Podcasts about waitress

In this week's restaurant podcast, Danny and I dig up memories of restaurants that have died out in popularity. Some have vanished all together. Perhaps one of the restaurants on our list sparks nostalgia for you. Take a stroll down memory land as we wonder, What ever Happened To… Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterThe Podcast is available on iTunes https://podcasts.apple.com/us/podcast/the-modern-waiter-podcast/id1445457201 iHeart Radio https://www.iheart.com/podcast/256-the-modern-waiter-podcast-31152300/, Spotify https://open.spotify.com/show/2WwXTEggjmNDh4rafHtO85 and on your favorite ways of listening to podcasts.More Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You guys wanna try something different?

Howdy! The energy this week is sure to make you laugh. Chris is a FATHER to a cute lil pup. We're both heading to another wedding soon. Do you cry at weddings? Jessie describes her ideal 40th birthday party, complete with all the magicians you could want, as well as her ideal wedding dress. Chris is recommending Woodstock 99, a documentary about a crazy music festival. Lady Gaga on Thursday, weeeee! Patreon? Costumes? We promise it's worth it.

What's in your apron? Veteran Server Robert (Cooper) Washek joins the show to share what he keeps in his apron. The common thread that ties all restaurants is the apron. Danny shares his apron secret and later on in the show we reveal what we do about separate checks and what can be done to stop guests from stealing our pens.Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterThe Podcast is available on iTunes https://podcasts.apple.com/us/podcast/the-modern-waiter-podcast/id1445457201 iHeart Radio https://www.iheart.com/podcast/256-the-modern-waiter-podcast-31152300/, Spotify https://open.spotify.com/show/2WwXTEggjmNDh4rafHtO85 and on your favorite ways of listening to podcasts.More Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cheryl Hines has been displaying her comedic chops for 11 seasons of HBO's “Curb Your Enthusiasm, earning her critical acclaim and two Emmy nominations. She's also known for her work in the feature film “Waitress,” the sitcom “Suburgatory” and most recently, the second season of “The Flight Attendant.”  Hines utilized her talents behind the scenes, producing the television series “Campus Ladies” and directing the film “Serious Moonlight,” starring Meg Ryan and Timothy Hutton.  She's also a member of one of America's most well-known political families, as the wife of Robert F. Kennedy, Jr.   Cheryl Hines and Alec discuss how Cheryl found her way to acting, what it's like to work with the one-and-only Larry David, and how she's changed since meeting her husband.See omnystudio.com/listener for privacy information.

Man tried to outrun police on a stand-up paddleboard, Waitress explains why she will always hand the bill to the man, The Noah's Ark attraction in Kentucky are suing their property owners insurance after damage from flooding

In this week's restaurant podcast we continue with part 8 of our restaurant movie series. This time it is Bradley Cooper's 2015 Burnt. Do watch the movie prior to listening to the podcast or expect heavy spoilers. This restaurant movie focuses on the back of the house with the chef centric pursuit of perfection.Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterThe Podcast is available on iTunes https://podcasts.apple.com/us/podcast/the-modern-waiter-podcast/id1445457201 iHeart Radio https://www.iheart.com/podcast/256-the-modern-waiter-podcast-31152300/, Spotify https://open.spotify.com/show/2WwXTEggjmNDh4rafHtO85 and on your favorite ways of listening to podcasts.More Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Do you believe in yourself? Viv Groskop talks to the musical theatre performer, Marisha Wallace, best-known for roles in Something Rotten, Dreamgirls, Waitress and Hairspray. Marisha tells Viv that she was drawn to London six years ago for work and has never left, enjoying the freedom it's given her to try different roles. She explains to Viv why she resists the ‘strong Black woman' stereotype and that it's ok not to be a superhero. Marisha nurtures her confidence by drawing on her spirituality, while leaving the more constraining aspects of the religion she was brought up with behind. Viv and Marisha reflect that bravery is feeling your insecurity and fear of judgment and putting yourself out there anyway. Find out more about Marisha Wallace on her website. A new updated edition of Viv's book, How to Own the Room is out now. @vivgroskop

Cooper joins us for shift drinks. I am cleaning out after the Vegas trip. Danny and Cooper talk about their day over a couple of drinks.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pre-Roll Commercial – Geringhoff – head of the class no matter the cropWelcome to a Farm4Fun episode Share their ideas at farm4profitllc@gmail.comThe listener review today is brought to you by ………… 443-252-xxx area code text YOU can now text or leave us a voicemail – 515.207.9640 Stephanie Nash @stephanienashmusic. Creator of the “Life of a Farmer” - YouTube Who is she? Where is she from? What's her family look like?Singer Songwriter from Nashville, TN4th generation farmer from Central CaliforniaWhen I left for college, I stopped writing music, I focused on agriculture, traveling and being an advocate for the farming community. The year I turned 20 my family decided to move to middle Tennessee and keep pursuing our love for the Dairy industry.Farms during the day and sings at nightHer music is inspired by 90's CountryAgvocateHas been on the news for interviews a lot!!!!Be curious about what it's like in NashvilleGarth Brooks documentary reflectionLife of a Farmer BrandYouTube“Time Changes – Life of a Farmer” seriesMerch“Save Family Farms”Has your music business seen benefits from TikTok?Any time for other Hobbies or collections?Best ag SWAG gift you have ever been given or gave away?Coolest guest or person you have ever met?Do you guys have any good stories of Screw Ups around the farm or gym?New Year New QuestionWhat is the best advice you have been given?What do you wish we would have asked you?

Joanna is currently reprising her performance as Bloody Mary in South Pacific. Following an acclaimed run at Chichester Festival Theatre, Daniel Evans' revival of South Pacific is back for a run at Sadler's Wells ahead of a UK and Ireland tour.  Joanna made her West End debut as Kim in Miss Saigon at the Theatre Royal Drury Lane and went on to play the role in the original Australian production, the original UK and Ireland tour and 10th anniversary West End performance. Her other West End roles have included Mary Magdalene in Jesus Christ Superstar, both Éponine and Fantine in Les Misérables, Christmas Eve in Avenue Q and Sheila Franklin in Hair. Joanna is renowned for starring as Grizabella in Cats all over the world. In Manila she has played Mimi in Rent, Francesca Johnson in The Bridges of Madison County, Maria in West Side Story and Maria Von Trapp in The Sound of Music as well as Nellie in a concert production of South Pacific. Most recently, Joanna starred as Jenna in the international premiere of Waitress in Manila. South Pacific runs at Sadler's Wells 27th July – 28th August 2022 before touring the UK and Ireland from 13th September. Visit www.southpacificshow.com for info, tour dates and tickets. Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

This week's restaurant podcast, “Teamwork Makes the Dream Work”. We travel to Vegas and once again Jay Salonga joins the show. Papa's got a brand new bag since he was last on the show. His high end sushi restaurant runs on a house pool so teamwork is everything. Find out how Danny and I survived our Vegas shenanigans to have this round table discussion on our very last day. Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterThe Podcast is available on iTunes https://podcasts.apple.com/us/podcast/the-modern-waiter-podcast/id1445457201 iHeart Radio https://www.iheart.com/podcast/256-the-modern-waiter-podcast-31152300/, Spotify https://open.spotify.com/show/2WwXTEggjmNDh4rafHtO85 and on your favorite ways of listening to podcasts.More Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week's restaurant podcast, “What Happens in Vegas”. Straight out of Vegas and feeling not so fresh, Danny and I talk about our trip through the eyes of service. From ride share, airport, hotel, and restaurants; what was the good, the bad, and the ugly?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

