Podcast appearances and mentions of julia alekseyeva

We'll get to AOC, who has a plan to fix the systems of America. God warned us against having human kings, and one of our human “kings” resigned. FBI Director Christopher Wray. The People who run Joe Biden have made him commute 1,500 jail sentences and issue pardons for 39 others…Episode Links:5 biggest FBI scandals during Christopher Wray's tenure as directorBiden commutes 1,500 jail sentences, grants pardons for 39 others: 'Largest single-day grant of clemency'; The sentences commuted were for inmates placed on home confinement during the COVID-19 pandemic The race riots are back. The Jordan Neely situation is not about race. We need to stop making everything about race. Also many of us black people need to stop having this unrelenting loyalty to being black.PBS Plays Up 'Politicized' Penny Case, Some See 'Reckless Vigilante Who Went Too Far'AOC: The subway will be safer if we lock up people like Daniel PennyEx-WaPo reporter Taylor Lorenz tells Piers Morgan she felt ‘joy' over assassination of UHC CeoDISGUSTING: UPenn professor Julia Alekseyeva celebrates the alleged UnitedHealthcare CEO's assassin and that the murderer attended UPenn. To anyone wondering how America's youth becomes so radical to murder someone, it is because of the extremist professors.Alan's Soaps https://www.alansartisansoaps.comUse coupon code ‘TODD' to save an additional 10% off the bundle price.Bioptimizers https://bioptimizers.com/toddGive your body the magnesium it craves with Magnesium Breakthrough.  Visit bioptimizers.com/todd and save an extra 10% with promo code TODD.Bonefrog https://bonefrogcoffee.com/toddMake Bonefrog Cold Brew at home!  Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.Bulwark Capital Bulwark Capital Management (bulwarkcapitalmgmt.com)Get a second opinion on the health of your retirement portfolio today.  Schedule your free Know Your Risk Portfolio review go to KnowYourRiskRadio.com today.My Pillow https://mypillow.com/toddUse promo code TODD to save big on the entire MyPillow classic Collection with the Standard starting at only $14.88.  Renue Healthcare https://renue.healthcare/toddYour journey to a better life starts at Renue Healthcare. Visit renue.healthcare/ToddWisdom Nutrition https://trywisdomnow.com/toddStock up on Wisdom for 33% off plus free shipping. Visit trywisdomnow.com/todd.

We are joined by Julia Alekseyeva: author of Soviet Daughter: A Graphic Revolution and Assistant Professor of English and Cinema and Media Studies at the University of Pennsylvania. In this episode Eric, Annie, and Julia rattle on about three-headed Chihuahuas, gothic manscaping, and the blowjob ellipses...of Victorian novels.

Julia Alekseyeva talks about her book, Soviet Daughter, the Ivy League, the DSA, Chernobyl, and being the kid who ate lunch with her art teacher.JULIA:https://microcosmpublishing.com/catalog/books/6320https://twitter.com/thesoviettePATREON:https://www.patreon.com/selfworstMUSIC BY SHEA BARTEL:https://sheas.art/

This week, we hear from Masha Gessen on 'The Future is History' and Putin's Russia, Julia Alekseyeva on 'Soviet Daughter,' and Franz Nicolay on 'The Humorless Ladies of Border Control' Plus, U. Chicago Professor William Nickell gives a crash course in the Russian Revolution & its legacy.   Open Stacks is the official podcast of the Seminary Co-operative Bookstores. This episode was produced by Kit Brennen, Imani E. Jackson and Marina Malazoniya. 

Jimmy went to MoCCA Fest over the weekend and got some great interviews! In this episode, you'll hear from Julia Alekseyeva (Soviet Daughter) and Matthew Loux (The Time Museum). Julia's graphic novel is a fascinating tale about her great grandmother Lola growing up in the former Soviet Union. She and Jimmy have a great talk about Lola's life and how it helped to shape Julia into the woman she is today. Matt's new graphic novel from First Second is a load of time traveling fun! He talks about the various adventurers from different eras in time and why he chose them. Next week, you'll hear the final MoCCA interview Jimmy conducted with Falynn Koch (Science Comics: Plagues). Leave your iTunes comments! 5 stars and nothing but love! Also, get a hold of us! Thanks for listening!

