Field of history focused on architecture
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9 episodes with architectural history
9 episodes with architectural history
3 episodes with architectural history
2 episodes with architectural history
2 episodes with architectural history
2 episodes with architectural history
2 episodes with architectural history
2 episodes with architectural history
2 episodes with architectural history
Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB's Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB's Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB's Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB's Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture
Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB's Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB's Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB's Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices
Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB's Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies
Is Islam Compatible with Classical Liberalism? | Dr. Samir Mahmoud What is the relationship between Islam and Classical Liberalism? Is there an incompatibility, or just a misunderstanding between manifestations of Islam on the margins? Dr. Samir Mahmoud is the Education Advisor to the Office of the Special Envoy to Combat Islamophobia. He has a BA (Hons) in Anthropology & Politics with a focus on multicultural theory and comparative religion, and an MA in Architectural History, Theory & Urban Design with a focus on the traditional townscape from the University of New South Wales, Sydney Australia. He also holds an MPhil in Theology & Religious Studies with a focus on comparative philosophy and aesthetics. He completed a PhD in Islamic Studies from the University of Cambridge under the supervision of Dr. Timothy Winter (Shaykh Abdal Hakim Murad).
She Builds Podcast features the seldom-told stories of women who build. These women's stories were not taught in schools, but they have shaped the industries of architecture, construction, and development over the last century. The podcast was started by three friends who, after graduating from architecture school together, sought to fill in the gaps in their education while creating a resource for others.Jessica Rogers, NOMA is the Office Administrator and Marketing Coordinator at Peacock Architects, where she combines her architectural background with strong operational and marketing expertise. In her role, Jessica leads proposal development, manages the project pipeline, and supports overall office efficiency. Elizabeth Raar (Lizi) is a licensed architect, originally from West Michigan, who graduated from Syracuse University. Currently, she works for En Masse Architecture and Design in Chicago, IL on single-family residential projects. She enjoys making a project functional yet beautiful for the client. Norgerie Rivas-Villalongo is an architect from Puerto Rico with a Bachelor of Architecture degree from Syracuse University. She is currently a project manager at eStudio Architecture in Houston, Texas, where she has designed projects for various sectors, including commercial, healthcare, multifamily, and retail, from inception through construction. She currently serves as an Architect Licensing Advisor with the Texas Society of Architects, Past-Chair of the Christopher Kelley Leadership Development Program, and is an active participant in Latinos in Architecture. We talk about…- The behind-the-scenes reality of building an international women in architecture podcast, from writing scripts and digging through archives to piecing together the stories of impactful women who history nearly overlooked.- The very different career journeys these three women have taken from Syracuse to Miami, DC, Houston, San Francisco, and Chicago, and why there is no single roadmap for building a meaningful architecture career. - Themes and patterns that have emerged across more than 100 stories of women in architecture, including how access, privilege, education, and mentorship have historically shaped opportunity in the profession.- We end by sharing architecture-fueled travel stories and the unforgettable places that have shaped their perspective, including Hearst Castle, Sea Ranch, and Hagia Sophia.>>> Connect with She Builds: www.shebuildspodcast.com>>>Thank you to our Sponsor:Arcol is a collaborative building design tool built for modern teams. Arcol streamlines your design process by keeping your model, data, and presentations in sync- enabling your team to work together seamlessly. Learn more about Arcol on their Website, Instagram, YouTube, X, and LinkedIn.>>>Connect with Architectette:- Website: www.architectette.com (Learn more)- Instagram: @architectette (See more)- Newsletter: www.architectette.com/newsletter (Behind the Scenes Content)- LinkedIn: The Architectette Podcast Page and/or Caitlin Brady>>> Support Architectette:- Leave us a rating and review!>>>Music by AlexGrohl from Pixabay.
This month's podcast takes us to the far south-west of the Islamic world, to the Inner Nigel Delta in Mali where stands the Great Mosque of Djenné in all its magnificence. Join Michelle Apotsos as she discusses the story of this vibrant place of worship built solely out of mud and wood at the centre of a town with deep historical links south to the Atlantic coast and north across the Sahara desert to the Maghreb. In the annual tradition of renovation and reconstruction, the Great Mosque offers a model of architectural renewal alongside an understanding of heritage not as a stagnant object needing to be frozen time but a living tradition.Michelle Apotsos is a Professor of Art and Architectural History at Williams College, specializing in architecture and Afro-Islamic creative production. Her current projects focus on the growth of large-scale congregational masajid on the continent and alternative contemporary religious spatial technologies and ecologies.This episode is part of our series Peripheries which seeks to push our understanding of the cultural heritage of the Islamic world away from the traditional centres that we associate with it. With a fantastic range of guests we will examine places and topics often considered peripheral to the Islamic world and understand why they are in fact of central importance to the region's cultural heritage, from Armenia to England, from Ethiopia to West Africa.
The history of goal posts in football is a fascinating narrative that underscores their evolution from rudimentary structures to essential components of the game. Timothy B. Brown of FootballArchaeology.com joins us to elucidate this intriguing history, highlighting the initial design of goal posts, which consisted merely of two upright posts with a string connecting them. As we delve deeper into the discussion, we uncover significant milestones, such as the introduction of the safety goal post by Edward Manley in 1899, which aimed to enhance player safety by relocating the posts behind the goal line. Additionally, we explore the various designs and adaptations that have emerged over the years, including the transition to modern aluminum structures and the impact of soccer-style kicking on goal post placement. This episode serves as an enlightening exploration of how a seemingly simple element of the game has profoundly influenced both gameplay and player safety throughout football's storied history.Join us at the Pigskin Dispatch website to see even more Positive football news!Don't forget to check out and subscribe to the Pigskin Dispatch YouTube channel for additional content and the regular Football History Minute Shorts.Miss our football by the day of the year podcasts, well don't, because they can still be found at the Pigskin Dispatch website. Mentioned in this episode:Sports History Theme SongThis theme song was produced by Ron "Tyke" Oliver of Music Meets Sportz https://sites.google.com/view/sportsfanztastic/sports-history-network?authuser=0
The neo-mansard roof is as polarizing as an architectural feature can be. Mansard roofs belong along a street in Paris or maybe on an 80's vintage Burger King, right? Yet, a slew of mid-century architects seemed to independently decide to give them a try in residential design during our favorite decades. Why, though? Why?Today, I'm talking that over with our favorite mid mod house historian, Atom Stevens. In Today's Episode You'll Hear:What exactly IS a neo-mansard roof? Who made the mansard roof a thing?Why was there a neo-mansard moment in the mid-century? Get the full show notes with all the trimmings at https://www.midmod-midwest.com/2303Like and subscribe at Apple | Spotify | YouTube. Want us to create your mid-century master plan? Apply here! Or get my course, Ready to Remodel.
This episode features an exciting conversation with Amber N. Wiley, PhD, who has just published her new book titled 'Model Schools in the Model City: Race, Planning, and Education in the Nation's Capital' The interview covers various topics including the challenges and triumphs of writing her book during the pandemic as well as the history and architecture of black schools in Washington, DC. Amber also discusses her upbringing, the significance of black public high schools, and the efforts to get them recognized as national historic landmarks. The interview concludes with a look at Amber's future projects and her upcoming book tour events.Amber N. Wiley Ph.D. is the Wick Cary Director of the Institute for Quality Communities. An award-winning scholar, Wiley has over 20 years of experience in teaching, research and professional practice in historic preservation, architecture and community engagement. She has dedicated her career to advancing the history and narrative of design and preservation in Black communities, as well as advocating for theoretically rigorous, thoughtful and inclusive expansions of preservation policy and practice. She currently serves on the board of the Oklahoma Foundation for Excellence. Her first book, Model Schools in the Model City: Race, Planning, and Education in the Nation's Capital was released by the University of Pittsburgh Press in April 2025. Her second book, Collective Yearning: Black Women Artists from the Zimmerli Art Museum is scheduled for release by the Rutgers University Press in May 2026.Amber received her Ph.D. in American Studies from George Washington University. She also holds a Master's in Architectural History and Certificate in Historic Preservation from the University of Virginia School of Architecture, and a B.A. in Architecture from Yale University. She is a native of Oklahoma City with roots in Washington, DC, Maryland, North Carolina, and Arkansas.Learn More:Purchase Model Schools in the Model City: Race, Planning, and Education in the Nation's Capital at www.ambernwiley.com and https://dchistory.org/events/book-talk-model-schools/Watch Clips:Walter Fauntroy, Urban Renewal and The Model City Video Short: https://youtube.com/shorts/s_-AKvIGZfY?feature=share
Join Natalie Grueninger and expert guide Sarah Slater for a tour of Hampton Court Palace: its Tudor history, the spectacular Great Hall stained glass, and the spine-tingling ghost stories tied to Jane Seymour, Catherine Howard, Anne Boleyn and the Grey Lady, Dame Sybil Penn. They discuss eyewitness accounts, a mysterious CCTV figure, EMF readings in the Haunted Gallery, and the palace's long social and architectural past—plus book recommendations and ways to learn more. LINKS MENTIONED https://britainsbestguides.org/ https://www.thehistoryguides.com/guides/ BOOKS MENTIONED 'The Palace' by Gareth Russell 'Private Lives of the Tudors' by Tracy Borman 'In the Footsteps of Anne Boleyn' by Natalie Grueninger & Sarah Morris 'A Tudor Christmas' by Alison Weir & Siobhan' 'Hampton Court: A Social and Architectural History' by Simon Thurley Find out more about your host at https://www.nataliegrueninger.com Support Talking Tudors on Patreon!
The shooting lodges of the Scottish Highlands have beguiled and entranced people from all walks of life for generations. But beyond the romantic facade - the magnificent architecture and breathtaking scenery - lies a complex and at times troubled past that continues to echo down through the centuries.Joining Geoff and Rory on this week's episode is architectural historian, writer and proud Highlander - Mary Miers - who authored a book on 'Highland Retreats' and who is unafraid of tackling the storied past of Scotland's shooting lodges head-on whilst simultaneously celebrating their many delights.
How a fire reduced this 18th century Palladian house to a mere shell... and the questions that it raises.This week, Geoff and Rory are joined by Cornelia Van Der Poll - an Oxford academic and co-founder of Restore Trust - a lobbying group that encourages the National Trust to focus on its founding principles to safeguard our nation's heritage for all to enjoy.In this fascinating episode, we discuss Clandon Park in Surrey - from the architectural and social history of this wonderful Palladian-come-Baroque house (the former seat of the Earls of Onslow) to its current status as one of the most controversial country houses of recent times; after a devastating fire in 2015 reduced the house to a shell, debate continues to rage over whether to restore the house fully or do something 'alternative' with the insurance pay-out.What are your thoughts on the future of Clandon Park? Please leave comments!
This week, Geoff and Rory are joined by countertenor, arranger of classical music and co-founder of 'Vache Baroque', Jonathan Darbourne, to discuss the storied history of the The Vache - an elegant, privately owned Elizabethan country house nestled in the gently rolling Chiltern Hills - and the Baroque music festival he directs every summer in its grounds.Every year in late August and early September, the discreet and immensely private gardens of The Vache are to be found buzzing with people immersed in music and surrounded by beauty, as Vache Baroque celebrates baroque music in all its splendour. The festival transforms this magical Grade II‑listed country house setting into a vibrant, multi-sensory stage with pop‑up performances, art installations and opera under the trees, all designed to captivate both novice aficionado alike.With a keen vision for community outreach and engaging audiences who aren't usually exposed to baroque (or classical) music, Vache Baroque succeeds both in reaching new audiences with music and championing the history and importance of country houses and their place in our nation's history. Critics have lauded its 'astonishing acoustics' and 'thrilling performance', while audiences delight in the relaxed, picnic‑style ambience as evening opera unfolds beneath the Chiltern sky.Please join us for this fun episode celebrating music, the country house and their enduring relationship with each other. If you like this episode please like it and write us a review. Please also send in questions for our soon-to-be-resurrected Q&A episodes!
Lancelot 'Capability' Brown is known throughout the world as the master of the English landscape garden. A visionary who created carefully curated, idyllic and natural-looking landscapes at many of the greatest country houses in England, Brown is one of those true 'greats' after whom a whole style is named; the 'Brownian' landscape continues to inspire and entrance gardeners, landscape designers and punters alike.But Brown's style wasn't without controversy... many felt that his reckless sweeping away of traditional formal gardens and parterres (replacing them with lawns, ha-has and rolling parks) was the height of vandalism.In this episode, Geoff gives Rory a whistle-stop overview of the life of Capability Brown from his humble birth to sudden death. We discuss the controversies surrounding Brown's style, and reflect on his extraordinary genius and long-term legacy.Please join us for a 'walk in the [Capability Brown] park' and if you like this episode please like it and write us a review. Please also send in questions for our soon-to-be-resurrected Q&A episodes!
We were delighted to host our first LIVE podcast recording at Nevill Holt Festival - an arts and culture festival held in the grounds of Nevill Holt Hall, a historic country house set within a thriving working estate.In front of a packed-out audience of over 200 people, we discussed The rise, fall and rebirth of the English country house through the lens of Nevill Holt Hall - a country house that reads like a biography of English domestic architecture over the past 800 years.For the second half of the recording we were joined by David Ross - entrepreneur, philanthropist, patron of the arts and owner of the Nevill Holt estate - whose care, diligence, long-term view and extraordinary vision over the past 25 years has transformed Nevill Holt from a tired, dilapidated former country house with a small acreage back into a stunning family home surrounded by immaculate gardens and an extensive wider working estate.What an extraordinary and enjoyable day! Thank you so much to all our supporters, listeners and followers who came along and supported us. We are so grateful for you. Thank you to the Nevill Holt Festival team for their help. And thank you to David Ross - our guest on the show, owner of Nevill Holt and our host at the Festival!We hope that this LIVE show will be the first of many!
Geoff and Rory are joined by renowned writer, film-maker and Mughal historian, Sam Dalrymple, for a fascinating and storied episode on the history of Elveden Hall in Suffolk.Once the English home of the last ruler of the Sikh Empire - Sir Duleep Singh, Maharajah of Punjab - and now the seat of the Guinness family, Earls of Iveagh, Elveden is a resplendent Mughal palace (complete with scalloped arches, lotus-bud capitals, drop-traceried arcading, and a four-storey Marble Hall reminiscent of the Court of Lahore)... all encased within a Victorian Italianate shell.
Nestled in the Howardian Hills of ‘God's own country' of Yorkshire, something extraordinary is happening at Vanbrugh's great English Baroque masterpiece, Castle Howard. Famed for its seminal role in Brideshead Revisited and Bridgerton, for 75 years, an entire wing of Castle Howard has remained a burnt-out shell after fire ravaged the house in 1940.But in recent years, Castle Howard's current custodian - Nick Howard - and his wife Victoria, have overseen a remarkable 21st century renaissance, bringing in the country's best architects, designers and craftsmen to begin the monumental task of returning these burnt-out rooms to their former glory.Joining Geoff and Rory on the podcast this week, Nick Howard discusses the decision making process behind this revival, and talks us through the renovation journey. The results are a triumph, and testify to Nick and Victoria's dedication to Castle Howard and their desire to secure its future for many generations to come.
In light of the upcoming sale at Dreweatts auction house entitled 'The Attic Sale: Powderham Castle & Brocklesby Park' (taking place on 3rd June 2025), we are delighted to be joined this week by Charlie Devon (Charles Courtenay, 19th Earl of Devon) to discuss his ancient family seat of Powderham Castle.The Courtenays, a crusader family who came to England with Eleanor of Aquitaine, have lived at Powderham since the 14th century. The house reads like a biography of domestic English country house architecture over the past 800 years, with each generation of the Courtenay family having added to the existing medieval core.
Over the Easter weekend, Christians around the world celebrated the death and resurrection of Jesus Christ. For this episode we decided to choose a country house that has also been somewhat 'resurrected' in recent years! For 800 years, Auckland Castle in County Durham was the seat of the 'Prince Bishop' of Durham. In 2012, following years of decline, it was sold by the Church in a very sad state. However, far from disappearing into history, the house and estate have instead been brought back to life... and have brought life and hope to the surrounding countryside, the town of Bishop Auckland and the whole of County Durham!
How can mid-career architects redesign their lives around joy and curiosity?In this episode of Practice Disrupted, Evelyn Lee talks with Clarence Kwan, an architect-turned-entrepreneur who spent three decades building a career in architecture and tech before pivoting to launch his own lifestyle concierge business, CK Curated. Together, they explore Clarence's transition from corporate life to creative independence, and what it means to embrace reinvention with intention.Clarence shares his personal journey from growing up in Hong Kong and the UK to building a professional foundation in architecture, design, and real estate. After decades of working at firms like NBBJ, MG2, Meta and Amazon, Clarence realized that success in traditional practice wasn't aligned with the life he wanted to design for himself. His pivot toward food, travel, hospitality, and storytelling has opened up new pathways for joy—and redefined what a creative practice can be.Throughout the episode, Evelyn and Clarence discuss the challenges of walking away from prestige and security, how identity evolves over time, and the value of reconnecting with your core passions. Clarence offers a behind-the-scenes look at building a solo business, developing a brand, and continuing to learn and grow after “retirement” from corporate life.“Architecture was my foundation, but I had outgrown the way I was practicing it. I wanted to be in spaces where I could move freely, follow my curiosity, and create with intention. CK Curated is that space—it's where I get to design not just buildings, but lives, moments, and meaning.”– Clarence KwanThe episode concludes with reflections on how design thinking applies to life beyond architecture, and how mid-career architects can give themselves permission to explore the unfamiliar. Clarence shares advice for anyone considering a creative career reset—emphasizing the importance of self-awareness, curiosity, and trusting the process of becoming.Guest: Clarence Kwan is a lifestyle concierge and founder of CK Curated, a solo business that helps clients design experiences through food, travel, and thoughtful living. Born and raised in Hong Kong, then the UK, Clarence received his bachelor's degrees in Architecture and Architectural History and Master of Architecture from the University of Washington's Seattle and Rome campuses. Prior to launching his business, Clarence worked for over 30 years in architecture, corporate real estate, and tech, leading workplace strategy and design teams. He's now blending his love for hospitality, architecture, and storytelling into a new creative chapter—one built on joy, relationships, and intentional living.Is This Episode for You?This episode is for you if:You're a mid-career architect wondering what's nextYou're feeling stuck in your current role and ready for a creative pivotYou want to explore entrepreneurship rooted in passion and purposeYou're curious about building a life that aligns with your values What have you done to take action lately? Share your thoughts with us on social media and join the conversation.
A Sermon for Palm Sunday Philippians 2:1-11, St. Matthew 21:1-17, and St. Matthew 27:1-54 by William Klock The Pantheon in Rome is famous for being one of the architectural and engineering wonders of the ancient world. It was one of the buildings we studied when I took Architectural History and I remember our professor stressing that the photos in our book could never do it justice. It's a great round building covered by the largest vaulted concrete dome in the world. It looks big. It is big. The dome is 43 metres high. But you don't realise just how big that is until you add people into the photos. It's about twenty-five times higher than the average person is tall. And it was built by the Romans two millennia ago. It's survived all these years, even after builders scavenged the bronze off its roof and left the concrete exposed. It is, again, known for being an architectural and engineering marvel. But Brothers and Sisters, the Pantheon is important for another reason that's hardly ever discussed. It was, again, built almost two thousand years ago—in the early second century. Begun under the Emperor Trajan and finished during the reign of Hadrian. It stood on the Field of Mars and replaced an earlier temple dedicated to Mars, the god of war, and built by Agrippa during the reign of Augustus. But the Pantheon, fairly quickly it seems, became an unusual temple. The Romans usually dedicated a temple to a single god. The gods were jealous. They didn't like sharing. And if a temple were, say, struck by lightning, you'd know that it was the god of that temple who was angry. But the Pantheon became a temple for all the gods—or, at least, many of them. That's what the name means: pan…theon. It was one of the greatest temples of pagan Rome. But in the Year of Our Lord Six-hundred-and-nine, at the instruction of the Christian Emperor Phocas and the Bishop of Rome, Boniface IV, the Pantheon was stripped of its pagan idols and its pagan altars. Twenty-eight cartloads containing the bones of Christian martyrs were exhumed from the catacombs and reburied there, a Christian altar was placed in the building, and it was established as a church in honour of the memory of those martyrs whom the pagan Romans had killed in the name of their gods. To this day, over fourteen-hundred years later, the Church of St. Mary and the Martyrs remains there, a faithful witness to conquest of Rome by the gospel and of the Lordship of Jesus. A testimony to the power of the cross and the blood of Jesus not only to purify us from our sins and to make us a dwelling fit for God's Spirit, but to wash creation clean from our sins as well. We began Lent, listening as St. Matthew told us the story of Jesus' temptation in the wilderness. The devil took him off to a very high mountain and showed him all the magnificent kingdoms of the world. Off on the horizon was Rome. “I'll give the whole lot to you,” the devil said, “if you will fall down and worship me.” It was, after all what Jesus had come for. He was creation's true Lord. Caesar and all the other kings were pretenders, shams, parodies of who and what Jesus really is. All of it, from Jerusalem to Rome and beyond belongs to him. “There is not one square inch in the whole domain of our human existence over which Christ, who is sovereign over all, does not cry, Mine!” to quote Abraham Kuyper. But this was not the way. Jesus will not reclaim his creation without also setting it to rights, without dealing with the problems of sin and death. Without purifying it from our idolatry. To do that requires more. And so today we hear Matthew again as he tells us of Jesus' triumphal procession into Jerusalem. When they came near to Jerusalem, and arrived at Bethphage on the Mount of Olives, Jesus sent two of the disciples on ahead. Go into the village over there and at once you'll find a donkey tied and a foal beside it. Untie them and bring them to me and if anyone says anything to you, say, “The Lord needs them and he'll send them back right away.” He sent them off at once. Jesus was about to act out another one of his prophecies. This time it was to show and to remind the people what sort of king the Messiah was to be. They did want a king who would set all to rights, but in their heads, to their way of thinking, that meant leading a revolt against the Romans. He would be like David, who defeated the Jebusites to take their city Jerusalem as his capital. He would be like Judas Maccabeus, who defeated the Greeks and established an independent Jewish kingdom under the high priest. The Messiah would be like that, only better, greater, more powerful, and his kingdom would be forever. He would raise up Israel and put the gentile kings in their place. The day before or maybe even that same day, as Jesus came to Jerusalem from Bethphage, Caesar's governor, Pontius Pilate, was marching into the city from the opposite direction, from his base in Caesarea, at the front of a column of Roman soldiers. They were there to represent Caesar's might and to keep the peace during Passover. If Jesus was the Messiah, now was his time—or so a lot of people thought—now was Jesus' time to finally and really be the Messiah, raise up his army, and cast down Pilate and the Romans and take his throne. But that wasn't the way to the throne any more than bowing down to the devil was. Matthew says that Jesus did it his way to remind the people of what the Lord had said about the Messiah through the Prophet Zechariah: Tell this to Zion's daughter: Look now! Here comes your King. He's humble, mounted on a donkey, yes, on a foal, it's young. The king they expected was going to ride into Jerusalem on a chariot or at least on a great warhorse. But God's king is different. A great warrior might take care of the Romans and even take his throne. He could set things to rights in the way of earthly kings, but the world would still be subject to sin and death. So Jesus acted out the prophecy. The disciples brought the donkey and Jesus humbly rode it into the city. And the people cheered all along the way. They spread their cloaks on the road. Others cut branches form the trees and scattered them on the road. The crowds who went ahead of him, and those who were following behind shouted, “Hosanna to the son of David! Blessed is he who comes in the name of the Lord! Hosanna in the highest!” And the whole city was gripped with excitement when they came into Jerusalem. “Who is this!” they were saying. And the crowds replied, “This is the prophet, Jesus from Nazareth of Galilee. With that prophetic reminder, at least some of the people seemed to get it even if it wasn't what they expected. Jesus was fulfilling Zechariah's prophecy. The long-awaiting king had come. But not everyone got it. Jesus wasn't finished with his acted out prophesies. Matthew says that he went straight to the temple and when he got there he threw out the people who were buying and selling in the temple. He upturned the tables of the money-changers and the seats of the dove-sellers. It is written, he said to them, “My house will be called a house of prayer, but you have made it a brigand's lair!” The blind and lame came to him in the temple and he healed them. But when the chief priests and the scribes saw the remarkable things he was doing, and the children shouting, “Hosanna to the son of David!” they were very angry. The king was fulfilling the words of the prophets. He came in humility. And he came announcing that he really was going to set the world to rights. He was going to set the world to rights in a way that would make the temple obsolete. All through his ministry he'd been showing how he was the new bridge between God and sinful humans and that last week he spent in the temple—starting with this acted out prophecy and continuing as he healed and preached, he made it clear. So clear that the people invested in the temple and the priesthood and that whole system took it all for blasphemy and had him arrested. Our long Palm Sunday Gospel today—Matthew 27—vividly depicts the Messiah's humble way to his throne. Betrayed by his friends, rejected by his people. Standing humbly before the Roman governor so many people expected him to slay. Facing trumped up charges made by lying men. Left condemned to death as the people chose instead that Pilate should free a brutal, violent revolutionary—a man truly guilty of the trumped of charges against Jesus. Standing humbly as the very people he came to save cried out to Pilate, “Crucify him!” Standing humbly as he, the king, was rejected by his own people who cried out, “We have no king but Caesar!” Standing humbly as Roman soldiers mocked him, beat him senseless and scourged him, ripping the skin from his body. Humbly dragging the very cross on which he would be crucified through the city. The king, nailed to a cross and hoisted to die between two violent thieves as his own people shouted blasphemies at him, as the chief priests and scribes mocked him shouting, “He rescued others, but he cannot rescue himself. If he's the king of Israel, let him come down from the cross! He trusts in God; let God deliver him now if he's really God's son!” For hours it went on. Jesus, pulling on those nails driven through is wrists, pushing on the nails driven through his feet, lifting himself to gasp for breath through the pain, while the people gathered around: Jews, Romans, even the pastors, the shepherds of his people who claimed to speak for God mocked him and shouted blasphemies. Luke writes that Jesus prayed for them: Father, forgive them for they know not what they do. And eventually his body could take no more and Jesus breathed his last breath. And, Matthew says, the earth shook. The great veil that guarded the holy of holies in the temple was torn in two. And the Roman centurions standing guard were scared out of their wits and announced the very thing Jesus' own people would not: He really was the son of God! Brothers and Sisters, there can be no Easter without Good Friday. To set the world to rights—to really set to rights—not just to take a throne, not just to defeat the Romans—but to defeat sin and death and to reconcile sinful men and women to God required a king willing to let evil rise up to its full height, to let evil concentrate itself all in one place, and to let it do its worst, crashing down on him all at once. It required a king willing to throw himself into the gears of this fallen, broken, and sinful world to bring them to a stop. It required a king willing to give his life for his own people even as they mocked and blasphemed him, so that he could rise from that humiliating death to overturn the verdict against him, rise victorious over sin and death and the absolute worst that they could do. Only that humble king could defeat death and bring life—real and true life—back to God's creation and gather a people forgiven, cleaned by his blood, and filled with his Spirit to become a new temple, a new holy of holies where the nations would—where the nations now—enter the presence of God. It was in that humble king that those Roman centurions saw something they had never seen before. Their Caesar called himself the son of God, but in Jesus they saw the God of Israel at work in all his glory, in all his love, in all his mercy, in all his faithfulness—like no god they'd ever known—completely unlike any god or goddess honoured in the Pantheon. Whether they knew it or not, those centurions that first Good Friday announced the defeat of Jupiter and Mars, of Hera and Diana, of Neptune and Vesta and all the others. And they announced the defeat of Caesar, too. In less than three centuries, the Emperor of Rome himself would be captivated by the good news about Jesus, the son of God, the great King who was setting the world to rights. But Brothers and Sisters, the good news about Jesus, crucified and risen, didn't go out through the empire and to the nations all on its own. It was carried, it was stewarded by a people—by a church—that, itself, took on the humility of the Saviour. The bones of those martyrs buried in the Pantheon are a testimony to the faithful and humble witness of Jesus' people in those early centuries. They didn't just proclaim a message. They lived it out as a community—as the vanguard of God's new creation born that first Easter morning. In the midst of a world of darkness, of false gods and idolatry, of brutality and immorality hard for us to imagine today, they gave the pagans a glimpse of God's future. By the way they lived, they lifted the veil and showed the world God's new creation. It was not only the proclamation of the church, but the very life of the church that showed the world a better way, a way no one before had ever known. Here's the truth of it: The people of the humble king must be humble too or it's all for nought. This is why Paul, writing to the Philippians, says to them, If our shared life in the king brings any comfort; if love still has the power to make you cheerful; if we really do have a partnership in the Spirit; if your hearts are at all moved with affection and sympathy—then make my joy complete! Bring your thinking into line with one another. In other words, if you're going to be a gospel community for all the world to see Have this mind amongst yourselves! Here's how to do it. Hold on to the same love; bring your innermost lives into harmony; fix your minds on the same object. Never act out of selfish ambition or vanity; instead, regard everyone else as your superior. Look after each other's best interests, not your own. But it's so hard to do that, Paul! So, so hard! And Paul knew that. And so he takes them back to the cross. Brothers and Sisters, everything goes back to Jesus and the cross! This is how you should think amongst yourselves, Paul goes on—with the mind that you have because you belong to Jesus the Messiah. And now he doesn't quote from the passion narratives because they weren't written yet, although I think that would have worked just as well. Every Holy Week we immerse ourselves in the passion narratives and Matthew, Mark, Luke, and John remind us of the very thing Paul writes here. But instead Paul breaks out into song. He reminds them of a hymn they presumably all knew and he copies it out for them: Who, though in God's form, did not regard his equality with God as something he ought to exploit. Instead, he emptied himself, and received the form of a slave, being born in the likeness of men. And then, having human appearance, he humbled himself, and became obedient even to death, yes, even death on a cross. And so God has greatly exalted him, and to him in his favour has given the name which is over all names. That now at the name of Jesus every knee within heaven shall bow—on earth, too, and under the earth. And every tongue shall confess that Messiah Jesus is Lord, to the glory of God the Father. Paul reminds them of the humble king, the son of God who not only took on our flesh, but who gave his life in the most painful and humiliating way possible so that on his way to his throne he might take us with him. Brothers and Sisters, the only way we will ever be faithful in being the people Jesus has called us to be, the only way we will ever be faithful in being the new creation people the Spirit has made us, the only way will ever be faithful stewards of the gospel is to keep the cross of Jesus always before us. There's a reason why we confess our sins before we come to the Lord's Table. There is a reason that we repeatedly recall our unworthiness to enter the presence of God on our own merit. There is a reason why, as we rise in the morning and as we go to bed at night, we confess our sins. It's so that as we hear the absolution and as we come to the Table, we will remember just how gracious and merciful and loving God has been to us. It's why we sing songs like “Amazing Grace”. Amazing grace is such a sweet, sweet sounds, because apart from grace we are such sinful wretches. And it is inevitable that when we forget this, when we start to think of ourselves as deserving of the gifts God has poured out on us, when we forget the heinousness and offensiveness of our sins and our rebellion against God, dear Friends, that's when we forget the true power of the gospel and the true mercy of the cross and the great depth of the love of God for sinners. When we forget the sinfulness of our sin, we lose sight of the amazingness of God's grace. Eventually we lose the mind of Jesus the Messiah and we cease to be the community of humble servants that he has made us. And our light grows dim. Our witness fails. We see it happening all around us in the West. We've stopped talking about sin and we've thought more highly of ourselves than we ought. We preach a doctrine of cheap grace. And our light has gone dim. Our churches have emptied and the culture has claimed them for its own. In some they preach false gospels of prosperity or the divinity of man or the goodness of sexual perversion. We setup idols to politics and earth power in them. Some are literally gutted, becoming theatres or bars. Others are little more than tourist attractions: testimonies to the power of the gospel in the days we proclaimed it, but now empty, dead shells. The culture removes the cross and sets up altars to its idols. Brothers and Sisters, before it is too late, let us knee before the cross of Jesus and look up. Let it fill our vision. Let us remember that he—the sinless son of God—died the death we deserve. And let us meditate on the depth and power of his grace that we might share the humble mind of our humble king, that we might be the people he has called us to be, the people he has given his Spirit to make us, the people who will steward the gospel until every knee bows and every tongues confesses that Jesus the Messiah is Lord and gives glory to God the Father. Let's pray: Almighty and everliving God, in your tender love for mankind you sent your Son our Saviour Jesus Christ to take upon him our nature, and to suffer death upon the cross, giving us the example of his great humility: Mercifully grant that we may walk in the way of his suffering, and also share in his resurrection; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever. Amen.
Will Stacy and Daniel ever stop talking about Frank Lloyd Wright? Yes, but not this week! In this episode, Stacy and Daniel catch up after the Window Preservation Alliance conference and wade into the world of Usonian architecture through the story of the Gordon House—a modest, DIY-friendly home designed by Frank Lloyd Wright. Stacy recently visited the Gordon House in Silverton, Oregon, which sparked the conversation about Usonian design. The episode also takes a detour into Daniel's yard sale prep and the Goodwill treasures they found while thrifting in Scottsdale. From radiant floors to hidden front doors, this episode is definitely the last time they talk about Frank Lloyd Wright (unless it isn't). WE LOVE OUR SPONSORS If you love True Tales From Old Houses, please consider supporting the small businesses that sponsor this show—they help keep these stories (and our old house shenanigans) alive! Sutherland Welles - Maker of exceptional polymerized tung oil finishes since 1965. To save 10% on your first order, use the coupon code truetales. Noonan Heritage Craftworks - Learn how Noonan Heritage Craftworks can help you with your exterior project using traditional materials. Schedule a phone call, video conference, or email consultation with Joseph Parente today. Mentioned in this Episode Ball and Claw Antiques Grab a Ready-to-Ship True Tales From Old Houses t-shirt Window Preservation Alliance and the Window Preservation Standards Collaborative Ep #51: Demystifying Linseed Oil Paint with Natalie from Earth and Flax The Gordon House Oregon Garden Blog Post: Stacy's photos from The Gordon House, an authentic Usonian house designed by Frank Lloyd Wright
Wan Pow Chween, Architectural Consultant, Preservation of Sites and Monuments division at the National Heritage BoardMohamed Patail, Chairman, Board of Trustees of the Sultan Mosque join Saturday Mornings Show host Glenn van Zutphen and co-host Neil Humphreys to talk about the National Monuments in Singapore. What constitutes a National Monument and why it's important to preserve these buildings and spaces.See omnystudio.com/listener for privacy information.
In this episode of True Tales from Old Houses, Contractor and preservationist Brent Hull joins hosts Stacy Grinsfelder and Daniel Kanter to talk craftsmanship, good design, and why historic homes deserve better. Plus, learn how psychic realtor Josie Coleman clears homes of unwanted spirits. From hauntings to millwork, this episode has it all! Stacy and Daniel open the episode by catching up on personal projects. Then, following up on last season's ghost stories, realtor and psychic Josie Coleman reveals how she clears homes of lingering unwanted spirits and restores energetic balance. Depending on the day, Stacy and Daniel are skeptics or believers, but either way, Josie offers a fascinating look at handling paranormal life in old houses. Finally, preservation expert Brent Hull shares his insights on craftsmanship, historic design, and making smart renovation choices. He dives into the importance of quality millwork, the gaps in architectural education, and how homeowners can restore their historic homes while maintaining authenticity. Whether you're preserving history or just making renovation decisions, Brent has the insights you need! This episode has it all—ghosts, good design, and the wisdom of a true preservation pro! WE LOVE OUR SPONSORS If you love True Tales From Old Houses as much as we love making it, please consider supporting the small businesses that sponsor our show—they help keep these stories (and our old house shenanigans) alive! Sutherland Welles - Maker of exceptional polymerized tung oil finishes since 1965. To save 10% on your first order, use the coupon code truetales. The Window Course from Scott Sidler of The Craftsman Blog - Learn everything you need to know to restore your wood windows. For 10% off The Window Course, use the coupon code truetales. Repaint Studios The Repaint Tray from Repaint Studios is the first reusable silicone paint tray liner and lid. The Repaint Tray's air-tight lid keeps your paint fresh for weeks at a time. Use the coupon code truetales10 to save 10% off your order. Old House Hub from My Old House Fix - An exclusive online community that connects passionate old house owners and enthusiasts with experts and service providers. Join for expert advice, valuable resources, and a supportive community. Use the coupon code truetales for a free one-year membership. Mentioned in this Episode Wood Window Workshop at Silver Lake - Learn More Ball & Claw Antiques in Port Ewen, NY Stacy and Scott Sidler's book launch - February 24 (More info coming soon!) Window Preservation Alliance Annual Conference March 13-15 - Learn More Josie Coleman - Website | Lotus Lantern | Instagram North Bennet Street School The Institute of Classical Architecture and Art (ICAA) website Pre-order Brent's historic Millwork book | (affiliate) link
Explore the life and legacy of Mary Colter, a groundbreaking architect and interior designer who crafted iconic buildings at the Grand Canyon and beyond, blending Native American traditions with innovative architectural design, who also lost a home in a 1968 Eaton Canyon fire, which felt oddly topical._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Cowgirl MagazinePioneering WomenLegends of AmericaAbout MaryMary Colter (1869–1958) was a pioneering American architect and designer known for her work with the Fred Harvey Company, where she designed several notable landmarks, including the Hopi House and Desert View Watchtower at the Grand Canyon. Colter was one of the few women in her profession during the early 20th century, and she gained a reputation for her ability to merge architecture with the natural landscape and Native American culture. Her designs were not only functional but also deeply respectful of the local environment and history. Colter's commitment to integrating local materials and employing indigenous builders reflected her dedication to authenticity. She was a visionary who shaped the aesthetic of the American Southwest and remains a defining figure in the architectural landscape. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod
Melvyn Bragg and guests discuss the remarkable rise of Venice in the eastern Mediterranean. Unlike other Italian cities of the early medieval period, Venice had not been settled during the Roman Empire. Rather, it was a refuge for those fleeing unrest after the fall of Rome who settled on these boggy islands on a lagoon and developed into a power that ran an empire from mainland Italy, down the Adriatic coast, across the Peloponnese to Crete and Cyprus, past Constantinople and into the Black Sea. This was a city without walls, just one of the surprises for visitors who marvelled at the stability and influence of Venice right up to the 17th Century when the Ottomans, Spain, France and the Hapsburgs were to prove too much especially with trade shifting to the Atlantic.With Maartje van Gelder Professor in Early Modern History at the University of AmsterdamStephen Bowd Professor of Early Modern History at the University of EdinburghAndGeorg Christ Senior Lecturer in Medieval and Early Modern History at the University of ManchesterProducer: Simon TillotsonReading list:Michel Balard and Christian Buchet (eds.), The Sea in History: The Medieval World (Boydell & Brewer, 2017), especially ‘The Naval Power of Venice in the Eastern Mediterranean' by Ruthy GertwagenStephen D. Bowd, Venice's Most Loyal City: Civic Identity in Renaissance Brescia (Harward University Press, 2010)Frederic Chapin Lane, Venice: A Maritime Republic (Johns Hopkins University Press, 1973)Georg Christ and Franz-Julius Morche (eds.), Cultures of Empire: Rethinking Venetian rule 1400–1700: Essays in Honour of Benjamin Arbel (Brill, 2020), especially ‘Orating Venice's Empire: Politics and Persuasion in Fifteenth Century Funeral Orations' by Monique O'ConnellEric R. Dursteler, A Companion to Venetian History, 1400-1797 (Brill, 2013), especially ‘Venice's Maritime Empire in the Early Modern Period' by Benjamin ArbelIain Fenlon, The Ceremonial City: History, Memory and Myth in Renaissance Venice (Yale University Press, 2007)Joanne M. Ferraro, Venice: History of the Floating City (Cambridge University Press, 2012)Maria Fusaro, Political Economies of Empire: The Decline of Venice and the Rise of England 1450-1700 (Cambridge University Press, 2015)Maartje van Gelder, Trading Places: The Netherlandish Merchant Community in Early Modern Venice, 1590-1650 (Brill, 2009)Deborah Howard, The Architectural History of Venice (Yale University Press, 2004)Kristin L. Huffman (ed.), A View of Venice: Portrait of a Renaissance City (Duke University Press, 2024) Peter Humfrey, Venice and the Veneto: Artistic Centers of the Italian Renaissance (Cambridge University Press, 2008)John Jeffries Martin and Dennis Romano (eds.), Venice Reconsidered: The History and Civilization of an Italian City-State, 1297-1797 (Johns Hopkins University Press, 2000)Erin Maglaque, Venice's Intimate Empire: Family Life and Scholarship in the Renaissance Mediterranean (Cornell University Press, 2018)Michael E Mallett and John Rigby Hale, The Military Organization of a Renaissance State Venice, c.1400 to 1617 (Cambridge University Press, 1984)William Hardy McNeill, Venice: The Hinge of Europe (The University of Chicago Press, 1974)Jan Morris, The Venetian Empire: A Sea Voyage (Faber & Faber, 1980)Monique O'Connell, Men of Empire: Power and Negotiation in Venice's Maritime State (Johns Hopkins University Press, 2009)Dennis Romano, Venice: The Remarkable History of the Lagoon City (Oxford University Press, 2023)David Rosand, Myths of Venice: The Figuration of a State (University of North Carolina Press, 2001)David Sanderson Chambers, The Imperial Age of Venice, 1380-1580 (Thames and Hudson, 1970) Sandra Toffolo, Describing the City, Describing the State: Representations of Venice and the Venetian Terraferma in the Renaissance (Brill, 2020)In Our Time is a BBC Studios Audio Production .
Melvyn Bragg and guests discuss the remarkable rise of Venice in the eastern Mediterranean. Unlike other Italian cities of the early medieval period, Venice had not been settled during the Roman Empire. Rather, it was a refuge for those fleeing unrest after the fall of Rome who settled on these boggy islands on a lagoon and developed into a power that ran an empire from mainland Italy, down the Adriatic coast, across the Peloponnese to Crete and Cyprus, past Constantinople and into the Black Sea. This was a city without walls, just one of the surprises for visitors who marvelled at the stability and influence of Venice right up to the 17th Century when the Ottomans, Spain, France and the Hapsburgs were to prove too much especially with trade shifting to the Atlantic.With Maartje van Gelder Professor in Early Modern History at the University of AmsterdamStephen Bowd Professor of Early Modern History at the University of EdinburghAndGeorg Christ Senior Lecturer in Medieval and Early Modern History at the University of ManchesterProducer: Simon TillotsonReading list:Michel Balard and Christian Buchet (eds.), The Sea in History: The Medieval World (Boydell & Brewer, 2017), especially ‘The Naval Power of Venice in the Eastern Mediterranean' by Ruthy GertwagenStephen D. Bowd, Venice's Most Loyal City: Civic Identity in Renaissance Brescia (Harward University Press, 2010)Frederic Chapin Lane, Venice: A Maritime Republic (Johns Hopkins University Press, 1973)Georg Christ and Franz-Julius Morche (eds.), Cultures of Empire: Rethinking Venetian rule 1400–1700: Essays in Honour of Benjamin Arbel (Brill, 2020), especially ‘Orating Venice's Empire: Politics and Persuasion in Fifteenth Century Funeral Orations' by Monique O'ConnellEric R. Dursteler, A Companion to Venetian History, 1400-1797 (Brill, 2013), especially ‘Venice's Maritime Empire in the Early Modern Period' by Benjamin ArbelIain Fenlon, The Ceremonial City: History, Memory and Myth in Renaissance Venice (Yale University Press, 2007)Joanne M. Ferraro, Venice: History of the Floating City (Cambridge University Press, 2012)Maria Fusaro, Political Economies of Empire: The Decline of Venice and the Rise of England 1450-1700 (Cambridge University Press, 2015)Maartje van Gelder, Trading Places: The Netherlandish Merchant Community in Early Modern Venice, 1590-1650 (Brill, 2009)Deborah Howard, The Architectural History of Venice (Yale University Press, 2004)Kristin L. Huffman (ed.), A View of Venice: Portrait of a Renaissance City (Duke University Press, 2024) Peter Humfrey, Venice and the Veneto: Artistic Centers of the Italian Renaissance (Cambridge University Press, 2008)John Jeffries Martin and Dennis Romano (eds.), Venice Reconsidered: The History and Civilization of an Italian City-State, 1297-1797 (Johns Hopkins University Press, 2000)Erin Maglaque, Venice's Intimate Empire: Family Life and Scholarship in the Renaissance Mediterranean (Cornell University Press, 2018)Michael E Mallett and John Rigby Hale, The Military Organization of a Renaissance State Venice, c.1400 to 1617 (Cambridge University Press, 1984)William Hardy McNeill, Venice: The Hinge of Europe (The University of Chicago Press, 1974)Jan Morris, The Venetian Empire: A Sea Voyage (Faber & Faber, 1980)Monique O'Connell, Men of Empire: Power and Negotiation in Venice's Maritime State (Johns Hopkins University Press, 2009)Dennis Romano, Venice: The Remarkable History of the Lagoon City (Oxford University Press, 2023)David Rosand, Myths of Venice: The Figuration of a State (University of North Carolina Press, 2001)David Sanderson Chambers, The Imperial Age of Venice, 1380-1580 (Thames and Hudson, 1970) Sandra Toffolo, Describing the City, Describing the State: Representations of Venice and the Venetian Terraferma in the Renaissance (Brill, 2020)In Our Time is a BBC Studios Audio Production .
Recorded as part of the Trinity Arts & Humanities Research Festival 2024. Trinity's Professor in Architectural History, Christine Casey, on the ERC CRAFTVALUE project; and Curating Sculptor Hilary Heron with Billy Shortall (Art History). Learn more: www.tcd.ie/trinitylongroomhub/
MCM expert Atom Stevens is back! Tune in for our parade of homes conversation and ideas for how to future proof mid-century homes. In Today's Episode You'll Hear:Why the Parade of Homes really took off in 1955. How builders advertised in the "housewife" era.What new energy standards might mean for mid-century homes.Get the full show notes with all the trimmings at https://www.midmod-midwest.com/1812
Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices
I'm so excited to dive into the history of design in mid-century homes with none other than Atom Stevens, MCM history buff and Cliff May expert. Whether you're a homeowner, a potential buyer, or just a mid-century enthusiast, Atom's insights are a reminder that our homes are more than just places to live – they're pieces of history, filled with stories waiting to be told.In Today's Episode You'll Hear:Which “new” features builders saw as selling points in the early mid-century. How these features have informed home building and selling ever since. When having a “cookie cutter” house is a feature not a bug!Get the full show notes with all the trimmings at https://www.midmod-midwest.com/1805
In this episode we talk about architectural and aurality, asking what impact radio had on architecture, architects and public audiences. Our Contributors: Olga Touloumi is Associate Professor of Architectural History at Bard College. Her research concerns questions of globalization and media in twentieth architecture. Her first book Assembly by Design situates mid-20th century architectural constructions of global governance within debates on media democracies and liberal internationalism. Touloumi has co-edited Sound Modernities, a volume on how acoustics and sound technologies transformed modern architectural culture during the twentieth century; and with Theodora Vardouli Computer Architectures: Constructing the Common Ground, a volume about the exchanges between designers and computational technologists in Europe and North America. Shundana Yusaf is Associate Professor of History and Theory at the School of Architecture, University of Utah. Her scholarship juxtaposes colonial/ postcolonial history with sound studies in architecture. Her first book is Broadcasting Buildings: Architecture on the Wireless, 1927-1945 (Cambridge: MIT Press, 2014). Her current book is called Resonant Tombs: A Feminist History of Sufi Shrines in Pakistan. As its starting point, it takes sound as an architectural material of construction and women as secondary architects, collectively nestling ephemeral auditory monuments with their bodily resources within material monuments built by heroic men with material resources. Details of audio clips: Movietone News newsreel of First United Nations General Assembly at Westminster Hall 1946 https://www.youtube.com/watch?v=3em8Yvf13y4 British Pathe newsreel U.N. Hears President - Kennedy Asks Joint US - Soviet Moon Trip, 1963 https://youtu.be/iBcfSqwvVlg?si=iS7nJ0aIRIjbMFzp Charlie Chaplin - Adenoid Hynkel Speech - The Great Dictator (1940) https://youtu.be/isLNLpxpndA?si=iWZNmbzMehKQwT9y The Society of Architectural Historians of Great Britain brings together all those with an interest in the history of the built environment – academics, architects, heritage experts and the wider public. As the leading body in the field, we believe that appreciation of architectural history plays a vital role in understanding our culture, past and present. With the help of our members, we publish new research, organise a broad range of events, provide educational opportunities and advance the understanding of the built histories of all periods and places, in Britain and beyond. Membership https://www.sahgb.org.uk/
Karen and Robby get to know 3* Rider, Megan Loughnane. Megan shares her story of riding with Susie Beale and Kelly Prather and now with Caitlin Silliman. Megan just recently graduated from University of Virginia with a degree in Architectural History all while having her 2 horses with her and competing at the upper levels. Megan was driving to her parents home during the interview to get ready to head out to Bromont the next day. We also learned Megan did not know who made the US Eventing Olympic Team (but we did) and asked for her prediction of the team. We hope you enjoy getting to know Megan as much as we did! PC: Paul LoughnaneTo follow Megan:https://www.instagram.com/ml.eventing/Please support our sponsors:https://cowboymagic.com/https://manentailequine.com/https://exhibitorlabs.com/https://www.triplecrownfeed.com/Save 10% off your Redingote purchase, use "MLE10" at checkout!https://landing.redingoteequestrian.com/mlePatricia Scott Insurance (484)319-8923Sign up for our mailing list!https://mailchi.mp/b232b86de7e5/majorleagueeventingllc?fbclid=IwAR2Wp0jijRKGwGU3TtPRN7wMo-UAWBwrUy2nYz3gQXXJRmSJVLIzswvtClECheckout the Major League Eventing store!https://www.majorleagueeventing.com/shop
Myles is joined by Ellen Rowley, editor of 'More Than Concrete Blocks: Dublin City's twentieth century buildings and their stories, Volume 3, 1973-1999'
In this episode, guest Sir Simon Jenkins explains how a simple yet powerful exhibition of black and white photographs shamed and shocked the government and the public, and brought about a change in policy towards country houses.Further Reading: England's 1000 best Houses (2003) by Simon Jenkins Life in the English Country House: A Social and Architectural History (1978) by Marc GirouardThis is an Ictus Media production, edited by Leo HornakThe Destruction of The Country House 1875-1975 by Roy Strong, Marcus Binney and John HarrisEngland's Lost Houses: From the Archives of Country Life (2002) Aurum Press by Giles Worsley Hosted on Acast. See acast.com/privacy for more information.
Mankind's quest for verticality has an underexplored dimension: the queasy feeling of vertigo many experience when close to the edge of a sheer drop. Davide Deriu, Reader in Architectural History and Theory at the University of Westminster, London, has taken on the relative lack of research into the subject with an interdisciplinary approach, captured in his book On Balance: Architecture and Vertigo. Come, stand on the edge with us. -- Intro/Outro: “Vertigo” by U2 -- Discussed: Vertigo, Alfred Hitchcock, 1958 Vertical: The City from Satellites to Bunkers, Stephen Graham, 2016 Vertigo in the City program at University of Westminster, 2015 The Eiffel Tower and Other Mythologies, Roland Barthes, 1979 Funambulism Jean François "Blondin" Gravelet – Niagara Falls wire walk, 1859 Philippe Petit, World Trade Center wire walk, 1974 Jan Gehl on humans' “natural” habitat in horizontal planes Singapore's HDB social high-rises Mies' insertion of ventilation grilles in front of the glass curtain wall at the Seagram Building, 1958 Prosper Meniere, father of the vestibular sciences
Celebrating 40 years of the Arizona Architecture Foundation, this special episode features an interview moderated by James Trahan AIA and Caroline Lobo AIA with some of the founding members of the organization: Dave Scheatzle FAIA, James Abell FAIA, Ron Peters AIA, and Chip Shay AIA. As the Rio Salado Architecture Foundation merges with the Central Arizona Architecture Foundation to forge the new AAF, we'll hear how this group started, how it has supported the architecture community in Arizona throughout its history, and how the legacy of the foundation will carry on into the future.
What is your biggest challenge? I get many questions about all facets of podcasting. Today we are going to overcome a variety of listener challenges. Cathy wants to know how long her podcast should be. Behiye is stuggling with echo in the audio. Dave just wants to get started. And Kate's challenge is getting clients. If you have a challenge with your podcast journey, you can always email me at Coach@PodcastTalentCoach.com. I would love to help you overcome that challenge right here on the show. HOW LONG Cathy's challenge: How long should my podcast be? There is not such thing as too long, only too boring. My radio coaches have told me that for decades. It is true in every area of life. Have you ever been in a conversation wondering if it will ever end? You're wondering if there is a point to the story they are telling. That's what I'm talking about. When I was getting my architecture degree, we had to take Architectural History. Not just one, but three levels of history. If you love architecture, you love architectural history. The cathedrals, the Greek classics, the modern movement. There is so much beauty. When I took Architectural History, it was a completely different story. The professor would stand at the podium at the front of the tiered lecture hall. He would turn off the lights and turn on the slides. For the next hour and fifteen minutes, he would proceed to read his notes in a monotone voice for each slide as we took notes and sketched the building on the screen. There was no story. No engagement. Just facts in a monotone voice. To make it worse, the class was at 8 in the morning. As a college kid, that was never good. I would sometimes leave class to get a soda from the machine upstairs just to stay awake. Twice a week, it was the longest hour of my life. BROADCASTING In my fourth year of school, I took Broadcast Management as I was considering a degree change to journalism. Dr. Walklin taught Broadcast Management. Every class, he would tell us about a great station that created a unique experience for their fans. Dr. Walklin would tell stories of stations that got in trouble or got sued for something they did. But, people were still talking about it 30 years later. In that class, we got to design our own fantasy radio station. We discussed why it would work and why it wouldn't. We learned about other station launches. The conversations in that class were electric. That's the difference between too long and too boring. Tell stories and be engaging. As long as the momentum of the show is moving forward and keeping your listeners engaged, length doesn't matter. Audio host Libsyn did a study of the top podcasts on the platform. They found that half of the podcasts were longer than an hour and half of the shows were shorter than an hour. There is no magic number. Engage your audience and be consistent. GARBAGE IN Behiye's challenge: It's about reverb. Twofold need; How to avoid echo in the room from happening and how to edit it once it happened? Best regards. Behiye Unfortunately, you can't do much with audio that is recorded poorly. You can clean it up a bit with some effects. But, you can't make it perfect. Garbage in equals garbage out. I once did an interview with Natalie Merchant. It was an opportunity that came my way while I was working at a station that played her solo stuff after she left 10,000 Maniacs. Natalie was coming to town, and I had the chance to interview her over the phone. After we completed the chat and I let her go, I listened back to the audio. It was horrible. There was a lot of hiss and fuzz from the phone line. There was very little I could do to save the conversation. I used bits and pieces that you could understand, but had to throw most of it away. If you record poor audio, you're stuck with it. So, make sure your audio is clean with a test recording before you do the full show. CLEAN AUDIO CHALLENGE Once the echo is recorded, it is difficult to remove it. There are 3 things you can do to get better audio. 1. Record in a room with soft surfaces. Hard, parallel surfaces like hard countertops, tile floors and bare walls create the echo. If your room has hard surfaces, hang some blankets in front of you to absorb the sound. I sometimes hang a sleeping bag over a stepladder in front of me to help. 2. Work the mic closely. The microphone should nearly be touching your lips or chin. No more than the width of two fingers away. 3. Ensure the mic is a directional mic and set up properly. This will prevent it from picking up room noise. Use those tips and your audio should be much cleaner. JUST START Dave's challenge: Just getting started. That's what I'm struggling with. Cheers, -Dave The first step is the first step. Don't get overwhelmed by the entire process. Just take the first step. In the Winter of 2015 and again in the Summer 2016, I stop podcasting. For about 8 weeks there was no new episode of Podcast Talent Coach. Life just got in the way. We were traveling, and it cause me to miss a week. That week turned into two. Two weeks turned into four. Next thing I know, I hadn't published for 2 months. I knew I needed to get back at it. But the outline, the topic, the content, the recording, the editing, the posting, the promoting... it all seemed daunting. Where was I going to find the time. Well, I just took the first step. I brainstormed 50 different topics. It wasn't about the entire process. I only wanted to get the first step done. Once I had 50 topics, I selected 3 that really sparked my interest. I created outlines for those 3. It was a matter of taking the next step. I wasn't concerned with every step. Just the next step. Let one step lead to the next. Soon, you'll have your episode published. Just take the first step. Open the mic and start. Schedule it, and get it done. CONFIDENCE Greg's challenge: Time and self confidence are big for me. If it isn't scheduled it didn't happen and we tend to focus on the easy things first. Got my intro done that took about 5 takes now don't seem to find time for first episode and when I do I draw a blank on content. My Godson plays high school baseball. He is a big boy who plays first base and can really crush the ball. He was at bat in the first game of the season with bases loaded and jacked a grand slam homerun. 4 runs. There were two guys on base for his next at bat. He hit another homerun. 3 more runs. 7 runs in two at bats. You don't need to know baseball to know that is pretty good. He's in another game in the middle of the season a few months later. For his first at bat, he hit a long drive to right center field. The right fielder makes an incredible dive to catch the ball for an out. On his next at bat, he drive the ball straight up the middle just like you want to do as a batter. The ball ends up hitting the pitchers glove enough to slow it down. The pitcher throws him out at first. Then for his third and last at bat, he hit a long ball all the way to the center field wall. The center fielder catches it about five feet in front of the fence for another out. After hitting zero for three in that game, he tells his dad he doesn't believe he is good enough to play college baseball. His dad made a great point. He said we often compare our results to the highlights of others. On paper, Joseph went zero for three. Evaluating the game, he nearly went three for three with a home run. It was all a matter of inches. We are often our toughest critics. Speak to your younger self. Create content for the person you were a few years ago. Help that person get to where you are without all of the struggles. RESOURCES David's Challenge: I haven't started a podcast yet but have plans to do so soon. Any resources you can share will be truly appreciated. Thanks. -David There are few resources you can use. First, visit www.podcasttalentcoach.com/launch. You can find my free podcast launch minicourse. That will show you what it takes. Next, check out www.podcasttalentcoach.com/workshop. I am holding a podcast fast workshop to help a group of people launch their podcast in a weekend. Bruce came to me for some coaching. He wanted to launch a podcast around a book he had written. As we do during my podcast strategy calls, we started talking about his goals. Bruce really wanted to help the world get healthier. Our next step was to determine where he is today. Bruce tells me he purchased his microphone two years ago and has wanted to start his podcast ever since. Sometimes the learning can get overwhelming. The more YouTube videos you find, the more different ways to create a podcast you'll find. To launch, purchase a USB microphone. A Samson Q2U will cost you about $70 in the U.S. Plug the mic into your computer. Download Audacity. It is free software. You'll record your episode there. Export it as an .mp3. Upload it to an audio host like Libsyn. Share the RSS feed with the podcast platforms like Apple and Spotify. That's the basic process. During the Podcast Fast Workshop, I'll answer your questions and refine the nuances of your process. We'll eliminate the guessing. WHAT MAKES A PODCAST Gary's challenge: I'm struggling with how to actually deploy a podcast. Can I call it a podcast if I do a series of LinkedIn Lives or Facebook Lives interviewing experts offering services to my target market? Technically, as podcast is distributed through an RSS feed. It stands for real simple syndication. By definition, a podcast is a digital audio file made available on the internet for downloading to a computer or mobile device, typically available as a series, new installments of which can be received by subscribers automatically. The automatic part comes through subscription via an RSS feed. You can do a series of LinkedIn Lives or Facebook Lives and call it a podcast. But it won't technically be a podcast, because people can't subscribe and have it automatically show up on their phone or computer. To distribute a podcast, you will use an audio host. I am an affiliate for Libsyn. You can get your first month for free at Libsyn.com with the promo code PTC. An audio host is like a storage unit for your audio. And your RSS feed is like the address to your storage unit. You give your RSS feed, or your address, to all of the podcast players like Apple and Spotify. Then each time you upload a new episode to your audio host, it is automatically ingested into the podcast players via the RSS feed. We cover all of that during the Podcast Fast Workshop. You can see all the details at www.PodcastTalentCoach.com/workshop. GET CLIENTS Kate's challenge: I have no idea how to convert listeners into clients. I use the books I have written as "sponsors" of the show, but am not sure what else to do without blatantly saying in a show, "I am a brain health coach". I'm not sure why it's bad to blatantly tell people you're a brain health coach. It is what you do. As long as you serve people and give them value, it is perfectly acceptable to give them the opportunity to go deeper with you. In fact, you owe it to them to get more if they want it. I had known my friend Dave for about six months when he mentioned his book. "Whoa, wait! You have a book?" Dave says, "Yeah, it has been out for about a year now." I ask him how I didn't know about that and why he has never mentioned it. He tells me, "I don't mention it much, because I don't want people to feel I'm beating them over the head with it." I say, "Dave, you've never mentioned it. How do you expect people to buy it and benefit from it if you never tell them it's available?" To turn your listeners into clients, offer your listeners value on your show. Inspire them with the why. Then, give them a chance to go deeper with you if they choose. As long as they benefit from the first part of the show, there is no guilt in giving them the chance to get even more. I have a great resource for you. It is 7 ways to attract your ideal clients. You can download it for free at www.podcasttalentcoach.com/attract. LET ME HELP If you don't have a mentor who can take your hand and walk you every step of the way, go to www.PodcastTalentCoach.com/apply, click the button and apply to have a chat with me. We will develop your plan and see how I can help and support you to achieve your podcast goals.
A new exhibition at the Pulitzer Arts Foundation showcases the city's architectural salvage that was left in the wake of urban renewal. Pulitzer Arts Foundation curator Stephanie Weissberg and Michael Allen, director of the National Building Arts Center, discuss their collaboration on “Urban Archaeology: Lost Buildings of St. Louis.”
Why do a podcast about cemeteries? Why am I the one doing a podcast about cemeteries? In the first episode I tell the story of how I became interested in cemeteries and became a member of the cemetery community, and why I thought we all needed a podcast about them.tombwithaviewpodcast@gmail.comFacebookInstagram
In this episode we discussed the idea of 'The Primitive Hut' in 18th and 19th century architectural theory. A vision of the first building was used by texts dating back to Vitruvius to imagine architecture's origins. We started with Marc-Antoine Laugier, author of Essai sur l'architecture (1753), which used the image of the Primitive Hut to call for a return to austere and structurally declarative classicism after the excesses of the baroque. We also discussed the idea of the Primitive Hut in the work of Viollet-le-Duc, who was influenced by ethnographic racism and eugenics in his depiction of the origin of architecture. We strongly recommend Joseph Rykwert's book On Adam's House in Paradise: The Idea of the Primitive Hut in Architectural History for an even more in-depth commentary on this subject. You can watch this episode on YouTube to see the images Nature soundscape from: https://www.edinburghrecords.com/free-sound-effects/ Edited by Matthew Lloyd Roberts. Support the show on Patreon to receive bonus content for every show. Please rate and review the show on your podcast store to help other people find us! Follow us on twitter // instagram // facebook We're on the web at aboutbuildingsandcities.org
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