Podcasts about mihri

Mihri Minaz is originally from Turkey, and has 4 siblings in different industries. Being good at math and problem solving, he was drawn go study computer engineering, and eventually was in the industry for a while before starting her current venture. Upon reflection, she feels it was supernatural for her to live in Turkey, be a woman, and end up in software. Eventually, she moved to Berlin and continued to be a unique case in the industry. Outside of tech, she enjoys watching art movies and shows, like Turin Horse or Fargo. She is learning piano, but travels so much for work, she has picked up DJ'ing, cause she can't bring a piano with her.In the past, Mihri's experienced problems with her team, as far as measuring and optimizing productivity. This was related to the different number of tools used, along with the lack of a unified view of these tools. She and her co-founder clicked on this problem, and decided to build a solution.This is the creation story of Beams.SponsorsSpeakeasyQA WolfSnapTradeLinkshttps://usebeams.com/https://www.linkedin.com/in/mihriminaz/Our Sponsors:* Check out Kinsta: https://kinsta.com* Check out Vanta: https://vanta.com/CODESTORYSupport this podcast at — https://redcircle.com/code-story/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

saas.unbound is a podcast for and about founders who are working on scaling inspiring products that people love brought to you by https://saas.group/, a serial acquirer of B2B SaaS companies. In episode #12, Anna Nadeina talks with Mihri, co-founder at beams, building a meta layer of productivity tools to help tech employees navigate the workday with more focus and less stress.Subscribe to our channel to be the first to see the interviews that we publish twice a week - https://www.youtube.com/@saas-group Stay up to date: Twitter: https://twitter.com/SaaS_group LinkedIn: https://www.linkedin.com/company/14790796

Fidiro Kahvesi bu bölümünde Kızılcık Şerbeti dizisinin 2. sezonunu konuşuyor. Müdavimlerimiz bir yandan eski karakterlerin dönüşümünü incelerken bir yandan da yeni karakterlerin diziye kattığı dinamikleri ele alıyor. Alternatif bir evrende karakterler nasıl olurdu? Görkem'in özgüveni gerçekçi mi? Mihri  ve Metehan ilişkisine dair ümitlerimiz neler? Nursema'nın güçsüzlüğü, Umut'un basiretsizliği nerelere varacak? Abdullah Alev ilişkisi bize ne anlatmaya çalışıyor? Başı açıkken ‘yakalanmak' ile kazara domuz eti yemek aynı şey mi? Müdavimlerimizin bunlar gibi pek çok sorunun peşine düştüğü ve hayatlarından anektodlar paylaştığı bu  derin ve samimi sohbete sizler de buyrun ve dinledikten sonra yorumlarınızı bizimle paylaşmayı unutmayın!Bu bölümü sevdiyseniz Fidiro Kahvesi'nin ilginizi çekebilecek diğer bölümleri:Kızılcık Şerbeti: Travmalarımız, Travmalarınız ve Travmaları ft. Rumeysa Kiger @cokiyiislerhttps://www.fidirokahvesi.com/1214024/13013051 Kızılcık Şerbeti İlk 18 Bölüm: Bir Belgesel Olabilir mi?https://www.fidirokahvesi.com/1214024/13453096Bir Başkadır [Part 1]: Sınıf, Temsil ve Müsaadenizle Başörtüsü Meselesi [Dizi]https://www.fidirokahvesi.com/1214024/6544438 Bir Başkadır [Part 2]: Sınıf, Temsil ve Müsaadenizle Başörtüsü Meselesi [Dizi]https://www.fidirokahvesi.com/1214024/6544510 Support the show

Today's episode features Mihri Minaz, tech co-founder of Beams, and Full Stack Software Engineer. In this Podcast, Franziska speaks with Mihiri how the digital technology from beams helps to overcome distractions, reduce context switching and master the art of mindful productivity. Beams is one example of a digital technology that helps users navigate their workday with more focus and less stress. Mhiri highlights how essential it is in her role as a tech co-founder and software engineer to include users' needs and build the tech product with a human centered approach. She describes how important an early shift to validate ideas is, through immediate user research. Mhiri recommends various digital technologies that help her while in the process of mindful coding and building the product. Mhiri is from Turkey, moved to Berlin in 2015. She is 12+ years experienced with the domain expertise of mobile applications. In her last role before beams, she was Head of Mobile Engineering at a mobility company. She developed & shipped several apps used by millions of users for iOS/Hybrid platforms, on e-commerce, social networking, language learning, banking, e-wallet, mobility. Thank you Mhiri for your wisdom and experience sharings! More about beams: https://usebeams.com

adece Osmanlı padişahları değil, onların anneleri, hanımları ve kızları da yaptırdıkları birbirinden güzel camilerle İstanbul'u zinetlendirdiler. Asıl İstanbul olan Suriçi'ni bir tarafa bırakacak olursak hanım sultanların inşa ettirdiği camilerin çokluğu bakımından şu bizim Üsküdar'ımız birinci sırayı alıyor. İlgi çekici bir ifadeyle söyleyecek olursak, “Medine-i Üsküdar” daki Eski Valide, Orta Valide ve Yeni Valide camileri birer mimarlık şaheserleri olarak arz-ı endam ediyorlar. Bu ifadeyle Nurbanu Sultan'ın Mimar Sinan'a yaptırdığı Valide-i Atik Camisi, Mahpeyker Kösem Sultan'ın Çinili Camisi ve Gülnuş Emetullah Valide Sultan'ın sahildeki Valide-i Cedit Camisi kastediliyor. Belirtmeye bile gerek yok ki yine sahildeki Mihrimah Sultan Camisi ile Gülfem Hatun Camisi de hanımlar tarafından yaptırılan camiler arasında bulunuyor. Üsküdar'da doğrudan bir hanım sultan tarafından inşa ettirilmediği halde yine bir valideye ithaf edilen başka camiler de var. Merhum tarihçimiz İbrahim Hakkı Konyalı'nın ifadesiyle Üsküdar'da Asya'nın Avrupa'ya elini uzattığı hakim ve tarihi bir tepenin, Damalı Burnu'nun üstüne tesis edilen bu mabed Ayazma Camii'dir. Hayli uzun süren restorasyonu nihayet bitti ve geçen hafta Cumhurbaşkanı'mızın da katılımıyla ibadete açıldı. (13 Ağustos 2022) Bu camiyi Sultan Üçüncü Mustafa Hicri 1174, Miladi 1760 yılında annesi Mihrişah Emine Hatun'la büyük kardeşi şehzade Sultan'ın ruhlarını şad ettirmek için inşa ettirdi. Laleli Camii'nin yanı sıra, Kadıköy'deki İskele Camii ile Mercan'daki tarihi cami de aynı padişahındır. Bitmedi, 1766'de İstanbul'da meydana gelen korkunç depremde Fatih Camii de büyük oranda tahribata uğradı. Onu da yıktırıp tamamen yeniden tesis ettirdi. Böylece Üçüncü Mustafa, İstanbul'a 4 cami kazandırmış oldu ki padişahın dört dörtlük bir hizmetidir. Kendisi de yine Laleli Camii'nin yanı başındaki türbesinde oğlu Üçüncü Selim'le yatıyor. Mekânı cennet olsun. Söylemeden geçemeyeceğim; bu caminin tam karşısındaki tarihi kütüphanenin banisi Koca Ragıp Paşa da bu padişahın sadrıâzamıdır. O da kendi kütüphanesinin içindeki türbede mahşer sabahını bekliyor. Ben de sizler gibi müjdeli haberi aldım. Yakında okullarımıza kültür tarihi dersleri konacak. Bu dersleri verecek öğretmenlerimizin başarılı olmaları için, bilgili ve ilgili olmaları, ayrıca dersleri İstanbul Türkçesiyle anlatmaları gerekiyor. Sadede gelecek olursak, başta “Hadikatü'l Cevami” olmak üzer bir çok kitapta ve ansiklopedide Ayazma Camii anlatılıyor. Kitaplardan en sağlam kaynak olarak Konyalı'nın iki ciltlik “Üsküdar Tarihi”ni gösterebiliriz. Reşad Ekrem Koçu'nun “İstanbul Ansiklopedisi” ile “İstanbul Kültür ve Sanat Ansiklopedisi”nde de bu konuda ayrıntılı bilgiler veriliyor. Yalnız ikinci ansiklopedi de yer alan maddede bir kelime yanlış yazılmış. “Satır halinde sağında ve solunda birer mürekkeblik bulunan kıble kapısı...”Buradaki “mürekkeblik” kelimesi yanlıştır. Doğrusu “mükebbirlik”tir. Bazı büyük camilerde avluya bakan duvar üzerine, caminin hem içi, hem dışı görülecek şekilde yapılan, cemaatle namaz kılınırken imamın aldığı tekbirleri dışarıdakilere duyurmak için tekrar eden müezzinlerin durduğu küçük bir balkona benzeyen yer. Ayazma Camii de diğer selatin camileri gibi bir külliyedir ve yanı başında, sıbyan mektebi, hamam, çeşme, muvakkithane bulunmaktadır. Ecdadımızın hayvan sevgisini ve merhamet duygusunu temsil eden kuş evleri de bu mabedi bir güzel süslemektedir. Kıble tarafındaki hazirede tarihi şahsiyetlerin mezarları bulunuyor.

Sosyal hizmet tv içerikleri artık aynı zamanda podcast olarak da sizlerle. Shupervizyon tarafından düzenlenen Dr. Murat Çay ve Doç. Dr. Umut Yanardağ tarafından modere edilen programda Landshut Üniversitesi'nden Prof. Dr. Mihri Özdağan konuk. --- Send in a voice message: https://anchor.fm/sosyalcalisma/message

Yakında, önemli kadın ressamlarımızdan Mihri Hanım'ın hayatı hakkında bir belgesel gösterime girecek. Vakayiname'de “Kim Mihri”nin yönetmeni Berna Gençalp ile bu sıra dışı sanatçının ve büyük emeklerle hazırlanmış olan belgeselin hikayesini konuşuyoruz.

Ülkemizin ilk çağdaş ressamlarından Mihri Müşfik hanım kimdi, neler yaptı, dünyada hangi eserleriyle tanındı? Vakayiname'de, bilimde ve sanatta kadınlar serisinin üçüncü programında, Nur Güzeldere anlatacak.

15.05.2020 | Dijital Hayat Bölüm275 - TRT Radyo1 | "Teknolojilerimiz Doğa İle Uyumlu mu?" Bilal Eren'in hazırlayıp, sunduğu Dijital Hayat programımızda bu hafta Kaliforniya Üniversitesi Öğretim Üyesi Prof. Dr. Mihri Özkan ile; - ABD Mucitler Akademisi'ne nasıl seçildiniz? - Elektrikli Araç Pillerin Maliyetlerini Düşürmek Mümkün mü? - Geri Dönüşümlü ve Yenilenebilir Malzemelerin ile Tarımsal Atıkların, Batarya Yapı Malzemelerine Dönüştürülmesini Sağlayan Projeniz Neydi? - Yeşil Teknoloji Nedir? - Sıfır Karbon Emisyonlu Elektrikli Arabalar Teknolojisi, Temiz Enerji Teknolojileri, Sürdürülebilir Üretim Teknolojileri Gibi Doğaya Uygun Teknolojiler Üzerine Çalışmanızın Ana Motivasyonu Nedir? - Denizleri Temizleyen Mayo Projeniz Neydi? - Giyilebilir Teknolojiler Yarışmasındaki Ödülünüz Neden Verildi? - Önümüzdeki En Büyük İklim Ve Çevre Problemi Nedir? - İnsanlığın Sahip Olduğu Teknolojileri Neden Doğaya Uygun Değil? - Temiz Teknoloji Nedir? Mümkün mü? - Koronavirüs Pandemisi Doğaya Uygun Teknolojilerin Üretiminde ve Tercih Edilmesinde Tetikleyici Rol Alabilir mi? Başlıklarını konuştuk. Dijital Hayat, her cuma saat 15:30'da TRT Radyo1 mikrofonlarında canlı yayında.. Tüm geçmiş ve gelecek yayınlarımız için; YouTube: https://www.youtube.com/dijitalhayattv Facebook: https://www.facebook.com/dijitalhayattv Twitter: https://www.twitter.com/dijitalhayattv SoundCloud: https://soundcloud.com/dijitalhayattv TikTok: https://www.tiktok.com/@dijitalhayattv Web: https://www.dijitalhayat.tv

"To run a good drug development program or to do good academic research, you just need excellent science. However there are different pressures and expectations that come with the two different settings." Mihri Tuna is the Chief Scientific Officer of Adaptate Biotherapeutics, a company she joined recently after a track record of success in early stage, high growth biotechs. In this episode, you'll hear Mihri's views on:

Mihri Özkan Kimdir? Dr. Mihri Özkan, Riverside California Üniversitesi Elektrik ve Bilgisayar Mühendisliği bölümünde profesördür. Aynı zaman da Özkan NAI, Frontier NAE ve Keck NAS'ın üyesidir ve İklim Eylem Şampiyonu ve Değişim Yapıcı profesördür.Kendisi elektrot ham maddeleri, yeni pil teknolojileri, malzeme işleme ve pil üretimi alanlarında atık şişelerin, kum ve bio atık gibi malzemeleri kullanılması fikirleriyle akıllı şehirlerin, taşıtların ve elektronik aletlerin ihtiyacı olan enerjiyi sağlayarak çığır açtı. Özkan, 10 adet onaylanmış ve 19 adet beklemede olan ABD patenti ve 90 adet başvurusu yapılmış buluş açıklamasına sahiptir. Mihri Özkan; İnsani Yıldız, Mühendislik Bilimi Ulusal Madalyası, Yükselen Akademisyen, Mucit, Genç Araştırmacı ve Teknik Usta Başarı, En İyi 100 Bilim Spinoff ödülü ve John Guarrera Mühendislik Eğitimcisi, İklim Küresel Kazanan, Nature Top 100 Yazar ödüllerine ve unvanlarına sahiptir. 173 dergi ve 123 konferans makalesi, 8 kitap bölümü ve 1 kitap yayınlamıştır.

Episode 378with Özlem Gülin Dağoğluhosted by Sam Dolbee and Shireen Hamza Download the podcastFeed | iTunes | GooglePlay | SoundCloudMany myths have accompanied the life of Mihri Rasim, but few are as interesting as her life itself. Born to a wealthy family in Istanbul in the late Ottoman period, Mihri Rasim became a politically connected painter, living in Italy for several years on her own and then Paris, where she played a key role in the salons of Ottoman dissidents known as the Young Turks. In the wake of the 1908 Constitutional Revolution, she returned to Istanbul, and opened the Fine Arts School for Women in Istanbul, where she went on to teach. After the war, she went to Italy, and then the United States, where she continued her work painting and teaching. In addition to many self-portraits, she also painted various powerful figures, among them Mustafa Kemal, Mussolini, and Thomas Edison. Listen for a discussion of art, gender, and migration in a period of momentous political change. « Click for More »

Episode 378with Özlem Gülin Dağoğluhosted by Sam Dolbee and Shireen Hamza Download the podcastFeed | iTunes | GooglePlay | SoundCloudMany myths have accompanied the life of Mihri Rasim, but few are as interesting as her life itself. Born to a wealthy family in Istanbul in the late Ottoman period, Mihri Rasim became a politically connected painter, living in Italy for several years on her own and then Paris, where she played a key role in the salons of Ottoman dissidents known as the Young Turks. In the wake of the 1908 Constitutional Revolution, she returned to Istanbul, and opened the Fine Arts School for Women in Istanbul, where she went on to teach. After the war, she went to Italy, and then the United States, where she continued her work painting and teaching. In addition to many self-portraits, she also painted various powerful figures, among them Mustafa Kemal, Mussolini, and Thomas Edison. Listen for a discussion of art, gender, and migration in a period of momentous political change. « Click for More »

Episode 378with Özlem Gülin Dağoğluhosted by Sam Dolbee and Shireen Hamza Download the podcastFeed | iTunes | GooglePlay | SoundCloudMany myths have accompanied the life of Mihri Rasim, but few are as interesting as her life itself. Born to a wealthy family in Istanbul in the late Ottoman period, Mihri Rasim became a politically connected painter, living in Italy for several years on her own and then Paris, where she played a key role in the salons of Ottoman dissidents known as the Young Turks. In the wake of the 1908 Constitutional Revolution, she returned to Istanbul, and opened the Fine Arts School for Women in Istanbul, where she went on to teach. After the war, she went to Italy, and then the United States, where she continued her work painting and teaching. In addition to many self-portraits, she also painted various powerful figures, among them Mustafa Kemal, Mussolini, and Thomas Edison. Listen for a discussion of art, gender, and migration in a period of momentous political change. « Click for More »

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them. Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them. Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them. Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them. Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them. Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them. Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them. Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices