Podcasts about Slick

Slick x The Hype 19th Feb(Old School Kenyan Bops, Afro Beats) by Capital FM

Desiree at the River.By outdoorhorny. Listen to the ►Podcast at Steamy Stories.In May of my senior year in high school, summer came early. It was in the high 80’s every afternoon, and we were sweltering in the ancient high school as the air conditioner struggled to keep up. Desiree and I sweated through morning classes and afternoon study halls, longing to be out of there, somewhere cooler and more private. We were both 18, and the restrictions of school were almost over. That made them even harder to bear!It was one of our teachers who provided the solution; I thank her silently to this day! She suggested that we get together with students from another study hall to work on our Senior Projects. The next day, the four of us told our respective teachers that we were going to go to the other room to work with our partners. In reality, we slipped out through the Tech Ed classroom and went to our cars. Minutes later, we were whipping down the back roads away from school.I have no idea where the other two went. They weren’t a couple, so chances are they simply went home. Desiree had other ideas. Her little Honda Civic zoomed along and ended up on Rte. 6 in the next town. She pulled into a little IGA grocery store that backed up on sparse pine woods. I asked her what she was after, but she smiled and said, “You’ll see!”Intrigued, I followed her inside. She went right to the center aisles where the seasonal goods were. My eyebrows went up when she brought two cheap beach towels. She did not explain. I carried them while she grabbed snacks and drinks and headed for the checkout. She paid quickly, and when we left the store, she walked right past her car. I followed, very puzzled, as she went around the corner. I knew she would tell me when she felt like it, so I carried the bags and watched her ass as it twitched inside her tunic. When she passed the dumpster and entered the shady pine forest, she looked over her shoulder and smiled sexily. I grinned back, knowing she was up to something good.The trail twisted and turned for a hundred yards, then it ended abruptly at a knob of rock that stuck out into a shallow, broad river. I stopped and looked around amazed. I could see a quarter-mile in each direction, and there was nothing in sight. The water slipped over flat smooth rocks, occasionally interrupted by a snagged branch or a small boulder jutting up from the surface. The air smelled of pine, the sunlight was warm and tinged with green as it filtered through the high branches, and besides bird song, the only sound was the gentle hum of the distant road. It was spectacular; a tranquil oasis barely off a road I had driven countless times.“Des; this is beautiful! How did you find it?”“My uncle owns all this; he used to own the IGA before he retired.”“Does anyone come here?”“Nope. Didn’t you see all the "No Trespassing” signs and the rocks across the trail? That keeps people out unless they’re family.“"It’s perfect!” I exclaimed happily.“It’s ours,” she replied simply. “C'mon, let’s get cool first and have a snack!”Kicking off her sandals, she sat down on a low rock with her feet in the water. I brought the snack bag close, tugged off my sneakers and socks, and joined her. The water was still cold, but not as biting as the river we tried back in March. With the sun warm on our shoulders, we munched on chips and split a soda, laying the second bottle in a shallow pool to stay cold. Our shoulders bumped as we sat there side by side, enjoying our unexpected freedom.“Just think,” she said dreamily, “we could be sitting in Mr. Herman’s study hall right now!”“Just think,” I answered, “as far as Mr. Herman knows, we’re going to be in the other study hall for the rest of the year working on our projects!”“Hmm, that does open up some possibilities!”“Yes, it does!” I told her, reaching around to give her a squeeze.Des responded by turning toward me and resting her hands on my leg.“I’d rather be right here than anywhere else in the world.”She leaned forward a fraction and our lips met, softly at first, a slow, loving kiss. That kind of innocent, timeless kiss seems to disappear after high school, but I will never forget the way her lips felt against mine, or the first flicker of her tongue signaling it was time for more. My free hand twined in her hair and pulled her into my arms as our bodies began to respond.With an impatient snort, Desiree broke our kiss and sat back. “I’m too hot like this!” she said in a petulant voice. She stood up, brushed the crumbs off herself into the water. Then she stepped carefully and gracefully up onto the rock’s highest point and turned to look at me. Crossing her arms over her head, she whipped the tunic off in one smooth motion. I sat frozen, looking eagerly up at her as she tossed it further down the rock. Standing there in a pale bra and purple satin panties, she looked like some river goddess come to life. Full tits, winter-pale skin, and broad, luscious hips fought for my attention; Des smiled happily at my wide-eyed ogling.“That’s so much better!” she pronounced. “You should try it.”I stood where I was, turned to face her, and responded to her challenge. My shirt flew through the air to land on top of her tunic. I stepped up onto the rock I had just vacated and pushed my shorts down, taking my boxers along with them. Stepping out of them, I stood back up and tossed them onto the pile as well. The sun played across my body and it was Desiree’s turn to stare admiringly. I had been working out hard for soccer and indoor track and it showed. A smile tugged at her lips as her eyes traveled all over my arms, chest, abs, and then locked onto my semi-erect cock.“Mmm, you look good enough to eat!” she said eagerly.“You first!” I responded.She laughed happily. “I’m game!” she said. Her hands twisted up behind her back and unclasped her bra. A quick shake and it fell forward, revealing her tits and tightening nipples. Onto the pile it went. Her thumbs hooked the waistband of her panties, and drew them down an inch. I’m sure my eyes registered disappointment, because she laughed again at her successful tease and then pushed them down all the way, bending effortlessly at the waist until they brushed the rock between her feet. Then she simply stepped out of them and kicked them aside.It was my turn to stare again. Desiree’s mound was shaved smooth! My eyes locked onto that pale, delightful curve I knew so well, suddenly revealed in an amazing and arousing way. Although her cunt was in shadow, I could tell her grooming extended all the way because her labia were smooth and pale as well. My cock twitched, and Des giggled happily.“You like?” she asked needlessly. “I did it last night thinking we might have a chance today!”“I Love it!” I said fervently.“Grab the towels,” she commanded.Two quick steps, my cock bouncing in time, and I had them out of the bag.“Put one on the rock you were standing on.” I did as she asked.“Put the other one right there,” she said next, pointing at the front jut of the larger rock she stood on. I complied, wondering what she was up to.“Now,” she said with a smile, “what was that about ‘good enough to eat’ you mentioned?”I fumbled for a reply as Des stepped down onto the towel in front of her, then sank down to sit on the towel. She leaned back and spread her legs; she was rarely shy!; and rested her heels on ridges to either side. With one finger, she traced a line from between her tits down across her belly, and then over the shiny patch she had shaved.“Why don’t you kneel down right there and take a closer look?” she asked encouragingly.I nodded and folded the towel double before settling myself comfortably. She was at the perfect height and distance; I rested my hands on her knees and watched as her finger continued lower, tracing the edges of her cunt, stretched open by her pose. When she got to her perineum, she added a finger and came back up, dipping them into her opening just a bit and circling there.I stared hungrily and she smiled at my intense gaze. “Everything is So smooth!” she reported, spreading her juices all around her labia. “Your gonna love it!”No words came to mind, so I acted instead. Leaning in, I licked from as far down as I could, up along her clean-shaven lips, over her clit, and up to the ridge of her mound. There I paused and showered it with kisses, relishing its silky feel.“Des,” I said when I paused, “I fucking love it!”She giggled happily and settled back on her elbows, looking down at me through her lashes.Returning to my task, I lapped at her cunt with a broad tongue a few times and then extended it fully, ramming it as deeply as I could into her opening. My nose bumped her clit as I did this, and I could feel her twitch each time I did. She hummed happily, and I kept going.I moved my hands in close and used my thumbs to spread her lips even more. Then I turned my head a bit and nibbled my way up and down each delicate morsel of flesh, tugging at them and flicking them with my tongue. Another happy noise came from above me.Looking up into her eyes again, I slowly put two fingers into my mouth and sucked them. She raised her eyebrows in anticipation, and I rewarded her immediately. With a twisting motion, I slipped them into her cunt, retreated to coat them with her juices, and then eased them deeper. Soon I was sliding them in and out all the way, only stopping when my thumb jammed against her. Des rocked her hips to meet my strokes, and I had to match her timing when I leaned forward to lick her clit. Each time I buried my fingers inside her, she pushed back, and I gave her sensitive nub a swirling lash with my tongue. We found a steady rhythm then, and Des began breathing heavily, moaning a little every time I licked her.“Are you ready to cum?” I asked her teasingly when I paused my tongue action. I kept my hand moving steadily, and she had to gasp the words out to answer.“Fuck, yes; give me more!”Smiling, I leaned back in. I turned my hand palm up and curled my fingers so that they dragged across her G-spot, pumping them back and forth without fully withdrawing. Then I stiffened my tongue and licked the side of her hood repeatedly, no longer teasing her but trying to drive her over the edge. A deep groan and a raising of her hips told me I was on the right track.“Oh, fuck, oh, fuck, keep doing that!” she gasped in time with her thrusting.I kept doing that, just as she asked, and I soon felt her thighs fluttering. I pressed down hard on her mound with my free hand and began to suck on her clit while the tip of my tongue hit the same spot over and over again.“Oh, fuck!” Desiree moaned when her orgasm burst within her.I kept myself still then, feeling her cunt clamp down over and over on my fingers, soaking them with a rush of sweet, tangy juices. As I watched her body tremble, I admired the sun dappling every inch. The deep flush between her tits was stark against the untanned skin there, and her tits jutted straight up as her back arched in pleasure. I let her relax before withdrawing my fingers, which drew a tired whimper from her lips.When her eyes opened, I brought my fingers to my mouth again and sucked them clean. She smiled enigmatically as I licked them, staring directly into her eyes.“Well?” she asked.“Definitely good enough to eat!” I pronounced with a grin.“I love how you feel against my skin when it’s all shaved like this,” she told me seriously. “It added so much extra to everything you did!”“I love it, too,” I assured her. “You’re so smooth and sexy.”“I’m glad you like it,” she said in pleased tones.With that, she sat up and let her feet down, settling them on the outside of my towel. She leaned down, grabbed my face, and kissed me deeply. I know she could taste herself on my lips, and she even lapped my chin momentarily to gather her own deliciousness.“You know what else is gonna feel good?” she asked playfully.“What’s that?” I responded with an innocent look on my face.“Sliding my cunt all over you and letting you feel how smooth and wet it is.”I pulled her up to her feet and gathered her in my arms. “That,” I said seriously, kissing her between words, “sounds, amazing!”My cock was trapped between us, and Des wriggled her belly against it. Copious clear liquid was leaking from the tip, and the whole thing was twitching with the sudden heat and stimulation.“Besides, I think I need to tease you for a while,” she continued. “I don’t want to get you too excited yet!”I groaned at the thought, but consoled myself with the knowledge that my explosion would be even bigger and better when it happened.“Where do you want to do all this teasing?” I asked her.“Grab the towels,” she said. Then she pointed to a broad, flat rock about six feet from shore. The top was worn smooth by the passage of water over the years, but the top was dry now and looked invitingly warm. I laughed and gathered the cushioning towels. Holding hands, we made our way carefully across the slippery gap between our starting place and our new destination. When we got there, I passed her one towel and flipped the other one out to lie flat on the rock. Des followed suit and created a double layer of padding.“Get on up,” she said hotly. “It’s time for some payback!”I happily complied, sparing only a minute to look around.“No one is here,” she said reassuringly as I lay down on my back. Then her voice took on an Eastern European accent: “No one can help you. No one can hear your screams!”“Well that sucks,” I said with a smile. I settled myself comfortably on the rock and closed my eyes against the bright sunlight. “I’ll try to suffer in silence!”Desiree reached across me and grabbed my cock with one hand, aiming it straight up. She moved down and clambered onto the towel between my feet, and then paused to give me a few strokes. Her hand was warm and gentle on my shaft.Shifting one knee outside my leg, Des began to do exactly what she had said she would. She lowered herself and I felt her cunt bump into my knee. Slick and hot, she caressed her way up to my thigh, then moved across my lower body and did the same on my other leg. When I peeked up at her, I saw she had her lower lip between her teeth and a little frown of concentration on her face. I closed my eyes again and grinned as she moved up again. Her silky mound came down on my scrotum and Des rocked herself forward, arching her back so that she slid along the entire length of my cock from base to tip, her lips parted around me and coating me with lubrication before stopping and then moving back down to the base again.“Do you like that? Do you like how soft and smooth and wet I feel?”My mouth was dry as I answered her: “God, Des, I love it!”“I love rubbing myself all over you!” she said in a happy, sexy voice. I opened my eyes and she was gazing directly at me, her hands braced on her knees as she rocked herself back and forth along the underside of my shaft. Each time she reached the sensitive spot below the head, a pulse of precum leapt from my cock in response.“Des!” I said urgently, feeling the flutter of an approaching orgasm.“I know, I know, but it’s fun to tease you!” she said. Then she rose up, allowing the cool air to soothe the dangerous throbbing of my cock. She scooted forward a little more to straddle my chest. Lowering herself again, she rubbed the silky lips of her cunt on stomach, then on my chest as she eased higher. When her thighs were on either side of my head, I couldn’t help but lick her instantly from bottom to top. She gasped and pulled away.“Hey; you already had your turn!” she said indignantly. “Now I get mine!”With a quick, graceful move, she pivoted her body around, keeping her hips high enough so that her cunt was out of range of my tongue. She kissed my stomach, then trailed her hair across it, lower and lower with each swoop until it was tickling my thighs. Her left hand moved to brace herself on the towel while the other wrapped around my shaft again. She lifted it up to a 45 degree angle, perfectly aligned with her torso, and took me into her mouth.My rolled back with pleasure. I loved this position; it let Des take me as deeply as she wanted without awkward angles or pressure. She made the most of it; nothing fancy, but she sucked steadily and her lips moved from tip to base in one effortless motion. I could feel the restrictive heat at the back of her throat for a second, then she pulled back. A quick breath and she did it again. With each stroke, she squeezed my shaft as she rose and flattened her hand out of the way when she descended. I moaned happily and lifted my hands to hold her hips as they hovered above me.