Podcast appearances and mentions of scott pask

On this episode of Advanced Automation, host Josh Gravelle spoke with Scott Pask, VP of Sales and Marketing for Minuteman Empire Automation Systems. Scott talks about what makes the company a leader in selling automation products, along with how he brought his many years of experience to the role and how the company always strives to assist their customers first and foremost.With a variety of products and a dedicated team of customer service representatives, sales people, engineers, and marketing specialists, Scott proves that Minuteman Empire Automation Systems is “really are committed to the success of our customers.” On top of knowing more about the company, Josh asked Scott how they are able to stay informed about new products and technology. “We work very closely with over a hundred different key manufacturers or partners,” says Scott, “and they range in products from robotics, safety, motion control, pneumatics and vacuum, to vision.”Scott also emphasized that they want to learn about these new products and technology and how they can bring them to their customers. “We try to understand…the market, and what our customers are asking in order to meet their needs, and then therefore, we either try to bring this technology from our existing partners or if there is something that we're missing in the industry and we do not have it in our product portfolio, then we will go out and look for a manufacturer that has that product to fit a certain market need.” It's all part of what makes Minuteman Empire Automation Systems an industry leader.

Directrice artistique et de création, scénographe et accessoiriste, Patricia Ruel suit un parcours exceptionnel depuis sa sortie de l’Option-théâtre du Collège Lionel-Groulx en 1998. Au théâtre, elle travaille pour des metteurs en scène des plus réputés dont, entres autres, Denis Bernard Frédéric Blanchette et Fernand Rainville. En 2005, Patricia travaille également avec Robert Lepage sur le spectacle KÀ du Cirque du Soleil, pour lequel elle conçoit les accessoires, puis sur deux opéras, 1984 (2005) et Rake’s Progress (2007). Elle poursuit sa collaboration avec le Cirque du Soleil sous la direction du metteur en scène Dominic Champagne en réalisant les accessoires du spectacle The Beatles LOVE à Las Vegas. Puis viennent Wintuk (décors et accessoires, R. Blackburn et F. Rainville, 2007), Viva Elvis (accessoires, V. Paterson, 2009), Banana Shpeel (décors et accessoires, D. Shiner, 2010), et Amaluna (co-conception avec Scott Pask, D. Paulus, 2012), cela sans compter ses collaborations à divers projets comme l’ouverture des Mondiaux aquatiques de la FINA (2005), Synfunia (2007), et la cérémonie d’ouverture du « Superbowl » (2007). En 2016, elle assure la direction de création du spectacle Luzia, mise en scène de Daniele Finzi Pasca, À la télévision, Patricia a occupé la fonction de directrice artistique pour plusieurs productions incluant Dans l’œil du Dragon et les Bye Bye 2010, 2011 et 2013. Elle a d’ailleurs remporté un prix Gémeau pour chacune de ses participations aux Bye Bye pour les Meilleurs décors : toutes catégories, variétés, magazines, affaires publiques, sports. Après avoir conçu les décors et accessoires pour la production de The Nutcracker du « Nevada Ballet Theater » à Las Vegas en décembre 2012, Patricia assure la direction artistique du spectacle Circo Jumbo Éditions 2013 et 2014, produit au Chili et au Pérou, et multiplie les contributions à des projets spéciaux d’envergure pour des firmes comme « Moment Factory », Fun ! aux Grammy Awards en 2013, Foresta Lumina à Coaticook (Canada) en 2014, Vallea Lumina Whistler (Canada) et Sakuya Lumina (Japon) en 2018 par exemple. En 2014, Patricia a agi à titre de scénographe sous la direction d’Oriol Tomas pour l’opéra Les Caprices de Marianne, créé par l’Opéra de Reims et présenté dans quinze maisons d'opéra de France. Ce spectacle a reçu En 2017, elle a créé les décors pour l’opéra The Magic Flute de W.A Mozart, sous la direction d’Oriol Tomas, produit par le Pacific Opera Victoria. En 2018, elle signe la direction artistique du nouveau spectacle de Véronic DiCaire, Showgirl Tour et la direction de création du spectacle Axel du Cirque du Soleil en 2019. Tout récemment elle fait un retour à la télévision comme productrice au contenu avec Les Hardings et Danse en trois temps (réal. F.Blouin, Télé-Québec).Soutenez ce podcast http://supporter.acast.com/lueur. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Scott Pask is a Set Designer for Broadway Shows such as Mean Girls, Waitress, The Bands Visit, The Prom, Who’s Afraid of the Virginia Wolf, Something Rotten, Finding Neverland, and so many more! Join us as we talk about his experience with the shutdown and how he got involved in scenic design! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/realtalkwithmasonbray/message

