Podcast appearances and mentions of jana byars

Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press, 2025). What role does desire play in the making of art objects? Art historians typically answer this question by referring to historical evidence about an artist's sexual identity or to particular kinds of imagery. But what about anonymous artists? Or works whose subject matter is mainstream? We know little about the identities and personalities of most premodern artists, but this should not hold us back from thinking about their embodied experience. In this book, Karl Whittington contends that we can "queer" the works of anonymous makers by thinking about their embodied experiences creating art. Considering issues of touch, pressure, and gesture across substances such as wood, stone, ivory, wax, cloth, paint, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Whittington takes seriously the agency of materials and technical processes, arguing that they necessarily placed the bodies of artists and artisans into physical situations and psychological states that can be read through the lens of desire. Combining historical evidence with speculative description, this evocative set of essays broadens our understanding of the motivations and experiences of premodern artists. It will appeal to scholars and students of art history, medieval studies, gender studies, queer studies, and anthropology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press, 2025). What role does desire play in the making of art objects? Art historians typically answer this question by referring to historical evidence about an artist's sexual identity or to particular kinds of imagery. But what about anonymous artists? Or works whose subject matter is mainstream? We know little about the identities and personalities of most premodern artists, but this should not hold us back from thinking about their embodied experience. In this book, Karl Whittington contends that we can "queer" the works of anonymous makers by thinking about their embodied experiences creating art. Considering issues of touch, pressure, and gesture across substances such as wood, stone, ivory, wax, cloth, paint, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Whittington takes seriously the agency of materials and technical processes, arguing that they necessarily placed the bodies of artists and artisans into physical situations and psychological states that can be read through the lens of desire. Combining historical evidence with speculative description, this evocative set of essays broadens our understanding of the motivations and experiences of premodern artists. It will appeal to scholars and students of art history, medieval studies, gender studies, queer studies, and anthropology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press, 2025). What role does desire play in the making of art objects? Art historians typically answer this question by referring to historical evidence about an artist's sexual identity or to particular kinds of imagery. But what about anonymous artists? Or works whose subject matter is mainstream? We know little about the identities and personalities of most premodern artists, but this should not hold us back from thinking about their embodied experience. In this book, Karl Whittington contends that we can "queer" the works of anonymous makers by thinking about their embodied experiences creating art. Considering issues of touch, pressure, and gesture across substances such as wood, stone, ivory, wax, cloth, paint, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Whittington takes seriously the agency of materials and technical processes, arguing that they necessarily placed the bodies of artists and artisans into physical situations and psychological states that can be read through the lens of desire. Combining historical evidence with speculative description, this evocative set of essays broadens our understanding of the motivations and experiences of premodern artists. It will appeal to scholars and students of art history, medieval studies, gender studies, queer studies, and anthropology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press, 2025). What role does desire play in the making of art objects? Art historians typically answer this question by referring to historical evidence about an artist's sexual identity or to particular kinds of imagery. But what about anonymous artists? Or works whose subject matter is mainstream? We know little about the identities and personalities of most premodern artists, but this should not hold us back from thinking about their embodied experience. In this book, Karl Whittington contends that we can "queer" the works of anonymous makers by thinking about their embodied experiences creating art. Considering issues of touch, pressure, and gesture across substances such as wood, stone, ivory, wax, cloth, paint, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Whittington takes seriously the agency of materials and technical processes, arguing that they necessarily placed the bodies of artists and artisans into physical situations and psychological states that can be read through the lens of desire. Combining historical evidence with speculative description, this evocative set of essays broadens our understanding of the motivations and experiences of premodern artists. It will appeal to scholars and students of art history, medieval studies, gender studies, queer studies, and anthropology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press, 2025). What role does desire play in the making of art objects? Art historians typically answer this question by referring to historical evidence about an artist's sexual identity or to particular kinds of imagery. But what about anonymous artists? Or works whose subject matter is mainstream? We know little about the identities and personalities of most premodern artists, but this should not hold us back from thinking about their embodied experience. In this book, Karl Whittington contends that we can "queer" the works of anonymous makers by thinking about their embodied experiences creating art. Considering issues of touch, pressure, and gesture across substances such as wood, stone, ivory, wax, cloth, paint, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Whittington takes seriously the agency of materials and technical processes, arguing that they necessarily placed the bodies of artists and artisans into physical situations and psychological states that can be read through the lens of desire. Combining historical evidence with speculative description, this evocative set of essays broadens our understanding of the motivations and experiences of premodern artists. It will appeal to scholars and students of art history, medieval studies, gender studies, queer studies, and anthropology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press, 2025). What role does desire play in the making of art objects? Art historians typically answer this question by referring to historical evidence about an artist's sexual identity or to particular kinds of imagery. But what about anonymous artists? Or works whose subject matter is mainstream? We know little about the identities and personalities of most premodern artists, but this should not hold us back from thinking about their embodied experience. In this book, Karl Whittington contends that we can "queer" the works of anonymous makers by thinking about their embodied experiences creating art. Considering issues of touch, pressure, and gesture across substances such as wood, stone, ivory, wax, cloth, paint, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Whittington takes seriously the agency of materials and technical processes, arguing that they necessarily placed the bodies of artists and artisans into physical situations and psychological states that can be read through the lens of desire. Combining historical evidence with speculative description, this evocative set of essays broadens our understanding of the motivations and experiences of premodern artists. It will appeal to scholars and students of art history, medieval studies, gender studies, queer studies, and anthropology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press, 2025). What role does desire play in the making of art objects? Art historians typically answer this question by referring to historical evidence about an artist's sexual identity or to particular kinds of imagery. But what about anonymous artists? Or works whose subject matter is mainstream? We know little about the identities and personalities of most premodern artists, but this should not hold us back from thinking about their embodied experience. In this book, Karl Whittington contends that we can "queer" the works of anonymous makers by thinking about their embodied experiences creating art. Considering issues of touch, pressure, and gesture across substances such as wood, stone, ivory, wax, cloth, paint, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Whittington takes seriously the agency of materials and technical processes, arguing that they necessarily placed the bodies of artists and artisans into physical situations and psychological states that can be read through the lens of desire. Combining historical evidence with speculative description, this evocative set of essays broadens our understanding of the motivations and experiences of premodern artists. It will appeal to scholars and students of art history, medieval studies, gender studies, queer studies, and anthropology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices

Denise Z. Davidson joins Jana Byars to talk about Surviving Revolution: Bourgeois Lives and Letters (Cornell UP, 2025). The book explores how two wealthy and well-connected families with roots in Lyon responded to the French Revolution and the resulting transformations. In building a new political system based on liberty, equality, and fraternity, the French Revolution encouraged both individuals and families to recognize their power to shape the world through political action, rethink their strategies in negotiating intimate relations and family life, and assess both terrifying new risks and enticing opportunities for advancement. Denise Z. Davidson traces two families' trajectories and weaves together the strategies they employed to survive and hopefully thrive in the decades that followed the Revolution. Their private correspondence shows that affect and interest, intimacy and property, are mutually constitutive, and cannot be "thought" separately. Her analysis reveals what it meant to be bourgeois, how gender played a role in the formation of class identities, and how family and emotional life overlapped with other arenas. These social and cultural themes are woven into the narrative through the stories told in the families' letters. By viewing dramatic historical events through the eyes of people who lived through them, Surviving Revolution illuminates how the practices of everyday life shaped emerging notions of bourgeois identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Denise Z. Davidson joins Jana Byars to talk about Surviving Revolution: Bourgeois Lives and Letters (Cornell UP, 2025). The book explores how two wealthy and well-connected families with roots in Lyon responded to the French Revolution and the resulting transformations. In building a new political system based on liberty, equality, and fraternity, the French Revolution encouraged both individuals and families to recognize their power to shape the world through political action, rethink their strategies in negotiating intimate relations and family life, and assess both terrifying new risks and enticing opportunities for advancement. Denise Z. Davidson traces two families' trajectories and weaves together the strategies they employed to survive and hopefully thrive in the decades that followed the Revolution. Their private correspondence shows that affect and interest, intimacy and property, are mutually constitutive, and cannot be "thought" separately. Her analysis reveals what it meant to be bourgeois, how gender played a role in the formation of class identities, and how family and emotional life overlapped with other arenas. These social and cultural themes are woven into the narrative through the stories told in the families' letters. By viewing dramatic historical events through the eyes of people who lived through them, Surviving Revolution illuminates how the practices of everyday life shaped emerging notions of bourgeois identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Denise Z. Davidson joins Jana Byars to talk about Surviving Revolution: Bourgeois Lives and Letters (Cornell UP, 2025). The book explores how two wealthy and well-connected families with roots in Lyon responded to the French Revolution and the resulting transformations. In building a new political system based on liberty, equality, and fraternity, the French Revolution encouraged both individuals and families to recognize their power to shape the world through political action, rethink their strategies in negotiating intimate relations and family life, and assess both terrifying new risks and enticing opportunities for advancement. Denise Z. Davidson traces two families' trajectories and weaves together the strategies they employed to survive and hopefully thrive in the decades that followed the Revolution. Their private correspondence shows that affect and interest, intimacy and property, are mutually constitutive, and cannot be "thought" separately. Her analysis reveals what it meant to be bourgeois, how gender played a role in the formation of class identities, and how family and emotional life overlapped with other arenas. These social and cultural themes are woven into the narrative through the stories told in the families' letters. By viewing dramatic historical events through the eyes of people who lived through them, Surviving Revolution illuminates how the practices of everyday life shaped emerging notions of bourgeois identity. Learn more about your ad choices. Visit megaphone.fm/adchoices

Denise Z. Davidson joins Jana Byars to talk about Surviving Revolution: Bourgeois Lives and Letters (Cornell UP, 2025). The book explores how two wealthy and well-connected families with roots in Lyon responded to the French Revolution and the resulting transformations. In building a new political system based on liberty, equality, and fraternity, the French Revolution encouraged both individuals and families to recognize their power to shape the world through political action, rethink their strategies in negotiating intimate relations and family life, and assess both terrifying new risks and enticing opportunities for advancement. Denise Z. Davidson traces two families' trajectories and weaves together the strategies they employed to survive and hopefully thrive in the decades that followed the Revolution. Their private correspondence shows that affect and interest, intimacy and property, are mutually constitutive, and cannot be "thought" separately. Her analysis reveals what it meant to be bourgeois, how gender played a role in the formation of class identities, and how family and emotional life overlapped with other arenas. These social and cultural themes are woven into the narrative through the stories told in the families' letters. By viewing dramatic historical events through the eyes of people who lived through them, Surviving Revolution illuminates how the practices of everyday life shaped emerging notions of bourgeois identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Denise Z. Davidson joins Jana Byars to talk about Surviving Revolution: Bourgeois Lives and Letters (Cornell UP, 2025). The book explores how two wealthy and well-connected families with roots in Lyon responded to the French Revolution and the resulting transformations. In building a new political system based on liberty, equality, and fraternity, the French Revolution encouraged both individuals and families to recognize their power to shape the world through political action, rethink their strategies in negotiating intimate relations and family life, and assess both terrifying new risks and enticing opportunities for advancement. Denise Z. Davidson traces two families' trajectories and weaves together the strategies they employed to survive and hopefully thrive in the decades that followed the Revolution. Their private correspondence shows that affect and interest, intimacy and property, are mutually constitutive, and cannot be "thought" separately. Her analysis reveals what it meant to be bourgeois, how gender played a role in the formation of class identities, and how family and emotional life overlapped with other arenas. These social and cultural themes are woven into the narrative through the stories told in the families' letters. By viewing dramatic historical events through the eyes of people who lived through them, Surviving Revolution illuminates how the practices of everyday life shaped emerging notions of bourgeois identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices

Karen L. Bowen and Dirk Imhof join Jana Byars to talk about their new book, The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp (Harvey Miller, 2025). The European print trade is an evocative topic. Not only art historians, but social, cultural, and economic historians all agree that it was of vital importance in the Early Modern Period, as the conveyer of established icons, as well as the most recent imagery and news. Yet, thus far it is often discussed solely on the basis of tantalizing, isolated case studies. Bowen and Imhof's ground-breaking publication will address this significant lacuna by demonstrating in unprecedented detail how booksellers were routinely engaged in the extensive international distribution and sale of hundreds of thousands of prints annually between the mid-sixteenth and mid-seventeenth centuries. Based upon the exceptionally well-preserved archives of the renowned Plantin-Moretus Press of Antwerp, this book presents the often-overlooked interwoven worlds of booksellers and print sellers, while documenting Antwerp's continued fame for the production and distribution of prints. Together with a remarkable array of clients, ranging from the cultivated and influential elite to ordinary laymen, these figures provide palpable examples of suppliers, buyers, and middlemen that reveal how they interacted with one another. Simultaneously, this work illuminates numerous critical related topics, ranging from how prints were priced and the relative quantities in which they were sold, to the importance of national and professional networks in these transactions. The result is an essential, novel study that clarifies how the print trade worked in practice during a burgeoning period in its evolution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Karen L. Bowen and Dirk Imhof join Jana Byars to talk about their new book, The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp (Harvey Miller, 2025). The European print trade is an evocative topic. Not only art historians, but social, cultural, and economic historians all agree that it was of vital importance in the Early Modern Period, as the conveyer of established icons, as well as the most recent imagery and news. Yet, thus far it is often discussed solely on the basis of tantalizing, isolated case studies. Bowen and Imhof's ground-breaking publication will address this significant lacuna by demonstrating in unprecedented detail how booksellers were routinely engaged in the extensive international distribution and sale of hundreds of thousands of prints annually between the mid-sixteenth and mid-seventeenth centuries. Based upon the exceptionally well-preserved archives of the renowned Plantin-Moretus Press of Antwerp, this book presents the often-overlooked interwoven worlds of booksellers and print sellers, while documenting Antwerp's continued fame for the production and distribution of prints. Together with a remarkable array of clients, ranging from the cultivated and influential elite to ordinary laymen, these figures provide palpable examples of suppliers, buyers, and middlemen that reveal how they interacted with one another. Simultaneously, this work illuminates numerous critical related topics, ranging from how prints were priced and the relative quantities in which they were sold, to the importance of national and professional networks in these transactions. The result is an essential, novel study that clarifies how the print trade worked in practice during a burgeoning period in its evolution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Karen L. Bowen and Dirk Imhof join Jana Byars to talk about their new book, The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp (Harvey Miller, 2025). The European print trade is an evocative topic. Not only art historians, but social, cultural, and economic historians all agree that it was of vital importance in the Early Modern Period, as the conveyer of established icons, as well as the most recent imagery and news. Yet, thus far it is often discussed solely on the basis of tantalizing, isolated case studies. Bowen and Imhof's ground-breaking publication will address this significant lacuna by demonstrating in unprecedented detail how booksellers were routinely engaged in the extensive international distribution and sale of hundreds of thousands of prints annually between the mid-sixteenth and mid-seventeenth centuries. Based upon the exceptionally well-preserved archives of the renowned Plantin-Moretus Press of Antwerp, this book presents the often-overlooked interwoven worlds of booksellers and print sellers, while documenting Antwerp's continued fame for the production and distribution of prints. Together with a remarkable array of clients, ranging from the cultivated and influential elite to ordinary laymen, these figures provide palpable examples of suppliers, buyers, and middlemen that reveal how they interacted with one another. Simultaneously, this work illuminates numerous critical related topics, ranging from how prints were priced and the relative quantities in which they were sold, to the importance of national and professional networks in these transactions. The result is an essential, novel study that clarifies how the print trade worked in practice during a burgeoning period in its evolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

Karen L. Bowen and Dirk Imhof join Jana Byars to talk about their new book, The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp (Harvey Miller, 2025). The European print trade is an evocative topic. Not only art historians, but social, cultural, and economic historians all agree that it was of vital importance in the Early Modern Period, as the conveyer of established icons, as well as the most recent imagery and news. Yet, thus far it is often discussed solely on the basis of tantalizing, isolated case studies. Bowen and Imhof's ground-breaking publication will address this significant lacuna by demonstrating in unprecedented detail how booksellers were routinely engaged in the extensive international distribution and sale of hundreds of thousands of prints annually between the mid-sixteenth and mid-seventeenth centuries. Based upon the exceptionally well-preserved archives of the renowned Plantin-Moretus Press of Antwerp, this book presents the often-overlooked interwoven worlds of booksellers and print sellers, while documenting Antwerp's continued fame for the production and distribution of prints. Together with a remarkable array of clients, ranging from the cultivated and influential elite to ordinary laymen, these figures provide palpable examples of suppliers, buyers, and middlemen that reveal how they interacted with one another. Simultaneously, this work illuminates numerous critical related topics, ranging from how prints were priced and the relative quantities in which they were sold, to the importance of national and professional networks in these transactions. The result is an essential, novel study that clarifies how the print trade worked in practice during a burgeoning period in its evolution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Karen L. Bowen and Dirk Imhof join Jana Byars to talk about their new book, The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp (Harvey Miller, 2025). The European print trade is an evocative topic. Not only art historians, but social, cultural, and economic historians all agree that it was of vital importance in the Early Modern Period, as the conveyer of established icons, as well as the most recent imagery and news. Yet, thus far it is often discussed solely on the basis of tantalizing, isolated case studies. Bowen and Imhof's ground-breaking publication will address this significant lacuna by demonstrating in unprecedented detail how booksellers were routinely engaged in the extensive international distribution and sale of hundreds of thousands of prints annually between the mid-sixteenth and mid-seventeenth centuries. Based upon the exceptionally well-preserved archives of the renowned Plantin-Moretus Press of Antwerp, this book presents the often-overlooked interwoven worlds of booksellers and print sellers, while documenting Antwerp's continued fame for the production and distribution of prints. Together with a remarkable array of clients, ranging from the cultivated and influential elite to ordinary laymen, these figures provide palpable examples of suppliers, buyers, and middlemen that reveal how they interacted with one another. Simultaneously, this work illuminates numerous critical related topics, ranging from how prints were priced and the relative quantities in which they were sold, to the importance of national and professional networks in these transactions. The result is an essential, novel study that clarifies how the print trade worked in practice during a burgeoning period in its evolution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Karen L. Bowen and Dirk Imhof join Jana Byars to talk about their new book, The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp (Harvey Miller, 2025). The European print trade is an evocative topic. Not only art historians, but social, cultural, and economic historians all agree that it was of vital importance in the Early Modern Period, as the conveyer of established icons, as well as the most recent imagery and news. Yet, thus far it is often discussed solely on the basis of tantalizing, isolated case studies. Bowen and Imhof's ground-breaking publication will address this significant lacuna by demonstrating in unprecedented detail how booksellers were routinely engaged in the extensive international distribution and sale of hundreds of thousands of prints annually between the mid-sixteenth and mid-seventeenth centuries. Based upon the exceptionally well-preserved archives of the renowned Plantin-Moretus Press of Antwerp, this book presents the often-overlooked interwoven worlds of booksellers and print sellers, while documenting Antwerp's continued fame for the production and distribution of prints. Together with a remarkable array of clients, ranging from the cultivated and influential elite to ordinary laymen, these figures provide palpable examples of suppliers, buyers, and middlemen that reveal how they interacted with one another. Simultaneously, this work illuminates numerous critical related topics, ranging from how prints were priced and the relative quantities in which they were sold, to the importance of national and professional networks in these transactions. The result is an essential, novel study that clarifies how the print trade worked in practice during a burgeoning period in its evolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Kuehn, Professor Emeritus at Clemson University talks about his new book, Patrimony and Law in Renaissance Italy (Cambridge University Press, 2022) and share's the knowledge produced in a long and fruitful career. Family was a central feature of social life in Italian cities. In the Renaissance, jurists, humanists, and moralists began to theorize on the relations between people and property that formed the 'substance' of the family and what held it together over the years. Family property was a bundle of shared rights. This was most evident when brothers shared a household and enterprise, but it also faced overlapping claims from children and wives which the paterfamilias had to recognize. Thomas Kuehn explores patrimony in legal thought, and how property was inherited, managed and shared in Renaissance Italy. Managing a patrimony was not a simple task. This led to a complex and active conceptualization of shared rights, and a conscious application of devices in the law that could override liabilities and preserve the group, or carve out distinct shares for each member. This wide-ranging volume charts the ever-present conflicts that arose and were a constant feature of family life. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Thomas Kuehn, Professor Emeritus at Clemson University talks about his new book, Patrimony and Law in Renaissance Italy (Cambridge University Press, 2022) and share's the knowledge produced in a long and fruitful career. Family was a central feature of social life in Italian cities. In the Renaissance, jurists, humanists, and moralists began to theorize on the relations between people and property that formed the 'substance' of the family and what held it together over the years. Family property was a bundle of shared rights. This was most evident when brothers shared a household and enterprise, but it also faced overlapping claims from children and wives which the paterfamilias had to recognize. Thomas Kuehn explores patrimony in legal thought, and how property was inherited, managed and shared in Renaissance Italy. Managing a patrimony was not a simple task. This led to a complex and active conceptualization of shared rights, and a conscious application of devices in the law that could override liabilities and preserve the group, or carve out distinct shares for each member. This wide-ranging volume charts the ever-present conflicts that arose and were a constant feature of family life. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Susannah Wilson joins Jana Byars to talk about A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France (Cornell UP, 2025). The monograph examines the death of a five-year-old girl in late nineteenth-century France, unfolding the mystery through judicial investigations, psychiatric medical evaluations, and ultimately, a trial for murder. The investigators quickly learned that the child, Henriette, had been abducted by Marie-Françoise Fiquet, an employee at the city tobacco factory and known troublemaker. Fiquet had taken the child back to her home and kept her there all day. But what actually happened between the abduction at midday and the discovery of the child's body at five o'clock in the morning remained a mystery. Susannah Wilson uses archival records, press coverage, and psychiatric reports to reveal how the troubled history and reputation of Marie-Françoise Fiquet, marked by suspicions of sexual debauchery, infanticide, abortions, poisoning, theft, and extortion, was a case study in an emerging medical paradigm. Her signs of trauma, psychological disturbance, and medical morphine abuse provide insight into factitious disorders—or simulated illnesses—that would be more commonly observed in the following century. A Most Quiet Murder provides a new view of nineteenth-century France, where the law and public authorities intervened in the lives of the working classes and their children during moments of crisis to exercise the law of the land. The murder of a child reveals the connections between the psychology of female violence, the emergent understanding of factitious disorders, and the psychologically complex motives that extend beyond simple altruism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Alison Rowlands, professor of Early Modern European History at the University of Essex, joins Jana Byars to talk about her classic book, Witchcraft Narratives in Germany, Rothenberg, 1561- 1652, out Manchester UP 2003. This conversation took place on the occasion of a new edition, this time a paperback release, in January 2026 Witchcraft Narratives in Germany: Rothenburg, 1561-1652 (Manchester UP, 2026). This meticulously-researched book relies on copious, detailed archival documents concerning people accused of witchcraft in  the German city of Rothenburg ob der Tauber between 1561 and 1652. This city experienced a very restrained pattern of witch-trials and just one execution for witchcraft during that time, unlike some other places in German lands and Europe more broadly. This book explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft and offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. It also includes analysis on the role of gender. Find the open source of the original edition here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Alison Rowlands, professor of Early Modern European History at the University of Essex, joins Jana Byars to talk about her classic book, Witchcraft Narratives in Germany, Rothenberg, 1561- 1652, out Manchester UP 2003. This conversation took place on the occasion of a new edition, this time a paperback release, in January 2026 Witchcraft Narratives in Germany: Rothenburg, 1561-1652 (Manchester UP, 2026). This meticulously-researched book relies on copious, detailed archival documents concerning people accused of witchcraft in  the German city of Rothenburg ob der Tauber between 1561 and 1652. This city experienced a very restrained pattern of witch-trials and just one execution for witchcraft during that time, unlike some other places in German lands and Europe more broadly. This book explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft and offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. It also includes analysis on the role of gender. Find the open source of the original edition here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Alison Rowlands, professor of Early Modern European History at the University of Essex, joins Jana Byars to talk about her classic book, Witchcraft Narratives in Germany, Rothenberg, 1561- 1652, out Manchester UP 2003. This conversation took place on the occasion of a new edition, this time a paperback release, in January 2026 Witchcraft Narratives in Germany: Rothenburg, 1561-1652 (Manchester UP, 2026). This meticulously-researched book relies on copious, detailed archival documents concerning people accused of witchcraft in  the German city of Rothenburg ob der Tauber between 1561 and 1652. This city experienced a very restrained pattern of witch-trials and just one execution for witchcraft during that time, unlike some other places in German lands and Europe more broadly. This book explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft and offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. It also includes analysis on the role of gender. Find the open source of the original edition here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers.  Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Elwin Hofman joins Jana Byars to talk about the volume he edited with Magaly Rodríguez García & Pieter Vanhees, The Business of Pleasure: A History of Paid Sex in the Heart of Europe (Leuven UP, 2022). In 2022, the Belgian parliament made a landmark decision by approving the decriminalisation of sex work. This move positioned the small nation as the first country in Europe - and the second globally - to abandon the hypocrisy of tolerance. Yet this was not the first time paid sex in Belgium gained international notoriety. The bathhouses of the fifteenth-century 'frows of Flanders' were well-known throughout Europe. In the nineteenth century, Belgium faced international outrage as the alleged epicentre of white slavery. Although Belgians were then accused of forcing white women into prostitution, they were also free to include any suspect women in the prostitution registers of colonial Congo. Throughout the First and Second World Wars, both allied and German soldiers sought relief in Belgian brothels. The Business of Pleasure presents the compelling life stories of sex workers and their interactions with authorities, clients and pimps. Pushing beyond stereotypes, this history of commercial sex offers a nuanced understanding of the difficulties and opportunities associated with paid sex for women, men and trans persons past and present. Contributors: Elwin Hofman (Utrecht University), Magaly Rodríguez García (KU Leuven), Pieter Vanhees (former researcher KU Leuven), Jelle Haemers (KU Leuven), Amandine Lauro (Université libre de Bruxelles), Maarten Loopmans (KU Leuven), Ilias Loopmans (MA history student at University of Antwerp), Sonia Verstappen (former sex worker). English translation of 'Seks voor geld. Een geschiedenis van prostitutie in België', Elwin Hofman, Magaly Rodríguez García & Pieter Vanhees (red.), (Amsterdam: Prometheus, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Elwin Hofman joins Jana Byars to talk about the volume he edited with Magaly Rodríguez García & Pieter Vanhees, The Business of Pleasure: A History of Paid Sex in the Heart of Europe (Leuven UP, 2022). In 2022, the Belgian parliament made a landmark decision by approving the decriminalisation of sex work. This move positioned the small nation as the first country in Europe - and the second globally - to abandon the hypocrisy of tolerance. Yet this was not the first time paid sex in Belgium gained international notoriety. The bathhouses of the fifteenth-century 'frows of Flanders' were well-known throughout Europe. In the nineteenth century, Belgium faced international outrage as the alleged epicentre of white slavery. Although Belgians were then accused of forcing white women into prostitution, they were also free to include any suspect women in the prostitution registers of colonial Congo. Throughout the First and Second World Wars, both allied and German soldiers sought relief in Belgian brothels. The Business of Pleasure presents the compelling life stories of sex workers and their interactions with authorities, clients and pimps. Pushing beyond stereotypes, this history of commercial sex offers a nuanced understanding of the difficulties and opportunities associated with paid sex for women, men and trans persons past and present. Contributors: Elwin Hofman (Utrecht University), Magaly Rodríguez García (KU Leuven), Pieter Vanhees (former researcher KU Leuven), Jelle Haemers (KU Leuven), Amandine Lauro (Université libre de Bruxelles), Maarten Loopmans (KU Leuven), Ilias Loopmans (MA history student at University of Antwerp), Sonia Verstappen (former sex worker). English translation of 'Seks voor geld. Een geschiedenis van prostitutie in België', Elwin Hofman, Magaly Rodríguez García & Pieter Vanhees (red.), (Amsterdam: Prometheus, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Rachel Midura joins Jana Byars to talk about Postal Intelligence: The Tassis Family and Communications Revolution in Early Modern Europe (Cornell UP, 2025) connects and situates histories of the post and government intelligence alongside print technology and state power in the wider context of the early modern communications revolution. In the sixteenth century, postal services became central to domestic governance and foreign policy enterprises, extended government reach and surveillance, and offered new control over the public sphere. Rachel Midura focuses on the Tassis family, members of which served as official postmasters to the dukes of Milan, the pope, Spanish kings, and Holy Roman emperors. Using administrative records and family correspondence, she follows the Tassis family, their agents, and their rivals as their influence expanded from northern Italy across Europe. Postal Intelligence shows how postmasters and postmistresses were key players in early modern diplomacy, commerce, and journalism, whose ultimate success depended on both administrative ingenuity and strategic ambiguity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Samuel Fullerton joins Jana Byars to talk about Sexual Politics in Revolutionary England (Manchester UP 2024) to celebrate its paperback release. It recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Samuel Fullerton joins Jana Byars to talk about Sexual Politics in Revolutionary England (Manchester UP 2024) to celebrate its paperback release. It recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Samuel Fullerton joins Jana Byars to talk about Sexual Politics in Revolutionary England (Manchester UP 2024) to celebrate its paperback release. It recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Stuart Carroll's Enmity and Violence in Early Modern Europe (Cambridge University Press, 2023) transforms our understanding of Europe between 1500 and 1800 by exploring how ordinary people felt about their enemies and the violence it engendered. Enmity, a state or feeling of mutual opposition or hostility, became a major social problem during the transition to modernity. He examines how people used the law, and how they characterised their enmities and expressed their sense of justice or injustice. Through the examples of early modern Italy, Germany, France and England, we see when and why everyday animosities escalated and the attempts of the state to control and even exploit the violence that ensued. This book also examines the communal and religious pressures for peace, and how notions of good neighbourliness and civil order finally worked to underpin trust in the state. Ultimately, enmity is not a relic of the past; it remains one of the greatest challenges to contemporary liberal democracy. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history