Podcast appearances and mentions of Andrew Lloyd Webber

My guest this week is Mike Sacks (NY Times bestselling author and creator of weirdo audio projects featuring Jon Hamm, John Waters, Bob Odenkirk, and Laraine Newman) who picked Jesus Christ Superstar!We also talk about misremembering scenes from movies we watched as kids, trucker films of the 70s, Paul Williams, Mike's novelizations of "movies" such as the grunge classic Slouchers, working on his audio novelization of Stinker Lets Loose with Jon Hamm, our mutual obsession with Chris Elliott (PLUS Mike gives us a world premiere scoop on the plot of his new audio project with Mr. Elliott!), Bad Ronald, why Bob Odenkirk sent my video store Mr. Show VHS tapes, how we each discovered Jesus Chris Superstar, seeing the Afghan Whigs perform "39 Lashes" as their opening number in the early 90s, how Andrew Lloyd Webber and Tim Rice couldn't get the funding to stage JCS, Mike renting the film and why he hid it from his parents, Carl Anderson's haunting performance as Judas, the polarizing performance by Ted Neely as Jesus, the newer documentary Superstars, Bee Gees and their collaborations with Yvonne Elliman, and Mike lays a bunch of knowledge and myths about JCS from his proposed 33 1/3 book on the musicial!MIKE SACKS:mikesacks.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Acclaimed theater director Jamie Lloyd has become famous for his spare and innovative productions of classic theater and Shakespeare... along with his boundary-pushing revivals of Andrew Lloyd Webber musicals, like "Sunset Boulevard" and the forthcoming "Evita." He joins us to discuss his boundary-pushing career ahead of his upcoming Broadway shows, "Evita" and "Much Ado About Nothing." Photo by Bruce Glikas/WireImage via Getty: Pierre Marais and Director Jamie Lloyd during the closing night curtain call for the hit revival of "Sunset Blvd." on Broadway at The St. James Theatre on July 20, 2025 in New York City. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“The Haus of Dots has the best table at the Ball.” This episode features Xavier Reyes who played Jennyanydots in the Broadway production of Cats: The Jellicle Ball. Hear Xavier discuss his CATS history, from watching the DVD in Puerto Rico to auditioning for Skimbleshanks and ultimately booking Jennyanydots as a drag mother role. Xavier explains how he blended the original “Gumbie Cat” with extensive ballroom research, vogue classes, and collaboration with castmates, directors, and dramaturgy to marry ballroom and theater while honoring Cats lore. He describes shaping the Haus of Dots as a trophy-winning “empire,” building relationships and developing tension with Macavity via shared house backstory. Xavier reflects on audience reception at the PAC, the transfer to Broadway, improvisational audience interaction, celebrity judges, performing for Andrew Lloyd Webber, and favorite memories from the run. 03:11 Auditioning for Skimbleshanks & Jennyanydots 05:08 Building Jennyanydots 06:49 Researching Ballroom Motherhood 17:29 Haus of Dots 29:08 Broadway Debut 31:19 Audience Improv 40:42 Rapid Fire Check out Xavier on Instagram: @xavireyesactor Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

Our Strange Duet: Inspired by Andrew Lloyd Webber's Phantom of the Opera (Delacorte Press, 2026) is a reimagining of Andrew Lloyd Webber's Phantom of the Opera, spotlighting Christine Daaé as she rises to fame while torn between love, ambition, and the haunting secrets of the opera house from #1 New York Times bestselling author Erin A. Craig. This gorgeous hardcover edition of Our Strange Duet features stunning sprayed edges, custom character endpapers, a foil-stamped case, and a ribbon! She was never just the voice he shaped . . . A rising soprano with a gift she is only just learning to embrace, Christine Daaé has moved through the glittering world of the Opera Populaire longing to find her purpose. Instead, she finds herself caught between two men who refuse to let her slip quietly into the chorus. One is Raoul, her childhood friend turned devoted admirer, offering her a future filled with warmth, safety, and a love that feels like sunlight. The other is a mysterious masked figure who lurks beneath the Opera House: The Phantom. His brilliance, obsession, and dangerous devotion to nurturing Christine's talents ignites a dark and complicated passion in her heart. As Christine's star ascends, so does the tension between Raoul and the Phantom. She must decide who she is when the curtain falls—and what she's willing to risk for the life she wants. Set against the sweeping, romantic world of Andrew Lloyd Webber's Phantom of the Opera, Our Strange Duet allows Christine Daaé to take center stage to tell her own story: fierce, emotional, and unforgettable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our Strange Duet: Inspired by Andrew Lloyd Webber's Phantom of the Opera (Delacorte Press, 2026) is a reimagining of Andrew Lloyd Webber's Phantom of the Opera, spotlighting Christine Daaé as she rises to fame while torn between love, ambition, and the haunting secrets of the opera house from #1 New York Times bestselling author Erin A. Craig. This gorgeous hardcover edition of Our Strange Duet features stunning sprayed edges, custom character endpapers, a foil-stamped case, and a ribbon! She was never just the voice he shaped . . . A rising soprano with a gift she is only just learning to embrace, Christine Daaé has moved through the glittering world of the Opera Populaire longing to find her purpose. Instead, she finds herself caught between two men who refuse to let her slip quietly into the chorus. One is Raoul, her childhood friend turned devoted admirer, offering her a future filled with warmth, safety, and a love that feels like sunlight. The other is a mysterious masked figure who lurks beneath the Opera House: The Phantom. His brilliance, obsession, and dangerous devotion to nurturing Christine's talents ignites a dark and complicated passion in her heart. As Christine's star ascends, so does the tension between Raoul and the Phantom. She must decide who she is when the curtain falls—and what she's willing to risk for the life she wants. Set against the sweeping, romantic world of Andrew Lloyd Webber's Phantom of the Opera, Our Strange Duet allows Christine Daaé to take center stage to tell her own story: fierce, emotional, and unforgettable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Back in summer 2021 we welcomed actress, director and writer, the phenomenal Emerald Fennell round to Lennie's for Tarragon Chicken and banana ice cream! We chat everything from her time in Call The Midwife, to writing & directing the absolute must-see Promising Young Woman and her latest venture at the time, writing Andrew Lloyd Webber's new musical 'Cinderella'. She talks about meeting her husband in Paris, the art of getting a free Pret coffee and what she's working on next. We loved having you Emerald and we're still inviting ourselves over for a Fennell Eurovision / karaoke night!!Listen & watch Table Manners here - https://tablemanners.komi.io/Follow Table Manners on:Instagram - https://www.instagram.com/tablemannerspodcast/TikTok - https://www.tiktok.com/@tablemannerspodcastFacebook - https://www.facebook.com/tablemannerspodcastYouTube - https://www.youtube.com/@TableMannersPodcast Hosted on Acast. See acast.com/privacy for more information.

Zhubin Parang, who has been with The Daily Show since the first time around with Jon Stewart, fully recognizes that among the many characters in the musical Les Misérables, only Javert really has an actual character arc. Only he goes somewhere over the course of the story. The rest kind of hold their ground, face grim adversity, and sing sing sing. That's all good with Zhubin, he loves the crap out of Les Mis and has seen it many times and, in order to put you to sleep, Zhubin is hear to tell you EVERYTHING THAT HAPPENS IN LES MIS. I mean, that ought to do it, right? Les Mis without the singing or the acting or the sets and costumes? Just... plot points? We're dreaming a dream of you dreaming, Sleepyheads. Get your copy of Lindsay Champion's The Show Must Go On (Cast vs. Crew) wherever books are sold. Hey Sleepy Heads, is there anyone whose voice you'd like to drift off to, or do you have suggestions on things we could do to aid your slumber? Email us at: sleepwithcelebs@maximumfun.org. Follow the Show on: Instagram @sleepwcelebs Bluesky @sleepwithcelebs TikTok @SleepWithCelebs John is on Bluesky @JohnMoe John's acclaimed, best-selling memoir, The Hilarious World of Depression, is now available in paperback. _________________________________________________________________________ Join | Maximum Fun Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinsleeping

“That organ sound was iconic. I felt like I was transported to a certain time in history.” This episode features Linedy Genao who is currently playing on Broadway as Myrtle Wilson in The Great Gatsby and hosting her new podcast Entre Acts, which is part of the Broadway Podcast Network. Linedy recalls seeing the 2016 revival of CATS while performing in On Your Feet, loving the dancing and music but leaving confused, then later seeing the downtown Jellicle Ball and finally understanding the show. She shares what it was like leading Bad Cinderella, collaborating with Andrew Lloyd Webber, and everything involved with that show including the viral spray-paint moment. Now playing Myrtle Wilson in The Great Gatsby, she explains her approach to making Myrtle sympathetic and critiques the double standard in how characters are judged. Linedy also discusses her Broadway Podcast Network show Entre Acts, focusing on the “in-between” periods for artists. 00:59 First Time Seeing CATS 03:11 CATS Revival Vibes 04:06 Broadway Origins Stories 07:46 Working With Andrew Lloyd Webber 09:58 Bad Cinderella 21:53 Playing Myrtle In Gatsby 25:10 Entre Acts Podcast 28:34 Rapid Fire Check out Linedy on Social Media: @linedygenao Check out Entre Acts on Social Media: @entreacts Check out The Great Gatsby on Social Media: @bwaygatsby Check out The Great Gatsby's website: broadwaygatsby.com Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied *Episode powered by WelcomeToTimesSquare.com, the billboard where you can be the star for the day Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is Margaret Hall, a remarkable young theater historian who is the author of the celebrated new book Gemignani – Life And Lessons From Broadway And Beyond. As you will hear, Margaret spent much of the pandemic interviewing Paul Gemignani who is without a doubt one of the most significant, and at the same time most under-appreciated, figures in the history of modern musical. Since 1971 Paul Gemignani has served as the Music Director for more than 40 Broadway productions including Follies, A Little Night Music, Sweeney Todd, Evita, Sunday In The Park With George, Into The Woods, and Crazy for You, to name only a few. His incredible talent and theatrical know-how made him the first-choice music director, and indispensable collaborator of Kander & Ebb, Stephen Sondheim, Andrew Lloyd Webber and Harold Prince. Margaret's book not only takes us behind the scenes and into the orchestra pit of many of the most significant and acclaimed productions in Broadway history, it also illuminates the crucial role that music directors play in the creation, development, and performance of a musical. Learn more about your ad choices. Visit megaphone.fm/adchoices

A new production of Andrew Lloyd Webber's CATS opened last night at Regent's Park Open Air Theatre, in London.This new, outdoor production is directed and choreographed by the venue's artistic director Drew McOnie, and will embark subsequently on a UK Tour.Find out what this production of the show is like, how it compares creatively to recent revivals elsewhere and why the press night performance offered a surprise...•00:00 | introduction03:53 | this revival 09:42 | creative choices 20:45 | performances 29:40 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Can it be? Is it so?? A production of Andrew Lloyd-Webber's "Cats" that is remarkable, and dare I say it RELEVANT? Finally there's a production of Cats that has SOMETHING to say. This revival is what most shows are terrified to be, and I cannot wait to talk about it. We may even learn about BALLROOM CULTURE. Come join the ride kids. Also, we have a special appearance from our best friend Big Beak Entertainment. Credits: Hosts: Jesse McAnally & Andrew DeWolf Podcast Edited By: Jesse McAnally Keeper of the Cheese: Juliet Antonio This show is a part of the Broadway Podcast Network Social Media: ⁠⁠⁠⁠⁠Our WEBSITE⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Musicals with Cheese on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Musicals W/ Cheese on Instagram⁠⁠⁠⁠⁠ Email us at ⁠⁠⁠⁠⁠musicaltheatrelives@gmail.com⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Merch!!⁠⁠⁠⁠⁠ Jess Socials ⁠⁠⁠⁠⁠Jesse McAnally ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Jess McAnally on Instagram⁠⁠⁠⁠⁠ Andrew Socials ⁠⁠⁠⁠⁠Andrew DeWolf on Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Andrew DeWolf on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Use our Affiliate Link⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Seit vielen Jahren ist das Kinder- und Jugendprogramm Akademie Immling ein fester Bestandteil des Immling Festivals. Dieses Jahr führen die jungen Talente das Musical "Cats" von Andrew Lloyd Webber auf.

Why do high-flying CEOs, investors, and ultra-successful leaders, people with every resource at their fingertips, still end up stuck, lonely, and reaching for a drink?In this episode, Anna Donaghey is joined by Lindsey Frances, a leadership psychologist. Together they unpack the universal experience of feeling trapped by drink, the myth that outer success delivers inner fulfilment, and why human suffering pays no attention to your bank balance.Is the pull to drink really about stress, status, or socialising, or is it something deeper: unmet needs for purpose, connection, and calm? As Lindsey and Anna discover, real change starts with a single question: what are you truly thirsty for?Highlights:00:00 Intro: High achievers & high-functioning alcohol use02:03 What boardrooms and AA rooms have in common05:15 The trap: shame, disconnection, and feeling unworthy06:09 Why suffering feels the same in £1000 shoes or 99p flip-flops09:36 Success as an external “cage”; failing on the inside12:14 Coping at the top: alcohol and other numbing strategies13:32 Addiction is disconnection, so what comes first?15:13 Alcohol as a (false) shortcut to connection and significance17:06 What are people really thirsty for? Purpose, enough-ness, & joy22:30 Why high achievers can't just “stop”26:12 Sophrology and imagining a life beyond work (and drinking)30:27 What does constant “fight or flight” feel like?36:31 Why you can't biohack your way out of pain40:08 Universal issues, whether you run hedge funds or trim hedges45:08 Simple, accessible tools for regulating your nervous system48:01 “Simple, but not easy”: choosing your hard49:20 Lindsey's own journey - making sense of emotions after quitting54:09 Andrew Lloyd Webber's story: why sobriety trumps career success54:55 Serving others, and the real sources of flourishing55:23 Where to find Lindsey Frances and resources for sophrologyAnna's book "What Are You Thirsty For? Rethinking Alcohol and The Life You Want", is now out in the world for you to buy!Order your copy, access her free tools and explore her coaching programmes at: https://thebigdrinkrethink.com/The Thirsty For More Mindset Lab is Anna's ‘inner circle' - a calm, thoughtful space where conversations continue, patterns are explored, and things begin to make sense. Find out more at: https://thirstyformore.substack.com/If you appreciate the podcast and would like to show a bit of love, you can donate the cost of a coffee here. It helps support the time and care that goes into making the show: https://buymeacoffee.com/bigdrinkrethinkAbout the host Anna:Anna is a certified Alcohol Mindset Coach, trained by Annie Grace of This Naked Mind. Drawing on her own journey out of alcohol addiction, she now helps others explore and control their drinking. With a career spanning 25 years as a Strategist in the Advertising industry, she combines her own lived experiences, with great insight into what makes us tick and what influences us to behave the way we do.Connect with Anna:Website: thebigdrinkrethink.comLinkedIn: linkedin.com/in/annadonagheyInstagram: instagram.com/bigdrinkrethinkProduced by winteraudio.co.ukAbout Lindsey Frances:Lindsey Frances is a clinical sophrologist, legacy and wealth psychologist, preventative health expert and data-led performance coach, helping high performers, CEOs and investors master financial and emotional stress, sleep and self-regulation through a unique blend of sophrology, biometrics and behaviour change psychology.In 2021, she opened a private sophrology cabinet on the Alpine French-Swiss border, where she has since guided clients ranging from cross-border executives and athletes to burnout recoverers towards calmer nervous systems and more sustainable performance.Connect with Lindsey:Website: https://www.lindseyfrances.co.uk/

We were honored to be invited to the reunion brunch for the Jellicle Tribe, a group of members from the US National Tour 4 of Cats. They got together before opening night of CATS: The Jellicle Ball to catch up and discuss all things CATS. Hear us discuss the excitement for the opening night, changes from their tour, and who is their Jellicle choice. Featuring (in order): Natasha Davison, Leslie Trayer, Nancy Melius, Eddie Buffum & Elizabeth Mills, Helen, Lauren, & Steve Watkins, Linda Leonard, General McArthur Hambrick, Daniel Wright, Joyce Chittick, Donna Lee Marshall, Jacob Brent About the Production: Cats: “The Jellicle Ball” is a radical reimagining of Andrew Lloyd Webber's iconic musical based on T. S. Eliot's Old Possum's Book of Practical Cats, inspired by the Ballroom culture that roared out of New York City over 50 years ago and still rages around the world. Staged as a spectacularly immersive competition by Zhailon Levingston and Artistic Director Bill Rauch. Unfortunately, this production closed way too soon. Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

Betty Buckley is a legendary, multi-award-winning actress/singer whose career spans theater, film, television and concert halls around the world. She is a 2012 Theatre Hall of Fame inductee and the 2017 recipient of  the Julie Harris Awards from The Actor's Fund for Artistic Achievement and received The Lifetime Achievement Award from The American Songbook Association in 2023. She won a Tony Award for her performance as Grizabella, the Glamour Cat, in Andrew Lloyd Webber's Cats and received her second Tony Award nomination for Best Actress in a musical for her performance as Hesione in Triumph of Love. She received an Olivier Award nomination for her critically acclaimed interpretation of Norma Desmond in the London production of Andrew Lloyd Webber's Sunset Boulevard, which she repeated to more rave reviews on Broadway. Ms. Buckley is featured in the film By Design, written and directed by Amanda Kramer, and it made its debut at The Sundance Film Festival in January 2025. She is also featured in the film Eternity for A24 Studios, starring Miles Teller and Elizabeth Olsen, released in November 2025. In March 2024, she co-starred in Imaginary for Blumhouse Productions and released by Lionsgate. She co-starred with James McAvoy in the M. Night Shyamalan hit film Split, one of the top international box office hits of 2017. She received a Saturn Award Nomination for Best Featured Actress for her work in the film. Her other films include her debut in Brian de Palma's screen version of Stephen King's Carrie, Bruce Beresford's Tender Mercies, Roman Polanski's Frantic, Woody Allen's Another Woman, Lawrence Kasdan's  Wyatt Earp and M. Night Shyamalan's The Happening. In 2024, The Mayfly, an animated short film written, produced and narrated by Ms. Buckley played the film festival circuit and won several awards, including Best of Festival, Best Director and Best 2D Character Based Animation at The Los Angeles Animation Festival. The film also won Best Animation at The Lady Filmmakers Festival in Los Angeles. A love letter to New York City and music, The Mayfly is a lyrical tale that was inspired by a true event at the Café Carlyle, with a score composed by seven-time GRAMMY® nominee Christian Jacob. Her other Broadway credits include 1776, Pippin, Song and Dance, The Mystery of Edwin Drood and Carrie. She headlined the first National Tour of the new Broadway production of Hello, Dolly! in 2018/2019. Off-Broadway credits include the world premiere of Horton Foote's The Old Friends, for which she received  a Drama Desk Nomination in 2014, White Lies, Lincoln Center's Elegies, the original NYSF production of The Mystery of Edwin Drood, The Eros Trilogy, Juno's Swans. Getting My Act Together and Taking It On  The Road. Regional credits include The Perfectionist, Gypsy, The Threepenny Opera, Camino Real, Buffalo  Gal, Arsenic and Old Lace, The Old Friends at Houston's Alley Theatre and Grey Gardens at the Bay Street Theatre in Sag Harbor, NY and The Ahmanson Theater in Los Angeles in 2016 for which she received an Ovation Award Nomination. In London, she starred in Promises, Promises for which she was nominated for An Evening Standard Award and in the 2013 British premiere of Dear World. On television, Buckley had a recurring role on Law & Order SVU for NBC. She co-starred in the third season  of AMC's hit series Preacher and has guest starred on the Fox/Warner Bros. TV shows: The Cleaning Lady, The CW hit Supergirl, the NBC Series Chicago Med and ABC Family's Pretty Little Liars. For HBO, she has appeared on Getting On, The Leftovers, The Pacific and for three seasons had a recurring role on OZ. She  starred as Abby Bradford in the hit series Eight is Enough. For more information, visit www.bettybuckley.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

A new day has begun, indeed. The 1980s brought many changes to Broadway, especially the arrival of the London-import megamusical that would run, well, seemingly forever, and its champion, Andrew Lloyd Webber. Join us we talk about how Broadway was changing, how Cats fed into that, and try to pinpoint what, exactly "Memory" -- with lyrics by Trevor Nunn -- is actually about. Editor's note: This is the second (and hopefully final) episode of the same recording session where Shannon's audio was weird. Our apologies. All clips are from the 1983's Cats: Original Broadway Cast Recording featuring Betty Buckley and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com Recommended Reading/Viewing: Betty Buckley sings "Memory" at 1983's Tonys "Memory" - Barbra Streisand "Memory" - Heather Headley Who Sang the "Memory" Climax Best? Ethan Mordden, Anything Goes: A History of American Musical Theater (Mordden's other volumes are also excellent resources for more in-depth discussion) Broadway: The American Musical

ANY DREAM WILL DO! Get ready for a dazzling burst of colour, music and feel-good energy as Joseph and the Amazing Technicolor Dreamcoat comes to Blackpool Grand Theatre this August! Presented by the talented team behind last year's incredible The Wind in the Willows, this spectacular Summer Youth Production brings fresh energy and big ambition to one of the world's most beloved musicals. The timeless story of Joseph, his jealous brothers and a coat like no other is brought to life with unforgettable songs by Tim Rice and Andrew Lloyd Webber. From the show-stopping “Any Dream Will Do” to the powerful “Close Every Door” and the toe-tapping fun of “Go, Go, Go Joseph” and “Benjamin Calypso”, every moment is packed with music you'll know and love.

ANY DREAM WILL DO! Get ready for a dazzling burst of colour, music and feel-good energy as Joseph and the Amazing Technicolor Dreamcoat comes to Blackpool Grand Theatre this August! Presented by the talented team behind last year's incredible The Wind in the Willows, this spectacular Summer Youth Production brings fresh energy and big ambition to one of the world's most beloved musicals. The timeless story of Joseph, his jealous brothers and a coat like no other is brought to life with unforgettable songs by Tim Rice and Andrew Lloyd Webber. From the show-stopping “Any Dream Will Do” to the powerful “Close Every Door” and the toe-tapping fun of “Go, Go, Go Joseph” and “Benjamin Calypso”, every moment is packed with music you'll know and love.

Welcome to Happy Wife Happy Life! We're your hosts, Kendahl Landreth and Jordan Myrick: two very unqualified (but deeply in love) comedians who are here to help you navigate all things relationships. On this week's episode, we discuss canceled one-hit-wonders, raffles, and Andrew Lloyd Webber. New episodes every Monday on YouTube OR you can listen anywhere you get your podcasts. Get 40% off select Lola Blankets products at http://Lolablankets.com by using code WIFE at checkout. Experience the world's #1 blanket with Lola Blankets.  Listen on Spotify: ⁠https://tr.ee/L6caUcW97P ⁠Listen on Apple Music: ⁠https://podcasts.apple.com/us/podcast/happy-wife-happy-life/id1721222550 Follow us on Instagram: ⁠https://tr.ee/QUIqFa-P3z⁠ Follow us on TikTok: ⁠https://www.tiktok.com/@hwhlpodcast?lang=en JOIN OUR PATREON: https://www.patreon.com/c/HappyWifeHappyLife Email us your love and dating questions and we might answer them on the podcast! hwhlpodquestions@gmail.com Executive Producer: Jordan Myrick and Kendahl Landreth Senior Producer: Blake Smith Art Design: Liv Averett Graphic Design: Justin Crowell Photos: Lee Jameson

In which the Kid 1 joins me in reviewing PHANTOM OF THE OPERA (2004), director Joel Schumacher's 2004 cinematic adaptation of Andrew Lloyd Webber's iconic musical, with screenplay credits to Andrew Lloyd Webber and Joel Schumacher, and based off Gaston Leroux's novel "Le Fantôme de L'Opéra". A disfigured, musical genius known only as the Phantom (Gerard Butler) haunts the catacombs of the Paris Opera House while secretly tutoring a rising young chorus girl named Christine Daaé (Emmy Rossum). As the Phantom's obsession with Christine deepens, he resorts to increasingly sinister acts of sabotage and terror to ensure she takes center stage, driving a wedge between her and her childhood sweetheart, Raoul (Patrick Wilson). Caught between her deep gratitude and pity for her mysterious mentor and her genuine love for Raoul, Christine finds herself trapped in a dangerous emotional triangle as the opera house descends into absolute chaos. The film clocks in at 1 h 34 m, is rated PG-13 and currently streaming on YouTube TV and to buy/rent on Prime Video. Please note there are SPOILERS in this review.#ThePhantomOfTheOpera #JoelSchumacher #AndrewLloydWebber #GastonLeroux #GerardButler #ThePhantom #EmmyRossum #Christine #PatrickWilson #Raoul #MirandaRichardson #MadameGiry #MinnieDriver #Carlotta #CiaranHinds #Firmin #SimonCallow #Andre #VictorMcGuire #Piangi #JenniferEllison #Meg #MurrayMelvin #Reyer #KevinMcNally #Buquet #JamesFleet #Lefevre #Arthur #StanJones #Narrator #Thriller #Romance #Musical #Drama #TragicRomance #RomanticEpic #PopMusical #PeriodDrama #Epic #CostumeDrama @YouTubeTV @PrimeVideo #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Olivier nominee Tyrone Huntley is reprising his acclaimed performance as Judas in Jesus Christ Superstar by Tim Rice and Andrew Lloyd Webber at the London Palladium.Directed by Timothy Sheader, Tyrone first played Judas ten years ago when this revival premiered at Regent's Park Open Air Theatre. He reprised his performance at Regent's Park multiple times and also played Judas in the production's US tour.Last year Tyrone played Simon in the Hollywood Bowl revival of Jesus Christ Superstar, whilst also understudying Cynthia Erivo in the role of Jesus.His theatre credits include Barnaby Tucker in Hello, Dolly! (London Palladium), Che in Evita (Curve Leicester), Jordan in Living Newspaper (Royal Court), Hunter in [title of show] (London Coliseum), Wes in The View UpStairs (Soho Theatre), Obi in Leave to Remain (Lyric Hammersmith), C.C. White in Dreamgirls (Savoy Theatre), Gator in Memphis(Shaftesbury Theatre), Porgy and Bess (Regent's Park Open Air Theatre), Seaweed in Hairspray (Curve Leicester), Doctor in The Book of Mormon (Prince of Wales Theatre) and TJ in Sister Act (UK & Ireland Tour).As a director, Tyrone made his debut with Ain't Misbehavin', which played at Mercury Theatre Colchester and Southwark Playhouse, before joining the creative team of The Drifters Girl as Associate Director.In this episode, Tyrone takes a deep dive into what it takes for him to play such a hugely demanding role – and the crazy path of his Jesus Christ Superstar journey. He also discusses his reunion with Cynthia Erivo, his move to LA and lots more.Jesus Christ Superstar runs at the London Palladium until 5th September. Visit www.london.jesuschristsuperstar.com for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Today, we're meeting two of the trans women behind the Tony Award-winning musical CATS: The Jellicle Ball. Cats: The Jellicle Ball is the Broadway hit of the season that reimagines Andrew Lloyd Webber's classic musical Cats as a celebration of House Ballroom Culture. In this episode, we hear from Qween Jean, the show's Tony-winning costume designer. Then, we speak with Tempress Chasity Moore, a ballroom icon who stars as Grizabella. This week's Trans Joy spotlights artist and drag performer Bri Joy. Send your Trans Joy recommendations to translash_podcast @ translash [dot] org Follow TransLash Media @translashmedia on TikTok, Instagram, Threads, Bluesky, and Facebook.Follow Imara Jones on Instagram (@Imara_jones_), Threads (@imara_jones_), Bluesky (@imarajones.bsky.social), X (@ImaraJones)Follow Tempress Chasity Moore on Instagram (@I_am_Tempress) and watch her podcast on YouTube (@FQCrazySexyCool)Follow Qween Jean on Instagram (@qween_jean)Follow Bri Joy on Instagram (@brij0y) Hosted on Acast. See acast.com/privacy for more information.