Reviews: Adam Strange Future Quest Special #1, Booster Gold Flinstones Special #1, Green Lantern Space Ghost Special  #1, Suicide Squad Banana Splits Special #1, X-Men Prime #1, Sleepy Hollow season finale, The Walking Dead season finale Jon Hoche is back to co-host in this very lengthy episode! Jimmy went to MoCCA Fest over the weekend and gives his recap. He got 4 great interviews from the likes of Penelope Bagieu, Falynn Koch, Julia Alekseyeva and Matthew Loux. You'll hear his great chat with Penelope in this episode! They talked about her recent book from First Second called California Dreamin', some of her past/upcoming work, how she's a drummer in a band, her dislike of erasers and more! Such a fantastic interview that you'll be sure to enjoy. News includes: Gerard Way ensures that more Doom Patrol is coming, a Beetlejuice musical is in the works, Joss Whedon may write/direct/produce a solo Batgirl film, Seth Rogen is set to bring Robert Kirkman's Invincible to film, a new Invader Zim, Scott Snyder explains Dark Nights: Metal and more! Come back later this week to hear a MoCCA Fest interview special with Julia and Matthew. And then hear the interview with Falynn in next week's regular format show! Leave your iTunes comments! 5 stars and nothing but love! Also, get a hold of us!   Thanks for listening!

