Podcast appearances and mentions of Art Spiegelman

When you love comics, you become comics. Denis Kitchen began as a self-published underground cartoonist in 1969, but he quickly sprang into other roles, all serving the medium that first called to him. A year later, he launched Kitchen Sink Press, which would house numerous pioneers from the industry (R. Crumb, Howard Cruse, Art Spiegelman, Trina Robbins, Will Eisner, Harvey Kurtzman, etc). His role as publisher would eventually force him into the position of defender, fighting for the rights of his artists and creating the Comic Book Legal Defense Fund. Now, Denis Kitchen's career is the topic of a new documentary, Oddly Compelling: The Denis Kitchen Story, which is currently seeking funding via Kickstarter. The film gathers an astonishing array of talent to praise Denis Kitchen and offer context to a life that has shaped all comic readers, whether they know it or not. In this week's podcast, we sit down with Denis Kitchen for a long chat about making comics and serving comics. The artist is an icon, but a humble one. He kindly accepts adulation while dismissing it in the same breath. We discuss how comics are "just pictures on paper," but simple images can have a world-altering effect. If you want to fall deeper in love with the art form, this episode is for you. Please find the Kickstarter for Oddly Compelling: The Denis Kitchen Story here. Follow Denis Kitchen on Instagram and visit his website. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Join Comic Book Club in Person CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our June 29th Alamo Drafthouse Winchester screening of James Gunn's THE SUICIDE SQUAD, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

No episódio de hoje continuamos na Degustadora de Histórias, num domingo à tarde com chuvinha de fundo e com direito a degustação de cafezinho, bobô frito e livro Maus. Conversamos sobre o universo literário e suas relações com a psicanálise, aprofundamos nas questões transgeracionais presentes na história de Art Spiegelman e nas possibilidades de elaboração com a escrita. Para tanto, tivemos a companhia do querido Lucas Lotério, que é psicólogo e mestre em psicologia pela USP-RP, membro do Instituto de Estudos Psicanalíticos de Ribeirão Preto, membro do grupo de pesquisas em Luto e Terminalidades LUTE-USP, nerd assumido e amante da literatura.Dê o play que garantimos que você vai se encantar por essa conversa!Você já comeu bobô frito? Nesse episódio, tivemos o prazer de degustar e contar a história desse doce típico de São Tomé e Príncipe. Quer conhecer também? Entre no @bobofrito.oficial e peça o seu!Styling: mince_ferborgesTenha sua marca registrada pela @sabiamarcas. Com o cupom AudioLongoSabiá10 você tem 10% de desconto!Apoie o Desculpa o Áudio Longo: www.catarse.me/desculpaoaudiolongo ou PIX: desculpaoaudiolongo@gmail.com

El duelo no solo se enfrenta cuando se produce una muerte cercana, también cuando se abandona la adolescencia y te tienes que enfrentar a la vida adulta; cuando te despides de tu ciudad natal o cuando te mudas por una causa forzosa y abandonas el que ha sido tu hogar. La cinta 'Los tortuga' nos lleva a los grandes duelos y también a los que, a veces, pasan desapercibidos. Belén Funes es su directora y Elvira Lara es su protagonista.Daniel Galindo nos da unos apuntes sobre Teatro Urgente. Fundada por Ernesto Caballero y Karina Garantivá durante la pandemia del 2020, Teatro Urgente nació como un laboratorio de experimentación teatral en el Teatro Galileo de Madrid.Nuestro crítico de cómics, Javi Alonso, nos habla de una obra que se editó en España hace unas semanas, pero que ya podemos considerar histórica. Se ha convertido en el segundo cómic en ganar el Pulitzer en la categoría de obra autobiográfica. Antes lo había conseguido Art Spiegelman con 'Maus', ahora lo ha logrado Tessa Hulls con 'Alimentar a los fantasmas'.Hace poco más de un año, Marisa González recibía uno de los galardones más prestigiosos de las artes visuales hispanoamericanas, el Premio Velázquez. Además de la cumplida dotación económica, este premio conlleva lo que para los artistas es fundamental: la exposición de sus obras. Mañana el Reina Sofía inaugura "Marisa González. Un modo de hacer generativo", una antológica que recorre cinco décadas de producción artística de la pionera del arte electrónico en España. Ángela Núñez nos lo cuenta.Como no podía ser de otra manera, RNE Audio participa en Estación Podcast. El Festival Iberoamericano de Creación Sonora celebra su cuarta edición reuniendo a profesionales y apasionados del audio en diversos espacios de la capital. Habrá directos, talleres y conciertos. De todo esto nos habla Olga Baeza.La 22ª edición del festival gallego de Cans, en la aldea de O Porriño, extiende desde hoy su propia alfombra roja para la proyección de 120 obras, de las que 40 son estrenos en Galicia. Allí está nuestra compañera, Andrea Oca.Escuchar audio

Told through a genre-defying blend of illustrations, photography, and found objects, Remember Us to Life: A Graphic Memoir (Ten Speed Graphic, 2023) chronicles Joanna Rubin Dranger's investigation into her Jewish family's history, spanning time, space, and three continents in search of her lost relatives. As discolored photos are retrieved from half-forgotten moth-eaten boxes, Joanna discovers the startling modernity and vibrancy of the lives her family never spoke about—and the devastating violence that led to their senseless murders.Carefully researched and expertly told, Remember Us to Life recounts Joanna's family's immigration from Poland and Russia to Sweden and Israel, where her relatives found work, marriage, and community, blissfully unaware of the horrors to come. Interweaving these anecdotes and stories are historical accounts of the persecution of Jewish people in Germany, Poland, Lithuania, and Russia prior to and during World War II, as well as the antisemitic policies and actions of the supposedly neutral government of Sweden, Joanna's home country. Joanna's unflinchingly brave and intimate portrayal of one of history's greatest tragedies will capture and break readers' hearts.Following in the tradition of classics such as Art Spiegelman's Maus and Marjane Satrapi's Persepolis, Remember Us to Life is a thought-provoking exploration of grief, alienation, and reclamation of one's history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Told through a genre-defying blend of illustrations, photography, and found objects, Remember Us to Life: A Graphic Memoir (Ten Speed Graphic, 2023) chronicles Joanna Rubin Dranger's investigation into her Jewish family's history, spanning time, space, and three continents in search of her lost relatives. As discolored photos are retrieved from half-forgotten moth-eaten boxes, Joanna discovers the startling modernity and vibrancy of the lives her family never spoke about—and the devastating violence that led to their senseless murders.Carefully researched and expertly told, Remember Us to Life recounts Joanna's family's immigration from Poland and Russia to Sweden and Israel, where her relatives found work, marriage, and community, blissfully unaware of the horrors to come. Interweaving these anecdotes and stories are historical accounts of the persecution of Jewish people in Germany, Poland, Lithuania, and Russia prior to and during World War II, as well as the antisemitic policies and actions of the supposedly neutral government of Sweden, Joanna's home country. Joanna's unflinchingly brave and intimate portrayal of one of history's greatest tragedies will capture and break readers' hearts.Following in the tradition of classics such as Art Spiegelman's Maus and Marjane Satrapi's Persepolis, Remember Us to Life is a thought-provoking exploration of grief, alienation, and reclamation of one's history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Part 1:We talk with Jeet Heer.Jeet Heer is a national affairs correspondent forThe Nationand host of the weeklyNation podcast,The Time of Monsters. He also pens the monthly column Morbid Symptoms. The author ofIn Love with Art: Francoise Moulys Adventures in Comics with Art Spiegelman(2013) andSweet Lechery: Reviews, Essays and Profiles(2014), Heer has written for numerous publications, includingThe New Yorker,The Paris Review,Virginia Quarterly Review,The American Prospect,The Guardian,The New Republic,andThe Boston Globe.We discuss the adoption of crypto currency funds, first, by Trump, for the nation, and by the governor of New Hampshire for New Hampshire. More states will likely follow.We note that most of the crypto investment is from the Middle East. It may destabilize the US dollar, and has many other problems. Unfortunately, both Republicans and Democrats are buying into crypto. We discuss the implications for the future.Part 2:We talk with Professor Peter Rutland.Peter Rutland has taught at Wesleyan since 1989. Before that he taught at the University of Texas at Austin, and at the University of York and London University in the UK. He has a BA from Oxford and a D. Phil from York. He has also been a visiting professor at Columbia University, and is an associate of the Davis Center for Russian and Eurasian Studies at Harvard University. His research interests focus on all things Russian and places where the Russian boot has trod (Nicholas II) in the former Soviet Union and the former East Europe. He started off studying workers and the Communist Party, moving on to broader questions of economic policy in the socialist and post-socialist economies. Along the way he developed an interest in nationalism and ethnic conflict. Since 2013 he has been editor in chief of Nationalities Papers, the journal of the Association for the Study of Nationalities along with serving as associate editor of Russian Review.We discuss the image that Putin is creating of himself in Russia. His control of all media in Russia allows him to present whatever facet he likes to give the Russians the image of a 'humble man of the people', and his propaganda is framed in such a way to make him seem to be 'defending' Russia. We also look at how Trump has also adopted this strategy to present himself to US voters. WNHNFM.ORG  productionMusic: David Rovics

Join the conversation by letting us know what you think about the episode!The next installment of our Banned Books Series is Maus by Art Spiegelman, a graphic novel in two volumes depicting Art Spiegelman talking to his father, Vladek, about his experience as a Polish Jew before, during and after the Holocaust. Maus originally began as a strip in 1972 and was serialized from 1980 to 1991. Some have criticized the book for a number of reasons, including topic, style, and themes, but in 2022, a school board in McMinn County Schools in East Tennessee removed the book from school curriculum over concerns about profanity, nudity and violence.  Support the showBe part of the conversation by sharing your thoughts about this episode, what you may have learned, how the conversation affected you. You can reach Raquel and Jennifer on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.Share the episode with a friend and have your own conversation. And don't forget to rate and review the show wherever you listen!Thanks!