   Mason Ingram is a composer, session drummer, and Ableton programmer, living in Nashville. He is one-half of ambient music group slowave, acting as writer and producer.    He has been the drummer on Broadway's Kinky Boots, The Prom, and RENT (Off-Broadway). He has had the privilege of working with Bibi Bourelly, Angus & Julia Stone, Paul Baloche, The Discovery Channel, 070 Shake, Lewis Capaldi, NOTD, All These Small Moments, The Lone Bellow, Walking Shapes, Annaleigh Ashford, Shacks and Palaces, and Matt Doyle. He is a member of bands The Last Royals, Hundred Hounds, and Young Oceans, and has played on Broadway's The Lion King, The Waitress, Finding Neverland and Little Shop Of Horrors.     Mason also loves working in Abelton Live, from programming, to writing, and recording. He has programmed backing tracks for Broadway shows and pop tours including the current production of Little Shop of Horrors, La Jolla Playhouse's FLY, Pretty Woman London, Young Oceans, The Last Royals and many others.      Growing up in Austin, TX, he spent 13 years in Brooklyn, before moving to Nashville, where he currently lives with his wife and son. He loves writing, producing, mixing, collaborating, learning of any kind, and finding out new ways of creative inspiration.    He has appeared on The Tonight Show with Jimmy Fallon, The Late Show with Stephen Colbert, Late Night with Seth Meyers, The Late Late Show with James Cordon, The Wendy Williams Show, LIVE with Kelly and Ryan, and Live at Lincoln Center, along with countless US and European tours. In this episode, Mason talks about:    Drumming on Broadway shows in New York City    The importance of playing with confidence    The why and how of the DAW Ableton    His duo Slowave and the compositional process    Prioritizing family    Managing technology to be inspiring, not distracting

“WE'RE NEVER GOING TO TALK ABOUT THIS, OKAY?” On this week's episode of Retro Grade Podcast, we talk about 2007's 4 Months, 3 Weeks and 2 Days, from Romanian filmmaker Cristian Mungiu starring Anamaria Marinca and Laura Vasiliu. Over the past few weeks, the Supreme Court has overturned Roe v. Wade, giving states the ability to make abortions illegal to millions of people. We wanted to watch a film that covered that same scenario, and try to see the challenges that those characters went through to try and get an abortion. We go over the story, which see's Gabita trying to get an abortion during the1980s in Romania where they are illegal, and what her friend and roommate Otilia does to help her. We cover the setting, the structure, pace, tone and see how they all add to create a thriller that resembles a few other films that we have talked about on this podcast. We cover how the film was shot, with many long takes to add to the realism of the film and how the cinematography was used to put the viewer directly in the head of Otilia as she is constantly running into obstacles. We talk about the themes of the film, not only about what it says about abortions, but about oppression towards woman, the tactics some men will use to establish dominance over women, but also the camaraderie and friendship that will arise between women when facing oppression. Towards the second half of the episode, we begin to go over the real life setting that the film is based on, how Romania fell into economic turmoil, and how this lead to Decree 770, the decree by communist Romanian government of Nicolae Ceausescu. It restricted abortion and contraception, which did double the birth rate in the first few years, but would also increase the death toll of women from having illegal abortions, and increased the number of orphans in the country. We also try and see why so many films about unplanned pregnancies were released in such quick succession during 2007 (Knocked Up, Juno, Waitress, 4 Months, 3 Weeks and 2 Days, and lastly Revolutionary Road). This is the most difficult film we have covered on the podcast, but thankfully we have a special guest that will help shed even more light on this topic, Victoria, co-host of the Impure, Rethought podcast which covers how purity, patriarchy, and profit have shaped Western culture, be sure to give them a listen!Music is from Triune Digital and audio clips pulled from movies we will be reviewing in other episodes.Artwork by @jannelle_o

There's a beluga in the Schuylkill.

How did I go from waiting tables after a failed art studio to running a flourishing six figure art business? I'll tell you what, it wasn't easy, but nothing in life is. You get to choose your hard, going to work doing a job you don't love is hard, building an art business is hard, you just have to choose your hard.In this episode I'll share with you my journey as an Artist so that you can discover some keys to success and also be inspired and encouraged. It took me 10 years to build my business, so if you're feeling like you're not where you want to be, you'll want to listen to this episode. WHEN YOU FINISH LISTENING, YOU'LL DISCOVER:When I first discovered I was an ArtistMy one regret at Art SchoolMy failed art studioLife as a waitress and personal assistantHow I learnt business skills building a tea business and boxing gymHow creativity got a hold of me again and I choose to follow the pathWhere my art business is at todayIf this episode inspires you, leave a review and share your biggest takeaway with me. And while you've got your phone out, make sure to follow me on Instagram  @natalieparkerstudio to see behind the scenes of how I run my art business so that you can be inspired to pursue your creative dream too.Links mentioned in today's episode:14 Day Trial of The Confident BrushArt Biz Start-Up Series - Starts 4th August LEARN MORE FROM NATALIE PARKER:ART COURSES | ARTWORK | INSTAGRAM | FACEBOOK

On National Fried Chicken Day, July 6th, we ponder one of the most popular of bar food. There are so many variations on this comfort food. You will never guess where fried chicken actually came from.Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterThe Podcast is available on iTunes https://podcasts.apple.com/us/podcast/the-modern-waiter-podcast/id1445457201 iHeart Radio https://www.iheart.com/podcast/256-the-modern-waiter-podcast-31152300/, Spotify https://open.spotify.com/show/2WwXTEggjmNDh4rafHtO85 and on your favorite ways of listening to podcasts.More Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There are all kinds of creative ways to be a witness for the Gospel! No matter where you are or who you meet, you can have an effective outreach for Christ in your community.

135 – I'm super excited to share today's episode with you. I've been trying to get Ilva on our show for a long time after hearing her speak at a Rent to Rent Live. Ilva came to the UK and started as a waitress, speaking little English and it was interesting to hear her story and how she runs her rent to rent business successfully. I just love her philosophy for life. She has so much love to give and is totally focused to providing exceptional service and values in everything she does.Click here to watch and listen to the episode ✅ https://rent2rentsuccess.com/135 ✅Get your free copy of the #1 Rent 2 Rent Success Book!✅ https://go.rent2rentsuccess.com/freebook ✅ Support the show

Yes! Welcome to another episode of "The Good Listening To Podcast: The Story Behind Your Story Show!" with this lovely gentleman and Actor Jonathan Hansler Jonathan is an Award Winning English Actor, Writer & Comedian and Peter Cooke obsessive!"I've truly ‘lived' but then suffering creates greatness..."Jonny and I go way back when, to when he walked into a bar in Cricklewood (“I was working as a Waitress…” erm, etc) dressed as a half-cut Centurion circa 1984!Episode recorded as a FaceBook "Live".MORE ABOUT JONATHAN:As an actor, comedian, writer, Jonathan Hansler has led a life that has never been dull - nor without anxiety. Jonathan curated his own collection of Self-help books and not without good reason. His father was an active alcoholic, which invariably made him remote and unpredictable. Jonathan will always regret never having had the chance to say goodbye properly and achieve some kind of closure. Jonathan himself was abused at school. He was inspired by Peter Cook, who, like him, imagined that he could rely on alcohol to dull the daily pain and make an apparently ‘normal' life look possible. Jonathan's father died with alcoholism. Peter Cook died with alcoholism. Jonathan decided not to follow in their footsteps. He stopped drinking alcohol 8 and a half years ago and has stayed stopped ever since. A couple of months ago, Jonathan embraced Buddhism and now takes personal responsibility very seriously indeed. He remains highly anxious, occasionally very irritable and sometimes awfully moody. Now he tries to use his difficulties to his best advantage. He celebrates his curious sense of humour and his appreciation of absurdity wherever he can find it. One of Jonathan's ancestors, a spy for Wellington, was the first person ever to receive a knighthood from the late Queen Victoria. This ancestor even had a pub named after him! In the second Elizabethan era, John Cleese gave Jonathan Hansler the right to recreate the original Basil Fawlty in his own image using the original scripts from Fawlty Towers. Clive Greenwood and Jonathan Hansler developed new lines for famous comedians in an imaginary afterlife scenario. Jonathan's latest film is entitled ‘Give them wings'. You can see the trailer online, as well as Peter Cook and John Cleese‘s bizarre conversation on a park bench that set Jonathan on his unique career path. Anxious moments galore but never a dull moment. Good listening!Reg Starkey - EditorUK Health Triangle Magazine

Conspiracy Theorists finally face their fears while Anastasia prepares for her forthcoming plans. The Johnsons deal with their unfolded secrets, and Timmy decides he's had enough. Buttercups & Moonbeams releases every other Sunday in collaboration with Brandeis Television at Brandeis University. Timmy & Jerry - Omer Barash Cosmo, John Doe, the Waitress, & Narration - Avi Patel Grace & Anastasia - Andie Sheinbaum Mr. Johnson, Ratthew, & the Bus Driver - Paul Weir Original Theme - Miles Goldstein Direction & Edit - Corey Brown This Episode Produced by Kaija Grisham, Joshua Lannon & Khaili Rowan Additional Music by Migfus20

