Podcast appearances and mentions of Art Spiegelman

MY THOUGHTS - Art Spiegelman: Disaster Is My Muse (2024) - The Film Buff Review

MY THOUGHTS - Art Spiegelman: Disaster Is My Muse (2024) - The Film Buff Review

Cris llegó a mi vida gracias a su esposo, Tomás Quintero, más conocido como @lisergicos. Un día ellos me invitaron a su casa y pude ser testigo de una pareja que se quiere, se cuida y se cultiva intelectualmente. Lo que pense´fue "con razón". Con razón es tan rico hablar con él. Después descubriría que lo mismo pasaba con ella. Ya verán, la mujer TAN profunda y mísitica que es Cris.Aquí les dejo el listado de los libros mencionados:Un verdor terrible, Benjamín Labatut.Leonora, Elena Poniatowska.En busca del tiempo perdido (y otros), Proust.Maus, Art Spiegelman.Fahrenheit 451, Ray Bradbury.Cien años de soledad, Gabriel García Márquez.Los hermanos Karamazov, Fiodor DostoievskyCrimen y castigo, Fedor Dostoievsky.Lolita, Vladimir Nabokov.El adversario, Emmanuel CarrereLa rebelión de Atlas, Ayn RandLa última piel, Tomás QuinteroMarginalia, Juan Andrés ArangoErmitaños 9, María Clara MesaCementerio de animales, Stephen KingSolenoide, Mircea CartarescuJung y el Tarort, un viaje arquetípico, Salle NichollsBeloved, Tony MorisonCartas a un joven poeta, Rainer Maria RilkeEl acto creativo, Rick Rubin.

“We're hardwired for love. We are taught to do violence, and to hate.” — Dana Mashoian Walrath A couple of months ago in Warsaw, the Polish writer and Jewish activist Konstanty Gebert argued that Gaza wasn't a genocide. Today's guest disagrees. In The Book of Genocides, graphic artist and anthropologist Dana Mashoian Walrath draws ten genocides including what she sees as the crimes against humanity committed by the Israeli army in Gaza. So what, exactly, is a “genocide”? Walrath's definition borrows from the Polish lawyer Raphael Lemkin, who coined the term during the Second World War. Lemkin meant the word to mean the destruction of peoples that had been deemed sub-human. Thus Walrath includes crimes against the First Peoples of the Americas and Black Americans alongside 20th-century mass killings in Cambodia, Rwanda, Bosnia and Armenia, where her ancestors were persecuted. Some will quibble over this list. Although quibbling over the top (or bottom) ten genocides isn't exactly good taste. Besides, The Book of Genocides is a poignant work of graphic art in the tradition of Art Spiegelman's Maus. And its author, for all her anthropological insights into why people commit crimes against humanity, isn't shy with her genocide jokes. Springtime for Hitler, anyone? Five Takeaways •       Always a Land Grab. Ten genocides across five centuries — the First Peoples of the Americas, Black Americans, Aboriginal Australians, Armenia, the Holocaust, Cambodia, Rwanda, Bosnia, the Rohingya, and Gaza — chosen not to rank horrors but to expose “the repetitive patterns and the processes that underlie genocide.” Walrath's definition is Raphael Lemkin's original, processual one, before politics narrowed the convention: the purpose is always a land grab, the apparatus always dehumanization, and precise academic definitions are often deployed “to keep some stories and histories out.” The book began as an interactive art installation with nine genocides and a tenth chapter on “the borders of genocide” — Afghanistan, Vietnam, Congo, Ukraine, Palestine — until the violence in Gaza persuaded her to make the case outright, while insisting the aim is not to demonize her Jewish friends, Judaism, or Israel, but to show the system. Her hope: that a globally framed comic might open dialogue between Jews and Palestinians “trapped in enmity right now.”•       Lemkin's Last Train. The man who coined the word is the book's tragic through-line. As a Polish law student, Lemkin followed the Berlin trial of a young Armenian who had shot one of the architects of the Armenian genocide — and found it ludicrous that the assassin faced justice for one murder while his victim had answered for none of his millions. His family farm had been seized in the First World War; his brother Samuel died in the forest. He escaped Warsaw on a train that was bombed, ran by night to reach his family, and failed to persuade them to leave (“they do this to us all the time”). Via Sweden, Russia, Japan, and Duke, he spent the war in Washington trying to make Americans see. His convention passed — then waited years for the US, UK, and China to ratify — and he died in 1959 penniless and friendless, UN officials fleeing him in the corridors. Walrath's speculation: his great regret, looking down, may be refusing to support We Charge Genocide, the 1951 petition by Black Americans — “we can't talk about something America has done” in the Cold War. Had America owned and repaired that crime then, “we'd be in a very different world.”•       Can You Have Half a Genocide? Andrew's pushback — if politicians can be “verging on genocidal,” does every Karen yelling at her kids get accused of it? — drew the hour's most honest concession: “that's the absolute spot-on critique of the approach I've taken.” Her defense is preventive: half a genocide is “too quantitative”; better to name things “on their way to massacre” and stop them, or repair them, than to litigate the label afterward. Genocide, she argues, predates modernity and Arendt's industrial reading — it arrives with the first hierarchical, extracting, wealth-inheriting “so-called civilizations,” Sparta and Thucydides included. Slavery qualifies because the operational word is systemic: the transatlantic trade ran on thinking of humans as lesser. But she draws one line firmly: asked about factory farms as future genocides, “I would hate to see genocide get used over there. It is something that humans do to one another” — and, she insists, don't have to: the literature on aversion to killing shows soldiers must be socialized into it. We're hardwired for love and taught to hate.•       Stanton's Stages in MAGA America. Is there something genocidal in MAGA's language about undocumented immigrants? “Absolutely.” Walrath applies the ten stages of genocide — the classroom heuristic Gregory Stanton first presented to the State Department in 1996 — and finds the United States “doing a heck of a lot of them”: polarization; dehumanization (people called vermin, “not worthy of life”); discrimination in the restriction of voting rights. “We're on very, very shaky ground.” Homelessness, in the same frame, is the product of structures that disenfranchise some and privilege others — “we've got enough to go around; we just revere wealth.” Her model for how ordinary people let it happen is Ursula Hegi's Stones from the River: the fearful, the wounded, the disenfranchised, vulnerable to takeover — with parallels in MAGA voters spurned by the neoliberal machine and unable to see who is pulling the levers. Hence her claim for the book: it is resistance, but resistance that builds a coalition across horrors rather than policing which horror counts.•       Springtime for Hitler. She didn't read Maus until 2009 — “that's when I found my medium and just went wild” — and pays it explicit homage in the book. Comics, she argues, let readers “come into” a history and think for themselves, and laughter is respite: an angry messenger gets no listeners. Her earlier Aliceheimer's let people laugh about her mother's dementia (not at it, she corrected sharply); telling audiences she's working on her genocide jokes makes them relax enough to hear the rest. Andrew's challenge — “do you really want to make it safe?” — produced the useful distinction: safe to enter, not whitewashed; hand-lettered so readers can bring the content in, every truth intact. The closing exchange landed on The Producers and Springtime for Hitler as a brilliant portrayal of the legacies of catastrophe. Her last word: knowledge must cross boundaries, “and the boundaries are all human made, so let's unmake them.” Andrew's: most will disagree with her list — and it may be a classic. About the Guest Dana Mashoian Walrath is a writer, artist, and anthropologist. Her award-winning works include Aliceheimer's, a graphic memoir about her mother's dementia, and Like Water on Stone, a verse novel about the Armenian genocide. She holds a doctorate in anthropology from the University of Pennsylvania; her comics, art, essays, and poetry have appeared in The Nation, The Lancet, Slate, and on NPR. The Book of Genocide...