Recorded live at the Comics Without Borders / Sans Frontières gathering at Rice University, this episode dives deep into international comics publishing, aesthetic risk-taking, and how underground networks drive a truly global comics culture. David Schilter, publisher and editor of Latvia's acclaimed kuš! comics, joins us alongside Pedro Vieira de Moura, Portuguese critic, writer, and co-founder of the bookstore/gallery Mundo Fantasma. We talk about how a small-format anthology changed Latvian comics forever, why RAW magazine changed Pedro's life, and how comics have always been a place for outsiders to find their people. It's about pornographic comics, lipstick in mirrors, misnumbered anthologies, institutional resistance, aesthetic weirdness, bookstores as public educators, and why no one in Latvia is publishing Maus.   Guest Links: kuš! comics (David Schilter): https://www.komikss.lv Pedro Vieira de Moura: http://www.laboratori.net Mundo Fantasma (Porto bookstore/gallery): https://www.mundofantasma.pt   Names Dropped: Art Spiegelman – Creator of Maus, influence on RAW magazine: Art Spiegelman on Wikipedia Barbara Shermund – queer comics history: Barbara Shermund Basil Wolverton – Iconic MAD magazine illustrator: Basil Wolverton on Wikipedia Charles Burns – Known for Black Hole and RAW magazine: Charles Burns on Wikipedia Gary Panter – RAW magazine artist, punk comics icon: Gary Panter on Wikipedia Al Jaffee – Fold-in master at MAD Magazine: Al Jaffee on Wikipedia Frank Miller & David Mazzucchelli – Daredevil and Batman: Year One: Frank Miller David Mazzucchelli Moebius – Legendary French comics artist: Moebius on Wikipedia Neil Adams, George Pérez, Jim Lee –  Scott McCloud – Author of Understanding Comics: Scott McCloud Rafael Bordalo Pinheiro – Early Portuguese cartoonist and comic pioneer David B. – French cartoonist and co-founder of L'Association: David B. on Wikipedia Adrian Tomine – Acclaimed alternative cartoonist: Adrian Tomine Marjane Satrapi – Creator of Persepolis: Marjane Satrapi Brian Baynes – Publisher of Bubbles Zine: Bubbles Zine

Award-winning documentary director Molly Bernstein discusses the process and narrative approach that went into researching, developing and directing her documentaries about Maus creator Art Spiegelman and magician Ricky Jay.

Andy milks the Elks, the age of bailing, Andy's golf buzz, Josh finds the limits of his dilettantism, Art Spiegelman, Hair Club for Jeremy, and much more Spiraling.

This week, we talked about Art Spiegelman American Masters doc, Sandman season 2 trailer, Fantastic Four trailer, Schedule 1 game, Common Side Effects, Curb Your Enthusiasm, The Last of Us season 2, Devil May Cry animated, the QoftheW, and more!   Salty Merch: https://www.teepublic.com/user/saltylanguagepods Our Patreon: Patreon.com/saltylanguage   Subscribe / rate / review us on Apple Podcasts!   Links: 1. Art Spiegelman documentary https://www.pbs.org/wnet/americanmasters/art-spiegelman-documentary/35215/ 2. Sandman season 2 trailer https://www.youtube.com/watch?v=6Jaj66KmnwE&ab_channel=Netflix 3. Fantastic Four trailer https://youtu.be/pAsmrKyMqaA?si=bbtpExpNrPL-4GeI 4. Schedule 1 game https://store.steampowered.com/app/3164500/Schedule_I/ 5. Moses the Lawgiver https://www.imdb.com/title/tt0072547/?ref_=nv_sr_srsg_2_tt_7_nm_1_in_0_q_MOSES%2520THoc QoftheW: You're going to the store and picking out your favorite snacks, what are you picking?   Visit us at: saltylanguage.com Apple Podcasts: https://podcasts.apple.com/us/podcast/salty-language/id454587072?mt=2 Spotify: https://open.spotify.com/show/3GnINOQglJq1jedh36ZjGC iHeart Radio: http://www.iheart.com/show/263-Salty-Language/ Google Play Music: https://play.google.com/music/listen#/ps/Ixozhhniffkdkgfp33brnqolvte Tony's YouTube channel: https://www.youtube.com/@allthebeers Bryan's YouTube channel: https://www.youtube.com/@IFinallyPlayed https://www.tiktok.com/@saltylanguage facebook.com/saltylanguage Discord:  https://discord.gg/NEr5Newk @salty_language / saltylanguage@gmail.com http://salty.libsyn.com/webpage  / http://www.youtube.com/user/SaltyLanguagePod Instagram/Threads: SaltyLanguage Reddit: r/saltylanguage Stitcher: https://www.stitcher.com/podcast/salty-language tangentboundnetwork.com Share with your friends!            

PLUS: America, What the Hell?; the story of Elon Musk's conspiracy minded, politically radical, Canadian grandfather; a new documentary on the life and work of Art Spiegelman; a Cree and Anishinaabe lawyer charts a path to secure the future of Indigenous languages; and Riffed from the Headlines, our weekly musical news quiz.

Oakland-based graphic artist Hugh D'Andrade, author of the graphic novel “The Murder Next Door,” talks about: His first graphic novel, The Murder Next Door, including what led him to finally making a graphic novel after being a big fan of them for a long time; studying fine art at the California College of Arts and Crafts back in the 1980s, and then going back to the same school, now called simply California College of the Arts, to get a masters in graphic novels; graphic novelists who have been influential to Hugh, including Adrian Tomine from nearby Berkeley, Chris Ware, who he refers to as both a giant and a genius in the field, as well Art Spiegelman, Thi Bui (whom he had as one of his graphic novel professors), Marjane Satrapi, and Phoebe Glockner; how the graphic novelists he's met have generally been very talkative and have quirky sensibilities, but also have introverted streaks which are necessary for long stretches alone that are necessary for producing their work; how he worked on the beginning of his graphic novel while in grad school, where the crits were very nurturing and supportive, unlike crits from back in the day (undergrad); where graphic novel reading falls in our attention economy; the value he puts on the hand-drawn in comics, with modest digital intervention; and how Vipassana meditation, the first chapter of the book, played a big role in Hugh's healing journey…. [the Conversation continues for another hour in the BONUS episode for Patreon supporters] In the 2nd half of the full conversation (available to Patreon supporters), Hugh talks about: the distinction between cartooning and illustration, and how challenging it is to render a person from multiple views in that style; what feedback he's gotten so far, with at least one reader saying that it was ‘very unique,' probably meaning they found it too dark; the roll his parents played (or didn't play) in healing from his trauma (the murder the book is focused on); his trolling of conspiracy theorists on social media (which is described in the book), which came out of his reaction to people making things up about who was responsible for the murder, along with the pros and cons of engaging with a conspiracy theorist; his description of 3 or 4 major career trajectory paths for artists in big art capitals, inspired by his nephew and students and their impending career paths- the A path/A-train: rock star; B path/B train: you have a partner who has a job/supports you financially;  C path/train: artist with a day job;  D-train: you live just outside of a major city, or in a college town, or rural areas; housing in the U.S., particularly in the art capitals (a sort of passion of both of ours) and how he bought a house in East Oakland, a part of the city he had never been in and he'd been living in the East Bay for decades; how he's in a ‘coffee dessert,' meaning he needs to drive at least 10 minutes to get to a good coffee spot, leading to a beautiful paradox: as a participant in gentrifying his neighborhood, he realizes that as soon as that fancy coffee place pops up in his neighborhood, the gentrification will essentially be complete; the neighborhoods Hugh lived in in San Francisco, particularly the Mission, Hayes Valley and the Tenderloin, and their respective reputations and what he experienced living there as an older young person going to punk shows and the like; his friend Rebecca Solnit's book Hollow City, about how gentrification displaces people of color as well as creative communities; we dig quite a bit into the weeds of the housing crisis, and how he lived on the cheap in the Bay Area for years, including getting around by bike up until 10 years ago; and finally he talks about his music show highlights over the years, including his changing relationship to the Grateful Dead over the decades. 

