & Politics Podcast SCAPP is a weekly podcast with a Livestream every Monday at 12pm on eastern. Join hosts Shawn Hannon and Ben Hussong as they separate the latest news from the noise impacting New York State. The podcast has frequent guest interviews for additional perspectives in the worlds or sports, politics and beyond!Follow the show on social mediaWebsite: scappodcast.comFacebook: facebook.com/scappodcastTwitter: @SCAPPodcastFollow Shawn & Ben on social mediaFacebook: facebook.com/hannon44 Twitter: @hannon44Facebook: facebook.com/ben.hussong.3Twitter: @benhussong
Congressman Nick Langworthy (NY-23) responds to New York Gov. Kathy Hochul's stand against Washington Republicans' agenda full 154 Mon, 04 Aug 2025 19:30:00 +0000 KJuFjOqnWL3oXPdqFtMKVrk9l3oWPttW news,kathy hochul,western new york,new york state,wben,nick langworthy WBEN Extras news,kathy hochul,western new york,new york state,wben,nick langworthy Congressman Nick Langworthy (NY-23) responds to New York Gov. Kathy Hochul's stand against Washington Republicans' agenda Archive of various reports and news events 2024 © 2021 Audacy, Inc. News False
GOP political strategist Carl Calabrese responds to Gov. Kathy Hochul's public outcry over the 'Big, Beautiful Bill' and the efforts to re-district the State of Texas full 329 Mon, 04 Aug 2025 20:30:00 +0000 oVDvPmHztGFtNQKTAesOoIRVue4k2MN7 texas,news,kathy hochul,new york state,wben,carl calabrese,redistricting,big beautiful bill WBEN Extras texas,news,kathy hochul,new york state,wben,carl calabrese,redistricting,big beautiful bill GOP political strategist Carl Calabrese responds to Gov. Kathy Hochul's public outcry over the 'Big, Beautiful Bill' and the efforts to re-district the State of Texas Archive of various reports and news events 2024 © 2021 Audacy, Inc. N
K: “Community is so important. To knowing you're not alone and then showing up for each other. H: 100 percent. K: even when a situation is scary and people are thinking about their own situations of course but also thinking about their loved ones and their neighbours. H: We will only survive this with community. We will only survive this together. We will only survive this by showing up for each other. That is our only way out. This is an exchange between sister/co-host Kerry and friend and returning guest Professor H Mayhem May on this week's show. We're continuing the celebrating of PRIDE on Outlook this week, as we did almost exactly to the day (three years ago) when May was on with us that first time to share about their short film, “Finding Tiresias”, an inclusively designed experimental piece about identity and diversity and change. Ozzy Osbourne, legendary rock performer died since having H May on this time. In his band's song “Changes” he sings: “I'm going through changes”. This is the theme of our second discussion, live in studio, with H from just across the border in The Finger Lakes region of New York State. Canada and the States both celebrate birthdays during the month of July along with Pride and Disability Pride, just within a few days of one another, as we're right next to each other. We're illustrating the need to recognise that closeness and connection and that need to keep connections between us strong in the face of so much chaos and adversity, both as neighbouring countries and in overlapping communities. So we're talking interconnection, intersectionality, and interdependence along with examples of loss and grief and accepting of changes as H considers a guide dog for continued outdoor adventures, keeping up blindness skills in an ocularcentric world since being in community with us and others at a Drama Club Camp week in Maine, and in the expanding possibilities developing the ideas from last year's Maine gathering into a future inclusive and representative theatrical statement with Dr. May's growing lived experience and directing stage knowledge and expertise at its heart. For more on our friend and ally Professor H May, visit their website and learn more about “Finding Tiresias” and other projects and perspectives: https://www.drheathermay.com Check out last summer's Maine experience on the two-parter episode we put together featuring our week in community with H and others: https://podcasts.apple.com/ca/podcast/outlook-2024-10-14-our-week-in-maine-well-figure-it-out-pt-1/id1527876739?i=1000673780980 https://podcasts.apple.com/ca/podcast/outlook-2024-10-21-our-week-in-maine-well-figure-it-out-pt-2/id1527876739?i=1000675516532 And go back 3 years to hear H's first appearance on the show: https://podcasts.apple.com/ca/podcast/outlook-2022-07-11-awaiting-tiresias-with-professor/id1527876739?i=1000569782476
Wil and I, discuss many aspects of the correctional system in New York State. To hear the full conversation, listen to Season 4: Episode 6 - From Prison Cell To Society Part 1.