Fokus: Comics – Past, Present, Future Efter et kvart århundrede med tegneseriekritik, udstillinger, bøger, debat og podcast, indtager Rackham Louisianas koncertsal med det internationale symposium Comics – Past, Present, Future. Det er et debatarrangement, der stiller skarpt på tegneserien som litteratur- og kunstform med blik udtryksformens historie, blik på nutidens udfordringer og syn på en fremtid præget af kulturelle brydninger, digitale platforme og kunstig intelligens. Det sker i selskab med store internationale gæster som Art Spiegelman, den legendariske skaber af Maus, Europas modigste bladtegner Coco og den fænomenale satiriker Liv Strömquist, samt en række kritikere, forlæggere, redaktører, mm., heriblandt Gary Groth, animerende kraft i The Comics Journal og Fantagraphics Books, Benoît Mouchart fra Tintins forlag Casterman og Dan Nadel, museumsinspektør på the Whitney Museum of American Art i New York. Kom bag kulissen i dette særafsnit, hvor Matthias Wivel snakker med Thomas Thorhauge og Frederik Storm om et arrangement uden sidestykke i dansk tegneseriekultur. Comics – Past, Present, Future finder sted på Louisiana torsdag den 29. oktober kl. 14–19. Billetterne koster 150 kroner og kan købes her: https://louisiana.dk/event/symposium-comics/ After a quarter of a century of comics criticism, exhibitions, books, debates, and podcasts, Rackham takes over the lecture hall at Louisiana Museum of Modern Art with the international symposium Comics – Past, Present, Future. The event focuses at comics as an art form, and as literature, exploring the its history, the challenges of today, and with view to a future shaped by cultural shifts, digital platforms, and artificial intelligence. Joining us are major international guests such as Art Spiegelman, the legendary creator of Maus; Europe's boldest editorial cartoonist, Coco; and the singular Swedish satirist Liv Strömquist. They're joined by a number of critics, publishers, editors, and others, including Gary Groth, the driving force behind The Comics Journal and Fantagraphics Books; Benoît Mouchart from Tintin's publisher Casterman; and Dan Nadel, curator at the Whitney Museum of American Art in New York. We take you behind the scenes in this special episode, in which Matthias Wivel talks with Thomas Thorhauge and Frederik Storm about an event unlike anything else in Danish comics culture. Comics – Past, Present, Future takes place at Louisiana Museum of Modern Art, north of Copenhagen, on Thursday, 29 October, 2–7 PM. Tickets cost DKK 150 and can be purchased here: https://louisiana.dk/en/event/symposium-comics/

In this month's roundup Iurgi and Gabby discuss the latest. 02:06 Some of the news in brief including the CBCA winners including a graphic novel as the Best Book of the Year for Younger Readers, John Carpenter's horror graphic novel Cathedral and more.05:22 Recent Reads: Ivy and Bearlock Holmes by Kristyna LittenHeartstopper by Alice OsemanAbsolute Batman Vol 1 & 2 Scott Snyder (a bunch of artists)Anders and the Mountain by Gregory Mackay (Allen & Unwin)09:59 News:Publisher's Weekly highlights upcoming early reader and elementary graphic novels, showcasing diverse stories and creators for young comics fans and emerging readers.Creators Tasia M.S. and Barbara Perez Marquez discuss their romantasy graphic novel To Dance the Moon and Stars, exploring collaboration, fairy-tale influences, and world-buildingA The Conversation essay examines whether Australia has a defining graphic novel, highlighting Lee Lai's Cannon and the growing literary recognition of comics.Australian cartoonists warn AI-generated newspaper illustrations threaten creative jobs, highlighting transparency, ethics, and the future of editorial art.Melbourne Alternative Comics Expo (MAKE) is a new festival celebrating comics, graphic novels and storytelling through workshops, panels, performances and creator marketsComic street is Brisbane's annual indie comics festival, connecting creators and readers through markets, workshops and events celebrating independent comics and graphic storytelling.A graphic biography reexamines Eileen Blair Orwell's life, highlighting her intellectual influence on George Orwell while exploring history, creativity and political upheaval.In a wide-ranging interview, Maus creator Art Spiegelman reflects on his career, American politics, censorship, and concerns about rising authoritarianism 24:19 New Releases:Pickle on Wheels by Sylvie Kantorovitz Ember and the Grand Metamorphosis by Jason PammentMiddle School Monsters by Robin Easter Home Time: Twelve Days (Collecting Books 1 and 2) by Campbell WhyteThe Nightingales by Emil WilsonLook out for our next podcast episode coming soon with two of the committee members of MAKE, the Melbourne Alternative Comics Expo coming up in October. More info here: https://makecomics.com.au/To stay up to date, for the full roundup of news, resources and new titles and our social media links visit our website: https://graphic.alia.org.au/ The ALIA Graphic Groove Theme 2025 courtesy of Clint Owen Ellis https://www.clintowenellis.com/ Hosted on Acast. See acast.com/privacy for more information.

As the social media giant settles a lawsuit with American states the mother of a 17-year-old who died by suicide after enduring cyberbullying says Meta's platforms still need to be regulated by the feds. Hundreds of people are missing after flash floods near the border between Nepal and Tibet. A tour operator there tells us he fears for those who aren't yet accounted for. Comic book artist Art Spiegelman remembers Len Brown, who helped him create "Wacky Packages" and "Garbage Pail Kids" — the satirical stickers and cards beloved by kids of the '70s and '80s. A reporter describes the horrific scene at a maternity ward in Islamabad, where a fire killed more than a dozen newborn babies this morning. Scientists in Washington are working tirelessly to bring back the endangered sunflower sea star. A researcher describes the bittersweet feeling of finally releasing the stars she raised into the wild. As It Happens, the Wednesday Edition. Radio that applauds them for going out on several limbs.

In the latest episode, The Fanbase Weekly co-hosts discuss the latest geek news stories of the week, including the Star Wars / Marvel crossover event, Art Spiegelman's call for a counter-revolution, and the return of Mulder and Scully.