“Fuck, Des, that feels so good!”She hummed happily in response, which gave me a shiver of pleasure. Desiree’s motion was tireless, and I began to thrust upward a bit, knowing that I couldn’t hold back much longer. That signal was clear to her as well, and she paused to look back at me.“Do you want to cum?” she asked, squeezing my cock rhythmically.“I have to cum, Des, I have to cum in your mouth!” I gasped.“OK, I’m ready for that!” she smiled. Then she turned back and resumed her suction.Another dozen strokes and I was ready. My orgasm hit just as her mouth descended, and I arched myself up unconsciously. For a moment, my cock slipped past the ring of her throat and I could feel the twitching of her gag reflex against the sensitive head. The first jet of sperm flew directly down her throat, but she recovered quickly and pulled back, holding just the head between her lips and sucking frantically, pumping my shaft to milk out every drop. I could feel her swallowing as pulse after pulse threatened to overflow her mouth.Slowly, my hips fell back onto the towel. Des kept sucking steadily as my cock began to soften, and her tongue snaked all around to make sure she didn’t miss any of my cum. When she finally released me with a pop, I was completely spent. She planted a kiss on the underside of my cock, drawing a twitch in response that made her giggle. Then she turned herself around again and laid her head on my chest, her hand still wrapped around my spent shaft.“That was so amazing!” I murmured into her hair.“That was the most cum ever!” she said with a snort and a laugh.“Well, you are an exciting woman,” I told her, “so it’s kind of your fault. It’s all that teasing, too.&rd

In der zweiten Folge unseres Technik-Spezials schauen wir uns das einzige Bauteil an, das hoffentlich immer den Boden berührt: Die Reifen. Gemeinsam mit Josh kläre ich, warum die alte Regel „dünn gleich schnell“ heute nicht mehr gilt und warum breite Reifen beim Bikepacking ideal sind.Wir sprechen über:Komfort ist King: Warum breitere Reifen dich durch weniger Vibrationen eigentlich schneller und weniger müde machen.Der Luftdruck-Mythos: Warum „ordentlich Bums“ auf dem Reifen oft kontraproduktiv ist und wie viel Druck du wirklich brauchst.Zahlen-Dschungel: Was hinter Bezeichnungen wie 28 Zoll, 700C oder 622mm steckt.Profil-Check: Vom glatten Slick bis zum aggressiven Stollenreifen – was du für Schotter, Wald und Asphalt brauchst.Schlauch oder Milch: Der erste Einblick in das Thema Pannenhelfer und die Frage, was eigentlich Tubeless bedeutet.Josh gibt noch einen Tipp für Einsteiger: Achtet beim Fahrradkauf darauf, dass der Rahmen genug Platz für ordentliche Reifenbreiten (mindestens 45 mm) bietet – denn mehr Reifen bedeutet mehr Sicherheit und mehr Möglichkeiten für eure Abenteuer.Viel Spaß!Shownotes:Josh auf Instagram https://www.instagram.com/iamzwosh/ BiketourGlobal Instagram https://www.instagram.com/biketourglobal/BiketourGlobal im Web https://www.biketour-global.de/

Desiree at the River.By outdoorhorny. Listen to the ►Podcast at Steamy Stories.In May of my senior year in high school, summer came early. It was in the high 80’s every afternoon, and we were sweltering in the ancient high school as the air conditioner struggled to keep up. Desiree and I sweated through morning classes and afternoon study halls, longing to be out of there, somewhere cooler and more private. We were both 18, and the restrictions of school were almost over. That made them even harder to bear!It was one of our teachers who provided the solution; I thank her silently to this day! She suggested that we get together with students from another study hall to work on our Senior Projects. The next day, the four of us told our respective teachers that we were going to go to the other room to work with our partners. In reality, we slipped out through the Tech Ed classroom and went to our cars. Minutes later, we were whipping down the back roads away from school.I have no idea where the other two went. They weren’t a couple, so chances are they simply went home. Desiree had other ideas. Her little Honda Civic zoomed along and ended up on Rte. 6 in the next town. She pulled into a little IGA grocery store that backed up on sparse pine woods. I asked her what she was after, but she smiled and said, “You’ll see!”Intrigued, I followed her inside. She went right to the center aisles where the seasonal goods were. My eyebrows went up when she brought two cheap beach towels. She did not explain. I carried them while she grabbed snacks and drinks and headed for the checkout. She paid quickly, and when we left the store, she walked right past her car. I followed, very puzzled, as she went around the corner. I knew she would tell me when she felt like it, so I carried the bags and watched her ass as it twitched inside her tunic. When she passed the dumpster and entered the shady pine forest, she looked over her shoulder and smiled sexily. I grinned back, knowing she was up to something good.The trail twisted and turned for a hundred yards, then it ended abruptly at a knob of rock that stuck out into a shallow, broad river. I stopped and looked around amazed. I could see a quarter-mile in each direction, and there was nothing in sight. The water slipped over flat smooth rocks, occasionally interrupted by a snagged branch or a small boulder jutting up from the surface. The air smelled of pine, the sunlight was warm and tinged with green as it filtered through the high branches, and besides bird song, the only sound was the gentle hum of the distant road. It was spectacular; a tranquil oasis barely off a road I had driven countless times.“Des; this is beautiful! How did you find it?”“My uncle owns all this; he used to own the IGA before he retired.”“Does anyone come here?”“Nope. Didn’t you see all the "No Trespassing” signs and the rocks across the trail? That keeps people out unless they’re family.“"It’s perfect!” I exclaimed happily.“It’s ours,” she replied simply. “C'mon, let’s get cool first and have a snack!”Kicking off her sandals, she sat down on a low rock with her feet in the water. I brought the snack bag close, tugged off my sneakers and socks, and joined her. The water was still cold, but not as biting as the river we tried back in March. With the sun warm on our shoulders, we munched on chips and split a soda, laying the second bottle in a shallow pool to stay cold. Our shoulders bumped as we sat there side by side, enjoying our unexpected freedom.“Just think,” she said dreamily, “we could be sitting in Mr. Herman’s study hall right now!”“Just think,” I answered, “as far as Mr. Herman knows, we’re going to be in the other study hall for the rest of the year working on our projects!”“Hmm, that does open up some possibilities!”“Yes, it does!” I told her, reaching around to give her a squeeze.Des responded by turning toward me and resting her hands on my leg.“I’d rather be right here than anywhere else in the world.”She leaned forward a fraction and our lips met, softly at first, a slow, loving kiss. That kind of innocent, timeless kiss seems to disappear after high school, but I will never forget the way her lips felt against mine, or the first flicker of her tongue signaling it was time for more. My free hand twined in her hair and pulled her into my arms as our bodies began to respond.With an impatient snort, Desiree broke our kiss and sat back. “I’m too hot like this!” she said in a petulant voice. She stood up, brushed the crumbs off herself into the water. Then she stepped carefully and gracefully up onto the rock’s highest point and turned to look at me. Crossing her arms over her head, she whipped the tunic off in one smooth motion. I sat frozen, looking eagerly up at her as she tossed it further down the rock. Standing there in a pale bra and purple satin panties, she looked like some river goddess come to life. Full tits, winter-pale skin, and broad, luscious hips fought for my attention; Des smiled happily at my wide-eyed ogling.