1:55:58 – Frank in New Jersey, plus the Other Side. Topics include: Someone lost their Barbie glasses, Milky Way, New York State dream, Gearshift, Run Like An Antelope, Phish tour stats, QS – Gear Shift (1/1/17), AI TV shows, Fable, Showrunner, flash flood warning, thunderstorm, Spinal Tap, Inspector Clouseau, endless remakes, Monsters Cereals X Jim Henson, […]
1:55:58 – Frank in New Jersey, plus the Other Side. Topics include: Someone lost their Barbie glasses, Milky Way, New York State dream, Gearshift, Run Like An Antelope, Phish tour stats, QS – Gear Shift (1/1/17), AI TV shows, Fable, Showrunner, flash flood warning, thunderstorm, Spinal Tap, Inspector Clouseau, endless remakes, Monsters Cereals X Jim Henson, […]
It's a weird time to be an environmental scientist. The proposed cuts to federal science funding in the United States are profound, and if they come to pass, it's not clear what American science will look like on the other side. But for many researchers, science is much more than a career: it's a community, lifestyle, and sometimes even a family business. Outside/In producer Justine Paradis tagged along with researchers in the field to learn what it's like to be a scientist right now. We visit one of the oldest atmospheric monitoring stations in the country, and venture onto the Finger Lakes with an ad-hoc group of researchers struggling to understand an emerging threat to water quality: harmful algal blooms.This is a glimpse of the people behind the headlines, navigating questions both personal and professional, and trying to find ways to continue their work, even as much of their funding is simultaneously collapsing around them. Featuring Bob Howarth, Joshua Thienpont, Irena Creed, Nico Trick, Anita Dedić, and Tom Butler, with appearances from Roxanne Marino, Renee Santoro, and Garreth Smith. SUPPORTTo share your questions and feedback with Outside/In, call the show's hotline and leave us a voicemail. The number is 1-844-GO-OTTER. No question is too serious or too silly.Outside/In is made possible with listener support. Click here to become a sustaining member of Outside/In. Subscribe to our newsletter (it's free!).Follow Outside/In on Instagram and BlueSky, or join our private discussion group on Facebook. LINKSNY67, one of the oldest atmospheric monitoring stations in the U.S., was established by Gene Likens, who helped discover acid rain in the 1960s (The Guardian). More on the cuts to the National Science Foundation from The Guardian. It references a Federal Reserve Bank analysis, finding that for every dollar spent on R&D by the major federal agencies, there's been a return to U.S. taxpayers of $1.50-$3.00—in other words, 150-300%.The American Association for the Advancement of Science has been tracking the federal science budget for decades, and publishes an ongoing analysis breaking down the proposed cuts.A map tracking harmful algal blooms in New York State. In the early 2000s, some wondered if seeding the ocean with iron could be a climate solution. They hoped that the iron would trigger the growth of marine phytoplankton and sequester carbon in the ocean. But when Charlie Trick and his colleagues studied it, they learned it had unintended consequences: it triggered the growth of highly toxic algal blooms.A paper on the rise of ammonia, using data from the National Atmospheric Deposition Program and co-authored by Tom Butler.A letter condemning the proposed cuts to science in FY26, signed by more than 1200 members of the National Academy of Sciences. CREDITS Produced by Justine Paradis. For full credits and transcript, visit outsideinradio.org. WIN A NEW CAR OR 25K IN CASH DURING NHPR'S SUMMER RAFFLE! GET YOUR TICKETS HERE.
On this episode of The Bigfoot Report, we bring you another previously recorded episode from 2021. Wayne sat down with Jeremiah from New York State to discuss his experiences in the Adirondack mountains. If you would like to be a guest on The Bigfoot Report and share your encounter with Sasquatch or other Cryptids, email either wayne@paranormalworldproductions.com or tiffany@paranormalworldproductions.com https://youtube.com/@thebigfootreports?si=dvSe-l8Ice5JKhVbhttps://www.tiktok.com/@thebigfootreport?_t=ZP-8vYdWzwa9de&_r=1https://www.instagram.com/the_bigfoot_report?igsh=MW1ndTJzOXp3MDhldQ%3D%3D&utm_source=qrBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-bigfoot-report--5016307/support.
