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In this episode of Half Hour, we go through the 2026 Tony Awards category by category, sharing our predictions for who will win in each category. We cover Best Play, Best Revival, acting categories, and design, discussing nominees including Liberation, Giant, and The Balusters, along with other productions shaping this season. The episode highlights key performances and creative teams while looking at how each category may play out. This episode is a straightforward look at where the awards may land and which shows and artists are leading the conversation this season. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on your predictions in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we go category by category through the 2026 Tony Awards, sharing our predictions for who will take home the top honors in the musical races. From Best Musical to acting, direction, and design, we break down each category and discuss the nominees, including Schmigadoon!, The Lost Boys, Titanique, Two Strangers Carry a Cake Across New York, and Cats: The Jellicle Ball. Along the way, we highlight performances from Shoshana Bean, Joshua Henry, Hannah Cruz, Layton Williams, and André De Shields as key contenders. This episode is a straightforward look at where the awards may land and which shows and artists are leading the conversation this season. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on your predictions in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today on Decorating Pages, this Emmy FYC episode is presented by HBO Max in celebration of Hacks for Outstanding Production Design for a Narrative Program, Half-Hour.Host Kim Wannop talks with Emmy-nominated Production Designer Rob Tokarz about the final season of Hacks and the detailed production design behind Deborah Vance's world.Rob breaks down the submitted Emmy episode, including the 1970s sitcom set created for Deborah's fictional television history, the custom wallpaper, the Paley tribute, shooting at the Academy Museum, Deborah's mansion and closet, the Las Vegas cube sequence, and the massive design work behind the final season.He also shares how the Hacks team created around 158 sets across 75 shooting days, built part of the Las Vegas Strip on stage, and used locations, graphics, set decoration, and period detail to support the comedy and emotional story of the series.This episode is a must-listen for fans of Hacks, Emmy voters, production designers, set decorators, art directors, film students, television lovers, and anyone who wants to understand how great sets help tell story.Hacks is now streaming on HBO Max. For your Emmy consideration.YouTube trailer link: https://youtu.be/4OegsEuqMmo?si=27cDJlZfKob9iFv3@Hacks @HBOMax #Hacks
This is one from the Patreon archives. Sometime in late 2021. Mr. Daniel James Gower joined us to chat about whatever the hell he wanted. This was originally hidden behind a paywall but we wanted to make sure this was available for all to enjoy. We love you, Big Dan.
In this episode of Half Hour, we discuss the 2026 Broadway revival of The Rocky Horror Show, now playing at Studio 54. Directed and choreographed by Sam Pinkleton and starring Luke Evans as Dr. Frank-N-Furter, the production revisits the cult classic with a renewed focus on theatricality, audience interaction, and design. We take a deeper dive into how this revival balances its original counterculture roots with a contemporary Broadway framework. From the staging choices that make full use of Studio 54 to the evolving role of audience call-backs, we break down what's working, what feels different, and how the experience compares to both the original stage production and the film adaptation. We also discuss standout performances, including Evans' interpretation of Frank-N-Furter, and how the ensemble supports the show's tone. Along the way, we look at the show's cultural legacy, its continued relevance, and how this revival positions itself within today's Broadway landscape. If you've seen The Rocky Horror Show before or are considering this production, this episode offers a closer look at what to expect and why this revival is generating conversation. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
And now she takes my calls
This orb of broken dreams and twisted promise
In this episode of Half Hour, we discuss the Broadway production of The Balusters, now playing at the Samuel J. Friedman Theatre. Written by David Lindsay-Abaire and directed by Kenny Leon, the play centers on a neighborhood association navigating questions of safety, preservation, and community identity. We take a deeper dive into the play's structure, themes, and staging, breaking down how a seemingly local conflict reflects broader cultural tensions. We also discuss how the ensemble shapes the shifting dynamics within the story. From the symbolism of the balusters themselves to the play's commentary on change and control, we unpack what's working, what stands out, and how the production lands with a Broadway audience. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we take a closer look at Roundabout Theatre Company's 2026 Broadway revival of Fallen Angels at the Todd Haimes Theatre. Written by Noël Coward and directed by Scott Ellis, the production stars Rose Byrne and Kelli O'Hara as two women revisiting a shared past over the course of one increasingly chaotic afternoon. We break down the play's structure, its farcical pacing, and how Coward's dialogue continues to land with a contemporary audience. We also discuss the performances from Byrne and O'Hara, the role of physical comedy and timing, and how the production balances period style with modern sensibilities. The conversation also touches on David Rockwell's scenic design and how the staging supports the rhythm of the piece. We also get into the show's Tony Awards presence, its place in the current Broadway season, and why revivals of classic comedies like Fallen Angels continue to resonate. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tonight on Brett Orchard's Old Time Radio Show, we're winding down with a true British comedy classic — Hancock's Half Hour: The Stolen Petrol. Tony Hancock is in wonderfully grumbling form, with Sid James, Bill Kerr, Kenneth Williams and Hattie Jacques helping create that timeless old radio magic. If you enjoy ending the day with something familiar, warm and gently funny, this is a lovely one to settle in with — perfect for a late cuppa, a quiet evening or a bit of calm company before sleep. Subscribe for classic British comedy, old time radio, vintage mysteries and relaxing night-time listening. dayslikethis.life #HancocksHalfHour #TonyHancock #ClassicBritishComedy #OldTimeRadio #BedtimeListening
In this episode of Half Hour, we discuss the Broadway production of Giant, now playing at the Music Box Theatre. Written by Mark Rosenblatt and directed by Nicholas Hytner, the play centers on a pivotal chapter in the life of Roald Dahl, examining the tension between artistic legacy and personal controversy. We take a deeper dive into the play's structure and focus, breaking down how its contained timeline shapes the narrative and leaves space for audience interpretation. We also discuss John Lithgow's performance as Dahl, and how the production balances charm, discomfort, and confrontation in its portrayal. The conversation explores the design, direction, and overall staging choices, as well as the production's reception and Tony Awards recognition, including nominations for Best Play and Best Direction. We consider how Giant positions itself within the current Broadway landscape and what it asks of its audience. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Anita Hermanus, founder and guide of Aunty Nita’s spoke to Clarence Ford on highlighting the Cape Flats community as part of NeighbourhoodStories campaign. Views and News with Clarence Ford is the mid-morning show on CapeTalk. This 3-hour long programme shares and reflects a broad array of perspectives. It is inspirational, passionate and positive. Host Clarence Ford’s gentle curiosity and dapper demeanour leave listeners feeling motivated and empowered. Known for his love of jazz and golf, Clarrie covers a range of themes including relationships, heritage and philosophy. Popular segments include Barbs’ Wire at 9:30am (Mon-Thurs) and The Naked Scientist at 9:30 on Fridays. Thank you for listening to a podcast from Views & News with Clarence Ford Listen live on Primedia+ weekdays between 09:00 and 12:00 (SA Time) to Views and News with Clarence Ford broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/erjiQj2 or find all the catch-up podcasts here https://buff.ly/BdpaXRn Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.
Doesn't mean they're not great, but it's like
Tonight on Brett's Old Time Radio Show, we're winding down with a true British comedy classic — Hancock's Half Hour: Cyrano de Hancock If you enjoy ending the day with something familiar, warm, and gently funny, this is a lovely one to settle in with. Tony Hancock is in wonderfully grumbling form, with Sid James, Bill Kerr, Kenneth Williams, and Hattie Jacques helping create that timeless old radio magic. For many listeners, Brett Orchard's Old Time Radio Show is part of a nightly wind-down — a chance to switch off, relax, and spend a little time with the comforting voices of another era. Tonight's episode fits that beautifully. So whether you're having a late cuppa, easing out of a busy day, or simply looking for a little calm company before sleep, this is a very good place to start. Tonight's episode: Hancock's Half Hour: Cyrano de Hancock Please follow, subscribe, and share with someone who loves classic radio, British comedy, and calm late-night listening.