This Week In Startups is made possible by:Northwest Registered Agent - https://northwestregisteredagent.com/twist LinkedIn Jobs - https://LinkedIn.com/twistToday's show:It's a News and Off-Duty weekend roundup!AngelList's USVC fund is open to anyone with $500, but it's getting pushback on social media. Do the critics have a point?A Special Forces soldier made $409K betting on the military's capture of Venezuelan leader Nicolas Maduro. Is the world just a big casino now?And a NYT podcast defends shoplifting and explores “social murder.” Find out why Jason says they crossed the line.Plus: Why you should teach your kids about investment and more, Off-Duty streaming and book recommendations.Related LinksUSVC: https://usvc.com/AngelList: https://www.angellist.com/Naval Ravikant on X: https://x.com/naval“Don't Listen to the Peanut Gallery; USVC is a Watershed Moment” by Hari Raghavan: https://x.com/haridigresses/status/2047503944839016681@Covered_Call USVC tweet: https://x.com/covered_call/status/2047020060900733306Forge Global: https://forgeglobal.com/Calm: https://www.calm.com/Full DOJ indictment of Gannon Ken Van Dyke: https://www.justice.gov/opa/pr/us-soldier-charged-using-classified-information-profit-prediction-market-betsNYT “The Opinions” podcast: “The Rich Don't Play by the Rules. So Why Should I?” https://www.nytimes.com/video/opinion/100000010849055/the-rich-dont-play-by-the-rules-so-why-should-i.htmlHasn Piker on Twitch: https://www.twitch.tv/hasanabiNew Yorker: Jia Tolentino: https://www.newyorker.com/contributors/jia-tolentinoNYT: Nadja Spiegelman: https://www.nytimes.com/by/nadja-spiegelmanJia Tolentino on X: https://x.com/jiatolentinoGarry Kasparov on X: https://x.com/kasparov63Prof G Media: https://www.profgmedia.com/Kids Investment Club: https://www.kidsinvestmentclub.com/Time stamps:0:00 Intro1:18 Naval's $500 VC Fund Explained5:54 Should You Trust Critics With 2K Followers?7:21 Learn By Betting — Jason's Philosophy10:10 Northwest Registered Agent - Get more when you start your business with Northwest. In 10 clicks and 10 minutes, you can form your company and walk away with a real business identity — Learn more at https://www.northwestregisteredagent.com/twist12:30 The Maduro Polymarket Scandal13:28 Should the Military Bet on Missions?19:55 LinkedIn Jobs - Hire right, the first time. Post your first job and get $100 off towards your job post at https://LinkedIn.com/twist29:32 NYT Defends Theft & "Social Murder"30:28 There Is No Moral Equivalence33:41 The Nepo Baby Behind the Article35:42 Prof G's "Resist & Unsubscribe" Movement37:54 Walk The Walk — Hasan, Bernie & Performative Outrage44:49 Teaching Kids About Money48:21 The Rich Get Richer & The Poor Stay PoorOff Duty Recommendations“The Complete Maus” by Art Spiegelman: https://www.amazon.com/Complete-Maus-Art-Spiegelman/dp/0679406417“Thinking in Bets” by Annie Duke: https://www.amazon.com/Thinking-Bets-Making-Smarter-Decisions/dp/0735216355“Queen of Chess” trailer: https://www.youtube.com/watch?v=8pmJgtLKBXgGreenlight app: https://greenlight.com/Subscribe to the TWiST500 newsletter: https://ticker.thisweekinstartups.comCheck out the TWIST500: https://www.twist500.comSubscribe to This Week in Startups on Apple: https://rb.gy/v19fcpFollow Lon:X: https://x.com/lonsFollow Jason:X: https://twitter.com/JasonLinkedIn: https://www.linkedin.com/in/jasoncalacanisvCheck out all our partner offers: https://partners.launch.co/Great TWIST interviews: Will Guidara, Eoghan McCabe, Steve Huffman, Brian Chesky, Bob Moesta, Aaron Levie, Sophia Amoruso, Reid Hoffman, Frank Slootman, Billy McFarlandCheck out Jason's suite of newsletters: https://substack.com/@calacanisFollow TWiST:Twitter: https://twitter.com/TWiStartupsYouTube: https://www.youtube.com/thisweekinInstagram: https://www.instagram.com/thisweekinstartupsTikTok: https://www.tiktok.com/@thisweekinstartupsSubstack: https://twistartups.substack.com

We kick off with a the Dodgers spanking the Blue Jays and torn allegiances in Brian's house, then dive into Europe taking dead aim at your kids' screen time. Ireland is rolling out a Government Digital Wallet that'll verify ages before young'uns can doom-scroll their lives away, while Greece went fully scorched-earth and announced a ban on all under-15s using social media at all — announced, naturally, on TikTok.IN THE NEWS, the AI giants (OpenAI, Anthropic, Google) are playing nicely together for once, teaming up through the Frontier Model Forum to stop Chinese firms from essentially photocopying their models on the cheap — billions in revenue, national security, and the small matter of safety guardrails stripped out. Turnabout is fair play? On the legal gambling front, prediction markets scored a federal win as a US appeals court ruled New Jersey can't regulate Kalshi; the Trump family's fingerprints are all over the prediction market space (surprise!), and the data suggests 0.04% of accounts are hoovering up 70% of profits like it's a perfectly healthy ecosystem. Also: the FBI pulled deleted Signal messages out of iPhone notification caches, GoPro is laying off 23% of its workforce while somehow remaining optimistic, and OpenAI is backing an Illinois bill that would shield AI companies from liability even in mass-casualty scenarios... cool. On the plus side, Artemis II astronauts took amazing photos of the Moon... on their iPhones.In APPS & DOODADS: Mercedes recalled its electric G-Wagons because the wheels might literally fall off, Amazon is sunsetting Kindles from 2012 and earlier for no reason anyone can figure out, and Apple Fitness on Apple TV is randomly scrambling workout stacks with no fix in sight — a premium locked ecosystem doing premium locked ecosystem things.In MEDIA CANDY, the crew is watching The Pitt, The Boys, Shrinking, and Daredevil, and you'll want to sit down for this: Mel Brooks and Rick Moranis are back — Spaceballs 2 hits theaters a full year from now even though it's done. Italy slapped Netflix with a court-ordered refund for price hikes going back to 2017, while Netflix simultaneously raised prices for US subscribers and launched Playground, a free kids gaming app that works offline (Peppa Pig and Sesame Street, no ads, no in-app purchases — hook 'em on Dah Dum young!)AT THE LIBRARY, Brian has given up on Breath and Jason reads Four Thousand Weeks and Art Spiegelman's Maus — the Pulitzer-winning Holocaust masterpiece that some people are still trying to ban, because humanity never fully learns.Closing out with THE DARK SIDE WITH DAVE, Treasury Secretary Bessent and Fed Chair Powell apparently called an emergency meeting with bank CEOs over Anthropic's new model "Mythos," which can apparently find and exploit vulnerabilities across major OSes and browsers. The boys also catch up on Maul: Shadow Lord, the Strong Songs podcast's Joni Mitchell deep-dive ("Passions soften into wisdom" — weeping on the plane, apparently), the belated discovery that Marathon launched and nobody noticed, and some genuine moon joy courtesy of NASA's Artemis II astronauts.Sponsors:DeleteMe - Get 20% off your DeleteMe plan when you go to JoinDeleteMe.com/GOG and use promo code GOG at checkout.CleanMyMac - Get Tidy Today! Try 7 days free and use code OLDGEEKS for 20% off at clnmy.com/OLDGEEKSPrivate Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/741Watch on YouTube at https://youtu.be/c_odV0tSa2kFOLLOW UPIreland is testing out a digital wallet that conducts age verification for social media usersGreece will ban all kids under 15 from using social mediaIN THE NEWSOpenAI, Anthropic, Google Unite to Combat Model Copying in ChinaNew Jersey has no right to ban Kalshi's prediction market, US appeals court rulesFBI used iPhone notification data to retrieve deleted Signal messagesGoPro to lay off over 20 percent of staff by the end of 2026OpenAI Backs Bill That Would Limit Liability for AI-Enabled Mass Deaths or Financial DisastersArtemis II astronaut puts all of our iPhone moon photos to shameAPPS & DOODADSMercedes-Benz recalls some G-Wagon EVs due to risk of wheels falling offAmazon is cutting off support for older KindlesPresto 08800 EverSharp Electric Knife Sharpener, 2-Stage System, Silver/BlackMEDIA CANDYThe PittThe BoysShrinkingDaredevilThe Spaceballs sequel will be released in April next yearAn Italian court ruled Netflix has to refund its customers for price hikes dating back to 2017Netflix just released a standalone gaming app for kidsAnonymous - Real Stories of Alcoholism, Addiction, and RecoveryAT THE LIBRARYBreath: The New Science of a Lost Art by James NestorFour Thousand Weeks By Oliver BurkemanMaus I & IITHE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingMaul - Shadow LordAnthropic Model Scare Sparks Urgent Bessent, Powell Warning to Bank CEOsS08E03 - "Both Sides, Now" by Joni MitchellI Wish I Didn't Care About 'Marathon' Player Numbers, But I DoMarathon Gameplay (No Commentary)Mego Happy Days Figures and Fonzi Garage, Hot, and Stunt CycleHAPPY DAYS - Fonzie & Pinky Break Up - Fonzie Loves Pinky - 1976Moon Joy, Courtesy of NASA's Artemis II AstronautsCLOSING SHOUT-OUTSHip-hop pioneer, Afrika Bambaataa, dies aged 68See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this installment of our series on groundbreaking releases from 1986, we're spotlighting Maus, Art Spiegelman's landmark graphic novel about his father, Vladek, a Polish Jew and Holocaust survivor. Written and illustrated by Spiegelman, Maus moves between Vladek's harrowing wartime experiences and the complicated relationship between father and son decades later. Through the now-famous device of portraying different groups as animals—Jews as mice, Germans as cats—Spiegelman creates a layered story about trauma, memory, and survival. On this episode, we dig into Spiegelman's background in underground comics, his exploration of survivor's guilt woven throughout Maus, and his warts-and-all portrayal of, not only his dad, but himself in the story.  We also discuss the critical reception that helped elevate Maus beyond the comics world. In 1992, Maus became the first graphic novel ever awarded a Pulitzer Prize. Nearly forty years later, it stands as one of the most powerful works the medium has ever produced.