Join this channel to get access to perks: https://www.youtube.com/channel/UCAURsT8pIRGXBVT__Rh_OmA/join Support us on Patreon for BONUS episodes each month & other perks: https://www.patreon.com/thesavegpodcast In this week's episode we kick off discussing our love hate relationship with subscription services and how they are taking over our lives and wallets. The viral video of the CEO having an affair with the Head of HR at a Coldplay concert- did you think the punishment fit the crime and should it have gone this viral? Indian tourist also goes viral after police footage of her being questioned for shoplifting goes viral- begging the question should police body cam footage be posted on social media? TikToker that promotes the 9-5 lifestyle ironically quits the 9-5 to do digital content creation... should his content also shift focus? Clara Dao, a Vietnamese influencer who became famous for promoting body positivity specifically around being flat chested, gets a boob job. And lastly a young Canadian tourist gets killed by her father when on a trip to New York State. Hope you enjoyed this weeks episode and shockingly Trump was not brought up once!
In this episode of Better Buildings for Humans, host Joe Menchefski welcomes Felix Heisel, Director of Cornell University's Circular Construction Lab, for a deep dive into why designing for disassembly could transform our built environment—and our economy. Felix unpacks how buildings account for 50% of all extracted materials and 41% of global CO₂ emissions, and explains why rethinking end-of-life strategies is critical. They explore the concept of buildings as material banks, the power of local reuse over global recycling, and why a Lego-like approach to construction can unlock new jobs, preserve cultural heritage, and eliminate waste. From policy innovations in New York State to the promise of salvaged timber grading, this conversation reveals how circular construction can create healthier cities—and a more resilient future.More About Felix HeiselFelix Heiselis is an Assistant Professor and the Director of the Circular Construction Lab at Cornell University's College of Architecture, Art, and Planning. He is a faculty fellow at the Cornell Atkinson Center for Sustainability and a graduate field member in architecture, systems engineering, and design technology. Heisel is a licensed architect in Germany and partner of 2hs Architekten und Ingenieur PartGmbB, an office specialized in the development of circular prototypologies. Heisel's scholarship focuses on a systemic redesign of the built environment as a material depot of endless use and reconfiguration. He has received various awards for his work and published several books and articles on the topic, including Building Better- Less-Different: Circular Construction and Circular Economy( Birkhäuser,2022); Urban Mining und kreislaufgerechte sBauen(Urban Mining and Circular Construction, Fraunhofer IRB, 2021); Cultivated Building Materials(Birkhäuser, 2017), and Building from Waste(Birkhäuser, 2014).Heisel graduated from the Berlin University of the Arts and has been teaching and researching at universities around the world, including the Berlage Institute, the Ethiopian Institute of Architecture, Building Construction, and City Developments, the Future Cities Laboratory Singapore; ETH Zürich; and Harvard GSD. The Circular Construction Lab(CCL)at Cornell University's College of Architecture, Art, and Planning houses a design research program that advances the paradigm shift from linear material consumption towards a circular economy within an industrialized construction industry. At the intersection of architecture, engineering, material and computer science, as well as economics, the lab investigates new concepts, methods, and processes to (1) design and construct buildings as the material depots for future construction, and (2) activate the potential of the built environment as an 'urban mine' for today's construction. CCL understands architecture as part of a regenerative and restorative cycle and sees design as a vehicle that can advance this ambition with excellence in teaching and research. Through close collaborations with academic, industrial, and legislative/ political partners, the lab ensures the relevance of its work and promotes the direct and full-scale implementation of research results towards a more sustainable, low/ no-carbon, circular construction industry.CONTACT:http://ccl.aap.cornell.edufelix.heisel@cornell.eduhttps://www.linkedin.com/in/felix-heisel/ Where To Find Us:https://bbfhpod.advancedglazings.com/www.advancedglazings.comhttps://www.linkedin.com/company/better-buildings-for-humans-podcastwww.linkedin.com/in/advanced-glazings-ltd-848b4625https://twitter.com/bbfhpodhttps://twitter.com/Solera_Daylighthttps://www.instagram.com/bbfhpod/https://www.instagram.com/advancedglazingsltdhttps://www.facebook.com/AdvancedGlazingsltd
Ed Cox, Chairman of the New York Republican State Committee, joins the program to discuss last night's incident involving the NFL HQ office in Midtown, Manhattan, being targeted by a gunman believed to have a neurodegenerative disease linked to his football career, and the broader issues of safety in football. Cox also touches on energy policies, discussing the high cost of electricity in New York City, the impact of Governor Cuomo's decision to close Indian Point, and the import of electricity from Canada. Additionally, Cox addresses natural gas production bans in New York, the legal battles over redistricting in New York State, and the political implications of population changes. Learn more about your ad choices. Visit megaphone.fm/adchoices
Barbara was born in 1964 and although given up within the first week of life, she wasn't ultimately adopted until she was 16 months old. She was never told why or where she was that first 16 months. While growing up Barbara occasionally asked about her biological mother. Her adoptive mother told her that she would never be able to find her, as the records in New York State were sealed. Barbara accepted that as fact, and never sought to look further. She lived with her adopted family until she was 18 years old and then her adoptive parents abruptly moved 1000 miles away. She had always had trouble fitting in at home and struggled socially, but when her adoptive parents left, those issues magnified and she was left wondering more and more about her past. Until she married at 28 years old and contemplated having children did she really begin to question her identity. Working for a financial firm in a Human Resources Department, Barbara managed her company's blood drive. It was that day when she gave serious thought about her own bloodlines. She found the adoption agency and the representative shared a list of non-identifying information. And so began the long search for her biological mother. When she found her 2 years later, Barbara discovered that they lived only 20 blocks away from each other when she was growing up and only a town apart when she found her. That was the beginning of a long relationship they still have today. She has met her biological father, as well as extended family. Barbara considers herself blessed and has written a manuscript about the search, and her mother has edited the work. They both feel that they were meant to reunite after all those years apart, and live less than a mile apart today.Season 11: Adoptee Memoirs - books in order:Practically Still a Virgin by Monica HallYou Can't Get Rid of Me by Jesse Scott and Keri AultUnspoken by Liz HarvieSign up for our mailing list to get updates and the Eventbrite for our September 12th & 13th Washington, D.C. Event!Thank you to our Patreons! Join at the $10 level and be part of our monthly ADOPTEE CAFE community. The next meeting will be on Saturday, August 9th, @ 1 PM ET.RESOURCES for Adoptees:S12F Helping AdopteesGregory Luce and Adoptee Rights LawFireside Adoptees Facebook GroupDr. Liz Debetta: Migrating Toward Wholeness MovementMoses Farrow - Trauma therapist and advocateNational Suicide Prevention Lifeline – 1-800-273-8255 OR Dial or Text 988.Support the showTo support the show - Patreon.
BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years! 00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today. 00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza. 00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years? 01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia. 02:12 - Stacia (Guest) Wow, thank you. That was quite the intro. 02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover. 02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know. 03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally. 03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid. 04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do. 04:37 - Stacia (Guest) It's right there. 04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water. 05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you? 05:04 in New Jersey, in New. 05:04 - Stacia (Guest) Jersey, they say, they say water. 05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover. 05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back. 06:02 I imagine once you do, you have family that's still in the area. 06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area. 06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater? 06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures. 06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome. 07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary. 07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not. 08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl. 08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right. 08:48 - Anne (Host) So you quit college. And then what? I quit college. 08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going. 09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show. 09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was. 10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you? 10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support. 11:05 - Anne (Host) Yeah, that's wonderful. 11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them. 11:10 - Anne (Host) Well, that's actually huge. 11:12 - Speaker 2 (Announcement) And. 11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas. 11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long? 12:08 - Anne (Host) For so long, absolutely. 12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on. 12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing. 12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever. 13:15 - Anne (Host) And there's so much good to be said in that though. 13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not. 13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush. 14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen. 14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it? 15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want. 15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I? 15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that? 15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary. 16:38 - Anne (Host) And it's still yeah. 16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training. 17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out. 18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young. 18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover. 19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects. 19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this. 19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful. 19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah. 20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character? 20:56 - Stacia (Guest) Is it always a character you mean like with? 21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think? 21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision? 21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera. 21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening. 22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone. 23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent. 23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy? 23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree. 23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too. 24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes? 25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want? 25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like? 26:29 - Speaker 1 (Announcement) Exactly. 26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first? 26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take? 26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily. 26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before. 27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want. 27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling. 27:13 - Stacia (Guest) We're just all right, we're all gambling, right. 27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job. 27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this. 27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right 28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know. 28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice. 28:58 Oh, thank you, but I can hear that. 29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right. 29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for. 30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound. 30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself. 30:28 - Anne (Host) It is hard not to listen. 30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering. 30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them. 31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself. 31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like? 32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here. 32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class. 33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that. 33:34 - Anne (Host) Oh my gosh, that's like secret sauce. 33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so. 33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that? 33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety. 34:04 - Anne (Host) It is a place to play. 34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe. 34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am. 34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be. 35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible? 35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority. 36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore. 36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it. 36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website. 36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things? 36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us. 36:59 - Stacia (Guest) It was a pleasure. 37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited. 37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy. 37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much. 37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.
Executive Vice President of The Business Council of New York State, Inc., Paul Zuber, calls into the show to talk about the difficulties New York businesses face, particularly regulations such as the All Electric Building Act, which increases costs for builders and consumers. This legislation mandates the use of electric appliances in new constructions and plans to phase out gas and oil services by 2029, which, according to Zuber, will exacerbate affordability issues. Learn more about your ad choices. Visit megaphone.fm/adchoices
Niagara Falls City Schools superintendent Mark Laurrie on the continued push from New York State for all-electric school buses by 2035 full 296 Mon, 28 Jul 2025 08:30:00 +0000 KeVM41FTKTBDCaqQPuP4ClZl0CgcvTfh news,new york state,wben,niagara falls,mark laurrie,niagara falls city school district WBEN Extras news,new york state,wben,niagara falls,mark laurrie,niagara falls city school district Niagara Falls City Schools superintendent Mark Laurrie on the continued push from New York State for all-electric school buses by 2035 Archive of various reports and news events 2024 © 2021 Audacy, Inc. News
Sweet Home Central School District superintendent Mike Ginestre on the continued push from New York State for all-electric school buses by 2035 full 178 Mon, 28 Jul 2025 08:30:00 +0000 stLBjSjTmdkZKHelFhdAMzNyKS01pcBO news,new york state,wben,sweet home central school district,mike ginestre,all-electric school buses WBEN Extras news,new york state,wben,sweet home central school district,mike ginestre,all-electric school buses Sweet Home Central School District superintendent Mike Ginestre on the continued push from New York State for all-electric school buses by 2035 Archive of various reports and news events 2024 © 2021 Audacy, Inc. News
Today, we focus on the electrification of New York State as a judge recently backed New York State's ban on gas hookups starting in 2026 for new builds. Also, the state recently committed $200 million to fund zero emission, or electric, school buses. Clearly, the state is going all in on the electric push. What are your thoughts on this, is this a giant disaster in the making?
Send us a textUSS EVERSOLE (DE-404) participated in the largest Naval battle in history, the Battle of Leyte Gulf. She was tasked with escorting Taffy 1 and moving to assist Taffy 3 after the famed Battle of Samar. Tragically just after the battle, she was torpedoed off the coast of Leyte and sunk. One of just 13 destroyer escorts lost in American service.Follow along with our transcript and check out the photos on our website. If you like what you hear and are able to help us out by leaving a donation, we appreciate every dollar we are given! Donations are used to restore, preserve, and educate the public about USS SLATER and Destroyer Escorts. USS SLATER is a private not-for-profit museum that receives no regular support from New York State, the federal government, or the US Navy. We are funded by private donations, ticket, and merchandise sales. Thanks for listening and lending your support!Support the showSupport the showThank you for listening to DE Classified and supporting USS SLATER! All proceeds earned from this podcast, tickets & merchandise sold, as well as donations received, go directly to support the ship and her restoration. Donate at www.ussslater.org Find us online: Facebook, Instagram, Website, Podcast, and YouTube.
Welcome to a special Inwood Film Festival Artist Spotlight episode featuring the post screening conversation which followed the award-winning feature documentary The Good Mind with filmmaker Gwendolen Cates, and Tom Porter, a spiritual leader of the Mohawk Community. The Indigenous sovereign Onondaga Nation – the Central Fire of the Haudenosaunee (Iroquois) Confederacy – follows the Great Law of Peace, never accepted U.S. citizenship, has its own passport, and still maintains a traditional government led by Clanmothers and Chiefs, one of the world's first true democracies that inspired the Founding Fathers and the women's suffrage movement. The film spotlights the Onondaga Nation's tireless environmental advocacy and their legal battle with the U.S. over ancestral land taken by New York State in violation of a 1794 treaty with George Washington. For those who have not seen the film, enjoy a trailer of the film followed by a candid interview with Inwood Art Works Founder and Executive Producer, Aaron Simms which followed the 2025 Inwood Film Festival presentation of The Good Mind.
Michael Biamonte is the founder of the Biamonte Center for Clinical Nutrition. He is a co-creator of BioCybernetics, which is an unprecedented computer software program that is able to study blood work, mineral tests and many other lab tests to determine exactly where your body is imbalanced initially designed for aerospace purposes. As a practitioner for over 30 years, he is dedicated to improving the lives of his patients and helping them get back to living. He holds a Doctorate of Nutripathy and is a New York State certified Clinical Nutritionist. He is a professional member of the International and American Association of Clinical Nutritionists, The American College of Nutrition and is a member of the Scientific Advisory Board for the Clinical Nutrition Certification Board. He is listed in “The Directory of Distinguished Americans'' for his research in Nutrition and Physiology. Websites: https://health-truth.com/ https://www.newyorkcitycandidadoctor.com/ https://www.newyorkcitythyroiddoctor.com/ YouTube: https://youtube.com/@health-truth3669 LinkedIn: https://www.linkedin.com/in/michael-biamonte-b8616b8/ Facebook: https://www.facebook.com/profile.php?id=100050863466219# Order Dr. Biamonte's Book, "The Health Chronicles" here: https://a.co/d/gRNovb8 Timestamps: 00:00 Trailer 00:37 Introduction 05:03 Assessing gut microbiome health 06:59 Insights on advanced stool testing 12:41 Candida's impact on nutrients 14:35 Carnivore diet for candida control 19:21 Targeted gut health protocols 20:32 Role of prebiotics in gut health 25:54 Benefits of fermentation 29:27 Unique treatment requirements 31:56 Risks of long-term anti-fungal use 36:02 Parasite-induced health mystery solved 38:09 Dysbiosis and Herxheimer reactions 42:16 Where to find Dr. Biamonte 44:31 Candida and thyroid connection Join Revero now to regain your health: https://revero.com/YT Revero.com is an online medical clinic for treating chronic diseases with this root-cause approach of nutrition therapy. You can get access to medical providers, personalized nutrition therapy, biomarker tracking, lab testing, ongoing clinical care, and daily coaching. You will also learn everything you need with educational videos, hundreds of recipes, and articles to make this easy for you. Join the Revero team (medical providers, etc): https://revero.com/jobs #Revero #ReveroHealth #shawnbaker #Carnivorediet #MeatHeals #AnimalBased #ZeroCarb #DietCoach #FatAdapted #Carnivore #sugarfree Disclaimer: The content on this channel is not medical advice. Please consult your healthcare provider.
Anyone watching Fox News last week might think Trump is far more popular than most polls show, New York City is about to turn the entire country into a communist hellscape, the economy is soaring, and Democrats are to blame for the scandal surrounding the Epstein files.The network also produced a barrage of segments trashing the minority party including California Governor Gavin Newsom, and former President Barack Obama. ‘Democrats are terrible' took up 18% of the airtime on the shows I covered last week.The network also placed undue focus on a New York City mayoral candidate - Zohran Mamdani. Fox News hosts repeatedly smeared the young New York State assembly member as a dangerous radical communist. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit decodingfoxnews.substack.com/subscribe
LVW Advisors continues to climb the rankings, and the firm's Founder and CEO Lori Van Dusen has been named the #1 Wealth Advisor in New York State. Van Dusen shares her journey launching the RIA, how LVW Advisors fosters strong relationships with clients, and much more.
New York City Mayor Eric Adams has announced after-school programming for 40 new schools beginning this fall. Plus, New York is one of several states suing the Trump administration over new rules that block undocumented immigrants from receiving social services. Meanwhile, federal aid cuts won't stop New York State officials from sending out rebate checks this fall. And finally, a mayoral frontrunner is calling for city-owned grocery stores across the five boroughs. But New York City already has them.
AP correspondent Julie Walker reports New York State police say a 9-year-old girl reported missing by her father was drowned.
New York City's iconic green space, Central Park - larger than Monaco and Vatican City combined - was legislated for on 21st July, 1853. Over 750 acres of Manhattan were allocated for America's first major landscaped public park; a grand plan which aimed to rival European cities. Rocky and swampy land, previously home to small farms and settlements, was bulldozed - at a cost that exceeded the purchase of Alaska. A competition produced Frederick Law Olmsted and Calvert Vaux's winning design, a version of an English pastoral landscape that reflected the natural beauty of New York State. Their design included a parade ground, fountains, skating arena, and ladies' ‘refreshment salon'. In this episode Arion, Rebecca and Olly question just how inclusive this ‘park for everybody' truly was; consider how the upper classes benefited from the property opportunity presented by its construction; and check out the latest park's trend: pizza box recycling bins... Further Reading: • ‘Almanac: On July 21, 1853, hundreds of acres of land in the center of Manhattan were set aside for Central Park, one of the world's most glorious public spaces' (CBS News, 2019): https://www.cbsnews.com/news/almanac-central-park-new-york-city/ • '12 Secrets of New York's Central Park' (Smithsonian Magazine, ): https://www.smithsonianmag.com/travel/12-secrets-new-yorks-central-park-180957937/ • 'How Central Park Was Created Entirely By Design and Not By Nature' (Architectural Digest, 2023): https://www.youtube.com/watch?v=2AVymQ-SU3A Love the show? Support us! Join
Data unintentionally provided to CBC News is raising questions about the death rate of federal inmates. 9-year-old Montreal girl found dead in New York State, father charged with second-degree murder and concealment of a human corpse. Canada's deportation of alleged 'Ndrangheta Mafia boss hinges on foreign eavesdropping. Prominent Kenyan human rights activist Boniface Mwangi is charged for alleged role in June's anti-government protests. Premiers gathering in Ontario for 3-day meeting on trade and tariffs. People in Slave Lake, Alberta are being told to get ready to evacuate because of nearby wildfire. Wildfire threatening Musgrave Harbour, Newfoundland now just 2 kilometres from the townsite. Hot dry conditions affecting salmon population in Newfoundland.
Show Notes Thank you all for your patience and your kind words of sympathy. We're ready to talk about Gundam once again, and this week a question from a listener prompts us to look back at the whole Tomino Era of Gundam, and on that perfect note we end Season 10. Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 licenses. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comRead transcript
George Borello, New York State Senator, calls into the show to discuss his critical views on Mayoral candidate Zohran Mamdani after his trip to D.C. yesterday, emphasizing Mamdani's lack of qualifications and radical economic ideas. Borello warns that Mamdani's potential policies, which he describes as Marxist, could severely harm the city's economy. He also highlights concerns about one-party rule in New York State and the diminishing influence of moderate Democrats. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ed Cox, Chairman of the New York Republican State Committee, calls in to talk about New York State's energy policies, contrasting them with those of Pennsylvania. Cox criticizes New York's lack of energy independence due to its restrictions on fracking and the closure of nuclear plants, pointing out the economic benefits Pennsylvania enjoys from its energy production. Learn more about your ad choices. Visit megaphone.fm/adchoices
Summer is a time when change seems more possible than ever. But is that really how it happens? Can people actually reinvent themselves in the warmer months? This week, we present stories — and some comedy — about people and their summer selves. Visit thisamericanlife.org/lifepartners to sign up for our premium subscription.Prologue: Host Ira Glass reflects on his feelings about going to the beach. (3 minutes)Act One: Producer Dana Chivvis explores the case of a 66-year-old working lifeguard who is suing New York State for age discrimination after refusing to wear a Speedo on the job. (16 minutes)Act Two: A troupe of comedians tells personal stories about summer experiences and improvises scenes based on them. (23 minutes)Act Three: Producer Neil Drumming tells the story of his dad and his family's timeshare in Orlando, Florida. (14 minutes)Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.
© 2020-2025 Ivy Podcast Discovery LLC
