Podcasts about architectural history

Geoff and Rory are joined by renowned writer, film-maker and Mughal historian, Sam Dalrymple, for a fascinating and storied episode on the history of Elveden Hall in Suffolk.Once the English home of the last ruler of the Sikh Empire - Sir Duleep Singh, Maharajah of Punjab - and now the seat of the Guinness family, Earls of Iveagh, Elveden is a resplendent Mughal palace (complete with scalloped arches, lotus-bud capitals, drop-traceried arcading, and a four-storey Marble Hall reminiscent of the Court of Lahore)... all encased within a Victorian Italianate shell.

Nestled in the Howardian Hills of ‘God's own country' of Yorkshire, something extraordinary is happening at Vanbrugh's great English Baroque masterpiece, Castle Howard. Famed for its seminal role in Brideshead Revisited and Bridgerton, for 75 years, an entire wing of Castle Howard has remained a burnt-out shell after fire ravaged the house in 1940.But in recent years, Castle Howard's current custodian - Nick Howard - and his wife Victoria, have overseen a remarkable 21st century renaissance, bringing in the country's best architects, designers and craftsmen to begin the monumental task of returning these burnt-out rooms to their former glory.Joining Geoff and Rory on the podcast this week, Nick Howard discusses the decision making process behind this revival, and talks us through the renovation journey. The results are a triumph, and testify to Nick and Victoria's dedication to Castle Howard and their desire to secure its future for many generations to come.

In this episode of the A is for Architecture Podcast, Professor of Architectural History and Urban Studies at the University of Basel and urban theorist Kenny Cupers discusses his new book, The Earth That Modernism Built: Empire and the Rise of Planetary Design (University of Texas Press, 2024). Kenny talks about the imperial legacies of modern architecture and infrastructure, examining how colonial and postcolonial systems of planning, construction and environmental control shaped a global vision of design in the 20th century, tracing how modernism's ambitions extended far beyond buildings to encompass a planetary project—one grounded in power, governance and the management of land and life across continents. In this episode, we touch on some of the key themes from the book, including the reciprocal relationship between empire and modernist design, the circulation of architectural knowledge between colony and colonizer, and the entangled histories of development, technology and spatial control.In a way, unsettling stuff, almost scary. But now we know, what do we do?Book, Kenny, all linked above. Kenny is nowhere on my social media, but you can see a bit on koozarch. #KennyCupers #TheEarthThatModernismBuilt #PlanetaryDesign #ModernArchitecture #ArchitecturalHistory #EmpireAndArchitecture #ColonialInfrastructure #UrbanStudies #GlobalModernism #AisforArchitecturePodcast+Music credits: ⁠Bruno Gillick 

In light of the upcoming sale at Dreweatts auction house entitled 'The Attic Sale: Powderham Castle & Brocklesby Park' (taking place on 3rd June 2025), we are delighted to be joined this week by Charlie Devon (Charles Courtenay, 19th Earl of Devon) to discuss his ancient family seat of Powderham Castle.The Courtenays, a crusader family who came to England with Eleanor of Aquitaine, have lived at Powderham since the 14th century. The house reads like a biography of domestic English country house architecture over the past 800 years, with each generation of the Courtenay family having added to the existing medieval core.

Over the Easter weekend, Christians around the world celebrated the death and resurrection of Jesus Christ. For this episode we decided to choose a country house that has also been somewhat 'resurrected' in recent years! For 800 years, Auckland Castle in County Durham was the seat of the 'Prince Bishop' of Durham. In 2012, following years of decline, it was sold by the Church in a very sad state. However, far from disappearing into history, the house and estate have instead been brought back to life... and have brought life and hope to the surrounding countryside, the town of Bishop Auckland and the whole of County Durham!

How can mid-career architects redesign their lives around joy and curiosity?In this episode of Practice Disrupted, Evelyn Lee talks with Clarence Kwan, an architect-turned-entrepreneur who spent three decades building a career in architecture and tech before pivoting to launch his own lifestyle concierge business, CK Curated. Together, they explore Clarence's transition from corporate life to creative independence, and what it means to embrace reinvention with intention.Clarence shares his personal journey from growing up in Hong Kong and the UK to building a professional foundation in architecture, design, and real estate. After decades of working at firms like NBBJ, MG2, Meta and Amazon, Clarence realized that success in traditional practice wasn't aligned with the life he wanted to design for himself. His pivot toward food, travel, hospitality, and storytelling has opened up new pathways for joy—and redefined what a creative practice can be.Throughout the episode, Evelyn and Clarence discuss the challenges of walking away from prestige and security, how identity evolves over time, and the value of reconnecting with your core passions. Clarence offers a behind-the-scenes look at building a solo business, developing a brand, and continuing to learn and grow after “retirement” from corporate life.“Architecture was my foundation, but I had outgrown the way I was practicing it. I wanted to be in spaces where I could move freely, follow my curiosity, and create with intention. CK Curated is that space—it's where I get to design not just buildings, but lives, moments, and meaning.”– Clarence KwanThe episode concludes with reflections on how design thinking applies to life beyond architecture, and how mid-career architects can give themselves permission to explore the unfamiliar. Clarence shares advice for anyone considering a creative career reset—emphasizing the importance of self-awareness, curiosity, and trusting the process of becoming.Guest: Clarence Kwan is a lifestyle concierge and founder of CK Curated, a solo business that helps clients design experiences through food, travel, and thoughtful living. Born and raised in Hong Kong, then the UK, Clarence received his bachelor's degrees in Architecture and Architectural History and Master of Architecture from the University of Washington's Seattle and Rome campuses. Prior to launching his business, Clarence worked for over 30 years in architecture, corporate real estate, and tech, leading workplace strategy and design teams. He's now blending his love for hospitality, architecture, and storytelling into a new creative chapter—one built on joy, relationships, and intentional living.Is This Episode for You?This episode is for you if:You're a mid-career architect wondering what's nextYou're feeling stuck in your current role and ready for a creative pivotYou want to explore entrepreneurship rooted in passion and purposeYou're curious about building a life that aligns with your values What have you done to take action lately? Share your thoughts with us on social media and join the conversation.

A Sermon for Palm Sunday Philippians 2:1-11, St. Matthew 21:1-17, and St. Matthew 27:1-54 by William Klock The Pantheon in Rome is famous for being one of the architectural and engineering wonders of the ancient world.  It was one of the buildings we studied when I took Architectural History and I remember our professor stressing that the photos in our book could never do it justice.  It's a great round building covered by the largest vaulted concrete dome in the world.  It looks big.  It is big.  The dome is 43 metres high.  But you don't realise just how big that is until you add people into the photos.  It's about twenty-five times higher than the average person is tall.  And it was built by the Romans two millennia ago.  It's survived all these years, even after builders scavenged the bronze off its roof and left the concrete exposed.  It is, again, known for being an architectural and engineering marvel. But Brothers and Sisters, the Pantheon is important for another reason that's hardly ever discussed.  It was, again, built almost two thousand years ago—in the early second century.  Begun under the Emperor Trajan and finished during the reign of Hadrian.  It stood on the Field of Mars and replaced an earlier temple dedicated to Mars, the god of war, and built by Agrippa during the reign of Augustus.  But the Pantheon, fairly quickly it seems, became an unusual temple.  The Romans usually dedicated a temple to a single god.  The gods were jealous.  They didn't like sharing.  And if a temple were, say, struck by lightning, you'd know that it was the god of that temple who was angry.  But the Pantheon became a temple for all the gods—or, at least, many of them.  That's what the name means: pan…theon.  It was one of the greatest temples of pagan Rome.  But in the Year of Our Lord Six-hundred-and-nine, at the instruction of the Christian Emperor Phocas and the Bishop of Rome, Boniface IV, the Pantheon was stripped of its pagan idols and its pagan altars.  Twenty-eight cartloads containing the bones of Christian martyrs were exhumed from the catacombs and reburied there, a Christian altar was placed in the building, and it was established as a church in honour of the memory of those martyrs whom the pagan Romans had killed in the name of their gods.  To this day, over fourteen-hundred years later, the Church of St. Mary and the Martyrs remains there, a faithful witness to conquest of Rome by the gospel and of the Lordship of Jesus.  A testimony to the power of the cross and the blood of Jesus not only to purify us from our sins and to make us a dwelling fit for God's Spirit, but to wash creation clean from our sins as well. We began Lent, listening as St. Matthew told us the story of Jesus' temptation in the wilderness.  The devil took him off to a very high mountain and showed him all the magnificent kingdoms of the world.  Off on the horizon was Rome.  “I'll give the whole lot to you,” the devil said, “if you will fall down and worship me.” It was, after all what Jesus had come for.  He was creation's true Lord.  Caesar and all the other kings were pretenders, shams, parodies of who and what Jesus really is.  All of it, from Jerusalem to Rome and beyond belongs to him.  “There is not one square inch in the whole domain of our human existence over which Christ, who is sovereign over all, does not cry, Mine!” to quote Abraham Kuyper.  But this was not the way.  Jesus will not reclaim his creation without also setting it to rights, without dealing with the problems of sin and death.  Without purifying it from our idolatry.  To do that requires more. And so today we hear Matthew again as he tells us of Jesus' triumphal procession into Jerusalem.  When they came near to Jerusalem, and arrived at Bethphage on the Mount of Olives, Jesus sent two of the disciples on ahead.  Go into the village over there and at once you'll find a donkey tied and a foal beside it.  Untie them and bring them to me and if anyone says anything to you, say, “The Lord needs them and he'll send them back right away.”  He sent them off at once.   Jesus was about to act out another one of his prophecies.  This time it was to show and to remind the people what sort of king the Messiah was to be.  They did want a king who would set all to rights, but in their heads, to their way of thinking, that meant leading a revolt against the Romans.  He would be like David, who defeated the Jebusites to take their city Jerusalem as his capital.  He would be like Judas Maccabeus, who defeated the Greeks and established an independent Jewish kingdom under the high priest.  The Messiah would be like that, only better, greater, more powerful, and his kingdom would be forever.  He would raise up Israel and put the gentile kings in their place.  The day before or maybe even that same day, as Jesus came to Jerusalem from Bethphage, Caesar's governor, Pontius Pilate, was marching into the city from the opposite direction, from his base in Caesarea, at the front of a column of Roman soldiers.  They were there to represent Caesar's might and to keep the peace during Passover.  If Jesus was the Messiah, now was his time—or so a lot of people thought—now was Jesus' time to finally and really be the Messiah, raise up his army, and cast down Pilate and the Romans and take his throne. But that wasn't the way to the throne any more than bowing down to the devil was.  Matthew says that Jesus did it his way to remind the people of what the Lord had said about the Messiah through the Prophet Zechariah: Tell this to Zion's daughter: Look now! Here comes your King.  He's humble, mounted on a donkey, yes, on a foal, it's young. The king they expected was going to ride into Jerusalem on a chariot or at least on a great warhorse.  But God's king is different.  A great warrior might take care of the Romans and even take his throne.  He could set things to rights in the way of earthly kings, but the world would still be subject to sin and death.  So Jesus acted out the prophecy.  The disciples brought the donkey and Jesus humbly rode it into the city.  And the people cheered all along the way.  They spread their cloaks on the road.  Others cut branches form the trees and scattered them on the road.  The crowds who went ahead of him, and those who were following behind shouted, “Hosanna to the son of David!  Blessed is he who comes in the name of the Lord!  Hosanna in the highest!”  And the whole city was gripped with excitement when they came into Jerusalem.  “Who is this!” they were saying.  And the crowds replied, “This is the prophet, Jesus from Nazareth of Galilee.   With that prophetic reminder, at least some of the people seemed to get it even if it wasn't what they expected.  Jesus was fulfilling Zechariah's prophecy.  The long-awaiting king had come.  But not everyone got it.  Jesus wasn't finished with his acted out prophesies.  Matthew says that he went straight to the temple and when he got there he threw out the people who were buying and selling in the temple.  He upturned the tables of the money-changers and the seats of the dove-sellers.  It is written, he said to them, “My house will be called a house of prayer, but you have made it a brigand's lair!”  The blind and lame came to him in the temple and he healed them.  But when the chief priests and the scribes saw the remarkable things he was doing, and the children shouting, “Hosanna to the son of David!” they were very angry.   The king was fulfilling the words of the prophets.  He came in humility.  And he came announcing that he really was going to set the world to rights.  He was going to set the world to rights in a way that would make the temple obsolete.  All through his ministry he'd been showing how he was the new bridge between God and sinful humans and that last week he spent in the temple—starting with this acted out prophecy and continuing as he healed and preached, he made it clear.  So clear that the people invested in the temple and the priesthood and that whole system took it all for blasphemy and had him arrested. Our long Palm Sunday Gospel today—Matthew 27—vividly depicts the Messiah's humble way to his throne.  Betrayed by his friends, rejected by his people.  Standing humbly before the Roman governor so many people expected him to slay.  Facing trumped up charges made by lying men.  Left condemned to death as the people chose instead that Pilate should free a brutal, violent revolutionary—a man truly guilty of the trumped of charges against Jesus.  Standing humbly as the very people he came to save cried out to Pilate, “Crucify him!”  Standing humbly as he, the king, was rejected by his own people who cried out, “We have no king but Caesar!”  Standing humbly as Roman soldiers mocked him, beat him senseless and scourged him, ripping the skin from his body.  Humbly dragging the very cross on which he would be crucified through the city.  The king, nailed to a cross and hoisted to die between two violent thieves as his own people shouted blasphemies at him, as the chief priests and scribes mocked him shouting, “He rescued others, but he cannot rescue himself.  If he's the king of Israel, let him come down from the cross!  He trusts in God; let God deliver him now if he's really God's son!” For hours it went on.  Jesus, pulling on those nails driven through is wrists, pushing on the nails driven through his feet, lifting himself to gasp for breath through the pain, while the people gathered around: Jews, Romans, even the pastors, the shepherds of his people who claimed to speak for God mocked him and shouted blasphemies.  Luke writes that Jesus prayed for them: Father, forgive them for they know not what they do.  And eventually his body could take no more and Jesus breathed his last breath.  And, Matthew says, the earth shook.  The great veil that guarded the holy of holies in the temple was torn in two.  And the Roman centurions standing guard were scared out of their wits and announced the very thing Jesus' own people would not: He really was the son of God!   Brothers and Sisters, there can be no Easter without Good Friday.  To set the world to rights—to really set to rights—not just to take a throne, not just to defeat the Romans—but to defeat sin and death and to reconcile sinful men and women to God required a king willing to let evil rise up to its full height, to let evil concentrate itself all in one place, and to let it do its worst, crashing down on him all at once.  It required a king willing to throw himself into the gears of this fallen, broken, and sinful world to bring them to a stop.  It required a king willing to give his life for his own people even as they mocked and blasphemed him, so that he could rise from that humiliating death to overturn the verdict against him, rise victorious over sin and death and the absolute worst that they could do.  Only that humble king could defeat death and bring life—real and true life—back to God's creation and gather a people forgiven, cleaned by his blood, and filled with his Spirit to become a new temple, a new holy of holies where the nations would—where the nations now—enter the presence of God. It was in that humble king that those Roman centurions saw something they had never seen before.  Their Caesar called himself the son of God, but in Jesus they saw the God of Israel at work in all his glory, in all his love, in all his mercy, in all his faithfulness—like no god they'd ever known—completely unlike any god or goddess honoured in the Pantheon.  Whether they knew it or not, those centurions that first Good Friday announced the defeat of Jupiter and Mars, of Hera and Diana, of Neptune and Vesta and all the others.  And they announced the defeat of Caesar, too.  In less than three centuries, the Emperor of Rome himself would be captivated by the good news about Jesus, the son of God, the great King who was setting the world to rights. But Brothers and Sisters, the good news about Jesus, crucified and risen, didn't go out through the empire and to the nations all on its own.  It was carried, it was stewarded by a people—by a church—that, itself, took on the humility of the Saviour.  The bones of those martyrs buried in the Pantheon are a testimony to the faithful and humble witness of Jesus' people in those early centuries.  They didn't just proclaim a message.  They lived it out as a community—as the vanguard of God's new creation born that first Easter morning.  In the midst of a world of darkness, of false gods and idolatry, of brutality and immorality hard for us to imagine today, they gave the pagans a glimpse of God's future.  By the way they lived, they lifted the veil and showed the world God's new creation.  It was not only the proclamation of the church, but the very life of the church that showed the world a better way, a way no one before had ever known. Here's the truth of it: The people of the humble king must be humble too or it's all for nought.  This is why Paul, writing to the Philippians, says to them, If our shared life in the king brings any comfort; if love still has the power to make you cheerful; if we really do have a partnership in the Spirit; if your hearts are at all moved with affection and sympathy—then make my joy complete!  Bring your thinking into line with one another.  In other words, if you're going to be a gospel community for all the world to see  Have this mind amongst yourselves!  Here's how to do it.  Hold on to the same love; bring your innermost lives into harmony; fix your minds on the same object.  Never act out of selfish ambition or vanity; instead, regard everyone else as your superior.  Look after each other's best interests, not your own.   But it's so hard to do that, Paul!  So, so hard!  And Paul knew that.  And so he takes them back to the cross.  Brothers and Sisters, everything goes back to Jesus and the cross!  This is how you should think amongst yourselves, Paul goes on—with the mind that you have because you belong to Jesus the Messiah.  And now he doesn't quote from the passion narratives because they weren't written yet, although I think that would have worked just as well.  Every Holy Week we immerse ourselves in the passion narratives and Matthew, Mark, Luke, and John remind us of the very thing Paul writes here.  But instead Paul breaks out into song.  He reminds them of a hymn they presumably all knew and he copies it out for them: Who, though in God's form, did not regard his equality with God as something he ought to exploit.  Instead, he emptied himself, and received the form of a slave, being born in the likeness of men.  And then, having human appearance, he humbled himself, and became obedient even to death, yes, even death on a cross.  And so God has greatly exalted him, and to him in his favour has given the name which is over all names.  That now at the name of Jesus every knee within heaven shall bow—on earth, too, and under the earth.  And every tongue shall confess that Messiah Jesus is Lord, to the glory of God the Father.   Paul reminds them of the humble king, the son of God who not only took on our flesh, but who gave his life in the most painful and humiliating way possible so that on his way to his throne he might take us with him. Brothers and Sisters, the only way we will ever be faithful in being the people Jesus has called us to be, the only way we will ever be faithful in being the new creation people the Spirit has made us, the only way will ever be faithful stewards of the gospel is to keep the cross of Jesus always before us.  There's a reason why we confess our sins before we come to the Lord's Table.  There is a reason that we repeatedly recall our unworthiness to enter the presence of God on our own merit.  There is a reason why, as we rise in the morning and as we go to bed at night, we confess our sins.  It's so that as we hear the absolution and as we come to the Table, we will remember just how gracious and merciful and loving God has been to us.  It's why we sing songs like “Amazing Grace”.  Amazing grace is such a sweet, sweet sounds, because apart from grace we are such sinful wretches.  And it is inevitable that when we forget this, when we start to think of ourselves as deserving of the gifts God has poured out on us, when we forget the heinousness and offensiveness of our sins and our rebellion against God, dear Friends, that's when we forget the true power of the gospel and the true mercy of the cross and the great depth of the love of God for sinners.  When we forget the sinfulness of our sin, we lose sight of the amazingness of God's grace.  Eventually we lose the mind of Jesus the Messiah and we cease to be the community of humble servants that he has made us.  And our light grows dim.  Our witness fails. We see it happening all around us in the West.  We've stopped talking about sin and we've thought more highly of ourselves than we ought.  We preach a doctrine of cheap grace.  And our light has gone dim.  Our churches have emptied and the culture has claimed them for its own.  In some they preach false gospels of prosperity or the divinity of man or the goodness of sexual perversion.  We setup idols to politics and earth power in them.  Some are literally gutted, becoming theatres or bars.  Others are little more than tourist attractions: testimonies to the power of the gospel in the days we proclaimed it, but now empty, dead shells.  The culture removes the cross and sets up altars to its idols.  Brothers and Sisters, before it is too late, let us knee before the cross of Jesus and look up.  Let it fill our vision.  Let us remember that he—the sinless son of God—died the death we deserve.  And let us meditate on the depth and power of his grace that we might share the humble mind of our humble king, that we might be the people he has called us to be, the people he has given his Spirit to make us, the people who will steward the gospel until every knee bows and every tongues confesses that Jesus the Messiah is Lord and gives glory to God the Father. Let's pray: Almighty and everliving God, in your tender love for mankind you sent your Son our Saviour Jesus Christ to take upon him our nature, and to suffer death upon the cross, giving us the example of his great humility:  Mercifully grant that we may walk in the way of his suffering, and also share in his resurrection; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever.  Amen.

  EPISODE 25 - ORNAMENT Ornament has always had an important meta function within the human psyche. It has been "outlawed" for the past 100 years.   RESOURCE LINKS https://www.gadarchitecture.com/en/ornament-in-architecture https://www.artforum.com/features/louis-sullivans-ornament-209337/ https://journals.sagepub.com/doi/abs/10.1177/1354067x13515937?journalCode=capa https://medium.com/the-thinking-of-design/ornament-as-an-abstraction-of-society-853bb29cdf08 https://www.youtube.com/watch?v=5PmydPmwrKA https://dreamswork.co.uk/portfolio/how-ornament-is-functional/ https://designmanifestos.org/adolf-loos-ornament-and-crime/   AK links: Four D Design - Organic Architecture, Geometry of Nature www.fourddesign.com Star Tile - Multidimensional Ceramics www.star-tile.com Star Tile Studio - Joshua Tree, CA https://g.co/kgs/DUMmCLh   Contact: ak@fourddesign.com     WHY DO WE USE ORNAMENT? - SIGNIFIER Social signaling - and this changes over time!  Example tattoos - British nobility 1900-1920 Historically it was the demarcation of class and status - governments had rules about what colors and types of clothing could be worn, so that people could never be socially mobile- Ornament on clothing has always been important for the military and in battle, people wore family crests / telling others who they were The same went for houses - all ornament had meaning that could be learned (this is western) Heraldry   WHY DO WE USE ORNAMENT? - SOCIAL & PSYCHOLOGICAL Belonging is so important that people will go into debt to buy clothing that lets them fit into a social group, or a car, or jewelry etc - people are wildly craving belonging, and ornament is a way to show your tribe.   OTHER REASONS: Repetition causes peace - relaxation of the nervous system By creating the ornament, the maker can embody the energy of the thing that might be feared  Establish historic continuity - memory, legacy. Spiritual Side of Ornament - Adornment, Defense, Totems, Enhancing Consciousness. META FUNCTION, embodied practice Adorning parts of us that are vulnerable - defensive and actively stating who we are / calling in our guides.   HISTORY OF ORNAMENT Industrial Revolution - 1851 - now possible to make cheap ornament / mass production Attempt at standardizing the language - Owen Jones “Grammar of Ornament” - huge interest in revival of styles / what we would now call Cultural Appropriation.. started with Archaeology around 1750, people discovering ruins, Marie Antoinette wearing toile / chinoiserie In victorian era, people started ascribing a moral judgment to the ornament - Augustis Pugin:  ornament should be flat if the floor is flat, not 3d etc.. can't be inappropriate.  He was a CATHOLIC in England - super religious, championed gothic revival because it was faith-based John Ruskin  - wrote on architecture but also on geology, botany, ornithology etc - polymath Said that the moral condition of a society could be determined by the ornament - ornament was being incorrectly applied- Shows what is leading up to the birth of modernism, nothing happens in a vacuum.   What Happened - Loos, Modernism and the 1920s As both Sullivan and Lévi-Strauss indicate, ornament (as well as other factors) becomes a language of social structures, social experience and even social contradictions. It signifies the status and position of the building, which is itself a representation of the importance of its “owners” and users. Here the manipulation of the image, or in architecture the adding of ornamental beauty to a structure, may increase its relative desirability and value. For buildings are models of ourselves and our society, communicating through form and organizational system the character of that society.   BUILDINGS REFLECT THE VALUES AND VALUE OF THE OWNER.   MODERNISM - WHAT HAPPENED? Adolf Loos Ornament and Crime The evolution of culture marches with the elimination of ornament from useful objects", Loos proclaimed, thus linking the optimistic sense of the linear and upward progress of cultures with the contemporary vogue for applying evolution to cultural contexts.[2]  "The child is amoral. To us the Papuan is also amoral. The Papuan slaughters his enemies and devours them. He is no criminal. If, however, the modern man slaughters and devours somebody, he is a criminal or a degenerate. The Papuan tattoos his skin, his boat, his oar, in short, everything that is within his reach. He is no criminal. The modern man who tattoos himself is a criminal or a degenerate. There are prisons where eighty percent of the inmates bear tattoos. Those who are tattooed but are not imprisoned are latent criminals or degenerate aristocrats. if a tattooed person dies at liberty, it is only that he died a few years before he committed a murder."   Where do we go from here - how do we start?   (HUMANS ALWAYS START OVER WITH FORMS FROM NATURE) Architectural adornment or ornament, like cooking—that most basic transformation of nature—is a way of being in and representing the world simultaneously, a world that in Sullivan's words “procreates man's own personality, that fits him, that he might feel at home with himself,” a world of natural objects transformed by the hand of man. This is why Sullivan defined the architect's task in a manner that reveals his belief in man's transforming power: the architect as the agent who brings nature into community.   James Trilling - The Language of Ornament Harvard-trained art historian, former Textile Museum associate curator, and independent scholar James Trilling expands here on many of the highly original themes that appeared in his The Language of Ornament (2001). He offers intriguing new views of the modernist movement in art and architecture, its puritanical hostility to ornament, and its manifold relationships to the history of technology, science, and industry in the phenomenon known as modernization. Trilling is a passionate advocate of ornament, and he makes a fervent plea for its revival, largely on the grounds that it gives pleasure and "makes people happy" (p. 227). Ranging widely across cultures, time periods, disciplines, and topics, Ornament: A Modern Perspective is a densely layered book of formidable learning, imagination, and complexity. The argument is deceptively simple and difficult to summarize; as Trilling writes of Comte (p. 177), "it is rarely possible to give the bare bones of a utopian vision without making it sound naive." Ornament for Trilling is a specific, intricate concept. He spends part 1 of his two-part book explicating this concept, by which he means the use of motifs and patterns by skilled artists/craftsmen, "the art we add to art" (p. xiii), in the creation of one-of-a-kind objects laden with cultural meaning and symbol, esteemed as art by collectors, connoisseurs, and knowledgeable art historians. In part 2 Trilling traces the links between modernism and the rejection of ornament. Though the focus is on the period since the pivotal Crystal Palace exhibition of 1851, his book includes an impressive intellectual history [End Page 418] of the many ways in which ornament was repudiated as idolatry and artifice in numerous societies long before modernism. But after the triumph of mechanization and the ascendancy of efficiency, materialism, and positivism, the leading theorists of modernism thoroughly devalued and assaulted ornament. The most famous instance was Viennese architect and critic Adolf Loos's 1908 essay that seemingly equated ornament with crime. Modernism's visionaries instead exalted functionalism and simplicity in architecture and design. They saw ornament as wasteful, inefficient, and, after the Industrial Revolution, as the product of dehumanized, debased workers far removed from the ideal of the skilled artisan/craftsman of the prefactory era. Modernism's subsequent long reign among intellectual and cultural elites (despite the thin, pale revolt of the postmodern movement), Trilling argues, has now all but blinded us to ornament, erased it from our collective memory and from art. Early modernist theorists sought to jettison the wealth of inherited patterns and motifs rather than welcoming their incorporation and reworking, as traditional crafts had done. (Ironically, one of Trilling's most original arguments is that modernism in fact had its own ornamental style, employing materials that had pattern and texture and creating art rooted in indeterminacy, "labile, ambiguous, unpredictable" [p. 217].) Trilling's mission is to restore understanding and appreciation of the rich, lost world of artisanal ornament. His book addresses artists, architects, designers, their clients and collectors, art historians—tastemakers and all who care about taste.                

In this episode of the A is for Architecture Podcast, architectural historian at the Edinburgh College of Art, University of Edinburgh, Dr Alistair Fair discusses his latest book, Building Modern Scotland: A Social and Architectural History of the New Towns, 1947–1997, which he co-authored with Lynn Abrams, Kat Breen, Miles Glendinning, Diane Watters and Valerie Wright, and published with Bloomsbury in February this year.Scotland's new towns—Glenrothes, Cumbernauld, Livingston, Irvine, and East Kilbride—were bold experiments in urban planning, designed to provide modern, thriving communities in the wake of the Second World War. We discuss the why and how of New Townism, and beyond the concrete and masterplans, reflect on what these places meant and how they shaped the daily life of the people who lived in them. In the end, as always, did they work? And what do they suggest about the contemporary and future of urban growth?Alistair & Co's extensive research and storytelling uncovers the vision, politics, and lived experiences behind these remarkable developments. Have a good listen – Alistair is a wonderful communicator – and find out.Alistair is on Instagram, and above at work. The book is linked above. #ArchitecturePodcast #BuildingModernScotland #newtowns #ScottishNewTowns #UrbanPlanning #ArchitectureHistory #ModernistArchitecture #ScottishHistory #PostWarDesign #AlistairFair+Music credits: ⁠Bruno Gillick

Will Stacy and Daniel ever stop talking about Frank Lloyd Wright? Yes, but not this week! In this episode, Stacy and Daniel catch up after the Window Preservation Alliance conference and wade into the world of Usonian architecture through the story of the Gordon House—a modest, DIY-friendly home designed by Frank Lloyd Wright. Stacy recently visited the Gordon House in Silverton, Oregon, which sparked the conversation about Usonian design. The episode also takes a detour into Daniel's yard sale prep and the Goodwill treasures they found while thrifting in Scottsdale. From radiant floors to hidden front doors, this episode is definitely the last time they talk about Frank Lloyd Wright (unless it isn't). WE LOVE OUR SPONSORS If you love True Tales From Old Houses, please consider supporting the small businesses that sponsor this show—they help keep these stories (and our old house shenanigans) alive! Sutherland Welles - Maker of exceptional polymerized tung oil finishes since 1965. To save 10% on your first order, use the coupon code truetales. Noonan Heritage Craftworks - Learn how Noonan Heritage Craftworks can help you with your exterior project using traditional materials. Schedule a phone call, video conference, or email consultation with Joseph Parente today. Mentioned in this Episode Ball and Claw Antiques Grab a Ready-to-Ship True Tales From Old Houses t-shirt  Window Preservation Alliance and the Window Preservation Standards Collaborative Ep #51: Demystifying Linseed Oil Paint with Natalie from Earth and Flax The Gordon House Oregon Garden Blog Post: Stacy's photos from The Gordon House, an authentic Usonian house designed by Frank Lloyd Wright

Wan Pow Chween, Architectural Consultant, Preservation of Sites and Monuments division at the National Heritage BoardMohamed Patail, Chairman, Board of Trustees of the Sultan Mosque join Saturday Mornings Show host Glenn van Zutphen and co-host Neil Humphreys to talk about the National Monuments in Singapore. What constitutes a National Monument and why it's important to preserve these buildings and spaces.See omnystudio.com/listener for privacy information.

In this episode of True Tales from Old Houses, Contractor and preservationist Brent Hull joins hosts Stacy Grinsfelder and Daniel Kanter to talk craftsmanship, good design, and why historic homes deserve better. Plus, learn how psychic realtor Josie Coleman clears homes of unwanted spirits. From hauntings to millwork, this episode has it all! Stacy and Daniel open the episode by catching up on personal projects. Then, following up on last season's ghost stories, realtor and psychic Josie Coleman reveals how she clears homes of lingering unwanted spirits and restores energetic balance. Depending on the day, Stacy and Daniel are skeptics or believers, but either way, Josie offers a fascinating look at handling paranormal life in old houses. Finally, preservation expert Brent Hull shares his insights on craftsmanship, historic design, and making smart renovation choices. He dives into the importance of quality millwork, the gaps in architectural education, and how homeowners can restore their historic homes while maintaining authenticity. Whether you're preserving history or just making renovation decisions, Brent has the insights you need! This episode has it all—ghosts, good design, and the wisdom of a true preservation pro! WE LOVE OUR SPONSORS If you love True Tales From Old Houses as much as we love making it, please consider supporting the small businesses that sponsor our show—they help keep these stories (and our old house shenanigans) alive! Sutherland Welles - Maker of exceptional polymerized tung oil finishes since 1965. To save 10% on your first order, use the coupon code truetales. The Window Course from Scott Sidler of The Craftsman Blog - Learn everything you need to know to restore your wood windows. For 10% off The Window Course, use the coupon code truetales. Repaint Studios The Repaint Tray from Repaint Studios is the first reusable silicone paint tray liner and lid. The Repaint Tray's air-tight lid keeps your paint fresh for weeks at a time. Use the coupon code truetales10 to save 10% off your order. Old House Hub from My Old House Fix - An exclusive online community that connects passionate old house owners and enthusiasts with experts and service providers. Join for expert advice, valuable resources, and a supportive community. Use the coupon code truetales for a free one-year membership. Mentioned in this Episode Wood Window Workshop at Silver Lake - Learn More Ball & Claw Antiques in Port Ewen, NY Stacy and Scott Sidler's book launch - February 24 (More info coming soon!) Window Preservation Alliance Annual Conference March 13-15 - Learn More Josie Coleman - Website | Lotus Lantern | Instagram North Bennet Street School The Institute of Classical Architecture and Art (ICAA) website Pre-order Brent's historic Millwork book | (affiliate) link

Explore the life and legacy of Mary Colter, a groundbreaking architect and interior designer who crafted iconic buildings at the Grand Canyon and beyond, blending Native American traditions with innovative architectural design, who also lost a home in a 1968 Eaton Canyon fire, which felt oddly topical._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Cowgirl MagazinePioneering WomenLegends of AmericaAbout MaryMary Colter (1869–1958) was a pioneering American architect and designer known for her work with the Fred Harvey Company, where she designed several notable landmarks, including the Hopi House and Desert View Watchtower at the Grand Canyon. Colter was one of the few women in her profession during the early 20th century, and she gained a reputation for her ability to merge architecture with the natural landscape and Native American culture. Her designs were not only functional but also deeply respectful of the local environment and history. Colter's commitment to integrating local materials and employing indigenous builders reflected her dedication to authenticity. She was a visionary who shaped the aesthetic of the American Southwest and remains a defining figure in the architectural landscape. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

In Episode 135 of A is for Architecture, Assistant Professor in Architectural History and Theory in the Department of Architecture at the University of Cambridge, Dr Fiona Smyth, discusses her book, Pistols in St Paul's: Science, music, and architecture in the twentieth century (Manchester University Press, 2024) ‘a ground-breaking account of the scientists and architects who pioneered acoustics in twentieth-century Britain'. As the publisher's blurb elegantly puts it, ‘On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? […] the scientists, architects and musicians who set out to answer this question […] would come to define the field of 'architectural acoustics'.  Fiona can be found on the Cambridge University website, and on her research website too. The book is linked above +  Music credits: ⁠Bruno Gillick

Melvyn Bragg and guests discuss the remarkable rise of Venice in the eastern Mediterranean. Unlike other Italian cities of the early medieval period, Venice had not been settled during the Roman Empire. Rather, it was a refuge for those fleeing unrest after the fall of Rome who settled on these boggy islands on a lagoon and developed into a power that ran an empire from mainland Italy, down the Adriatic coast, across the Peloponnese to Crete and Cyprus, past Constantinople and into the Black Sea. This was a city without walls, just one of the surprises for visitors who marvelled at the stability and influence of Venice right up to the 17th Century when the Ottomans, Spain, France and the Hapsburgs were to prove too much especially with trade shifting to the Atlantic.With Maartje van Gelder Professor in Early Modern History at the University of AmsterdamStephen Bowd Professor of Early Modern History at the University of EdinburghAndGeorg Christ Senior Lecturer in Medieval and Early Modern History at the University of ManchesterProducer: Simon TillotsonReading list:Michel Balard and Christian Buchet (eds.), The Sea in History: The Medieval World (Boydell & Brewer, 2017), especially ‘The Naval Power of Venice in the Eastern Mediterranean' by Ruthy GertwagenStephen D. Bowd, Venice's Most Loyal City: Civic Identity in Renaissance Brescia (Harward University Press, 2010)Frederic Chapin Lane, Venice: A Maritime Republic (Johns Hopkins University Press, 1973)Georg Christ and Franz-Julius Morche (eds.), Cultures of Empire: Rethinking Venetian rule 1400–1700: Essays in Honour of Benjamin Arbel (Brill, 2020), especially ‘Orating Venice's Empire: Politics and Persuasion in Fifteenth Century Funeral Orations' by Monique O'ConnellEric R. Dursteler, A Companion to Venetian History, 1400-1797 (Brill, 2013), especially ‘Venice's Maritime Empire in the Early Modern Period' by Benjamin ArbelIain Fenlon, The Ceremonial City: History, Memory and Myth in Renaissance Venice (Yale University Press, 2007)Joanne M. Ferraro, Venice: History of the Floating City (Cambridge University Press, 2012)Maria Fusaro, Political Economies of Empire: The Decline of Venice and the Rise of England 1450-1700 (Cambridge University Press, 2015)Maartje van Gelder, Trading Places: The Netherlandish Merchant Community in Early Modern Venice, 1590-1650 (Brill, 2009)Deborah Howard, The Architectural History of Venice (Yale University Press, 2004)Kristin L. Huffman (ed.), A View of Venice: Portrait of a Renaissance City (Duke University Press, 2024) Peter Humfrey, Venice and the Veneto: Artistic Centers of the Italian Renaissance (Cambridge University Press, 2008)John Jeffries Martin and Dennis Romano (eds.), Venice Reconsidered: The History and Civilization of an Italian City-State, 1297-1797 (Johns Hopkins University Press, 2000)Erin Maglaque, Venice's Intimate Empire: Family Life and Scholarship in the Renaissance Mediterranean (Cornell University Press, 2018)Michael E Mallett and John Rigby Hale, The Military Organization of a Renaissance State Venice, c.1400 to 1617 (Cambridge University Press, 1984)William Hardy McNeill, Venice: The Hinge of Europe (The University of Chicago Press, 1974)Jan Morris, The Venetian Empire: A Sea Voyage (Faber & Faber, 1980)Monique O'Connell, Men of Empire: Power and Negotiation in Venice's Maritime State (Johns Hopkins University Press, 2009)Dennis Romano, Venice: The Remarkable History of the Lagoon City (Oxford University Press, 2023)David Rosand, Myths of Venice: The Figuration of a State (University of North Carolina Press, 2001)David Sanderson Chambers, The Imperial Age of Venice, 1380-1580 (Thames and Hudson, 1970) Sandra Toffolo, Describing the City, Describing the State: Representations of Venice and the Venetian Terraferma in the Renaissance (Brill, 2020)In Our Time is a BBC Studios Audio Production .

Melvyn Bragg and guests discuss the remarkable rise of Venice in the eastern Mediterranean. Unlike other Italian cities of the early medieval period, Venice had not been settled during the Roman Empire. Rather, it was a refuge for those fleeing unrest after the fall of Rome who settled on these boggy islands on a lagoon and developed into a power that ran an empire from mainland Italy, down the Adriatic coast, across the Peloponnese to Crete and Cyprus, past Constantinople and into the Black Sea. This was a city without walls, just one of the surprises for visitors who marvelled at the stability and influence of Venice right up to the 17th Century when the Ottomans, Spain, France and the Hapsburgs were to prove too much especially with trade shifting to the Atlantic.With Maartje van Gelder Professor in Early Modern History at the University of AmsterdamStephen Bowd Professor of Early Modern History at the University of EdinburghAndGeorg Christ Senior Lecturer in Medieval and Early Modern History at the University of ManchesterProducer: Simon TillotsonReading list:Michel Balard and Christian Buchet (eds.), The Sea in History: The Medieval World (Boydell & Brewer, 2017), especially ‘The Naval Power of Venice in the Eastern Mediterranean' by Ruthy GertwagenStephen D. Bowd, Venice's Most Loyal City: Civic Identity in Renaissance Brescia (Harward University Press, 2010)Frederic Chapin Lane, Venice: A Maritime Republic (Johns Hopkins University Press, 1973)Georg Christ and Franz-Julius Morche (eds.), Cultures of Empire: Rethinking Venetian rule 1400–1700: Essays in Honour of Benjamin Arbel (Brill, 2020), especially ‘Orating Venice's Empire: Politics and Persuasion in Fifteenth Century Funeral Orations' by Monique O'ConnellEric R. Dursteler, A Companion to Venetian History, 1400-1797 (Brill, 2013), especially ‘Venice's Maritime Empire in the Early Modern Period' by Benjamin ArbelIain Fenlon, The Ceremonial City: History, Memory and Myth in Renaissance Venice (Yale University Press, 2007)Joanne M. Ferraro, Venice: History of the Floating City (Cambridge University Press, 2012)Maria Fusaro, Political Economies of Empire: The Decline of Venice and the Rise of England 1450-1700 (Cambridge University Press, 2015)Maartje van Gelder, Trading Places: The Netherlandish Merchant Community in Early Modern Venice, 1590-1650 (Brill, 2009)Deborah Howard, The Architectural History of Venice (Yale University Press, 2004)Kristin L. Huffman (ed.), A View of Venice: Portrait of a Renaissance City (Duke University Press, 2024) Peter Humfrey, Venice and the Veneto: Artistic Centers of the Italian Renaissance (Cambridge University Press, 2008)John Jeffries Martin and Dennis Romano (eds.), Venice Reconsidered: The History and Civilization of an Italian City-State, 1297-1797 (Johns Hopkins University Press, 2000)Erin Maglaque, Venice's Intimate Empire: Family Life and Scholarship in the Renaissance Mediterranean (Cornell University Press, 2018)Michael E Mallett and John Rigby Hale, The Military Organization of a Renaissance State Venice, c.1400 to 1617 (Cambridge University Press, 1984)William Hardy McNeill, Venice: The Hinge of Europe (The University of Chicago Press, 1974)Jan Morris, The Venetian Empire: A Sea Voyage (Faber & Faber, 1980)Monique O'Connell, Men of Empire: Power and Negotiation in Venice's Maritime State (Johns Hopkins University Press, 2009)Dennis Romano, Venice: The Remarkable History of the Lagoon City (Oxford University Press, 2023)David Rosand, Myths of Venice: The Figuration of a State (University of North Carolina Press, 2001)David Sanderson Chambers, The Imperial Age of Venice, 1380-1580 (Thames and Hudson, 1970) Sandra Toffolo, Describing the City, Describing the State: Representations of Venice and the Venetian Terraferma in the Renaissance (Brill, 2020)In Our Time is a BBC Studios Audio Production .

Recorded as part of the Trinity Arts & Humanities Research Festival 2024. Trinity's Professor in Architectural History, Christine Casey, on the ERC CRAFTVALUE project; and Curating Sculptor Hilary Heron with Billy Shortall (Art History). Learn more: www.tcd.ie/trinitylongroomhub/

Konuklarımız Alanya Üniversitesi'nden Muzaffer Özgüleş ve İstanbul Teknik Üniversitesi'nden Zeynep Kuban ile Sevgi Türkkan, mimarlık tarihi ve kültürel miras farkındalığı üzerine gerçekleştirdikleri “Palimpsest Şehirler” projesini anlatıyor. Bir AB projesi olarak gerçekleştirilen proje kapsamında bir de mobil uygulama üretildi. “Palimpsest Cities: Gamification and Storytelling for Architectural History and Cultural Heritage Awareness” isimli uygulamada çok katmanlı kentlerin tarihi yapıları bir harita üzerinde ve filtrelenebilir bir listede gösteriliyor. Bir yapının üzerine tıklandığında okuyarak ya da dinleyerek detayları keşfedilebiliyor. Ayrıca “turlar” sekmesinde, özel olarak oluşturulmuş tematik turlar (Alanya Kalesi turu, Mimar Sinan yapıları turu, vs.), güzergahları ve detaylarıyla yer alıyor. “Çağdaş mekanlar” sekmesi ise müzeleri, kafeleri, restoranları, manzara noktalarını ve daha birçok yeri keşfetmeye imkan sağlıyor.

Konuklarımız Alanya Üniversitesi'nden Muzaffer Özgüleş ve İstanbul Teknik Üniversitesi'nden Zeynep Kuban ile Sevgi Türkkan, mimarlık tarihi ve kültürel miras farkındalığı üzerine gerçekleştirdikleri “Palimpsest Şehirler” projesini anlatıyor. Bir AB projesi olarak gerçekleştirilen proje kapsamında bir de mobil uygulama üretildi. “Palimpsest Cities: Gamification and Storytelling for Architectural History and Cultural Heritage Awareness” isimli uygulamada çok katmanlı kentlerin tarihi yapıları bir harita üzerinde ve filtrelenebilir bir listede gösteriliyor. Bir yapının üzerine tıklandığında okuyarak ya da dinleyerek detayları keşfedilebiliyor. Ayrıca “turlar” sekmesinde, özel olarak oluşturulmuş tematik turlar (Alanya Kalesi turu, Mimar Sinan yapıları turu, vs.), güzergahları ve detaylarıyla yer alıyor. “Çağdaş mekanlar” sekmesi ise müzeleri, kafeleri, restoranları, manzara noktalarını ve daha birçok yeri keşfetmeye imkan sağlıyor.

Episode 125 of A is for Architecture is a conversation with historian Dr Jessica Kelly, Reader in Design and Architectural History at London Metropolitan University. We discuss her 2022 book, No More Giants: J.M. Richards, Modernism and The Architectural Review, published by Manchester University Press. It's an interesting story, one that mirrors the development of the profession, and perhaps even produces it to some extent. As Jess says, 'I think Richards, although he would completely align himself, and he writes about being a modernist and seeing that as the future of architecture, he is also quite invested in the figure of the architect and the expertise of the architectural profession as a cultural elite, as a sort of guiding figure within society. And he wants to promote that the magazine is invested in promoting the profession, because as much as the Architectural Review is, as it's been described, a mouthpiece for modernism, and really does feature modernism a lot, it features a lot of other stuff as well. [there is] very much a plurality of conversations happening in [it]. […] I think for Richard and his circle and network of people, there is an overlap between [ideology and business and] the idea of whether someone's a consumer or a citizen blurs together in quite an interesting way. And for Richards and his contemporaries, their main objective is to get a public audience for what they understand to be the future of architecture.' Jessica can be found on the London Met website, and the book is linked above.   Thanks for listening. +  Music credits: ⁠Bruno Gillick

MCM expert Atom Stevens is back! Tune in for our parade of homes conversation and ideas for how to future proof mid-century homes.   In Today's Episode You'll Hear:Why the Parade of Homes really took off in 1955. How builders advertised in the "housewife" era.What new energy standards might mean for mid-century homes.Get the full show notes with all the trimmings at https://www.midmod-midwest.com/1812

Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices

I'm so excited to dive into the history of design in mid-century homes with none other than Atom Stevens, MCM history buff and Cliff May expert. Whether you're a homeowner, a potential buyer, or just a mid-century enthusiast, Atom's insights are a reminder that our homes are more than just places to live – they're pieces of history, filled with stories waiting to be told.In Today's Episode You'll Hear:Which “new” features builders saw as selling points in the early mid-century. How these features have informed home building and selling ever since. When having a “cookie cutter” house is a feature not a bug!Get the full show notes with all the trimmings at https://www.midmod-midwest.com/1805 

In this episode we talk about architectural and aurality, asking what impact radio had on architecture, architects and public audiences. Our Contributors: Olga Touloumi is Associate Professor of Architectural History at Bard College. Her research concerns questions of globalization and media in twentieth architecture. Her first book Assembly by Design situates mid-20th century architectural constructions of global governance within debates on media democracies and liberal internationalism. Touloumi has co-edited Sound Modernities, a volume on how acoustics and sound technologies transformed modern architectural culture during the twentieth century; and with Theodora Vardouli Computer Architectures: Constructing the Common Ground, a volume about the exchanges between designers and computational technologists in Europe and North America. Shundana Yusaf is Associate Professor of History and Theory at the School of Architecture, University of Utah. Her scholarship juxtaposes colonial/ postcolonial history with sound studies in architecture. Her first book is Broadcasting Buildings: Architecture on the Wireless, 1927-1945 (Cambridge: MIT Press, 2014). Her current book is called Resonant Tombs: A Feminist History of Sufi Shrines in Pakistan. As its starting point, it takes sound as an architectural material of construction and women as secondary architects, collectively nestling ephemeral auditory monuments with their bodily resources within material monuments built by heroic men with material resources.  Details of audio clips: Movietone News newsreel of First United Nations General Assembly at Westminster Hall 1946 https://www.youtube.com/watch?v=3em8Yvf13y4 British Pathe newsreel U.N. Hears President - Kennedy Asks Joint US - Soviet Moon Trip, 1963 https://youtu.be/iBcfSqwvVlg?si=iS7nJ0aIRIjbMFzp Charlie Chaplin - Adenoid Hynkel Speech - The Great Dictator (1940) https://youtu.be/isLNLpxpndA?si=iWZNmbzMehKQwT9y The Society of Architectural Historians of Great Britain brings together all those with an interest in the history of the built environment – academics, architects, heritage experts and the wider public. As the leading body in the field, we believe that appreciation of architectural history plays a vital role in understanding our culture, past and present. With the help of our members, we publish new research, organise a broad range of events, provide educational opportunities and advance the understanding of the built histories of all periods and places, in Britain and beyond. Membership https://www.sahgb.org.uk/

Karen and Robby get to know 3* Rider, Megan Loughnane. Megan shares her story of riding with Susie Beale and Kelly Prather and now with Caitlin Silliman. Megan just recently graduated from University of Virginia with a degree in Architectural History all while having her 2 horses with her and competing at the upper levels. Megan was driving to her parents home during the interview to get ready to head out to Bromont the next day. We also learned Megan did not know who made the US Eventing Olympic Team (but we did) and asked for her prediction of the team. We hope you enjoy getting to know Megan as much as we did! PC: Paul LoughnaneTo follow Megan:https://www.instagram.com/ml.eventing/Please support our sponsors:https://cowboymagic.com/https://manentailequine.com/https://exhibitorlabs.com/https://www.triplecrownfeed.com/Save 10% off your Redingote purchase, use "MLE10" at checkout!https://landing.redingoteequestrian.com/mlePatricia Scott Insurance (484)319-8923Sign up for our mailing list!https://mailchi.mp/b232b86de7e5/majorleagueeventingllc?fbclid=IwAR2Wp0jijRKGwGU3TtPRN7wMo-UAWBwrUy2nYz3gQXXJRmSJVLIzswvtClECheckout the Major League Eventing store!https://www.majorleagueeventing.com/shop

Myles is joined by Ellen Rowley, editor of 'More Than Concrete Blocks: Dublin City's twentieth century buildings and their stories, Volume 3, 1973-1999'

In this episode, guest Sir Simon Jenkins explains how a simple yet powerful exhibition of black and white photographs shamed and shocked the government and the public, and brought about a change in policy towards country houses.Further Reading: England's 1000 best Houses (2003) by Simon Jenkins Life in the English Country House: A Social and Architectural History (1978) by Marc GirouardThis is an Ictus Media production, edited by Leo HornakThe Destruction of The Country House 1875-1975 by Roy Strong, Marcus Binney and John HarrisEngland's Lost Houses: From the Archives of Country Life (2002) Aurum Press by Giles Worsley Hosted on Acast. See acast.com/privacy for more information.

Mankind's quest for verticality has an underexplored dimension: the queasy feeling of vertigo many experience when close to the edge of a sheer drop. Davide Deriu, Reader in Architectural History and Theory at the University of Westminster, London, has taken on the relative lack of research into the subject with an interdisciplinary approach, captured in his book On Balance: Architecture and Vertigo. Come, stand on the edge with us. -- Intro/Outro: “Vertigo” by U2 -- Discussed:            Vertigo, Alfred Hitchcock, 1958          Vertical: The City from Satellites to Bunkers, Stephen Graham, 2016          Vertigo in the City program at University of Westminster, 2015        The Eiffel Tower and Other Mythologies, Roland Barthes, 1979          Funambulism              Jean François "Blondin" Gravelet – Niagara Falls wire walk, 1859        Philippe Petit, World Trade Center wire walk, 1974              Jan Gehl on humans' “natural” habitat in horizontal planes            Singapore's HDB social high-rises             Mies' insertion of ventilation grilles in front of the glass curtain wall at the Seagram Building, 1958           Prosper Meniere, father of the vestibular sciences

Celebrating 40 years of the Arizona Architecture Foundation, this special episode features an interview moderated by James Trahan AIA and Caroline Lobo AIA with some of the founding members of the organization: Dave Scheatzle FAIA, James Abell FAIA, Ron Peters AIA, and Chip Shay AIA. As the Rio Salado Architecture Foundation merges with the Central Arizona Architecture Foundation to forge the new AAF, we'll hear how this group started, how it has supported the architecture community in Arizona throughout its history, and how the legacy of the foundation will carry on into the future.

What is your biggest challenge? I get many questions about all facets of podcasting. Today we are going to overcome a variety of listener challenges. Cathy wants to know how long her podcast should be. Behiye is stuggling with echo in the audio. Dave just wants to get started. And Kate's challenge is getting clients. If you have a challenge with your podcast journey, you can always email me at Coach@PodcastTalentCoach.com. I would love to help you overcome that challenge right here on the show.   HOW LONG Cathy's challenge: How long should my podcast be?   There is not such thing as too long, only too boring. My radio coaches have told me that for decades. It is true in every area of life. Have you ever been in a conversation wondering if it will ever end? You're wondering if there is a point to the story they are telling. That's what I'm talking about. When I was getting my architecture degree, we had to take Architectural History. Not just one, but three levels of history. If you love architecture, you love architectural history. The cathedrals, the Greek classics, the modern movement. There is so much beauty. When I took Architectural History, it was a completely different story. The professor would stand at the podium at the front of the tiered lecture hall. He would turn off the lights and turn on the slides. For the next hour and fifteen minutes, he would proceed to read his notes in a monotone voice for each slide as we took notes and sketched the building on the screen. There was no story. No engagement. Just facts in a monotone voice. To make it worse, the class was at 8 in the morning. As a college kid, that was never good. I would sometimes leave class to get a soda from the machine upstairs just to stay awake. Twice a week, it was the longest hour of my life. BROADCASTING In my fourth year of school, I took Broadcast Management as I was considering a degree change to journalism. Dr. Walklin taught Broadcast Management. Every class, he would tell us about a great station that created a unique experience for their fans. Dr. Walklin would tell stories of stations that got in trouble or got sued for something they did. But, people were still talking about it 30 years later. In that class, we got to design our own fantasy radio station. We discussed why it would work and why it wouldn't. We learned about other station launches. The conversations in that class were electric. That's the difference between too long and too boring. Tell stories and be engaging. As long as the momentum of the show is moving forward and keeping your listeners engaged, length doesn't matter. Audio host Libsyn did a study of the top podcasts on the platform. They found that half of the podcasts were longer than an hour and half of the shows were shorter than an hour. There is no magic number. Engage your audience and be consistent.   GARBAGE IN Behiye's challenge: It's about reverb. Twofold need; How to avoid echo in the room from happening and how to edit it once it happened? Best regards. Behiye   Unfortunately, you can't do much with audio that is recorded poorly. You can clean it up a bit with some effects. But, you can't make it perfect. Garbage in equals garbage out. I once did an interview with Natalie Merchant. It was an opportunity that came my way while I was working at a station that played her solo stuff after she left 10,000 Maniacs. Natalie was coming to town, and I had the chance to interview her over the phone. After we completed the chat and I let her go, I listened back to the audio. It was horrible. There was a lot of hiss and fuzz from the phone line. There was very little I could do to save the conversation. I used bits and pieces that you could understand, but had to throw most of it away. If you record poor audio, you're stuck with it. So, make sure your audio is clean with a test recording before you do the full show. CLEAN AUDIO CHALLENGE Once the echo is recorded, it is difficult to remove it. There are 3 things you can do to get better audio. 1. Record in a room with soft surfaces. Hard, parallel surfaces like hard countertops, tile floors and bare walls create the echo. If your room has hard surfaces, hang some blankets in front of you to absorb the sound. I sometimes hang a sleeping bag over a stepladder in front of me to help. 2. Work the mic closely. The microphone should nearly be touching your lips or chin. No more than the width of two fingers away. 3. Ensure the mic is a directional mic and set up properly. This will prevent it from picking up room noise. Use those tips and your audio should be much cleaner.   JUST START Dave's challenge: Just getting started. That's what I'm struggling with. Cheers, -Dave   The first step is the first step. Don't get overwhelmed by the entire process. Just take the first step. In the Winter of 2015 and again in the Summer 2016, I stop podcasting. For about 8 weeks there was no new episode of Podcast Talent Coach. Life just got in the way. We were traveling, and it cause me to miss a week. That week turned into two. Two weeks turned into four. Next thing I know, I hadn't published for 2 months. I knew I needed to get back at it. But the outline, the topic, the content, the recording, the editing, the posting, the promoting... it all seemed daunting. Where was I going to find the time. Well, I just took the first step. I brainstormed 50 different topics. It wasn't about the entire process. I only wanted to get the first step done. Once I had 50 topics, I selected 3 that really sparked my interest. I created outlines for those 3. It was a matter of taking the next step. I wasn't concerned with every step. Just the next step. Let one step lead to the next. Soon, you'll have your episode published. Just take the first step. Open the mic and start. Schedule it, and get it done.   CONFIDENCE Greg's challenge: Time and self confidence are big for me. If it isn't scheduled it didn't happen and we tend to focus on the easy things first. Got my intro done that took about 5 takes now don't seem to find time for first episode and when I do I draw a blank on content.   My Godson plays high school baseball. He is a big boy who plays first base and can really crush the ball. He was at bat in the first game of the season with bases loaded and jacked a grand slam homerun. 4 runs. There were two guys on base for his next at bat. He hit another homerun. 3 more runs. 7 runs in two at bats. You don't need to know baseball to know that is pretty good. He's in another game in the middle of the season a few months later. For his first at bat, he hit a long drive to right center field. The right fielder makes an incredible dive to catch the ball for an out. On his next at bat, he drive the ball straight up the middle just like you want to do as a batter. The ball ends up hitting the pitchers glove enough to slow it down. The pitcher throws him out at first. Then for his third and last at bat, he hit a long ball all the way to the center field wall. The center fielder catches it about five feet in front of the fence for another out. After hitting zero for three in that game, he tells his dad he doesn't believe he is good enough to play college baseball. His dad made a great point. He said we often compare our results to the highlights of others. On paper, Joseph went zero for three. Evaluating the game, he nearly went three for three with a home run. It was all a matter of inches. We are often our toughest critics. Speak to your younger self. Create content for the person you were a few years ago. Help that person get to where you are without all of the struggles.   RESOURCES David's Challenge: I haven't started a podcast yet but have plans to do so soon. Any resources you can share will be truly appreciated. Thanks. -David   There are few resources you can use. First, visit www.podcasttalentcoach.com/launch. You can find my free podcast launch minicourse. That will show you what it takes. Next, check out www.podcasttalentcoach.com/workshop. I am holding a podcast fast workshop to help a group of people launch their podcast in a weekend. Bruce came to me for some coaching. He wanted to launch a podcast around a book he had written. As we do during my podcast strategy calls, we started talking about his goals. Bruce really wanted to help the world get healthier. Our next step was to determine where he is today. Bruce tells me he purchased his microphone two years ago and has wanted to start his podcast ever since. Sometimes the learning can get overwhelming. The more YouTube videos you find, the more different ways to create a podcast you'll find. To launch, purchase a USB microphone. A Samson Q2U will cost you about $70 in the U.S. Plug the mic into your computer. Download Audacity. It is free software. You'll record your episode there. Export it as an .mp3. Upload it to an audio host like Libsyn. Share the RSS feed with the podcast platforms like Apple and Spotify. That's the basic process. During the Podcast Fast Workshop, I'll answer your questions and refine the nuances of your process. We'll eliminate the guessing.   WHAT MAKES A PODCAST Gary's challenge: I'm struggling with how to actually deploy a podcast. Can I call it a podcast if I do a series of LinkedIn Lives or Facebook Lives interviewing experts offering services to my target market?   Technically, as podcast is distributed through an RSS feed. It stands for real simple syndication. By definition, a podcast is a digital audio file made available on the internet for downloading to a computer or mobile device, typically available as a series, new installments of which can be received by subscribers automatically. The automatic part comes through subscription via an RSS feed. You can do a series of LinkedIn Lives or Facebook Lives and call it a podcast. But it won't technically be a podcast, because people can't subscribe and have it automatically show up on their phone or computer. To distribute a podcast, you will use an audio host. I am an affiliate for Libsyn. You can get your first month for free at Libsyn.com with the promo code PTC. An audio host is like a storage unit for your audio. And your RSS feed is like the address to your storage unit. You give your RSS feed, or your address, to all of the podcast players like Apple and Spotify. Then each time you upload a new episode to your audio host, it is automatically ingested into the podcast players via the RSS feed. We cover all of that during the Podcast Fast Workshop. You can see all the details at www.PodcastTalentCoach.com/workshop.   GET CLIENTS Kate's challenge: I have no idea how to convert listeners into clients. I use the books I have written as "sponsors" of the show, but am not sure what else to do without blatantly saying in a show, "I am a brain health coach".   I'm not sure why it's bad to blatantly tell people you're a brain health coach. It is what you do. As long as you serve people and give them value, it is perfectly acceptable to give them the opportunity to go deeper with you. In fact, you owe it to them to get more if they want it. I had known my friend Dave for about six months when he mentioned his book. "Whoa, wait! You have a book?" Dave says, "Yeah, it has been out for about a year now." I ask him how I didn't know about that and why he has never mentioned it. He tells me, "I don't mention it much, because I don't want people to feel I'm beating them over the head with it." I say, "Dave, you've never mentioned it. How do you expect people to buy it and benefit from it if you never tell them it's available?" To turn your listeners into clients, offer your listeners value on your show. Inspire them with the why. Then, give them a chance to go deeper with you if they choose. As long as they benefit from the first part of the show, there is no guilt in giving them the chance to get even more. I have a great resource for you. It is 7 ways to attract your ideal clients. You can download it for free at www.podcasttalentcoach.com/attract.   LET ME HELP If you don't have a mentor who can take your hand and walk you every step of the way, go to www.PodcastTalentCoach.com/apply, click the button and apply to have a chat with me. We will develop your plan and see how I can help and support you to achieve your podcast goals.

A new exhibition at the Pulitzer Arts Foundation showcases the city's architectural salvage that was left in the wake of urban renewal. Pulitzer Arts Foundation curator Stephanie Weissberg and Michael Allen, director of the National Building Arts Center, discuss their collaboration on “Urban Archaeology: Lost Buildings of St. Louis.”

Episode topic: African American Architects 1865-1945 This lecture delves into some of the least-known contributions of African American architects during the crucial period of emancipation to the end of World War II. The discourse will highlight speaker Dreck Spurlock Wilson's editing and compiling of the book African American Architects: A Biographical Dictionary, 1865–1945, which prompts exploration of the historical influence of those who are virtually unknown in the world of architecture.Featured Speakers:Dreck Spurlock Wilson, ASLA, NOMA is a graduate of Iowa State University and the University of Chicago. He was formerly an Associate Professor of Architectural History at Howard University and Lecturer in Landscape Architecture at Morgan State University.Read this episode's recap over on the University of Notre Dame's open online learning community platform, ThinkND: go.nd.edu/da0e90.This podcast is a part of the ThinkND Series titled Restoring Reason, Hope and Faith in Architecture.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

This miniseries of the Architectural History podcast has been produced to mark the SAHGB Conference 2023: 'Constructing Coloniality: British Imperialism and the Built Environment'. The conference takes as its theme the coloniality of architecture and heritage in relation to the British Empire, from the early years of expansionism and the escalation of the slave trade in the seventeenth and eighteenth centuries, through the physical and political force wielded in the nineteenth and early twentieth centuries and the development of racial capitalism, to the subsequent and ongoing struggles for independence, freedom and justice.In this episode we spoke to Sonali Dhanpal about her research into a statue of Queen Victoria erected in Bangalore at the turn of the 20th century. The complex history of the statue speaks to the contested and anxious realities of imperial reification, all too often forgotten in contemporary debates about public statues and imperial legacies.To support the work of the SAHGB, become a member: ⁠https://www.sahgb.org.uk/join-renew⁠This podcast is produced by Front Ear Podcasts

This miniseries of the Architectural History podcast has been produced to mark the SAHGB Conference 2023: 'Constructing Coloniality: British Imperialism and the Built Environment'. The conference takes as its theme the coloniality of architecture and heritage in relation to the British Empire, from the early years of expansionism and the escalation of the slave trade in the seventeenth and eighteenth centuries, through the physical and political force wielded in the nineteenth and early twentieth centuries and the development of racial capitalism, to the subsequent and ongoing struggles for independence, freedom and justice. In this episode we spoke to Mira Waits about her research on police stations in colonial India. Mira considers these buildings in the context of broader visual and material culture of policing and carcareal architecture in colonial histories.  To support the work of the SAHGB, become a member: ⁠https://www.sahgb.org.uk/join-renew⁠ This podcast is produced by Front Ear Podcasts

Ann McLean, Doctor of Philosophy, Art and Architectural History at UVA, is Founder of the Hunter Classical Christian School and board member at The Jefferson Council. She joins John Reid to discuss a war on Virginia's history.

This miniseries of the Architectural History podcast has been produced to mark the SAHGB Conference 2023: 'Constructing Coloniality: British Imperialism and the Built Environment'. The conference takes as its theme the coloniality of architecture and heritage in relation to the British Empire, from the early years of expansionism and the escalation of the slave trade in the seventeenth and eighteenth centuries, through the physical and political force wielded in the nineteenth and early twentieth centuries and the development of racial capitalism, to the subsequent and ongoing struggles for independence, freedom and justice. In this episode we spoke to Ola Uduku about her work on the relationship between empire and the built environment in West Africa. We discussed how different forms of colonial and imperial government shape architectural production and the complex cultural manifestations of imperial architecture before, during and after formal colonisation. To support the work of the SAHGB, become a member: https://www.sahgb.org.uk/join-renew This podcast is produced by Front Ear Podcasts

"I want to really make a huge impact in my industry. For me, it's not so much about the buildings. We love improving people's lives with the spaces that we create for them. Our mission statement is lifting spirits with spaces. And that is an incredible feeling."-David Supple In this podcast, host Paul Dio interviews David Supple the CEO of New England Design and Construction. The company specializing in whole home, higher end remodeling, renovations, additions, and new construction. He is an expert in the history of the separation of architects and builders and is publishing a book on the topic. You will Learn  How did the separation of accountability between architects and builders create issues in the construction industry?  How technology bridges the gap between design and execution in the construction industry? How does the free ebook “Classical Architectures African Roots” reveal the truth about the connection between the architect and builder? Thank you for listening  Connect with David here:Website: https://www.nedesignbuild.com/ Instagram:https://www.instagram.com/davidmunizsupple/ Tiktok:https://www.tiktok.com/@davidmunizsupple Connect with Paulhttps://businesslegacypodcast.com/ https://innovativewealth.com/      

Why do a podcast about cemeteries? Why am I the one doing a podcast about cemeteries? In the first episode I tell the story of how I became interested in cemeteries and became a member of the cemetery community, and why I thought we all needed a podcast about them.tombwithaviewpodcast@gmail.comFacebookInstagram

In this truly special interview, join Fr. Dom and James, as they welcome Dr. Denis McNamara to The Manly Catholic! Dr. Denis, or "D-Mac" as Fr. Dom knew him in seminary, is an Associate Professor and Executive Director of the Center for Beauty and Culture at Benedictine College. He holds a BA in the History of Art from Yale University and a PhD in Architectural History from the University of Virginia. From 2000 to 2019 he was a faculty member at the Liturgical Institute of the University of Saint Mary of the Lake. He served as Associate Professor of Sacramental Aesthetics, Academic Director, Liturgy Director, and Music Director.Dr. McNamara was bringing the heat and sweetness of music, architecture, and history in this action-packed episode. Learn how music is the most beautiful form of prayer, why the liturgy should be sung whenever possible, and how architecture should order the Church and our lives. Like what you heard? Maybe you just enjoy reading James's show notes? Please prayerfully consider supporting the podcast on our Patreon page. to help grow the show to reach as many men as possible! Thank you for your prayers and support.  Partners: Grab an amazing cup of coffee at CatholicCoffee.com! Use code Manly at check-out to get 15% off your order!  Rugged Rosaries started on a holy mission and continues to this day. They produce manly Rosaries that will withstand children's snot, getting caught on the door handle, and so much more! James finally found a Rosary that won't break on him. Use the special code: MANLY12 to get 12% off your order!  As always, please pray for us! We are men who are striving every day to be holy, to become saints and we cannot do that without the help of the Holy Ghost!  Get social with us: Subscribe to our YouTube page to see our manly and holy faces Contact us directly:themanlycatholic@gmail.comResources mentioned in the episode:Benedictine Collage Center for Beuty and CultureThe Liturgy Guys on Apple PodcastsPrayers for dedication of a ChurchTake courses at the Liturgical Institute Catholic Church Architecture and the Spirit of the Liturgy by Dr. DenisThe Symbolism of the Christian Temple by Jean HaniThe Divine Liturgy: Insights Into Its Mystery by Jean HaniSolemnities: Celebrating A Tapestry of Divine Beauty by Dr. DenisSupport the show

The first time I heard the word “folly” was in relation to Bernard Tschumi's Parc de la Villette in Paris – the large park with dozens of red structures strategically organized in a grid – each embodying the principles of deconstruction. I had been fascinated with the relevance and functionality of follies and even more amused by the lack of its typology. On graduation from Oxford, Rory Fraser wrote and illustrated his first book Follies: An Architectural Journey, which he then presented as a documentary. Rory subsequently completed an MPhil in Architectural History at Cambridge. He lives in London where he divides his time between writing, lecturing and painting architectural commissions. Link to the series: https://watch.shelter.stream/follies Rory's work: https://www.instagram.com/roryfraserr/

In this episode we discussed the idea of 'The Primitive Hut' in 18th and 19th century architectural theory. A vision of the first building was used by texts dating back to Vitruvius to imagine architecture's origins. We started with Marc-Antoine Laugier, author of Essai sur l'architecture (1753), which used the image of the Primitive Hut to call for a return to austere and structurally declarative classicism after the excesses of the baroque. We also discussed the idea of the Primitive Hut in the work of Viollet-le-Duc, who was influenced by ethnographic racism and eugenics in his depiction of the origin of architecture. We strongly recommend Joseph Rykwert's book On Adam's House in Paradise: The Idea of the Primitive Hut in Architectural History for an even more in-depth commentary on this subject. You can watch this episode on YouTube to see the images Nature soundscape from: https://www.edinburghrecords.com/free-sound-effects/ Edited by Matthew Lloyd Roberts. Support the show on Patreon to receive bonus content for every show. Please rate and review the show on your podcast store to help other people find us! Follow us on twitter // instagram // facebook We're on the web at aboutbuildingsandcities.org

In the first episode of Building Better Season Three, we discuss fire and the role it plays in architecture and design. Throughout history, fire has shaped the cities we live in, and the risks of urban fire in a warming climate are ever-increasing. Host Christoph Lindner, Dean of The Bartlett Faculty of the Built Environment, speaks to three guests from within and outside the UCL community to discuss their work with fire: - Professor Jose Torero Cullen, Head of the Department of Civil, Environmental, Geomatic and Environmental Engineering and specialist in fire safety engineering - Dr Eva Branscome, Associate Professor, Architectural History and Theory, The Bartlett School of Architecture and Mentor at SPID Theatre - Naomi Israel, Youth Ambassador for SPID Theatre and co-director of The Burning Tower which explored the impact and response to the Grenfell Tower Fire TW: This episode discusses the Grenfell tower fire as well as other fires from across the world and throughout history and has reference to death and injury; however, these will not be discussed in great, explicit detail. Date of episode recording: 2022-07-28 Duration: 36:18 Language of episode: English Presenter: Christoph Lindner Guests: Professor Jose Torero Cullen; Dr Eva Branscome; Naomi Israel Producer: Cerys Bradley

Tonight's reading comes from On the Architectural History of Chester Cathedral. Published in 1864, this story looks at, you guessed it, the Architectural history of Chester Cathedral. As Australia is a relatively new country, I'm always so envious of the historical architecture that other countries have. We do have Koalas though so I shouldn't complain. My name is Teddy and I aim to help people everywhere get a good night's rest. Sleep is so important and my mission is to help you get the rest you need. The podcast is designed to play in the background while you slowly fall asleep. Thank you to everyone who shared their words of gratitude with me, during the week. If you find the podcast beneficial, I have a special favour to ask. Please share the podcast with a friend who may need a good night's rest. It would also be amazing if you could. please leave a review and comment in iTunes or, leave the show a rating in Spotify. And if you're not already, be sure to subscribe to the show. If you would like, you can also say hello at Boreyoutosleep.com where you can support the podcast. I'm also on Twitter and Instagram @BoreYouToSleep. You can also find me on Facebook by searching Bore you to Sleep Podcast. In the meantime, lie back, relax and enjoy the readings. Sincerely. Teddy --- Support this podcast: https://anchor.fm/boreyoutosleep/support

Dr. McCoy is the Director of the Virginia Center for Housing Research at Virginia Tech, the Beliveau Professor of Building Construction, and the Associate Director of the Myers Lawson School of Construction… He has over 24 years of experience in the architecture, engineering and construction (AEC) industry, including 8.5 years of fieldwork and 8 years of managing a firm that maintained a Class A Virginia contractor license. Dr. McCoy received undergraduate degrees in Architecture and Architectural History from the University of Virginia, and an MS in Building Construction and a Ph.D. in Environmental Design and Planning from Virginia Tech. He has authored of over 100 articles and has been a primary investigator on millions of dollars in funded projects, including ‘green' residential construction practices, building technologies, affordable housing and safety practices in the construction supply chain.  Notable funded endeavors include:  1) Virginia Housing's PACT 3D Concrete House Printing Innovation Grant, 2) The Commonwealth of Virginia's Executive Order 32 study "Addressing the Impact of Housing Affordability for Virginia Economy"; 3) HUD's " Impact of Market Behavior on the Adoption and Diffusion of Innovative Green Building Technologies," A Sustainable Communities Research grant; 4) CREATES, a Department of Labor grant to increase Southwest Virginia Constructors knowledge and application of green technologies; 5) ELECTRI Foundation's 2011 Early Career Award; 6) NIOSH's “The Case for a Whole Industry Approach to Safety,” a grant on safety across cultures and sectors of the construction industry and 7) Housing Virginia's "The Impact of Energy Efficient Construction for LIHTC Housing in Virginia." Another endeavor was the 2009 Department of Energy “Solar Decathlon” competition, in which university teams compete to design, build, manage and operate the most attractive and energy-efficient solar-powered house. Dr. McCoy's research won the 2015 Game Changer Award for the State of Virginia and Engineering News Record's 2014 "Top 20 under 40" for the Mid-Atlantic. Dr. McCoy's work also won ASCE's Journal of Architectural Engineering "Top Paper Award 2015" and the American Real Estate Society conference's "best paper prize for the topic of Sustainable Real Estate." Company Website: https://www.bc.vt.edu/ LinkedIn: https://www.linkedin.com/in/andrewpmccoy/ Video: https://vtx.vt.edu/videos/k/2021/06/1_r5xrw3ha.html Article: https://vpm.org/news/articles/30733/can-3d-concrete-printing-solve-virginias-affordable-housing-crisis Thanks for listening! Please be sure to leave a rating or review and follow us on our social accounts! SUBSCRIBE! Like us on LinkedIn! Like us on Facebook! Follow us on Instagram! Eddie's LinkedIn Tyler's LinkedIn See omnystudio.com/listener for privacy information.

Madeline "Maddie" Williams is the Director of Preservation and Historic Rehabilitation at MSA Design. Maddie leads the Historic Preservation practice firm-wide for MSA and serves as a resource to building owners, contractors, architects, and agencies on strategies to renovate and redevelop historic structures. This includes advising on historic building assessments, grant applications, historic tax credits, and developing strategies to rehabilitate historic buildings. A native of Connecticut, her junior ice hockey career led to a scholarship at Lake Forest College in Chicago. While at Lake Forest, she was named captain of the Forester Varsity Women's Ice Hockey Team. Her interest in Preservation was sparked while surrounded by the architecture of Chicago and led her to complete a Bachelor's Degree in Architectural History. She then went on to earn a Masters in Historic Preservation at the School of the Art Institute of Chicago. A self-proclaimed "Liberal Preservationist", Maddie believes that historic buildings should 'tell their story', but also be free to be adapted for modern uses. Maddie, her husband, and two daughters reside in a small, historic town on the east side of Greater Cincinnati.

(ENCORE) This week, Anna and Amber decided to clean up their act and take a look at the history of bathing and hygiene. We're dipping our toes into Roman baths, sweating through Finnish and Russian saunas, discussing the shrewd marketing behind the “Halitosis Effect,” and more. Plus, what even IS soap, anyway? Interested in learning about how to use X-Rays and similar technology in archaeology? Check out the linked PaleoImaging course from James Elliot! Links A natural history of hygiene (Canadian Journal of Infectious Diseases and Medical Microbiology) Evidence that disgust evolved to protect from risk of disease (Proceedings of the Royal Society B: Biological Sciences) The First Soap - The first recorded evidence of soap making (Soap History) Out of the Vapors: A Social and Architectural History of Bathhouse Row More Than a Bath: An Examination of Japanese Bathing Culture (Claremont Colleges) Self-Reflection in the Tub: Japanese Bathing Culture, Identity, and Cultural Nationalism (Asia Pacific Perspectives) Dip into the history of the Japanese 'system bath' (Japan Times) Networking Naked With Finland's Diplomatic Sauna Society (The Atlantic) A `working' bath: Finland's answer to negotiations. SAUNA DIPLOMACY (Christian Science Monitor) The Standard Guide to Global Bathing Cultures (Standard Hotels) The History and Science Behind Your Terrible Breath (Smithsonian) Fighting bad breath -- a battle through centuries (Los Angeles Times) Who invented the toothbrush and when was it invented? (Library of Congress) Contact Email the Dirt Podcast Affiliates Wildnote Digital Marketing Course TeePublic Timeular