Podcasts about v i warshawski

In der Notaufnahme eines Chicagoer Krankenhauses stirbt eine nahe Freundin von V. I. Warshawski bei einer Frühgeburt. Die Privatdetektivin hat den Verdacht, dass ärztliches Versagen die Ursache sein könnte. Als dann noch ein Arzt ermordet wird und wichtige Unterlagen verschwinden, weiß sie, dass hier einer der Fälle vorliegt, die sie mit gewohnter Hartnäckigkeit zu Ende bringen muss. Vor allem, weil sie und ihre Freundin Lotty ebenfalls in Gefahr geraten. | Von Sara Paretsky | Aus dem Amerikanischen von Anette Grube | Mit Donata Höffer, Marlen Diekhoff, Monica Bleibtreu u.a. | Bearbeitung: Hilke Veth | Regie: Ferdinand Ludwig | NDR 1992 |

Chair: Sue Turnbull V. I. Warshawski is a private investigator with a forensic interest in white collar crime who loves opera, dresses down, runs whenever she can, and has a passion for her two dogs. She is Sara Paretsky's finest invention – a character of depth and complexity. Over the course of more than 20 novels, Paretsky's depiction of V.I. has offered readers an alternative to the 'hardboiled dick' and radically transformed the detective fiction genre. Paretsky remembers V.I. and reflects on why social justice matters. Event details: Wed 08 Mar, 10:45am on the West Stage

Sara Paretsky is a lifelong reader of crime fiction. She developed her social conscience early on, realizing that women were so often represented in negative ways, and so often invisible. Years later when she began to write crime stories herself, she turned the tables on how women are depicted through her well-known series of books featuring V.I. Warshawski, a tough, intelligent private detective from Chicago.Among her readership are many women who insist on their right to speech and to take up space in a room. V.I. resonates with women readers, allowing them to find their own voices and feel valued and respected. From Sara's first book, Indemnity Only, to her most recent novel, Overboard, V.I. Warshawski has relentlessly fought for social justice.The bottom line is that Sara hates to see anyone suffering. Overboard is about for-profit nursing homes and the extremes some will go to for the money and power they can bring. Sara wants to entertain readers yet raise issues of white-collar crime which, inevitably, carries with it political overtones. Prone to depression, what keeps Sara going isn't some pollyannaish approach to life. She wakes up each morning, gets out of bed, puts one foot in front of the other and believes the day will follow. You might find her singing as she writes today. “Singing lessons, she says, are like meditation. You can't think about anything else while singing”. " The core issue for me is abortion rights and the right of women to make their own decisions." - Sara ParetskyCONNECT WITH SARA:https://saraparetsky.com/

This week we follow a kick-ass detective with a penchant for bright red stilettos.  Join us for V.I.Warshawski We've launched a Patreon, so fans can now support the show and help keep the lights on at ISTYA towers. There are various benefits on offer, and we can assure you that Joe wearing his rubber dungarees isn't one of them. To sign up please visit https://www.patreon.com/istya If you want to contact the show, or simply have a chinwag with the chaps, then follow us on Twitter, join in the conversation on our Reddit page, or you can even contact us on good old email by sending your missives to - show@isawthatyearsago.com

Killing Orders PUBLISHED 1985 Killing Orders, V.I. Warshawski's third adventure, starts when her great-aunt Rosa summons the detective to her cold suburban home. Rosa made V.I.'s childhood miserable and the detective resents the command to help her aunt prove she didn't embezzle five million dollars from a local Dominican priory. All hell breaks loose when a mysterious opponent tries to take Vic off the case by throwing acid in her eyes and burning down her apartment. And when a friend who's involved in the case is brutally murdered, it begins to look as if Vic hasn't got a prayer. But Warshawski continues to follow every lead, even when they point to some pretty unorthodox conclusions: Perhaps the Dominicans are covering up a financial scandal. Maybe the whole conspiracy is under the patronage of an international conglomerate, or of Don Pasquale, king of the Chicago mob. Worst of all, someone who's close to Vic could be involved—her darkly handsome English lover, Roger Ferrant, or even Aunt Rosa herself.

A bestselling book series about a tough-talking female detective, adapted into a feature starring one of the most successful actresses of the previous decade. It sounds like a can't-miss proposition. And yet 1991's V.I. Warshawski failed to connect with audiences, denying star Kathleen Turner her own crime-thriller franchise. So what happened? Was the hard-boiled style simply out of style? Was the mix of comedy and drama too tough for viewers to take? Or was it just that damn title? Like Warshawski herself, we investigate whether this movie is better than its reception at the time deserved, or if its somewhat forgotten status today is warranted. But be forewarned...even we're a little confused about this one. Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

OVERBOARD by crime writer Sara Paretsky is her 21st book in her series about her legendary detective, V.I. Warshawski. As this book begins V.I. is on her way home from an all-night surveillance job in Chicago and is led by her dogs on a mad chase that ends when they discover a badly injured teen hiding in the rocks along Lake Michigan. Credited with transforming the mystery category of books with the creation of her female private eye 40 years ago, Paretsky's books featuring V.I. Warshawski are international best sellers in 30 countries. She's also the founder of Sisters in Crime and recipient of numerous awards around the world. She's advocated for women and the underserved for decades and works closely with literacy and reproductive rights groups. --- Send in a voice message: https://podcasters.spotify.com/pod/show/booktalk-diana-korte/message

Hey Should-Heads! We're joined by author Sara Paretsky, author of the V.I. Warshawski series! Her next book, Overboard, will be out May 10; the others are available now wherever books are sold.Follow Sara Paretsky:Website: https://saraparetsky.com/ Preorder Overboard: https://saraparetsky.com/books/novels/overboard/ Twitter: @SaraParetsky Facebook: @SaraParetsky Follow What You Should Read:Twitter:                 @wysr_podcastInstagram:                 @wysr_podcast

Sara Paretsky transformed the mystery world in 1982 with the introduction of private eye V I Warshawski in Indemnity Only. She and V I —tough, credible, street-smart and feminine—challenged the stereotypes of women in fiction as victims or vamps. They made it possible for a new generation of crime writers and fighters to thrive, a generation she continues to support as one of the founders of Sisters in Crime. Paretsky has been awarded both the Cartier Diamond Dagger and MWA's Grand Master. In 2012, she received the Harold Washington Literary Award, whose previous winners include Saul Bellow and Margaret Atwood. Today Paretsky's books are published in 30 countries.Facebook Page https://www.facebook.com/SaraParetsky/Website https://www.saraparetsky.com/*************Sisters in Crime was founded in 1986 to promote the ongoing advancement, recognition and professional development of women crime writers. Through advocacy, programming and leadership, SinC empowers and supports all crime writers regardless of genre or place on their career trajectory.www.SistersinCrime.orgInstagram: https://www.instagram.com/sincnational/Twitter: https://twitter.com/SINCnationalFacebook: https://www.facebook.com/sistersincrime

Before there was Lisbeth Salander or Stephanie Plum, there was V.I. Warshawski. Today we celebrate the birthday of author Sara Paretsky, who joined the National Writers Series in 2013 to talk about Critical Mass, her then-newest detective novel featuring her famous investigator V.I. Warshawski (immortalized in the 1991 film by Kathleen Turner). In this week's episode, guest host Nancy Baker joins Paretsky on the City Opera Hall stage to talk about how Paretsky's experiences in Chicago help shape and inform her novels (and what people need to do when they visit the city - including how to get stalked by the mob), why she might want to buy Texas and return it to Mexico, and why she created the "Sisters in Crime" organization. --- Send in a voice message: https://anchor.fm/nationalwritersseries/message

To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/ Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Sara Paretsky is a modern American author of detective fiction. Paretsky was raised in Kansas, and graduated from the state university with a degree in political science. She did community service work on the south side of Chicago in 1966 and returned in 1968 to work there. She ultimately completed a Ph.D. in history at the University of Chicago, entitled The Breakdown of Moral Philosophy in New England Before the Civil War, and finally earned an MBA from the University of Chicago Graduate School of Business. She has lived in Chicago since 1968.The protagonist of all but two of Paretsky's novels is V.I. Warshawski, a female private investigator. Warshawski's eclectic personality defies easy categorization. She drinks Johnnie Walker Black Label, breaks into houses looking for clues, and can hold her own in a street fight, but also she pays attention to her clothes, sings opera along with the radio, and enjoys her sex life.Paretsky is credited with transforming the role and image of women in the crime novels.Chicago may be the city of broad shoulders, but its political law is “Pay to Play.” Money changes hands in the middle of the night, and by morning, buildings and parks are replaced by billion-dollar projects.DEAD LAND - Chicago PI V.I. Warshawski gets pulled into one of these clandestine deals through her impetuous goddaughter, Bernie Fouchard. Bernie tries to rescue Lydia Zamir, a famed singer-songwriter now living on the streets; Zamir’s life fell apart when her lover was murdered next to her in a mass shooting at an outdoor concert. Not only does Bernie plunge her and V.I. headlong into the path of some ruthless developers, they lead to the murder of the young man Bernie is dating. He’s a computer geek working for a community group called SLICK.V.I. is desperate to find a mysterious man named Coop, who roams the lakefront in the middle of the night with his dog. She’s sure he holds the key to the mounting body count within SLICK. Coop may even know why an international law firm is representing the mass murderer responsible for Lydia’s lover’s death. Instead, the detective finds a terrifying conspiracy stretching from Chicago’s parks to a cover-up of the dark chapters in America’s meddling in South American politics. Before she finds answers, this electrifying novel pushes V.I. close to the breaking point: People who pay to play take no prisoners.Liz Decker is the owner of Caprichos Books an independent book store in Bel Air, Maryland. These are trying times for small business owners. Liz shares how she is coping and finding ways to to keep the book store a vital part of downtown Bel Air.

What better way to spend your COVID-19 quarantine than by listening to a podcast about a 1991 Kathleen Turner movie that no one remembers? Join hard-drinking gumshoes Leigh, Brendan, and Chris as they dredge up the celluloid carcass of V.I Warshawski from the Chicago River and conduct a post-mortem to determine what killed the whole endeavor. Could it have been the lack of a compelling mystery, the crux of any ostensible detective story? Perhaps it was the movie's constant need to trot out "colorful" supporting characters in order to make the world feel developed and lived in? Or maybe the lumbering pace which manages to somehow be both hard to follow and wildly simplistic? Spoiler alert, it was all of the above. A true Murder on the Orient Express ending. And of course, there's a themed cocktail recipe that's probably V.I. Warshawski-approved and we work through the five stages of stay-at-home grief for your entertainment. Continue reading →

What better way to spend your COVID-19 quarantine than by listening to a podcast about a 1991 Kathleen Turner movie that no one remembers? Join hard-drinking gumshoes Leigh, Brendan, and Chris as they dredge up the celluloid carcass of V.I Warshawski from the Chicago River and conduct a post-mortem to determine what killed the whole endeavor. Could it have been the lack of a compelling mystery, the crux of any ostensible detective story? Perhaps it was the movie's constant need to trot out "colorful" supporting characters in order to make the world feel developed and lived in? Or maybe the lumbering pace which manages to somehow be both hard to follow and wildly simplistic? Spoiler alert, it was all of the above. A true Murder on the Orient Express ending. And of course, there's a themed cocktail recipe that's probably V.I. Warshawski-approved and we work through the five stages of stay-at-home grief for your entertainment. Continue reading →

Chicago meets Kirkcaldy. Two Queens of the genre. One stage. Before there was Lisbeth Salander there was V I Warshawski. Sara Paretsky revolutionised the mystery world when she introduced V I in Indemnity Only. By creating a believable investigator with the grit and the smarts to tackle problems on the mean streets, she challenged a genre in which women typically were either vamps or victims. Paretsky put fire in Warshawski’s eyes and in the process inspired a generation of women crime writers, including Val McDermid. One of the biggest names of the genre, Val’s creations include Lindsay Gordon, Kate Brannigan and the Tony Hill and Carol Jordan series. Two passionate, electrifying authors with a passion for social justice. Expect sparks to fly. Special Guests: Sara Paretsky In Conversation With Val McDermid was recorded live at Harrogate International Festivals' Theakston Old Peculier Crime Writing Festival in July 2015.

Brian and Cargill take on their most challenging patron-requested episode as they vociferously investigate V.I. Warshawski.While the guys otherwise only ever discuss movies they love, the uphill dissection of this 1991 thriller does lead to some valuable screenwriting advice, a discussion of great Chicago-based films, and loads of...Sean Connery being grumpy about stuff?Download, listen, and share. No badge required.

V.I. Warshawski er en vaskeægte 'female dick' - en kvindelige privatdetektiv - der sagtens kan følge med mændene i branchen, for hun opfører sig stort set lige som dem, bortset fra at hun går i højhælede sko. Da hendes nyeste klient pludselig bliver myrdet må V.I. opklare sagen, samtidigt med at hun må passe på en rapkæftet teenagepige. http://www.ikassenshow.dk/2017/07/i-kassen-340-vi-warshawski-1991.html

Before there was Lisbeth Salander or Stephanie Plum, there was V I Warshawski. Sara Paretsky revolutionized the mystery world in 1982 when she introduced V I in Indemnity Only. By creating a believable investigator with the grit and the smarts to tackle problems on the mean streets, Paretsky challenged a genre in which women typically were either vamps or victims. Hailed by critics and readers, Indemnity Only was followed by fifteen more best-selling Warshawski novels.  The New York Times writes that Paretsky “always makes the top of the list when people talk about female operatives,” while Publishers Weekly says, “Among today’s PIs, nobody comes close to Warshawski.” Called “passionate” and “electrifying,” V.I. reflects her creator’s own passion for social justice. As a contributor to the New York Times and the Guardian newspapers, and a speaker at such venues as the Library of Congress and Oxford University, Paretsky is an impassioned advocate for those on society’s margins.  After chairing the school’s first Commission on the Status of Women as a Kansas undergraduate, Paretsky worked as a community organizer on Chicago’s South Side during the turbulent race riots of 1966.  More recently, Paretsky served with then-state senator Obama on the board of Thresholds, which serves Chicago’s mentally ill homeless.  She has mentored teens in Chicago’s most troubled schools, and works closely with literacy and reproductive rights groups.  Her latest novel is FALLOUT and she talks about it on a special edition of SECOND SUNDAY CRIME with host Libby Hellmann. This is a trademarked copyrighted podcast solely available on the Authors on the Air network.

Voir la publicationÉpisode #82: « Body Heat » (1981) vs « V.I. Warshawski » (1991) L’article Épisode #82: « Body Heat » (1981) vs « V.I. Warshawski » (1991) est apparu en premier sur Le bras de fer des films.

V.I. Warshawski: She's as sexy as she is smart! When VI's 10 minute boyfriend drops off his daughter and he turns up dead, the real fun begins! Also, a long overdue cinematic confession from Scott!

Join host Elysabeth Alfano of Fear No ART for an intimate conversation with mystery writer and creator of the V I Warshawski series, Sara Paretsky.

Join host Elysabeth Alfano of Fear No ART for an intimate conversation with mystery writer and creator of the V I Warshawski series, Sara Paretsky.

Join host Elysabeth Alfano of Fear No ART for an intimate conversation with mystery writer and creator of the V I Warshawski series, Sara Paretsky.