The crew takes on Maus, Art Spiegelman's powerful graphic novel about survival, trauma, and family. Along the way, we get sidetracked by Mouse Hunt, Weird Al, and some questionable improv. We also dig into the importance of reading controversial books, the rise of graphic novels, and how humor can (sometimes) help us process tough topics.

'Art Spiegelman: Disaster is My Muse' profiles the Pulitzer Prize-winning cartoonist who crafted the classic Holocaust memoir 'Maus.' Filmmakers Molly Bernstein and Philip Dolin use Spiegelman's career to reveal a hidden history of comics. 

Art Spiegelman is the author of Maus, the graphic novel that changed how we read comics, and how we understand Holocaust literature. A new documentary called "Art Spiegelman : Disaster Is My Muse," tells the story of Spiegelman's life, from his childhood in Rego Park raised by holocaust survivors, to the current-day efforts by some to ban Maus in schools. Art will join me next alongside the film's co-directors Molly Bernstein and Philip Dolin.

This week I am joined by friends of the show Josh Patterson and Will Rose, who agreed to do a podcast collaboration all about my favorite graphic novel, Maus. We talk about Art Spiegelman's cultural impact, the relevance of Maus today, and what do when the worst parts of history seem to be repeating themselves. Be sure to become a Patreon follower at Byte-Geist if you haven't already and check out my online store at https://byte-geist-shop.fourthwall.com/

"Le Classico" de Sébastien Ministru : "Maus", roman graphique de l'Américain Art Spiegelman, Prix Pulitzer en 1992. Le père de l'auteur, Vladek, juif polonais, rescapé d'Auschwitz, raconte sa vie de 1930 à 1944, date de sa déportation. Ce récit est rapporté sous la forme d'une bande dessinée dont les personnages ont une tête d'animal : les juifs sont des souris, les nazis des chats, les Polonais des porcs et les Américains des chiens. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

En amerikansk Pulitzerprisbelönad serieroman från 1980-talet. Fredrik Wadström berättar om Maus av Art Spiegelman, serieromanen om Förintelsen där judarna är möss och nazisterna katter. Lyssna på alla avsnitt i Sveriges Radio Play. "Maus" handlar om författarens föräldrar och vad de upplevde under Förintelsen. Den började publiceras i korta stycken i början av 80-talet, men var inte helt klar förrän 1991. 1992 blev den, som första serieroman, belönad med Pulitzerpriset.

Marvel is teasing an Ultimate event for Free Comic Book Day. Art Spiegelman explains his Gaza comic with Joe Sacco. John Ostrander's Suicide Squad gets an omnibus.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

My guest in this week's Book Club podcast is Chris Ware — author of Jimmy Corrigan, Building Stories and Rusty Brown, and a man widely regarded as one of the greatest living cartoonists. Chris's new book, The Acme Novelty Datebook Volume Three, opens his sketchbooks for public consumption: a potentially painful move for an artist as self-conscious and perfectionist as Ware. He tells me a bit about the relationship between cartooning and architecture, what he's trying to do with his graphic novels, the importance of R Crumb and Art Spiegelman to his work, and what gave him the confidence to turn his back on fine art.  

My guest in this week's Book Club podcast is Chris Ware — author of Jimmy Corrigan, Building Stories and Rusty Brown, and a man widely regarded as one of the greatest living cartoonists. Chris's new book, The Acme Novelty Datebook Volume Three, opens his sketchbooks for public consumption: a potentially painful move for an artist as self-conscious and perfectionist as Ware. He tells me a bit about the relationship between cartooning and architecture, what he's trying to do with his graphic novels, the importance of R Crumb and Art Spiegelman to his work, and what gave him the confidence to turn his back on fine art.  

In this One Shot episode of Moving Panels, Laramy and Bethany explore the powerful intersection of real-world events and the comic book medium. Building on their recent deep dive into Persepolis, they shift focus to They Called Us Enemy, George Takei's poignant account of Japanese-American internment during World War II; Maus, Art Spiegelman's Pulitzer Prize-winning depiction of the Holocaust; and March, Congressman John Lewis's stirring graphic memoir of the Civil Rights Movement. Join us as we examine how these works use the art of comics to illuminate history, inspire change, and connect with readers on a deeply human level. --- Support this podcast: https://podcasters.spotify.com/pod/show/movingpanels/support

Full episode at patreon.com/thicklinespod. Katie and Sally are back with a bone-chilling countdown of their top three scariest comics. Artists discussed include Josh Simmons, Al Columbia, Kazuo Umezz, Jacques Loustal and Villard, Stephen Gammell, Julia Gfrorer, Conor Stechschulte, Art Spiegelman, Jaime Hernandez, Richard McGuire, and many others. Thank you to our Patreon subscribers for making this episode possible. Happy Halloween!

Le 24 octobre 1985, le dessinateur américain Art Spiegelman découvre avec stupéfaction une interview de Steven Spielberg… Perles de Culture est un podcast Cultura produit par Création Collective Textes de Julien Bordier racontés par David Abiker Curation : Frédéric Bénaïm - Rédaction en chef : Eric Le Ray - Réalisation : Léo Gagnon Illustration dessinée par Anne Pastoureau - Générique : Alto Music - Naming et Création Graphique : Saint John's Enregistrements à l'Arrière-Boutique Studio Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This episode is created in cooperation with the Independent 20th Century art fair. It will be part of the fairs OVR. Brad Kahlhamer is an artist of indigenous descent, adopted by German-American parents. Being a free spirit, a wanderer and a person with unquenchable curiosity, profoundly shaped his multidisciplinary work. Kahlhamer's art often incorporates themes and imagery from indigenous cultures of the Pacific Northwest and Southwest, aiming to modernize traditional forms and present them in a contemporary context. In the early 1990s, he used materials like inner tube rubber for sculptures and later transitioned to oil paintings, characterized by thick layers, song lyrics, and primitive figures. His integration of ledger drawings, viewed by him as America's first graphic novels, is a significant aspect of his work. Growing up in Arizona, Brad enjoyed a childhood filled with freedom and outdoor adventures, which later fueled his creative expression. Music was integral to his early life, and he pursued it alongside visual arts, deeply influenced by differents bands and musical styles from rock, beat and soul to punk. In the early 1980s, Kahlhamer moved to New York to immerse himself in the vibrant art scene. There, he worked at Topps Chewing Gum, where he met Art Spiegelman and became involved in the underground comic scene. Currently, Kahlhamer is working on the Nomadic Studio project, creating a series of 100 Moleskine notebooks filled with drawings and ideas. Kahlhamer's art uniquely fuses his personal history, and a wide array of cultural influences, making it both deeply personal and broadly resonant. His work spans various media, including monumental paintings, intricate sculptures, installations, and drawings, drawing inspiration from cartoons, pop art, graphic novels, indigenous art, and his prolific sketchbooks. Brad will showcase paintings and drawings from the 1990s at the Independent 20th Century with Venus Over Manhattan and has a solo show planned with the gallery in 2025. Recorded July 23, 2024, 32 min., language english, artist portrait Doug Miles https://www.independenthq.com/ https://bradkahlhamer.net/ https://www.venusovermanhattan.com/artists/brad-kahlhamer Your host: https://van-horn.net Instagram: @independent_hq @bradkahlhamer @v_over_m @voicesonart @van_horn_duesseldorf #VoicesOnArt #Independent20thCentury #IndependentHQ #artfair #Podcast #Talk #storytelling #DanielaSteinfeld #VoicesOnArt 'VanHornGallery #BradKahlhamer #artist #musician #painting #sculpture #drawing #VenusOverManhattan

Sally is joined by Bread Tarleton (Ponyshow, Horse) for a look at Little Lit: Folklore and Fairy Tale Funnies edited by Art Spiegelman and Francoise Mouly (RAW Junior, 2000), a venture into stories for kids with comics by Dan Clowes, Chris Ware, David Mazzucchelli, Kaz, and many more. Find Bread on Instagram @bread_comix. Support Thick Lines and get bonus content at patreon.com/thicklinespod.

durée : 01:02:33 - Les Masterclasses - par : Mathilde Wagman - Masterclasse d'Art Spiegelman, auteur de bande dessinée et illustrateur américain, animée par Mathilde Wagman, au Centre Pompidou. - invités : Art Spiegelman Auteur de bandes dessinées

In which Ron gets splinched and we start our super fun camping trip Email us at restrictedsectionpod@gmail.com to tell us what you thought of The Thief or even what you think of us! We'd love to read your email on the show. Be sure to subscribe to know right away about new episodes, and rate and review! SUPPORT US ON OUR PATREON: https://www.patreon.com/therestrictedsection THANK YOU LOVE YOU BUY OUR MERCH: https://www.teepublic.com/user/restricted-section-podcast THANK YOU LOVE YOU IG: https://www.instagram.com/restrictedsectionpod/ FB: https://www.facebook.com/groups/rspoddetentioncrew/   Check out our other amazing Deus Ex Media podcasts! www.deusexmedia.org   This episode featured: Special guest Hayley! Follow her on TikTok for her 100+ days of musicals! https://www.tiktok.com/@thebadgerqueen94 Hayley plugged Perks of Being a Wallflower by Stephen Chbosky https://bookshop.org/a/97181/9780671027346 Jason Hilton IG @negativeselections https://www.instagram.com/negativeselections/ Jason plugged Burn Before Reading