Komponist og levende legende Andrew Lloyd Webber spår en grum fremtid for musikteaterets mekka, Broadway. Stigende priser og dalende kreativitet bliver måske prestige-musicalernes banemand, hvilket vil pille ved selve amerikanernes forståelse af sig selv som kulturimperium. Vi fortæller også nyheden om, at EU trækker omkring 17 millioner kroner i støtte til verdens største kunstbegivenhed, Venedig Biennalen, fordi Rusland fik lov at være med. Medvirkende: Jakob Steen Olsen, kulturkommentator ved Berlingske Rasmus Jarlov, konservativ politiker Mathilde Kimer, Rusland- og Ukrainekorrespondent i DR Vært: Klara Witt Producer: Anna Correll Redaktør: Lasse Lauridsen

Send us Fan MailAhead of her highly anticipated run at Regent's Park Open Air Theatre, Millie O'Connell sat down to discuss her role as Demeter in Drew McOnie's radical, gritty reimagining of Cats. As an artist known for her high-voltage presence on stage, Millie gives us an unfiltered look into what it really takes to strip away forty years of theatrical tradition, trading nostalgia for a grounded aesthetic that frames the Jellicle tribe as London's strays and rebels. We hear her reflect on the delicate art of unearthing fragments of vulnerability within McOnie's rigorous and emotionally exposed choreography. Our conversation explores the physical and psychological realities of performing outdoors under an actual night sky, unpacking the energy exchange between actor and audience while navigating the unpredictable elements of an open-air amphitheatre.In this brand new interview, Millie O'Connell offers an introspective look at a powerhouse career that has seen her move seamlessly from Anne Boleyn in SIX to Cookie in Come Fall in Love. We talk about how her affinity for portraying fierce, complex women in iconic shows like Rent and The Cher Show has shaped her artistic identity, as well as the personal resilience required to navigate a career in musical theatre. Indeed, we also delve into the profound importance of community, reflecting on positive structural shifts in the industry in recent years. It seems like the perfect time for Millie and Demeter to come together and audiences should come expecting Cats unlike they've ever seen before in the magical and jellicle setting of Regent's Park.Cats runs at Regent's Park Open Air Theatre from 25 July - 19 September with a UK tour to follow.

Sarah and Alex discuss Simon Stone's new adaptation of The Orestia, out in the same week as Christopher Nolan's blockbuster, and another example of the huge appeal of the Greeks. They talk about the cult surrounding Jonathan Larson, the composer of Rent, and ask whether Andrew Lloyd Webber is right when he puts the early closure of Cats:The Jellicle Ball down to the impossibility of producing theatre in New York's famous heartland. Hosted on Acast. See acast.com/privacy for more information.

Tom Sutcliffe is joined by film critic Tim Robey and classicist Edith Hall to discuss:Christopher Nolan's much anticipated film version of Homer's epic The Odyssey, shot with IMAX cameras and with a stellar cast which includes Matt Damon, Anne Hathaway, Tom Holland, Zendaya and Samantha Morton.A new production of The Oresteia directed by acclaimed Australian director Simon Stone at the Bridge Theatre, London. Updated to the contemporary world, the play stars David Morrissey and Mary-Louise Parker.Booker-shortlisted for her novel Burnt Sugar, author Avni Doshi's new book The First House focuses on the impact of a disintegrating marriage. Also, theatre critic Matt Wolf talks to Tom about the state of Broadway musicals after Andrew Lloyd Webber's Cats: The Jellicle Ball announced it will be closing early.Presenter: Tom Sutcliffe Producer: Lucy Collingwood

It was recently announced that CATS: The Jellicle Ball, the groundbreaking, award-winning revival of the iconic Andrew Lloyd Webber musical, would close early on Broadway.The production, playing until early August at the Broadhurst Theatre, was the best reviewed musical of the Broadway season and won multiple Tony Awards for its creative team, though notably not for Best Revival of a Musical.That, however, is not the only factor that played a role in the show's early demise - check out Mickey-Jo thoughts on what went wrong with the Jellicle Ball on Broadway...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:40 | closing details10:44 | the challenges18:33 | the Tony Awards23:23 | the implications31:14 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

"Don't cry for us KEIR STARMER: TRUTH IS WE NEVER LOVED YOU!" #KeirStarmer #JonGaunt #AnnWiddecombe # ReformUK #NigelFarage #BrokenBritain #KillList #UKPolitics With apologies to Elaine Paige and Andrew Lloyd Webber, but as England faces our old enemy Argentina in the World Cup today, it seems the perfect time to reflect on the fall of Keir Starmer. The truth is, the British people never truly warmed to this man. Between the "Dalek" delivery and the charisma of a paper bag, he has remained fundamentally out of touch. It was sickening to witness him today, still in total denial, actually claiming he has left the UK in a better place than he found it! While the Commons engaged in a sick pantomime of back-slapping and "in-jokes," they ignored the dreadful reality of the country. In a week where Ann Widdecombe has been assassinated, our nation has never been more divided. Now, chilling details are emerging from a Zia Yusuf emergency press conference about a "kill list" targeting other Reform politicians. How have we reached a state where there is such visceral hate toward politicians on the right? Starmer, his party, and their supporters in the mainstream press have spent years fuelling this fire. Today should not have been a celebratory swan song. Starmer should have proposed that the Commons sit for another week to address the consequences of Ann's murder and demand answers on how the "broken Britain" he leaves behind will actually be fixed. With Nigel Farage now facing ten death threats a day, democracy itself is under attack. It's time for the truth. Join in and give me your views. #KeirStarmer #JonGaunt #AnnWiddecombe #ZiaYusuf #ReformUK #NigelFarage #BrokenBritain #KillList #UKPolitics #PoliticalViolence #DemocracyUnderAttack #MainstreamMediaHate #EnglandVsArgentina #WorldCup #DalekStarmer Keir Starmer, Jon Gaunt, Ann Widdecombe, Zia Yusuf, Reform UK, Nigel Farage, Broken Britain, Kill List, UK Politics, Political Violence, Democracy Under Attack, Mainstream Media Hate, England vs Argentina, World Cup, Dalek Starmer This is political blogging and hard-hitting social commentary from Triple Sony Gold Award-winning talk radio legend, Jon Gaunt — former host on BBC, Talk Radio, and Sky News. On Jon Gaunt TV, we cut through the noise and say what others won't. No political correctness. No censorship. Just real conversations that matter.

Welcome to the summer of the war horse, AKA the songs you've heard countless times in figure skating. But how well do you really know them? One thing is for sure: WE definitely didn't know them as well as we thought. We're diving into the history of these pieces of music as well as the most iconic figure skating programs that use them throughout the summer. This week, our subject is THE PHANTOM OF THE OPERA by Andrew Lloyd Webber. To watch the programs discussed in the episode, go to our YouTube page and find the Phantom of the Opera playlist!Subscribe for Olympic coverage, breakdowns, and storytelling from inside the sport.Support us on Patreon: Patreon.com/TheRunthroughPodcastWatch us on Youtube: The RunthroughFollow us on social: Instagram | TikTokPatreon subscribers gain access to each episode in video format two days before the audio release, plus access to exclusive bonus content and private chats with our fellow members!

Margaux Aubry has quietly built one of London's most influential neighbourhood restaurants. As the owner of Naughty Piglets, she's spent the last 12 years helping redefine what modern London dining can be: brilliant produce, fearless cooking, incredible natural wine and a restaurant that genuinely feels part of its community. In this episode, she joins us to tell the remarkable story behind one of the capital's most beloved independent restaurants.We dive into her journey from growing up in Lyon to arriving in London as a teenager, falling in love with hospitality and eventually opening Naughty Piglets with almost no blueprint to follow. Margaux shares the highs and lows of building an independent restaurant, why she's happier running the business on her own terms today, the famous jambon beurre that has become a London institution, and why Paris still pulls at her heartstrings every time she visits.As always, the conversation is packed with brilliant food stories. Margaux reveals her favourite bistros in Paris, the dishes that defined her childhood, why Comté might just be the perfect cheese, the legendary fox that once became trapped inside the restaurant overnight, and the wild days serving millionaire yacht owners on the French Riviera. We also chat natural wine, London's changing restaurant scene, and why she believes the industry's constant negativity risks putting off the next generation of restaurateurs.BUY TICKETS TO OUR LIVE SHOW HERE ON MONDAY 27TH JULY - https://www.eventbrite.com/e/go-to-food-podcast-live-with-chef-adam-byatt-tickets-1992111901323?aff=oddtdtcreatorYou can book a virtual demonstration with Quooker to find the right setup for your kitchen and remember, until the end of August, if you use the code GO TO FOOD, you'll get free installation and a free Quooker glassware set. Just head to www.Quooker.co.uk now!Get 2 Months of Blinq For Free - With Code - GOTOBLINQ - https://blinqme.com/Watch and Subscribe To Our Youtube Videos Here - https://www.youtube.com/@gotofood Hosted on Acast. See acast.com/privacy for more information.

Jellicle songs for Jellicle Cats. But what the hell are Jellicle Cats? Why do we have to meet so many of them? Why did Andrew Lloyd Webber decide that a collection of T.S. Eliot poems for children was a solid basis for a musical? Why was everyone so adamant that it had to be adapted into a movie? Why was Tom Hooper deemed the man to do it? Why has he yet to answer for his crimes? Why did we land on ‘digital fur technology'? Why does Rebel Wilson keep unzipping her cat skin? And eating cockroaches with human faces? Why is James Corden allowed to do this? Why is Macavity naked? Why is Cat Taylor Swift so sexy? Why does Judi Dench stare straight into our souls to tell us that a cat is not a dog? WHY ARE WE STILL BEING INTRODUCED TO CATS???None of these questions have answers—by the film, our research or us—but we lightly lose our minds all over again trying to find them. We're joined by returning guest Emily Tatham and first-timer Tom Capon (who have collectively seen the film a dozen times) to reignite the cultural discussion of CATS, Tom Hooper's 2019 abomination that single-handedly opened the gates of Hell. Come with us… if you dare…Follow the podcast on Twitter, Bluesky and Instagram and be sure to subscribe so you don't miss an episode! Get in touch with us either via socials or email rambinaboutamblin@gmail.com.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter-Clayton & Greg Sheffield for the theme music.You can listen to The Robert J Hunter band's new single 'Left Me Yet' here: ⁠https://ffm.to/rjhleftmeyet And you buy tickets to their upcoming album launch show on October 10 here: ⁠https://events.talentbanq.com/events/talentbanq/2123808⁠

Masters of the chaotic clever song, Flo & Joan (Nicola and Rosie) take us back to double binbagging keyboards to gigs, how they weren't very good friends as kids but now they spend every waking minute together, and their two new projects; One Man Musical and With Feeling. Both of which are frankly mad and brilliant ideas. Get in touch giles@mightymoonmedia.com Thanks The Miller for having us. Get yourself some top class Shure microphone gear: https://shu.re/3YhV7p2 Set up Your Band's merch store, for free at Distrokid Direct: https://distrokid.com/direct/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Pride, lil onions! Raise your hand if you've ever been bullied because you can't dance. Now raise the other hand if it was at the hands of your own cult. That's right, the siblings are finally talking about Cats (1998). Carie and Ross break down the absolute fever dream that is Andrew Lloyd Webber's reimagining of T.S. Eliot's Old Possum's Book of Practical Cats. Carie ragebaits Ross by bringing up the disastrous Tom Hooper adaptation. Ross puzzles over the real reason why Grizabella is ostracized from the kitty cat cult. And the siblings reflect on the message of the musical concerning mortality, regret, and grief over what life was like in youth.  SUPPORT US ON PATREON! 

Ann sits down with Bradyn Braziel (co-founder of Waco's Silent House Theatre) and stage director Joe Taylor about the theater's new adaptation of Andrew Lloyd Webber & Tim Rice's musical "Jesus Christ Superstar". Features musical performances by On Earth Band.For 20% discount of tickets for the show, use promo code "JCS" at www.silenthousetheatre.com!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The racially charged love triangle drama on the long-running reality series "Summer House" has echoed far beyond the Bravo-verse, and Audie Cornish and Ari Shapiro are unpacking why Ciara's responses have gone so viral. Plus: Andrew Lloyd Webber of "Phantom of the Opera" and "Sunset Boulevard" fame joins to talk "Cats," sobriety, and letting go of creative control. Kara Swisher wonders why Pete Hegseth is pirouetting across her socials.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The U.S. is facing accusations of helping to make the Ebola outbreak in central Africa possible because of cutbacks in health funding to the region by the Trump administration. Secretary of State Marco Rubio has rejected that charge. Ramy Inocencio reports. The White House Correspondents' Association rescheduled its annual dinner for July 24 after a shooting disrupted the initial event six weeks ago. Weijia Jiang has more. "The Points Guy" founder and CEO Brian Kelly joins "CBS Mornings" to reveal and break down the results of its 10th annual best airlines report. The rankings are based on factors like reliability, experience, loyalty programs and cost. U.S. Coast Guard investigators are in the Bahamas to start a new search for evidence of missing American Lynette Hooker. One official says the probe now includes the possibility that Hooker was murdered. Cristian Benavides reports. The NBA Finals between the San Antonio Spurs and New York Knicks get underway Wednesday. Oscar winning filmmaker Spike Lee speaks to "CBS Mornings" about his decades of being a Knicks fan, why he's confident in the team and the NBA Finals. André De Shields speaks to "CBS Mornings" about starring in "Cats: The Jellicle Ball," which is a reimagining of Andrew Lloyd Webber's classical musical told through the lens of ballroom culture. De Shields talks about bringing ballroom to Broadway and his latest Tony nomination. Jon Hamm previews "Your Friends & Neighbors" season 2 finale, saying "it is satisfying" and provides some answers for fans. He also talks about the relatability of the show's characters and reflects on "Mad Men."

There is one musical that holds the Guiness Book of World Records for "most visitors to a musical in a single theatre." Congratulations on not realizing it's STARLIGHT EXPRESS. (We didn't know it either!) This week, we're exploring the cultural and emotional impact of Andrew Lloyd Webber's roller skating musical that is still playing to packed houses around the world. Is it a little silly? Absolutely. Does it deserve its own episode? 1000%. Sophie-Rose Middleton (CATS, SIX) joins us to look back at her time as "Pearl" in the long-running German production and help us figure out what exactly the "Starlight Express" is. She also shares an important lesson for all young performers out there currently celebrating (or mourning) their BFA ambitions. Follow Sophie-Rose on TikTok at @sophierosemiddleton and Instagram @sophierose_middleton! If you enjoyed this episode, check out one of our first episodes of the podcast: CATS with James Vasquez and John Treacy Egan. Join us at ⁠⁠⁠PATREON!⁠⁠⁠ for bonus episodes, contests, and conversations all while supporting the show for only a few dollars each month! Share our posts and videos on ⁠⁠⁠Instagram⁠⁠⁠ and ⁠⁠⁠TikTok⁠⁠⁠. If you're feeling like giving back, check out our ⁠⁠⁠TeePublic Store⁠⁠⁠. The profits we receive are donated to ⁠⁠⁠Broadway Cares/Equity Fights AIDS⁠⁠⁠. More than anything, thank you for being part of this wonderful podcasting community. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a double episode week and we're heading to Berkeley Playhouse to talk about Cats!

It's time to draw back the curtains as we discuss the musical favourite ‘Joseph and The Amazing Technicolour Dream Coat'. The Andrew Lloyd Webber and Tim Rice classic tells the Biblical story of Joseph, his brothers, his dreams and that coat with 29 colours! Go, Go and tune in!

Umay Acar-Sümer |Writer and Composer of ‘Beowulf the MusicalBio:Umay Acar-Sümer is a Turkish singer and composer based in Hampshire, UK. Having completed an MA in Medieval Studies and MMus in Music Composition at Royal Holloway, Umay draws inspiration from medieval literature and history in her writing. She is the writer and composer of ‘Beowulf the Musical', a two-act musical made up of 35 song based on the medieval epic poem Beowulf. ‘Beowulf the Musical' premiered at the Edinburgh Fringe Festival in 2024 with Umay playing the role of Freawaru; the musical is now set to release an album with many of the original cast and orchestra members reprising their roles. Umay's writing influences include late medieval authors like Geoffrey Chaucer, Sir Thomas Malory and Chrétien de Troyes as well as anonymous poems from the Anglo-Saxon period such as The Wanderer, The Battle of Maldon and The Seafarer. Musically she is inspired by contemporary composers such as Alan Menken, Andrew Lloyd Webber, Lin Manuel Miranda and Anais Mitchell as well as the works of Handel, Verdi, Mozart and Strauss. Umay is currently working on her next musical; a sapphic fairytale about a girl with a magical harp teaming up with a disgraced knight to defeat a dragon.Links:Website:https://umaymakesmusic.wordpress.com/TikTok: https://www.tiktok.com/@umaymakesmusichttps://www.tiktok.com/@beowulfthemusical Facebook:https://www.facebook.com/umayisnotherehttps://www.facebook.com/beowulfthemusicalInstagram:https://www.instagram.com/umayisnotherehttps://www.instagram.com/beowulfthemusical Spotify:https://open.spotify.com/artist/5IrAUtyarBSJGbvzazeBuZ YouTube:https://youtube.com/@umayisnothereTagspodcast for creativescreative podcastpodcast creator interviewsprofessional podcastcreative podcastspodcast host interviewscreative podcast ideasSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

First up, a massive celebrity engagement has taken a bizarrely fated turn after fans discovered a hidden connection between Harry Styles, Zoe Kravitz and a beloved book franchise. Plus, we're dissecting the first grainy on-set photos from a highly anticipated movie sequel - including a certain "upgraded" diamond ring that has the internet comparing old flames .Plus, we have a very serious theory about a sky-blue dress and a horseshoe necklace. We’re unpacking why a certain countdown appeared and vanished on a major artist's website, and whether she is about to pivot into the world of animated sequels to finally secure her "EGOT" status.And finally, the real-life inspiration behind one of cinema's most iconic "assistant" roles has finally stepped out of the shadows after twenty years. We get into her "savage" rebuttal to the woman who wrote the book and her mortifying encounter at a mutual friend’s house with the A-list actress who played her on screen. Read the Vogue interview with the real life Emily from Devil Wears Prada here. Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mum and Me Out.00:02Speaker 2 Welcome to the Spill your daily pop culture fix. I'm Laura Brednick and I'm Tina Burke and coming up on the show today, Look, Taylor slipped us up to some antics. There's secret coded messages in her outfits, there's potential secret songs, there's a countdown.00:15Speaker 1 I'm gonna be so honest.00:16Speaker 2 I'm gonna let you, Tina Burke, explain that because that is wait, you're crazy, Taylor, so fandom that's your business. Plus something I have been obsessed with for the last few days. I know we both have, but we need to talk about it. The real life Emily from The Devil Wears Prada has come forward after all these years, and she's given some really interesting insights about the author of the book, Anna wind Tour Emily Blunt. We're getting get into the biggest takeaways from that, but first you have some other things to discuss.00:43Speaker 3 I have some things that have come across my desk this morning. One of them is very short and I just need to touch on it really quickly, Will And it is that. Obviously, last week we discussed Zoe Kravitz and Harry Styles engaged. According to people magazine. Do you know what their middle names are? Her middle name is Isabelle, Isabella Isabelle.01:00Speaker 1 Last, what his is? No, it's Edward. Oh they are Edward and Bella. Oh my god, this has blown up.01:08Speaker 2 You might be the only person who. Oh no, it has blown up on socials this morning.01:12Speaker 3 It's come across the internet because they are Bella and Edward from Twilight, which means they are now faded to be together forever. I was skeptical before. I was like, they're not gonna last. It's not gonna happen. And now I'm like, no, they're Bella and Edward, so like it's gonna happen. By Stephanie Wheer, Oh my god, I love some little nerd put that together. I love nerds.01:28Speaker 1 And they together.01:29Speaker 2 For nine months, we've had this information for nine months and only now have people picked it up.01:32Speaker 3 Someone sat on it until now, And maybe they'll have a little renett me of their own, just something to think about, something a bit.01:37Speaker 1 More serious, do you think of it?01:39Speaker 2 Well, I'm sure they'll be thrilled that people have figured out they're supposed to be together because they're middle names.01:43Speaker 1 Yes, no other reason.01:46Speaker 2 Yeah, something more serious that isn't more serious, No, but with just my lurkings on social media is the Summer I Turn Pretty has officially.01:55Speaker 3 Been done filming the movie, which is very exciting. It's been really like under wrapped of what exactly the plot was going to be. I mean, we pretty much assume and everyone has reported that it's going to be about like Belly and Conrad finally getting married, but we didn't finally.02:10Speaker 2 Everyone's like, well, when will those crazy kids get married?02:13Speaker 3 Honestly like sitting on the shelf at this point. But I do think they're going to be about twenty five. But the first onset photos came out over the weekend. They've gotten back to set and while they were incredibly grainy and blurry and they were kind of like pat photos or fan photos taken on phones, they're all out on a boat on the lake.02:29Speaker 1 It's very the summer return pretty.02:31Speaker 3 Yes, what you can see is that Belly has a big diamond ring on her left ring finger.02:37Speaker 2 Okay, people have not handled these photos well in a mature way. Everyone has been pretty nasty, pretty crazy because the ring, as we all remember, if you can even call her that, that was given to Belly by Jeremiah in the show was so small that you literally couldn't see it. Even when she held it up in front of your face, you could not see it. We put it on socials and we had to.02:58Speaker 3 Draw a circle around it, the tiny little diamond.03:01Speaker 2 From that point, poor Jenny Hahn, the writer of the books and creator of the TV series and showrunner and all these things, This talented, creative, brilliant woman then gave up her precious time to go on oppressed tour to do interviews so that fans could ask her questions about the show. And all that woman got asked was what was that tiny ring? Was that meant to be a joke? And that poor woman had to answer over and over again. No, it wasn't meant to be a joke. We just thought, like, he doesn't have any money, so of course you'd have a small ring. It's just the way that belly held it up so defiantly to show the family and then you couldn't see it, and you couldn't see it at all. Became such a running joke.03:36Speaker 3 Yes, and so even from a great distance on a boat in the middle of the high seas, you can see the ring that we can assume Conrad has given to her. So it's a Peconkin diamond, and I'm very excited about that because she does deserve it. And this is why you date the handsome doctor and not like the weird other brother. There were lots of reasons, but I do think this is one of them. The other big thing that has come out based on these photos is that Jeremiah our like sad single other.04:01Speaker 1 Hey.04:01Speaker 2 Hey, some of us were kind of quietly team Joremiah nick word team Jeremiah, and I don't understand why, but that's your business. He has his arm wrapped around a mystery blonde woman, so that, oh god, it's not that woman from who was that girl?04:13Speaker 1 I kind of friend.04:14Speaker 3 Yeah, So the whole season three subplot of him falling for the roommate and the roommate being a weird hater of Conrad that never.04:21Speaker 1 Sat well, Yeah, that just felt right. That was for nothing.04:23Speaker 3 It felt rushed, and it was for nothing because now he's on a boat with a woman who looks a little bit too much like his mother and he's got his arm around her and they look to be a couple. So wow, something to think about there, But we don't really know too much about what the film is about, but we do know that Jenny Hahn is directing. So she directed one of the episodes of the season three, which was episode five. Laura, I don't know how much you remember the summer I Turned pretty, but episode five was the one from Conrad's pov Oh the Apple.04:48Speaker 1 We hate the Apple, and he is in the white T shirt. Yeah, that song played wild Horses beautiful.04:52Speaker 3 VI.04:52Speaker 2 Wow, I just like, I feel like I just lost you for a second, just went off and I just got into.04:55Speaker 3 My Conrad's little like mind bubble. But she's going to direct the film, so she said, taking inspiration from Nora Efron. Oh great, so great person to take your inspiration from. You do have to wonder what like the traditional third actension is going to because I think the whole show was third actension and we don't need to see a mini breakup again. But I don't know, maybe Steven and the other one can have some drama.05:17Speaker 1 Yeah, I mean that's the thing. Isn't it to be able to make a movie like that.05:20Speaker 2 Yes, yes, you've got the wedding as the plot, but there's going to have to be some moment where you think they're not going to get married some sort of drama.05:26Speaker 1 You can't just have a wedding.05:27Speaker 3 No, But like at this point, it's been drama non stop for years.05:30Speaker 1 You go tired to Paris.05:31Speaker 3 She's like, actually, I'm going back to Paris, thank you so much. I'm leaving you again. That would be so boring. We can't do that.05:36Speaker 1 Do we know when this is coming out? Like, at least not until next.05:39Speaker 2 Year twenty twenty seven, twenty twenty seven to be coming out. Yeah, I mean, I guess people will still be interesting, Like I know people still be interested, But I was worried when the show ended and they announced the movie was happening, and the momentum was so huge, and in my head, I was like, oh, I wonder if they've started shooting so that this can come out at least a year after the last episode has aired, and now it's going to.05:59Speaker 1 Be well over year.06:01Speaker 3 Yues.06:01Speaker 2 People still care because there was such a fandom around that show.06:04Speaker 1 But do we think it all? Do we think the momentums lost a little bit?06:07Speaker 3 I think so, And as well, there were reports like the other week about the fact that maybe the cast had only signed on to do the movie in order to get pay bumps for season three when they were renegotiating, and Deadline kind of reported saw stuff the cast themselves didn't come out and say this, but that the cast might have felt like they were a little bit taken hostage in having to agree to the movie so that they could get a pay.06:28Speaker 1 Rise for three.06:29Speaker 3 So there's also like that little underlying tension as well that I think some fans aren't happy with. And yeah, it's a long wait for a movie that realistically like I don't know what's like, how much could possibly happen.06:39Speaker 2 Yeah, we love Jenny harm but yeah, we love Jenny Harm. Well, hopefully there's a big plot twist in there. But that's the thing about having these continuing stories is like you do have to kind of break something or change something in order to make it worth the stakes.06:51Speaker 1 Yeah, but I'm sure to be fine.06:52Speaker 2 And also at least that they were all out of like high school and through college, they have to worry about it. They don't have to worry about them aging out of their roles. Yeah, we've got a good fifteen year years before that happens. So no, I think it'd be fun.07:02Speaker 1 Yeah, So, as.07:04Speaker 3 Discussed my favorite topic in the world. Taylor Ellison Swift has come up twice, actually more than even twice, several times in the past week, but on two very significant occasions. We have been talking about Taylor Swift and I have been talking your ear off, and I'm sure you loved every second of it.07:18Speaker 1 Right, No, I always.07:19Speaker 2 Find that you have an interesting angle on Taylor Swift because you're like really in the weeds with not just the fan theories, but kind of like the industry chat as well.07:27Speaker 1 So I find that very interesting. I thank you for play kating a lot of people who care about stuff I can't really relate.07:32Speaker 3 Yeah, and I care about everything weigh too much. But one of the things that came up last week, which some of the spillers may have seen, I know a lot of people were texting me going, what the hell is happening right now?07:44Speaker 2 People text you if something happens to tell you Swift, They're like, what's going on? Why is this a thing?07:48Speaker 1 And to be fair, you know the answer, and I do know the answer.07:50Speaker 3 So Taylor Swift. On Friday last week, a mysterious countdown appeared on her website for the briefest of moments and obviously, if you know anything about Taylor Swift, she loves like an Easter egg, she loves a big reveal, and she often does these countdowns on her website. So before the Life of a Showgirl album came out, whole website changed colors, big countdown pops up. This time, her website briefly changed to a sky blue background with like white cartoon clouds, and a countdown appeared in like this also cartoonish kind of font and then disappeared, and the Swifties very quickly put together that it looked like Toy Story Wow, okay, and Toy Story five is coming out soon.08:31Speaker 1 No, I'm aware, Oh good, I'm aware. I'm up on the plots, I'm up on everything.08:35Speaker 3 No, everything, and Toy Story five is coming out soon. But the thing is, people suddenly realized, holy shit, has a Taylor Swift been dropping Toy Story five clues?08:45Speaker 1 And again, yes, yes, okay, it looks like yes.08:49Speaker 3 So one of the things that I love about Taylor Swift is so and it's bold of me to say this, I'm sitting here in a T shirt, but her street style is not necessarily beloved by the fashion girls. A lot of people think she dresses a bit basic or like. The common theme is people think there's always like one thing wrong with her outfits, so she often gets roasted for her She.09:08Speaker 2 Gets roasted, And it's so interesting how there's this huge fandom of people that are just like, oh, she looks she just looks terrible. She dresses frumpy. If you listen to any kind of fashion podcast, fashion adjacent, any kind of industry chat, they're just like, she's known as being like one of the worst dress celebrities. Can I just say, I can't see it. I like her outfits.09:28Speaker 1 I like them too. I guess I'm just not a fashion girl.09:31Speaker 2 But I thought, like recently in the dress with the little yellow bag and the heels, maybe it's because I too am a little basic. Like when people just like, oh, it's so boring when she just wears a glittery gown, I was like, you know what, wear a glittery gown. I'm so sick of everyone wearing a beige column dress or a black dress. They're like, it's chival blah blah blah. I don't know, they all look the same. Well, at least she has a look.09:50Speaker 1 Yes, she has a look.09:51Speaker 3 She knows what her style is, and she has worked for years and years and years with the same style as Stress of Castles. You have to wonder how he feels about it all. But he also does like her, like streaming and stuff for like the Era's tool.10:01Speaker 2 If he does love that, it's so wild because I don't see a huge jump between her costumes from the RAS tour and her street style and her red carpet style. To me, it all looks very like concise and that it fits together, Like she doesn't look like she's in a costume when she's on stage to me, and she doesn't look like she's been dressed by someone else when she's like she always looks like her. Yeah, and there's very few celebs that look like that, Like some of them, there's such a clear line between their street style and their event dressing.10:26Speaker 1 Yeah. So I don't know what people want. I don't know what people want.10:29Speaker 3 But what they did was dig back, and they didn't have to dig very far because last week she did wear the outfit you're talking about, which is like a sky blue dress.10:36Speaker 1 She had a yellow bag.10:36Speaker 3 She was wearing lue batons, which obviously have a red bottom on them, and she was wearing a horse shoe necklace, and so people ripped into this outfit last week. Yeah, and then suddenly on Friday, when.10:46Speaker 1 I was like, wa, where can I buy that?10:47Speaker 3 And I can't afford it? But I thought she I thought it was a great dress. She was out for dinner with her family and friends. And though she has previously said she does an Easter Egg when she's like Easter Egg her personal life, she does Easter Egg through fashion all of the time. And people as soon as this Toy Story theory started kicking around, well like, wait a minute, was that hideous outfit we hated on Monday a.11:05Speaker 1 Toy Story five clue? Maybe?11:08Speaker 3 And then outside of that, there is also there's clouds in the background of her opal Aite music video, Greta Lee, obviously because of the Graham Norton show was in that music video. Guess what She's also doing voicing a character in Toy Story five exactly, and June five is the really.11:23Speaker 1 State of Toy Story five.11:24Speaker 3 It was also the really state of Tailswift's debut album, Whoa. So everyone's kind of gathered these clues together to decide that she is making his song for Toy Story five and that the countdown accidentally got set live early.11:36Speaker 1 Oh but does she do anything by accident that I'm not sure of.11:39Speaker 2 So if the countdown had been like real, it would have counted down to like Sunday five am ish our time, and then nothing happened.11:45Speaker 1 And nothing, but it did disappear.11:47Speaker 3 So I do have to wonder if it was like a phase test gone wrong. If it is gonna happen, I mean we'll find out. It doesn't seem out of the realm of possibility to me for like Taylor to be like, you know what, now it's time for a kid's music soundtrack.11:59Speaker 2 Yeah, I mean, look, she's exactly the right age to have a very nostalgic yeah, because like all elder Malone, like she's an elder millennial just like us.12:07Speaker 1 Maybe or not, but yeah, we're all in that same.12:09Speaker 2 Bracket where we'd like grown up with Toy Story and then that we had like the later Toy Story movies that hit us as adults, and now this next one that we know is coming up is really kind of hitting everyone. It's more for adults and kids, it's hitting us at the stage of our life where we're in wood.12:22Speaker 1 He's got a bald spots triggering for everyone.12:26Speaker 2 It's yeah, so May there's a world in which she's a secret Toy Story fan and she has a real affinity with this franchise she's growing up with, and like it's all the cool kids like Greta Lee's getting in on Toy Story and then you have like Tom Hanks coming back and all the voice cast, and yeah, it's the one thing that everyone wants a piece of at the moment in Hollywood, which is so crazy.12:44Speaker 1 It's a Toy Story franchise.12:45Speaker 3 And one thing we know about Taylor Swift is that she does love an award. And if she could win a songwriting award and get a little bit closer to being an Eagle winner, you just know she would love that.12:55Speaker 2 She's just had a rough run as that poor girl. When will anything go right for Taylor?13:00Speaker 1 When will she again?13:01Speaker 2 I know she was meant to be a shoeing for the Oscars for Cats, Yeah, because she When you write a song, you co write a song with Andrew Lloyd Webber for one of the like most enduring musicals of all time, yea, you should at least get a nomination and probably a win, And that song was lovely, and I'm sure she pictured herself up on stage the Oscar singing it. And then Cats were so reviled and so universally hated the fact that Andrew Lloyd Webber went and bought a dog. Man hated dogs.13:29Speaker 1 He's like it turned me. He literally said that the other day a dog person.13:33Speaker 2 Yeah, He's like, I hated the adaptation of my work Cats so much that I went and bought a dog.13:38Speaker 1 Like, that's how much that man is angry at And.13:40Speaker 2 So Taylor's missu and that, and then everyone thought she was going to get a short film for the nomination for All Too Well. And there's been a few other times her music has been in the mix for a possible nomination, but it just hasn't. It's the one thing that's eluding her.13:51Speaker 3 It is, and I do think like she's got her thinking cap on and she's like a sad song about Jesse the Doll. That's a Cowboys song that could do well.13:59Speaker 2 I mean, the thing is, it's it's a good plan. If that woman writes a banger for toy story for the next movie, then yeah she's in. Then that's a real hook for a Best Song nomination at least.14:10Speaker 3 Yes, and so that was sort of the like unseerious side, but I do believe in it.14:14Speaker 1 That was a serious side.14:15Speaker 3 Yes, no surprising thing. So something else that Taylors which is making headlines for at the moment is her name in relation to a billion dollar sale to do with Spotify. But it's kind of due to something that she did back in twenty eighteen. And the reason I want to talk about it is because I love her so much, but also she's going to get so many other artists and so many other like songwriters and people involved in production paid out as a result of something she did back in twenty eighteen. But basically Universal Music Group are looking at selling half of their three percent stake in Spotify. And that might sound small, but that deal could be worth as much as like one point four billion dollars.14:51Speaker 1 It's a lot of money.14:52Speaker 3 So basically a bid from Pershing Square came to Universal which was to like buy out part of Universal or to become an investor, and in order to do that, they wanted them to liquidate part of their Spotify shares. But then for some reason everyone's reporting that it's like independently Universal Music has decided to sell off part of their Spotify shares and that was announced in April, but at the moment, they're obviously looking to sell off the stake. And what that would mean, like why Taylor Swift is involved is that she negotiated a deal back when she signed in twenty eighteen and other labels were selling off their Spotify shares, she negotiated that the funds would be non recoupable.15:33Speaker 1 Hard work to say.15:34Speaker 3 Got to tell you what that means is, obviously record labels, like every other label that would exist in the world, when an artist makes money, part of that money goes back to their record label. But obviously in this case the record label would be selling something, they would be giving that money to artists, and Taylor Swift is blocking that money from ending up going back to the record label. Oh and so the reason that she did that was because, as we know, Masters were a really big deal to her. She universal in twenty eighteen, and the reason she left Big Machine Records is she wanted to own her masters, like to own her own work, and the only way that Big Machine were willing to do that was if she gave them all one for one deal. So every time she gave them a new album, they would give her back ownership.16:14Speaker 1 Of one of her older albums.16:15Speaker 3 Oh, and she was like no, and didn't really trust Scott Bourschetta. And I think as well. She'd signed on when she was so young, she was a teenager. Her family were really involved. She was one of the very first artists that they had at Big Machine Records. She's certainly their most successful and I think they tried to make her feel as though like she owed them this deal even though it wasn't beneficial or good for her, and so she walked away went to another music group. As we know, the Masters thing kind of carried on for years and at that time wasn't as well known. But in twenty eighteen it did become a big deal. Oh my god, Taylor Swift wants more money from Universal. And what she was actually doing was making sure that this deal would impact smaller artists and musicians. And she said it at the time, she was like, I see it as a sign that we're heading towards positive change, a goal I'm not going to stop trying to help achieve in whatever ways I can. But she was very honest at the time that she was on her sixth seventh album, and she was like, I can speak up and be a voice for change, but younger artists can't. And she was like, what is the point of me, essentially, if I'm not going to stand my ground and have these arguments with record labels and Universal agreed. So they were one of the first to do it, and it does mean now when they're doing this sale, all of these other artists are gain and benefit massively, and I do think it's a testament today Swift. And I know a lot of people talk about her being a billionaire or like money grabbing, and at the time this deal was viewed very much as like, oh.17:35Speaker 1 She's just out for herself.17:36Speaker 3 But I do think she's one of those rare people in the music industry who isn't even though yes, she's going to benefit too, she does want other people to not go through what she went through.17:46Speaker 2 That's interesting thing because and I've said this before public on the podcast, So whether it's wrong or right, is that sometimes I feel like when she takes in the past, she has taken these big stands, it often kind of comes across like people really rally around her and celebrate her for some of the things she's done or when she said, but a lot of them. It sometimes feels like she just weighs on an issue when it's going to benefit her, and she tries to make it a universal thing. She's like, this man said this, you know, inappropriate thing to me, which also fair enough to be upset, and she's like, I'm going to take a stand, and everyone kind of rallies around her, and yeah, it's like, you know, oh, women's rights are that sort of thing. But at the same time, when you actually look at it from like a like a higher lens and kind of float above it, you're like, that was that was.18:26Speaker 1 Just for you.18:27Speaker 2 And saying the master's thing where I think for a long time there where she was like everyone felt like they were swept up in this big movement of like Taylor Swift getting her music back and it was this huge thing and it felt like a communal win every time she did it. But if you actually again looked at that, it was like, oh, no, it's just it's her, Like obviously.18:43Speaker 1 People are not. Everyone's going to own their masters. Yeah, and also like that's nice.18:47Speaker 2 It's like, you know, to feel good about what your favorite artist does and to feel involved in that, and I know that was a real sense of community around the Swifties. But then at the same time, yes, it always kind of felt like, oh, she'll speak on it, but only if it kind of comes back to her. But then I guess over the years she has kind of tried to, like when she spoke about politics and you know, tried to endorse like a different candidate, and she was like very aware that was like a bigger thing than her then. And I you know, obviously I know how much money she gives away and all that sorts of things, but you know, if you want to get on the weeds in it, it's kind of always felt like and that's what I hear a lot of you know, fans talk about the fact they love her music, but they wish she really stood for something.19:23Speaker 1 Outside of herself.19:25Speaker 2 But then also because of her branding and the way she kind of puts herself as this kind of like very inclusionary person, we all obviously expect more of her than other artists, particularly male artists. So it's a very weedy path. So you're kind of telling me that this was on because when I first heard of this, I only heard of it really top line, and I thought it was once again a thing of Taylor's lived coming out and like making sure that she has a win, making sure that she has her money, making sure that she's protected, and that being her first kind of priority, and then as a default, she's pulled other people in with her and she's being like overly celebrated. That's what I thought, But you're that that's not correct.20:01Speaker 3 Yeah, Look, my perspective on it is as you kind of said, there's been times like the Master's thing when she was releasing the Taylor's versions of albums. I liked it because I got new songs. Oh yeah, yeah, which I know, so fair enough selfish.20:12Speaker 1 And like fun as as fifty it was like.20:14Speaker 2 Transactional, like an artist you like is putting out content that you're willing to, like essentially buy the streaming and stuff.20:20Speaker 1 That's fair, that's just how business works.20:21Speaker 3 Yeah, But I very much saw that as like she did that because she it was personal to her.20:26Speaker 1 She wanted to own her own art.20:27Speaker 3 That's great, but it wasn't necessarily, like you said, the big moment that a lot of people built it up to be where everyone was going to benefit or everyone was going to succeed out of this. I do think though, when she did make this decision, there was a lot She actually received a lot of backlash at the time because she'd also previously like she took her music off of Apple Music in twenty fifteen. Yes, I remember that, and it was a whole big deal because Apple started doing like free trials essentially, and Taylor was like, well, how are people going to get paid if you're doing free trials? So then she took her music off temporarily, and then Apple agreed to still pay the artist despite the free trial periods, and she.21:02Speaker 1 Went back on.21:02Speaker 3 And I'd always taken her music off Spotify in twenty seventeen, like, so she'd done it a couple times in.21:07Speaker 2 Order, and I know those were framed if she was like, this doesn't make a difference to me, I'm doing this for other artists. Yeah, But was some part of it also because she's a business woman, and you don't become a billionaire without being very conscious of like keeping your money and making sure you're getting like squeezing money out of every little area that you can, like that's how you become rich. So was they also a part of her that was like I need to protect my own money, even though I don't need to at this stage, it's still money I'm losing. And then by default I will pull like I will help other artists out, which I'm sure the artists getting the money they don't care that she did it for herself and they're a byproduct.21:40Speaker 1 You'd be happy to take it.21:41Speaker 2 But it's just so interesting we always have to like she's a billionaire, and everyone still has to be like we have to protect the downtrodden kind of, you.21:49Speaker 3 Know, like yeah, yeah, And I do think at the time, like, for sure, those decisions like with Apple and Spotify in twenty fifteen, twenty seventeen, definitely we're about protecting her assets and all of that. I do think the decision in twenty eighteen to sort of negotiate all of these terms with Universal because that wasn't the only agreement that they came to. But I do think that had a lot to do with the way she was feeling taken advantage of with big machine records. Yes, and yes, that is a lot to do with herself. But I do think she looked then at that point in time, this is like after she's been canceled. This is when people are hating her guts, and I do think she started to look more. It's also when she's getting to like reputation. That world tour was at the time the highest grossing tour of all time, Like it was a big deal in North America. So I do think she was at a very successful point, but also at a point where she recognized that she had a bit more power than she'd ever had before and finally got to negotiate something and look back at how she'd been treated by this independent record label and just wanted to do something that protected people. She's also had the same band her whole career. She's worked with a lot of the same production team, same songwriters, same people in her camp the entire time. And while they're really well taken care of, I think she also sees that like not a lot of people are, and she's about like when she was a songwriter back in Nashville, she would be in these like communities and people would be talking about how they got money from people buying like a Faith Hill song that they had worked on one time, and so she was like, that doesn't happen anymore. So I want songwriters to be better paid. It basically all came down to the whole songwriting element of how she sees herself rather than like the big pop stars and stuff. Did she benefit absolutely, and do people often yeah, compliment her when she does something just for herself and it ends up benefiting others.23:28Speaker 1 Absolutely.23:28Speaker 3 But I do think in this instance, like it is going to help a lot of people put food on the table and also remain in the industry a bit longer when you have deals that actually support the lower down people in music.23:40Speaker 1 And like I guess in terms of musical.23:42Speaker 3 Billionaires, I'm glad at least one of them is doing something better than other people.23:45Speaker 1 Yeah, exactly.23:46Speaker 2 And that's the thing I don't like when people like, look at Taylor Sitch and has to do these extremes of like she's a superhero, she's a super villain. Like, yeah, it's a bit in the middle. It's a bit in the middle. Like do I think anyone should be a billionaire?23:56Speaker 1 No? I don't.23:57Speaker 3 But also I do think she donates a lot of mine. You see it all the time. She doesn't come out and go look I did this, Like random charities will be like, hey, she just gave us a million bucks and you're like, oh sick.24:07Speaker 1 Yeah. Yeah, Well, and you know the good news. I guess out of this might takeaway. She might have some sweet toy story.24:11Speaker 2 Money coming in. She might look she'll never be shy I of a dollar, Taylor Swift. But hey, maybe she'll help some people along the way. Well, we're still very much in the devil Weares prior to two weeks. The movie came out last week. We've got a special episode coming up this Friday about it. The movie, So it released this weekend. We're like number one at the box office across the world, as we thought it would be. Apparently it's going to go even further than projected with like the money it's making here the box office, because people are going to see it multiple times. And I love that and hopefully I don't know what it's going to take for studios to take notice, because it's like we have Barbie Breaks all the box office records, Wuthering Heights, love it or hate it, Women just wanted to get dressed up and go with their friends.24:48Speaker 1 Yeah, did amazingly crush the box office.24:52Speaker 2 And now the same thing, women are getting dressed up going to the movies.24:54Speaker 1 Like guys, are we seeing a pattern here? People like the movies.24:57Speaker 2 It's almost like women want to go and see women's stories at the movies.25:01Speaker 1 They can get dressed up and have a goddamn cocktail.25:04Speaker 2 Anyway, So, as we move through Devil Wears Prider Week, and I'm having a great time with everyone who's coming out and would work to share their thoughts and feelings and everything, something very interesting has happened, something historic. I would even go as far to say the real inspiration behind Emily Charlton, a character in the Devil West Prata who has been in three of the books and also now the two movies, the real woman behind her has come forward for the first time in decades. People have tried to work out who she was for years, and I'm sure people in the fashion and magazine industry knew, but she herself has never come out and said anything until now, until the movie has come out and so well received it to be said, there's a straight line there. So Leslie Freemar, who is a celebrity stylist and has been in the fashion industry for many decades, went on the Vogue podcast and talked to editorial director Chloe Mao because when Anna Wintle vacated, she wouldn't let anyone else be the editor of Vogue, said, she's the editorial director, but she is running the day to day operations at Vogue now as Anna win talk kind of move has moved into a more like overseeing role. And so she interviewed Leslie, and I know you've listened to this multiple times, right, this interview. Yeah, I couldn't get enough of it. I listened to it twice as well. It's been the thing all my group chats are talking about. And it's interesting because it wasn't supposed to be cutting in any way, but if you read between the lines.26:26Speaker 1 Oh yeah, there's some cutting lines.26:28Speaker 2 It's a bit of a savage story about Lauren Weisberger. So if anyone doesn't know, Lauren Weisberger is the author of The Devil Wears Prata and the sequel, The Devil Returns.26:37Speaker 1 And everyone keeps saying that this is the second book, but actually the.26:39Speaker 2 Third, When Life gives You Lu a Little, When Life gives You Lulu Levin's Crazy, which is Emily's story of her leaving Miranda and like getting pregnant and moving to the suburbs and like breaking up with her husband. It's nothing like the movies. Yeah you've said that. Yeah, I've not read this book. And then so here's the Lauren Weisberger that she was Anna Wintour's assistant well over many decades ago now, and she lasted about eight months in the second assistant chair, and we now know that Leslie was the first assistant at the time. So when she came on to do the podcast with Chloe, Chloe sort of says to her, like, why do you think you're the real Emily? And she's like, I don't think I know. And as she tells her story, it's interesting because Vogue was going to have a panel with past Vogue staffers that all could have been the Emily and they were going to sort of like have a discussion. And then Leslie, who doesn't really do anything like she works with celebs, and like, yes, she's Charlie's.27:33Speaker 1 There on style, Yeah, and she's style a lot of.27:35Speaker 2 Red carpet looks and things like that, but she's on a public face. And she had to sort of call Chloe and say, hey, I'm happy to come and talk and help.27:42Speaker 1 But it's going to be.27:43Speaker 2 Really clear if we all get on stage straight away that it's me.27:46Speaker 1 Yeah, that it's definitively me.27:48Speaker 2 I sat across from her, I said lines that are in the book, I know it's me, And so that idea is going to fall apart pretty quickly. And Soe said that she came on the podcast, Ye did you have a favorite reveal from Leslie? Although there was way too many, but I do think the clearest one, or like the best one to me is how she found out about the book. And also that's the clearest one that obviously, yes, the book was written about her, because even Anna Wintor knew the book was about to tell her. So can I tell the story please people who haven't listened. So obviously wide ranging podcast really really good. But in this part, she says she had moved on to be an assistant in a fashion department and then she gets a call from then Anna's new assistant to be like Anna needs to speak with you, and she was like, Anna never needs to speak with you, and also never needs to speak to an assistant. So she hustles on over there and Anna Wintour asks her who is this woman?28:38Speaker 1 Like who is this lady?28:39Speaker 3 And she's like, that was your assistant, and Anna Winter was like, I don't even know.28:43Speaker 2 Her, has no idea, Well, she has a lot of different assistants, and that she was only there for eight months, and I'm sure maybe she'd seen her.28:50Speaker 1 She would have, yeah, but she.28:51Speaker 2 Called her and she was just like, who is Lauren Weisberger? And it was so funny because Grace Cottington, who's a really famous Vogue editor who worked really closely if Anna and that team, wrote in her own book that no one could remember Lauren when brutal so focused so funny about it. She's like, none of us could picture this, and she's like, I guess Anna's assistants were always, you know, just these bobbing, faceless heads outside her office that you would talk to. But like, Leslie is really the only one who has any memory of her.29:20Speaker 1 Yeah.29:21Speaker 3 And so it's obvious enough when Anna has read this, you know, the initial draft of the book to her that the Emily character is Leslie, because she calls Leslie into her office asks her who Lauren is, and then Anna Wintour says, oh, she's written a book about us, and you come off far worse than me.29:36Speaker 2 That is the interesting thing that Leslie says in this interview, is that they received the galley, which is the very very early stages of a book where things are subject are changed, and she said, she it's so funny, Chloe. He's like, did you run outside straight away and read it. She's like, no, I had to back and do and finish my work. And I was like, life, Emily, I mean maybe because she's like, we probably had a big shoot that day.29:58Speaker 1 That was me.29:59Speaker 2 I would have run straight to some hidden corner and I would have read that book under my desk all day. She said, she waited till she got home at night. Okay, if you've got more will power than me, and she said the first iteration of the book was so mean and much more true to life, because what she's saying has happened is that Lauren took a writing class and they said write what you know, and apparently she wrote it as a memoir, and then they wanted to fictionalize it, and then the fictionalized version was really really mean to everyone who worked at Vogue Tour, to the Leslie character who became Emily, and then the editors who worked with her toned it right down to the book that went on the shelves. The Devil Wears Prada, which is interesting because that book does skew very not mean, but it's like the Miranda Priestley character.30:43Speaker 1 Have you read the book?30:44Speaker 3 No?30:44Speaker 1 Oh, okay, I wouldn't. Sorry, no, I wouldn't invite.30:48Speaker 2 If you're going to read a Lauren Weisberger book, I've got I've got a better recommendation. She read, She wrote some good books. She writes a fun book to have by the pool on holiday. I've read, Yeah, like Last Night at Chateau my Mond chasing Harry Winston. Yeah, The Devil is proud of Like the idea is good obviously because it went on to spawn this incredible thing. But the plot's a bit thin. There's no memorable one liners, Like, it's not a witty book. And also the character of Miranda Priestley is like a caricature. Yeah, all the layers that she has in the movie don't exist in the book.31:21Speaker 1 She's just a nasty woman.31:22Speaker 3 Well. I found that interesting because Leslie said she was able to watch the movie and she found the movie really enjoyable. She was like, it's really glamorous, but there's more like empathy and the people are more well rounded than we saw in that initial galley and then even in the book that got published, Like, that's crazy to me that you can know that this is about you and you see it is really mean, but then you see the on screen portrayal and like, yeah, you like Emily and you like Miranda. I don't have way more nuance than I'm guessing they have in the book.31:47Speaker 2 No, in the book, they just kind of mean girls. Like, yeah, I mean Emily and Andrea hang out a little bit more in the book, but she's still pretty mean to her. And like, yeah, the Miranda character is very kind of just like she's a nasty person. Yeah, she's just like this little talk about her being this little bird like creature, which I guess is very Anna Wintle coded who just like stalks into the office. Yeah, they make a lot of there's a lot in the book about what There's like a whole chapter devoted to what she eats, which apparently is also very Anna winto because she likes steak and potatoes and Starbucks and ice cream. And that's a huge cry in the book. So sometimes Lauren Weisberger was I think just typing out her day. But the end is very different, Like it still ends with Andrea like walking away from her, but there's no nuance with Miranda having like that breakdown scene in the hotel room, like that's to the movie with the no makeup where she kind of like drops the facade and there's no like, you know, Andrea, everyone wants to be out.32:36Speaker 1 It's like this is the sacrifice.32:37Speaker 2 It's just her screaming at her, yeah, and just screaming at her. And then it's like very anti climactic with Andy like calling the office and being like can I still get my flight home?32:46Speaker 1 They're like, no, I'm not going to leave you strand there.32:47Speaker 2 You can get your flight home, and it's just like, oh, kind of anticlimactic.32:51Speaker 1 Yeah. The end.32:52Speaker 3 I do think it's really interesting, like, oh forgot The whole thing is so interesting. But one of the parts that made me go, oh, you are Emily is that Leslie explains like the Lauren person slash Andy character, and she was like the reason that I found it like interesting in the book is like I don't remember Lauren ever being a star on the rise. Yeah, but she's pretty much like that didn't happen. And then she explains like Lauren probably thought I was a bitch because I had to do her job for her because she was and she's like she was probably just sitting around writing her book, I guess, but she pretty much is like that girl never did her job and hated it there. And so yes, I used to snap at her because she wouldn't do her job, and I was like.33:29Speaker 1 WHOA to me?33:30Speaker 2 That was the most telling moment from this revelation from the real Emily from the Devilwars Prider. And can I say I've talked to a lot of people who have listened to this interview, and a lot of people have said, like, she comes across as classic Emily. She comes across as a mean girl for saying that, And can I just say team Leslie on that one.33:46Speaker 1 I thought classic Emily in a good way.33:48Speaker 2 Yeah, they're saying she's too mean, Yeah, that she was being mean about Lauren. Everyone closed ranks against Lauren when she wrote this book, to the point where that's why the company line is like we don't know who Lauren Weisberger is.34:01Speaker 1 And the Devil Wears prior like the first.34:03Speaker 2 Premiere, the one that was in New York, apparently, you know how like they have a host camp on stage and kind of greet everyone a paving. The host was like, you know how they got round the room like this person's here, this person's here. They were like Anna Wintour is here, as is the author of the book, and no they're not sitting together.34:17Speaker 1 And everyone was like whoa because they were in the same room. But also, I have this now.34:22Speaker 2 I think that this has been scrubbed from the internet, but I swear to God I read this quote when The Devil Wears Pride. It came out, but I've gone to look for it so many times and I can't find it. So I think that it was written in a magazine and it's been destroyed. Yeah, but I swear to God that Meryl Streep in an interview, they asked what she thought of Lauren Weisberger and she was like, if I was her, I would have spent more time learning from Anna Wintour than writing a book.34:45Speaker 1 That's just me. Now.34:47Speaker 2 That is not maybe not the kind of thing Meryl Street would say, And maybe I'm paraphrasing, but I feel like she says that in an innuay you have like.34:54Speaker 3 A pretty what is you don't have like a photographic memory, but you have pretty similar.34:58Speaker 1 I have a photograph of memory for so things.35:00Speaker 2 Yeah, yeah, that'll help me in life. But I swear to god, I read that quotally magazine. Yeah, and some person obviously didn't upload it to the internet or it was it's been screet internet.35:11Speaker 1 But I feel like that was just the vibe.35:12Speaker 2 But yeah, I was very much on Leslie's side because she really cared about fashion. She talked about the fact that she had come from Canada and she had really had to fight her way into this job, and she was working like all that stuff you see in the movie about she was told she had to be in the office at seven point thirty.35:29Speaker 3 She moved closer to the office so she could be there on time and stay late.35:33Speaker 1 I was sleeping in.35:33Speaker 2 That office, so she had to be there at seven thirty in the morning. Yeah, with all of Anna's like books and papers, all that stuff you seen the devil was part of them. Putting him in a fan on her on her desk is all real. And then she had to wait around for the book again things we know from the movie. She had to wait around for the book till like ten o'clock at night, and so she's working these crazy hours she gets promoted to first assistant. They she hires Lauren Wiseberger, who has come from a very prestigious university and is very educated. This is sorry, I mean we know that that's a fact. She did come from a prestigious She was in the ivy leagues in America, so like super educated. And she said, from the moment Lauren got to Vogue, she was just like, I'm too good to be here, yeah, and I don't want to be here. And she had and she said she just wouldn't do her work, and so Leslie had to do all of her work for her. And that's where the resentment grew. And that's where the character of Emily from The Devil Wes Pridact came from her resentment.36:25Speaker 1 And I'm just like, if you've worked in a creative.36:26Speaker 2 Industry, everyone knows that feeling of having to do the work for someone else. Yeah, but there's no way to kind of track it a lot of the time publicly. Yeah.36:33Speaker 3 And it also reframes because she says, she's like, I absolutely told her a million girls would kill for this job, yeah, And like it reframes that to an extent too, Like she is of the opinion that Lauren's come in just to write this book and was wasting time and not doing her job, And it's like, yeah, you probably would say something.36:48Speaker 1 To that effect if you're at Vogue at.36:50Speaker 3 That point in time too, Like insane budgets all of that, So many career opportunities, which there still are with Vogue of course.36:57Speaker 1 But like the more that it's changed.36:58Speaker 3 At that point in time, that was the place to go if you wanted a career in journalism. You could get anything, and like Meryl Streeps or alleged quotes saying if you put in me with.37:08Speaker 1 The Meryl Streeps slander, will they even say? Like in podcasts?37:11Speaker 3 The first assistant before Leslie moved up went on to become the entertainment editor at Vogue it for years and years and years and is a very successful and respected journalist. Like you, Yeah, you could build a career off of being that assistant.37:24Speaker 2 I think back then that was the job one hundred girls would kill for and it probably still is. Yeah, Like I know it still is, Like Vogue still carries a lot of weight, and being an assistant is how you get into that pool. So I think that was Leslie's kind of like and we see that dynamic in the book, but we see it in a different way from Andy's perspective, which is Lauren's perspective of her just not coming into this, like what she's thinking is like a plumb job and not doing any work, but like secretly writing her book under the desk, which is the allegation that Vogue has not been able to prove. And also Leslie also said that she took a writing test for Vogue and was rejected, which is in becau. Lauren Weisberger had some writing published in Vogue recently interesting and everyone was like, look, the woman.38:04Speaker 1 Who was turned away from Vogue.38:06Speaker 2 All she had to go do was write a tell all memoir that gets turned into iconic film series and she finally got in.38:11Speaker 3 It's also kind of interesting then that like a subplot of The Devil wes Prata too, is the idea that Andy might write a tell all memoir.38:18Speaker 1 Okay, that was.38:18Speaker 2 Such a quote when I went and saw because I saw that first part of the movie before I went and did The Devil West prior of interviews, and in the theater I was seeing there was like four other journals. I went because I'm like, that was such a Lauren Weisberger burn Yeah, where they were like, what is she going to do? Go write a tell a memoir about her boss? Ha ha as if that's the worst thing you could do. And I was like, that is literally why we're all sitting here, Yeah, because someone did that. But it's kind of become like, it's interesting because Anna Wintour like could have come out of all of this looking like the villain, but she's come out looking like the hero because everyone's like, we love Miranda Priestley, we love Meryl Street, we love this movie, and by default, we love and a wind Tour for being a part of this and that's why she's lent into it. And then Lauren Weisberger has become the kind of like, obviously she's published so many books and she's doing really well, but she has kind of become the punchline when she was initially set up to be the hero, which I find so interesting. And I just find like Leslie's perspective on Anna so different from someone who was just came in with like kind of no emotion, very ambitious because she talks about the fact that Anna was like very much like no personal chat. We're all here to work, and she works like that and she's very comfortable in that setting.39:28Speaker 1 Can't relate to that, can't relate but I love that story she told where.39:33Speaker 2 So Leslie who was giving the interview, the real Emily is from Canada, and so she was being sponsored by Vogue, a biolized Clark that's a fake company by Conde, asked to work at Vogue. And she got a call one day from the Vogue human resources team to say they were no longer sponsoring anyone, so they weren't going to like do her next visa, and so she basically had to leave the country and lose her job. And she said that she was just hysterically sobbing, something she's never done before, but she was so upset and fair enough, and she said that An she didn't know Anna was going to be in the office that day. All of a sudden, Anna Wintour walks in and I don't know why this is so funny to me. She's like, Anna was clearly uncomfortable, and she just walked away. She just walked into her office. But then she waited a few minutes called her in and I love how Leslie did her. Anna Wintour's voice she said she tried to like kind of do like half a British accident.40:19Speaker 1 She was like, Leslie, why are you crying?40:21Speaker 2 Looks so angry, but also just like can't not angry, but just like so flabbergasted that someone in her office would be showing emotion. And so Leslie told her and she was like, Anna Wintle' was like, oh my god, go sit down and stop crying for God's sake.40:32Speaker 1 And then Anna Wintour just called.40:34Speaker 2 All of a sudden, this man appeared in the office who's like the head of human resources.40:38Speaker 1 And Anna Wintour is like.40:39Speaker 2 Ci, my assistant is crying, and in her head, she's like and that's the worst thing anyone could ever do.40:45Speaker 1 In front of me.40:46Speaker 2 She's like, can you please just get her a visa? Just go and sword it. And he's like, yeah, that's fine. And so she got to stay in America. And now she credits this whole huge fashion career that she's had to Anna Wintour just telling her to stop crying.40:57Speaker 3 And fair enough, It's like, yeah, I do think I thought the little insights were interesting. It's also so interesting because Chloe's the one interviewing her. Yeah, and Chloe, like everyone who is online and has seen the pair of them together in recent interviews, is intrigued by the Chloe Anna relationship and like.41:12Speaker 1 Oh, I don't know. I want to from Chloe so bad.41:15Speaker 3 Yeah, and like little things right, like Leslie was like, well, you can't ask her questions and Chloe's like yeah yeah, and then then.41:21Speaker 1 She's like I'm living that in real time. It's like real And.41:23Speaker 3 They're talking about like the book and like the little like wheel seas, which was apparently like little posters or like seams, which was little posters that Anna would put on to be like email this person, tell them to come see me.41:33Speaker 1 I don't like this bro. Little things like that.41:35Speaker 3 It was so interesting to see like Leslie talking about a career she had twenty years ago and Chloe talking about the career she has now and then both just relating to like Anna's anaysms, but also revealing that like a lot of the things don't come from Anna herself. Yeah, that was interesting. They were like, she's not the one who says you can't take bathroom breaks. It's just like something that's been passed down.41:55Speaker 1 Yeah, it's been passed down. Yeah.41:56Speaker 2 The other thing I thought was really interesting was a reveal that came right to the end, and it was the question that Chloe asked her, which was like, have you have you who plays Emily and The Devil Wears Prata? Have you ever met Emily Blunt? And the answer was yes, because of course she's a celebrity stylist, so she's in that world. And she even Leslie said she always thought about what she would say if she ever met the person who had played her on screen and turned her into this iconic character, even though no one knew that she was the real Emily. So she said she was at a dinner one night at a mutual friend's house and she was like, this is my moment. Emily Blunt's right there. We're on this, We're on even ground. I'm not coming up to an event, We're at a mutual friend's house. We're both here as equals. And then she said to her as they were chatting, I just need to let you know that I am the real Emily. And to be so fair a Leslie, I would have done the exact same thing.42:44Speaker 1 Who wouldn't You're telling Emily.42:46Speaker 2 Blunt that her most iconic role, her first big role, that blew up her career is based on you. I would have dropped that and just been like, like, she she's gonna lose her mind. And apparently Emily Blunt couldn't care less. She said oh and just like went on with the conversation. Now did she not hear her or have so many people in the fashion industry said things like that to her before trying to have an in with her? She was like, oh, or was she maybe like and maybe like alarms went up and she was like, Oh, is this woman gonna say to me at my friend's house like she didn't like my portrayal because she plays her really nasty in a funny way.43:21Speaker 1 Is she gonna like.43:22Speaker 2 Ask me, you know some sort of like inside a question? Does she know something? She worked with the woman who wrote this book and like everyone I know doesn't like that woman, like it was a lot so or does she just is Emily Blunt so cool? She just genuinely did not care.43:35Speaker 3 I feel like Emily Blunt just doesn't care. I really like it, but sometimes intrigues me.43:41Speaker 2 I can't believe that because if you met any person, like if you met the person who was the real person behind a role you played as an actor.43:49Speaker 1 Wouldn't you be interested in that? I ignore people would Yeah, I know.43:53Speaker 2 Some actors don't like to meet the person because they don't want the lines to be blur, they don't want to feel like they can't show them in their worse or they don't want to sort of like do a parody of a person. Yeah, but like that shit is sailed like she did it for the first time twenty years ago. Yeah, Devil was prior to too, wasn't filmed at the time. But also there was no inkling that Devil's product she was ever gonna happen. Yeah, I just want and I'm sure someone will ask Emily Blunt the next time she does a lot of press, and I'm so interested in her answer that. Yeah, it's almost like you feel bad for Leslie.44:22Speaker 3 Like it would have just been at least nice, Like as much as I think she people really like the Emily character and stuff she does.44:29Speaker 1 Speak about it at the.44:30Speaker 3 Time, like people in the industry all knew that it was based on her and her being really scared of how she'd be perceived or if she'd be hired again, or what would happened to her career based on this version of the history they went through together. And she also says like Lauren never called her, Lauren never gave her a heads up, like they have not spoken since, so it's not like how Andy and Emily got along in the end. That's not what has happened here. So she's kind of gone through that never outed herself, goes up to the woman who played her, thinking, oh, we can at least have a nice discussion, and she just.44:56Speaker 1 Gets like kind of ghosted. I don't know that would suck. I think Emily Blunch probably reconsider talking to her about that.45:04Speaker 3 Well.45:04Speaker 2 It's such an interesting interview, and we'll link the whole thing in our show notes.45:07Speaker 1 Because we've only sort of scratched the surface. There's a lot more in there. So good.45:10Speaker 3 Thank you so much for listening to The Spill today. Don't forget to follow us on socials. We will pop all of the links in the show notes. We will be back in your feed bright and early tomorrow morning with morning Tea hosted by Ash London. The Spill is produced by Minisihaswarren, with video production by Michael King.45:24Speaker 1 Bye Bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Cats: The Jellicle Ball is now open on Broadway! It's a new telling of the classic Andrew Lloyd Webber musical, but set in the world of Ballroom. On this episode, Paul Wontorek chats with three legit legends - Junior Labeija, a legend of ballroom. Ken Ard, an original Cats legend. And André De Shields, a true Broadway legend.

Zhailon Levingston joins the show to discuss his incredible trajectory from selling concessions in Broadway houses to becoming the youngest Black director in Broadway history with Chicken and Biscuits. He dives deep into the "cosmic synergy" of his career, explaining how a chance meeting at a concert led to a Broadway debut and how he managed to stage a production during a global pandemic by building a set literally on top of another show's equipment. Zhailon also shares how his ADHD serves as a creative asset, allowing him the high capacity and patience required to lead a room as a director. The conversation centers on his current hit, Cats: The Jellicle Ball, a production that marries the legendary score of Andrew Lloyd Webber with the vibrant, radical joy of Ballroom culture. Zhailon explains the meticulous process of ensuring authenticity while moving the show from a downtown "happening" to the Broadhurst Theatre. From the "human spectacle" of live performance to the profound connection found in "chosen families," he illustrates how this reimagining invites a multi generational, cross cultural audience to see themselves in the poetry of the text. Zhailon Levingston is a director, writer, and activist who serves as the Artistic Director of Inheritance Theatre Project and sits on the board of the Broadway Advocacy Coalition. In addition to his historic work on Chicken and Biscuits, his directorial credits include the Obie Award winning Cats: The Jellicle Ball at PAC NYC and the acclaimed Table 17. He co created the Theatre of Change course at Columbia University School of Law and has served as a resident or associate director on major productions including Hadestown, Tina: The Tina Turner Musical, and Reconstructing. Connect with Zhailon: IG @zhailon Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Inspired by our rolling world premiere of Lady Disdain by Lauren Gunderson (a modern rom-com set in the world of romance publishing), we decided to get a little dirty and talk about our own guilty pleasures. No apologies, no filters.  From sit-coms to Andrew Lloyd Webber to french fries and (GASP) preferring Love's Labor's Lost over Richard II, the team opens up about their own guilty pleasures, and why it's important to never yuck anyone's yum. 

We were honored to be invited to cover the Gold Carpet for the opening night of the highly anticipated production of CATS: The Jellicle Ball with VIPs from the film, TV, and Broadway industries along with the cast and creative team from the production. Hear us discuss the excitement for the opening night, changes from downtown to Broadway, and which Jellicle cat each celebrity would want to play. Featuring (in order): Co-Directors Zhailon Levingston & Bill Rauch, Associate Director Cooper Howell, Co-Choreographers Omari Wiles & Arturo Lyons, Costume Designer Qween Jean, Junior LaBeija, Leiomy, Ken Ard, Sherrod T. Brown, Garnet Williams, Bebe Nicole Simpson, Kalyn West, Jonathan Burke, Baby Byrne, Dudney Joseph Jr., Emma Sofia, Sydney James Harcourt, Nora Schell, Robert “Silk” Mason, Betty Buckley, Jacob Brent, Kevin Cahoon, Todrick Hall, Jess Val Ortiz, Lea DeLaria, LaChanze, Marti Gould Cummings, Jenn Colella, Olivia Lux, and Vanity LaVain. About the Production: Cats: “The Jellicle Ball” is a radical reimagining of Andrew Lloyd Webber's iconic musical based on T. S. Eliot's Old Possum's Book of Practical Cats, inspired by the Ballroom culture that roared out of New York City over 50 years ago and still rages around the world. Staged as a spectacularly immersive competition by Zhailon Levingston and Artistic Director Bill Rauch. Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠catsthejellicleball.com⁠⁠ Produced by: ⁠⁠⁠Alan Seales⁠⁠⁠ & ⁠⁠⁠Broadway Podcast Network⁠⁠⁠ Social Media: @⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

We've got a lot to celebrate this week, Spookies! Not only is it our very own Monica's birthday, it's also a Fifth Tuesday and the sneaky unofficial start to a new themed month — so of course we had to cover The Phantom of the Opera (2004). A luxe movie musical that captures the theatrical flair of Andrew Lloyd Webber's Broadway show and pairs it with the camp sensibilities of director Joel Schumacher, this flick practically jumps out of the screen when that first booming note hits. On a new Spooky Tuesday, we challenge you not to sing along as we talk all things score and book lore. References:https://www.cheatsheet.com/news/did-minnie-driver-and-emmy-rossum-feud-on-the-phantom-of-the-opera-set.html/https://x.com/driverminnie/status/1275219191323217920https://x.com/JohnTylerJRT/status/884599605601738752https://www.newyorker.com/culture/cultural-comment/how-to-explain-trumps-love-for-the-musical-catshttps://www.onstageblog.com/columns/2015/11/29/why-it-sucked-the-phantom-of-the-opera

The 1980 British song cycle, written by Andrew Lloyd Webber and Don Black, gets cycled through its many variants, performed by Marti Webb, Bernadette Peters, Denise van Outen and more.

Jamie and Chris convene from the palatial purple of Quincy Jones’ recording studio to tell tales of indentational trauma, BP garage psychogeography and also some games! Chris has been cutting people’s legs off in Halfsword and thinking fondly of Marsh Davies.Jamie has been rejoicing in Andrew Lloyd Webber’s crystal meth extravaganza Mewgenics.Chris has been playing [...]

Donny Osmond joins the "Follow Him" podcast to discuss the biblical figure Joseph of Egypt, a character he famously portrayed for over 2,000 shows in the Andrew Lloyd Webber musical. Osmond shares the spiritual promptings that led him to audition for and win the role, and he details the profound personal and spiritual connection he developed with the character. He discusses the powerful lessons he learned from Joseph's life about maintaining faith through extreme adversity, the importance of staying true to one's covenants, and the process of forgiveness and reconciliation. Osmond relates Joseph's trials and triumphs to his own experiences in his life and career, emphasizing the need to trust in God's plan and timing.YOUTUBE:https://youtu.be/k4GB3_BcALsFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookBook of Mormon: https://tinyurl.com/PodcastBMBook  WEEKLY NEWSLETTER https://tinyurl.com/followHIMnewsletter  SOCIAL MEDIA Instagram: https://www.instagram.com/followHIMpodcast Facebook: https://www.facebook.com/followhimpodcastTimecode:0:00 Introduction and Welcome1:29 Donny's history with Joseph - 2,000 shows over 6 years14:16 Who is Donny Osmond? - Background and bio16:40 How Joseph and the Amazing Technicolor Dreamcoat was created21:09 Donny's audition story - "You're my Joseph"23:57 The famous high note story with Andrew Lloyd Webber27:09 Meeting his wife Debbie - stealing her from his brother Jay29:41 Is Joseph one of the greatest stories ever told?32:12 Joseph's integrity with Potiphar's wife35:00 Donny's dark times and criticism in his career39:44 The coat, armor, and cup.45:10 Elvis Presley calling the Osmond home45:43 Family betrayal and forgiveness themes53:52 Living the character every night - "Close Every Door"59:09 Meeting prophets - President Kimball and President Hinckley1:00:26 Representing the church around the world1:02:30 Music's power to convey scripture and emotion1:05:10 Andrew Lloyd Webber's inspiration1:11:11 Personal stories and friendship1:13:19 The Masked Singer as the Peacock1:17:08 Joseph's complete forgiveness of his brothers1:22:31 Never compromising standards - performing for General Authorities1:23:44 Family activity suggestion - watch and discuss principles1:27:49 Final message - faith in turbulent times1:29:47 Closing thoughts on forgiveness and the AtonementThanks to the follow HIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesJamie Neilson: Social Media, Graphic DesignWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish Transcripts"Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com

Professor Michele Dougherty is President of the Institute of Physics and Professor of Space Physics at Imperial College London. She was appointed Astronomer Royal last year – the first woman to hold the post in its 350-year history.She was brought up in Durban in South Africa and studied for a Bachelor of Science degree in applied maths at Natal University. After completing a Master's and PhD she took up a fellowship at the Max Planck Institute for Astronomy in Germany where she investigated solar wind and galactic wind outflows.In 1991 she joined Imperial College London where she helped devise a magnetic field model for the Ulysses mission. In 1997 she became principal investigator for the magnetometer instrument on board the Cassini probe which was sent to study Saturn and its system.She is currently lead investigator for the J-MAG magnetometer instrument on the European Space Agency's JUICE mission (Jupiter Icy Moons Explorer) which launched in 2023. It will reach Jupiter in 2031 and spend at least three years observing the planet and three of its largest moons, Ganymede, Callisto and Europa.Michele was appointed CBE in the 2018 New Years Honours List for services to UK Physical Science Research.DISC ONE: Puccini: Turandot, Act III: Nessun dorma! Performed by Luciano Pavarotti (tenor), John Alldis Choir, Wandsworth School Boys Choir and London Philharmonic Orchestra, conducted by Zubin Mehta DISC TWO: Cello Concerto in E Minor, Op. 85: III. Adagio. Composed by Elgar. Performed by Jacqueline du Pré (cello) and London Symphony Orchestra, conducted by Sir John Barbirolli DISC THREE: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Composed by Tchaikovsky. Performed by Frank Peters Zimmerman (violin), and Berliner Philharmoniker, conducted by Lorin Maazel DISC FOUR: We Three Kings of Orient Are - Robert Shaw Chamber Singers DISC FIVE: Dancing Queen - ABBA DISC SIX: Dance With My Father - Luther Vandross DISC SEVEN: Franck: Panis Angelicus. Performed by Dame Kiri Te Kanawa (soprano), English Chamber Orchestra, conducted by Barry Rose DISC EIGHT: Pie Jesu (From Requiem) Composed by Andrew Lloyd Webber. Performed by Malakai Bayoh, Schola Cantorum of the Cardinal Vaughan Memorial School and London Mozart Players, directed by Scott Price BOOK CHOICE: The Lord of The Rings by J. R. R. Tolkien LUXURY ITEM: An assortment of wine CASTAWAY'S FAVOURITE: Cello Concerto in E Minor, Op. 85: III. Adagio. Composed by Elgar. Performed by Jacqueline du Pré (cello) and London Symphony Orchestra, conducted by Sir John Barbirolli Presenter: Lauren Laverne Producer: Paula McGinleyDesert Island Discs has cast many space experts away to the island over the years including NASA's Dr Nicola Fox, the astronomer Carl Sagan and the astronauts Tim Peake and Chris Hadfield. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.