Anne, Dallas, and Alexis sit down to discuss Art Spiegelman's masterpiece.

En este episodio de Langosta Literaria, Romeo Tello, editor de Taurus y Elisa de Gortari, autora de "Todo lo que amamos y dejamos atrás" conversan sobre cómo "MAUS" de Art Spiegelman y "Persépolis" de Marjane Satrapi narran la irrupción de la guerra y el totalitarismo en la vida cotidiana. A partir de historias personales atravesadas por grandes conflictos históricos, analizan el poder de la novela gráfica para contar lo indecible con una ligereza visual que no minimiza la tragedia, sino que la vuelve más íntima y contundente. Hosted on Acast. See acast.com/privacy for more information.

 Jeff Newelt is a veteran PR and social media macher who has worked with Harvey Pekar, Art Spiegelman, Al Jaffee, the Zappa family, and many more. Co-hosts: Jonathan Friedmann & Joey Angel-Field Producer-engineer: Mike Tomren Jeff's LinkedInhttps://www.linkedin.com/in/jahfurry/ Jeff on Harvey Pekarhttps://forward.com/culture/books/139783/harvey-pekar-our-mensch-in-cleveland/ Jeff & Al Jaffeehttps://www.youtube.com/watch?v=n0I-5GXhr0k Amusing Jews Merch Storehttps://www.amusingjews.com/merch#!/ Subscribe to the Amusing Jews podcasthttps://www.spreaker.com/show/amusing-jews Adat Chaverim – Congregation for Humanistic Judaism, Los Angeleshttps://www.humanisticjudaismla.org/ Jewish Museum of the American Westhttps://www.jmaw.org/ Atheists United Studioshttps://www.atheistsunited.org/au-studios

Vince and DAP close out the year talking about Benjamin Marra's Disciples (with David Birke and Nicholas McCarthy); Absolute Wonder Woman #15 by Kelly Thompson, Hayden Sherman, and Jordie Bellaire; Ghost Machine's Geiger(catching up on the latest four issues) by Geoff Johns, Eamon Winkle, Eduardo Pansica, Gary Frank, Norm Rapmund, Robert Nugent, and Brad Anderson; Not a Place to Visit by T Edward Bak from Floating World Comics; Cash-O-Ramawith Adventure Time: The Bubbline College Special and kuš! featuring Art Spiegelman, Jessica Snow, Augusto Mora, Christopher Sperandio, Joost Halbertsma, Ofra Amihay, Martalisa Tsai, Julie Fette, and many more. Plus: where, oh where, is Jason?!?

Um dos maiores clássicos da nona arte. Esta frase é por muitas vezes usada de forma exagerada, mas não neste caso. Maus, de Art Spiegelman, é um marco. Uma poderosa história sobre o pai do autor, preso em um campo de concentração nazista durante a Segunda Guerra Mundial e que sobreviveu ao Holocausto. A obra […] O post Confins do Universo 236 – Maus: A história de um clássico apareceu primeiro em UNIVERSO HQ.

durée : 00:19:52 - L'invité de 8h20 - par : Ali Baddou, Marion L'hour - Art Spiegelman s'expose à Paris avec Joe Sacco. Leurs dessins sont rassemblés dans l'exposition “Never again... and again... and again”, un dialogue en bande dessinée sur le conflit israélo-palestinien, à la galerie Martel jusqu'au 10 janvier. - invités : Art SPIEGELMAN - Art Spiegelman : Auteur de bandes dessinées Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What is it like to be Jewish right now? That is the question that is pondered in a new art exhibit opening this week in Berlin. Artist and curator Yuri Kharchenko brings together the works of five artists, including “Maus” cartoonist Art Spiegelman, in a show entitled: “Bad/Good Jews” for a provocative exhibit amid a world of rising antisemitism and anti-Israeli sentiment. Reporter Arieh O’Sullivan spoke with Yuri Kharchenko about the show. (photo: courtesy) See omnystudio.com/listener for privacy information.

Molly Crabapple is an artist and writer who documents the extremes, from nightclubs to war zones. She's also the author of several books, including Drawing Blood and Brothers of the Gun, a memoir of the Syrian War co-written with Marwan Hisham. We sat down with Crabapple to talk about the difference between words and images, making art in the world, and the power of cartoonists to disrupt fascism.You can read a transcript of this episode here. And check out the following links:Check out our booklist with books recommended for this episode.Read Molly Crabapple's Drawing Blood, and you can pre-order her new book about the Jewish Labor Bund.See Molly's drawings and articles about the Dallas Six and the NYC taxi driver strike. You can also read Molly's interview with Art Spiegelman.Art Spiegelman's comic collaboration with Joe Sacco was published in The New York Review of Books earlier this year. You can check out Sacco's Palestine and his more recent War on Gaza from the library.