On this episode of See How They Run, D.D. Guttenplan is joined by The Nation's Joan Walsh and Jeet Heer for a roundtable discussion about the fallout from Donald Trump's felony conviction in New York. What will the guilty verdict mean for Trump's chances in November? How should the Democrats respond to the conviction? And will any of this ultimately matter?Joan Walsh, a national affairs correspondent for The Nation, is a coproducer of The Sit-In: Harry Belafonte Hosts The Tonight Show and the author of What's the Matter With White People? Finding Our Way in the Next America. Her latest book (with Nick Hanauer and Donald Cohen) is Corporate Bullsh*t: Exposing the Lies and Half-Truths That Protect Profit, Power and Wealth In America.Jeet Heer is a national affairs correspondent for The Nation and host of the weekly Nation podcast, The Time of Monsters. He also pens the monthly column “Morbid Symptoms” and is the author of In Love with Art: Francoise Mouly's Adventures in Comics with Art Spiegelman (2013) and Sweet Lechery: Reviews, Essays and Profiles (2014).Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ce week-end se joue un rendez-vous majeur du poker associatif en France avec le Winamax Club Trophy, nous avons le plaisir de recevoir au studio l'un des binômes faisant partie des 214 heureux qualifiés : François : amateur éclairé de poker, ancien libraire BD, François a fait partie du grand jury à Angoulême avec Art Spiegelman et Joost Swarte. Membre du Paname Poker Club depuis 3 ans. Baptiste : 39 ans, ingénieur en informatique, a découvert le poker comme tout le monde avec Patrick. Joue de manière récréative depuis plus de 15 ans. Co-fondateur du Paname Poker Club. Président depuis 10 ans du Paname Poker Club. Staff CP Radio Présentation : Comanche et ShiShi Streaming : Steven Réalisation et montage : Gabriel Musique : G-Process Club Poker Radio vous est présentée par Winamax, le n°1 du poker en ligne.   Perte d'argent, conflits familiaux, addiction… Les jeux d'argent sont interdits aux moins de 18 ans et peuvent être dangereux. En cas de besoin, contactez le 09 74 75 13 13.

Der Comic „Maus – Geschichte eines Überlebenden“ von 1986 ist auch heute noch lesenswert, meint der SWR2-Comicexperte Max Bauer. „Denn er erzählt die Schrecken der Shoah aus der Perspektive der Opfer und nicht der Täter.“ Die Doku „'Maus' oder die Hölle von Auschwitz“ über den Comic ist bis Oktober 2024 in der Arte Mediathek zu sehen.

First broadcast on October 01, 1986.

Katherine Paterson is one of America's most celebrated writers for children. The author of more than 40 books, she is one of just six writers who have twice won the prestigious Newbery Medal, for “Bridge to Terabithia” in 1978 and “Jacob Have I Loved” in 1981. She has also won the National Book Award twice. In 2000, Paterson was named a Living Legend by the Library of Congress.Paterson frequently writes about children confronting difficult issues. At 89 years old, the Vermont author shows little sign of slowing down. She recently published a new book, “Birdie's Bargain,” about a child with a parent heading off to fight in Iraq.Paterson's books are among the most beloved in children's literature. They are also among the most banned. Book banning has lately been enjoying a revival, as books are being pulled from library shelves in “unprecedented” numbers, according to the American Library Association. Among the latest crop of books to be yanked from library shelves are “Maus,” the Pulitzer Prize-winning graphic novel about the Holocaust by Art Spiegelman; “Beloved,” by Toni Morrison; and “The 1619 Project,” a bestselling history of slavery in the U.S. that grew out of a special issue of The New York Times Magazine.“Bridge to Terabithia” rose to No. 8 on the American Library Association's list of the 100 most frequently challenged books for the 1990s. Her book “The Great Gilly Hopkins” was No. 20 on that list. Only a handful of authors had their books banned more often in the 1990s, including Maya Angelou, Mark Twain and John Steinbeck.“If you write a book that has any power in it, it has the power to offend,” Paterson said. “I don't want to write a book that has no power in it, so I have to run the risk of offending.”

We are still around. Lost episode is found [Lost episode??? Not really Lost but we will let the Rabbit have that one….} Best of Witzend by Wallace Wood, Bill Pearson, Art Spiegelman, Reed Crandall, Al Williamson, Steve Ditko, Vaughn Bode, Bernie Wrightson, and many many more (Fantagraphics) Andy has been Black Hammer'd (the Dark Horse). […] The post Indie Comic Book Noise Episode 543 – October is the New December first appeared on Indie Comic Book Noise.

Zach and guest, Ken Gordon discuss the all-time classic graphic novel about an astranged father and son finding rocky common ground through the story of the father's survival of the Holocaust in Poland during World War II.Trigger Warning: This episode covers a lot of heavy themes and some of the scenes discussed are very unsettling.  ---------------------------------------------------Check out Dreampass and all their killer tracks on Spotify!---------------------------------------------------Join the Patreon to help us keep the lights on, and internet connected! https://www.patreon.com/tctwl---------------------------------------------------Listen to my other podcast!TFD: NerdcastAnd I am also part of the team over at...I Read Comic Books!---------------------------------------------------Want to try out all the sweet gigs over on Fiverr.com? Click on the link below and sign up!https://go.fiverr.com/visit/?bta=323533&brand=fiverrcpa---------------------------------------------------Follow on Instagram!The Comics That We LoveFollow on Tiktok!The Comics that We LoveFollow on Twitter!@Z_Irish_Red

In this episode, Carmen and Rachel talk about the graphic novel by Art Spiegelman called, “Maus”. We have talked about Maus before, but we have never dedicated an entire episode to one title.  First a little background. Maus is written and illustrated by a cartoonist and was originally serialized between 1980 to 1991. That is […] The post Banned Book Spotlight: Maus Episode 97 first appeared on Bubbly Bibbly. The post Banned Book Spotlight: Maus Episode 97 appeared first on Bubbly Bibbly.

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research—trauma studies and comics studies—to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War (UP of Mississippi, 2017) proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways. Dr. Harriet Earle is a senior lecturer in English at Sheffield Hallam University and a Research Fellow at the Centre for War, Atrocity, and Genocide at the University of Nipissing.  Elizabeth Allyn Woock an assistant professor in the Department of English and American Studies at Palacky University in the Czech Republic with an interdisciplinary background in history and popular literature. Her specialization falls within the study of comic books and graphic novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Author and cartoonist Art Spiegelman is familiar with the hysteria surrounding certain library books. In today's episode, he tells NPR's Scott Simon about how comic book burnings during his childhood in the 1950s weren't all that different from book bans taking place across the country today. Spiegelman says that though they tackled difficult subjects, he found then – and continues to find today – great emotional power in comics, such as his reissued collection Breakdowns. And he says he's felt deeply unsettled by the ongoing challenges against these kinds of books.

Sen. Bob Menendez, D-N.J., has been indicted on federal corruption charges. He is accused of accepting bribes and influencing an arms deal with Egypt, among other things. Brent Johnson of the New Jersey Star-Ledger tells us more. And, NASA's OSIRIS-REx mission capsule contains an 8.8-ounce asteroid sample that could help scientists worldwide learn more about the solar system's origins. We speak to Dani Mendoza DellaGiustina, the deputy principal investigator for the mission. Then, the American Library Association has dubbed next week, Oct. 1 through Oct. 7, as Banned Book Week, a time to celebrate reading and fight censorship. One author targeted by book banning is Pulitzer Prize winner Art Spiegelman, who wrote the graphic novel "Maus" as a memoir of his family's experiences during the time of Nazi Germany. Spiegelman talks about the potent irony of having a book about the rise of the Nazis being banned.

Longtime friend and editor of Bookworm, Alan Howard, returns to host this episode, the last of 10 shows to journey through Bookworm's 33 years and offer a retrospective look at Michael's accomplishments on behalf of writers and readers. For decades Michael has read almost all of a writer's work, not just the book which has been most recently published. Howard has watched writers glow as they realize that they've been seriously witnessed by the ultimate Bookworm. All of the writers on today's show have become friends of Michael's and of Bookworm. We'll hear from rock band Sparks (brothers Ron and Russell Mael), Art Spiegelman, Françoise Mouly, Ann Beattie, Susan Sontag, and Dennis Cooper.

Orange County Library System is currently celebrating 100 years of service in Central Florida and as part of its ongoing festivities, it will be hosting an event with acclaimed authors and culture-movers, Neil Gaiman and Art Spiegelman, on November 6, 2023. And it's open to the public. New York Times bestselling author, Neil Gaiman, is responsible for creating some of the best stories in the past few decades, including American Gods, How to Talk to Girls at Parties, The Ocean at the End of the Lane, and The Sandman series of graphic novels. He's won a dragon's horde of awards including the Bram Stoker, Nebula and Hugo Awards, and the Heart of the Mountain, and his work has been adapted for film, television, radio, and stage, and he was recently named as one of the 100 Most Influential People in the World by Time magazine. Art Spiegelman is the creator of Maus, Breakdowns, and In the Shadow of No Towers, and is an outspoken champion of comic books and freedom of speech. His work, Maus, was the first graphic novel to win the Pulitzer Prize and details his father's experiences surviving the Holocaust. Brendan O'Connor sits with local librarian and Neil/Art stan, Silence Bourn, to chat about the upcoming event and what it means for the library system to host such big literary names.

We're still working on getting back up and running so in the meantime, here's an old bonus episode.  This is our March 2022 discussion of Art Spiegelman's Maus, to go with our public episode from February 2022 about the McMinn County School Board in Tennessee removing the classic graphic novel about the Holocaust from the curriculum.  Sadly, this is relevant again because yet another school board - this time in Nixa, Missouri - has targeted the book.  It's not alone either.  Nor is Maus the only classic Holocaust text being targeted.  Ann Frank's diary is in the crosshairs of Mom's For Liberty.   Maus Our episode about Maus and the McMinn County School Board Auschwitz in Contemporary Popular Literature by Dr Wanda Witek-Malicka Of Mice and Memory by Joshua Brown Daniel's Patreon: https://www.patreon.com/danielharper/posts Jack's Patreon: https://www.patreon.com/user?u=4196618&fan_landing=true Please consider donating to help us make the show and stay independent.  Patrons get exclusive access to one full extra episode a month. IDSG Twitter: https://twitter.com/idsgpod Daniel's Twitter: @danieleharper Jack's Twitter: @_Jack_Graham_ IDSG on Apple Podcasts: https://podcasts.apple.com/us/podcast/i-dont-speak-german/id1449848509?ls=1 Links: https://idontspeakgerman.libsyn.com/103-maus-vs-mcminn-county-school-board https://www.msnbc.com/ali-velshi/tennessee-school-book-ban-robbing-students-history-rcna87531 https://historynewsnetwork.org/article/185844 https://www.jta.org/2023/06/14/united-states/a-missouri-school-district-could-ban-maus-citing-concerns-about-whether-it-is-explicit-sexual-material https://www.jpost.com/diaspora/article-746349 https://www.washingtonpost.com/opinions/2023/06/14/art-spiegelman-maus-book-bans/ https://www.washingtonpost.com/politics/2022/01/27/maus-removal-old-debate/ https://eu.usatoday.com/story/entertainment/books/2023/04/07/anne-frank-book-pulled-from-florida-library/11622644002/ https://www.businessinsider.com/moms-for-liberty-get-florida-school-to-ban-anne-franks-diary-adaption-2023-4?r=US&IR=T  