This week, in New Paltz, New York, a lonely man, coming out of a recent depression, and having lost 150 pounds, befriends a waitress at his neighborhood diner. They bond over the fact that they've both lost loved ones, recently, and that she also just had a major weight loss. The relationship turns obsessive, but only on one side of it. Little does she know, that his growing obsession with her could lead to a dangerous situation, like possibly being murdered in one of the most horrifying ways imaginable. From there, strange jail house interviews, and odd court behavior make this whole thing a real head shaker!Along the way, we find out that Ribfest sounds amazing, that if someone tells you that they just brutally murdered someone, you should believe them, and that just because someone is serving you food, doesn't mean they actually like you!Hosted by James Pietragallo and Jimmie WhismanNew episodes every Thursday!Donate at: patreon.com/crimeinsports or go to paypal.com and use our email: crimeinsports@gmail.comGo to shutupandgivememurder.com for all things Small Town Murder & Crime In Sports!Follow us on...twitter.com/@murdersmallfacebook.com/smalltownpodinstagram.com/smalltownmurderAlso, check out James & Jimmie's other show, Crime In Sports! On Apple Podcasts, Spotify, Amazon Music, Wondery, Wondery+, Stitcher, or wherever you listen to podcasts!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Do you know how to tip? This weeks restaurant podcast takes a look at how to tip in every situation. Who do you tip? Why tip? When do you tip? Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterThe Podcast is available on iTunes https://podcasts.apple.com/us/podcast/the-modern-waiter-podcast/id1445457201 iHeart Radio https://www.iheart.com/podcast/256-the-modern-waiter-podcast-31152300/, Spotify https://open.spotify.com/show/2WwXTEggjmNDh4rafHtO85 and on your favorite ways of listening to podcasts.More Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Personally Speaking, Msgr. Jim Lisante is joined by actor, singer and producer Erich Bergen. Erich is best known as Blake Moran on the hit drama “Madam Secretary” which ran for six seasons on CBS and currently streams on Netflix. He's also known for his critically acclaimed performance as Bob Gaudio in the film “Jersey Boys”, a role he also played on stage in the National Tour and Las Vegas casts of the Tony Award winning musical on Broadway. Erich also starred in the hit Broadway musical “Waitress” and recently joined the cast of the CBS series “Bull” for its final season. Erich talks about his life and career and the values that matter most to him.Support the show

 Originally published 6/12/16I will post no Wine Show before it's time ..... well - It's Time!Here's the Playlist:Strychnine Thee Headcoats  The Good Times Are Killing Me The Nights Of Wine... Real Punk Radio podcast Network brings you the best in Punk, Rock, Underground Music around! From Classic Oi!, Psychobilly and Hardcore to some Classic Rock n Roll and 90's indie Alt Rock greatness!! With Tons of Live DJ's that like to Talk Music From Garage Rock, to Ska.. We are True MUSIC GEEKS!

Bread can be the first item that guests experience in a restaurant. Sometimes it is the first thing they request upon being seated. Let's take a look at bread service in the restaurant. It can be a great introduction or it can be a great annoyance. Later on in the show share our favorite ways to eat bread and places to get the best bread. Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterMore Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This Week on True Crime Daily The Podcast: After 17 years of marriage, when she couldn't end their relationship, police say she ended his life. Plus, A waitress who saw something, said something, and saved a young boy's life in the process. Luis Bolaños joins host Ana Garcia. See omnystudio.com/listener for privacy information.

Monica and Gracie discuss the Indie classic Waitress this week. They talk about becoming a mom, hating Earl and of course PIE! We also discuss the amazing Adrienne Shelly who wrote, directed and starred in the movie and hope to honor her memory by discussing this amazing film.

A service utility blast from the past, the dumbwaiter has all but gone extinct. The mini elevators is very useful for multi level homes and restaurants. But why the name dumbwaiter?Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterThe Podcast is available on iTunes https://podcasts.apple.com/us/podcast/the-modern-waiter-podcast/id1445457201 iHeart Radio https://www.iheart.com/podcast/256-the-modern-waiter-podcast-31152300/, Spotify https://open.spotify.com/show/2WwXTEggjmNDh4rafHtO85 and on your favorite ways of listening to podcasts.More Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ryan's Roses...He went to Vegas with his friends and he was a little too M.I.A. for her liking! Should You Try #FaceTaping? Here Are the Latest TikTok Health Trends! PSA! There's a Sriracha Shortage Now! Sisanie's Husband Can't Wait to Go Camping With the Kids! The Morning Hack- Here's How to Remove Those Pesky Summer Grass Stains See omnystudio.com/listener for privacy information.

Bismarck, North Dakota is considering an ordinance which would effectively ban the open-air preaching of God's law and the gospel, especially as it pertains to the sin of homosexuality. What would Jonah do if the city of Nineveh banned his preaching instead of repenting in sackcloth and ashes- What should the church do- Continue to preach. Continue to testify and seek repentance, first within the walls of the church, and then within the walls of the city. Then, move on to the immigrants, if the old, decrepit, apostate world rejects the message. --This program includes- --1. The World View in 5 Minutes with Adam McManus -The evil work of Jane's Revenge, an abortion terrorist group- Waitress receives -crazy- tip- Muslims kill Ugandan youth pastor- --2. Generations with Kevin Swanson