Art Spiegelman is the Pulitzer Prize-winning author of the graphic novel Maus, the story of his parents' experience during the Holocaust. We got to sit down with Spiegelman at Brooklyn Public Library's recording studio earlier this month to talk about Maus almost forty years after it first came out, about censorship, about the war in Gaza, and about what it means to stand up for others.You can read a transcript of this episode on our website, and check out these further resources:Check out our booklist with books recommended by Art Spiegelman, and more.Art Spiegelman's comic collaboration with Joe Sacco was published in The New York Review of Books earlier this year. You can check out Sacco's Palestine and his more recent War on Gaza from the library.Watch Art Spiegelman discuss MetaMaus with Dan Nadel at Brooklyn Public Library.

Art Spiegelman's Maus almost single-handedly elevated comics from throw-away inserts in newspapers to a serious literary art worthy of winning the highest award in book publishing. But it's not an accident that this book is coming back to us now. Maus was swept once again into the public eye three years ago, when the conservative movement to target marginalized stories took aim at the beloved graphic novel. In this episode, we examine how comic book censorship in the 1950s led to the creation of Maus, and eventually shifted the way we tell stories about resistance, memory, and authoritarianism.You can read a transcript of this episode on our website. Further resources:Check out our booklist with books recommended by Art Spiegelman, and more.Read Amy Kurzweil's Flying Couch and Molly Crabapple's Drawing Blood. You can read more about both of them on their websites.Art Spiegelman's comic collaboration with Joe Sacco was published in The New York Review of Books earlier this year. You can check out Sacco's Palestine and his more recent War on Gaza from the library.Learn more about the Comic Book Legal Defense Fund and the history of comic book censorship.Listen to our interviews with Maia Kobabe, author of Gender Queer, and Mike Curato, author of Flamer from our previous series, Borrowed and Banned.Watch Art Spiegelman discuss MetaMaus with Dan Nadel at Brooklyn Public Library.

When you close your eyes and imagine the art and culture of the 1960s, you probably are envisioning the art of Peter Max. In this 2002 interview Max talks about his heart, and his personal creative Style.Get your copy of The Art of Peter Max by Peter MaxAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Art Spiegelman and Ultra Violet For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTubePhoto by #1960s #pop art #painters #creativityCome on over to AI After 40 on YouTube

The Snowy Day wasn't the first picture book to feature a Black child as its beloved protagonist, but it might be the most visible. When it came out in 1962, it challenged the publishing industry to champion books that depict kids of color. Today, we find ourselves in a moment not so different from the one Ezra Jack Keats was in when he sat down to create The Snowy Day. We are, once again, fighting for the right to let kids read the books they love, and we're still reminding each other that the characters kids see in those books really matters. Read a transcript of this episode on our website and check out these great links:Check out our booklist with titles related to The Snowy DayLearn more about the Ezra Jack Keats Foundation, the EJK Award, and the yearly bookmaking competition for kids in NYC public schools.Check out these digitized copies of The Brownies' Book, books by Black creatorsRead about diversity in children's book publishing, from “The All-White World of Children's Books” (1965) to more recent history, like this 2018 graphic that compiles data from the Cooperative Children's Book Center.Learn more about the most frequently banned children's books in schools (PEN America) and, as always, check out our Books Unbanned initiative for ways you can help.Attend an in-person event with Art Spiegelman at BPL's Central Library on September 10th. 

Filmmaker Ken Viola joins us to discuss his rare 1987 documentary The Masters of Comic Book Art—a raw, unfiltered snapshot of comics history featuring candid interviews with legends like Jack Kirby, Harvey Kurtzman, Neal Adams, Will Eisner, Art Spiegelman, Dave Sim, Frank Miller, and Bernie Wrightson. Narrated by Harlan Ellison, this film captures the voices of visionary creators at a turning point in the industry. Ken shares behind-the-scenes stories, what it was like filming these giants, and how the project came together. You can now watch the documentary online—don't miss this essential piece of comics history.

At Home with the Holocaust: Postmemory, Domestic Space, and Second-Generation Holocaust Narratives (Rutgers UP, 2025) examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors' homes became extensions of their traumatized psyches that their children “inhabited.” Analyzing second- and third-generation Holocaust literature—such as Art Spiegelman's Maus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer's The Holocaust Kid, and Elizabeth Rosner's The Speed of Light—as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors' traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors' children into the sites of their parents' traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

At Home with the Holocaust: Postmemory, Domestic Space, and Second-Generation Holocaust Narratives (Rutgers UP, 2025) examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors' homes became extensions of their traumatized psyches that their children “inhabited.” Analyzing second- and third-generation Holocaust literature—such as Art Spiegelman's Maus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer's The Holocaust Kid, and Elizabeth Rosner's The Speed of Light—as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors' traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors' children into the sites of their parents' traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

At Home with the Holocaust: Postmemory, Domestic Space, and Second-Generation Holocaust Narratives (Rutgers UP, 2025) examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors' homes became extensions of their traumatized psyches that their children “inhabited.” Analyzing second- and third-generation Holocaust literature—such as Art Spiegelman's Maus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer's The Holocaust Kid, and Elizabeth Rosner's The Speed of Light—as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors' traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors' children into the sites of their parents' traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

(0:00) Intro to this episode(1:43) About the podcast sponsor: The American College of Governance Counsel.(2:30) Start of interview(3:09) Walker Newell's origin story(6:38) Lenin Lopez' origin story(9:21) Intro to Woodruff Sawyer, and their focus on corporate law and securities litigation.(14:00) The Importance of Corporate Governance(14:38) On the Gallagher merger (WS was acquired for $1.2B)(15:10) Advising boards on D&O insurance (corporate and litigation). *Reference to E42 with Priya Cherian Huskins (2021)(17:59) The Delaware Exit ("DExit"). Impact of Derivative Suits. *Reference to VCBA(26:23) Delaware vs. Texas and Nevada(29:00) Understanding Delaware's SB21. Books and records demands. D&O questionnaires.(33:18) The current state of IPOs and SPACs (and impact of D&O insurance pricing)(37:33) The trend of SPAC companies incorporated in the Cayman Islands. SEC revisiting Foreign Private Issuer eligibility.(41:15) Trends in Securities Class Actions (~60% filed against tech or biotech companies).(47:24) Litigation in Private Markets. *Reference to Startup Litigation Digest(53:27) The hardships of life-science companies(56:15) How the federal and status regulatory apparatus is evolving, particularly on AI.(58:52) The evolving role (and burdens) of board members. Example: DOJ whistleblower rules(1:01:21) What are the 1-3 books that have greatly influenced your life: Lenin: The Life and Death of Ivan Ilych by Leo Tolstoi (1902)Walker:The Savage Detectives by Roberto Bolaño (1998)Maus: A Survivor's Tale by Art Spiegelman (1991)(1:04:03) Who were their mentors, and what they learned from them.(1:06:27) Quotes they think of often or live their life by.Lenin: "Al mal tiempo, buena cara"Walker: "Enjoy every sandwich"(1:08:22) An unusual habit or an absurd thing that they love.(1:09:50) The living person they most admireLenin: Tony HawkWalker: Rory McIlroy You can follow Evan on social media at:X: @evanepsteinLinkedIn: https://www.linkedin.com/in/epsteinevan/ Substack: https://evanepstein.substack.com/__To support this podcast you can join as a subscriber of the Boardroom Governance Newsletter at https://evanepstein.substack.com/__Music/Soundtrack (found via Free Music Archive): Seeing The Future by Dexter Britain is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License