Ali Velshi is joined by NBC's Ryan Nobles, NBC's Monica Alba, NBC's Molly Hunter, Rep. Josh Gottheimer (D-NJ), State Sen. Mia McLeod (I-SC), Director of Economic Policy Studies at American Enterprise Institute Michael Strain, Opinion Writer at The Washington PostJennifer Rubin, Editor-in-Chief at Investopedia Caleb Silver, Fmr. Rep. Charlie Dent (R-PA), Rep. Lloyd Doggett (D-TX),  Rep. Adam Smith (D-WA), Pulitzer Prize-winning Artist/Illustrator and Author of ‘Maus' Art Spiegelman.

When you hear the name Roy Lichtenstein, an artistic style immediately comes to mind. In the early 1960s, Lichtenstein's use of comic books as an inspiration for his brightly-colored Pop Art painting was groundbreaking, and even shocking. Today, he is one of the most instantly-recognizable and widely known of all painters, and yet a quarter of a century after his death, the subject of Roy Lichtenstein's source material has unexpectedly become a hot topic once again. In the 1960s, Lichtenstein's paintings sold for thousands of dollars; in 1995, just a few years before he died, his painting Nurse sold at auction for $1.7 million, and then in 2015 the same painting hit the auction block once again, this time selling for a staggering $95 million, making it one of the most expensive paintings in the world. While marketing that sale, Christie's auction house said that the imagery in Nurse was drawn from what it called a “comic romance novel” of the early 1960s. What the auction house did not mention was the actual person who drew the original panel Lichtenstein used as source material for that painting was the golden age comic Arthur Petty, and in the world of comic art, this lack of respect for Lichtenstein's sources is a big, big deal. In museums, the artist's status may be unquestionable, but crossover into the parallel universe of comic art and Lichtenstein's status is viewed as a symbol of the disrespect to comics as an art form, and the man himself is seen as a thief who copied hard-working artists without even bothering to credit them by name. Instead of healing over time, this particular rift seems to have only become more inflamed as Lichtenstein's stock has soared. Some of the most famous voices in comics from Dave Gibbons, the artist behind the groundbreaking graphic novel Watchmen to Art Spiegelman, the Pulitzer Prize-winning creator of Maus, to Neil Gaiman, writer of the legendary comic series The Sandman have all been outspoken, blasting museums for failing to credit the unique voices of the comic book artists who inspired Roy Lichtenstein. The story of the many meanings of Roy Lichtenstein is a story of the shifting relations between museum art and comic culture, of money, morality, and the law; and of how meaning in art is always shifting. At least, that's one takeaway from the new streaming documentary WHAAM! BLAM! Roy Lichtenstein and the Art of Appropriation. This week, national art critic Ben Davis spoke to the film's director James L. Hussey to discuss the issues it raised.

Guests: Geoffrey Kabaservice (@RuleandRuin) is a historian of the Republican Party and the Director of Political Studies at the Niskanen Center and the author of a number of books, including Rule and Ruin: The Downfall of Moderation and the Destruction of the Republican Party, from Eisenhower to the Tea Party. Jeet Heer (@heerjeet) is a national affairs correspondent for The Nation and host of the weekly Nation podcast, The Time of Monsters. He also writes the monthly column Morbid Symptoms. He is the author of In Love with Art: Francoise Mouly's Adventures in Comics with Art Spiegelman and Sweet Lechery: Reviews, Essays and Profiles.  His latest piece in the Nation is Trump's Indictment Will Dominate the 2024 Election: The GOP's defense of the former president means the election will be a referendum on the rule of law.    The post Trump Indictment: Potential Political Consequences appeared first on KPFA.

CNN learns Trump's legal team has attempted to block a federal grand jury from gathering information from the former president's top aides about his attempts to overturn the 2020 election. That, as the January 6 Committee prepares to hold what may be its final public hearing next week before the panel releases its report. The panel discusses if it's likely Trump's team will prevail with his executive privilege claims in the Mar-a Lago investigation, how financial pressures might be weighing on Trump's decision to run in 2024, and what the January 6 Committee's endgame could be.Art Spiegelman is the author of Pulitzer Prize winning “Maus”, a graphic novel retelling Spiegelman's father's experiences as a Polish Jew who survived the Holocaust. He joins to discuss the banning of his book by a Tennessee school district and the “Orwellian” censorship battle that's rapidly rising across the US. Plus, new laws restricting teaching about race, history & gender identity come into effect in more than a dozen states, and Florida Governor Desantis rewrites the history of the anti-slavery movement in a rant against the New York Times' 1619 project.Hosted by Sara Sidner.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

On this week's ATTITUDES! 2 Totally Tudes! from behind the paywall!! DOLLS V - GARBAGE PAIL KIDS! They are gruesome, disgusting, and they are US! Inspired by cabbage patch kids which were popular at the time, created by Art Spiegelman. Let's take a walk on the wild side and do a deep dive into Garbage Pail Kids. PLUS a Dateline Recap, VENOM - IT IS SCARY! Andrea Canning is hosting, she is child free. When a world-renowned snake breeder is found dead, first responders originally think his missing anaconda could be to blame; as the frantic hunt for a missing snake begins, the investigation soon reveals a tragic family saga and a sinister betrayal. Learn more about your ad choices. Visit megaphone.fm/adchoices