In this episode of Half Hour with Jeff & Richie, we discuss the Broadway production of Beaches, now playing at the Majestic Theatre. Based on the iconic film and novel, the musical adaptation stars Jessica Vosk and Kelly Barrett as lifelong friends CC Bloom and Hillary Whitney, navigating decades of friendship through joy and heartbreak. We examine Vosk's performance and her Tony potential, analyze the show's jazz-influenced score, and examine how its musical style interacts with different time periods. The discussion explores the production's minimalist staging approach, use of projections, and rapid scene transitions that prioritize story over spectacle. We break down the book's fidelity to the original film, casting choices for younger characters, and how the show positions itself within Broadway's trend of adapting established source material. The episode also considers the production's touring potential and whether the adaptation elevates the source material for theatrical longevity. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hey kids! It's an off week but I thought it might be fun to take a listen to a blast from the past! Then we start off with At The Movies. The 1st flick we caught this week was The Nice Guys. A 70' Detective Movie with Ryan Gosling and Rus Crowe. It was directed by Shane Black and I loved it. The second joint we took in was Neighbors 2. You know, I think it's actually the other way around. I think we saw Neighbors 2 first and then we moved onto Niee Guys. Either way, we saw them both and then we actually saw another movie. The main event movie of the week. X-Men Apocalypse.. This is a really fun episode with a major phone call from Pooptronics Media's Director Of New Media, A.B Silver...
In this episode of Half Hour with Jeff & Richie, we discuss the Broadway production of The Lost Boys, now playing at the Palace Theatre. Directed by two-time Tony Award winner Michael Arden, the musical adaptation of the 1987 Warner Bros. film stars three-time Tony Award nominee Shoshana Bean as Lucy, alongside a cast navigating themes of family, belonging, and teenage vampires in Santa Carla. We examine the production's scenic design, lighting effects, and flying sequences while analyzing the tonal shifts between acts and the musical's approach to 80s nostalgia. The episode explores vocal performances, sound design choices, and how the show positions itself within the current Broadway landscape, including its 12 Tony Award nominations. We break down what works in this spectacle-driven production and offer a perspective on its theatrical storytelling and potential longevity. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this podcast, we look at The Lawyer, from the third television series.'Rumpole', 'Kavanagh' and 'Perry Mason' don their wigs and discuss the brilliant supporting cast with a special call out for Bill Fraser in his role as the police sergeant. enjoy the fluffs from the cast that come with this programme being broadcast live and consider how many different ‘jobs' Hancock had during these early television series. Finally, the team look at Sid's brilliant reactions to Hancock's impassioned plea for his innocence and consider, in detail, how Hancock managed to put his car in the car park so quickly. Don't forget to rate and subscribe to the podcast. And if you haven't done so already, why not join the Tony Hancock Appreciation Society - full details of how to join are at www.tonyhancock.org.uk. We are holding an event in London in May where we will be talking to Richard Harrison who discovered two lost Hancock's Half Hour episodes and our annual dinner will be held in Solihull in September; we'd love to see you at one of our events as a member. In addition, screenings of Hancock's TV episodes on the big screen continue at the Riverside Studios in Hammersmith and we ‘ll be back there on the 27th June when we'll be showing three more episodes. We'll be back in a couple of weeks when we'll be looking at the fifth radio series episode The Publicity Photograph as suggested by Richard Brown. We hope to see you then.
Tonight on Brett's Old Time Radio Show, we're winding down with a true British comedy classic — Hancock's Half Hour: Anna and the King of Siam If you enjoy ending the day with something familiar, warm, and gently funny, this is a lovely one to settle in with. Tony Hancock is in wonderfully grumbling form, with Sid James, Bill Kerr, Kenneth Williams, and Hattie Jacques helping create that timeless old radio magic. For many listeners, Brett Orchard's Old Time Radio Show is part of a nightly wind-down — a chance to switch off, relax, and spend a little time with the comforting voices of another era. Tonight's episode fits that beautifully. So whether you're having a late cuppa, easing out of a busy day, or simply looking for a little calm company before sleep, this is a very good place to start. Tonight's episode: Hancock's Half Hour: Anna and the King of Siam Please follow, subscribe, and share with someone who loves classic radio, British comedy, and calm late-night listening.
In this episode of Half Hour, we analyze the Broadway production of Schmigadoon! now playing at the Nederlander Theatre. We break down the show's transition from Apple TV+ series to stage, its blend of parody and homage to Golden Age musicals, and the work of Christopher Gattelli's direction and choreography. We discuss standout performances from Alex Brightman, Sara Chase, Ana Gasteyer, McKenzie Kurtz, Isabelle McCalla, Max Clayton, and the ensemble, as well as the production's set and costume design, orchestration, and emotional core. We also look at Schmigadoon!'s Tony potential (Congrats on the 12 Tony‑award nominations), its place in the current Broadway season, and its potential for tours and school adaptations. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we dig into the 2026 Broadway revival of August Wilson's Joe Turner's Come and Gone, now playing at the Barrymore Theatre. We unpack how the play's boardinghouse setting, character-driven structure, and themes of home, history, and spiritual connection come through in this production. We also look at how the staging uses levels, windows, and movement to frame the characters' journeys. We highlight performances from Taraji P. Henson as Bertha Holly, Cedric “The Entertainer” as Seth Holly, Joshua Boone as Herald Loomis, and Ruben Santiago-Hudson as Bynum Walker, noting moments that stand out and where the production leaves room for more. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tonight on Brett's Old Time Radio Show, we're winding down with a true British comedy classic — Hancock's Half Hour: MichaelAngelo 'Ancock If you enjoy ending the day with something familiar, warm, and gently funny, this is a lovely one to settle in with. Tony Hancock is in wonderfully grumbling form, with Sid James, Bill Kerr, Kenneth Williams, and Hattie Jacques helping create that timeless old radio magic. For many listeners, Brett Orchard's Old Time Radio Show is part of a nightly wind-down — a chance to switch off, relax, and spend a little time with the comforting voices of another era. Tonight's episode fits that beautifully. So whether you're having a late cuppa, easing out of a busy day, or simply looking for a little calm company before sleep, this is a very good place to start. Tonight's episode: Hancock's Half Hour — MichaelAngelo 'Ancock Please follow, subscribe, and share with someone who loves classic radio, British comedy, and calm late-night listening.
In this episode of Half Hour, we take a deeper dive into the Broadway production of Dog Day Afternoon at the August Wilson Theatre. We walk through the true crime story behind the show, how the Oscar-winning film was adapted for the stage, and what shifts when a sweaty Brooklyn bank robbery plays out live in front of an audience. We break down the overall production, including Stephen Adly Guirgis' script, Rupert Goold's direction, and the balance between gritty tension and comedy. The conversation digs into performances from Jon Bernthal and Ebon Moss-Bachrach, how this staging captures 1970s New York, and where the play lands in today's Broadway landscape. We also touch on critical reactions, Dog Day Afternoon's awards potential, and what they think works best in this limited engagement. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we take a deeper dive into the 2026 Broadway revival of Arthur Miller's Death of a Salesman at the Winter Garden Theatre. We walk through the production's take on the American Dream, the pressure to succeed, and how those themes land in 2026. We break down Joe Mantello's direction, including the spare, symbolic staging, the recurring car motif, and the way the production frames Willy Loman's world as a kind of purgatory. We also look closely at the performances, from Nathan Lane's take on Willy's unraveling to Laurie Metcalf's grounded, quietly devastating Linda, along with the supporting work from Christopher Abbott and Ben Ahlers. We talk about how this revival speaks to modern capitalism, influencer culture, technology's impact on sales, the cycle of debt in America, and why Death of a Salesman keeps returning to the Broadway stage. We also consider critical reception so far and make some early Tony predictions for the production and its stars. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this podcast, we look at The Idol, the third episode of the very first radio series.The three Bobby-soxer's consider the quality of this early script, which is more like a three-act play, discuss the brilliant support provided by both Moira and Bill and reflect on how Hancock's previous series Star Bill provided the genesis for this episode. The team review a number of sequences in the original script which were not included in the programme and debate, at length, alternative preferable destinations to Chalk Farm. Don't forget to rate and subscribe to the podcast. And if you haven't done so already, why not join the Tony Hancock Appreciation Society - full details of how to join are at www.tonyhancock.org.uk We are holding an event in London in May where we will be talking to Richard Harrison who discovered two lost Hancock's Half Hour episodes and our annual dinner will be held in Solihull in September; we'd love to see you at one of our events as a member. In addition, screenings of Hancock's TV episodes on the big screen continue at the Riverside Studios in Hammersmith and we ‘ll be back there on the 27th June when we'll be showing three more episodes. We'll be back in a couple of weeks when we'll be looking at the third television series episode, The Lawyer. We hope to see you then.
Tonight on Brett's Old Time Radio Show, we're winding down with a true British comedy classic — Hancock's Half Hour: The New Secretary If you enjoy ending the day with something familiar, warm, and gently funny, this is a lovely one to settle in with. Tony Hancock is in wonderfully grumbling form, with Sid James, Bill Kerr, Kenneth Williams, and Hattie Jacques helping create that timeless old radio magic. For many listeners, Brett Orchard's Old Time Radio Show is part of a nightly wind-down — a chance to switch off, relax, and spend a little time with the comforting voices of another era. Tonight's episode fits that beautifully. So whether you're having a late cuppa, easing out of a busy day, or simply looking for a little calm company before sleep, this is a very good place to start. Tonight's episode: Hancock's Half Hour — The New Secretary Please follow, subscribe, and share with someone who loves classic radio, British comedy, and calm late-night listening.
In this episode of “Half Hour”, we take a closer look at the 2026 Broadway revival of David Auburn's Proof at the Booth Theatre, starring Ayo Edebiri and Don Cheadle in their Broadway debuts. We walk through the play's structure and plot, considering how this production navigates questions of genius, trust, and mental health within a family still reckoning with loss. We break down Thomas Kail's direction, pacing, and emotional temperature of the evening, while reflecting on how the performances by Ayo Edebiri, Don Cheadle, Kara Young, and Jin Ha shape the onstage dynamics. We also discuss the set and lighting design, how the visual world supports the mathematics and memory at the heart of the play, and how revisiting the script compares to encountering this revival in performance. The conversation turns to awards prospects, with predictions for potential Tony nominations and thoughts on where this Proof fits into recent Broadway revivals. We close with creative notes we would offer the production team and cast, and what this staging suggests about the play's future life on Broadway and beyond. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
HOOOOOOOOOOOOOOOOOOO DOGGIES Roy Rogers & The Sons of the Pioneers - Tumblin' Tumbleweeds Flatt & Scruggs - Roll in My Sweet Baby's Arms The Monkees - What Am I Doing Hanging Around? Marty Robbins - El Paso Waylon Jennings - Stop the World (And Let Me Off) Lynn Anderson - Snowbird Stonewall Jackson - Wings of a Dove The Statler Brothers - Flowers on the Wall Johnny Horton - Battle of New Orleans Louie Innis - Suicide Buddy Knox - I Think I'm Gonna Kill Myself Johnnie Wright - Hello Vietnam The Tempests - Look Away Mack Fields - Bowling Ball Blues Bobby Jenkins - If You Ain't Gonna Take It Off (Don't Tempt Me, Baby) Bobby Barnett - Drink Canada Dry Ray Price - If You Don't, Somebody Else Will George Jones - Why Baby Why Jimmy Minor - Satan's Chauffeur The Sunshine Boys Quartet - We Need a Whole Lot More of Jesus (And a Lot Less Rock & Roll) Chris Sprague - Chick Inspector Tammy Wynette - D-I-V-O-R-C-E Johnny Paycheck - Take This Job and Shove It Roger Miller - My Uncle Used to Love Me but She Died The Ozark Mountain Daredevils - If You Wanna Get to Heaven Townes Van Zandt - Dead Flowers The Sons of the Pioneers - Way Out There
You can suport meon Patreon https://www.patreon.com/crimson60620ps4gaming or https://www.paypal.me/crimson60620 You can watch melive on https://www.twitch.tv/crimson60620 Follow me onTwitter @ http://www.twitter.com/crimson60620 I also streammyself drawing or performing some skit. I occasional recordmy old poems and spoken word. I alsostream my drawing here. I also do reviewsor talk about some of my crazy thoughts.
In this episode of Half Hour, we take a deeper dive into the Broadway production of The Fear of 13 at the James Earl Jones Theatre, written by Lindsey Ferrentino and directed by David Cromer. We break down how the original documentary has been reshaped into a theatrical experience, and what is gained when Nick Yarris's story of wrongful conviction and years on death row is told live onstage. We talk through Adrien Brody's performance as Nick and Tessa Thompson's work as Jacki, along with contributions from Ephraim Sykes and the ensemble, and how their choices shape the evening's emotional impact. We also examine Cromer's pacing, the production's minimalist set and symbolic lighting, and how music and sound design reinforce themes of justice, systemic failure, and the human cost of the appeals process. Finally, we consider The Fear of 13's partnership with criminal justice advocates, its relevance to ongoing conversations about wrongful convictions, and where we see this production landing in the Tony Awards conversation this season. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tonight on Brett's Old Time Radio Show, we're winding down with a true British comedy classic — Hancock's Half Hour: The Income Tax Demand. If you enjoy ending the day with something familiar, warm, and gently funny, this is a lovely one to settle in with. Tony Hancock is in wonderfully grumbling form, with Sid James, Bill Kerr, Kenneth Williams, and Hattie Jacques helping create that timeless old radio magic. For many listeners, Brett Orchard's Old Time Radio Show is part of a nightly wind-down — a chance to switch off, relax, and spend a little time with the comforting voices of another era. Tonight's episode fits that beautifully. So whether you're having a late cuppa, easing out of a busy day, or simply looking for a little calm company before sleep, this is a very good place to start. Tonight's episode: Hancock's Half Hour — The Income Tax Demand Please follow, subscribe, and share with someone who loves classic radio, British comedy, and calm late-night listening.
In this episode of Half Hour, we take a closer look at the 2026 Broadway production of Titaníque at the St. James Theatre, the Céline Dion-fueled parody of Titanic that has sailed uptown after its celebrated Off-Broadway run. We break down how the show's journey from a downtown cult favorite to a commercial Broadway production affects the storytelling, the humor, and the overall energy in a larger house. We discuss the creative team's concept, the use of Dion's catalog, and the legal and artistic hurdles of building a parody around iconic film characters and globally known pop songs. We examine how the production values (set, lighting, sound, and choreography) have been scaled up for the St. James, and whether the show maintains the scrappy, anything-for-a-laugh spirit that defined its Off-Broadway run. The conversation highlights standout turns from Marla Mindelle as Céline Dion, Melissa Barrera, Deborah Cox, Frankie Grande, John Riddle, Constantine Rousouli, and Layton Williams, and considers how this ensemble shapes the show's tone and audience reception on Broadway. We also speculate on potential Tony Awards attention and where Titaníque fits in the broader landscape of contemporary Broadway comedy and parody musicals. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we dive into the 2026 Broadway revival of Becky Shaw by Gina Gionfriddo, now playing at the Hayes Theater. Directed by Tripp Coleman with design by David Zinn, the production stars Lauren Patten, Alden Ehrenreich, Madeline Brewer, Patrick Ball, and Linda Emond. The conversation explores the play's blend of comedy and drama, its sharp look at modern relationships, and how Gionfriddo's writing resonates with audiences today. We also discuss staging, performances, and whether this revival could be in the running for Tony nominations this season. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we sit down with Sam Tutty, currently starring in Two Strangers (Carry A Cake Across New York) on Broadway. We talk about how he first found his way into the industry and what it has meant to build a career across London and New York. Our conversation digs into what it has been like to perform in Two Strangers from the earliest days of the show through its current New York run, including the pace of playing a two-hander and living inside this contemporary New York rom-com world eight shows a week. We also revisit his work in Dear Evan Hansen, how that production shaped him, and what he took from leading a major musical at a young age. Sam shares thoughtful advice for young performers training for a life in the theater, plus a behind-the-scenes story. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show interviews, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we sit down with Hannah Cruz, currently starring in Chess at the Imperial Theatre. Cruz shares how she first found her way into performing, offers a look behind the scenes of this renowned musical's latest revival, and reflects on her work in The Connector and Suffs. The discussion also touches on her upcoming role in the film adaptation of Merrily We Roll Along and her advice for young performers entering the industry. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show interviews, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Power Half Hour || Five3 Radaio || April 3rd || Sargent Unstop by DJ (SARGENT) UNSTOP
In this episode of Half Hour, we discuss Cats: The Jellicle Ball, now running at the Broadhurst Theatre. Blending ballroom culture with Broadway tradition, this reimagined production turns a theatrical classic into a full-scale celebration of movement, identity, and joy. We dive into what makes this version feel alive… from the creative team's concept to standout cast performances and the vibrant design. We also reflect on how the Broadway transfer expands on the Off-Broadway production's energy and audience connection. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Half Hour, we take a deeper dive into the New York City Center Encores! production of Michael John LaChiusa and George C. Wolfe's The Wild Party, based on the 1928 narrative poem by Joseph Moncure March. We discuss the show's plot and concept, explore the source material, and consider how this Wild Party differs from the better-known Andrew Lippa version. They then review overall production at City Center Encores! including Lili-Anne Brown's direction and the work of the ensemble, and discuss how the score lands in this concert staging. Finally, they highlight standout turns by Jasmine Amy Rogers, Adrienne Warren, Jordan Donica, Tonya Pinkins, Jelani Alladin, and more, and share their thoughts on where this production might go next after its Encores! run. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
“Conquerors Isle” | A Navy pilot rescued from a Pacific life raft tells his psychiatrist a terrifying story — that somewhere beneath an uncharted island, a race of beings far beyond human intelligence is quietly preparing to take over the world. | #RetroRadio #WeirdDarkness | EP0609CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Come Fill My Cup” (June 27, 1977)00:46:27.960 = Half Hour to Kill, “Audition Episode, Never Aired” (October 29, 1946) ***WD01:14:45.527 = The Sealed Book, “Murderer Unknown” (August 19, 1945) ***WD01:44:14.592 = The Shadow, “The Leopard Strikes” (January 05, 1941)02:14:01.061 = Sleep No More, “Conquerors Isle” (November 21, 1956) ***WD02:42:35.328 = BBC Radio 4 Spine Chillers, “The Boy Who Cried Woof” (December 24, 1984)02:56:29.941 = Strange Wills, “Mad Concerto” (June 08, 1946)03:26:21.444 = Strange, “Greenwood Acres” (October 10, 1955) ***WD03:38:54.287 = Suspense, “Dime a Dance” (January 13,1944)04:08:11.884 = Tales of the Frightened, “Story of Wood” (December 18, 1957)04:12:31.541 = The Creaking Door, “Aunt Mae” (1964-1968)04:41:32.785 = The Saint, “Red Rose” (May 20, 1951) ***WD05:10:44.205 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0609
GOVERNMENT MUSIC Take This Job & Shove It Halloween Triumph of the Swill Gone with My Wind Jock-O-Rama (Invasion of the Beef Patrol) Rambozo the Clown Moral Majority One-Way Ticket MTV - Get Off the Air I Fought the Law Short Songs Macho Insecurity I Spy Police Truck Chickenshit Conformist Rawhide
Hour 2 - Jarrett Sutton joins to talk Mizzou, plus the Chiefs Red Half Hour full 2776 Fri, 20 Mar 2026 18:59:27 +0000 b5pAJxy52yt2bx3GyUGk3cur3JeUPmIg society & culture Cody & Gold society & culture Hour 2 - Jarrett Sutton joins to talk Mizzou, plus the Chiefs Red Half Hour Hosts Cody Tapp & Alex Gold team up for 610 Sports Radio's newest mid-day show "Cody & Gold." Two born & raised Kansas Citians, Cody & Gold have been through all the highs and lows as a KC sports fan and they know the passion Kansas City has for their sports teams."Cody & Gold" will be a show focused on smart, sports conversation with the best voices from KC and around the country. It will also feature our listeners with your calls, texts & tweets as we want you to be a part of the show, not just a listener. Cody & Gold, weekdays 10a-2p on 610 Sports Radio. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.am
What's the biggest question mark for the Kansas City Chiefs, The Chiefs Red Half Hour, and talk about an 18 game season has fired up again. full 2692 Thu, 19 Mar 2026 16:35:54 +0000 vTpj6qHd2Q54kiQy9JDVrqovxXCmuZUm society & culture Cody & Gold society & culture What's the biggest question mark for the Kansas City Chiefs, The Chiefs Red Half Hour, and talk about an 18 game season has fired up again. Hosts Cody Tapp & Alex Gold team up for 610 Sports Radio's newest mid-day show "Cody & Gold." Two born & raised Kansas Citians, Cody & Gold have been through all the highs and lows as a KC sports fan and they know the passion Kansas City has for their sports teams."Cody & Gold" will be a show focused on smart, sports conversation with the best voices from KC and around the country. It will also feature our listeners with your calls, texts & tweets as we want you to be a part of the show, not just a listener. Cody & Gold, weekdays 10a-2p on 610 Sports Radio. 2024 © 2021 Audacy, Inc. Society & Culture
In this episode of “Half Hour”, we discuss Bigfoot! The Musical, now playing Off-Broadway at New York City Center – Stage I. Set in the town of Muddirt, this new musical comedy follows an eight-foot-tall outcast caught in small-town paranoia, corrupt politics, and ‘80s nostalgia. We break down the book, music, and lyrics by Amber Ruffin, Kevin Sciretta, and David Schmoll, and talk about how the show uses politics and media hype as part of its storytelling. We also look at Danny Mefford's direction and choreography, Tim Mackabee's design, and how the production balances sketch-style comedy with a full-length musical structure. Then we turn to the cast, including Grey Henson as Bigfoot, Crystal Lucas-Perry, Katerina McCrimmon, Jason Tam, and Jade Jones, and examine what's working in the performances and ensemble. We close with our “Half-Minute” segment, where each of us offers rapid-fire feedback we'd share with the creative team. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of “Half Hour”, we examine Blue Moon, the Richard Linklater film profiling lyricist Lorenz Hart on the night Oklahoma! opens without him. Ethan Hawke leads as the troubled Hart, alongside Margaret Qualley, Bobby Cannavale, and Andrew Scott as Rodgers, capturing a pivotal moment in musical theater history. Our discussion covers the screenplay's blend of fact and reflection, Rodgers and Hart's fraught collaboration, the cast's working dynamics, the direction that evokes the authenticity of 1940s Sardi's, and the film's design elements. We wrap with the Half-Minute, highlighting personal favorite beats. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
11am hour of The K&C Masterpiece! Rangers Reporter for MLB dot com Kennedi Landry joins the show for two segments. The Dallas Stars make their first move ahead of the trade deadline.
Look at me, look at me Sea of Hate Sweet Cheeks Face to the Wall Ugly Shoe Day Sines Volcanoes I'm a Faerie Deadlines So Warm Enzymes Stay in Bed White People P's Dream Cold Inside Decoys Blackness Greener Religious Experience Hot Bubblegum Moron Embrace Thrill Is Gone Urn Feeding Frenzy Razor Glob The Man with No Emotion
Terrible, terrible things are gonna happen tonight. Through the Trapezoid Icy Gray Screw in the Wall Images Annihilation Vacation Same Time Tomorrow Blood-Stained Shadow Mountains Are Dreaming Pull 'Em Down Compass Shadow of a Dream MG Flour Here Come the Humanoids Sinking Ship All We Want To Do Is Kill I Don't Wanna Know You Teeth Dark Ages Sad Sap and the Infinite Ego Friend of Failure
It's not a fall if you don't land All the People Trash Photo Lie Fancy Lad Hurts So Bad Lousy Manipulator Simulator Homesick for Terror Your Hand My Glove Fantasy Boys Closed My Eyes Hologram I'm So Gone Styrofoam Modern Castles Bugs on Glue Not Now Kisses Ruining Everything Please Be Quiet Gold Hearts Mind Eraser Depression Cameltoe (Live)
Arthur C. Brooks is a professor at the Harvard Kennedy School and the Harvard Business School, where he teaches courses on leadership and happiness. His next book, The Meaning of Your Life: Finding Purpose in an Age of Emptiness, will be released on March 31, 2026.This episode is brought to you by:Humann's SuperBeets Sport for endurance and recovery: https://humann.com/timMonarch track, budget, plan, and do more with your money: https://www.monarch.com/timAG1 all-in-one nutritional supplement: https://drinkag1.com/timCoyote the card game, which I co-created with Exploding Kittens: https://coyotegame.com*For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.