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We are going back into our archives from the first few years of the podcast and re-releasing some of our favorite episodes. Today we are restoring our 2016 interview with the legendary Balanchine ballerina, Patricia McBride to our feed, and if you missed it the first time, now is the perfect time to catch up. Patty, as she is affectionately referred to by her many fans, peers and students, tells us some truly memorable stories about a legendary time for dance in America with her signature radiance and charm. This episode was recorded in 2016 when Patricia was in Miami working with Miami City Ballet. THIS EPISODE'S SPONSORS:Ballet Bird is a streaming site designed by former Pacific Northwest Ballet principal dancer Julie Tobiason. Ballet Bird offers ballet classes for anyone at any level of training that you can do from the comfort of your home or studio. Ballet Bird is a great addition to your regular in-studio training too. Take advantage of the ten day free trial and use the discount code COD25 to get 25% off through June 30th 2023 at balletbird.com.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.
On today's episode of Conversations On Dance, we are joined by Kati Hanlon Mayo, Associate Director of Charlotte Ballet Academy. We talk to Kati about how she reoriented her career goals as a teenager, working with Patricia McBride on Balanchine classics, her beginnings as a teacher while still having a demanding performing career and how she […] The post (326) Kati Hanlon Mayo, Associate Director of Charlotte Ballet Academy appeared first on tendusunderapalmtree.com.
Happy Birthday to Gene Kelly and Patricia McBride! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support
Sean Fleming, Minister of State and Fianna Fáil TD for Laois - Offaly, Fionnan Sheahan, Ireland Editor with the Irish Independent, Patricia McBride, Political Commentator, Ivana Bacik, Labour Party Leader
Alex Kane, journalist, and Patricia McBride, analysist
Neale Richmond, Fine Gael TD for Dublin Rathdown. Michael McNamara, Independent TD for Clare. Patricia McBride, Political Commentator and Dr Cara Augustenborg, Environmental Research Fellow join the programme for our weekly Friday Gathering.
Patricia McBride, Irish News Columnist, on the British Irish Council meeting in Fermanagh
Damien English, Minister of State for Business, Employment and Retail & Fine Gael TD for Meath West, Roisin Shortall, Co-leader of the Social Democrats and TD for Dublin North West and Patricia McBride, Irish News Columnist
Back in December, Congress passed a $2.3 trillion spending bill that included more than $900 billion in pandemic relief. This was known as Save Our Stages and those monies were to be distributed by the Small Business Association. But no sooner did the SBA portal open on April 8, it shut down, leaving venues frustrated and confused, to say the least. The situation seems ever-changing and fluid and to help us make sense of where we go from here, I spoke to Arts North Carolina’s Executive Director Nate McGaha. About the Guest Nate McGaha has served as the Executive Director of Arts North Carolina, the statewide advocacy organization for the arts, since 2017 where he works for public funding and policy for the arts and arts education. He helped to create the Joint Caucus on Arts and Arts Education at the NC General Assembly, shepherded the NC Arts High School Graduation Requirement into law, and has led several statewide initiatives for relief, reopening, and recovery during the COVID-19 pandemic. Prior to his work in advocacy, Nate was the Executive Director of Carolina Ballet in Raleigh for five years with Artistic Director Robert Weiss. Before coming to the Raleigh area he was the Director of Operations at Charlotte Ballet under the Artistic Direction of Jean-Pierre Bonnefoux and Patricia McBride for seven years after serving as that company’s Resident Lighting Designer since 1996. Nate was also the Production Manager and Lighting Designer for the Chautauqua Ballet Company in the summer months from 1997 through 2009 and toured internationally with Dwight Rhoden and Desmond Richardson’s Complexions Dance Company. He is a graduate of UNC School of the Arts where he received a BFA in Design and Production with a concentration in Lighting Design. Resources / Links https://www.sba.gov/funding-programs/loans/covid-19-relief-options/shuttered-venue-operators-grant (Small Business Association) https://artsnc.org/ (Arts North Carolina (Arts NC)) https://www.nivassoc.org/ (NIVA) https://sbtdc.org/erfc/ (SBTDC) https://www.americansforthearts.org/ (Americans for the Arts) Connect with Beltline to Broadway Facebook – @beltlinetobroadway Twitter – @beltlinetobroadway Instagram – @beltlinetobroadway Web http://www.rduonstage.com/ (www.beltlinetobroadway.com) Support this podcast
The latest episode of City Ballet The Podcast is a special two-part Hear the Dance, hosted by NYCB Soloist Silas Farley, with special guest Patricia McBride. Her illustrious 30-year career with NYCB—highlighted by her promotion to principal dancer at just 18 years old—included 60 different roles, 30 of which were created for her. In this first part of their wide-ranging discussion, Farley and McBride discuss her early years in the Company and working with Balanchine, through the 1964 premiere of Rubies. (41:23) Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Apollon Musagéte (1928) by Igor Stravinsky Capriccio for Piano and Orchestra (1929) by Igor Stravinsky Symphony No. 1 in C major (1855) by Georges Bizet Symphony No. 3 in A Minor, Op. 56, 'Scotch,' (1842) by Felix Mendelssohn
In 2015, Price Suddarth was the youngest choreographer to create a work for Pacific Northwest Ballet - we're happy to have Signature back this season. George Balanchine's Tarantella is a total showpiece, originally choreographed for NYCB firecrackers Patricia McBride and Edward Villella (the same original cast for Rubies). José Limón's The Moor’s Pavane is a dramatic and emotional re-telling of Shakespeare’s Othello, all in the form of two couples dancing. And we close the performance with George Balanchine's Theme and Variations, which is the ultimate display of classical ballet.
In this special episode moderated by Ellen Sorrin, Director of the Balanchine Trust, San Francisco Ballet Artistic Director and Principal Choreographer […]
Ellen Rose Hummel describes her journey to SFB from training with Patricia McBride in North Carolina, to three years in […]
This week we have the distinct pleasure of welcoming Patricia McBride, beloved Balanchine Ballerina. Patricia McBride is one of the most treasured ballerinas of the 20th century. In a career that spanned nearly 3 decades, she performed dozens of leading roles in the repertoire of the New York City Ballet. In 1961, she was promoted to […] The post (29) Patricia McBride, Beloved Balanchine Ballerina appeared first on tendusunderapalmtree.com.
James Ford is not only the 2014 North Carolina Teacher of the Year but also the Charlottean of the Year as named by Charlotte Magazine. In being named this honor, James was also in the company of world famous ballerina dancer Patricia McBride, and a prosecutor who exposed a corrupt mayor from Charlotte. James talks how he transitioned from being a truant officer to a classroom teacher and later leaving the classroom to have a stronger voice for all children in North Carolina. The New Teacher Podcast features your host, Anthony Arno, interviewing nationally recognized teachers, the latest authors, and educational researchers. Become inspired by hearing the stories of their success and failure. Each episode features The Final Minute before the bell, where guests share personal preferences during the final minute of the show.
Tonight on North Carolina Now, we look at business in our state. Then we'll introduce you to the Charlotte Ballet's Patricia McBride - the renowned ballerina's storied career has allowed her to perform with some of the most famous dancers and companies of our time.