Podcasts about protestant europe

*Updated Audio* "In the 1820s and 30s, Christianity in America looked more or less like it did in Protestant Europe in the centuries that followed the Reformation. But as the country began to expand westward on the frontier, revivalism began to take over what had been standard, theologically orthodox Protestantism. Men like Charles G. Finney would hold tent revivals with dazzling oratory and salesmanship to generate religious excitement and manipulate the emotions of the crowd to produce conversions. Variations of this method eventually became the baseline for evangelical Christianity in America. The question of how God tells us He wants us to worship Him is seldom considered." Binge-watch all of the episodes by joining our Patreon at https://patreon.com/rightresponseministries Purchase The Boniface Option here: https://a.co/d/3iKPLj2 Ministry Sponsors Armored Republic - https://www.ar500armor.com/ Honoring Christ by equipping Free Men with the tools of liberty necessary to preserve God-given rights.

"In the 1820s and 30s, Christianity in America looked more or less like it did in Protestant Europe in the centuries that followed the Reformation. But as the country began to expand westward on the frontier, revivalism began to take over what had been standard, theologically orthodox Protestantism. Men like Charles G. Finney would hold tent revivals with dazzling oratory and salesmanship to generate religious excitement and manipulate the emotions of the crowd to produce conversions. Variations of this method eventually became the baseline for evangelical Christianity in America. The question of how God tells us He wants us to worship Him is seldom considered." Binge-watch all of the episodes by joining our Patreon at https://patreon.com/rightresponseministries Purchase The Boniface Option here: https://a.co/d/3iKPLj2 Ministry Sponsors Armored Republic - https://www.ar500armor.com/ Honoring Christ by equipping Free Men with the tools of liberty necessary to preserve God-given rights.

Guest: Bill Echikson, Senior Fellow at Center for European Policy Analysis (CEPA) [@cepa]On Linkedin | https://www.linkedin.com/in/billechikson/On Twitter | https://twitter.com/bechkson_____________________________Host:  Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli_____________________________This Episode's SponsorsAre you interested in sponsoring an ITSPmagazine Channel?

Guest: Bill Echikson, Senior Fellow at Center for European Policy Analysis (CEPA) [@cepa]On Linkedin | https://www.linkedin.com/in/billechikson/On Twitter | https://twitter.com/bechkson_____________________________Host:  Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli_____________________________This Episode's SponsorsAre you interested in sponsoring an ITSPmagazine Channel?

Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.  Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.  Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.  Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.  Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.  Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.  Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.  Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

W.T.C. Walker Lecture in Architectural History by Helen Hills (York). Baroque Naples was tarnished in Protestant Europe with a reputation for excess — most especially an excess of silver in its churches and chapels, part of the mort main of the Spanish church, a prodigious resource that was gathering dust rather than fighting wars or generating interest. Silver was the material par excellence for chalices, pyx and plate, for carte di gloria and sacred and liturgical objects of many kinds, including the spectacular solid silver reliquaries in the Treasury Chapel of San Gennaro in Naples, unsurpassed amongst European treasuries. Silver was intimately implicated in discourses of the sacred, of assaying, of testing, of purity, purification and authenticity and sanctity through the discourse of light, lux and lumen, shine and the capacity to reflect light. And its threads were entangled in noble dress, furniture and accoutrements of aristocratic fashion. Yet silver was particularly implicated, too, in the violence of Spanish colonialism. This paper examines these apparently divergent qualities of silver to investigate relationships between matter and affect, colonialism and culture in baroque Italy.

In A World Not to Come: A History of Latino Writing and Print Culture (Harvard University Press 2013) Dr. Raul Coronado provides an intellectual history of the Spanish America’s decentered from the dominant narrative of Enlightenment, revolution, and independence stemming from Protestant Europe and British America. Examining pamphlets, broadsheets, manuscripts, and newspapers, Coronado situates the emergence of Spanish American revolutionary thought at the moment of rupture, when Napoleon Bonaparte invaded Spain and deposed King Fernando VII in 1808. It was at this moment, Coronado argues, when subjects of the Spanish Crown were thrust into the modern era with the task of envisioning and producing an alternative to the ancien regime. With an engaging and sweeping narrative that transports readers across time and space, Coronado explores the central actors and ideas that intersected in and developed out of the Spanish American borderlands to lead independence movements throughout Latin America during the first half of the 19th century. Rooted in the region that would become modern-day Texas, A World Not to Come explores the formation of community and identity, as well as the transmission of ideas, among Texas Mexicans during the eras of Mexican independence and U.S. westward expansion. In the process, Coronado provides a different history of modernity (“alternative west”) that is truly transnational in scope and content. David-James Gonzales (DJ) has a PhD in History from the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

In A World Not to Come: A History of Latino Writing and Print Culture (Harvard University Press 2013) Dr. Raul Coronado provides an intellectual history of the Spanish America's decentered from the dominant narrative of Enlightenment, revolution, and independence stemming from Protestant Europe and British America. Examining pamphlets, broadsheets, manuscripts, and newspapers, Coronado situates the emergence of Spanish American revolutionary thought at the moment of rupture, when Napoleon Bonaparte invaded Spain and deposed King Fernando VII in 1808. It was at this moment, Coronado argues, when subjects of the Spanish Crown were thrust into the modern era with the task of envisioning and producing an alternative to the ancien regime. With an engaging and sweeping narrative that transports readers across time and space, Coronado explores the central actors and ideas that intersected in and developed out of the Spanish American borderlands to lead independence movements throughout Latin America during the first half of the 19th century. Rooted in the region that would become modern-day Texas, A World Not to Come explores the formation of community and identity, as well as the transmission of ideas, among Texas Mexicans during the eras of Mexican independence and U.S. westward expansion. In the process, Coronado provides a different history of modernity (“alternative west”) that is truly transnational in scope and content. David-James Gonzales (DJ) has a PhD in History from the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

In A World Not to Come: A History of Latino Writing and Print Culture (Harvard University Press 2013) Dr. Raul Coronado provides an intellectual history of the Spanish America’s decentered from the dominant narrative of Enlightenment, revolution, and independence stemming from Protestant Europe and British America. Examining pamphlets, broadsheets, manuscripts, and newspapers, Coronado situates the emergence of Spanish American revolutionary thought at the moment of rupture, when Napoleon Bonaparte invaded Spain and deposed King Fernando VII in 1808. It was at this moment, Coronado argues, when subjects of the Spanish Crown were thrust into the modern era with the task of envisioning and producing an alternative to the ancien regime. With an engaging and sweeping narrative that transports readers across time and space, Coronado explores the central actors and ideas that intersected in and developed out of the Spanish American borderlands to lead independence movements throughout Latin America during the first half of the 19th century. Rooted in the region that would become modern-day Texas, A World Not to Come explores the formation of community and identity, as well as the transmission of ideas, among Texas Mexicans during the eras of Mexican independence and U.S. westward expansion. In the process, Coronado provides a different history of modernity (“alternative west”) that is truly transnational in scope and content. David-James Gonzales (DJ) has a PhD in History from the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

In A World Not to Come: A History of Latino Writing and Print Culture (Harvard University Press 2013) Dr. Raul Coronado provides an intellectual history of the Spanish America’s decentered from the dominant narrative of Enlightenment, revolution, and independence stemming from Protestant Europe and British America. Examining pamphlets, broadsheets, manuscripts, and newspapers, Coronado situates the emergence of Spanish American revolutionary thought at the moment of rupture, when Napoleon Bonaparte invaded Spain and deposed King Fernando VII in 1808. It was at this moment, Coronado argues, when subjects of the Spanish Crown were thrust into the modern era with the task of envisioning and producing an alternative to the ancien regime. With an engaging and sweeping narrative that transports readers across time and space, Coronado explores the central actors and ideas that intersected in and developed out of the Spanish American borderlands to lead independence movements throughout Latin America during the first half of the 19th century. Rooted in the region that would become modern-day Texas, A World Not to Come explores the formation of community and identity, as well as the transmission of ideas, among Texas Mexicans during the eras of Mexican independence and U.S. westward expansion. In the process, Coronado provides a different history of modernity (“alternative west”) that is truly transnational in scope and content. David-James Gonzales (DJ) has a PhD in History from the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

In A World Not to Come: A History of Latino Writing and Print Culture (Harvard University Press 2013) Dr. Raul Coronado provides an intellectual history of the Spanish America’s decentered from the dominant narrative of Enlightenment, revolution, and independence stemming from Protestant Europe and British America. Examining pamphlets, broadsheets, manuscripts, and newspapers, Coronado situates the emergence of Spanish American revolutionary thought at the moment of rupture, when Napoleon Bonaparte invaded Spain and deposed King Fernando VII in 1808. It was at this moment, Coronado argues, when subjects of the Spanish Crown were thrust into the modern era with the task of envisioning and producing an alternative to the ancien regime. With an engaging and sweeping narrative that transports readers across time and space, Coronado explores the central actors and ideas that intersected in and developed out of the Spanish American borderlands to lead independence movements throughout Latin America during the first half of the 19th century. Rooted in the region that would become modern-day Texas, A World Not to Come explores the formation of community and identity, as well as the transmission of ideas, among Texas Mexicans during the eras of Mexican independence and U.S. westward expansion. In the process, Coronado provides a different history of modernity (“alternative west”) that is truly transnational in scope and content. David-James Gonzales (DJ) has a PhD in History from the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

In A World Not to Come: A History of Latino Writing and Print Culture (Harvard University Press 2013) Dr. Raul Coronado provides an intellectual history of the Spanish America’s decentered from the dominant narrative of Enlightenment, revolution, and independence stemming from Protestant Europe and British America. Examining pamphlets, broadsheets, manuscripts, and newspapers, Coronado situates the emergence of Spanish American revolutionary thought at the moment of rupture, when Napoleon Bonaparte invaded Spain and deposed King Fernando VII in 1808. It was at this moment, Coronado argues, when subjects of the Spanish Crown were thrust into the modern era with the task of envisioning and producing an alternative to the ancien regime. With an engaging and sweeping narrative that transports readers across time and space, Coronado explores the central actors and ideas that intersected in and developed out of the Spanish American borderlands to lead independence movements throughout Latin America during the first half of the 19th century. Rooted in the region that would become modern-day Texas, A World Not to Come explores the formation of community and identity, as well as the transmission of ideas, among Texas Mexicans during the eras of Mexican independence and U.S. westward expansion. In the process, Coronado provides a different history of modernity (“alternative west”) that is truly transnational in scope and content. David-James Gonzales (DJ) has a PhD in History from the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

In A World Not to Come: A History of Latino Writing and Print Culture (Harvard University Press 2013) Dr. Raul Coronado provides an intellectual history of the Spanish America’s decentered from the dominant narrative of Enlightenment, revolution, and independence stemming from Protestant Europe and British America. Examining pamphlets, broadsheets, manuscripts, and newspapers, Coronado situates the emergence of Spanish American revolutionary thought at the moment of rupture, when Napoleon Bonaparte invaded Spain and deposed King Fernando VII in 1808. It was at this moment, Coronado argues, when subjects of the Spanish Crown were thrust into the modern era with the task of envisioning and producing an alternative to the ancien regime. With an engaging and sweeping narrative that transports readers across time and space, Coronado explores the central actors and ideas that intersected in and developed out of the Spanish American borderlands to lead independence movements throughout Latin America during the first half of the 19th century. Rooted in the region that would become modern-day Texas, A World Not to Come explores the formation of community and identity, as well as the transmission of ideas, among Texas Mexicans during the eras of Mexican independence and U.S. westward expansion. In the process, Coronado provides a different history of modernity (“alternative west”) that is truly transnational in scope and content. David-James Gonzales (DJ) has a PhD in History from the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices