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Seeking shelter from the run, a courting couple find themselves in an apparently abandoned "Waxworks" and become startled by its chamber of horrors...This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “WAXWORKS” by W. L. George, 1922.
Would you spend the night in a wax museum of serial killers ? In our feature story a journalist spends the night in just such a place and things don't go well. I hope you enjoy the Waxworks by A M Burrage' All Rights Reserved http://adventuresinaudio.net. I invite you to listen to a friends Podcast. It's creepy https://momsmurders.com/
Beyond Midnight 69-01-31 (14) A Night In The Waxworks aka WaxworkBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.
Beyond Midnight - A Night In The Waxworks aka WaxworkBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.
It's Christmas Eve in Oldhampton and as residents enjoy what's left of their pre-holiday errands, cub reporter Sonia is looking to eschew the society fluff of her regular assignments by tackling a more thrilling angle. Nobody has yet spent a night among the wax effigies in the local Hall of Horrors without meeting a ghastly end. Success here would certainly propel Sonia over the bigoted jibes and through the glass ceiling of her toxic workplace. Ethel Lina White's "Waxworks" first appeared in the December 1930 edition of Pearson's magazine and was the precursor to her 1935 novel, "Wax". In Part 1 of LTP's Festive Season Triptych, your hosts explore this fascinating short story and its context.Fast Facts@14:45; Summary@38:45; PIPES@45:45
Ep 273 is loose! And we're diving into the history of one of the world's most famous attractions, Madame Tussauds!Who was the woman behind the famed house of wax? How did she learn her skills? And is this the most tenuous cocktail link in history?The secret ingredient is....wax!Get cocktails, poisoning stories and historical true crime tales every week by following and subscribing to The Poisoners' Cabinet wherever you get your podcasts. Find us and our cocktails at www.thepoisonerscabinet.com Join us Patreon: https://www.patreon.com/thepoisonerscabinet Find us on TikTok: https://www.tiktok.com/@thepoisonerscabinet Follow us on Instagram: https://www.instagram.com/thepoisonerscabinet/ Find us on Facebook: https://www.facebook.com/ThePoisonersCabinet Listen on YouTube: https://www.youtube.com/@ThePoisonersCabinet Sources this week include Memoirs of Madame Tussaud, Madame Tussaud A Life in Wax by Kate Berridge, Madame Tussaud and the History of Waxworks by Pamela Pilbeam, Geri Walton, Madame Tussauds' website, history dives into Jean Paul Marat and Philip Philidor. Hosted on Acast. See acast.com/privacy for more information.
Living in Paris during the Revolution and Reign of Terror might not seem like the right place at the right time, but if your job is to make wax sculptures of heads, it's kind of perfect.In this episode we meet Marie Tussaud, and follow along as she creates a London institution.Follow along as we:Meet little Marie, living with a doctor who makes wax anatomical models,Rub elbows with royals and rabble-rousers in Paris before and during the Revolution and Reign of TerrorHit the road with Madame Tussaud and Sons waxworksSettle in London and develop a wax museum known the world aroundMeet some of the museum's famous and infamous, including a candlelit tour of the Chamber of HorrorsCome on over to our SHOW NOTES for bonus content including photos and links.