Julia Alekseyeva's graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in... Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Alekseyeva’s graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in... Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Alekseyeva’s graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in the wake of the events at Chernobyl. Lola has gone through the Bolshevik revolution, the Civil War, the Stalinist purges, deportation to Kazakhstan, and the Chernobyl disaster and these are her real-life memoirs that lay the foundation for the novel. The chapters telling Lola’s story are alternated with shorter interludes from the contemporary life of the second protagonist, Julia, a representative of the generation of millennials, who are struggling to come to terms with their idealistic views on life and politics amidst the changing world order. Alekseyeva, who is a PhD student in Comparative Literature at Harvard University, works on avant-garde cinema in the USSR, Japan, and France, and her academic interest in visual narrative techniques has deeply affected her work on the graphic novel. The story-telling in Soviet Daughter is rich and intense, and also full of supplementary comments and explanations of various aspects of Soviet everyday life; however, the novel is very easy to read and grasps the readers attention from the very first pages. To this, the sincerity of Alekseyeva’s intonation contributes greatly. She does not shy away from being very honest about issues such as inter-generational misunderstanding, conflicts within family, and difficulties of the migrant experience yet at the same time she persistently maintains the tactful balance between a personal story-telling and a nearly academic inquiry into the experience of several generations of Soviet Jewish immigrants in America. The precursors of Alekseyeva’s novel are works such as Marjane Satrapi’s Persepolis, Art Spiegelman’s Maus, and Alison Bechdel’s Fun Home. Another major influence on Alekseyeva is actually Vladimir Mayakovsky, especially his work in Okna ROSTA. Soviet Daughter does, in fact, open by a quote from Mayakovsky. Julia Alekseyeva’s novel will be of much interest both to the broad readers audience, and also to the scholars of Soviet history, Jewish identity, and immigration. Into all of these themes it provides a fascinating insight. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Alekseyeva’s graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in the wake of the events at Chernobyl. Lola has gone through the Bolshevik revolution, the Civil War, the Stalinist purges, deportation to Kazakhstan, and the Chernobyl disaster and these are her real-life memoirs that lay the foundation for the novel. The chapters telling Lola’s story are alternated with shorter interludes from the contemporary life of the second protagonist, Julia, a representative of the generation of millennials, who are struggling to come to terms with their idealistic views on life and politics amidst the changing world order. Alekseyeva, who is a PhD student in Comparative Literature at Harvard University, works on avant-garde cinema in the USSR, Japan, and France, and her academic interest in visual narrative techniques has deeply affected her work on the graphic novel. The story-telling in Soviet Daughter is rich and intense, and also full of supplementary comments and explanations of various aspects of Soviet everyday life; however, the novel is very easy to read and grasps the readers attention from the very first pages. To this, the sincerity of Alekseyeva’s intonation contributes greatly. She does not shy away from being very honest about issues such as inter-generational misunderstanding, conflicts within family, and difficulties of the migrant experience yet at the same time she persistently maintains the tactful balance between a personal story-telling and a nearly academic inquiry into the experience of several generations of Soviet Jewish immigrants in America. The precursors of Alekseyeva’s novel are works such as Marjane Satrapi’s Persepolis, Art Spiegelman’s Maus, and Alison Bechdel’s Fun Home. Another major influence on Alekseyeva is actually Vladimir Mayakovsky, especially his work in Okna ROSTA. Soviet Daughter does, in fact, open by a quote from Mayakovsky. Julia Alekseyeva’s novel will be of much interest both to the broad readers audience, and also to the scholars of Soviet history, Jewish identity, and immigration. Into all of these themes it provides a fascinating insight. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Alekseyeva’s graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in... Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Alekseyeva’s graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in the wake of the events at Chernobyl. Lola has gone through the Bolshevik revolution, the Civil War, the Stalinist purges, deportation to Kazakhstan, and the Chernobyl disaster and these are her real-life memoirs that lay the foundation for the novel. The chapters telling Lola’s story are alternated with shorter interludes from the contemporary life of the second protagonist, Julia, a representative of the generation of millennials, who are struggling to come to terms with their idealistic views on life and politics amidst the changing world order. Alekseyeva, who is a PhD student in Comparative Literature at Harvard University, works on avant-garde cinema in the USSR, Japan, and France, and her academic interest in visual narrative techniques has deeply affected her work on the graphic novel. The story-telling in Soviet Daughter is rich and intense, and also full of supplementary comments and explanations of various aspects of Soviet everyday life; however, the novel is very easy to read and grasps the readers attention from the very first pages. To this, the sincerity of Alekseyeva’s intonation contributes greatly. She does not shy away from being very honest about issues such as inter-generational misunderstanding, conflicts within family, and difficulties of the migrant experience yet at the same time she persistently maintains the tactful balance between a personal story-telling and a nearly academic inquiry into the experience of several generations of Soviet Jewish immigrants in America. The precursors of Alekseyeva’s novel are works such as Marjane Satrapi’s Persepolis, Art Spiegelman’s Maus, and Alison Bechdel’s Fun Home. Another major influence on Alekseyeva is actually Vladimir Mayakovsky, especially his work in Okna ROSTA. Soviet Daughter does, in fact, open by a quote from Mayakovsky. Julia Alekseyeva’s novel will be of much interest both to the broad readers audience, and also to the scholars of Soviet history, Jewish identity, and immigration. Into all of these themes it provides a fascinating insight. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Alekseyeva’s graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in the wake of the events at Chernobyl. Lola has gone through the Bolshevik revolution, the Civil War, the Stalinist purges, deportation to Kazakhstan, and the Chernobyl disaster and these are her real-life memoirs that lay the foundation for the novel. The chapters telling Lola’s story are alternated with shorter interludes from the contemporary life of the second protagonist, Julia, a representative of the generation of millennials, who are struggling to come to terms with their idealistic views on life and politics amidst the changing world order. Alekseyeva, who is a PhD student in Comparative Literature at Harvard University, works on avant-garde cinema in the USSR, Japan, and France, and her academic interest in visual narrative techniques has deeply affected her work on the graphic novel. The story-telling in Soviet Daughter is rich and intense, and also full of supplementary comments and explanations of various aspects of Soviet everyday life; however, the novel is very easy to read and grasps the readers attention from the very first pages. To this, the sincerity of Alekseyeva’s intonation contributes greatly. She does not shy away from being very honest about issues such as inter-generational misunderstanding, conflicts within family, and difficulties of the migrant experience yet at the same time she persistently maintains the tactful balance between a personal story-telling and a nearly academic inquiry into the experience of several generations of Soviet Jewish immigrants in America. The precursors of Alekseyeva’s novel are works such as Marjane Satrapi’s Persepolis, Art Spiegelman’s Maus, and Alison Bechdel’s Fun Home. Another major influence on Alekseyeva is actually Vladimir Mayakovsky, especially his work in Okna ROSTA. Soviet Daughter does, in fact, open by a quote from Mayakovsky. Julia Alekseyeva’s novel will be of much interest both to the broad readers audience, and also to the scholars of Soviet history, Jewish identity, and immigration. Into all of these themes it provides a fascinating insight. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alex and Joshua review Exits by Daryl Seitchik, Untitled Ape's Epic Adventure by Steven Tillotson, and Soviet Daughter by Julia Alekseyeva.