In this episode we get to introduce the podcast and talk about Arianna's experience with her first broadway show: Waitress! We are both in love with the show but come from completely different backrounds with its existance. We talk about our unique experience with a new cast including the very talented Nicolette Robinson and Alex Wyse. We also talk about the set design of Scott Pask and the decision to immerse its audience with real pie! Visit https://captiveaudience.home.blog/ for more detailed show notes and links! You can catch up with Arianna at: https://www.ariannanicolemusic.com/

This week alone, Broadway grossed almost $32 million dollars in ticket sales. This podcast will take you behind the scenes of some of the most infamous figures on Broadway. One of Broadway's most influential businessmen, Tony Award-winning Producer Ken Davenport shares the time he challenged the Backstreet Boys, the meaning of producing a show, and his emotions of winning the Tony Award for Once On This Island. Long thought to be a creative genius, Tony Award-winning Scenic Designer Scott Pask explains his thought process of how he designs a show (Book of Mormon, Mean Girls, Something Rotten, Waitress), the time he dropped his Tony Award on the floor, and a story involving Sarah Jessica Parker. Playbill Staff Photographer Marc J. Franklin talks about photographing his idols on Broadway, following Hamilton stage manager Amber White around, and watching the first woman of color play the lead role in the musical Waitress. Welcome to the wild world of Broadway.

Jeff Perri (Ad Operations Manager) and Lisa Lewis (Creative Director) host three-time Tony nominee Anna Louizos and three-time Tony winner Scott Pask to discuss the relationship between’s a show’s scenic design and graphic design. Peek into the processes that brought shows like The Pillowman, In The Heights, and Avenue Q to life, both on stage and off! http://www.annalouizos.com/ @annalouizos http://scottpaskstudio.com @scottpaskstudio

Stop the presses! This week's guest is 'Newsies' Scenic Designer and Tony nominee Tobin Ost! Tobin discusses the genesis of his design for Newsies from his original idea to the current design about to tour the country. Cory and Tobin chat about his first Broadway credit as costume designer for 'Brooklyn' and how he has comfortably bounced back and forth between scenery and costumes. Other topics includes Tobin's time working for designers such as Ming Cho Lee, Santo Loquasto, and Scott Pask, what he learned on his recent touring production of 'Jekyll and Hyde' and how a production of 'Pirates of Penzance' may have changed the course of his life.

Scott Pask, nominated for Best Scenic Design of a Musical for The Book of Mormon, talks about the first lesson he learned about theatre.

Scott Pask, nominated for Best Scenic Design of a Musical for The Book of Mormon, talks about the show he considers a landmark in his career.

Set designer John Arnone ("The Goat, or Who Is Sylvia?"), costume designers Jane Greenwood ("Morning's at Seven") and Martin Pakledinaz ("Thoroughly Modern Millie"), set designer Scott Pask ("Amour") and lighting designer Richard Pilbrow ("Our Town") talk about what it means for a designer to collaborate on a show; how that collaboration works with other designers, and the cast and director; and how they keep up with their hectic schedules.

Set designer John Arnone (The Goat, or Who Is Sylvia? and Tony Award winner for The Who’s Tommy), costume designers Jane Greenwood (Morning's at Seven) and Martin Pakledinaz (Tony Awards for Thoroughly Modern Millie and Kiss Me, Kate), set designer Scott Pask (Tony Awards for the Pillowman and The Coast of Utopia) and lighting designer Richard Pilbrow (Our Town) talk about what it means for a designer to collaborate on a show; how that collaboration works with other designers, and the cast and director; and how they keep up with their hectic schedules.