Thirty-plus years in the making, the graphic adaptation of Paul Auster's THE NEW YORK TRILOGY (Pantheon) is here at last! Paul Karasik rejoins the show from Yaddo Artists Retreat to talk about the process of adapting Auster's postmodern crime novels into comics, how he collaborated with David Mazzucchelli (CITY OF GLASS) and Lorenzo Mattotti (GHOSTS) on the first two and how he wound up drawing the third book, THE LOCKED ROOM, how these novels possessed him for decades, and the moment when he understood what each novel was really about. We get into how he met Auster at a parent-teacher conference shortly after the New York Trilogy came out, the moment of truth when Auster first saw the pages for City of Glass, the freedom (and restriction) Auster offered for the project, and whether Auster got to see the finished pages before his death in 2024. We also discuss Paul's comics upbringing, how his mother supported his habit (and maybe melted her son's brain by getting him a book of R. Crumb comics at 12 or 13), his lack of confidence in his drawing and his supreme confidence in his teaching, how meeting Art Spiegelman changed his life, why he's starting an online graphic novel workshop, the immense inspiration of staying at Yaddo (and how he learned The Two Rules Of Yaddo), and a lot more. Follow Paul on Instagram, support his Patreon, and check out his Graphic Novel Lab • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Have any questions about screenwriting? Comment below and I'll address them in future podcasts.My novel Deadpan is out in hardcover! Order it here. Get full access to Get Reel with Richard Walter at richardwalter.substack.com/subscribe

When you love comics, you become comics. Denis Kitchen began as a self-published underground cartoonist in 1969, but he quickly sprang into other roles, all serving the medium that first called to him. A year later, he launched Kitchen Sink Press, which would house numerous pioneers from the industry (R. Crumb, Howard Cruse, Art Spiegelman, Trina Robbins, Will Eisner, Harvey Kurtzman, etc). His role as publisher would eventually force him into the position of defender, fighting for the rights of his artists and creating the Comic Book Legal Defense Fund. Now, Denis Kitchen's career is the topic of a new documentary, Oddly Compelling: The Denis Kitchen Story, which is currently seeking funding via Kickstarter. The film gathers an astonishing array of talent to praise Denis Kitchen and offer context to a life that has shaped all comic readers, whether they know it or not. In this week's podcast, we sit down with Denis Kitchen for a long chat about making comics and serving comics. The artist is an icon, but a humble one. He kindly accepts adulation while dismissing it in the same breath. We discuss how comics are "just pictures on paper," but simple images can have a world-altering effect. If you want to fall deeper in love with the art form, this episode is for you. Please find the Kickstarter for Oddly Compelling: The Denis Kitchen Story here. Follow Denis Kitchen on Instagram and visit his website. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Join Comic Book Club in Person CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our June 29th Alamo Drafthouse Winchester screening of James Gunn's THE SUICIDE SQUAD, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

El duelo no solo se enfrenta cuando se produce una muerte cercana, también cuando se abandona la adolescencia y te tienes que enfrentar a la vida adulta; cuando te despides de tu ciudad natal o cuando te mudas por una causa forzosa y abandonas el que ha sido tu hogar. La cinta 'Los tortuga' nos lleva a los grandes duelos y también a los que, a veces, pasan desapercibidos. Belén Funes es su directora y Elvira Lara es su protagonista.Daniel Galindo nos da unos apuntes sobre Teatro Urgente. Fundada por Ernesto Caballero y Karina Garantivá durante la pandemia del 2020, Teatro Urgente nació como un laboratorio de experimentación teatral en el Teatro Galileo de Madrid.Nuestro crítico de cómics, Javi Alonso, nos habla de una obra que se editó en España hace unas semanas, pero que ya podemos considerar histórica. Se ha convertido en el segundo cómic en ganar el Pulitzer en la categoría de obra autobiográfica. Antes lo había conseguido Art Spiegelman con 'Maus', ahora lo ha logrado Tessa Hulls con 'Alimentar a los fantasmas'.Hace poco más de un año, Marisa González recibía uno de los galardones más prestigiosos de las artes visuales hispanoamericanas, el Premio Velázquez. Además de la cumplida dotación económica, este premio conlleva lo que para los artistas es fundamental: la exposición de sus obras. Mañana el Reina Sofía inaugura "Marisa González. Un modo de hacer generativo", una antológica que recorre cinco décadas de producción artística de la pionera del arte electrónico en España. Ángela Núñez nos lo cuenta.Como no podía ser de otra manera, RNE Audio participa en Estación Podcast. El Festival Iberoamericano de Creación Sonora celebra su cuarta edición reuniendo a profesionales y apasionados del audio en diversos espacios de la capital. Habrá directos, talleres y conciertos. De todo esto nos habla Olga Baeza.La 22ª edición del festival gallego de Cans, en la aldea de O Porriño, extiende desde hoy su propia alfombra roja para la proyección de 120 obras, de las que 40 son estrenos en Galicia. Allí está nuestra compañera, Andrea Oca.Escuchar audio

