Podcasts about nesteroff

Get ready for a serious discussion of a funny book! Kliph Nesteroff's OUTRAGEOUS is the author's third investigation into the world of comedy, following THE COMEDIANS and WE HAD A LITTLE REAL ESTATE PROBLEM. While pundits may posit that you can't joke about anything anymore, Nesteroff's history shows that comic entertainment has been the frequent target of outrage for the better part of two centuries. In this discussion with Tyler Austin, Nesteroff digs into the political influences that have guided American cultural and political rhetoric, and he repeats a few gleefully random showbiz anecdotes. Produced by Justin Remer  Opening music: "Optimism (Instrumental)" by Duck the Piano Wire Closing music:  "Rule of 3s (Solemnity Child)" by Elastic No-No Band

EPISODE 1877: In this KEEN ON show, Andrew talks to Kliph Nesteroff, author of OUTRAGEOUS, about the history of American showbiz and its perennial culture warsKliph Nesteroff was born and raised in a pacifist community in rural British Columbia. After being permanently expelled from high school for the content of a speech he delivered during a campaign for school president, he moved to Toronto and started performing stand-up comedy. Influenced by the Beat Generation, punk rock music, and his anti-war upbringing, Nesteroff primarily performed in underground bars, punk rock clubs, and alternative comedy venues. He quickly developed a cult following for the combative, insult-comic character Shecky Grey, which landed him on the cover of several Canadian free weeklies. After eight years of stand-up, Nesteroff became an advocate for the homeless, the mentally ill, and the drug addicted, accepting a position in an experimental clinic that nursed addicts with life threatening infections back to health. While working night shifts at the clinic, Nesteroff spent much of his time writing about stand-up comics from the 1930s, 40s, and 50s, focusing on the mafia-run nightclubs that used to employ comedians. The articles were frequently published by the web-magazine of free form radio station WFMU. In 2011, Marc Maron began talking about Nesteroff's articles on several episodes of his WTF podcast, eventually extending an invitation to Nesteroff to appear on his program. After a 2012 appearance on WTF with Marc Maron, Nesteroff got a book deal with Grove Press to write the definitive history of 20th Century American stand-up. Released in 2015, The Comedians: Drunks, Thieves, Scoundrels, and the History of American Comedy became a best-selling book and led to a television career. Nesteroff is a frequent talking head on countless programs and documentary films about comedy.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Rus Pop MuZiK @ DJ Глюк 1. Жаман feat. Curly Brown - Давай Взорвем Эту Ночь 2. Nika Dubik - Русалки 3. Alpha Annette feat. Techno Bear - Просто Звёзды 4. Катя Чехова feat. Nesteroff - Прощай 5. Nataliya - Тело Онемело 6. Panfilov Pavel - Необъяснимо 7. Yangy feat. Rayda - Дурака 8. Ikon - Dance Up 9. Zell - Feel 10. BEREZHNAYA - Беги 11. МЭЙБИ - Сторис 12. Plenka feat. Asenssia - Океан 13. ANik feat. Ignat Izotov - Облака 14. ЯD feat. Pandarov - Остыло 15. Levandowskiy, Гио Пика - Вена-Париж 16. Xolidayboy - House Serenada 17. Канги - Двигаться Дальше 18. ZAPOLYA - Нет Места 19. Trim - Полоса 20. Teep On - Красная Помада 21. Копюшон Ноу Мо - Французские Поцелуи 22. DJ Kapral feat. Dolocheeva - Вне Зоны Доступа

The author William Deresiewicz, who formerly taught English at Yale University, describes what he sees as essential threats to free speech—and ultimately to the process of education—on campuses across the country. Students, he says, are afraid to speak their minds, in fear of a backlash. Deresiewicz sees the impact of cancel culture extending well beyond newsworthy cancellations of prominent people. “For every high-profile cancellation . . . there are a hundred, say, low-profile cancellations that don't get picked up,” Deresiewicz tells David Remnick. “And, even more importantly, for every one of those, there are a thousand people . . . who just keep their mouth shut.” Representative Alexandria Ocasio-Cortez, on the other hand, argues that cancel culture isn't real. It's largely, she says, an excuse made by those on the political right to lodge their own restrictions on what can be said in the public sphere. Kliph Nesteroff, a historian of comedy, agrees with that assessment. “There used to be this conceit, a few years ago—‘They're going to take your guns away,' ” he says; now the refrain is “ ‘They're going to take your jokes away. They're going to take your comedians!' It's the same sort of element driving the narrative.” Pushback to jokes at the expense of marginalized people is nothing new, Nesteroff explains. He offers the example of Native Americans protesting insulting portrayals in silent films more than a century ago. But social media has brought these criticisms into the public consciousness. “It's not even cancel culture. It's just culture,” Nesteroff says. “The history of America is a tug-of-war between opposing forces—powerful forces versus weak forces.”

Jesse Jones and former MuchMusic VJ Master T discuss their virtual concert series Tribute to the Legends of Reggae: The Bob Marley Edition, explaining why the month-long initiative is as much a celebration of reggae music as it is the legacy of Jones's mother, Canadian reggae promoter Denise Jones. Our books columnist Jael Richardson fills us in on something new to check out: Sheung-King's debut novel You Are Eating an Orange. You Are Naked. Pianist and composer Jason Moran talks about Thelonious Monk's connection to basketball. Comedy historian Kliph Nesteroff and stand-up comic Dakota Ray Hebert discuss Nesteroff's book We Had a Little Real Estate Problem: The Unheralded Story of Native Americans & Comedy, which traces the history of Indigenous comedy in North America.

Kliph Nesteroff is a comedy historian and expert who currently calls Hollywood, California home. Originally from South Slocan, British Columbia, Nesteroff made a name for himself as a stand-up comedian and then a journalistic writer. In 2015, Grove Press published Nesteroff’s remarkably comprehensive book, The Comedians: Drunks, Thieves, Scoundrels and the History of American Comedy, which was lauded by critics, readers, and comedians themselves. Nesteroff’s latest project is a tv series for VICELAND called Funny How?, which examines aspects of comedy like bombing, breaking in, comedy classes, and niche comedy from the LGBTQ community and Christian comics. Funny How? is utterly fascinating and runs on VICELAND from July 10th to July 14th at 11:30 PM. Kliph and I had a chat recently about life in Slocan and loving MAD Magazine, the book he wrote about the secret, salacious oral history of Hockey Night in Canada that was ultimately blocked from being published, the importance of The Kids in the Hall to Canadian comedy, why and how he wrote The Comedians, why there might be so much general interest in how comedy works these days, the drug LSD, Funny How?, and more. Sponsored by Pizza Trokadero, the Bookshelf, and Planet Bean Coffee.   

It's the most wonderful time of the year of course, by wonderful, I  mean living in the state of total, unending, frantic chaos and constantly forgetting that you have to buy stamps and your out of Scotch tape. BUT we have an amazing show providing two very interesting looks inside the beautiful business that we call show to wrap up the 2016 year. Pete Aronson is here. Pete is the head of programming and development at the Independent Film Channel, not only is the executive who shepherded my show Stan Against Evil through development and production, he is also is an old friend of mine, who I met first as a writer, and I thought, as we wrap up the year, who better to give you an executive's perspective on the TV business, but in the way regular people can understand and relate to. Pete is smart, funny and a profoundly decent human being, but he's managed to stay working in show business despite that. Also, Kliph Nesteroff and Drew Friedman are here. Kliph wrote one of my favorite books of 2016, The Comedians, a history of stand up comedy in America, now in paperback, and Drew Friedman, Drew is something of a legend. He is an cartoonist and caricature artist. You've seen his work on the cover of The New Yorker, the New York Observer, the late, great, SPY Magazine, but his notoriety goes all the way back to the underground comics of the early '80's like Weirdo and Screw. His book Any Resemblance To Persons Living Or Dead Is Purely Coincidental is one of the single funniest things I have ever read, and his new book, More Heroes Of The Comics, is out right now. http://DanaGould.com

Sara Bynoe is all over the Vancouver comedy scene, creating and hosting a variety of comedy shows that aren't standup, sketch or improv. We try to get to the bottom of the correct label. We also talk about the Puppy Bowl, partying clean, being Kliph Nesteroff's muse, and being creeped out by Jian Ghomeshi.

InThe Comedians, comedy historian Kliph Nesteroff brings to life a century of American comedy with real-life characters, forgotten stars, mainstream heroes and counterculture iconoclasts. Based on over two hundred original interviews and extensive archival research, Nesteroff’s groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years.Starting with the vaudeville circuit at the turn of the last century, Nesteroff introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the Civil Rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s,The Comediansculminates with a new era of media-driven celebrity in the twenty-first century. See acast.com/privacy for privacy and opt-out information.

Kliph Nesteroff is a young guy with an old soul. He doesn't like being labelled a historian, but he is the foremost chronicler of classic show business. In this epic episode, Kliph recounts conversations he's had with the likes of Dick Cavett, Shecky Greene, Jack Carter, Marty Allen, Marvin Kaplan, Bill Dana, George Schlatter and Marilyn Michaels. The stories are so great they should be running in Vanity Fair!

Vancouver Co-op Radio Host Guy MacPherson interviews Kliph Nesteroff