brianturnershow.com, eastvillageradio.comSKOALKANZ - Purvis Breakdown - V/A: Perpendicular Jello (cs, Primordial Sid, 1985)TIVOL - Viha, Kateus, Katkeruus Ja Muut Loistofiilikset - Early Teeth (Holy Mountain, 2007)ITALO 90 - On the Scene - Collection (Improved Sequence, 2025)KELLEY STOLTZ - Pride - Crockodials (Nine X None, 2020)THE TERMINALS - Terminals - Disconnect (Flying Nun, 1987)TOBE HOOPER & WAYNE BELL - Main Title/Warnings Medley - Sdtk: The Texas Chainsaw Massacre (1974, re: Waxworks, 2024)ALEC CHEER - Without Mustard - Live In the Captains Rest (BC, 2025)AMATEUR HOUR - Hammered - Går I Kras (Appetite, 2025)WORLD OF POOH - Stones of Judgement - Tight & Loose (Bulbous Monacle, 2025)DA GOOGIE & CARA TIVEY - Mad Mike (Mark My Words) - The Golden Thread (Tiny Global Productions, 2025)ELIZABETH ARCHER & THE EQUATORS - Feel Like Making Love (Version) - 7" (Lightning, 1977)GHOST DUBS - Dub Craft - Extended Damage Versions (BC, 2025)JULIE BROWN - Vague - Smell the Glamour (Just Julie, 2011)WILL FREED & JONAS REINHARDT - TMA-1 - Electric Placebo (Hidden Depth, 2025)BLOQUE DEL SUR - Coordenadas - V/A: Urbanismo Primitivo (Pakapi, 2021)BROWN ANGEL - Guilt Trending - Promisemaker (Sleeping Giant Glossolalia, 2025)MEN WITH NO IQ'S - Satan's Beliefs - Sexsational Teen 12" (Nuthin', 2025)BRAIN IMPLANT - Murderous Pigs - Demo (BC, 2022)THE HEADS - Either (Pt. 3) - Enten-Eller (Rooster Rock, 2012)REBONA - Zana-Konko - V/A: Tsapiky! Modern Music From Southwest Madagascar (Sublime Frequencies, 2025)RYAN DAVIS & THE ROADHOUSE BAND - New Threats From the Soul (Sophomore Lounge, 2025)KLAAS HÜBNER - Side B - Music for Ceiling Fan and Tubes (Slip, 2016)CABARET VOLTAIRE - Nag Nag Nag - Live YMCA 27.10.79 (Rough Trade, 1980)CONTROLLED DEATH - Untitled - Death Church Organ Tapes (cs, Deathbed Tapes, 2025)
Vamos falar de sagas de terror menos conhecidas, de Phantasm a Waxworks, passando por House.
The Prowler, Waxworks, Bad Taste, The Burning, Pieces, Friday The 13th
Spend the night in the dark at a wax museum. That sounds like a great idea. Support the podcast with a one time donation at buymeacoffee.com/justchillsIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app.
A discussion about and travelogue centered around the 2024 edition of Silent Movie Day and the Pittsburgh Silent Film Festival. This breakdown covers every film screened, with an emphasis on "He Who Gets Slapped" and "Waxworks", both from 1924. Bluesky - @goldensilentscast Instagram - goldensilentscast Twitter/X - @goldensilents1 D.J. Zombo - www.zomboco.com PSFS - pittsburghsilentfilmsociety.org
A down and out young man looking for work gets a job as custodian at a wax works museum and finds himself captivated by a woman's wax likeness in the section reserved for murderers. This story was inspired by the author's attempt to sneak into the famous Madame Tussaud's London waxworks- the story of which we are currently playing at 1001 Hedroes, legends, Histories & Mysteries Podcast.
"The House That Dripped Blood" is a 1971 British anthology horror film directed by Peter Duffell and distributed by Amicus Productions. The film is a collection of four short stories, each concerning a series of inhabitants of the eponymous building. Denholm Elliott appears in the segment "Method for Murder," playing Charles Hillyer. He is joined by Joanna Dunham, who portrays Alice Hillyer, Charles' wife. Peter Cushing stars in the segment "Waxworks," portraying Philip Grayson. Joss Ackland (known for "Lethal Weapon 2," "Watership Down," and "Bill and Ted's Bogus Journey," among over 100 other films) plays Neville Rogers, Grayson's friend. Wolfe Morris appears as the Waxworks Proprietor. Christopher Lee appears in the segment "Sweets to the Sweet," playing John Reid. He is joined by Nyree Dawn Porter (star of "The Forsyte Saga," who turned down the lead female role in "The Avengers") as Ann Norton, the tutor hired to care for Reid's daughter. Jon Pertwee features in the segment "The Cloak," portraying Paul Henderson. Ingrid Pitt plays Carla Lind, Henderson's co-star and love interest in the vampire film they're working on. All of the stories were written by Robert Bloch, best known as the writer of "Psycho." Bloch wrote hundreds of short stories and over 30 novels and was a protégé of H. P. Lovecraft. Amicus films are sometimes mistaken for the output of Hammer Films due to their similar visual style and use of some of the same actors. However, unlike the period gothic Hammer films, Amicus productions were usually set in the present day. In the Second World War, Denholm Elliott (famous to this podcast for his titular role as the Signalman in the BBC "Ghost Story for Christmas," podcast episode 21) joined the Royal Air Force, training as a wireless operator/air gunner in 1942. His aircraft was hit by flak and subsequently ditched in the North Sea. Elliott and four of his crewmen survived, and he spent the rest of the war in Stalag Luft VIIIb, a prisoner-of-war camp. Later, Pertwee was attached to the top-secret Naval Intelligence Division, working alongside future James Bond author (and of course Big Chris Lee's cousin) Ian Fleming and reporting directly to Prime Minister Winston Churchill. In 1967, he was chosen by "Dad's Army" producer David Croft for the role of Captain Mainwaring, but Pertwee turned it down. In 1969, Pertwee asked his agent to apply for the role of Doctor Who and was surprised to find he was already on the shortlist. He was the second choice for the role; Ron Moody was the first but was unavailable. Jon Pertwee later claimed that "The House That Dripped Blood" was meant to be a comedy-horror film and was initially filmed in that way. However, during the production, "the producer came in, took one look at what we are doing, and went raving mad," insisting it be a horror film and not a comedy. This change meant a shift in tone, but the material already filmed remained, resulting in the film dipping in quality and edits to remove comedy elements from Pertwee's sequences. He also admitted that he intentionally based his character on his co-star and friend Christopher Lee. In a scene where Jon's character talks about favourite roles, he says that he prefers Bela Lugosi's Dracula rather than "the chap who plays him nowadays." Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.
The Cabinet of Dr. Caligari (1920), The Golem (1920), and Waxworks (1924). In the very beginning of cinema, it was the German filmmakers who took cinema to the next level, even when it was still in its infancy. Creating strange angles, weird landscapes and buildings, and bizarre stories, these filmmakers gave audiences something completely new and different. It made such an impact, that it would inspire future filmmakers for generations to come. While being silent, these films still created such haunting images, wild characters, and fantastical designs of the sets, that can still make an impact to today's modern audiences. When Discovering the Horror, it is always important to know how we got to where we are, and the German expressionist horror films of that era is a great place to start. If you want to scoff at silent cinema, then you are depriving yourself of some truly great pieces of art, and of history. Films mentioned in this episode: The Arrival of a Train (1896), The Bride of Frankenstein (1935), The Cabinet of Dr. Caligari (1920), Casablanca (1942), The Cat and the Canary (1927), The Devil and Daniel Webster, Dr. Caligari (1989), Dr. Jekyll and Mr. Hyde (1920), Dracula (1931), Frankenstein (1931), The Golem (1915), The Golem (1967), The Golem (2018), The Golem; How He Came into the World (1920), The Golem and the Dancer (1917), The Great Train Robbery (1903), The Hunchback of Notre Dame (1939), It! (1967), Ivan the Terrible (1944), The Man Who Laughs (1928), The Mummy (1932), Nosferatu (1922), The Phantom of the Opera (1925), Son of Frankenstein (1939), The Unknown (1927), Waxworks (1924)
A surprising number of crime stories from the Golden Age of Detective Fiction take place in wax museums. Today, we're joined by Caroline Crampton, host and creator of Shedunnit, a podcast that unravels the mysteries behind classic detective stories, to talk about why the wax museum has fueled the imagination of so many crime writers.Link to "Waxworks" by Ethel Lina White: https://trove.nla.gov.au/newspaper/article/47480274/4608076. Spoiled Stories:"Waxworks" by Ethel Lina WhiteHound of the Baskervilles by Arthur Conan DoyleIt Walks by Night by John Dickson Carr"The Abominable History of the Man With Copper Fingers" by Dorothy L. Sayers"The Empty House" by Arthur Conan Doyle"Poison in the Garden Suburb" by G.D.H. and Margaret ColeFor show notes and full transcripts, visit www.artofcrimepodcast.com.If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast.com.
Es ist vollbracht. Waxworks ist durchgespielt. Wie war denn nun jetzt das letzte Level? Hats das Spiel nochmal rausgerissen, oder scheitert es an den gleichen Problemen? Und wie ciel Story gibts am Ende denn nun wirklich?! Bei Feedback meldet euch gerne an: Sven@HobbyKeller.net Martin@HobbyKeller.net Über Bluesky/Threads/Mastodon an: @Schnubbi @Erkandor Oder kommt auf unseren Discord Server: HobbyKeller Podcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/hobbykeller/message Support this podcast: https://podcasters.spotify.com/pod/show/hobbykeller/support
Hello and welcome listeners to Episode 226 of Journey with a Cinephile: A Horror Movie Podcast. In this episode, your tour guide, David Garrett Jr., continues with the Centennial Club. The first feature is the new movie, Here for Blood (2022). This has been doing festival rounds and getting its wide release this year. Also on this episode are Mini-Reviews of Bram Stoker's Dracula (1992), Creature from the Black Lagoon (1954), The Windigo (2024), The Skinwalkers: American Werewolves 2 (2023) and The Hunger (1983). I also caught the first episode of The Walking Dead: The Ones Who Live. I hope you enjoy coming on this journey with me! Time Codes: Intro: 0:00 - 2:56 Mini-Reviews: 3:02 - 31:37 Here for Blood Trailer: 31:37 - 32:58 Here for Blood Review: 32:58 - 41:52 Waxworks Trailer: 41:52 - 43:28 Waxworks Review: 43:28 - 53:31 Outro: 53:37 - 56:46 Social Media: Email: journeywithacinephile@gmail.com Reviews of the Dead Link: https://horrorreview.webnode.com/ Facebook: https://www.facebook.com/dgarrettjr Twitter: https://www.twitter.com/buckeyefrommich Letterboxd: https://letterboxd.com/davidosu/ Instagram: davidosu87 Threads: davidosu87 Journey with a Cinephile Instagram: journeywithacinephile The Night Club Discord: Journey with a Cinephile
Unsere Reise durch die wundersame Welt des Waxworks Museum geht weiter. Nach dem riesigen ersten Level gibts diesmal direkt 2 weitere Level in einer Folge. Wird die Spielmechanik aufgebrochen, werden Martin und Sven gebrochen und kann das Spiel sich nochmal beweisen? Bei Feedback meldet euch gerne an: Sven@HobbyKeller.net Martin@HobbyKeller.net Über Bluesky/Threads/Mastodon an: @Schnubbi @Erkandor Oder kommt auf unseren Discord Server: HobbyKeller Podcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/hobbykeller/message Support this podcast: https://podcasters.spotify.com/pod/show/hobbykeller/support
HobbyKeller in einem neuen Format. Martin und Sven spielen ein Spiel und treffen sich nach einigen Stunden, um das erlebte zu besprechen und so ein asynchrones Audio Only Let's Play zu machen. Klingt bekloppt? Macht ja nix! Wir hoffen, ihr habt Spass an dem neuen Format und wir beginnen unsere Reise im Wachsfigurenkabinett vom lieben Onkel Boris in Waxworks! Bei Feedback meldet euch gerne an: Sven@HobbyKeller.net Martin@HobbyKeller.net Über Bluesky/Threads/Mastodon an: @Schnubbi @Erkandor Oder kommt auf unseren Discord Server: HobbyKeller Podcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/hobbykeller/message Support this podcast: https://podcasters.spotify.com/pod/show/hobbykeller/support
Stranded in a rainy manufacturing city and in need of money, a down-on-his-luck actor accepts a job at Mugivan's Waxworks. But when dusk falls, the wax figures in the chamber of Curiosities and Horrors seem to take on a life of their own, and one in particular begins to exert a powerful influence over the hapless attendant. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “Mrs Raeburn's Waxwork” by Lady Eleanor Smith (1931). You can hear me discuss this story by joining as a YouTube channel member or becoming a Patreon patron and listening to The EnCrypted Postmortem.
Brian Schell of The Horror Guys blog and podcast joins me to chat about movies spotlighted in his book The Horror Guys Guide to the Silent Age of Horror Films. Among the titles discussed are famous ones such as The Cabinet of Dr. Caligari, Nosferatu, The Golem, and The Man Who Laughs, as well as some that are less familiar, such as The Phantom Carriage, Waxworks and The Hands of Orlac. Our conversation (and the book) also covers obscure or even lost films such as The Last Warning, A Page of Madness and Drakula's Death. A Bill&Debi Production
It's a match made in hell as Horrorville editor Brett Petersel joins Gemma and Slim in a basement studio surrounded by zombies to talk through four of his favorite horror films: Clive Barker's Nightbreed, Karyn Kusama's The Invitation, Bruce McDonald's Pontypool and Waxwork from Anthony Hickox. We're talking uncomfortable dinner parties, single-location horror, Gemma's terror of wax museums, Slim's fear of terrible podcasting etiquette and how Brett's love of Nightbreed could rescue people from cults. Plus: that one time Brett and Slim met Tom Cruise together. Chapters: Sponsored by the Disney Bundle (00:00:00) Opening credits (00:00:45) Nightbreed (00:10:42) The Invitation (00:24:46) Pontypool (00:35:57) Waxwork (00:44:47) Brett's stats (00:53:20) Sponsor: Disney Bundle plans starting at $9.99 a month. Terms apply. Credits: Recorded in Long Island NY, Philadelphia PA and Auckland NZ. Edited by Slim. Theme music: “Vampiros Danceoteque” by Moniker. Editorial producer: Brian Formo. Production manager: Sophie Shin. The Letterboxd Show is a TAPEDECK production. Email us! Lists & Links: List of movies mentioned Horrorville on Letterboxd Brett's Letterboxd profile Hooptober X Reviews of Nightbreed by Cinemonster, Brett, Felix and Ryan; The Invitation by Nathan, Jeremy; PontyPool by Mr Saxon (and Graham Williamson's Claustraphilia list); Waxwork by KaijuMan, Brian and Lucas. Letterboxd Visits the Criterion Closet Slim and Brett meet Tom Cruise
Episode 229 Weekly Horror Bulletin Newsletter 229 This week, we're back to the 80s! More specifically, 1988, as all the films we're watching this week come from that year. This week, we'll start with “Pumpkinhead” and “Child's Play,” two excellent films that started new franchises. We'll look at the one-offs, “The Serpent and the Rainbow” and “Waxworks” and then for our bonus films (at horrorbulletin.com), we'll look at “Friday the 13th Part VII The New Blood” and “Nightmare on Elm Street 3: Dream Warriors.” That was a pretty significant year in horror! Book News We've got two announcements this week about our books: FREE! Horror Bulletin Monthly Issue 20 is now out. This, as always, has all our previous month's reviews inside, but this month, we're offering the ebook version (in PDF and ePub) absolutely free! Check out https://brianschell.com/collection/free-books for this one and more! FREE! The Horror Guys Guide To The Halloween Films is available now, exclusively at our web store, https://brianschell.com/collection/free-books. The eBook version is completely free. Enjoy! Note that it's also available as a paperback, but that one's obviously not free. Also note, that there are a couple of other free books on the site as well! Check out all our books! The Horror Guys Guide to: The Horror Films of Peter Cushing The Horror Films of Vincent Price Universal Studios' Shock! Theater Universal Studios' Son of Shock! Hammer Horror Films The Silent Age of Horror The Horror Films of Roger Corman The Horror Guys Guide To The Halloween Films (Free!) Creepy Fiction: A Sextet of Strange Stagings: Six Surprising Scripts Tales to Make You Shiver, Volumes 1 and 2 Here. We. Go! Links: Pumpkinhead (1988) Child's Play (1988) Short Film: Satanic Panic '87 (2023) The Serpent and the Rainbow (1988) Waxwork (1988) And that's our show. Thanks for joining us. Stop in during the week at our website, HorrorMovieGuys.com, for news and horror updates, to comment on this podcast, or to contact us. Get ready for next week, where we'll watch four more full-lengths and a fun short film! Stay tuned! Stay tuned for more regular and bonus reviews next week! Email: email@horrorguys.com Book Store: https://brianschell.com/collection/horrorguys The web: http://www.horrorguys.com Subscribe by email: http://horrorbulletin.substack.com Facebook: https://www.facebook.com/horrormovieguys Twitter: http://twitter.com/HorrorMovieGuys Theme Music by Kevin MacLeod of Incompetech.com
Wir sprechen über das abenteuerliche Leben von Madame Tussaud, die als Marie Grosholtz als uneheliche Tochter einer Dienstmagd in Straßburg geboren wurde, in die Wirren der Französischen Revolution geriet und von ihrem Ziehvater Philippe Curtius in Paris das Modellieren von Wachsfiguren lernte. Anschließend reiste sie mit ihrer Wachsfiguren-Ausstellung mehrere Jahrzehnte durch das Vereinigte Königreich, ehe sie mit über 70 Jahren in London ein Wachsfigurenkabinett eröffnete, das bis heute eine der bekanntesten Touristenattraktionen der Stadt ist. //Literatur - Pamela M. Pilbeam, „Madame Tussaud: and the History of Waxworks“, 2003. - Henrik Eßler, „Krankheit gestalten. Eine Berufsgeschichte der Moulagenbildnerei“, 2022. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte NEU: Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts rezensiert oder bewertet. Für alle jene, die kein iTunes verwenden, gibt's die Podcastplattform Panoptikum, auch dort könnt ihr uns empfehlen, bewerten aber auch euer ganz eigenes Podcasthörer:innenprofil erstellen. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!
Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices
Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Angela Vanhaelen's The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (Penn State University Press, 2022) opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
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We're calling it for the indefinite future gang. Thanks for tuning in and thanks for the support. Lots of love from Geoff and Nate... Magnolia, Hard Eight, Philip Baker Hall, Seinfeld, Deliverance, Ned Beatty, Paul Dooley, ADHD podcast, Garlock “but”, Geoff's good skin, Waxwork, Waxworks, House of Wax, Gremlins 3, storytelling, Modoc, David Warner, Julian Sands, Warlock, Arachnaphobia, House 2, John Ratzenberger, Kate Berlant, William DeVane, Cheers, Rolling Thunder, dialogue on a soundtrack, 90s movie soundtracks, Reality Bites, Singles, Trainspotting, Natural Born Killers, Pink Floyd, Leonard Cohen, Tom Waits, Judgment Night, Can't Hardly Wait, Sherri Shepherd, The Real Bowl, retiring, what have we learned… Support the show
This week it's just John and Planty and they are talking Bad dates, The Marquis De Sade, Voltron, Sarah Brightman and who we think are the worst vampires in Cinema.---Join our Patreon for £1 a month and we'll shout you out each episode as well as give you the chance to pick an episode each month and give you access to hours of bonus content like interviews, facts and lies and rock n roll and some afterschool TV chat!patreon.com/100thingsfilm ---Waxwork is a 1988 American comedy horror film written and directed by Anthony Hickox in his directorial film debut and starring Zach Galligan, Deborah Foreman, Michelle Johnson, David Warner, Dana Ashbrook, and Patrick Macnee. It is partially inspired by the 1924 German silent film Waxworks.
Sherlock Holmes - Murder In The Waxworks http://oldtimeradiodvd.com
Welcome back to another round of the NFT CIRCUS with my co-hosts TC and Crackers We touch on subjects about the NFT space and how to create and collect NFTS. We love input from our community, so please hop in the Youtube chat during a livestreaming and ask questions and be part of the GIVEAWAYS!! Todays guests are WAXWORKS, Giant Giraffe, We're All Monsters, Charged Particles Support the show and buy $MORBS token which is available on Alcor Echange MORBS.start.page Join our Discord discord.gg/fWJCuwNcHD Join Our Telegram https://t.me/morbschat NiftyBC's Project M.O.R.B.S. (Mutant Organic Robots Buying Shit) https://morbs.app Twitter @ArtDrop5 If you want your project featured on the show, please DM us on Twitter @ArtDrop5 #NFT #WAX #SOLANA
In this mini-bonus episode, the Monster Talk crew catches up after a winter hiatus. Meg the Mortician discusses the horror movies she borrowed and reviewed from Re-Animator Rob's Laboratory. Christopher from the Black Lagoon talks about his latest vinyl bling from Waxworks records. Re-Animator Rob offers Chris some sound advice on what horror movie his fiancé shouldn't watch before the big day.
Macabre entrepreneur Maximilian Kreitmayer found himself a special niche in the Melbourne of the late 1800s: using the faces of dead bushrangers to fill his waxworks' Chamber of Horrors. Old Melbourne Gaol tour guide Aurora Llywelyn joins to tell more. See omnystudio.com/listener for privacy information.
Waxworks (1924) / Ganga Bruta (1933) This week we explore the universal language of silent cinema and love triangles as we tour Paul Leni's nightmarish waxworks and flee to the Brazilian countryside to erect a factory with Humberto Mauro
View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe
View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe
Paul Leni and Leo Birinsky's Waxworks (1924).
We see them performing in Theatre stage, on TV, Netflix, and the Big Screen. Some of us wish we could meet or be one. And lead their glamorous life. In this fun and imaginative episode, Janette takes you inside Louis Tussaud's Waxworks Niagara Falls, Canada (owned and operated by Ripley's Entertainment) for a candid interview with repeat guest, Peter Doyle, Regional Manager Canada, Ripley Entertainment who tells us about the musuem's history, all the famous celebs you can expect to find, and lots more! Witness replications of your favorite Royals, actors, althetes, musicians, and politicians. Their real-life resemblence will amaze you. Forget waiting in line to catch a glimpse or get their autograph. Instead, strike a pose and snap a selfie! WATCH THIS EPISODE NOW https://www.youtube.com/watch?v=5FNjaRk0tk8 We love our viewers and hope you love Janette's TV & Podcast's content as much as we enjoy creating it for you! CLICK HERE to learn more about how you can support us on Patreon and receive Janette's exclusive perks as a thank you for your ongoing loyalty and support. https://www.patreon.com/janettestv?fan_landing=true CLICK HERE https://www.janetteburke.com/shop to view an array of premium quality T-Shirts and Jersey Sweatshirts, in your favorite colour, style and size, with your choice of Janette's TV & Podcast Logo or Inspirational Saying. Items include Shipping & Handling - and are conveniently shipped right to your door!
Check out DanceConnectSeries.com for more information on each guest! Instagram: @danceconnectseries -------- Sophie Tibiletti is a Brooklyn based dancer, maker, and teacher. She began her dance training in Longview,Texas. In 2013 she moved to Philadelphia to further pursue her dance education at the University of the Arts, under the direction of Donna Faye Burchfield. There, she performed works by Jesse Zaritt, Katie Swords-Thurman, Curt Haworth, Mark Haim, and Netta Yerushalmy, and created many works of her own. She was also given the opportunity to study and perform abroad in France, Belgium, and Israel. Sophie graduated with a BFA in Dance in May of 2017. She currently teaches at Brooklyn Arts Exchange, Petite Performers, and Williamsburg Montessori School. In 2018-20 she has presented work at Spark Dance Forum, mouthful movement festival, Sans Limites Movement Festival, WAXworks, The Craft and Small Plates Brooklyn, and has performed at venues including Gibney Dance, BAAD!, Center for Performance Research, Triskelion Arts, and New Dance Alliance. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Check out DanceConnectSeries.com for more information on each guest! Instagram: @danceconnectseries -------- Inger Cooper is a freelance performer and choreographer in the NYC. After graduating from University of the Arts in Philadelphia with a BFA in Dance in 2015, Inger began her own project based group, ingercooper|dancers, and was commissioned by the Barnes Foundation to create work for Fall 2015. Inger and her company have since performed through various organizations and spaces in the NYC And Philadelphia area, including KYL/D's InHale, Koresh Dance Company, Philly Fringe Festival, REVERBdance, Triskelion Arts, WAXworks, Dixon Place, Brooklyn Navy Yard, and Arts on Site. In 2019, she worked with members of Peridance Dance Company in producing a music video for Cardboard Rocketship. Inger has also presented work at the CND in Paris and Royal Conservatoire in Antwerp. Inger currently curates The Craft, a monthly performance series, in Brooklyn, NY [now virtual] and is a 305 Fitness Certified Instructor. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Author : W.L. George Narrator : Simon Meddings Host : Alex Hofelich Audio Producer : Chelsea Davis Discuss on Forums “Waxworks” originally appeared in The Strand Magazine in 1922 under the title “Waxworks: A Mystery” Sound attribution: Spoiler Drip: https://freesound.org/people/tack00/sounds/399257/ Rain: https://freesound.org/people/InspectorJ/sounds/346642/ Door slam: https://freesound.org/people/DBproductions/sounds/60031/ [collapse] Waxworks by W.L. George Henry Badger rapidly paced the City churchyard; his […]