Told through a genre-defying blend of illustrations, photography, and found objects, Remember Us to Life: A Graphic Memoir (Ten Speed Graphic, 2023) chronicles Joanna Rubin Dranger's investigation into her Jewish family's history, spanning time, space, and three continents in search of her lost relatives. As discolored photos are retrieved from half-forgotten moth-eaten boxes, Joanna discovers the startling modernity and vibrancy of the lives her family never spoke about—and the devastating violence that led to their senseless murders.Carefully researched and expertly told, Remember Us to Life recounts Joanna's family's immigration from Poland and Russia to Sweden and Israel, where her relatives found work, marriage, and community, blissfully unaware of the horrors to come. Interweaving these anecdotes and stories are historical accounts of the persecution of Jewish people in Germany, Poland, Lithuania, and Russia prior to and during World War II, as well as the antisemitic policies and actions of the supposedly neutral government of Sweden, Joanna's home country. Joanna's unflinchingly brave and intimate portrayal of one of history's greatest tragedies will capture and break readers' hearts.Following in the tradition of classics such as Art Spiegelman's Maus and Marjane Satrapi's Persepolis, Remember Us to Life is a thought-provoking exploration of grief, alienation, and reclamation of one's history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Told through a genre-defying blend of illustrations, photography, and found objects, Remember Us to Life: A Graphic Memoir (Ten Speed Graphic, 2023) chronicles Joanna Rubin Dranger's investigation into her Jewish family's history, spanning time, space, and three continents in search of her lost relatives. As discolored photos are retrieved from half-forgotten moth-eaten boxes, Joanna discovers the startling modernity and vibrancy of the lives her family never spoke about—and the devastating violence that led to their senseless murders.Carefully researched and expertly told, Remember Us to Life recounts Joanna's family's immigration from Poland and Russia to Sweden and Israel, where her relatives found work, marriage, and community, blissfully unaware of the horrors to come. Interweaving these anecdotes and stories are historical accounts of the persecution of Jewish people in Germany, Poland, Lithuania, and Russia prior to and during World War II, as well as the antisemitic policies and actions of the supposedly neutral government of Sweden, Joanna's home country. Joanna's unflinchingly brave and intimate portrayal of one of history's greatest tragedies will capture and break readers' hearts.Following in the tradition of classics such as Art Spiegelman's Maus and Marjane Satrapi's Persepolis, Remember Us to Life is a thought-provoking exploration of grief, alienation, and reclamation of one's history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Part 1:We talk with Jeet Heer.Jeet Heer is a national affairs correspondent forThe Nationand host of the weeklyNation podcast,The Time of Monsters. He also pens the monthly column Morbid Symptoms. The author ofIn Love with Art: Francoise Moulys Adventures in Comics with Art Spiegelman(2013) andSweet Lechery: Reviews, Essays and Profiles(2014), Heer has written for numerous publications, includingThe New Yorker,The Paris Review,Virginia Quarterly Review,The American Prospect,The Guardian,The New Republic,andThe Boston Globe.We discuss the adoption of crypto currency funds, first, by Trump, for the nation, and by the governor of New Hampshire for New Hampshire. More states will likely follow.We note that most of the crypto investment is from the Middle East. It may destabilize the US dollar, and has many other problems. Unfortunately, both Republicans and Democrats are buying into crypto. We discuss the implications for the future.Part 2:We talk with Professor Peter Rutland.Peter Rutland has taught at Wesleyan since 1989. Before that he taught at the University of Texas at Austin, and at the University of York and London University in the UK. He has a BA from Oxford and a D. Phil from York. He has also been a visiting professor at Columbia University, and is an associate of the Davis Center for Russian and Eurasian Studies at Harvard University. His research interests focus on all things Russian and places where the Russian boot has trod (Nicholas II) in the former Soviet Union and the former East Europe. He started off studying workers and the Communist Party, moving on to broader questions of economic policy in the socialist and post-socialist economies. Along the way he developed an interest in nationalism and ethnic conflict. Since 2013 he has been editor in chief of Nationalities Papers, the journal of the Association for the Study of Nationalities along with serving as associate editor of Russian Review.We discuss the image that Putin is creating of himself in Russia. His control of all media in Russia allows him to present whatever facet he likes to give the Russians the image of a 'humble man of the people', and his propaganda is framed in such a way to make him seem to be 'defending' Russia. We also look at how Trump has also adopted this strategy to present himself to US voters. WNHNFM.ORG  productionMusic: David Rovics

Join the conversation by letting us know what you think about the episode!The next installment of our Banned Books Series is Maus by Art Spiegelman, a graphic novel in two volumes depicting Art Spiegelman talking to his father, Vladek, about his experience as a Polish Jew before, during and after the Holocaust. Maus originally began as a strip in 1972 and was serialized from 1980 to 1991. Some have criticized the book for a number of reasons, including topic, style, and themes, but in 2022, a school board in McMinn County Schools in East Tennessee removed the book from school curriculum over concerns about profanity, nudity and violence.  Support the showBe part of the conversation by sharing your thoughts about this episode, what you may have learned, how the conversation affected you. You can reach Raquel and Jennifer on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.Share the episode with a friend and have your own conversation. And don't forget to rate and review the show wherever you listen!Thanks!

Recorded live at the Comics Without Borders / Sans Frontières gathering at Rice University, this episode dives deep into international comics publishing, aesthetic risk-taking, and how underground networks drive a truly global comics culture. David Schilter, publisher and editor of Latvia's acclaimed kuš! comics, joins us alongside Pedro Vieira de Moura, Portuguese critic, writer, and co-founder of the bookstore/gallery Mundo Fantasma. We talk about how a small-format anthology changed Latvian comics forever, why RAW magazine changed Pedro's life, and how comics have always been a place for outsiders to find their people. It's about pornographic comics, lipstick in mirrors, misnumbered anthologies, institutional resistance, aesthetic weirdness, bookstores as public educators, and why no one in Latvia is publishing Maus.   Guest Links: kuš! comics (David Schilter): https://www.komikss.lv Pedro Vieira de Moura: http://www.laboratori.net Mundo Fantasma (Porto bookstore/gallery): https://www.mundofantasma.pt   Names Dropped: Art Spiegelman – Creator of Maus, influence on RAW magazine: Art Spiegelman on Wikipedia Barbara Shermund – queer comics history: Barbara Shermund Basil Wolverton – Iconic MAD magazine illustrator: Basil Wolverton on Wikipedia Charles Burns – Known for Black Hole and RAW magazine: Charles Burns on Wikipedia Gary Panter – RAW magazine artist, punk comics icon: Gary Panter on Wikipedia Al Jaffee – Fold-in master at MAD Magazine: Al Jaffee on Wikipedia Frank Miller & David Mazzucchelli – Daredevil and Batman: Year One: Frank Miller David Mazzucchelli Moebius – Legendary French comics artist: Moebius on Wikipedia Neil Adams, George Pérez, Jim Lee –  Scott McCloud – Author of Understanding Comics: Scott McCloud Rafael Bordalo Pinheiro – Early Portuguese cartoonist and comic pioneer David B. – French cartoonist and co-founder of L'Association: David B. on Wikipedia Adrian Tomine – Acclaimed alternative cartoonist: Adrian Tomine Marjane Satrapi – Creator of Persepolis: Marjane Satrapi Brian Baynes – Publisher of Bubbles Zine: Bubbles Zine

Award-winning documentary director Molly Bernstein discusses the process and narrative approach that went into researching, developing and directing her documentaries about Maus creator Art Spiegelman and magician Ricky Jay.

Andy milks the Elks, the age of bailing, Andy's golf buzz, Josh finds the limits of his dilettantism, Art Spiegelman, Hair Club for Jeremy, and much more Spiraling.

This week, we talked about Art Spiegelman American Masters doc, Sandman season 2 trailer, Fantastic Four trailer, Schedule 1 game, Common Side Effects, Curb Your Enthusiasm, The Last of Us season 2, Devil May Cry animated, the QoftheW, and more!   Salty Merch: https://www.teepublic.com/user/saltylanguagepods Our Patreon: Patreon.com/saltylanguage   Subscribe / rate / review us on Apple Podcasts!   Links: 1. Art Spiegelman documentary https://www.pbs.org/wnet/americanmasters/art-spiegelman-documentary/35215/ 2. Sandman season 2 trailer https://www.youtube.com/watch?v=6Jaj66KmnwE&ab_channel=Netflix 3. Fantastic Four trailer https://youtu.be/pAsmrKyMqaA?si=bbtpExpNrPL-4GeI 4. Schedule 1 game https://store.steampowered.com/app/3164500/Schedule_I/ 5. Moses the Lawgiver https://www.imdb.com/title/tt0072547/?ref_=nv_sr_srsg_2_tt_7_nm_1_in_0_q_MOSES%2520THoc QoftheW: You're going to the store and picking out your favorite snacks, what are you picking?   Visit us at: saltylanguage.com Apple Podcasts: https://podcasts.apple.com/us/podcast/salty-language/id454587072?mt=2 Spotify: https://open.spotify.com/show/3GnINOQglJq1jedh36ZjGC iHeart Radio: http://www.iheart.com/show/263-Salty-Language/ Google Play Music: https://play.google.com/music/listen#/ps/Ixozhhniffkdkgfp33brnqolvte Tony's YouTube channel: https://www.youtube.com/@allthebeers Bryan's YouTube channel: https://www.youtube.com/@IFinallyPlayed https://www.tiktok.com/@saltylanguage facebook.com/saltylanguage Discord:  https://discord.gg/NEr5Newk @salty_language / saltylanguage@gmail.com http://salty.libsyn.com/webpage  / http://www.youtube.com/user/SaltyLanguagePod Instagram/Threads: SaltyLanguage Reddit: r/saltylanguage Stitcher: https://www.stitcher.com/podcast/salty-language tangentboundnetwork.com Share with your friends!            

PLUS: America, What the Hell?; the story of Elon Musk's conspiracy minded, politically radical, Canadian grandfather; a new documentary on the life and work of Art Spiegelman; a Cree and Anishinaabe lawyer charts a path to secure the future of Indigenous languages; and Riffed from the Headlines, our weekly musical news quiz.

Oakland-based graphic artist Hugh D'Andrade, author of the graphic novel “The Murder Next Door,” talks about: His first graphic novel, The Murder Next Door, including what led him to finally making a graphic novel after being a big fan of them for a long time; studying fine art at the California College of Arts and Crafts back in the 1980s, and then going back to the same school, now called simply California College of the Arts, to get a masters in graphic novels; graphic novelists who have been influential to Hugh, including Adrian Tomine from nearby Berkeley, Chris Ware, who he refers to as both a giant and a genius in the field, as well Art Spiegelman, Thi Bui (whom he had as one of his graphic novel professors), Marjane Satrapi, and Phoebe Glockner; how the graphic novelists he's met have generally been very talkative and have quirky sensibilities, but also have introverted streaks which are necessary for long stretches alone that are necessary for producing their work; how he worked on the beginning of his graphic novel while in grad school, where the crits were very nurturing and supportive, unlike crits from back in the day (undergrad); where graphic novel reading falls in our attention economy; the value he puts on the hand-drawn in comics, with modest digital intervention; and how Vipassana meditation, the first chapter of the book, played a big role in Hugh's healing journey…. [the Conversation continues for another hour in the BONUS episode for Patreon supporters] In the 2nd half of the full conversation (available to Patreon supporters), Hugh talks about: the distinction between cartooning and illustration, and how challenging it is to render a person from multiple views in that style; what feedback he's gotten so far, with at least one reader saying that it was ‘very unique,' probably meaning they found it too dark; the roll his parents played (or didn't play) in healing from his trauma (the murder the book is focused on); his trolling of conspiracy theorists on social media (which is described in the book), which came out of his reaction to people making things up about who was responsible for the murder, along with the pros and cons of engaging with a conspiracy theorist; his description of 3 or 4 major career trajectory paths for artists in big art capitals, inspired by his nephew and students and their impending career paths- the A path/A-train: rock star; B path/B train: you have a partner who has a job/supports you financially;  C path/train: artist with a day job;  D-train: you live just outside of a major city, or in a college town, or rural areas; housing in the U.S., particularly in the art capitals (a sort of passion of both of ours) and how he bought a house in East Oakland, a part of the city he had never been in and he'd been living in the East Bay for decades; how he's in a ‘coffee dessert,' meaning he needs to drive at least 10 minutes to get to a good coffee spot, leading to a beautiful paradox: as a participant in gentrifying his neighborhood, he realizes that as soon as that fancy coffee place pops up in his neighborhood, the gentrification will essentially be complete; the neighborhoods Hugh lived in in San Francisco, particularly the Mission, Hayes Valley and the Tenderloin, and their respective reputations and what he experienced living there as an older young person going to punk shows and the like; his friend Rebecca Solnit's book Hollow City, about how gentrification displaces people of color as well as creative communities; we dig quite a bit into the weeds of the housing crisis, and how he lived on the cheap in the Bay Area for years, including getting around by bike up until 10 years ago; and finally he talks about his music show highlights over the years, including his changing relationship to the Grateful Dead over the decades. 

Art Spiegelman is the author of Maus, the graphic novel that changed how we read comics, and how we understand Holocaust literature. A new documentary called "Art Spiegelman : Disaster Is My Muse," tells the story of Spiegelman's life, from his childhood in Rego Park raised by holocaust survivors, to the current-day efforts by some to ban Maus in schools. Art will join me next alongside the film's co-directors Molly Bernstein and Philip Dolin.

This week I am joined by friends of the show Josh Patterson and Will Rose, who agreed to do a podcast collaboration all about my favorite graphic novel, Maus. We talk about Art Spiegelman's cultural impact, the relevance of Maus today, and what do when the worst parts of history seem to be repeating themselves. Be sure to become a Patreon follower at Byte-Geist if you haven't already and check out my online store at https://byte-geist-shop.fourthwall.com/

Marvel is teasing an Ultimate event for Free Comic Book Day. Art Spiegelman explains his Gaza comic with Joe Sacco. John Ostrander's Suicide Squad gets an omnibus.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

My guest in this week's Book Club podcast is Chris Ware — author of Jimmy Corrigan, Building Stories and Rusty Brown, and a man widely regarded as one of the greatest living cartoonists. Chris's new book, The Acme Novelty Datebook Volume Three, opens his sketchbooks for public consumption: a potentially painful move for an artist as self-conscious and perfectionist as Ware. He tells me a bit about the relationship between cartooning and architecture, what he's trying to do with his graphic novels, the importance of R Crumb and Art Spiegelman to his work, and what gave him the confidence to turn his back on fine art.  

My guest in this week's Book Club podcast is Chris Ware — author of Jimmy Corrigan, Building Stories and Rusty Brown, and a man widely regarded as one of the greatest living cartoonists. Chris's new book, The Acme Novelty Datebook Volume Three, opens his sketchbooks for public consumption: a potentially painful move for an artist as self-conscious and perfectionist as Ware. He tells me a bit about the relationship between cartooning and architecture, what he's trying to do with his graphic novels, the importance of R Crumb and Art Spiegelman to his work, and what gave him the confidence to turn his back on fine art.  

In this One Shot episode of Moving Panels, Laramy and Bethany explore the powerful intersection of real-world events and the comic book medium. Building on their recent deep dive into Persepolis, they shift focus to They Called Us Enemy, George Takei's poignant account of Japanese-American internment during World War II; Maus, Art Spiegelman's Pulitzer Prize-winning depiction of the Holocaust; and March, Congressman John Lewis's stirring graphic memoir of the Civil Rights Movement. Join us as we examine how these works use the art of comics to illuminate history, inspire change, and connect with readers on a deeply human level. --- Support this podcast: https://podcasters.spotify.com/pod/show/movingpanels/support

Full episode at patreon.com/thicklinespod. Katie and Sally are back with a bone-chilling countdown of their top three scariest comics. Artists discussed include Josh Simmons, Al Columbia, Kazuo Umezz, Jacques Loustal and Villard, Stephen Gammell, Julia Gfrorer, Conor Stechschulte, Art Spiegelman, Jaime Hernandez, Richard McGuire, and many others. Thank you to our Patreon subscribers for making this episode possible. Happy Halloween!