A town with a strange secret, ripe for the picking by three petty criminals.  Sounds a bit too easy, doesn't it?     Written and produced by Julie Hoverson Cast List Claude - Shawn Connor Lenny - Cole Hornaday Charlie - Risa Torres Host - Bob Noble Bank Teller - Beverly Poole Little Girl - Krystal Baker Waitress - Angela Kirby Music by  Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson Cover Design:  Brett Coulstock "What kind of a place is it? Why it's a cheap fleabag motel, can't you tell?" ******************************************** AN HOUR TO KILL Cast: [Opening credits - Olivia] Claude, a thug Lenny, a dumber thug Charlie, Claude's greedy wife Host Bank Teller Little Girl Waitress OLIVIA     Did you have any trouble finding it?  What do you mean, what kind of a place is it?  Why, it's a fleabag motel in the early 50s, can't you tell?  MUSIC SOUND     DRIPPING OF BAD SINK, DISTANT RADIO TALKING LENNY    [hushed, excited] I tell you, Claude, it's a done deal!  It was Artie told me, and-- CLAUDE    [resigned] And Artie's never wrong.  Yeah, I know.  [up]  Whatchoo think, Charlie? CHARLIE    Zip it.  I'm listening. CLAUDE    To what? CHARLIE    Whoever's next door has a radio, [barbed] unlike some, and they got the stories on.  If youse two mugs can keep yer traps shut, I can just barely make out what happens to be transpiring. LENNY    [quiet]  It's just over the hill, Claude.  Hop skip and a jump. CLAUDE    [quiet]  Good thing, too, Lenny.  That car we nabbed ain't good for much but skipping. LENNY    [quiet]  And jumping. CLAUDE    [chuckles halfhaertedly]  So Artie said this town was ripe for the picking?  LENNY    Yeah, he said it was real weird, but-- CHARLIE    [upset] No!  What is wrong with this world? CLAUDE    [flat, uninterested] I don't know, what's wrong with it? CHARLIE    Them on the other side, they turned it off!!  And just when Cynthia was about to reveal the name of the guy who ran off and left her with two kids, then changed hs name and married someone else. LENNY    What a bum! CLAUDE    [undertone] Don't encourage her.  [up] Can we talk normal now? CHARLIE    Makes no nevermind now. CLAUDE    Apparently Artie told Lenny something in stir last week. LENNY    And Artie's never wrong! CHARLIE    [hard sarcasm] If he ain't never wrong, why's he in the joint? CLAUDE    [snorts] LENNY    That ain't the point.  He found the perfect score. CHARLIE    And he told you about it? CLAUDE    Yeah, that does seem a little cuckoo.  Artie never did like you much. LENNY    But he still likes Cherlie there just fine.  I think he told me cuz he knows I'd tell you, and that would help her get some of the nice things she deserves. CHARLIE    [cutesy]  Really?  That big a score, then?  Artie might have something going for him after all.  Maybe I shoulda married him. CLAUDE    You said you didn't like monkeys. CHARLIE    I was joking.  Just cuz he's kinda short and shriveled and stuff don't mean he might not make a good husband.  Ugly guys don't run off so often. LENNY    Nobody wants 'em. CHARLIE    You would know. CLAUDE    [long suffering sigh] Let's get back to the job? LENNY    It's this town, see?  He says the whole town is like loopy, cuz one day a year, for an hour in the middle of the day, the entire town [slow, with import] just falls asleep. CLAUDE    [snort]  You're loopy.  Artie's throwing you a knuckle ball, knucklehead. LENNY    No, he was serious - I could see it in his face. CLAUDE    The whole town?  LENNY    Yeah! CLAUDE    And how does Artie know this? LENNY    He says he was there.  Couple years back, said he was hiding out and saw it happen, so he went back again the next year to see, and it happened again. CLAUDE    Why ain't he in there robbing the place? LENNY    Says he meant to, this year, but he's gonna be sporting stripes for a nickle. [5 years] CLAUDE    It makes no damn sense!  Why would everybody fall asleep? CHARLIE    Maybe it's something in the water.  Or get this-- [ramping up]  Maybe it's a curse or something, like in that episode of One Step Too Far!! CLAUDE    You've gone one step too far if you're gonna believe Artie and this idiot.  [to Lenny] Nuttin' personal, Lenny. LENNY    Gotcha. CHARLIE    What can it hurt?  If it's so darn close, why don't we drive over there and see?  We can be ready, and if this "see-ester" [siesta] thing happens, then we take advantage.  If not... what's it gonna hurt? CLAUDE    What day's it supposed to be, Len? LENNY    Tomorrow.  Or I should say the longest day of the year, since that's what it is - tomorrow is, I mean, but Charlie, you can't come! CHARLIE    And why pray tell not, ya big goon? LENNY    Artie only told me on account of I promised I'd see to it that you don't go.  I think he wants you to come and visit him instead. CLAUDE    That's crazy talk.  But you shouldn't come, babe.  You'll just get in the way. CHARLIE    [incensed] I'll just WHAT?  CLAUDE    I mean-- there might be guns.  I wouldn't want you getting shot or nothing. CHARLIE    They gotta be pretty talented in this town to shoot ...in their sleep!  Besides, you need someone along who can actually tell time, if all you got is just one hour!  [fades out]  And if this is supposed to be tomorrow, since I have it on good authority - meaning the morning news - that tomorrow is the longest day of the year - then we had better get our sweet little selves ready to move! LENNY    [over her diatribe]  But I promised Artie-- CLAUDE    [over, too - miserable, to Lenny] Just drop it.  Trust me.  Once she starts with this, she can't even hear no more. CHARLIE    You hear me? LENNY    [really quiet] Maybe you shoulda let Artie have her. MUSIC AMB    IN CAR CLAUDE    Whadda we do if it's all a big put-up job? LENNY    It ain't - Artie is-- CHARLIE    Stifle!  If they don't sack out, you mean?  In that case, we're just honest, but weary travellers going on our merry way.  Zat so hard to buy? CLAUDE    We gotta do something.  This flivver's on its last legs. CHARLIE    There's always something. LENNY    You believe in magic, Charlie? CHARLIE    Like Houdini stuff?  Hah!  Back when I was on the stage, the only thing them clip artists could make disappear was my hard earned simoleans. LENNY    But this-- CHARLIE    [loud] BUT!  Dontchoo interupt me there, Lenny.  It ain't polite!  [quieter] Hmph. I was tryin to say I could maybe believe in magic like miracles and genies and stuff.  Just always figured maybe it was all run out in the world, like the electricity in the meter when you're outta slugs.  Ya know? CLAUDE    [amused hmph]  Oh, that's a nice turn of phrase you got right there, Charlie. CHARLIE    [smug] And you thought you only married me for my legs. MUSIC AMB    OUTSIDE, RURAL SOUND    ONE SET OF STEPS ON GRAVEL CLAUDE    [relieved and tired] Finally.  [sighs] SOUND    DOOR OPENS WITH A JINGLE CHARLIE    [already arguing]  I don't care what kind of hokey-pokey yer pullin here!  I want a room and I want it pronto - savvy? CLAUDE    [quiet] Oh, lord.  [up, weary]  What's the noise, sweetcheeks? CHARLIE    This fellow says ain't no rooms to be had, not today tonight or any time soon. CLAUDE    Yer full up?  Out here in the middle of squat all? HOST    [old rustic] The young lady misunderstood me.  I was trying to explain that this is just a bad day to be here in Lafayette.  We got rooms, ayuh, but I wouldn't feel right about just putting you up without warning you folks first. CLAUDE    Warning us?  Where's Lenny? LENNY    [off] I'm pretending I'm somewehre's else. CLAUDE    Some help you are.  You was saying, pops? HOST    [cheerful horror]  It's the day we run the hogs. CHARLIE    That's disgusting!  CLAUDE    Hold on, dearest.  Let's hear the man out.  Hogs, you say? HOST    Ayup.  Local tradition.  Them hogs gets loose all over the town.  [self-satisfied] Raise a lotta havoc.  Tranple anything that moves, pretty much. CLAUDE    It'd be safe in the room, wouldnit? HOST    Well, 'spect it oughtta be, but you have to shut the doors and not move an inch.  Don't want to call no attention to yerselves.  [ominous] Folks round here don' like strangers watching our ways. CLAUDE    [sigh] Well, pops, I dunno if you noticed it, but we rode in in the grease monkey's tow.  Our heap ain't taking another step, and neither are we. HOST    [a little too smug] One room or two? CHARLIE    Just get one.  Lenny can sleep in the bureau drawer for all I care. HOST    [chuckles] CLAUDE    Since it's looking we'll need to get a new car soon, I guess one room's all we can spring for. MUSIC SOUND    DOOR SHUTS, BAG THROWN DOWN CHARLIE    Artie better damn well be right. CLAUDE    [hushed] Charlie!  Keep it quiet. LENNY    [hushed] Even if it works, how we gonna get out of town?  CLAUDE    We get a new car-- LENNY    How? CLAUDE    How'd we get the last one, pea-brain? LENNY    Oh, right.  There must be one or two, even in a boondock like this. CHARLIE    The landlord says we got a couple of hours before we gotta hole up [aping his speech] "just enough time to get around some flapjacks".  Flapjacks, my eye.  They better have a hootch parlor in this flyspeck. CLAUDE    Just enough time to case the place. LENNY    Oughtn't we to bring the heaters, Claude? CLAUDE    Hmm.  Nix on that.  Don't wanna get caught on the street heeled.  CHARLIE    Whaddaya mean?  So what if someone suspects something? CLAUDE    You may hate these chuck towns, Charlie, but their jails ain't nothing to write home about neither.  They make our first digs look like the ritz. CHARLIE    [disgusted] Oh! MUSIC AMB    OUTSIDE.  RURAL [note - they're all talking out the side of the mouth] LENNY    There's the spoon where the clerk said we could get us some-- CHARLIE    Flapjacks?  Puh-lease.  We got more important things-- LENNY    But he got me all hungry, with all his flapjack jabbering. CLAUDE    [under his breath] Flapjabbering.  [up]  Look, we need to split up anyway, cover the ground.  Lenny can pick up the skinny at the diner as well as anywhere else. CHARLIE    Where you wanna ronder-voo [rondezvous] later? CLAUDE    Well... [consdiering] Guess the motel's as good as any place. CHARLIE    In forty-five minutes.  No more, you big moose!   LENNY    No sweat - sides, they ain't gonna give me no forty-five minutes worth of flapjacks.  Not for what I got on me. SOUND    WALKS AWAY CLAUDE    And you? CHARLIE    I say you and I take the-- [softening] I mean, make a visit to the bank. CLAUDE    Who'm I to argue? MUSIC SOUND    DOOR OPENS, DING, A COUPLE STEPS LENNY    Hello? SOUND    FLAP OF DOOR, HEELS WAITRESS    Goodness!  I guess I really wan't expecting to see nobody in here today! LENNY    Guess not.  [pitifiul] Zat mean you're out of food? WAITRESS    Mercy, no!  We been cooking all day!  They'll go through plenty later on, but we can spare a bite or two.  What you want? LENNY    Flapjacks? WAITRESS    [chuckles] You came to the right place.  My momma's recipe has taken blue ribbons at the fair for thirty years.  Set yourself down, and I'll sling you a stack. SOUND    DOOR FLAPS, MUFFLED COOKING NOISES WAITRESS    [off some] You want some Java with that? LENNY    That'd be real nice. SOUND    DOOR FLAPS OPEN, QUICK STEPS WAITRESS    Here's your joe, the jacks will be out lickety split.  LENNY    Hey, uh, the goon at the hotel was saying something about something going on today? WAITRESS    Oh, yes.  It's the strangest thing, but nothing you gotta worry about - you're just passing through, right? LENNY    Oh, no, we're staying at the hotel.  WAITRESS    [a bit upset] Oh.  "We?"  Nevermind.  You should stay inside, then.  It ain't safe being out. LENNY    Oh, yeah, he said-- WAITRESS    I mean, they're just frogs, right?  But they are some vicious slimy little devils. LENNY    [baffled] Frogs? WAITRESS    Course.  Every year they just fall from the sky.  No one knows why.  Oops-- [sniffs] that's your jacks.  Be right back. MUSIC AMB    OUTISDE CLAUDE    [undertone]  Take a peep at the cadillac. CHARLIE    That brown heap? CLAUDE    Dat ain't brown, ya gob, dat's cham-payne colored. CHARLIE    Who you calling a gob, you mug? LITTLE GIRL    [off] Hey lady?  Would you like a kitten? CLAUDE    [[startled] Huh?  Oh, Hello little girl.  [really false hearty] No, thanks.  No kittens for us.  You have a real nice day, there. CHARLIE    [whispered]  Do I look like the kind of chickie who wants some damn animal hanging around?  Apart from you, anyway, darling? CLAUDE    Watch yer language, there's a kid present. CHARLIE    She's probably heard it all. CLAUDE    People got manners out in the country.  Here's the bank.  Stick to the script, babe. CHARLIE    Have I ever done you wrong? SOUND    DOOR OPENS, SLIGHT ECHO CLAUDE    This is nice. CHARLIE    [sweet and fake] Oh, honey, maybe everything will be o-k after all! CLAUDE    We'll see, dearest.  TELLER    Can I help you? CHARLIE    I'll just have a seat while you handle all that financial mam stuff. CLAUDE    [annoyed sigh]  You do that.  [hearty again] Hello.  Sorry about that. TELLER    No problem, sir.  What can I help you with? CLAUDE    We had some car trouble coming into town, and I need to find out if we can arrange to cash a check here. TELLER    Do you have an account with our bank, sir? CLAUDE    No, I'm afraid I don't.  We're with the Merchant Chinatown Association Farm Worker's Union Branch out of Miami. TELLER    That's pretty far away. CLAUDE    Yeah. TELLER    That's going to have to go through my manager.  He won't be back until this afternoon. CLAUDE    Really?  Well, that shouldn't be a problem - we're kinda stuck here. TELLER    [strange] Are you over at the motel? CLAUDE    You bet. TELLER    Ohhh. CLAUDE    What? TELLER    Nothing.  He'll be back in about four hours. CLAUDE    Is he part of this whole thing you got going on today? TELLER    [nervous]  What do you-- whatever do you mean? CLAUDE    The clerk was telling us-- TELLER    [urgent] Just stay inside and you'll be safe! CHARLIE    [coming on] Safe?  From-- TELLER    THEM! CLAUDE    Them?  The runners? TELLER    The ghosts. CLAUDE AND CHARLIE    WHAT? TELLER    I'm not from around here, and I'm scared to death.  I get to lock myself in the vault for the whole thing, or else I wouldn't even'a come to work today! CHARLIE    In the vault, eh? TELLER    Yes! CLAUDE    Wait a dang minute.  Ghosts? TELLER    Yes.  A bunch of soldiers from back in the civil war.  They run through town on this day every year, and destroy everything in their path! CLAUDE    Have you... seen the ghosts? TELLER    Of course not!  I stay shut up tight! CLAUDE    Right.  [heavy thinking sigh, the working to sound chipper again]  Well, maybe we'll see you later then.  When your manager's back. TELLER    Okey-doke.  You stay safe now! MUSIC SOUND    EATING SOUND    [OFF] FEET APPROACH CLAUDE    [outside] wait til we-- CHARLIE    What's that smell? SOUND    DOOR SLAMS OPEN CHARLIE    You! LENNY    I brought you some! CHARLIE    I'm watching my figure, you mope! CLAUDE    More for me.  Pass that. LENNY    Trudy at the diner, she gave me some extra butter too.  She did it up right fine. CHARLIE    Don't eat so much you slow down!  We'll leave you behind. LENNY    [talking around a mouthful]  Oh, come on, they're real good. CLAUDE    [licking his fingers]  They are.  Look, Lenny, there's something real hinky here-- LENNY    You don't need to tell me, Claude!  I heard all about-- CHARLIE    The ghosts? LENNY    The what? CLAUDE    According to the girl at the bank, it ain't pigs, it's ghosts. LENNY    That don't make no sense!  There ain't no such things as ghosts. CHARLIE    But you do believe that there might be a town where everyone falls asleep for an hour. LENNY    Anyway, it ain't ghosts, it's Frogs. CLAUDE    Like frog frogs, or french folks? LENNY    Like ribbit, ribbit.  They rain down, like in the old weird part of the bible. CHARLIE    Yeah, ghosts is lots more nuts than frogs. CLAUDE    Why would everyone have a different story?  CHARLIE    Are you just a moron or what?  They're all covering up!  Anything to scare us who ain't part of it into keeping shut up for the time they all fall asleep, excepting that they forgot to get their damn story straight.  I'd almost'a bought the one about the pigs, but FROGS?  LENNY    And ghosts. CHARLIE    Oh, don't even. CLAUDE    It still feels hinky.  Like we should-- SOUND    TAP ON THE DOOR CLAUDE    Stifle.  [up] Yes? LITTLE GIRL    [off]  I have to tell you something! LENNY    That's some sneaky girl scout. CLAUDE    Shh!  Just keep quiet! SOUND    DOOR OPENS SOUND    MEWING OF KITTENS CLAUDE    Yeah? LITTLE GIRL    I have to tell you this.  You have to listen! CLAUDE    I'm listening, little girl.  Watch out for your kittens, there. LITTLE GIRL    You don't get one. CLAUDE    Just tell me what you wanted to--? LITTLE GIRL    [solemn] In 15 minutes, the monsters come out.  If you leave your rooms, they will eat you.  CLAUDE    [almost laughs, stops himsefl]  Monsters? LITTLE GIRL    Yes.  CLAUDE    What kind of monsters? LITTLE GIRL    [exasperatied] The kind that eat people.   I have to go home now. CLAUDE    Before the monsters get you? LITTLE GIRL    Oh, they won't get me.  They'll be too busy chasing you. SOUND    SHE WALKS AWAY CHARLIE    Little street rat!  Get her back here, I'll show her what for! CLAUDE    No!  Let the kid go. LENNY    Claude?  You think maybe she's right? CLAUDE    It's not like she'd make something up like that.  CHARLIE    Someone told her to tell us. CLAUDE    The same someone who couldn't get their stories straight?  That don't make no sense.  There's something behind all this. CHARLIE    So what now, you want to give this all up and sit on your face like an ostrich or something? CLAUDE    I never said nothing like that.  We should-- we just gotta keep our eyes open is all. MUSIC SOUND    CLOCK CHIMES CLAUDE    Ready?  LENNY    [a little shaky] Yeah. CHARLIE    Hmph.  Yes. CLAUDE    Keep cool.  If this is all some kind of joke, we need to be ready to act like there ain't nothing going on. CHARLIE    Keep your gun handy, Lenny, in case of frogs. SOUND    WALKS AWAY LENNY    [muttered] Same to you.  I would say in case of pigs, but I know how you feel about family. CLAUDE    [almost laughs] CHARLIE    [sharp] What? LENNY    [trying to keep a straight face] Nuttin.  SOUND    DOOR OPENS, PAPER CRACKLES CLAUDE    What's this? CHARLIE    Aah - Must be the bill.  Give it.  We can look it over later. SOUND    PAPER SHOVED INTO PURSE MUSIC AMB    OUTSIDE, BUT MUTED. LENNY    Weird, ain't it?  Everything so quiet. CHARLIE    So everyone's gone to sleep.  Or they're messing with us.  CLAUDE    [shocked] No!  Look at this! LENNY    Oh, gee!  Think we should move her? CHARLIE    What are you--?  Holy knots!  The kid! LENNY    And all the kittens!  Are they ok? CLAUDE    [grunt as he kneels] Well, I ain't gonna hold a mirror up to all them tiny little noses, but they look like they're just sleeping. LENNY    They're so cute - you shoulda took one. CHARLIE    Are you done yet? LENNY    Shouldn't we move her, though?  What if the pigs hurt her? CHARLIE    Leave the stupid kid!  She's the one decided to take a nap in the middle of the street.  We got a bank waiting! LENNY    I'll-- I'll catch up to ya.  I wanna lug the little tyke up onta the porch. CHARLIE    Aargh!!!  [exasperated noise]  Fine!  Pick uppa car while you're at it, potater head! MUSIC SOUND    BIG DOOR CREAKS QUIETLY OPEN SOUND    OUTDOOR NOISES, OFF SLIGHTLY; VOICES HAVE MODERATE ECHO CLAUDE    [whispering] The lights are all on. CHARLIE    Why are you whispering? CLAUDE    I still got that weird feeling about this - like it's all gonna turn out to be a big joke or something.  There's a hook somewehres.  There gotta be. CHARLIE    We'll ditch it when we see it.  For now, let's go to work on that vault. SOUND    [OUTSIDE] WEIRD ANIMAL NOISE CLAUDE    What was that? CHARLIE    [snide] Not a pig, for crying out loud.  If you're so damn worried, shall we promenayde to the vault? CLAUDE    It was really - strange.  I ain't never heard no animal like it before. CHARLIE    That just rules out the zoo and Mel Blanc.  They're the only animals you ever heard in your whole stupid life. SOUND    [OUTSIDE] WEIRD ANIMAL NOISE CLAUDE    I just wanna take a look, see if Lenny's coming. CHARLIE    Fergit him!  I'm your wife - you should be here, lookin after me! CLAUDE    [sharp] Did you see that? CHARLIE    I see a grown man scared of some owl or something. CLAUDE    [on edge] No, there was this dark shape, went behind that buildign over there.  Watch! CHARLIE    [putting her foot down]  No!  I want to go inside!  [hissed] And I plan to lock the door, whatever side you happen to be on. SOUND    DOOR SLAMS AMB    OUTSIDE SOUND    RUSTLING CLAUDE    [calling quietly] Lenny?  Zat you? SOUND    WEIRD ANIMAL NOISE CLAUDE    [gasp] Dammit Lenny! SOUND    RUSTLING NOISE, OFF RIGHT SOUND    GUN READIED CLAUDE    [moving right]  Come out, whatever you are. MOMENT OF SUSPENSE, A COUPLE OF FOOTSTEPS CLAUDE    [gasp] LENNY    [gasp]  What's wit the heater, Claude?  I ain't done nuttin! SOUND    PUTTING GUN BACK CLAUDE    Nah, Lenny, it's-- did you hear something weird out there? LENNY    Birds.  Something.  I guess. CLAUDE    Charlie's inside.  Come on. LENNY    Why do you put up with her? CLAUDE    What?  We're married. LENNY    If she was my wife, I'd'a smacked her to kingdom come years ago - I wouldn'a been able to help myself. CLAUDE    I love her.  [shrugs]  And I hate her sometimes too.  What can you do? SOUND    BIG DOOR STARST TO OPEN SOUND    [CLOSE] WEIRD ANIMAL NOISE SOUND    BOTH MEN TURN, DRAW GUNS SOUND    DOOR SWINGS SHUT AGAIN LENNY    That's the noise you was talking about? CLAUDE    Yeah.  Shh.  [whispered] Can you tell where it is? LENNY    Nuh-uh. MOMENT OF JUST CAUTIOUS BREATHING, THEN SOUND    DOOR SLAMS OPEN BEHIND THEM LENNY and CLAUDE    [gasp] CHARLIE    Get your keisters in here, you nitwits!  Time's a-wasting! MUSIC AMB    INSIDE BANK, ECHOEY SOUND    COMBINATION LOCK BEING TURNED CHARLIE    [whispered] Hurry! LENNY    [whispered] That ain't gonna help! CLAUDE    Zip it!  I'm almost there! SOUND    A COUPLE OF CLICKS, HANDLE CLAUDE    [angry noise] Agh.  Nope.  Damn.  Charlie, give me something to write on. CHARLIE    What do I look like, your secretary? CLAUDE    Just find me something, or I'm gonna forget the numbers I already got! SOUND    FEET GO OFF SOUND    ROOTING AROUND IN A PURSE CHARLIE    Here's some paper. LENNY    [coming back] I got a pencil from the desk.  It's getting kind of dark outside. CHARLIE    Great - a storm. CLAUDE    Good thing you got that kid under cover.  She don't need to catch penumonia. CHARLIE    Oh, listen to Mary Curry over here. CLAUDE    [sighs] SOUND    WRITING SOUND    DISTANT ECHOEY WEIRD NOISE CHARLIE    What the hell? CLAUDE    That's what I've been trying to tell you about.  Cept now it sounds like it's inside here with us. CHARLIE     Get that vault open, before they find us. LENNY    They?  Don't you mean it? CHARLIE    It's got to be some sort of Okie joke.  These hicks are messing with us. SOUND    CLOSER ECHOEY WEIRD NOISE CHARLIE    [shrieking] Get it open! CLAUDE    My hands won't stop shaking, Charlie.  I can't concentrate-- CHARLIE    I can NOT believe I am hearing this! CLAUDE    [voice rising to a yell] --and you ain't helping!  SHUT UP! CHARLIE    huh! [affronted]  Hmph. CLAUDE    [long deep breath, trying to calm down] SOUND    CLICKING of DIAL BEGINS SOUND    DISTANT ECHOEY WEIRD NOISE SOUND    CLICKS TURN WILDLY CLAUDE    Yah! LENNY    [nervous, but trying to be helpful] I-I could go and look? CLAUDE    No, I think-- CHARLIE    Yeah, you do that, knucklehead.  Go and kick some heads on these nutballs. CLAUDE    [definitive]  No.  SOUND    DIAL TWIRLS QUICKLY CLAUDE    We're getting out of here. CHARLIE    [angry] Don't you chicken out on me now, Claude! [wheedling] Come, on baby!  We're this close to the big score.  I can taste it! The only thing in our way is this door. SOUND    ECHOEY WEIRD NOISE COMES AROUND CORNER, SKITTERING LENNY    And th-th-th-that!  [a shriek] Them! SOUND    RUNNING FEET MUSIC ALL    PANTING BREATHING IN A CLOSE SPACE LENNY    What the hell?  What were they?  CLAUDE    I dunno!  All I saw was teeth and fur. CHARLIE    They're like shrews or something. CLAUDE    Nah, they was more teeth than anything else.  Even shrews ain't like that.  These ain't nothing natural. CHARLIE    Well they ain't ghosts, frogs, or pigs.  LENNY    That just leaves monsters. CHARLIE    [after a beat]  What? LENNY    The little girl, she said it was monsters. SOUND    SCRABBLIONG AT THE DOOR BEGINS, GETS LOUDER THROGUHOUT LENNY    Oh, holy crap!  CHARLIE    Sounds like they're eating their way through! CLAUDE    And there ain't excatly a dozen ways out of this closet here. CHARLIE    There gotta be something!  I ain't going out like this.  Boost me up! CLAUDE    Boost? CHARLIE    I think I see something up there.  Just like in gramma's attic. CLAUDE    [grunt of boosting]  Lenny, give me a hand here, wouldja? LENNY    Yeah, here - uh!  Careful! [he has a kitten in his coat] BOTH    [grunt as they push her up] CHARLIE    Yeah!  I thought so!  SOUND    GRIND OF WOOD SHIFTING CHARLIE    This probably goes to a roof access.  [ugh! As she climbs up] CLAUDE    Don't kick!  Damn! LENNY    Watch out!  Uhhh!  SOUND    HER SCRAMBLING STOPS CHARLIE    [calling down] Big help you two are.  I see cracks of light - bet there's a vent and I can get out onto the roof. CLAUDE    And then what? CHARLIE    Well, they don't look much like climbers, do they?  We can wait it out up there! CLAUDE    How the hell are we supposed to get up there? LENNY    Whatever we do, we better do it quick!  Sounds like they're getting through! CLAUDE    Here, I'll boost you. LENNY    Nah, Claude - If you get killed, then I'm alone with her, and I can't take that.  CLAUDE    You dumbo! LENNY    Besides, you can pull me up better.  Okay? CLAUDE    Let's do this. SOUND    GRUNST, RUSTLES, THUMPS CLAUDE    [long grunt, pulling himself up] SOUND MOVES UP TO THEM ABOVE SOUND    DISTANT WOOD CRACKING LENNy    [distant]  Claude?  Come on!  My turn! [continues under] CHARLIE    oh, Claude!  [kisses him] CLAUDE    MMm!  [surprised, but enjoying the kiss] SOUND    WOOD QUIETLY SHIFTED, LENNY CUTS OUT CLAUDE    What was that for? CHARLIE    Just happy. LENNY    [off, screams!!!] CLAUDE    shit!  You closed the hatch!  CHARLIE    It's too late for him! LENNY    [Scream cuts out] CLAUDE    How could you do that? CHARLIE    If I didn't you woulda died wit him!  I'm protecting you, ya bastard. CLAUDE    Where's this damn vent? CHARLIE    Say you love me. CLAUDE    There it is. CHARLIE    What the hell's gotten into you? CLAUDE    You're my wife, and I'll get you out--  CHARLIE    Out of what? CLAUDE    Out of here.  Out of this town.  But don't expect to ever see me again after that. CHARLIE    [freaked] Cluade?  How can you even-- SOUND    KICKING OUT THE VENT MUSIC AMB    OUTISDE CLAUDE    [cold] Give me your hand. CHARLIE    [meek] all right, Claude. SOUND    SCRABBLING CLAUDE and Charlie [grunt as he pulls her up onto the roof] CLAUDE    [breathing hard with exertion]  [runs his hand over his face] CHARLIE    You still got the combination?  Just in case? CLAUDE    I don't even care no more. CHARLIE    Can I see it? CLAUDE    No.  Where's that pencil?  Ah. SOUND    PAPER RUSTLES CHARLIE    What're you doing? CLAUDE    Writing my will. CHARLIE    Will?  What you got to leave? CLAUDE    I dunno, but there must be something I can-- whoa. CHARLIE    What? CLAUDE    Where'd you get this paper? CHARLIE    That?  Oh I think that was the note on our door. CLAUDE    Damn. CHARLIE    What? CLAUDE    This woulda been good to know.  "So sorry to put you in harm's way, but the boggins is hungry, and if it ain't an outsider, then it's someone in town, and we can't have that.  But we did warn you, as tradtion demands, and you had every chance to leave.  Thank you for staying!" CHARLIE    So it must be over, right? CLAUDE    Are you flapping your lips for a reason? CHARLIE    [whine] Claude!  The note makes it sound like it's just one they need.  One outsider.  So Lenny-- CLAUDE    [cold, hard] You need to shut your trap.  Now. CHARLIE    [sweetie again] You gonna forgive me, arentcha? CLAUDE    [not quite sure] No. CHARLIE    Oh, come on, Claudie.  We're better off, ain't we?  Just you and me, like the old days? LENNY    You want old days, I was his friend first. CHARLIE    [gasps] SOUND    SHE LOSES HER BALANCE A BIT, FEET SLOWLY APPROACH CLAUDE    Len!  [pleased]  I'll be damned!  What... happened?  It sounded like-- LENNY    [freaked out] They were...everywhere.  I dunno why they didn't just take me down.  They took some chunks out of me, man, but they... stopped. SOUND    MONSTER NOISES START SNEAKING IN, UNDER CHARLIE    [insincere] What a relief! LENNY     Don't you start!  I heard everything.  CLAUDE    Can you forgive me, Lenny? LENNY    Yeah, probably.  Jeez I hope Peahces is OK. SOUND    UNZIP WIDNBREAKER CLAUDE    What? LENNY    You think we're safe up here? CHARLIE    [spiteful again] Apparently, you're safe anywhere.  Must taste bad. LENNY    Oh, look, he's still asleep. CLAUDE    [laughing a little]  A kitten?  You took you a kitten? CHARLIE    You did what?  You are SUCH a shit-for-brains. LENNY    Leave off, Charlie, or I swear I will-- SOUND    NOW BECOMING OBVIOUS, THE MONSTERS ARE DOWN BELOW CLAUDE    Shh!  It's those things! CHARLIE    The shrews? CLAUDE    Whatever they are.  CHARLIE    Can you see them? CLAUDE    The roof slopes wrong, I can't get close enough to get a look down. CHARLIE    Well, crawl out there!  Surely you don't expect me to do it! LENNY    I can't leave Peaches. CHARLIE    Peaches? SOUND    SNATCH, THUMP AS SHE THROWS THE KITTEN AT A WALL CHARLIE    [uh! As she throws] There's your damn Peaches. LENNY    Peaches!!  SOUND    SCRAMBLE ACROSS THE ROOF LENNY    You killed him!  He was justa baby kitten!  He never din't do nothing to you! CHARLIE    Stop bawling and start helping! LENNY    I'll help.  Yeah, I know what I can do to help. SOUND    MOVING CLOSER LENNY    [unh!  Shoving] CHARLIE    Lenny? What are you doing?  Ahh!!!  Claude! LENNY    Stay back, Claude. CLAUDE    I'm just a bit too damn tired to stop you. CHARLIE    Claude?!?  Ahhhhhhhhh [scream as she goes off the roof] SOUND    ROAR OF MONSTERs, grinding chewing CHARLIE    [Horrible screaming.] LENNY    [calm again] Sorry you had to see that. SOUND    MONSTER NOISES DISSIPATE CLAUDE    Sorry about your Peaches, Lenny.  We'll get you another kitten. LENNY    Okay.  [pause] Claude?  Let's not get you another wife, though, okay? SOUND    CLOCK CHIMES 1 O'CLOCK CLOSER OLIVIA    Now that you know how to find us, you'll have to come back.  Maybe next week?  Don't be a stranger - we have enough of those already... __________________ LENNY    Funny thing, though - Why'd Artie tell me about this?  CLAUDE    I have a feeling he... well... meant for us to come to a bad end. LENNY    But he carries a torch for Charlie! CLAUDE    Yup.  And he said she shouldn't come. LENNY    Oh!  [musing]  Artie's never...wrong. _________________ CLAUDE    If anybody who's asleep is safe, I think maybe Peaches saved your life. By sleeping. LENNY    [wailing] Peaches!!! CLAUDE    Lenny, just hold on to the good times. THE END

Scoot talks to David Skinner from the Saenger Theater about what's on tap this summer at the city's premiere venue for touring Broadway productions

Avoid getting into the weeds by controlling your tables. The best ways to be able to control your tables is by appearing as an authority, being knowledgeable, controlling the timing among other things. In this show we will discuss how.Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterThe Podcast is available on iTunes https://podcasts.apple.com/us/podcast/the-modern-waiter-podcast/id1445457201 iHeart Radio https://www.iheart.com/podcast/256-the-modern-waiter-podcast-31152300/, Spotify https://open.spotify.com/show/2WwXTEggjmNDh4rafHtO85 and on your favorite ways of listening to podcasts.More Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode, we sit down with NYC actress, singer, and recording artist Molly Hager. Molly was an original cast member of Broadway's “Waitress”, in the cult off-Broadway hit musical “Heathers”, and can be seen later this summer starring as Detective Virginia Rider in “5 Days At Memorial” on Apple+. She is also a frequent collaborator of musical theater writers, Joe Iconis and Michael R. Jackson. Molly shares her experience growing up with a famous mom, what it's like to be on Broadway, what drives her to keep going in such a competitive business, how she deals with nerves before auditions, PLUS takes us behind-the-scenes of her new Apple+ show! Connect With Molly - @hagermolly Follow us on - Instagram: @obsessedwiththebestpod YouTube: Obsessed With The Best Patreon: Obsessed With The Best TikTok: @obsessedwiththebestpod This Podcast Is Sponsored By Better Help For 10% off your first month of virtual therapy tap the link below or enter code: OBSESSED at checkout! https://betterhelp.com/obsessed This Podcast Is Sponsored By Ombre Labs For $30 off your at home gut health test tap the link below or enter code: OBSESSED at checkout! https://tryombre.com/obsessed Shop our Favorite Brands! Beauty Counter To shop clean beauty with Obsessed With The Best, just tap our link below and enter code: CLEANFORALL30 for 30% off your first order, just for the month of June 2022! https://beautycounter.com/obsessed Plant People: Use code OBSESSED for 15% off your first Plant People order at www.plantpeople.co/OBSESSED Get your Obsessed With The Best Merch! https://obsessed-with-the-best.creator-spring.com/ Feel free to email us any time at obsessedwiththebestpod@gmail.com with questions, comments, and product or guest suggestions! Support us by supporting our host network, DimlyWit Productions. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Tony Awards' season and we're celebrating with three 2022 Tony Award nominees. Joining host Ben Cameron are Tony Award winner LaChanze (Once on This Island, The Color Purple, Dreamgirls), Tony nominee Rob McClure (Mrs. Doubtfire, Chaplin, Beetlejuice) and Tony nominee Shoshana Bean (Mr. Saturday Night, Wicked, Waitress). Ben and his guests chat about the road to the Tony nomination, how they are navigating the Tony season gauntlet and more! CLICK HERE TO JOIN OUR PATREON Follow us @TheBroadwayCast on Instagram, Facebook, TikTok, YouTube and Twitter --- Support this podcast: https://anchor.fm/the-broadway-cast/support

Scoot talks about a great feel-good story to start the week, and this story has everything - faith, charity and sushi

Yikes! (photo credit Getty Images)

In this week's restaurant podcast we are joined by Omar. We springboard off of last week's topic and find out how he handles his tables. We don't operate the same however the goal till remains good service.Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterThe Podcast is available on iTunes https://podcasts.apple.com/us/podcast/the-modern-waiter-podcast/id1445457201 iHeart Radio https://www.iheart.com/podcast/256-the-modern-waiter-podcast-31152300/, Spotify https://open.spotify.com/show/2WwXTEggjmNDh4rafHtO85 and on your favorite ways of listening to podcasts.More Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Venita, Cheryl and Beverly first give their condolences to the families and friends of the recent mass shootings! Flight Attendant, Debbie Gentry, joins the ladies at the Island. Debbie shares her life in the sky and gives travel tips that save space, time and money. That means zip-lock bags, purchasing air tickets on a certain day and taking adult trips between September and January. She remembers "back in the day" stewardesses or as Debbie calls them - a "Waitress in the Sky." After 35 years, Debbie Gentry has witnessed significant industry changes and still LOVES what she does! Whether its a nearby day trip, popular U.S. destination or International travel, Debbie has an experience to share and a travel tip for you. The hosts of the Island spill the tea with travel tips, too. --- Send in a voice message: https://anchor.fm/venita-r-mitchell/message Support this podcast: https://anchor.fm/venita-r-mitchell/support

In today's episode of the “Helping Families Be Happy” podcast, host Dr. Carla Marie Manly, a practicing Clinical Psychologist, Wellness Advocate, and Author based in Sonoma County, California talks with guest Jessica Lancaster who shares about her work as an Actor, Social Media Guru, Producer, and Waitress.   Episode Highlights 01:38 – Jessica says, she waited tables now for 20 years and she doesn't actually need to do it financially anymore. 03:51 – It's important for people with phones to keep them away while they eat. 05:30 – Jessica wishes she could have had more family meals; so many wonderful things can happen around the dinner table. 07:10 – Dr. Carla asks Jessica about her life as an Instagram Goddess. 09:05 - Instagram is a great way to unite mothers. Those are the groups and communities of support and connection that can be found only through Instagram. 11:35 – If the post doesn't make sense of what they're doing or what they're trying to say, Jessica guides them to a better target market of quote selling.  13:30 – Jessica mentions that everybody is doing cool stuff like the artsy design but now what's working is just authentic feeling in the moment. 15:38 - It's important to shop local and support these women and these moms specifically as the money's going right into their children. 17:40 - The movie making and producing came out of necessity to play good roles, mentions Jessica. 19:43 – Jessica says, she grew up in an interesting family where her mom was married four times, and her dad was married three times.  21:00 – Jessica talks about what the Screen Actors Guild (SAG) means. 24:40 – Good acting is that they want something different than you want, and that's what makes the scene explode, says Jessica. 25:15 – Dr. Carla states, that as a parent, and partner you are seeing the other and you're responding to them whereas, in acting, you are reacting to create contrast. 27:50 - The scene has the contrast, but in life, one should get what they want. 29:38 – Jessica says, when there is a contrast, it's an easy solution. 31:25 - One piece of advice that sticks with Jessica is don't give up on having to be right. 33:18 – Jessica shares, that something shifted in her and she learned that it didn't feel good to be in an argument, and she's not going to do that anymore. 34:50 – If you're looking for a good movie, Jessica has got movies like ‘The Holy Fail', and ‘Choosing Signs' on Amazon. 36:10 – Dr. Carla says, we need more films about love, comedy, and lightheartedness.   Three Key Points Dr. Carla Highlights - one of the things she loves about Familius Publishing is that they have a grassroots way of working where they honor moms, and families and are heavily focused on that. She's a believer that the more we support our kids, the more we support our family, the family's authenticity, genuineness, caring for the planet, and the happier we all are going to be in the long run. Children don't know enough to make life easy so the parents have to come in. Unfortunately for many people, they don't know how they weren't given lessons, they didn't have role models on how to be in a relationship. So, the work that is involved for people is getting to a place within themselves and their relationships. Dr. Carla mentions - it is about showing the world what it looks like to radiate love. Not radiate I am right, or I am better. You are bad, but to radiate love, because that's what Jessica does it's one of the things she specializes in naturally as she radiates love.   Tweetable Quotes “I tell people at my tables I'm like, if possible, please don't have your cell phones out.” - Jessica Lancaster “If you're talking and communicating, you're not just eating the food. You're enjoying the food.” - Jessica Lancaster “You'll go to someone's page and they have like 100,000 followers and 17 likes, that feels inauthentic to me.” - Jessica Lancaster “The more authentic you are, the more successful your page will be.” - Jessica Lancaster “There is less than 1% of SAG actors are making a living acting.” - Jessica Lancaster “The SAG makes sure that I get the residuals from that TV show I did or same with CSI or whatever.” - Jessica Lancaster “It sounds as if being a producer might not be or as an actor might not be as glamorous as people think there's a lot going on behind the scenes.” – Dr. Carla Carie Manly “TV and film would be very boring if everybody got a long period.” - Jessica Lancaster “People want to be seen and validated. So, the lesson of the day is to avoid the contrast in your relationships.” - Dr. Carla Carie Manly “I teach reflective listening, mirroring all of those things and being able to not engage in dichotomous thinking, where I'm right, you're wrong. - Dr. Carla Carie Manly “Just be good to one another.” - Jessica Lancaster “I think to me, that's the best kind of film is where the actors radiate love.” - Dr. Carla Carie Manly   Resources Mentioned Helping Families be Happy Podcast Apple Dr. Carla Marie Manly Website LinkedIn Twitter   Instagram Jessica Lancaster: Instagram Podcast Editing  

Sometimes your food order gets messed up. It happens. But this waitress had enough and pulled her gun out on a customer! Read our midterm articles here.Follow Nick on Twitter here.Follow Chris on Twitter here.Follow BBP News on Twitter here.News articles here. 

How do you identify what your guests secretly are looking for to feel like they had a great experience. In this week's restaurant podcast episode we will teach you how to gauge your tables? Every guest will fall into one of 4 categories. Guests are either seeking Fun, an Experience, Attention, or Convenience. Knowing which category they fall into is a game changer…Watch us on YouTube https://www.youtube.com/channel/UC29jIbBYXKxWMJBDFklmwHQ Follow us on Instagram https://www.instagram.com/themodernwaiterpodcast/. Support us on Patreon https://www.patreon.com/TheModernWaiterMore Info https://www.themodernwaiter.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Damon gets to talk to Dave about his upbringing in a musical family, Broadway, teaching, Experience Camps and so much more! There's other segments too, like music news, iconic recordings, gig alerts and more. 

President Biden invokes the Defense Production Act to increase baby-formula supply, Dow slides more than 1,100 points, and Waitress at Pennsylvania Applebee's saves choking boy.

May 18, 2022

May 18, 2022

In this quick hitter, the boys discuss where they are off to and do a little Chicago recap. Later, Craig and Austen discuss the craziness that is being recorded during the Depp v Heard Trial. Lastly, they close out by responding to some messages and answering fan questions.