Podcasts about Beat Generation

El “Aullido” de Ginsberg, el de la Beat Generation, el equivalente rockero «Awopbopaloobamboom» (“Tutti Frutti”) de Little Richard. 1955, el año, en el que una onomatopeya de segundos se convirtió en canción emblemática. Junto a Fats Domino o Larry Williams, acompañado por la flor y nata de los músicos de Nueva Orleans. "Long Tall Sally” o "Good Golly Miss Molly” clásicos del rock de los 50. Su imagen evolucionó hasta la "extravaganza" y su huella de Paul Mc Cartney a Prince. En EEUU un público segregado, emergente, juvenil, el mundo más tarde. Su historia merece ser contada, su aullido aún nos traspasa. Esta edición la prueba. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

El “Aullido” de Ginsberg, el de la Beat Generation, el equivalente rockero «Awopbopaloobamboom» (“Tutti Frutti”) de Little Richard. 1955, el año, en el que una onomatopeya de segundos se convirtió en canción emblemática. Junto a Fats Domino o Larry Williams, acompañado por la flor y nata de los músicos de Nueva Orleans. "Long Tall Sally” o "Good Golly Miss Molly” clásicos del rock de los 50. Su imagen evolucionó hasta la "extravaganza" y su huella de Paul Mc Cartney a Prince. En EEUU un público segregado, emergente, juvenil, el mundo más tarde. Su historia merece ser contada, su aullido aún nos traspasa. Esta edición la prueba. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Cette semaine, pas de cinéma, nouvelle exploration de l'univers d'un écrivain par son Verbe et la musique, c'est la mixtake numéro 53 de la maison de la rédaction, spéciale William Burroughs.L'écrivain né de la fusion des esprits et de la pensée de la Beat Generation était un poète-machine, le cerveau dérivant dans l'Interzone, narrateur des mondes spéculatifs, explorateur des formes et inventeur d'une nouvelle littérature, qui pense, agit et déchire les univers visibles pour, non révéler, mais faire advenir l'invisible.Il s'appelait William Seward Burroughs, humble praticien du métier de scribe – Sergent Major de l'Escadron Shakespeare pendant la guerre dont personne ne sait rien sauf ceux qui y ont participé, quand toute la cabine à chiottes était sur le point de sauter. (12 avril 1997 – Ultimes Paroles)Cette mixtake a été orchestrée par El Comandante, avec l'indispensable savante contribution de Friedrich Marlenstahl, membre de la branche Service Action du Politburo du Front Gauche de l'Art.01 Prégénérique / William's Welcome (Dead City Radio)02 Extrait / Burroughs: The Movie (Howard Brookner)03 Marianne Faithfull & Master Musicians of Joujouka / My Only Friend04 WSB / Spare Ass Annie05 WSB & Gus Van Sant / Word Is Virus06 Extrait / Drugstore Cowboy07 Brion Gysin, Frederic Cousseau, Yann Le Ker, Ramuntcho Matta / Junk08 BFY / Burroughs Called The Law09 Dave Ball, Genisis P. Orrigde, WSB / Dream10 The Total Taste Is Here / News Cut-Up Choral Section Backwards11 Laurie Anderson / Sharkey's Night12 Maurice Dantec / la place de Burroughs13 WSB - Inching / Is This Machine Recording ( Nothing Here Now But The Recordings)14 Brion Gysin / Kick15 WSB / No More Stalins, No More Hitler16 Beastianity / The Hatred That Pleasure Brings17 Naked Lunch's Trailer18 Howard Shore &  Ornette Coleman / Naked Lunch19 Tom Waits / Tain't No Sin (from the muscial fable The Black Rider - The Casting of the Magic Bullets)20 Bomb The Bass / 5ml Barrel21 Joy Division / Interzone22 WSB / Words of Advice for Young People"Dans ces autres professions, vous pouvez toujours faire semblant. Par contre, si vous écrivez sans y croire, vous ne produirez que de la merde. Le métier a beaucoup d'inconvénients ? Bien sûr, vous pouvez sortir d'une villa aux Bahamas en chevauchant un requin blanc ou vous pouvez passer vingt ans à écrire Le Grand Livre que personne ne pourra lire. James Joyce a écrit quelques unes des meilleures pages de prose en littérature - Les Morts, Les Gens de Dublin - mais pouvait-il en rester là et se cantonner à des histoires délicieuses à propos des Catholiques irlandais malheureux ? Si ça avait été le cas, le monde l'aurait récompensé en lui accordant le prix Nobel. Maintenant personne n'a jamais dit à un docteur : "Ecoute, toubib, tes opérations du cul sont vraiment extra, beaucoup de tantouzes te sont reconnaissantes de pouvoir continuer à se faire enculer mais faudrait qu'tu trouves quelque chose de nouveau" -. Naturellement, il n'a pas à trouver quelque chose. C'est toujours le même bon vieux cul. Mais un écrivain doit produire du neuf, ou il doit standardiser son produit - l'un ou l'autre. Ainsi je pourrais standardiser le produit Peter Pan-Pédé-Garçon Sauvage, et en sortir un tous les ans comme la série des Tarzan ; ou bien je pourrais écrire un Finnegans Wake. Aussi, j'ai cette idée au sujet d'un privé et des Cités de la nuit rouge. Quien sabe ?" (WSB "Le temps des assassins")

Send us a textGet ready, because we're capping off our SXSW 2025 coverage with a bang!Brother Versus Brother is a one-shot musical film in which twin brothers wander the streets of San Francisco in search of their missing father, guided by music and historic Beat Generation landmarks. Brothers/stars of the film/director and composer (respectively) Ari Gold and Ethan Gold join us to sing songs, recite poetry, explain the fine art of frame fucking, and wax poetic about San Francisco. This one is special. Enjoy!Follow Brother Versus Brother on IGFollow director Ari Gold on IGFollow musician Ethan Gold on IGListen to Ethan Gold's music on SpotifyOrder the poetry book Father Versus Sons hereThis episode is co-hosted by John Wildman of Films Gone WildAudio produced by Jeff Hunt of Storied: SFSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

In this gripping episode of Crime Time Inc., host Alex delves deep into the turbulent era of the 1960s to explore the complex social landscape that set the stage for one of history's most shocking crimes: the Manson Family murders. Episode 3, 'Charles Manson and The Summer of Love,' takes listeners on a journey from Charles Manson's release from prison in 1967 to his manipulative rise amidst the counterculture of Berkeley and Haight-Ashbury. Discover how Manson skillfully exploited the anti-war demonstrations, the growing racial tensions, the influence of the Black Panthers, and the psychedelic revolution to build his infamous 'family.' Through vivid storytelling, Alex paints a captivating picture of the societal upheaval and cultural milestones that allowed Manson to thrive. Special attention is given to the evolution of the student protest movements, the anti-establishment ethos, and the free-love philosophy that defined the Summer of Love. The episode also offers a detailed look at key figures like Mary Brunner, Lynette Fromme, and Susan Atkins, who became pivotal to Manson's plans. As always, join Tom and Simon as they discuss the intricate web of manipulations and societal trends that led to Manson's horrifying crimes. Tune in for a compelling mix of history, criminal psychology, and unsolved mysteries that continue to fascinate and horrify to this day.00:00 Introduction to Charles Manson and the Summer of Love01:31 Charlie's First Impressions of Berkeley03:11 Manipulating Mary Brunner03:56 Exploring Haight-Ashbury05:47 The Beat Generation and the Counterculture07:30 The Human Be-In and the Summer of Love10:54 LSD and the Haight-Ashbury Scene12:38 The Diggers and Community Support15:59 Charlie's Growing Influence17:33 Recruiting New Followers21:32 Charlie's Road Trips and Manipulations23:25 The Decline of Haight-Ashbury32:27 Charlie's Move to Los Angeles33:26 Conclusion and Transition to Episode 4Tom Wood is a former murder squad detective and Deputy Chief Constable of Lothian and Borders Police in Scotland. Tom worked on many high profile murder cases including Robert Black, Peter Tobin and was part of the team investigating The World's End Murders from day one until 37 years later when the culprit, Angus Sinclair was finally convicted. Tom was latterly the detective in overall charge of The World's End murder investigation. Tom is now retired from the Police and is a successful author.Tom Wood's Books Ruxton: The First Modern Murder https://amzn.eu/d/25k8KqGThe World's End Murders: The Inside Story https://amzn.eu/d/5U9nLoPSimon is a retired Police Officer and the best selling author of The Ten Percent, https://amzn.eu/d/5trz6bs a memoir consisting ofstories from the first part of his career as a police officer. From joining in 1978,being posted in Campbeltown in Argylll, becoming a detective on the Isle ofBute, Scotland, through to the Serious Crime Squad and working in the busy Glasgowstation in Govan.#CharlesManson#MansonMurders#truecrimepodcast#helterskelter#crimehistoryFurther reading on the Charles Manson which helped influence this podcast:Manson: The Life and Times of Charles Manson by Jeff GuinnHelter Skelter: The True Story of the Manson Murders by Vincent Bugliosi and Curt GentryChaos: Charles Manson, the CIA and the Secret History of the Sixties by Tom O'Neill Hosted on Acast. See acast.com/privacy for more information.

In this episode of Bold Voices Good Yarns, host Ian Henzel sits down with author Jerry Wheeler to discuss his latest book, Mercedes General, and the personal journey that shaped his writing.

In this episode of Bold Voices Good Yarns, host Ian Henzel sits down with author Jerry Wheeler to discuss his latest book, Mercedes General, and the personal journey that shaped his writing.

William S. Burroughs was a literary icon whose novel Naked Lunch, one of the signature works of the Beat Generation, was banned and went on trial for obscenity. His writing inspired generations of musicians, from the Rolling Stones and Patti Smith to Nirvana and Sonic Youth. But long before all that, in 1951, when he was an unknown and mostly failed writer, William S. Burroughs made the most fateful decision of his life when he pointed a gun at a highball glass balanced on top of his wife's head…and pulled the trigger. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

If there's a central inquiry to the Waking Youth podcast it's this: How might we consciously initiate ourselves—as individuals and as a species–into the next stage of our evolution? Turn our ecological emergency, our polycrisis, into an opportunity for global transformation?Daniel Pinchbeck has dedicated his life and career to living this question.Author of Breaking Open the Head, 2012 The Return of Quetzalcoatl, How Soon Is Now, and more recently, the Substack newsletter Liminal News, Daniel's work explores consciousness, politics, mysticism, and social change.He has spent decades not just writing about change, but actively seeking it through projects like the Evolver Network, The Elevator's Substack, and online courses on the ecological emergency.In this episode, we unpack Daniel's story of becoming—from his early days as a child of the Beat Generation in New York, to his awakening into a more mystical paradigm.We talk about writing as a tool for transformation, how to catalyze social and environmental shifts, the war between the genders, and the connection between non-normative relational models (like polyamory) and social healing.Last but not least, we listen to Daniel's words of wisdom for the younger generations, coming of age in this pivotal evolutionary moment.Enjoy!References:* TAZ: The Temporary Autonomous Zone* Techno-Feudalism: What Killed Capitalism* Why Materialism is Baloney* Morphogenetic Fields, Rupert Sheldrake* Manifesto for the Noosphere* The Myth of Male Power* The Red Pill* The Outrage Machine* Sexual Personae* Existential Kink* Eros Unredeemed* The Case Against the Sexual Revolution* Internet for the PeopleCredits:* Music Audio Producer & Editor: Carlos Sierra* Producer, Writer & Host: Carlota Guedes To hear more, visit www.wakingyouth.org

Welcome to Lounge Life Audio Magazine, where we dive deep into retro culture, literature, and the timeless countercultural movements that shaped the modern world. Today, we're exploring the Beat Generation

Tangier was a magnet for artists, writers, musicians, and political exiles throughout the mid-20th century, amongst them the writers Paul Bowles and William Burroughs   From 1924 to 1956 the city operated as an international zone under the joint administration of several European powers. This status created an environment of legal ambiguity, which, combined with the city's strategic location at the crossroads of Africa and Europe, made it a haven for those seeking escape from the constraints of conventional society   The zone had  a sense of lawlessness and freedom, attracting a diverse mix of expatriates, spies, smugglers, and avant-garde intellectuals. The city's permissive attitude towards drugs, homosexuality,and radical political thought made it a particularly alluring destination for members of the counterculture.   Composer and writer Paul Bowles, settled there and drew members of the Beat Generation to the city to be inspired, to complete their projects and to live the Moroccan dream. Few lived in human dialogue with the locals, operating rather as economically priveleged colonial bohemians    William Burroughs' time in Tangier in the 1950s deeply influenced his novel Naked Lunch. Burroughs saw the city as a place where the constraints of Western morality could be discarded in favor of a more experimental and uninhibited lifestyle.   He christened it THE INTERZONE   Although the Tnagier International Zone officially ceased to exist in 1956, its mythos lived on in literature, music, and the enduring image of Tangier as a place where the world's outsiders could find a home   Multimedia artist and curator Abdelaziz Taleb, director of The Arab Media Lab Project has taken a deep dive into the Interzone - both its reality and its myth, exploring the blurred line between the two.  He came to the Bureau to talk about it, the often untold influence of Moroccans on the Beats,  and the mystery of Tangier.   For more on Aziz and the Interzone Project and Here   #counterculture, #thebeatgeneration, #thebeats, #tangier, #thetangierinternationalzone, #thetangierinterzone, #interzone, #burroughs, #bowles, #williamburroughs, #paulbowles, #heroin, #nakedlunch, #thearabmediaproject, #allenginsberg, #jakckerouac,#mohammedchakri, #bryingyson, #brianjones, #joujouka,#morocco    

In this episode of Queer Cinema Catchup, Joe and Allison delve into the 2024 film 'Queer,' directed by Luca Guadagnino. They discuss the plot nuances, surreal elements, character dynamics, and thematic takeaways on queerness and identity. The conversation also touches upon the film's inspiration (the William S. Burroughs' novella) and compares 'Queer' to Guadagnino's other works.00:06 Discussing the Movie 'Queer' and Its Background01:42 Intro to William S. Burroughs06:55 Themes and Characters11:02 Analyzing the Ayahuasca Experience29:31 Reflections on the Film's Ending34:44 Drugs and the Narrative Surreal36:59 Exploring the Novella40:55 The Beat Generation and its Influence49:20 Luca Guadagnino's Filmography57:13 Final Thoughts and Farewell Hosted on Acast. See acast.com/privacy for more information.

Formados en Lawrence, estado de Kansas, en los albores de los años 80, el trío Get Smart! Lanzó en 1984 un estupendo álbum de post punk que permanece entre las joyitas de la escena alternativa de aquellos días. Un disco que 40 años después ha sido reeditado por el sello Beat Generation. Suenan novedades y anunciamos giras como las de The Loved Ones o ET Explore Me. Y te recordamos los inminentes eventos Sax-O-Rama (Cataluña), Sant Antoni Pop Festival (Betxí) o Wachina Wachina (Valencia).Playlist;GET SMART! “On and on”GET SMART! “What it is we fear”GET SMART! “Knight”GET SMART! “You’ve got to stop”GET SMART! “What it is we fear (acústico)” (bonus track de la reedición)ET EXPLORE ME “Boots”WEIRD OMEN “Shake shake”THE MAHARAJAS “Medication”THE MEOWS “In my bones”THE PRISONERS “I know how to please you”THE LOVED ONES “Wishy Washy woman”THE THINGZ “Zombie rats”THE SPUNYBOYS “Fame in vain”LILY MOE’S R’n’R SHOW “Devil on my shoulder”DANI NEL-LO y LOS SAXOFONISTAS SALVAJES “Sassy”MAMBO JAMBO ARKESTRA “Cayo diablo”Escuchar audio

Hoy vamos a hablar de literatura. De literatura que provocó una revolución intelectual y espiritual como pocas veces han visto los tiempos. De literatura que ha marcado el devenir de las siguientes generaciones sin que esas mismas generaciones hayan sido conscientes de ello. Hoy en Radio Nadie al Volante empezamos el proyecto más mastodóntico al que nos hemos enfrentado hasta la fecha, y es que vamos a realizar al menos seis programas alrededor de esta Generación machacada, de esta Generación beatífica; hablando en profundidad de cuatro de sus principales autores, estableciendo una cronología y una presentación de esta Generación, como será el caso del programa de hoy; realizaremos otro programa acerca del papel que ejercieron las mujeres y los poetas negros en este cambio de paradigma, y un último programa acerca del cantautor más importante de la historia, que es hijo directo de los escritores de esta generación. De esta Generación que consiguió conectar con toda la juventud de su época con la profundidad de la alta literatura y con la alegría de una rebelión espiritual frente al orden establecido, que demostraba un hartazgo ante una sociedad acomodada tras la Segunda Guerra Mundial en esos Estados Unidos del presidente Dwight Eisenhower, que se postraba durante horas ante la televisión disfrutando con estúpidos concursos amañados que le otorgaba el letargo oportuno y le llenaba la cabeza de sueños absurdos. Y para afrontar este reto mayúsculo hemos tenido que llamar con un aullido gigantesco al que fue uno de nuestros invitados favoritos hasta el momento, para convertirlo en miembro de facto del equipo de Radio Nadie al Volante. Hablamos de Rafael Peñas Cruz, que ha sido profesor de literatura en la London School of Economics, traductor, escritor y que dirige su propia editorial, Goat Star Books con el que vamos a resistir poéticamente de ahora en adelante. Así que ya nos disponemos para subirnos en el coche de Dean Moriarty y surcar las autopistas de todo el país, convirtiéndonos en auténticos vagabundos del Dharma, lanzando aullidos de desesperación intoxicada a la noche y esperando el Almuerzo Desnudo de los Ángeles en Desolación que pueblan todo este desdichado planeta con sus alas brillantes que nadie consigue ver del todo. Hablamos de la Generación Beat.

Few novels have had the cultural impact of Jack Kerouac's speed-fueled mad dash across the continent in search of kicks as On the Road. One doubts the 1960s ever would have happened had Kerouac's Beat Generation coterie not inspired a mass embrace (and mockery) of bohemian jazz culture rebelling against the conformity of Eisenhower-era conservatism and Atomic Age anxieties. This episodes explores the background of Kerouac's famous experiment in spontaneous prose, noting its affinities with both the picaresque and the roman a clef. We talk such pivotal influences as Allen Ginsberg and Neal Cassady and the steep price of fame the increasingly embittered Kerouac paid as he became the guru to the hipsters and hippies. And we do it all while snapping our fingers, Daddio. 

SAN ONOFRE-Get Smart! interviú Get thee behind me, tech! Angloentrevistas Traducidas, Vol. 2 https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre-vol-2 Próxima liturgia onofrita: Howie Reeve + Cod O´Donnell Lunes 10 febrero 2025. 20:00 h. Arcadia. 10 evros SAN ONOFRE nos unimos a los fastos por el cuadragésimo aniversario del parto de "Action Reaction", magnum opvs a cargo de los habitantes de Lawrence, Kansas, Get Smart! propiciada por las disqueras madrileñas Take the City y Beat Generation. Disculpe, ¿a dónde nos dirigimos? A Kansas. ¿Y qué hay en Kansas? Polvo en el viento. ¡Quia, amigos onofritas! También hay palpitantes bandas como Get Smart!, scenesters como Guillermito Rico e iconos de la literatura underground universal de la talla de Guillermo Burro. Marcus, Lisa y Frank nos ponen al corriente de sus tropelías de ayer hoy y siempre a bordo de la nave Get Smart!. Sí, get smart, get a life, get a grip, get a hold of yourself, wise up, get with it and stay in tune with SAN ONOFRE. En el siguiente episodio onofrita, SAN ONOFRE tiramos la casa por la ventana (nunca mejor dicho) con jugosa interviú a Einstürzende Neubaten.

NotebookLM Prompt:Target youth pastors working in traditional churches. Focus on the future of identity formation as reflected in poetry, and how they can help kids express an identity rooted in the eternal Word of Christ.  Based on Younger Self Café: Did Romantic Poets Invent “Youth?” and follow-ons  —-Here's a detailed briefing document summarizing the key themes and ideas from the provided "Younger Self Café" blog posts:Briefing Document: Younger Self Café SeriesOverview:The "Younger Self Café" is a recurring blog series that explores the concept of "youth" through conversations with figures from various historical and cultural movements. Each post features a fictional roundtable discussion with prominent artists, writers, and thinkers, examining what "youth" means from different perspectives. The café itself is depicted as a timeless and ever-changing space, adapting to each era's aesthetic and ideas. The consistent thread is the exploration of youth as not just a stage of life but a potent force for change, creativity, and self-discovery, with implications that extend far beyond the chronological period of being young.Main Themes and Ideas:Youth as a Transformative Force:Revolution and Rebellion: Many of the figures view youth as inherently linked to challenging the status quo. Elvis Presley equates youth with rebellion, "shaking things up," and breaking free from societal constraints. Similarly, the Romantic poets saw youth as a time for revolution and dreaming, as Shelley declares: “...youth became sacred—a time for rebellion, for dreaming of what the world could be.” The Beat Generation echoes this with Ginsberg's idea that youth involves "refusing to accept" the world as it is and using one's voice to challenge it. Maya Angelou also emphasizes youth as "the vanguard of change" and its role in the civil rights movement.Innovation and Creation: Ezra Pound emphasizes youth as a force for action and innovation, stating, "Youth is not a time for dreaming; it is a time for action.” This is later seen in Diane di Prima's view of youth as "creation" and the "spark that lights the fire." The slam poets in a later installment describe youth as "a storm, unpolished, untamed," a creative force needing to be expressed.Self-Discovery and Identity: Many speakers highlight youth as a time for exploring one's identity. Billy Joel sees youth as "figuring out who you are." H.D. views youth as "an inward motion—a retreat into the self" where one uncovers one's true nature. Even the TikTok generation is described as a space for "self-expression," where Alok says, “We don't need perfection; we need connection. Youth is the ‘FYP' of the soul.”Youth as a Feeling or State of Mind, Not Just an Age:Timelessness: Many figures move beyond a purely chronological definition of youth. Katy Perry says, "...it's about keeping that spark, no matter your age." Billy Joel says it's "a feeling, and music keeps that feeling alive." Keats calls it the "truest form of self" that stays with us as we age.The "Younger Self": The idea of a "Younger Self" is a recurring motif throughout the series. It represents a core part of an individual that embodies youthful traits like curiosity, passion, and a refusal to settle. Ginsberg describes the younger self as “the part of you that keeps searching, keeps seeing, keeps feeling”. The final note of the Romantics' discussion is a toast “to the Younger Self—not as an immature adult, not as a fleeting stage, but as the eternal fire within.”Connection to the Eternal: Yeats suggests youth is a "thread that binds us to the eternal," and that even as the body ages, the spirit remains connected to its younger self.Divergent Perspectives on the Nature of Youth:Skepticism and Challenges: While many see youth as positive, some voices offer counterpoints. T.S. Eliot describes youth as "a shadow," a period of "missed opportunities." William Burroughs views youth as "chaos," "a virus," and something that is consumed by the world. Joan Didion observes that much of the counterculture is "performance," though still meaningful.The Need for Growth and Balance: James Baldwin emphasizes that youth must "grow, learn, listen," and that while the counterculture aspired to freedom, they had to be cognizant of it for all people. Wordsworth warns against idealizing youth too much, noting it's but one stage in the growth of the human spirit.The Importance of Action: Pound notes that youth is wasted if spent "on longing and self-pity." He implores young people to "make it new" by creating and innovating and is an idea picked up by others later.The Role of Art and Expression:Music as a Time Machine: The musical epilogue shows how music is seen as a way to encapsulate and evoke the feeling of youth, with Billy Joel stating “Music is like a time machine—it takes you back to those moments..."Poetry as a Form of Revolution and Self-Expression: The posts feature various forms of poetry, from Romantic odes to Beat-era howls to the raw energy of slam poetry. The poetry itself is presented as a medium for youth to challenge norms and express their feelings. The slam poets see themselves "rewriting the world in the spaces we split." Amanda Gorman describes youth as a "lighthouse," using poetry to "shine a light."Modern Mediums as a Tool for Youth: TikTok is portrayed as a way for the modern generation to express itself, with its short, impactful videos. Lila's take in particular is about authenticity and capturing moments in time.The Legacy of Past Generations:The Ongoing Conversation: The recurring café setting illustrates that the conversation about youth is ongoing. The ghosts of the Romantic poets watch the Early Moderns and murmur their own insights, and then similar interactions can be seen between other groups. Each generation builds upon or challenges the ideas of those who came before.Carrying the Essence of Youth Forward: Even figures who have moved beyond their youth, such as Yeats, suggest that they still carry the "essence" of their younger selves, thus making youth a continuing factor in the development of their wisdom and purpose.Key Quotes:Elvis Presley: “Youth? Man, youth is rebellion. It's shaking things up—literally… It gave kids a voice, a way to say, ‘I'm here, and I ain't gonna sit still.'”Billy Joel: “Youth isn't just a stage in life. It's a feeling, and music keeps that feeling alive.”Garth Brooks: “For me, youth is about connection… It's about finding your people, your tribe, the ones who make you feel like you belong.”T.S. Eliot: “Youth is not a promise of becoming; it is the burden of what one might fail to become.”H.D.: “Youth is an inward motion—a retreat into the self, a peeling away of the layers imposed by society.”Ezra Pound: “Youth is not a time for dreaming; it is a time for action.”Jack Kerouac: “Youth, man—it's not something you grow out of. It's a ...

El primer dia de l'any, la pista et proposa b

Read by Bob Kaufman Production and Sound Design by Kevin Seaman

POST FACE, émission présentée par Caroline Gutmann Elle reçoit Bruno Corty pour son "Dictionnaire amoureux de la littérature américaine" aux éditions Plon. À propos du livre : « Dictionnaire amoureux de la littérature américaine » paru aux éditions Plon Bruno Corty est passionné par la littérature américaine depuis l'adolescence. Après avoir rencontré nombre de ses auteurs, il nous livre son abécédaire amoureux, un voyage dans le temps et l'espace, un hommage à celles et ceux qui l'ont fait rêver, qui l'ont bousculé et bouleversé. Il était une fois l'Amérique. Dès l'enfance, Bruno Corty a plongé dans ses espaces infinis, marché avec Thoreau, descendu le Mississippi avec Mark Twain, pris la mer avec Jack London et Herman Melville, tremblé avec Edgar Allan Poe. Pendant ses études, il s'est passionné pour les romans de Dos Passos, Faulkner, Fitzgerald, Hemingway. Devenu journaliste littéraire à la fin des années 80, il a découvert, sur les conseils d'amis éditeurs, les littératures de genre, du fantastique au polar. Il a eu la chance de rencontrer beaucoup d'auteurs : Norman Mailer, John Irving, James Ellroy, Don DeLillo, Russell Banks, Paul Auster, Richard Ford, Jim Harrison, James Salter, Stephen King... Son Amérique à lui raconte la Génération perdue, la Deuxième Guerre mondiale, la Chasse aux sorcières, la Beat Generation, les années Kennedy et Marilyn, le Nouveau Journalisme, le Viêt-Nam, Dylan prix Nobel. C'est New York et Los Angeles, San Francisco et la Louisiane, Jim Morrison et Patti Smith, Elia Kazan et Michael Cimino, des chanteurs, des poètes, des cinéastes devenus écrivains. La littérature américaine a deux siècles. C'est peu et c'est gigantesque au regard du nombre de ses chefs d'œuvres : de Moby Dick à Sanctuaire, de La Lettre écarlate à L'Attrape-cœurs, de Gatsby le magnifique au Dahlia noir, de Manhattan Transfer à L'Adieu aux armes. Bruno Corty, rédacteur en chef du Figaro littéraire, nourrit depuis toujours une passion pour la littérature américaine. Il a logiquement publié des textes sur les deux monstres que sont James Ellroy et Bret Easton Ellis. Il a également participé au manifeste L'aventure, pour quoi faire ?

This week, Sarah and MJ are joined by three-peat guest, Cordelia Keston for a far ranging chat about one of the wildest movies we have ever covered on the show, Naked Lunch. They talk about the Beat Generation, the jaw-dropping real life events depicted in the film, and stare into the void of what it means to be a creative. Oh, and they talk about a shirtless Roy Scheider, of course.

Echamos a la marmita unas cuantas reediciones de material añejo que han visto la luz últimamente. Abrimos con un disco de psicodelia y rock ácido realmente asombroso. El único álbum de Kaleidoscope, grabado en República Dominicana en 1967 y reeditado por Guerssen Records. Discos Quilombo nos lleva a Uruguay rescatando un imbatible single de Los Iracundos, y desde México llega una curiosidad de Julissa y los Spitfires que fue censurada allá por 1961. Con Munster Records viajamos a la California de mediados de los 80 para recordar el garage punk de The Primates y con Beat Generation al Liverpool de 1979 para cerrar con "Moving fast!!!, Selected recordings 77-79" y el punk rock de The Accelerators.Playlist;KALEIDOSCOPE “Hang out”KALEIDOSCOPE “Colours”KALEIDOSCOPE “I’m crazy”KALEIDOSCOPE “Once upon a time there was a world”LOS IRACUNDOS “Toda la gente”LOS IRACUNDOS “Ven que estoy hirviendo”JULISSA y LOS SPITFIRES “Ven cerca”Versión y Original; JOHNNY RESTIVO “Come closer” (1959)THE PRIMATES “I ain’t like you”THE PRIMATES “You drive me wild”THE PRIMATES “I got nightmares”THE PRIMATES “Bad luck”THE ACCELERATORS “Popguns and green lantern”THE ACCELERATORS “Broken promises”THE ACCELERATORS “Live wire”Escuchar audio

Découvrez, L'improbable trajectoire de Bernard Wallet. De retour de ses grands voyages dans l'esprit de la Beat Generation, Bernard Wallet va d'abord être libraire à Clermont-Ferrand, puis, repéré par Gallimard, devenir leur représentant dans une vaste zone allant d'Istanbul à Tanger. Une zone qui l'amène à fréquenter régulièrement un pays alors en pleine guerre civile : le Liban. Réalisation : Thierry Bellefroid et Guillaume Desmet Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Critics didn't know quite what to make of twentieth-century American novelist and poet Jack Kerouac (1922-1969), but readers had less difficulty. In spite of mixed reviews, On the Road (1957) quickly became a kind of bible for anyone hoping to squeeze more out of life. In this episode, Jacke talks to Steven Belletto, editor of The Cambridge Companion to Jack Kerouac, about the continuing fascination with the Beat Generation and its most famous avatar. Additional listening: 339 Jack Kerouac 619 Novelist Fred Waitzkin Discusses Kerouac 283 Planes, Trains & Automobiles - Top 10 Literary Modes of Transportation (with Mike Palindrome) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com.   Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nous sommes dans la deuxième quinzaine du mois de juillet 1965, à Berkeley, sur le campus de l'Université de Californie. C'est ici qu'a lieu une conférence donnée par les poètes de la Beat generation. Mary Norbert Körte qui, pour fuir le milieu familial est entrée au couvent, a dix-sept ans, y assiste et c'est un choc. Elle comprend que c'est par là que va passer sa vraie libération. Elle quitte les ordres et se consacre à l'écriture et à l'activisme. Mary Körte a trouvé son ailleurs aux côtés des poètes. D'autres avant elle, ont répondu à l'appel du lointain. Ils et elles ont cherché a dépasser les limites de l'espace connu, en quête d'un monde meilleur. Les hippies, héritiers de la Beat génération, mais bien avant eux, les explorateurs qui ont remonté le Nil, croyant que le paradis y prenait sa source. D'autres se sont enfoncés dans l'Amazonie pour y trouver l'Eldorado, d'autres encore se sont lancés à la recherche de l'Atlantide. Toutes et tous ont cru en la possibilité d'un ailleurs rêvé. Alors, l'utopie précède-t-elle le voyage ou bien au contraire ? Avec nous : Lucie Azema. « Nous avons besoin d'un ailleurs qui n'existe pas – Réenchanter le voyage » ; Allary Editions. Sujets traités : Beat generation, hippies, utopie, Mary Norbert Körte, libération, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

On today's NYFF62 podcast, we welcome director Luca Guadagnino, screenwriter Justin Kuritzkes, costume designer Jonathan Anderson, and cast members Daniel Craig and Drew Starkey to discuss Queer, the Spotlight Gala of the 62nd New York Film Festival, with NYFF Artistic Director Dennis Lim. Written in the early 1950s yet not published until 1985, William S. Burroughs's Queer has come to be considered a canonical work in the career of the Beat Generation author and a cornerstone of transgressive gay literature. In his wildly ambitious adaptation, Luca Guadagnino (Call Me by Your Name, NYFF55) expertly evokes the book's post–World War II time period and cinematically translates Burroughs's iconoclasm with panache. In a transformative role, Daniel Craig immerses himself into Burroughs's alter ego William Lee, a habitual heroin user luxuriating in freedom and desiccation among a disconnected group of gay American expatriates in Mexico City in the late 1940s. When enigmatic, preppy ex-military kid Eugene Allerton (Drew Starkey) catches Lee's eye, he swoons into a headlong love affair, commencing an odyssey that will take them all the way to the Ecuadorian jungle in pursuit of the ultimate high. Buoyed by go-for-broke performances from Craig and Starkey, and rollicking, unexpected supporting turns from Lesley Manville and Jason Schwartzman, Queer is a dazzling showcase for many in Guadagnino's stable of collaborators, including Challengers screenwriter Justin Kuritzkes, cinematographer Sayombhu Mukdeeprom, and music composers Trent Reznor and Atticus Ross. It's a film that finds Guadagnino in his most formidable, gutsiest mode yet, a universal love story featuring expressionistic flights of fancy, gratifying moments of psychedelic surrealism, and surprising tenderness. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix. Queer opens in theaters on November 27, courtesy of A24.

What is poetry? How is sculpture? When is art? Who is Roger Corman? Why are buckets? Snapsnapsnapsnap. The made for TV remake comes for us all when we discuss: Bucket of Blood! Discuss your favorite beat poets and/or sculptors with Horror Vanguard at: bsky.app/profile/horrorvanguard.bsky.social www.instagram.com/horrorvanguard/ twitter.com/horrorvangaurd www.horrorvanguard.com You can support the show for less than the cost of a bucket of pretty much anything at www.patreon.com/horrorvanguard

Stephen D. Edington, a Unitarian Universalist minister, discusses his personal journey and the influence of Jack Kerouac on his spiritual beliefs. Good links:Register for the event on August 30 at the Henry Miller LibraryLowell Celebrates Kerouac Unitarian Universalist FaithBooks by Steve EdingtonSummaryStephen D Edington, a Unitarian Universalist minister, discusses his personal journey and the influence of Jack Kerouac on his spiritual beliefs. He shares how he transitioned from a conservative Baptist upbringing to a more liberal interpretation of Christianity and eventually found his place in the Unitarian Universalist faith. Steve explains his belief in a higher power and the importance of self-discovery in his spiritual journey. He also discusses his involvement in the Lowell Celebrates Kerouac festival and the continued interest in Kerouac's writings among different generations. Jack Kerouac was a complex figure who embodied multiple identities and roles. He was seen as an intellectual, spiritual, romantic, and cultural icon. While he was not overtly political, he had revolutionary and messianic qualities. Kerouac was both an intellectual and an athlete, excelling in academics and sports. His driving force was his duty to write, which he considered his purpose on Earth. He sought recognition as a major American writer and inspired others to pursue their own creative journeys. Kerouac's life ended tragically, but his writing continues to inspire and resonate with readers.Sound Bites!"I was raised in a pretty conservative Baptist church in southern West Virginia.""I believe there is some reality or some power that is greater than myself.""I've always felt like I've been on some kind of a journey of discovery throughout my life.""He's an intellectual, he is spiritual, he is romantic.""He might have blanched a little bit at political.""He was both intellectual and athlete."Below is the Kerouac presentation/sermon Steve Edington will be presenting at the Palo Alto Unitarian Universalist Church on the 25th of August.Why Jack Kerouac MattersIn 1988 I came to Nashua, New Hampshire to begin what turned out to be a 24 year ministry with the Unitarian Universalist Church there. One of my colleagues in our district ministers' chapter was your minister, Amy Morgenstern, who was serving a congregation in Vermont. She eventually made her way westward here to Palo Alto, and I stayed in New England. We've kept up our friendship over the years. One of our points of connection was and is our affinity for some of the Beat Generation writers; and, for me, Jack Kerouac in particular. I don't think Amy became the “Kero—wacko” that I have become, but we have a shared interest in the writer. She's been very kind and generous in having me here to speak at someSupport the Show._________________________________________________This podcast is a production of the Henry Miller Memorial Library with support from The Arts Council for Monterey County! Let us know what you think!SEND US AN EMAIL!

Our guest, Kerouac scholar Jim Jones, describes Kerouac's sojourn to Seattle in the summer of 1956. There, he worked as a fire lookout at Desolation Peak atop the North Cascade Mountains. Along the way, Jones recounts personal encounters and friendships with other Beat Generation luminaries, including Allen Ginsberg, William S. Burroughs, and Gregory Corso. Adding a touch of practical insight, firefighter, EMT, and seasoned fire lookout Jim Henterly complements Jones' literary perspective. Together, they reveal Kerouac's Cascadian adventure while exploring the feelings of anticipation, vulnerability, and disappointment that often accompany travel to unknown lands. "When people tell you about a place, you form an impression in your imagination. And when you get there, it's either going to coincide or clash with your imagination of it.” ~Jim Jones

This episode explores the emergence of the Beat Generation in the post-World War II era, focusing on their rejection of societal norms and embrace of spiritual exploration and artistic innovation. Figures like Jack Kerouac and Allen Ginsberg shaped this movement through works like "On the Road" and "Howl," influencing countercultural movements of the 1960s and beyond.

Novelist Maxim Loskutoff joins co-host V.V. Ganeshananthan and guest co-host Matt Gallagher to talk about his new novel, Old King, which is about Unabomber Ted Kaczynski, who moved to Montana to withdraw from society. Loskutoff, who grew up in Missoula, Montana, discusses the mythology that draws men like Kaczynski—who sought to be in nature, and to avoid technology and other people—to his home state; the gap between the imaginary American West and its reality; and how these connect to American settler colonialism. He also explains how he positioned the Kaczynski of his novel not as a hero or even an antihero, but as a symbol of this dark and unhealed facet of American society. Loskutoff reads from Old King. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/ This episode of the podcast was produced by Anne Kniggendorf. Maxim Loskutoff Old King Ruthie Fear Come West and See Opinion | The Unabomber and the Poisoned Dream of the American West - The New York Times Others William Kittredge Richard Hugo  Lewis and Clark  Billy the Kid  Jack Kerouac  “The Story of Jack and Neal: the friendship that made On the Road—and the Beat Generation—possible” by James Parker, The Atlantic, March 11, 2022 Learn more about your ad choices. Visit megaphone.fm/adchoices

Subconscious Realms Episode 287 - Esalen Institute & MK Ultra: "The Russian Rooted Esalen Inspiration" Ladies & Gentlemen, on this Episode of Subconscious Realms we welcome back one of our Extraordinary returning Guest's for more Fascinating Content ......A Deep-Dive into one of the more Taboo Realms,... Esalen Institute Realm..... & as Standard, Brandy has Published her Elite Level Research onto; "Occultresearchinstitute.org" https://www.occultresearchinstitute.org/brandy-mental-manipulation/blog-post-title-three-5pjem */* *Direct Link for Brandy's Research above*☝

durée : 01:34:37 - Les Nuits de France Culture - par : Albane Penaranda - Quatrième et dernier volet de la série consacrée à la "Beat Generation", proposée en mai 2000 sur France Culture, par le journaliste et critique musical Alain Dister. - invités : Brice Matthieussent Écrivain et traducteur; Maurice G. Dantec

durée : 01:29:38 - Les Nuits de France Culture - par : Albane Penaranda - Ce troisième volet de la série consacrée à la Beat Generation dans l'émission "Surpris par la nuit" par le journaliste et critique musical Alain Dister évoque les relations étroites entre les écrivains de la Beat Generation et la musique, du jazz au rock, de Kurt Cobain aux musiciens de Joujouka. - invités : Jean-Jacques Lebel Artiste plasticien, écrivain

durée : 01:30:51 - Les Nuits de France Culture - par : Albane Penaranda - Que retenir des grands textes des auteurs de la Beat Generation? En mai 2000, Alain Dister s'entoure de l'artiste Jean-Jacques Lebel et de l'écrivain-traducteur Brice Matthieussent. Via leur témoignages et de nombreuses archives il retrace la genèse de ce mouvement et son impact sur la littérature. - invités : Jean-Jacques Lebel Artiste plasticien, écrivain; Brice Matthieussent Écrivain et traducteur

durée : 01:30:11 - Les Nuits de France Culture - par : Albane Penaranda - La Beat Generation, ce ne sont pas uniquement les grandes figures médiatiques. Il y a aussi des personnages moins connus, que ce programme, deuxième volet d'une série, nous en propose d'en croiser quelques-uns. Rencontres autour de figures moins littéraires, mais tout aussi poétiques. - invités : Robert Frank Photographe et vidéaste suisse américain (1924-2019); Robert Kramer; Gary Snyder Poète, écrivain, philosophe, traducteur du japonais

In this bonus episode, meet and get to know Frameline Film Festival's Executive Director Allegra Madsen. Allegra was born and grew up in southern Virginia. As she says, "It was hot, it was humid, it was Southern." From a young age, she fell in love with movies because it was so hot outside. She'd escape to theaters, where she could bask in the AC and watch movies all day long.   She left that area as soon as she could. That meant Chicago for college. She wanted to be a writer. Columbia College in Chicago was known as more of a film school, which meant she was on the periphery of movies in her time there.   After college, it was on to Los Angeles, "as everybody does." Allegra worked in some art galleries and museums, with the goal of trying to get to San Francisco always in the back of her mind. As a kid growing up, she read a lot of Beat Generation writers (where were the women of the Beat era?). CCA was the draw that got Allegra up to The Bay. She studied contemporary art curation, focusing on how you can use art to build community.   That was 20 years ago, and she's been here ever since.   Then our conversation shifts to Frameline and its nearly half-century of history. It is the largest and longest-running queer film festival in the world. It's also the largest film event in California (hear that, LA?). It all began in 1977 on a bedsheet in the Castro. It was a time when there were no prominent images of queer people in media.   Frameline 48 will take place all over the Bay Area. Check their website for a complete lineup. Allegra goes through a few of the events that she's excited about. The one I'm perhaps most hyped up for is next week's Juneteenth Frameline kick-off block party. In addition to many other aspects of the evening, the Castro Theatre's blade will be re-lit for the first time since that building underwent renovations.   See you all at Frameline 48! We recorded this podcast over Zoom in May 2024. Image courtesy Frameline

Pat Thomas in conversation with David Eastaugh https://allenginsberg.org/2023/11/w-n-29-2/ https://www.amazon.co.uk/Material-Wealth-Personal-Archive-Ginsberg/dp/1648230369 There are hundreds of thousands of items carefully stored and archived at Stanford University's Allen Ginsberg collection. Counterculture historian Pat Thomas, with the full cooperation of the Allen Ginsberg Estate's Peter Hale, has compiled and annotated a remarkable volume of material, unearthing in the process one astounding find after another. The result is a tome of previously unpublished historical paperwork and vintage graphics and photographs and ephemera that promises an unprecedented look inside one of the most prolific poets and agitators of cultural mores of the 20th century. A poster for Patti Smith's first-ever poetry reading. Correspondence from Allen's stint as literary agent for William S. Burroughs and Herbert Huncke. Yippie manifestos from Jerry Rubin, Abbie Hoffman, and John Sinclair of the MC5. A ticket for a 1974 concert by Bob Dylan & The Band (with Yoko Ono's phone number scribbled on the back). Posters documenting early Beat Generation readings in 1950s San Francisco as well as later ones capturing the 1960s Haight-Ashbury Hippie era. 

William S. Burroughs was a literary icon whose novel Naked Lunch, one of the signature works of the Beat Generation, was banned and went on trial for obscenity. His writing inspired generations of musicians, from the Rolling Stones and Patti Smith to Nirvana and Sonic Youth. But long before all that, in 1951, when he was an unknown and mostly failed writer, William S. Burroughs made the most fateful decision of his life when he pointed a gun at a highball glass balanced on top of his wife's head…and pulled the trigger. To see the full list of contributors, see the show notes at www.disgracelandpod.com. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Go to badlandsfood.com/DISGRACELAND to learn how you can see incredible changes in your dog's health! Visit Tecovas in store or go to tecovas.com and find your new favorite pair of boots today! Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices

William S. Burroughs was a literary icon whose novel Naked Lunch, one of the signature works of the Beat Generation, was banned and went on trial for obscenity. His writing inspired generations of musicians, from the Rolling Stones and Patti Smith to Nirvana and Sonic Youth. But long before all that, in 1951, when he was an unknown and mostly failed writer, William S. Burroughs made the most fateful decision of his life when he pointed a gun at a highball glass balanced on top of his wife's head…and pulled the trigger. To see the full list of contributors, see the show notes at www.disgracelandpod.com. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Go to badlandsfood.com/DISGRACELAND to learn how you can see incredible changes in your dog's health! Visit Tecovas in store or go to tecovas.com and find your new favorite pair of boots today! Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:26:47 - Les Nuits de France Culture - par : Albane Penaranda - En 1979, Alain Veinstein décide de bouleverser la programmation de ses "Nuits Magnétiques" pour ouvrir son micro à William Burroughs accompagné là de quelques-uns de ses amis, notamment le traducteur Gérard-Georges Lemaire et le peintre et poète Brion Gysin. - invités : William S. Burroughs Ecrivain, poète de la Beat Generation; Daniel Caux; John Adams Compositeur et chef d'orchestre américain (1947, Worcester); Steve Lacy Saxophoniste, compositeur jazz (1934, New York - 2004, Boston)

Read by Marcus Ellsworth Production and Sound Design by Kevin Seaman

Le photographe âgé de 76 ans, dont le travail est exposé jusqu'au 14 juillet au Palais Galliera, à Paris, nous reçoit dans son studio au sein d'un immeuble moderne du 14e arrondissement, à deux pas de la porte d'Orléans.Paolo Roversi évoque son enfance heureuse à Ravenne en Italie auprès d'un père médecin et d'une mère au foyer qui lui transmet le goût de la beauté. Très jeune, il s'intéresse au football puis à la poésie, de Pétrarque à Montale, se passionne pour Pasolini, Antonioni et les écrivains de la Beat Generation. Après avoir monté son studio, il se met à la photo de mode sous l'influence d'Helmut Newton ou Guy Bourdin. Il parle de son rapport poétique aux images et à la réalité et de l'importance d'avoir une émotion au moment du déclic. Et des artistes et modèles qui l'ont inspiré.Il revient ainsi sur son enthousiasme pour Verdi, Johnny Cash, Rothko et récemment l'exposition Vermeer à Amsterdam : « C'était sublimissime ! Ses tableaux sont assez photographiques finalement, avec cette recherche de la lumière qui rentre par la fenêtre et ses poses, comme des petits instantanés. Les voir les uns après les autres comme cela, c'était incroyable. C'est comme s'il m'avait suggéré ­certaines photos. Je me suis dit : “Voilà pourquoi j'ai fait cette photo-là”. »Depuis cinq saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Johanna SebanRéalisation : Emmanuel BauxMusique : Gotan Project

"Changing Beats: Goose's Drummer Departure and New Musical Ventures"Larry Mishkin dives into a live performance of the Grateful Dead's Mardi Gras Show from 1986. The discussion highlights the additional set by The Nevels, a brief comparison of songs played, and the significance of the venue, Kaiser Convention Center. The conversation transitions to Goose, a contemporary jam band, announcing a change in drummers and their new album release. Larry also touches on the Grateful Dead's record-breaking achievement of having the most Top 40 albums on the Billboard 200. Lastly, it explores the origins and themes of the Grateful Dead's song "Cassidy," drawing connections to individuals associated with the band and the Beat Generation. Throughout, there's a mix of musical analysis, historical context, and personal anecdotes, offering a comprehensive exploration of the music and culture surrounding these iconic bands plus the latest cannabis news. Grateful DeadFebruary 12, 1986 (38 years ago)Henry J. Kaiser Convention CenterOakland, CAGrateful Dead Live at Henry J. Kaiser Convention Center on 1986-02-12 : Free Download, Borrow, and Streaming : Internet Archive Show Title:  Dead and the Neville Brothers Rock Oakland Celebrating Mardi Gras A short Dead show by Nevilles played a set after turning it into a marathon evening of great music  INTRO:              Sugaree                           Track #3                           Start – 1:35                            Jerry comes out smoking on this crowd favorite to get things rocking (second song after Hell in a Bucket).  Released on the Jerry's first solo album, Garcia, in January, 1972.                            Played 362 times                           1st at on July 31, 1971 at the Yale Bowl in New Haven, CN six months before its release                           Last played on July 8, 1995 at Soldier Field in Chicago Kaiser Convention Center is a historic, publicly owned multi-purpose building located in Oakland, California. The facility includes a 5,492-seat arena, a large theater, and a large ballroom.[2] The building is #27 on the list of Oakland Historic Landmarks.,[3] and was listed on the National Register of Historic Places in 2021.[4]The building is located at 10 10th Street, in the Civic Center district of the city. It is next to the Oakland Museum, Laney College, Lake Merritt, and near the Lake MerrittBARTstation.he Beaux-Arts style landmark was built in 1914; the architect was John J. Donovan.[3] The structural engineer was Maurice Couchot.[5] Originally known as the Oakland Civic Auditorium, it was renamed in honor of Henry J. Kaiser after a 1984 renovation.The city closed the facility in 2006 and its future was uncertain for a decade.[1] In 2006, Oakland voters defeated a ballot proposition advocating a library space in the building.The facility was owned by the City of Oakland until 2011, when it was sold to the local redevelopment agency for $28 million.[6] However, the redevelopment agency was dissolved by the State of California in 2012,[7] so ownership reverted to the city of Oakland.In 2015 the city chose a local developer, Orton Development, Inc. to renovate the facility. The plans are to turn it into a commercial space, with the Calvin Simmons Theater being renovated as a performing arts venue. The building is also supposed to be registered as a national historic landmark.In the 1950s and 1960s the Roller Derby played there hundreds of times. Elvis Presley performed at the convention center on June 3, 1956, and again on October 27, 1957. On December 28, 1962, Martin Luther King Jr. spoke to an audience of 7,000 at the auditorium to mark the 100th anniversary of the Emancipation Proclamation.[13]Ike & Tina Turner performed at the Oakland Auditorium on January 13, 1967.From 1967 through 1989, the Grateful Dead, an American rock band, performed at the convention center 57 times. Their first 23 concerts at the convention center were billed at "Oakland Auditorium", and later, starting in 1985, the venue changed to "Henry J. Kaiser Convention Center". In the 80's the band started performing "runs" of shows over the course of three to seven days.[                    SHOW No. 1:    Tons of Steel                           Track # 4                           1:07 – 2:40               A “new” Brent song, released on In The Dark in 1987.  Love the harmonizing with Phil – “She wasn't built to travel at the speed a rumor flies, these wheels are bound to jump the tracks, before they burn the ties.”  Crowd loves it too – any excuse to hear Phil sing – this is just about a month before the Hampton show where Phil broke out Box of Rain, Deadheads couldn't get enough of him. David Dodd:Brent wrote the words and music for “Tons of Steel.” It was first performed on December 28, 1984, at the Civic Auditorium in San Francisco (now Bill Graham Civic). The other first in the show was "Day Tripper." I was there! It sounded like a hit to me. But then, I was completely disconnected from whatever it was that passed for hit-making in the 1980s.It was performed fairly regularly throughout 1985 through September 1987, making its last appearance on September 23 at The Spectrum in Philadelphia. That seems odd to me, because it was dropped from rotation just a little more than two months after it was released on In the Dark, in July. Any thoughts?So, it's a song about a train. One of the prime motifs in Grateful Dead lyrics. Quick—name five Grateful Dead songs with trains! No peeking!What do trains evoke in Dead lyrics? Everything from danger (“Caution,” “Casey Jones”) to adventure (“Jack Straw”) to love (“They Love Each Other”) to farewell (“He's Gone”) to whatever that thing is that we feel when Garcia sings about wishing he was a headlight... (and take a look at the back cover of Reflections sometime).                           Played 29 times                           First played December 28, 1984 S.F. Civic Auditorium (NYE run)                           Last played September 23, 1987 at the Spectrum, Philly  SHOW No. 2:    Cassidy                           Track #6                           2:20 – 4:09 "Cassidy" is a song written by John Barlow and Bob Weir[1] and performed by the Grateful Dead, Ratdog, and Phil Lesh & Friends.[2] The song appeared on Bob Weir's Ace, and the Grateful Dead's Reckoning and Without a Net albums.[3]The song was named after Cassidy Law, who was born in 1970 and was the daughter of Grateful Dead crew member Rex Jackson and Weir's former housemate Eileen Law.[1] The lyrics also allude to Neal Cassady, who was associated with the Beats in the 1950s[4] and the Acid Test scene that spawned the Grateful Dead in the 1960s. Some of the lyrics in the song were also inspired by the death of Barlow's father.[5]The song was quoted in the admiring and admirable obituary of Barlow in The Economist.One of my favorite songs, a great sing a long.I really like this version because it gets nice and trippy.  Always good for a helping define the mood of the show, usually about mid to late first set.  A very fun tune.                           Played 339 times                           1st:  March 23, 1974 at the Cow Palace in Daley City, just outside S.F.                           Last:  July 6, 1995 Riverport Amphitheatre, Maryland Heights, MO outside of St. Louis   SHOW No. 3:    Willie and the Hand Jive                           Track # 14                           1:23 – 3;05 Played with the Neville Bros. but without Phil who left the stage for this one song. Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Otis, reaching #9 on the Billboard Hot 100 chart and #5 on the Billboard R&B chart.[1][2] The song has a Bo Diddley beat and was partly inspired by the music sung by a chain gang Otis heard while he was touring. The lyrics are about a man who became famous for doing a dance with his hands, but the song has been accused of glorifying masturbation,[2]though Otis always denied it.[3] It has since been covered by numerous artists, including The Crickets, The Strangeloves, Eric Clapton, Cliff Richard, Kim Carnes, George Thorogood, The Bunch, and in live performances by The Grateful Dead.[4][5] Clapton's 1974 version was released as a single and reached the Billboard Hot 100, peaking at No. 26. Thorogood's 1985 version reached No. 25 on the BillboardRock Tracks chart. The lyrics tell of a man named Willie who became famous for doing a hand jive dance.[1][2] In a sense, the story is similar to that of Chuck Berry's "Johnny B. Goode", which tells of someone who became famous for playing the guitar and was released two months before "Willie and the Hand Jive".[1] The origin of the song came when one of Otis' managers, Hal Ziegler, found out that rock'n'roll concert venues in England did not permit the teenagers to stand up and dance in the aisles, so they instead danced with their hands while remaining in their seats.[2][5] At Otis' concerts, performers would demonstrate Willie's "hand jive" dance to the audience, so the audience could dance along.[2] The dance consisted of clapping two fists together one on top of the other, followed by rolling the arms around each other.[2] Otis' label, Capitol Records, also provided diagrams showing how to do the hand jive dance. Eric Clapton recorded "Willie and the Hand Jive" for his 1974 album 461 Ocean Boulevard. Clapton slowed down the tempo for his version.[12] Author Chris Welch believes that the song benefits from this "slow burn".[12]Billboard described it as a "monster powerful cut" that retains elements from Clapton's previous single "I Shot the Sheriff."[13]Record World said that "Clapton slowly boogies [the song] into laid-back magnificence. George Thorogood recorded a version of "Willie and the Hand Jive" for his 1985 album with the Destroyers Maverick.[27] His single version charted on the Hot Mainstream Rock Tracks chart, peaking at #25, and reached #63 on the Billboard Hot 100 chart.[1][28]Allmusic critic James Christopher Monger called the song one of Thorogood's "high points. Other artists who covered the song include: Johnny Rivers, New Riders of the Purple Sage, The Flying Burrito Brothers, Sandy Nelson, The Tremeloes, Amos Garrett, Ducks Deluxe and Levon Helm.[4]Lee Michaels released a version of the song on his 1971 album, 5th                            To my surprise, played 6 times by the band, all in '86 and once in ‘87                           This is the fist time they ever played it                           Last:  April 4, 1987 at the Centrum in Worcester, MA                SHOW No. 4:   In the Midnight Hour                           Track # 16                           2:20 – 4:01                            Played with the Nevilles, Phil back on stage                           Again, Jerry's playing really stands out.  "In the Midnight Hour" is a song originally performed by Wilson Pickett in 1965 and released on his 1965 album of the same name, also appearing on the 1966 album The Exciting Wilson Pickett. The song was composed by Pickett and Steve Cropper at the historic Lorraine Motel in Memphis, later (April 1968) the site of the assassination of Martin Luther King Jr. Pickett's first hit on Atlantic Records,[1] it reached number one on the R&B charts and peaked at number 21 on the pop charts. Wilson Pickett recorded "In the Midnight Hour" at Stax Studios, Memphis, May 12, 1965. The song's co-writer Steve Cropper recalls: "[Atlantic Records president] Jerry Wexler said he was going to bring down this great singer Wilson Pickett" to record at Stax Studio where Cropper was a session guitarist" and I didn't know what groups he'd been in or whatever. But I used to work in [a] record shop, and I found some gospel songs that Wilson Pickett had sung on. On a couple [at] the end, he goes: 'I'll see my Jesus in the midnight hour! Oh, in the midnight hour. I'll see my Jesus in the midnight hour.'" and Cropper got the idea of using the phrase "in the midnight hour" as the basis for an R&B song.[3] More likely, Cropper was remembering The Falcons' 1962 song "I Found a Love," on which Pickett sings lead and says "And sometimes I call in the midnight hour!" The only gospel record Pickett had appeared on before this was the Violinaires' "Sign of the Judgement," which includes no such phrase.[4]Besides Cropper, the band on "In the Midnight Hour" featured Stax session regulars Al Jackson (drums) and Donald "Duck" Dunn (bass). According to Cropper, "Wexler was responsible for the track's innovative delayed backbeat", as Cropper revamped his planned groove for "In the Midnight Hour" based on a dance step called the Jerk, which Wexler demonstrated in the studio. According to Cropper, "this was the way the kids were dancing; they were putting the accent on two. Basically, we'd been one-beat-accenters with an afterbeat; it was like 'boom dah,' but here was a thing that went 'um-chaw,' just the reverse as far as the accent goes."[5]Pickett re-recorded the song for his 1987 album American Soul Man."In the Midnight Hour" t has become an iconic R&B track,[citation needed] placing at number 134 on Rolling Stone's list of the 500 Greatest Songs of All Time,[citation needed] Wilson Pickett's first of two entries on the list (the other being "Mustang Sally" at number 434).[citation needed] It is also one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll,[citation needed] Pickett's only such entry. In 2017, the song was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant."[7] In 1999, "In the Midnight Hour" recorded in 1965 on Atlantic Records by Wilson Pickett was inducted into the Grammy Hall of Fame. Covers:·        The Grateful Dead regularly performed the song in concert from 1967 onwards, most notably with extended improv vocals by frontman Ron "Pigpen" McKernan.  It was occasionally the Dead's “midnight song” at their NYE shows – I saw them do it in 1985 at midnight on the 31st. Fun way to start the new year although I was always partial to Sugar Mag at NYE midnight.                            57 times played                           1st: December 10, 1965 at the Fillmore in S. F.                           Last:  October 17, 1994 at MSG, NYC OUTRO:            Johnny B. Goode                           Track #17                          Start – 1:40               We just featured this song from a different show, but this version demands recognition.  Played with the Nevilles – great mash up of musicians, singers, the whole thing is just great. Interestingly, not the encore, but the last song of the second set (US. Blues was the encore, a ripping version, but no Neville Bros so I went with JBG instead to hear them one more time). Chuck Berry tune                                                                            Dead played it 283 times                        First played: September 7, 1969 at The Family Dog at the Great Highway, S.F.                        Last played:  April 5, 1995 at the Birmingham-Jefferson Civic Center Coliseum, Birmingham, AL .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In this second of two episodes on "scenes," Phil and JF set their sights on Greenwich Village in the wake of the Second World War. Focusing on two works on the era – Anatole Broyard's Kafka Was the Rage and John Cassavetes' Shadows – the conversation further develops the mystique of urban scenes and explores the weirdness of cities. The city, long considered the human artifact par excellence, comes to seem like something that comes from outside the ambit of humanity. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies sountrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Anatole Broyard, Kafka Was the Rage (https://bookshop.org/a/18799/9780679781264) John Cassavetes, Shadows (https://www.imdb.com/title/tt0053270/) Kazuo Ishiguro, An Artist of the Floating World (https://bookshop.org/a/18799/9780679722663) Phil Ford, Dig (https://bookshop.org/a/18799/9780199939916) Weird Studies, Episode 90 on “Owl in Daylight” (https://www.weirdstudies.com/90) Kult (https://en.wikipedia.org/wiki/Kult_(role-playing_game)), role-playing game Tom Delong and Peter Lavenda, Secret Machines: Gods, Men, and War (https://bookshop.org/a/18799/9781943272402) Chandler Brossard, Who Walk in Darkness (https://www.goodreads.com/en/book/show/438121) Yukio Mishima (https://en.wikipedia.org/wiki/Yukio_Mishima), Japanese artist Anatole Broyard, “Portrait of the Hipster” (https://karakorak.blogspot.com/2010/11/portrait-of-hipster-by-anatole-broyard.html)

Bon sang ne saurait vieillir. Molécule maléfique prélevée sur le cerveau d'enfants torturés, puissante substance consommée par des célébrités adeptes du satanisme et capables de tout pour obtenir la jeunesse éternelle, l'adrénochrome est un produit mystérieux dont l'usage - réel ou fantasmé - se prête à toutes les ignominies. Dans cet épisode, Gaël et Geoffroy retracent l'histoire de cette théorie récente qui combine croyances ancestrales magiques, fascination pour les drogues, actu people et pédophilie. De quoi perdre son sang froid. Musique : Thibaud R.  Habillage sonore / mixage : Alexandre Lechaux Contact: tousparano@gmail.com Facebook : www.facebook.com/Tous-Parano-106178481205195 Instagram : www.instagram.com/tousparano/ Twitter : www.twitter.com/ParanoTous

Read by Terry Casburn Production and Sound Design by Kevin Seaman

Owner and Creator of SplatBoomBang! Percussive Storytelling and Los Angeles-based Freelancing Percussionist Cory Hills stops by to discuss his PASIC 2023 presentation and getting into Percussive Storytelling (02:00), living in Los Angeles, Freelancing, and making Percussive Storytelling a business (22:00), his experiences with the Los Angeles Percussion Quartet and getting to meet William Kraft (40:40), growing up in northern Virginia (46:00), doing his undergrad at Northwestern (IL), studying with Michael Burritt, and the community he cultivates in his studios (51:10), living in Australia and studying with Vanessa Tomlinson (56:10), his fellowship in Italy and doing his doctorate at the University of Kansas (01:06:16), and finishing with the Random Ass Questions, including segments on percussion composer pieces, Beat Generation authors, and that party when he “performed on Christmas tree” (01:15:10).Finishing with a Rave on the 2023 film Poor Things (01:37:25).Cory Hills Links:Cory Hills's HomepageCory Hills's YouTube page“The Lost Bicycle” - Cory HillsPrevious Podcast guest mentioned:Aiyun Huang in 2023Other Links:Fred Rogers' InstituteMichael BurrittThird Coast PercussionVanessa TomlinsonSteven SchickFabrica InstituteThe Tipping Point - Malcolm GladwellDerek TywoniukLos Angeles Percussion QuartetMatthew HowardWilliam KraftAaron CoplandIgor StravinskyL'Histoire du Soldat - Igor StravinskyJames RossRubén AlvarezPaul WerticoAnders AstrandConcours de GenevéTROMP Percussion“?Corporel” - Vinko GlobokarStuart Saunders Smith“To The Earth” - Frederic Rzewski“And Now For the News” - Graeme LeakWilliam BartonJi Hye JungCarl Czerny piano exercisesCharles Hanon piano exercisesAladdin trailerThe Fast and the Furious trailerTao Te Ching - LaoziUrsula K. LeGuinOn The Road - Jack KerouacHowl - Allen GinsbergNaked Lunch - William S. BurroughsCatch-22 - Joseph HellerA Clockwork Orange - Anthony BurgessFive Guys restaurantBuster KeatonDustin HoffmanPaul ReiserThe KardashiansJ. Paul Getty Art MuseumRaves:Poor Things trailer

Charles Upton's first books of poetry were published in 1968 and 1969 by Lawrence Ferlinghetti of City Light Books in San Francisco. He was then considered the youngest member of the “beat generation” as he was still in high school. He has subsequently written many books associated with the traditionalist school of spirituality including The … Continue reading "The Beat Generation of Poets with Charles Upton"

In today's flashback, an outtake from Episode 147, my conversation with Joyce Johnson, author of the biography The Voice is All: The Lonely Victory of Jack Kerouac (Viking). This episode first aired on February 10, 2013. Johnson is the author of eight books, including the award-winning memoir Minor Characters, Missing Men, and Door Wide Open: A Beat Love Affair in Letters, 1957-1958 (with Jack Kerouac). She lives in New York City. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices