Podcasts about Print culture

Empire, Race, and Print Culture in the Black Pacific (Cambridge University Press, 2026) is an Element which centers the 'Black Pacific' as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction's possibilities. Race accrued dynamic new meanings in the age of new imperialism. Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Empire, Race, and Print Culture in the Black Pacific (Cambridge University Press, 2026) is an Element which centers the 'Black Pacific' as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction's possibilities. Race accrued dynamic new meanings in the age of new imperialism. Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Empire, Race, and Print Culture in the Black Pacific (Cambridge University Press, 2026) is an Element which centers the 'Black Pacific' as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction's possibilities. Race accrued dynamic new meanings in the age of new imperialism. Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Empire, Race, and Print Culture in the Black Pacific (Cambridge University Press, 2026) is an Element which centers the 'Black Pacific' as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction's possibilities. Race accrued dynamic new meanings in the age of new imperialism. Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Empire, Race, and Print Culture in the Black Pacific (Cambridge University Press, 2026) is an Element which centers the 'Black Pacific' as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction's possibilities. Race accrued dynamic new meanings in the age of new imperialism. Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Empire, Race, and Print Culture in the Black Pacific (Cambridge University Press, 2026) is an Element which centers the 'Black Pacific' as a generative site for comparative and intersectional methodologies and transnational frameworks for thinking about racial formations, post-national literary forms, and cultural histories. At the end of the nineteenth century, US overseas expansion into the Pacific brought white supremacy and colonial rule into alignment. It also threw into greater relief the contradictions of US citizenship and national identity as legalized segregation and rising anti-Black violence foreclosed Reconstruction's possibilities. Race accrued dynamic new meanings in the age of new imperialism. Focusing on the earliest of African American literary magazines, the Boston-based Colored American Magazine (1900–09) and its southern rival, the Atlanta-based Voice of the Negro (1904–7), in this Element, Dr. Edlie L. Wong examines the formative role of magazine and periodical writings in the development of early Black transpacific internationalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

We welcome in the new year with a full house today, Slushies, as we discuss two poems from Cal Freeman. The first poem's title glacier reminds Kathy of this year's epic snowfall in Juneau, Alaska (though it's forty inches, not forty feet, of snow). All that snow reminds Lisa of Boston's Vile Pile of snow that would not melt until July. Kathy deftly segues that memory back to our own slush pile. We admire Freeman's use of sonics in “Glacial Erratics” and the poem's subtle gestures towards relationship strife. We all agree we're stealing the poet's apt description of “overwrought craft beer.”    Since the second poem, “A White Bird,” is a classic Italian or Petrarchan sonnet, the discussion of iambic pentameter that ensues might be helpful to any teachers in the listening audience (as well as KVM's brother, Dave). Have a listen as we nerd out on meter. All the sonnet particulars lead Marion to admit what it is that gives her a secret intellectual boner.    We end with lots of fodder for your TBR pile. Listen through the end of the episode for everyone's recommended reads, linked below. As always, thanks for listening!   At the table: Dagne Forrest, Tobi Kassim, Samantha Neugebauer, Jason Schneiderman, Kathleen Volk Miller, Marion Wrenn, Lisa Zerkle, and Lillie Volpe (sound engineer) PBQ's Recommended Reads:   From KVM:  Lili is Crying by Hélène Bessette  Hamnet by Maggie O'Farrell   From Jason: Little Rot by Akwaeke Emezi   From Sam: Flesh by David Szalay   From Dagne: When We Lost Our Heads by Heather O'Neill   From Tobi: Sally Rooney's novels Solutions for the Problem of Bodies in Space by Catherine Barnett Midwood by Jana Prikryl   From Marion: Nothingism: Poetry at the End of Print Culture by Jason Schneiderman Teaching Writing Through Journaling by Kathleen Volk Miller To learn to describe the animal by Guillermo Rebollo Gil   From Lisa:   Modern Life by Matthea Harvey Author Bio: Cal Freeman (he/him) is the author of the books Fight Songs (Eyewear 2017), Poolside at the Dearborn Inn (R&R Press 2022), and The Weather of Our Names (Cornerstone Press 2025). His writing has appeared or is forthcoming in many journals, including Atticus Review, Image, The Poetry Review, Verse Daily, Under a Warm Green Linden, North American Review, Willow Springs, Oxford American, Berkeley Poetry Review, and Advanced Leisure. He is a recipient of the Devine Poetry Fellowship (judged by Terrance Hayes), winner of Passages North's Neutrino Prize, and a finalist for the River Styx International Poetry Prize. He teaches at Oakland University and serves as Writer-In-Residence with InsideOut Literary Arts Detroit.    Instagram @johnfreeman5984 Photo credit: Shdia Amen Glacial Erratics I'm walking the rocks of mid-coast Maine and thinking about leaving, haze rolling in off Penobscot Bay nearly enveloping, but I can see my hands, swollen, red, silver ring in folds of skin. It's been five days of lobster, haddock, and overwrought craft beer. Sarah's in a nimbus on a bluff. I can't see her. These tidal patterns strand sponges and shellac seaweed to the stones. The tide's waning now, an hour past its peak. We arrived five days ago in a Tecnam T2012, in a two-prop puddle hopper. You get in the way you get out. I'm scared Cape Air will strand us in this fog. I don't want another day. You get in the way you get out unless you don't. An alabaster boulder rests at the foot of the bluff, a glacial erratic only special because of its geographical and visual context. Glacial errata, I thought I heard our tourist captain say, though Sarah corrected me. A glacial erratic's when the ice deposits stone of another realm to punctuate a scene in a distant future epoch– Sarah perched on a gunwale with a lighthouse at her back, the centenarian Cape Cod schooner they call the Olad meandering Penobscot Bay on a quiet afternoon in summer, and how I loved the way those seals on the Nautilus Island rock appeared to sweat (she said the song for our third decade should be “Me and You on the Rock”), their bellies gold as riesling in the sun. Their kind of torpor rests on the precipice of bathos and delight, their porcine bodies commas, long pauses between dips. At intervals they swim like dogs, like dogs they also growl, yet they dive with a gymnast's grace into the depths. A White Bird A rustic cottage on a kettle lake, shells of zebra mussels on the boat lift, a couple loons, a lone white bird adrift on combers in a pontoon boat's slow wake. Their time is short, they get what they can take. He reads a short story she wrote to sift for common nouns and proper nouns to lift for a poem. He settles on the drake and hen that dove their lithe bodies below and resurfaced a hundred yards away. Such secret lives of love, such dull regret. In the story, she says he cannot know what kind of bird they saw floating that day, as he insists it was the rare egret.

When Marion pops up on Zoom with her curls blown out to smooth newscaster perfection, it's a hot topic and one that offers a perfect lead-in to the first poem up for discussion, “Your Hair Wants Cutting” by this episode's featured poet, Michael Montlack. The three poems we're considering take inspiration from the Mad Hatter character in Lewis Carroll's Alice's Adventures in Wonderland. We discuss, Slushies, how much, if any, contextual framing is needed to guide the reader when poems refer to a character who resides in our collective imagination. We also talk about local and regional idioms, and for Kathy, how difficult they are to unlearn (shout out to Pittsburgh!). Marion accidentally bestows a new nickname on Jason. Dagne has an opinion about how speech is rendered within a poem: italics or quotation marks. She's team italics, Slushies, which are you? While thinking about the line in these poems; Marion refers to Jason's excellent essay on the history and theory of the line from his book Nothingism: Poetry at the End of Print Culture. Another poem in the batch has Marion recalling Jason's poem “Wester.” As always, thanks for listening! At the table: Dagne Forrest, Samantha Neugebauer, Jason Schneiderman, Kathleen Volk Miller, Marion Wrenn, and Lisa Zerkle Michael Montlack's third poetry collection COSMIC IDIOT will be published by Saturnalia. He is the editor the Lambda Finalist essay anthology My Diva: 65 Gay Men on the Women Who Inspire Them (University of Wisconsin Press). His work has appeared in Poetry Daily, Prairie Schooner, Cincinnati Review, Lit, Epoch, Alaska Quarterly Review, Phoebe and other magazines. In 2022, his poem won the Saints & Sinners Poetry Contest for LGBTQIA+ poets. He lives in NYC and teaches poetry at NYU and CUNY City College. https://www.facebook.com/michael.montlack https://www.instagram.com/michaelmontlack (website) https://www.michaelmontlack.com/ “Your Hair Wants Cutting” my grandmother would say, sitting there at her window, monitoring the restless crows. Her robe nearly as ancient as she. Since when are you concerned with fashion? I once dared to ask. I was seventeen, restless as those crows. I knew she wasn't talking about my curls. Plumage, she used to call it when I was a boy. Sit down, little peacock—your hair wants cutting. Even then I knew it was a cutting remark. Laden. Throwing cold kettle water on my fire. I reminded myself that she was a widow. And was glad that at least I would never cause a woman to suffer such grief. I reminded her how I donned a hat most days. She stared me up and down, her eyes like the ocean's green cold. Clever. Your kind seems to have a clever answer for everything … I swallowed the indictment. Why not make yourself useful, she said, putting down her tea cup, eyeing the trash on her tray. I was glad to oblige, happy to depart before she could notice the low waist of my trousers, let alone the height of my heels. Muchier Picture me on a grand terrace, tipping my hat. Crossing a bridge over the river of defeat— it's definitely a state of ascent. Being owed rather than owing. A blatant triumph against the conventional. A la Lord Byron. A monocle without glass, worn for style. It's an advance for a memoir about a life you haven't yet lived. Bound to be lost on some but admired by all. Likely absent during the lessons on common subjects: Algebra, Classic Literature, Biology. More devoted to the mastery of the quaintest arts: Porcelain, Calligraphy, Tapestry Weaving, Drag. As ephemeral and ethereal as a bubble. It's not something you adopt. It's something that abducts you. Enviers call it utter madness, but the muchiest of the muchier won't even fathom the phrase. Inheritance There wasn't much to leave—my sister, also suspiciously unwed, took the cottage and the wagon. But our mother had insisted that the tea set should be mine. “It's dainty and a bit chipped. Like you,” she chortled on her deathbed. I failed to see the humor but took it just the same. Knowing my sister would likely surrender it to the church, where the nuns might put it to good use but never appreciate its finery, as that would be vanity. I much rather hear my motley chums slurp from it as they sit steeped in my ridiculous riddles. I never admitted how I crafted them at night, alone in bed, in the quiet twilight, the hour I imagined reading bedtime stories to the children I never had. An apprentice son would've been nice, to hand down millinery techniques. Instead I had the ghost of one, there in my workshop, where imaginary fights erupted over whose turn it was to sweep up the felt or sharpen the scissors. Of course, I appeared mad, a much better impression to leave than the riddle of my bachelorhood. Sometimes I wanted to smash the porcelain cups, chuck them at that bloody caterpillar stinking up the forest with his opium. Why not? There was no one to inherit my pittance. No one to be trusted with my legacy… until the appearance of this girl, at once strange yet so familiar. I quite liked her. The way she held her own with me. If ever I had a daughter, I would have wanted her to be as brave as she. Defending the poor Knave of Hearts, accused of stealing the Queen's tarts. There in that courtroom, I almost lost my head but finally found a beneficiary.

On this special Artalaap episode, Kamayani Sharma speaks to Kunsthalle Winterthur director Geraldine Tedder about writing and curating practices through the metaphor of the vestibular system. They talk about how criticism and curating can help stabilise and situate ourselves in the contemporary, and about the many forms that the relationships between writing, speaking and listening can take. Through of all this, they reflect together on how repairing, caring and loving can be modes of creating knowledge. Click ⁠⁠here⁠⁠ to access the episode transcript.OUR GUEST Geraldine Tedder is a curator and writer based in Zürich. She is director of Kunsthalle Winterthur.CREDITS This episode was produced as part of the Art Writers' Award 2024 residency at Villa Sträuli, Winterthur with the support of Pro Helvetia and TAKE On Art magazine. Producer: Square Wave Studios, New DelhiBrand design & artwork: Mohini Mukherjee Episode graphics: Amir Bin Rafi Transcription: Priya ThakurSpecial thanks: Merly Knörle Izquierdo, Nicole Bachmann, Damian Christinger, Bibliotheken WinterthurAdditional support: Raghav SagarAudio courtesy: Vernouillet by Blue Dot Sessions [CCBY-NC 4.0]  LINKSGeraldine Tedder— 'You Are Probably Completely Oblivious That This Text Actually Is About You', 2020.https://brand-new-life.org/b-n-l/you-are-probably-completely-oblivious-that-this-text-actually-is-about-you/— 'Notes on Furniture' in collaboration with Chantal Kaufmann, audiobook, 2020.Kamayani Sharma— 'Loving with Language: Reflections on Writing Alongside Art', 2019. https://media.journoportfolio.com/users/19952/uploads/eb1d39a0-fa71-4665-bf97-6af6ec3740c1.pdf— Book review of Arshi Ahmadzai's 'Nafas: Isolation Diaries', TAKE On Art [South Asia], 2024.https://media.journoportfolio.com/users/19952/uploads/853acf00-eedd-4c65-b232-f7b10aaa46c4.pdf— Artalaap Ep. 17: Tales of Silence, podcast, 2022.https://open.spotify.com/episode/3Ee8hbSAE8DzWASUhrlkLc?si=E2YY4HctRSSg1z3hY6KK6QOtherArt Writers' Award 2024 blog for TAKE On Art magazine:⁠https://takeonartmagazine.com/blog/⁠Kunsthalle Winterthur:⁠https://kunsthallewinterthur.ch/⁠ CONTENTS00:00 – Introduction & Context 02:00 – Defining ‘Vestibular' & Episode Themes 03:00 – Writing, Orality, and Critical Positions 08:00 – Orality as Challenge to Print Culture 12:00 – Performativity, Misinformation & Media Forms 15:00 – Podcasting as Critical Practice 18:45 – Curatorial Conversations & Gossip as Subversion 21:45 – Oral Histories & Restoring Lost Voices 24:30 – Care in Curating & Opening Processes 28:30 – Breaking Down Curatorial Authority 29:45 – Spatial Metaphors & the Vestibular 36:45 – Erotics, Love, and Reparative Reading42:00 – The Transcript as Inter-Script 45:00 – Collaborative Writing & Challenging Structures 46:45 – Demystifying Institutional Realities 48:00 – Closing & ReflectionsClick ⁠⁠here⁠⁠ to access the full list of works cited and time-stamped contents summaries.

S7 E6: Exploring Jacobite Memoirs with Dr. Leith DavisWelcome to Tea Toast & Trivia.  Thank you for listening in. I am your host, Rebecca Budd, and I look forward to sharing this moment with you.I am thrilled that I am meeting up with Dr. Leith Davis, Professor of English at Simon Fraser University. She is a co-founder of the Department of English's Master of Arts program with Specialization in Print Culture.  Leith the Director of Simon Fraser University's Centre for Scottish Studies.Leith is a collector of stories – stories that have been kept safe in the folds of history waiting to be heard. Today, she shares her thoughts on the Jacobite Memoirs of The Rebellion of 1745 from the manuscripts of the Late Right Rev. Robert Forbes, A.M. Bishop of the Scottish Episcopal Church, The Lyon In Mourning.This promises to be an extraordinary discussion. So, put the kettle on and add to your thoughts on Tea Toast & TriviaThank you for joining Leith and me on Tea Toast & Trivia. And a special thank you to Leith who opened the doors of the past and shared the profound stories of brave men and women who witnessed a pivotal transition in history. I invite you to meet up with Leith The Centre for Scottish Studies , founded in 1998 as a joint venture between Simon Fraser University faculty and individuals in the community. The Centre, located at Simon Fraser's beautiful Burnaby campus, provides a focal point for faculty, students, and all who are interested in exploring Scottish history and culture and the connections between Scotland and Canada in the contemporary global landscape.  It is a place where the past reaches out to our time and reminds us to live boldly, with courage and hope.Until next time we meet, dear friends, safe travels wherever your adventures lead you!Music by Epidemic SoundA Highlander's Tale By Christoffer Moe Ditlevsen https://www.epidemicsound.com/track/5kTGcZcaTr/

Some years ago I interviewed David McKnight about a collection of Canadian “little magazines” he'd hunted down and later donated to the University of Alberta's Bruce Peel Library. It was very easy to get caught up in David's enthusiasm, and I was really impressed by the catalogue he'd produced. Shortly after our conversation I learned that he didn't just collect Canadian poetry, he was also a serious Beatles collector. We stayed in touch. I drove down to Philadelphia where David hosted me at his home for a weekend. We got a lot done. Took the train into New York for the opening of a film about a bookseller; went on a tour of the rare book and manuscript library at the University of Pennsylvania where David worked at the time as director; attended the Allentown Paper Fair where I picked up some old Fortune and New York Times magazines. It was great. A non-stop exchanging of excited thoughts about books, collecting, and cool periodicals. Share I've been wanting to interview David about The Fab Four ever since I learned of his passion. He's a real expert on the band. I was particularly keen to find out about his personal relationship to the music, and of course, about his experience collecting and documenting its impact on print culture, internationally, high and low. Finally, after years of talking about it, we got down to business. The albums, the books - from limited editions to paperbacks - the magazines, the fan zines, the ephemera, the scrap-books, the puzzles. Liverpool. It's all here.

Matt and Gio are back to discuss the news, dodging drama, and odd death of poetry in the United States. The article we're reading today: Disappearing Ink: Poetry at the End of Print Culture, Hudson Review, Spring 2003 by Dana Gioia. Find Giant Gio YouTube: https://www.youtube.com/c/GiantArtProductions Telegram: https://t.me/giantartproductions Twitter: https://twitter.com/giantgio Links: https://findmyfrens.net/gio/ Support the Channel: Subscribestar: https://www.subscribestar.com/the-prudentialist Buy Me a Coffee: https://www.buymeacoffee.com/prudentialist Substack: https://theprudentialist.substack.com/ Merch: https://mr-prudes-wares.creator-spring.com/ Links: https://findmyfrens.net/theprudentialist/

Mount Vernon's historical status was secured by George Washington's ownership, but its full history cannot be told without examining the other people who lived here. Sarah Johnson, first living enslaved at Mount Vernon and later emancipated, saw the change in Mount Vernon from family home to national treasure.  We discuss this story with Scott E. Casper, author of  Sarah Johnson's Mount Vernon: The Forgotten History of an American Shrine.    And we also discuss Scott Casper's favorite place, the American Antiquarian Society and its amazing collections and programs.  Tell us what you think! Send us a text message!

Kate Peters, author of Print Culture and the Early Quakers, joins me to discuss the Quakers, the last of the radical groups we're covering the English Revolution series. You can hear about how the Quakers can be seen as the end of political radicalism in the revolution, or alternately as a different form of radical organizing, as evidenced by William Penn's political declarations in the 1701 charter for Pennsylvania:https://oll.libertyfund.org/pages/1701-pennsylvania-charter-of-liberties

The Weimar Republic is well-known for its gay rights movement and recent scholarship has demonstrated some of its contradictory elements. In his recent book entitled The Seduction of Youth: Print Culture and Homosexual Rights in the Weimar Republic (University of Toronto Press, 2020), Javier Samper Vendrell writes the first study to focus on the League for Human Rights and its leader, Friedrich Radszuweit. It uses his position at the center of the Weimar-era gay rights movement to tease out the diverging political strategies and contradictory tactics that distinguished the movement. By examining news articles and opinion pieces, as well as literary texts and photographs in the League's numerous pulp magazines for homosexuals, Vendrell reconstructs forgotten aspects of the history of same-sex desire and subjectivity. While recognizing the possibilities of liberal rights for sexual freedom during the Weimar Republic, the League's "respectability politics" failed in part because Radszuweit's own publications contributed to the idea that homosexual men were considered a threat to youth, doing little to change the views of the many people who believed in homosexual seduction – a homophobic trope that endured well into the twentieth century. Michael E. O'Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Weimar Republic is well-known for its gay rights movement and recent scholarship has demonstrated some of its contradictory elements. In his recent book entitled The Seduction of Youth: Print Culture and Homosexual Rights in the Weimar Republic (University of Toronto Press, 2020), Javier Samper Vendrell writes the first study to focus on the League for Human Rights and its leader, Friedrich Radszuweit. It uses his position at the center of the Weimar-era gay rights movement to tease out the diverging political strategies and contradictory tactics that distinguished the movement. By examining news articles and opinion pieces, as well as literary texts and photographs in the League's numerous pulp magazines for homosexuals, Vendrell reconstructs forgotten aspects of the history of same-sex desire and subjectivity. While recognizing the possibilities of liberal rights for sexual freedom during the Weimar Republic, the League's "respectability politics" failed in part because Radszuweit's own publications contributed to the idea that homosexual men were considered a threat to youth, doing little to change the views of the many people who believed in homosexual seduction – a homophobic trope that endured well into the twentieth century. Michael E. O'Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Weimar Republic is well-known for its gay rights movement and recent scholarship has demonstrated some of its contradictory elements. In his recent book entitled The Seduction of Youth: Print Culture and Homosexual Rights in the Weimar Republic (University of Toronto Press, 2020), Javier Samper Vendrell writes the first study to focus on the League for Human Rights and its leader, Friedrich Radszuweit. It uses his position at the center of the Weimar-era gay rights movement to tease out the diverging political strategies and contradictory tactics that distinguished the movement. By examining news articles and opinion pieces, as well as literary texts and photographs in the League's numerous pulp magazines for homosexuals, Vendrell reconstructs forgotten aspects of the history of same-sex desire and subjectivity. While recognizing the possibilities of liberal rights for sexual freedom during the Weimar Republic, the League's "respectability politics" failed in part because Radszuweit's own publications contributed to the idea that homosexual men were considered a threat to youth, doing little to change the views of the many people who believed in homosexual seduction – a homophobic trope that endured well into the twentieth century. Michael E. O'Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The Weimar Republic is well-known for its gay rights movement and recent scholarship has demonstrated some of its contradictory elements. In his recent book entitled The Seduction of Youth: Print Culture and Homosexual Rights in the Weimar Republic (University of Toronto Press, 2020), Javier Samper Vendrell writes the first study to focus on the League for Human Rights and its leader, Friedrich Radszuweit. It uses his position at the center of the Weimar-era gay rights movement to tease out the diverging political strategies and contradictory tactics that distinguished the movement. By examining news articles and opinion pieces, as well as literary texts and photographs in the League's numerous pulp magazines for homosexuals, Vendrell reconstructs forgotten aspects of the history of same-sex desire and subjectivity. While recognizing the possibilities of liberal rights for sexual freedom during the Weimar Republic, the League's "respectability politics" failed in part because Radszuweit's own publications contributed to the idea that homosexual men were considered a threat to youth, doing little to change the views of the many people who believed in homosexual seduction – a homophobic trope that endured well into the twentieth century. Michael E. O'Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

The Weimar Republic is well-known for its gay rights movement and recent scholarship has demonstrated some of its contradictory elements. In his recent book entitled The Seduction of Youth: Print Culture and Homosexual Rights in the Weimar Republic (University of Toronto Press, 2020), Javier Samper Vendrell writes the first study to focus on the League for Human Rights and its leader, Friedrich Radszuweit. It uses his position at the center of the Weimar-era gay rights movement to tease out the diverging political strategies and contradictory tactics that distinguished the movement. By examining news articles and opinion pieces, as well as literary texts and photographs in the League's numerous pulp magazines for homosexuals, Vendrell reconstructs forgotten aspects of the history of same-sex desire and subjectivity. While recognizing the possibilities of liberal rights for sexual freedom during the Weimar Republic, the League's "respectability politics" failed in part because Radszuweit's own publications contributed to the idea that homosexual men were considered a threat to youth, doing little to change the views of the many people who believed in homosexual seduction – a homophobic trope that endured well into the twentieth century. Michael E. O'Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The Weimar Republic is well-known for its gay rights movement and recent scholarship has demonstrated some of its contradictory elements. In his recent book entitled The Seduction of Youth: Print Culture and Homosexual Rights in the Weimar Republic (University of Toronto Press, 2020), Javier Samper Vendrell writes the first study to focus on the League for Human Rights and its leader, Friedrich Radszuweit. It uses his position at the center of the Weimar-era gay rights movement to tease out the diverging political strategies and contradictory tactics that distinguished the movement. By examining news articles and opinion pieces, as well as literary texts and photographs in the League's numerous pulp magazines for homosexuals, Vendrell reconstructs forgotten aspects of the history of same-sex desire and subjectivity. While recognizing the possibilities of liberal rights for sexual freedom during the Weimar Republic, the League's "respectability politics" failed in part because Radszuweit's own publications contributed to the idea that homosexual men were considered a threat to youth, doing little to change the views of the many people who believed in homosexual seduction – a homophobic trope that endured well into the twentieth century. Michael E. O'Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Weimar Republic is well-known for its gay rights movement and recent scholarship has demonstrated some of its contradictory elements. In his recent book entitled The Seduction of Youth: Print Culture and Homosexual Rights in the Weimar Republic (University of Toronto Press, 2020), Javier Samper Vendrell writes the first study to focus on the League for Human Rights and its leader, Friedrich Radszuweit. It uses his position at the center of the Weimar-era gay rights movement to tease out the diverging political strategies and contradictory tactics that distinguished the movement. By examining news articles and opinion pieces, as well as literary texts and photographs in the League's numerous pulp magazines for homosexuals, Vendrell reconstructs forgotten aspects of the history of same-sex desire and subjectivity. While recognizing the possibilities of liberal rights for sexual freedom during the Weimar Republic, the League's "respectability politics" failed in part because Radszuweit's own publications contributed to the idea that homosexual men were considered a threat to youth, doing little to change the views of the many people who believed in homosexual seduction – a homophobic trope that endured well into the twentieth century. Michael E. O'Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

The Weimar Republic is well-known for its gay rights movement and recent scholarship has demonstrated some of its contradictory elements. In his recent book entitled The Seduction of Youth: Print Culture and Homosexual Rights in the Weimar Republic (University of Toronto Press, 2020), Javier Samper Vendrell writes the first study to focus on the League for Human Rights and its leader, Friedrich Radszuweit. It uses his position at the center of the Weimar-era gay rights movement to tease out the diverging political strategies and contradictory tactics that distinguished the movement. By examining news articles and opinion pieces, as well as literary texts and photographs in the League's numerous pulp magazines for homosexuals, Vendrell reconstructs forgotten aspects of the history of same-sex desire and subjectivity. While recognizing the possibilities of liberal rights for sexual freedom during the Weimar Republic, the League's "respectability politics" failed in part because Radszuweit's own publications contributed to the idea that homosexual men were considered a threat to youth, doing little to change the views of the many people who believed in homosexual seduction – a homophobic trope that endured well into the twentieth century. Michael E. O'Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're continuing through the beginnings of print culture with John Rastell and John Heywood. Season Four we're examining the origins of Anglophone drama, in crossover with the Beyond Shakespeare Company Podcast! Hamlet to Hamilton Beyond Shakespeare Company

Embark on a historical odyssey with us as we host Michael Baysa, postdoctoral history scholar from Washington University in St. Louis, who meticulously peels back the layers of early American print culture. His compelling narratives bring to light the selective democratization of print and the hidden struggles of figures like Santiago de Puglia in disseminating progressive ideas. Together, we uncover the complex interplay of language, identity, and power that defined the nation's earliest days and echoes into our modern era.Revelations abound in this episode, as we traverse the influence of religious establishments and linguistic diversity in shaping America's formative years. Michael Beza offers a critical perspective on the advantages Protestant groups held in leveraging printing for their benefit, alongside the restrictive societal undercurrents that curtailed voices like Puglia's. We dissect the role of anti-Catholic sentiment and explore how key figures of American history interacted with and were influenced by multilingual and multicultural dynamics.We wrap up with a look towards the future, featuring up-and-coming academic Michael Baysa whose insights into the religious history of America's printing press promise to spark fresh academic discourse. Follow his journey at @MichaelBaysa, and stay connected with the evolving conversation on the relationship between religion, culture, and politics. As we close this chapter, we leave you enriched with a deeper appreciation of the nuanced forces that continue to sculpt the narrative of American society. Leadership Lessons From The Great BooksReading great literature is better than trying to read and understand...Listen on: Apple Podcasts SpotifySupport the showCrew:Host: C. Derick VarnAudio Producer: Paul Channel Strip ( @aufhebenkultur )Intro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @skepoetYou can find the additional streams on Youtube

Tia Blassingame introduced her work leading the Book/Print Artist/Scholar of Color Collective (aka Book/Print Collective) and shared methods for supporting and empowering BIPOC book and print artists In this lecture, Tia Blassingame introduced her work leading the Book/Print Artist/Scholar of Color Collective (aka Book/Print Collective) and shared methods for supporting and empowering BIPOC book and print artists. She also discussed her educational work centred around Black American artists working in the book form and her curatorial work challenging the exclusion and erasure of Global Majority traditions and artistry in hand papermaking. Founded in 2019 by book artist and printmaker Tia Blassingame, the Book/Print Artist/Scholar of Color Collective brings Black, Indigenous and People of Color (BIPOC) book artists, papermakers, curators, letterpress printers, printmakers into conversation and collaboration with scholars of BIPOC Book History and Print Culture to build community, support systems. Biography: Tia Blassingame is an Associate Professor of Art at Scripps College, where she teaches Book Arts and Letterpress Printing, and serves as the Director of Scripps College Press. Her artist's books and prints can be found in library and museum collections across the world. In 2019, Blassingame founded the Book/Print Artist/Scholar of Color Collective. Most recently, Blassingame has co-curated, with writer, book artist, publisher Stephanie Sauer, the NEA and Center for Craft grants-awarded exhibition, Paper Is People: Decolonizing Global Paper Cultures, held at Minnesota Center for Book Arts (14 April – 12 August 2023) and San Francisco Center for the Book (28 October -22 December, 2023). Tia Blassingame was the current Bodleian Printer in Residence, 2023. Book/Print Collective | Instagram: @bookprintcollective Programmed by The Centre for the Study of the Book, Bodleian Libraries.

Scholarly discussions on Islam in print have focused predominantly on the role of Urdu in the development of North Indian Muslim publics (Dubrow, 2018; Robb, 2020), ʿulama and Islamic jurisprudence (Tareen, 2020) and relations between Islam and colonial modernity (Robinson, 2008; Osella & Osella, 2008). This special issue of International Journal of Islam in Asia (Sept, 2023) instead offers fine-grained investigations on technology and labour; print landscapes, networks and actors; subaltern languages; and popular Islam. We critique the idea of an “epistemic rupture” brought about by colonial modernity, providing a more systematic analysis of continuities and changes in Islamic knowledge economy. Examining two centuries of print authored by South Asian Muslims, the articles in the issue provide new ways of thinking about questions of knowledge production, distribution, circulation and reception. The issue broadens the scope of earlier scholarship, examining genres such as cosmology, divination, devotional poems, salacious songs, romances and tales of war in Urdu, Persian, Arabic, dobhāṣī do Bangla, Arabic Malayalam, Sindhi, Balochi and Brahui. The articles show the different ways that pre-colonial practices and cultures of writing and reading persisted in the print landscape, in terms of copying, adaptation, translation and circulation of texts. They inquire into new technologies, labour and networks that evolved, and how it provided fertile ground for both new and traditional forms of religious activities and authorities. The articles present new Muslim publics, geographies, and imaginaries forged through the vernacularisation of Islam, and their relationship to the transnational or global community. Nur Sobers-Khan is a researcher and curator of Islamic manuscripts, art and archival collections. She served as director of the Aga Khan Documentation Center, a research centre and archive for the study of visual culture, architecture and urbanism in Muslim societies (2021-22). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Scholarly discussions on Islam in print have focused predominantly on the role of Urdu in the development of North Indian Muslim publics (Dubrow, 2018; Robb, 2020), ʿulama and Islamic jurisprudence (Tareen, 2020) and relations between Islam and colonial modernity (Robinson, 2008; Osella & Osella, 2008). This special issue of International Journal of Islam in Asia (Sept, 2023) instead offers fine-grained investigations on technology and labour; print landscapes, networks and actors; subaltern languages; and popular Islam. We critique the idea of an “epistemic rupture” brought about by colonial modernity, providing a more systematic analysis of continuities and changes in Islamic knowledge economy. Examining two centuries of print authored by South Asian Muslims, the articles in the issue provide new ways of thinking about questions of knowledge production, distribution, circulation and reception. The issue broadens the scope of earlier scholarship, examining genres such as cosmology, divination, devotional poems, salacious songs, romances and tales of war in Urdu, Persian, Arabic, dobhāṣī do Bangla, Arabic Malayalam, Sindhi, Balochi and Brahui. The articles show the different ways that pre-colonial practices and cultures of writing and reading persisted in the print landscape, in terms of copying, adaptation, translation and circulation of texts. They inquire into new technologies, labour and networks that evolved, and how it provided fertile ground for both new and traditional forms of religious activities and authorities. The articles present new Muslim publics, geographies, and imaginaries forged through the vernacularisation of Islam, and their relationship to the transnational or global community. Nur Sobers-Khan is a researcher and curator of Islamic manuscripts, art and archival collections. She served as director of the Aga Khan Documentation Center, a research centre and archive for the study of visual culture, architecture and urbanism in Muslim societies (2021-22). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Scholarly discussions on Islam in print have focused predominantly on the role of Urdu in the development of North Indian Muslim publics (Dubrow, 2018; Robb, 2020), ʿulama and Islamic jurisprudence (Tareen, 2020) and relations between Islam and colonial modernity (Robinson, 2008; Osella & Osella, 2008). This special issue of International Journal of Islam in Asia (Sept, 2023) instead offers fine-grained investigations on technology and labour; print landscapes, networks and actors; subaltern languages; and popular Islam. We critique the idea of an “epistemic rupture” brought about by colonial modernity, providing a more systematic analysis of continuities and changes in Islamic knowledge economy. Examining two centuries of print authored by South Asian Muslims, the articles in the issue provide new ways of thinking about questions of knowledge production, distribution, circulation and reception. The issue broadens the scope of earlier scholarship, examining genres such as cosmology, divination, devotional poems, salacious songs, romances and tales of war in Urdu, Persian, Arabic, dobhāṣī do Bangla, Arabic Malayalam, Sindhi, Balochi and Brahui. The articles show the different ways that pre-colonial practices and cultures of writing and reading persisted in the print landscape, in terms of copying, adaptation, translation and circulation of texts. They inquire into new technologies, labour and networks that evolved, and how it provided fertile ground for both new and traditional forms of religious activities and authorities. The articles present new Muslim publics, geographies, and imaginaries forged through the vernacularisation of Islam, and their relationship to the transnational or global community. Nur Sobers-Khan is a researcher and curator of Islamic manuscripts, art and archival collections. She served as director of the Aga Khan Documentation Center, a research centre and archive for the study of visual culture, architecture and urbanism in Muslim societies (2021-22). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Scholarly discussions on Islam in print have focused predominantly on the role of Urdu in the development of North Indian Muslim publics (Dubrow, 2018; Robb, 2020), ʿulama and Islamic jurisprudence (Tareen, 2020) and relations between Islam and colonial modernity (Robinson, 2008; Osella & Osella, 2008). This special issue of International Journal of Islam in Asia (Sept, 2023) instead offers fine-grained investigations on technology and labour; print landscapes, networks and actors; subaltern languages; and popular Islam. We critique the idea of an “epistemic rupture” brought about by colonial modernity, providing a more systematic analysis of continuities and changes in Islamic knowledge economy. Examining two centuries of print authored by South Asian Muslims, the articles in the issue provide new ways of thinking about questions of knowledge production, distribution, circulation and reception. The issue broadens the scope of earlier scholarship, examining genres such as cosmology, divination, devotional poems, salacious songs, romances and tales of war in Urdu, Persian, Arabic, dobhāṣī do Bangla, Arabic Malayalam, Sindhi, Balochi and Brahui. The articles show the different ways that pre-colonial practices and cultures of writing and reading persisted in the print landscape, in terms of copying, adaptation, translation and circulation of texts. They inquire into new technologies, labour and networks that evolved, and how it provided fertile ground for both new and traditional forms of religious activities and authorities. The articles present new Muslim publics, geographies, and imaginaries forged through the vernacularisation of Islam, and their relationship to the transnational or global community. Nur Sobers-Khan is a researcher and curator of Islamic manuscripts, art and archival collections. She served as director of the Aga Khan Documentation Center, a research centre and archive for the study of visual culture, architecture and urbanism in Muslim societies (2021-22). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Scholarly discussions on Islam in print have focused predominantly on the role of Urdu in the development of North Indian Muslim publics (Dubrow, 2018; Robb, 2020), ʿulama and Islamic jurisprudence (Tareen, 2020) and relations between Islam and colonial modernity (Robinson, 2008; Osella & Osella, 2008). This special issue of International Journal of Islam in Asia (Sept, 2023) instead offers fine-grained investigations on technology and labour; print landscapes, networks and actors; subaltern languages; and popular Islam. We critique the idea of an “epistemic rupture” brought about by colonial modernity, providing a more systematic analysis of continuities and changes in Islamic knowledge economy. Examining two centuries of print authored by South Asian Muslims, the articles in the issue provide new ways of thinking about questions of knowledge production, distribution, circulation and reception. The issue broadens the scope of earlier scholarship, examining genres such as cosmology, divination, devotional poems, salacious songs, romances and tales of war in Urdu, Persian, Arabic, dobhāṣī do Bangla, Arabic Malayalam, Sindhi, Balochi and Brahui. The articles show the different ways that pre-colonial practices and cultures of writing and reading persisted in the print landscape, in terms of copying, adaptation, translation and circulation of texts. They inquire into new technologies, labour and networks that evolved, and how it provided fertile ground for both new and traditional forms of religious activities and authorities. The articles present new Muslim publics, geographies, and imaginaries forged through the vernacularisation of Islam, and their relationship to the transnational or global community. Nur Sobers-Khan is a researcher and curator of Islamic manuscripts, art and archival collections. She served as director of the Aga Khan Documentation Center, a research centre and archive for the study of visual culture, architecture and urbanism in Muslim societies (2021-22). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Scholarly discussions on Islam in print have focused predominantly on the role of Urdu in the development of North Indian Muslim publics (Dubrow, 2018; Robb, 2020), ʿulama and Islamic jurisprudence (Tareen, 2020) and relations between Islam and colonial modernity (Robinson, 2008; Osella & Osella, 2008). This special issue of International Journal of Islam in Asia (Sept, 2023) instead offers fine-grained investigations on technology and labour; print landscapes, networks and actors; subaltern languages; and popular Islam. We critique the idea of an “epistemic rupture” brought about by colonial modernity, providing a more systematic analysis of continuities and changes in Islamic knowledge economy. Examining two centuries of print authored by South Asian Muslims, the articles in the issue provide new ways of thinking about questions of knowledge production, distribution, circulation and reception. The issue broadens the scope of earlier scholarship, examining genres such as cosmology, divination, devotional poems, salacious songs, romances and tales of war in Urdu, Persian, Arabic, dobhāṣī do Bangla, Arabic Malayalam, Sindhi, Balochi and Brahui. The articles show the different ways that pre-colonial practices and cultures of writing and reading persisted in the print landscape, in terms of copying, adaptation, translation and circulation of texts. They inquire into new technologies, labour and networks that evolved, and how it provided fertile ground for both new and traditional forms of religious activities and authorities. The articles present new Muslim publics, geographies, and imaginaries forged through the vernacularisation of Islam, and their relationship to the transnational or global community. Nur Sobers-Khan is a researcher and curator of Islamic manuscripts, art and archival collections. She served as director of the Aga Khan Documentation Center, a research centre and archive for the study of visual culture, architecture and urbanism in Muslim societies (2021-22). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Scholarly discussions on Islam in print have focused predominantly on the role of Urdu in the development of North Indian Muslim publics (Dubrow, 2018; Robb, 2020), ʿulama and Islamic jurisprudence (Tareen, 2020) and relations between Islam and colonial modernity (Robinson, 2008; Osella & Osella, 2008). This special issue of International Journal of Islam in Asia (Sept, 2023) instead offers fine-grained investigations on technology and labour; print landscapes, networks and actors; subaltern languages; and popular Islam. We critique the idea of an “epistemic rupture” brought about by colonial modernity, providing a more systematic analysis of continuities and changes in Islamic knowledge economy. Examining two centuries of print authored by South Asian Muslims, the articles in the issue provide new ways of thinking about questions of knowledge production, distribution, circulation and reception. The issue broadens the scope of earlier scholarship, examining genres such as cosmology, divination, devotional poems, salacious songs, romances and tales of war in Urdu, Persian, Arabic, dobhāṣī do Bangla, Arabic Malayalam, Sindhi, Balochi and Brahui. The articles show the different ways that pre-colonial practices and cultures of writing and reading persisted in the print landscape, in terms of copying, adaptation, translation and circulation of texts. They inquire into new technologies, labour and networks that evolved, and how it provided fertile ground for both new and traditional forms of religious activities and authorities. The articles present new Muslim publics, geographies, and imaginaries forged through the vernacularisation of Islam, and their relationship to the transnational or global community. Nur Sobers-Khan is a researcher and curator of Islamic manuscripts, art and archival collections. She served as director of the Aga Khan Documentation Center, a research centre and archive for the study of visual culture, architecture and urbanism in Muslim societies (2021-22). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

New Grub Street is a novel by George Gissing published in 1891, which is set in the literary and journalistic circles of 1880s' London.The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent with limited commercial prospects, and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern  world.With us today to discuss this wonderful novel are Doctors. Katy Mullin, Tom Ue and Richard Menke. Dr. Mullin is professor of modern literature and culture at University of Leeds. Her research explores connections between late-Victorian and Modernist fiction, and sexuality and popular culture. She's the author of James Joyce, Sexuality and Social Purity and another book titled Working Girls: Fiction, Sexuality and Modernity.Dr. Ue is Assistant Professor in English of the Long Nineteenth Century at Cape Breton University and Advising Editor of The Complete Letters of Henry James at University of Nebraska Press. He is the author of Sherlock Holmes and Shakespeare. He also writes on George Gissing and Henry Ryecroft. Dr. Menke is an Associate Professor of English at the University of Georgia. He is the author of Telegraphic Realism: Victorian Fiction and Other Information Systems and another book titled “Literature, Print Culture, and Media Technologies, 1880–1900: Many Inventions.”Recommended Reading:George Gissing, New Grub StreetThis podcast is sponsored by Riverside, the most efficient platform for video recording and editing for podcasters.Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Rewriting Citizenship: Women, Race, and Nineteenth-Century Print Culture (U Georgia Press, 2022) provides an interdisciplinary approach to antebellum citizenship. Interpreting citizenship, particularly how citizenship intersects with race and gender, is fundamental to understanding the era and directly challenges the idea of Jacksonian Democracy. Susan J. Stanfield uses an analysis of novels, domestic advice, essays, and poetry, as well as more traditional archival sources, to provide an understanding of both the prescriptions for womanhood espoused in print culture and how those prescriptions were interpreted in everyday life. While much has been written about the cultural marker of true womanhood as a gender ideology of white middle-class women, Stanfield reveals how it served an even more significant purpose by defining racial difference and attaching civic purpose to the daily practices of women. Black and white women were actively engaged in redefining citizenship in ways that did not necessarily call for suffrage rights but did claim a relationship to the state. The prominence of true womanhood relied upon a female-focused print culture. The act of publication gave power to the ideology and allowed for a shared identity among white middle-class women and those who sought to emulate them. Stanfield argues that this domestic literature created a national code for womanhood that was racially constructed and infused with civic purpose. By defining women's household practices as an obligation not only to their husbands but also to the state, women could reimagine themselves as citizens. Through print sources, women publicized their performance of these defined obligations and laid claim to citizenship on their own behalf. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Rewriting Citizenship: Women, Race, and Nineteenth-Century Print Culture (U Georgia Press, 2022) provides an interdisciplinary approach to antebellum citizenship. Interpreting citizenship, particularly how citizenship intersects with race and gender, is fundamental to understanding the era and directly challenges the idea of Jacksonian Democracy. Susan J. Stanfield uses an analysis of novels, domestic advice, essays, and poetry, as well as more traditional archival sources, to provide an understanding of both the prescriptions for womanhood espoused in print culture and how those prescriptions were interpreted in everyday life. While much has been written about the cultural marker of true womanhood as a gender ideology of white middle-class women, Stanfield reveals how it served an even more significant purpose by defining racial difference and attaching civic purpose to the daily practices of women. Black and white women were actively engaged in redefining citizenship in ways that did not necessarily call for suffrage rights but did claim a relationship to the state. The prominence of true womanhood relied upon a female-focused print culture. The act of publication gave power to the ideology and allowed for a shared identity among white middle-class women and those who sought to emulate them. Stanfield argues that this domestic literature created a national code for womanhood that was racially constructed and infused with civic purpose. By defining women's household practices as an obligation not only to their husbands but also to the state, women could reimagine themselves as citizens. Through print sources, women publicized their performance of these defined obligations and laid claim to citizenship on their own behalf. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rewriting Citizenship: Women, Race, and Nineteenth-Century Print Culture (U Georgia Press, 2022) provides an interdisciplinary approach to antebellum citizenship. Interpreting citizenship, particularly how citizenship intersects with race and gender, is fundamental to understanding the era and directly challenges the idea of Jacksonian Democracy. Susan J. Stanfield uses an analysis of novels, domestic advice, essays, and poetry, as well as more traditional archival sources, to provide an understanding of both the prescriptions for womanhood espoused in print culture and how those prescriptions were interpreted in everyday life. While much has been written about the cultural marker of true womanhood as a gender ideology of white middle-class women, Stanfield reveals how it served an even more significant purpose by defining racial difference and attaching civic purpose to the daily practices of women. Black and white women were actively engaged in redefining citizenship in ways that did not necessarily call for suffrage rights but did claim a relationship to the state. The prominence of true womanhood relied upon a female-focused print culture. The act of publication gave power to the ideology and allowed for a shared identity among white middle-class women and those who sought to emulate them. Stanfield argues that this domestic literature created a national code for womanhood that was racially constructed and infused with civic purpose. By defining women's household practices as an obligation not only to their husbands but also to the state, women could reimagine themselves as citizens. Through print sources, women publicized their performance of these defined obligations and laid claim to citizenship on their own behalf. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Rewriting Citizenship: Women, Race, and Nineteenth-Century Print Culture (U Georgia Press, 2022) provides an interdisciplinary approach to antebellum citizenship. Interpreting citizenship, particularly how citizenship intersects with race and gender, is fundamental to understanding the era and directly challenges the idea of Jacksonian Democracy. Susan J. Stanfield uses an analysis of novels, domestic advice, essays, and poetry, as well as more traditional archival sources, to provide an understanding of both the prescriptions for womanhood espoused in print culture and how those prescriptions were interpreted in everyday life. While much has been written about the cultural marker of true womanhood as a gender ideology of white middle-class women, Stanfield reveals how it served an even more significant purpose by defining racial difference and attaching civic purpose to the daily practices of women. Black and white women were actively engaged in redefining citizenship in ways that did not necessarily call for suffrage rights but did claim a relationship to the state. The prominence of true womanhood relied upon a female-focused print culture. The act of publication gave power to the ideology and allowed for a shared identity among white middle-class women and those who sought to emulate them. Stanfield argues that this domestic literature created a national code for womanhood that was racially constructed and infused with civic purpose. By defining women's household practices as an obligation not only to their husbands but also to the state, women could reimagine themselves as citizens. Through print sources, women publicized their performance of these defined obligations and laid claim to citizenship on their own behalf. Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

While the stock image of the anarchist as a masked bomber or brick thrower prevails in the public eye, a more representative figure should be a printer at a printing press. In Letterpress Revolution: The Politics of Anarchist Print Culture (Duke UP, 2023), Kathy E. Ferguson explores the importance of printers, whose materials galvanized anarchist movements across the United States and Great Britain from the late nineteenth century to the 1940s. Ferguson shows how printers—whether working at presses in homes, offices, or community centers—arranged text, ink, images, graphic markers, and blank space within the architecture of the page. Printers' extensive correspondence with fellow anarchists and the radical ideas they published created dynamic and entangled networks that brought the decentralized anarchist movements together. Printers and presses did more than report on the movement; they were constitutive of it, and their vitality in anarchist communities helps explain anarchism's remarkable persistence in the face of continuous harassment, arrest, assault, deportation, and exile. By inquiring into the political, material, and aesthetic practices of anarchist print culture, Ferguson points to possible methods for cultivating contemporary political resistance. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

While the stock image of the anarchist as a masked bomber or brick thrower prevails in the public eye, a more representative figure should be a printer at a printing press. In Letterpress Revolution: The Politics of Anarchist Print Culture (Duke UP, 2023), Kathy E. Ferguson explores the importance of printers, whose materials galvanized anarchist movements across the United States and Great Britain from the late nineteenth century to the 1940s. Ferguson shows how printers—whether working at presses in homes, offices, or community centers—arranged text, ink, images, graphic markers, and blank space within the architecture of the page. Printers' extensive correspondence with fellow anarchists and the radical ideas they published created dynamic and entangled networks that brought the decentralized anarchist movements together. Printers and presses did more than report on the movement; they were constitutive of it, and their vitality in anarchist communities helps explain anarchism's remarkable persistence in the face of continuous harassment, arrest, assault, deportation, and exile. By inquiring into the political, material, and aesthetic practices of anarchist print culture, Ferguson points to possible methods for cultivating contemporary political resistance. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the wise words of Lizzo, it's about damn time! Our latest episode is all about Sentimentality, an 18th century philosophical intervention that emerged in opposition to rationality. Hannah (whose recent book, A Sentimental Education, is all about this topic) guides the episode. We revisit our discussions on Orientalism, Animal Studies and Print Culture, before jumping into an overview of what Sentimentalism is all about— and how we might read Harry Potter and Deathly Hallows as a novel written in that literary tradition.If you like thinking about character development, intersectional feminism and the power (or lack thereof) of the written word, then this episode is for you! We also get a little meta and think through how books become sentimental for a reader. For example, how a series about friendship and the fight between good and evil inspires two lady scholars to make an entire podcast about it for a dedicated listenership of people 25 years after it was first published. Just as an example!!If you're a longtime listener of the show, please consider becoming a Patron this time of year! We're hoping to reach 1000 patrons by January 1st and we're really close. For just $2 USD/month you can help us pay our producer, our apprentice, ourselves, our website costs, etc. It is truly what makes producing this show possible. If you find yourself with a spare $24 this year, we'd be really grateful for your financial support. If becoming a paying subscriber isn't in the cards right now, please leave us a review instead! Reviews help more listeners find us and that's a huge help! We have aa lot planned for the New Year (including merch now available on our website ohwitchplease.ca), so be sure to follow us on Instagram or Twitter @ohwitchplease to stay connected.Special thanks to our Witch, Please team: Gaby Iori, Erik Magnus, Zoe Mix, and Hannah Rehak. Hosted on Acast. See acast.com/privacy for more information.

We're back with a new episode on New Media! To begin, we revisit Print Culture, Critical Archival Studies and the work of Canadian theorist Marshall McLuhan before jumping into a conversation about the phonograph! Well, kind of... We take a look at Lisa Gitelman's book Always Already New: Media, History, and the Data of Culture, to better understand how new technologies are normalized and made familiar such that we forget information is being mediated at all. We talk about Potterwatch radio, Dumbledore's deluminator, horcruxes, patronuses and more while taking a very close look at Harry Potter and the Deathly Hallows.To support the show, you can become a Patreon Supporter at any tier for extra perks and bonus content including episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected. Hosted on Acast. See acast.com/privacy for more information.

James Yeoman, author of Print Culture and the Formation of the Anarchist Movement in Spain, 1890-1915 joins me to talk about propaganda by the deed, violence, terror, education, and the anarchist printing press in Spain at the turn of the twentieth century.  Pick up a copy of Print Culture and the Formation of the Anarchist Movement in Spain, 1890-1915! Support Coffee with Comrades on Patreon, follow us on Twitter and Instagram, and visit our website. Pick up a Coffee with Comrades shirt or coffee mug at our official merch store. Coffee with Comrades is a proud member of the Channel Zero Network. Coffee with Comrades is an affiliate of the Firestorm Books & Café. Check out our reading recommendations! Our logo was designed by Nathanael Whale.

In this episode we dig into Marginalia! After a brief revision of our episodes on Print Culture and Fan Studies, we take a look at the it's long histoy using Heather Jackson's book, Marginalia: Readers Writing in Books (2001). Marcelle begrudgingly leads us through the contribution of the Romantics (specifically Samuel Taylor Coleridge) and we ultimately get to take a long hard look at Harry Potter and the Half-Blood Prince. Not just the book! We actually get to think through Harry Potter and his relationship to the Half-Blood Prince! How can the history and study of marginalia help us think through young Snape's notes? Why are the annotations in Harry's Potions textbook so enticing? For access to our transcripts, visit ohwitchplease.ca. To become a Patreon supporter head to Patreon.com/ohwitchplease. To stay in touch, follow us everywhere @ohwitchplease. See acast.com/privacy for privacy and opt-out information.