“That’s so much better!” she pronounced. “You should try it.”I stood where I was, turned to face her, and responded to her challenge. My shirt flew through the air to land on top of her tunic. I stepped up onto the rock I had just vacated and pushed my shorts down, taking my boxers along with them. Stepping out of them, I stood back up and tossed them onto the pile as well. The sun played across my body and it was Desiree’s turn to stare admiringly. I had been working out hard for soccer and indoor track and it showed. A smile tugged at her lips as her eyes traveled all over my arms, chest, abs, and then locked onto my semi-erect cock.“Mmm, you look good enough to eat!” she said eagerly.“You first!” I responded.She laughed happily. “I’m game!” she said. Her hands twisted up behind her back and unclasped her bra. A quick shake and it fell forward, revealing her tits and tightening nipples. Onto the pile it went. Her thumbs hooked the waistband of her panties, and drew them down an inch. I’m sure my eyes registered disappointment, because she laughed again at her successful tease and then pushed them down all the way, bending effortlessly at the waist until they brushed the rock between her feet. Then she simply stepped out of them and kicked them aside.It was my turn to stare again. Desiree’s mound was shaved smooth! My eyes locked onto that pale, delightful curve I knew so well, suddenly revealed in an amazing and arousing way. Although her cunt was in shadow, I could tell her grooming extended all the way because her labia were smooth and pale as well. My cock twitched, and Des giggled happily.“You like?” she asked needlessly. “I did it last night thinking we might have a chance today!”“I Love it!” I said fervently.“Grab the towels,” she commanded.Two quick steps, my cock bouncing in time, and I had them out of the bag.“Put one on the rock you were standing on.” I did as she asked.“Put the other one right there,” she said next, pointing at the front jut of the larger rock she stood on. I complied, wondering what she was up to.“Now,” she said with a smile, “what was that about ‘good enough to eat’ you mentioned?”I fumbled for a reply as Des stepped down onto the towel in front of her, then sank down to sit on the towel. She leaned back and spread her legs; she was rarely shy!; and rested her heels on ridges to either side. With one finger, she traced a line from between her tits down across her belly, and then over the shiny patch she had shaved.“Why don’t you kneel down right there and take a closer look?” she asked encouragingly.I nodded and folded the towel double before settling myself comfortably. She was at the perfect height and distance; I rested my hands on her knees and watched as her finger continued lower, tracing the edges of her cunt, stretched open by her pose. When she got to her perineum, she added a finger and came back up, dipping them into her opening just a bit and circling there.I stared hungrily and she smiled at my intense gaze. “Everything is So smooth!” she reported, spreading her juices all around her labia. “Your gonna love it!”No words came to mind, so I acted instead. Leaning in, I licked from as far down as I could, up along her clean-shaven lips, over her clit, and up to the ridge of her mound. There I paused and showered it with kisses, relishing its silky feel.“Des,” I said when I paused, “I fucking love it!”She giggled happily and settled back on her elbows, looking down at me through her lashes.Returning to my task, I lapped at her cunt with a broad tongue a few times and then extended it fully, ramming it as deeply as I could into her opening. My nose bumped her clit as I did this, and I could feel her twitch each time I did. She hummed happily, and I kept going.I moved my hands in close and used my thumbs to spread her lips even more. Then I turned my head a bit and nibbled my way up and down each delicate morsel of flesh, tugging at them and flicking them with my tongue. Another happy noise came from above me.Looking up into her eyes again, I slowly put two fingers into my mouth and sucked them. She raised her eyebrows in anticipation, and I rewarded her immediately. With a twisting motion, I slipped them into her cunt, retreated to coat them with her juices, and then eased them deeper. Soon I was sliding them in and out all the way, only stopping when my thumb jammed against her. Des rocked her hips to meet my strokes, and I had to match her timing when I leaned forward to lick her clit. Each time I buried my fingers inside her, she pushed back, and I gave her sensitive nub a swirling lash with my tongue. We found a steady rhythm then, and Des began breathing heavily, moaning a little every time I licked her.“Are you ready to cum?” I asked her teasingly when I paused my tongue action. I kept my hand moving steadily, and she had to gasp the words out to answer.“Fuck, yes; give me more!”Smiling, I leaned back in. I turned my hand palm up and curled my fingers so that they dragged across her G-spot, pumping them back and forth without fully withdrawing. Then I stiffened my tongue and licked the side of her hood repeatedly, no longer teasing her but trying to drive her over the edge. A deep groan and a raising of her hips told me I was on the right track.“Oh, fuck, oh, fuck, keep doing that!” she gasped in time with her thrusting.I kept doing that, just as she asked, and I soon felt her thighs fluttering. I pressed down hard on her mound with my free hand and began to suck on her clit while the tip of my tongue hit the same spot over and over again.“Oh, fuck!” Desiree moaned when her orgasm burst within her.I kept myself still then, feeling her cunt clamp down over and over on my fingers, soaking them with a rush of sweet, tangy juices. As I watched her body tremble, I admired the sun dappling every inch. The deep flush between her tits was stark against the untanned skin there, and her tits jutted straight up as her back arched in pleasure. I let her relax before withdrawing my fingers, which drew a tired whimper from her lips.When her eyes opened, I brought my fingers to my mouth again and sucked them clean. She smiled enigmatically as I licked them, staring directly into her eyes.“Well?” she asked.“Definitely good enough to eat!” I pronounced with a grin.“I love how you feel against my skin when it’s all shaved like this,” she told me seriously. “It added so much extra to everything you did!”“I love it, too,” I assured her. “You’re so smooth and sexy.”“I’m glad you like it,” she said in pleased tones.With that, she sat up and let her feet down, settling them on the outside of my towel. She leaned down, grabbed my face, and kissed me deeply. I know she could taste herself on my lips, and she even lapped my chin momentarily to gather her own deliciousness.“You know what else is gonna feel good?” she asked playfully.“What’s that?” I responded with an innocent look on my face.“Sliding my cunt all over you and letting you feel how smooth and wet it is.”I pulled her up to her feet and gathered her in my arms. “That,” I said seriously, kissing her between words, “sounds, amazing!”My cock was trapped between us, and Des wriggled her belly against it. Copious clear liquid was leaking from the tip, and the whole thing was twitching with the sudden heat and stimulation.“Besides, I think I need to tease you for a while,” she continued. “I don’t want to get you too excited yet!”I groaned at the thought, but consoled myself with the knowledge that my explosion would be even bigger and better when it happened.“Where do you want to do all this teasing?” I asked her.“Grab the towels,” she said. Then she pointed to a broad, flat rock about six feet from shore. The top was worn smooth by the passage of water over the years, but the top was dry now and looked invitingly warm. I laughed and gathered the cushioning towels. Holding hands, we made our way carefully across the slippery gap between our starting place and our new destination. When we got there, I passed her one towel and flipped the other one out to lie flat on the rock. Des followed suit and created a double layer of padding.“Get on up,” she said hotly. “It’s time for some payback!”I happily complied, sparing only a minute to look around.“No one is here,” she said reassuringly as I lay down on my back. Then her voice took on an Eastern European accent: “No one can help you. No one can hear your screams!”“Well that sucks,” I said with a smile. I settled myself comfortably on the rock and closed my eyes against the bright sunlight. “I’ll try to suffer in silence!”Desiree reached across me and grabbed my cock with one hand, aiming it straight up. She moved down and clambered onto the towel between my feet, and then paused to give me a few strokes. Her hand was warm and gentle on my shaft.Shifting one knee outside my leg, Des began to do exactly what she had said she would. She lowered herself and I felt her cunt bump into my knee. Slick and hot, she caressed her way up to my thigh, then moved across my lower body and did the same on my other leg. When I peeked up at her, I saw she had her lower lip between her teeth and a little frown of concentration on her face. I closed my eyes again and grinned as she moved up again. Her silky mound came down on my scrotum and Des rocked herself forward, arching her back so that she slid along the entire length of my cock from base to tip, her lips parted around me and coating me with lubrication before stopping and then moving back down to the base again.“Do you like that? Do you like how soft and smooth and wet I feel?”My mouth was dry as I answered her: “God, Des, I love it!”“I love rubbing myself all over you!” she said in a happy, sexy voice. I opened my eyes and she was gazing directly at me, her hands braced on her knees as she rocked herself back and forth along the underside of my shaft. Each time she reached the sensitive spot below the head, a pulse of precum leapt from my cock in response.“Des!” I said urgently, feeling the flutter of an approaching orgasm.“I know, I know, but it’s fun to tease you!” she said. Then she rose up, allowing the cool air to soothe the dangerous throbbing of my cock. She scooted forward a little more to straddle my chest. Lowering herself again, she rubbed the silky lips of her cunt on stomach, then on my chest as she eased higher. When her thighs were on either side of my head, I couldn’t help but lick her instantly from bottom to top. She gasped and pulled away.“Hey; you already had your turn!” she said indignantly. “Now I get mine!”With a quick, graceful move, she pivoted her body around, keeping her hips high enough so that her cunt was out of range of my tongue. She kissed my stomach, then trailed her hair across it, lower and lower with each swoop until it was tickling my thighs. Her left hand moved to brace herself on the towel while the other wrapped around my shaft again. She lifted it up to a 45 degree angle, perfectly aligned with her torso, and took me into her mouth.My rolled back with pleasure. I loved this position; it let Des take me as deeply as she wanted without awkward angles or pressure. She made the most of it; nothing fancy, but she sucked steadily and her lips moved from tip to base in one effortless motion. I could feel the restrictive heat at the back of her throat for a second, then she pulled back. A quick breath and she did it again. With each stroke, she squeezed my shaft as she rose and flattened her hand out of the way when she descended. I moaned happily and lifted my hands to hold her hips as they hovered above me.“Fuck, Des, that feels so good!”She hummed happily in response, which gave me a shiver of pleasure. Desiree’s motion was tireless, and I began to thrust upward a bit, knowing that I couldn’t hold back much longer. That signal was clear to her as well, and she paused to look back at me.“Do you want to cum?” she asked, squeezing my cock rhythmically.“I have to cum, Des, I have to cum in your mouth!” I gasped.“OK, I’m ready for that!” she smiled. Then she turned back and resumed her suction.Another dozen strokes and I was ready. My orgasm hit just as her mouth descended, and I arched myself up unconsciously. For a moment, my cock slipped past the ring of her throat and I could feel the twitching of her gag reflex against the sensitive head. The first jet of sperm flew directly down her throat, but she recovered quickly and pulled back, holding just the head between her lips and sucking frantically, pumping my shaft to milk out every drop. I could feel her swallowing as pulse after pulse threatened to overflow her mouth.Slowly, my hips fell back onto the towel. Des kept sucking steadily as my cock began to soften, and her tongue snaked all around to make sure she didn’t miss any of my cum. When she finally released me with a pop, I was completely spent. She planted a kiss on the underside of my cock, drawing a twitch in response that made her giggle. Then she turned herself around again and laid her head on my chest, her hand still wrapped around my spent shaft.“That was so amazing!” I murmured into her hair.“That was the most cum ever!” she said with a snort and a laugh.“Well, you are an exciting woman,” I told her, “so it’s kind of your fault. It’s all that teasing, too.&rd

Desiree at the River.By outdoorhorny. Listen to the ►Podcast at Steamy Stories.In May of my senior year in high school, summer came early. It was in the high 80’s every afternoon, and we were sweltering in the ancient high school as the air conditioner struggled to keep up. Desiree and I sweated through morning classes and afternoon study halls, longing to be out of there, somewhere cooler and more private. We were both 18, and the restrictions of school were almost over. That made them even harder to bear!It was one of our teachers who provided the solution; I thank her silently to this day! She suggested that we get together with students from another study hall to work on our Senior Projects. The next day, the four of us told our respective teachers that we were going to go to the other room to work with our partners. In reality, we slipped out through the Tech Ed classroom and went to our cars. Minutes later, we were whipping down the back roads away from school.I have no idea where the other two went. They weren’t a couple, so chances are they simply went home. Desiree had other ideas. Her little Honda Civic zoomed along and ended up on Rte. 6 in the next town. She pulled into a little IGA grocery store that backed up on sparse pine woods. I asked her what she was after, but she smiled and said, “You’ll see!”Intrigued, I followed her inside. She went right to the center aisles where the seasonal goods were. My eyebrows went up when she brought two cheap beach towels. She did not explain. I carried them while she grabbed snacks and drinks and headed for the checkout. She paid quickly, and when we left the store, she walked right past her car. I followed, very puzzled, as she went around the corner. I knew she would tell me when she felt like it, so I carried the bags and watched her ass as it twitched inside her tunic. When she passed the dumpster and entered the shady pine forest, she looked over her shoulder and smiled sexily. I grinned back, knowing she was up to something good.The trail twisted and turned for a hundred yards, then it ended abruptly at a knob of rock that stuck out into a shallow, broad river. I stopped and looked around amazed. I could see a quarter-mile in each direction, and there was nothing in sight. The water slipped over flat smooth rocks, occasionally interrupted by a snagged branch or a small boulder jutting up from the surface. The air smelled of pine, the sunlight was warm and tinged with green as it filtered through the high branches, and besides bird song, the only sound was the gentle hum of the distant road. It was spectacular; a tranquil oasis barely off a road I had driven countless times.“Des; this is beautiful! How did you find it?”“My uncle owns all this; he used to own the IGA before he retired.”“Does anyone come here?”“Nope. Didn’t you see all the "No Trespassing” signs and the rocks across the trail? That keeps people out unless they’re family.“"It’s perfect!” I exclaimed happily.“It’s ours,” she replied simply. “C'mon, let’s get cool first and have a snack!”Kicking off her sandals, she sat down on a low rock with her feet in the water. I brought the snack bag close, tugged off my sneakers and socks, and joined her. The water was still cold, but not as biting as the river we tried back in March. With the sun warm on our shoulders, we munched on chips and split a soda, laying the second bottle in a shallow pool to stay cold. Our shoulders bumped as we sat there side by side, enjoying our unexpected freedom.“Just think,” she said dreamily, “we could be sitting in Mr. Herman’s study hall right now!”“Just think,” I answered, “as far as Mr. Herman knows, we’re going to be in the other study hall for the rest of the year working on our projects!”“Hmm, that does open up some possibilities!”“Yes, it does!” I told her, reaching around to give her a squeeze.Des responded by turning toward me and resting her hands on my leg.“I’d rather be right here than anywhere else in the world.”She leaned forward a fraction and our lips met, softly at first, a slow, loving kiss. That kind of innocent, timeless kiss seems to disappear after high school, but I will never forget the way her lips felt against mine, or the first flicker of her tongue signaling it was time for more. My free hand twined in her hair and pulled her into my arms as our bodies began to respond.With an impatient snort, Desiree broke our kiss and sat back. “I’m too hot like this!” she said in a petulant voice. She stood up, brushed the crumbs off herself into the water. Then she stepped carefully and gracefully up onto the rock’s highest point and turned to look at me. Crossing her arms over her head, she whipped the tunic off in one smooth motion. I sat frozen, looking eagerly up at her as she tossed it further down the rock. Standing there in a pale bra and purple satin panties, she looked like some river goddess come to life. Full tits, winter-pale skin, and broad, luscious hips fought for my attention; Des smiled happily at my wide-eyed ogling.“That’s so much better!” she pronounced. “You should try it.”I stood where I was, turned to face her, and responded to her challenge. My shirt flew through the air to land on top of her tunic. I stepped up onto the rock I had just vacated and pushed my shorts down, taking my boxers along with them. Stepping out of them, I stood back up and tossed them onto the pile as well. The sun played across my body and it was Desiree’s turn to stare admiringly. I had been working out hard for soccer and indoor track and it showed. A smile tugged at her lips as her eyes traveled all over my arms, chest, abs, and then locked onto my semi-erect cock.“Mmm, you look good enough to eat!” she said eagerly.“You first!” I responded.She laughed happily. “I’m game!” she said. Her hands twisted up behind her back and unclasped her bra. A quick shake and it fell forward, revealing her tits and tightening nipples. Onto the pile it went. Her thumbs hooked the waistband of her panties, and drew them down an inch. I’m sure my eyes registered disappointment, because she laughed again at her successful tease and then pushed them down all the way, bending effortlessly at the waist until they brushed the rock between her feet. Then she simply stepped out of them and kicked them aside.It was my turn to stare again. Desiree’s mound was shaved smooth! My eyes locked onto that pale, delightful curve I knew so well, suddenly revealed in an amazing and arousing way. Although her cunt was in shadow, I could tell her grooming extended all the way because her labia were smooth and pale as well. My cock twitched, and Des giggled happily.“You like?” she asked needlessly. “I did it last night thinking we might have a chance today!”“I Love it!” I said fervently.“Grab the towels,” she commanded.Two quick steps, my cock bouncing in time, and I had them out of the bag.“Put one on the rock you were standing on.” I did as she asked.“Put the other one right there,” she said next, pointing at the front jut of the larger rock she stood on. I complied, wondering what she was up to.“Now,” she said with a smile, “what was that about ‘good enough to eat’ you mentioned?”I fumbled for a reply as Des stepped down onto the towel in front of her, then sank down to sit on the towel. She leaned back and spread her legs; she was rarely shy!; and rested her heels on ridges to either side. With one finger, she traced a line from between her tits down across her belly, and then over the shiny patch she had shaved.“Why don’t you kneel down right there and take a closer look?” she asked encouragingly.I nodded and folded the towel double before settling myself comfortably. She was at the perfect height and distance; I rested my hands on her knees and watched as her finger continued lower, tracing the edges of her cunt, stretched open by her pose. When she got to her perineum, she added a finger and came back up, dipping them into her opening just a bit and circling there.I stared hungrily and she smiled at my intense gaze. “Everything is So smooth!” she reported, spreading her juices all around her labia. “Your gonna love it!”No words came to mind, so I acted instead. Leaning in, I licked from as far down as I could, up along her clean-shaven lips, over her clit, and up to the ridge of her mound. There I paused and showered it with kisses, relishing its silky feel.“Des,” I said when I paused, “I fucking love it!”She giggled happily and settled back on her elbows, looking down at me through her lashes.Returning to my task, I lapped at her cunt with a broad tongue a few times and then extended it fully, ramming it as deeply as I could into her opening. My nose bumped her clit as I did this, and I could feel her twitch each time I did. She hummed happily, and I kept going.I moved my hands in close and used my thumbs to spread her lips even more. Then I turned my head a bit and nibbled my way up and down each delicate morsel of flesh, tugging at them and flicking them with my tongue. Another happy noise came from above me.Looking up into her eyes again, I slowly put two fingers into my mouth and sucked them. She raised her eyebrows in anticipation, and I rewarded her immediately. With a twisting motion, I slipped them into her cunt, retreated to coat them with her juices, and then eased them deeper. Soon I was sliding them in and out all the way, only stopping when my thumb jammed against her. Des rocked her hips to meet my strokes, and I had to match her timing when I leaned forward to lick her clit. Each time I buried my fingers inside her, she pushed back, and I gave her sensitive nub a swirling lash with my tongue. We found a steady rhythm then, and Des began breathing heavily, moaning a little every time I licked her.“Are you ready to cum?” I asked her teasingly when I paused my tongue action. I kept my hand moving steadily, and she had to gasp the words out to answer.“Fuck, yes; give me more!”Smiling, I leaned back in. I turned my hand palm up and curled my fingers so that they dragged across her G-spot, pumping them back and forth without fully withdrawing. Then I stiffened my tongue and licked the side of her hood repeatedly, no longer teasing her but trying to drive her over the edge. A deep groan and a raising of her hips told me I was on the right track.“Oh, fuck, oh, fuck, keep doing that!” she gasped in time with her thrusting.I kept doing that, just as she asked, and I soon felt her thighs fluttering. I pressed down hard on her mound with my free hand and began to suck on her clit while the tip of my tongue hit the same spot over and over again.“Oh, fuck!” Desiree moaned when her orgasm burst within her.I kept myself still then, feeling her cunt clamp down over and over on my fingers, soaking them with a rush of sweet, tangy juices. As I watched her body tremble, I admired the sun dappling every inch. The deep flush between her tits was stark against the untanned skin there, and her tits jutted straight up as her back arched in pleasure. I let her relax before withdrawing my fingers, which drew a tired whimper from her lips.When her eyes opened, I brought my fingers to my mouth again and sucked them clean. She smiled enigmatically as I licked them, staring directly into her eyes.“Well?” she asked.“Definitely good enough to eat!” I pronounced with a grin.“I love how you feel against my skin when it’s all shaved like this,” she told me seriously. “It added so much extra to everything you did!”“I love it, too,” I assured her. “You’re so smooth and sexy.”“I’m glad you like it,” she said in pleased tones.With that, she sat up and let her feet down, settling them on the outside of my towel. She leaned down, grabbed my face, and kissed me deeply. I know she could taste herself on my lips, and she even lapped my chin momentarily to gather her own deliciousness.“You know what else is gonna feel good?” she asked playfully.“What’s that?” I responded with an innocent look on my face.“Sliding my cunt all over you and letting you feel how smooth and wet it is.”I pulled her up to her feet and gathered her in my arms. “That,” I said seriously, kissing her between words, “sounds, amazing!”My cock was trapped between us, and Des wriggled her belly against it. Copious clear liquid was leaking from the tip, and the whole thing was twitching with the sudden heat and stimulation.“Besides, I think I need to tease you for a while,” she continued. “I don’t want to get you too excited yet!”I groaned at the thought, but consoled myself with the knowledge that my explosion would be even bigger and better when it happened.“Where do you want to do all this teasing?” I asked her.“Grab the towels,” she said. Then she pointed to a broad, flat rock about six feet from shore. The top was worn smooth by the passage of water over the years, but the top was dry now and looked invitingly warm. I laughed and gathered the cushioning towels. Holding hands, we made our way carefully across the slippery gap between our starting place and our new destination. When we got there, I passed her one towel and flipped the other one out to lie flat on the rock. Des followed suit and created a double layer of padding.“Get on up,” she said hotly. “It’s time for some payback!”I happily complied, sparing only a minute to look around.“No one is here,” she said reassuringly as I lay down on my back. Then her voice took on an Eastern European accent: “No one can help you. No one can hear your screams!”“Well that sucks,” I said with a smile. I settled myself comfortably on the rock and closed my eyes against the bright sunlight. “I’ll try to suffer in silence!”Desiree reached across me and grabbed my cock with one hand, aiming it straight up. She moved down and clambered onto the towel between my feet, and then paused to give me a few strokes. Her hand was warm and gentle on my shaft.Shifting one knee outside my leg, Des began to do exactly what she had said she would. She lowered herself and I felt her cunt bump into my knee. Slick and hot, she caressed her way up to my thigh, then moved across my lower body and did the same on my other leg. When I peeked up at her, I saw she had her lower lip between her teeth and a little frown of concentration on her face. I closed my eyes again and grinned as she moved up again. Her silky mound came down on my scrotum and Des rocked herself forward, arching her back so that she slid along the entire length of my cock from base to tip, her lips parted around me and coating me with lubrication before stopping and then moving back down to the base again.“Do you like that? Do you like how soft and smooth and wet I feel?”My mouth was dry as I answered her: “God, Des, I love it!”“I love rubbing myself all over you!” she said in a happy, sexy voice. I opened my eyes and she was gazing directly at me, her hands braced on her knees as she rocked herself back and forth along the underside of my shaft. Each time she reached the sensitive spot below the head, a pulse of precum leapt from my cock in response.“Des!” I said urgently, feeling the flutter of an approaching orgasm.“I know, I know, but it’s fun to tease you!” she said. Then she rose up, allowing the cool air to soothe the dangerous throbbing of my cock. She scooted forward a little more to straddle my chest. Lowering herself again, she rubbed the silky lips of her cunt on stomach, then on my chest as she eased higher. When her thighs were on either side of my head, I couldn’t help but lick her instantly from bottom to top. She gasped and pulled away.“Hey; you already had your turn!” she said indignantly. “Now I get mine!”With a quick, graceful move, she pivoted her body around, keeping her hips high enough so that her cunt was out of range of my tongue. She kissed my stomach, then trailed her hair across it, lower and lower with each swoop until it was tickling my thighs. Her left hand moved to brace herself on the towel while the other wrapped around my shaft again. She lifted it up to a 45 degree angle, perfectly aligned with her torso, and took me into her mouth.My rolled back with pleasure. I loved this position; it let Des take me as deeply as she wanted without awkward angles or pressure. She made the most of it; nothing fancy, but she sucked steadily and her lips moved from tip to base in one effortless motion. I could feel the restrictive heat at the back of her throat for a second, then she pulled back. A quick breath and she did it again. With each stroke, she squeezed my shaft as she rose and flattened her hand out of the way when she descended. I moaned happily and lifted my hands to hold her hips as they hovered above me.“Fuck, Des, that feels so good!”She hummed happily in response, which gave me a shiver of pleasure. Desiree’s motion was tireless, and I began to thrust upward a bit, knowing that I couldn’t hold back much longer. That signal was clear to her as well, and she paused to look back at me.“Do you want to cum?” she asked, squeezing my cock rhythmically.“I have to cum, Des, I have to cum in your mouth!” I gasped.“OK, I’m ready for that!” she smiled. Then she turned back and resumed her suction.Another dozen strokes and I was ready. My orgasm hit just as her mouth descended, and I arched myself up unconsciously. For a moment, my cock slipped past the ring of her throat and I could feel the twitching of her gag reflex against the sensitive head. The first jet of sperm flew directly down her throat, but she recovered quickly and pulled back, holding just the head between her lips and sucking frantically, pumping my shaft to milk out every drop. I could feel her swallowing as pulse after pulse threatened to overflow her mouth.Slowly, my hips fell back onto the towel. Des kept sucking steadily as my cock began to soften, and her tongue snaked all around to make sure she didn’t miss any of my cum. When she finally released me with a pop, I was completely spent. She planted a kiss on the underside of my cock, drawing a twitch in response that made her giggle. Then she turned herself around again and laid her head on my chest, her hand still wrapped around my spent shaft.“That was so amazing!” I murmured into her hair.“That was the most cum ever!” she said with a snort and a laugh.“Well, you are an exciting woman,” I told her, “so it’s kind of your fault. It’s all that teasing, too.&rd

In this conversation, Sabine Kvenberg and Sheila Slick explore the journey of becoming an author without traditional writing, the importance of visibility in business, and how technology, particularly AI, can assist in transforming spoken content into published works. Sheila shares her experiences as a serial entrepreneur and software developer, emphasizing the value of gamifying education and the unique propositions that entrepreneurs can offer. The discussion also highlights the role of podcasts in amplifying messages and the significance of networking through speaking engagements. I am Interest in speaking or attending event: https://forms.gle/gj3oV1KgG1G5Qn9h9 Chapters 00:00Becoming an Author Without Writing 08:58The Journey of Software Development and Education 18:03Visibility and Standing Out in Business 27:39Transforming Spoken Words into Published Works   Get in touch with Sheila: https://fivemilestones.com/   Connect with Sabine: Youtube: https://www.youtube.com/SabineKvenberg  IG: https://www.instagram.com/sabinekvenberg/ LinkedIn: https://www.linkedin.com/in/sabine-kvenberg/ Facebook: https://www.facebook.com/sabine.kvenberg.2025/      

RUNDOWN   Episode 371 opens with Mitch's Saturday night unraveling after watching Song Sung Blue and realizing the Buddy Holly–impersonating character played by Michael Imperioli is allegedly his celebrity twin — a comparison he loudly rejects as it derails the entire movie. With Hotshot fanning the flames, the show pivots into the annual Prediction Show recap, replaying last year's bold Seahawks takes — including a seven-win forecast and Mike Macdonald job jeopardy — before grading every prediction and crowning a 2025 champion. Mitch revisits last year's Prediction Show, replaying Dave Grosby, Jason Puckett, and Danny O'Neil's confident forecasts for 2025 — from Russell Wilson's salary and Geno Smith's future to Mike Macdonald's job security and a Seahawks Super Bowl run no one predicted. The segment tracks hits, misses, and wildly wrong calls, including gloomy seven-win projections and John Schneider pink slips that never came. With halftime scoring tallied and bragging rights on the line, the stage is set for Episode 372's official crowning of the 2025 Prediction Champion. The second half of the 2025 Prediction Show grading delivers more swings and misses as Mitch revisits bold calls from Dave Grosby, Jason Puckett, and Danny O'Neil on Julio Rodríguez, Cal Raleigh's contract, Paul Skenes, Shohei Ohtani, Tiger Woods, NBA expansion, and Sam Darnold's future. From Oklahoma City's title run to Pete Carroll playoff dreams and wild card chaos involving Jeff Bezos and the Kraken, the predictions range from razor-close to wildly off base. Mitch and Professor Slick bask in the lingering glow of the Seahawks' Super Bowl championship before veering into breaking "news" that Mitch left his iconic bell in Santa Clara — sparking a hilarious Rocky-inspired replacement plan involving Bunco night. The conversation shifts to spring training, where Slick sounds early alarms about the Mariners' pitching depth and offensive ceiling, while Mitch pushes back with optimism centered on Bryce Miller's return to form.   GUESTS   Dave Grosby | Seattle sports radio personality Jason Puckett | Seattle sports radio host and founder of The Daily Puck Drop Danny O'Neil | Veteran Seattle sports columnist and longtime Seahawks analyst Professor Slick | Seattle sports commentator and longtime Seahawks fan favorite   TABLE OF CONTENTS   0:00 | Doppelgänger Meltdown, Birthday Roll Call, and the Prediction Show Reckoning 19:09 | Prediction Show Reckoning — Revisiting the Bold (and Brutal) 2025 Forecasts. 34:37 | Prediction Show Reckoning, Part II — Bold Claims, Wild Cards, and a Surprise Champion 49:03 | GUEST: Professor Slick; "I Left My Bell in Santa Clara" — Super Bowl Afterglow, Aging, and Early Mariners Anxiety 1:21:30 | Other Stuff Segment: Jason Puckett wins 2025 Prediction Show title, David Crosby predicts Seahawks win 7 games and miss playoffs, Canadian curler Mark Kennedy profanity blowup at Sweden's Oscar Erickson over alleged rock-touching violation, Mitch's Winter Olympics viewing habits and curling being "hypnotic", 12th Man Rising floats Seahawks sale idea to Mackenzie Scott and Melinda Gates, NBA All-Star Weekend boredom and Mac McClung dunk contest absence, viral AI "Michael Jordan" dunk contest rant, Adam Silver expansion comments with Seattle + Las Vegas timeline frustration, Mariners nearly reaching World Series plus Seahawks Super Bowl creating "Seattle sports trifecta" potential with NBA return, Charlie Woods commits to Florida State over Stanford, Sam Darnold and Kenneth Walker Disneyland teacups video, Tyson vs Mayweather tease, Norwegian biathlete Sturla Holm Lægreid(?) emotional cheating confession post-medal interview, Joey Porter Sr. blasts Ben Roethlisberger as a bad teammate/person, Stefon Diggs arraignment over alleged assault of personal chef, Britney Spears sells music catalog rights to Primary Wave for $200M RIPs: James VanDerBeek, Tracy Scroggins

Strong performances across the board carry this slick, modern heist thriller— Despite a long runtime, the film never drags, using its length wisely to show character depth instead of relying on exposition dumps. Every major player—Mike, Sharon, and the worn-down detective—gets a clear, emotionally grounded arc that plays out naturally on screen. The finale is tense and gripping, keeping you guessing right up to the end. The direction and cinematography are sharp and polished, though that polish slightly works against it—the heists feel more “movie-clean” than gritty or dangerous, lacking the raw edge of classics like Heat. Still, the storytelling, performances, and tension outweigh those minor drawbacks. #MovieReview #HeistMovie #BarryKeoghan #FilmReview #CrimeThriller #MustWatch #MovieTalk #CinemaLovers #ThrillerMovie #FilmCommunity

The start to many slick shows here in Texas and it's a great way to start. We are extremely grateful for the opportunity to sit down with Mr. Callis and dive through all the classes. It's awesome to hear his perspective on the differences between types and kinds of cattle. We can't wait for the rest of Texas major show season but we are thrilled to be able to discuss cattle with Mr. Callis. Empowerment Is Here.

RUNDOWN   Mitch and Hotshot Scott open Episode 370 trying to process the strange calm that followed the Seahawks' 29–13 Super Bowl win, debating whether a championship can feel almost too controlled. The conversation reflects on Seattle's sustained success over the past two decades, Sam Darnold's improbable Super Bowl run, and why early power rankings already underrating the Seahawks feel laughably disconnected from reality. Ray Roberts joins Mitch Levy to explain why he never wavered in his Super Bowl prediction, breaking down how Seattle's physical dominance, defensive structure, and commitment to the run made the Patriots non-threatening from the opening drive. Ray details why the game was effectively decided by halftime, how Kenneth Walker and the offensive line wore New England down, and why this Seahawks team's rare level of connectedness separated them from past contenders. Jason Puckett joins Mitch to break down why the Seahawks' Super Bowl 60 win unfolded almost perfectly according to script, from defensive domination to a controlled, mistake-free performance by Sam Darnold. Puck explains how Seattle's pass rush, disguised coverages, and relentless pressure overwhelmed New England, while Kenneth Walker's patience and explosiveness anchored the offense. Mitch is joined by Brady Henderson and Jacson Bevens for a celebratory Seahawks No-Table following Seattle's 29–13 win over the Patriots in Super Bowl 60. The conversation looks ahead to roster decisions and whether this Mike Macdonald defense deserves comparison to the Legion of Boom. Mitch reconnects with Professor Slick to relive the Seahawks' Super Bowl 60. Slick reflects on where this title ranks among the greatest moments of his sports-fan life, why national media missed the story entirely, and how Seattle's defense and Kenneth Walker controlled the game from start to finish. Calling in from Tokyo after travel chaos rerouted him from Sapporo, Danny O'Neil joins Mitch to break down the Seahawks' 29–13 Super Bowl 60 win. The conversation dissects Seattle's defensive dominance, Michael Dickson's hidden-impact special teams performance, Devin Witherspoon's breakout night, and how this unit compares stylistically — but not structurally — to the Legion of Boom.   GUESTS   Ray Roberts | Former Seahawks offensive lineman and Seahawks Radio Network analyst Jason Puckett | Seattle sports radio host and founder of The Daily Puck Drop Brady Henderson | ESPN Seahawks reporter Jacson Bevens | Seahawks analyst and podcaster Professor Slick | Seattle sports commentator and longtime Seahawks fan favorite Danny O'Neil | Veteran Seattle sports columnist and longtime Seahawks analyst   TABLE OF CONTENTS   0:00 | "Did We Just Quietly Win the Super Bowl?" — Processing a Championship That Felt Inevitable 22:40 | GUEST: Ray Roberts; "It Was Over at Halftime" Ray Roberts on Why the Seahawks' Super Bowl Win Was Inevitable 44:38 | GUEST: Puck; "Exactly the Game We All Saw Coming" Puck on a Seahawks Super Bowl That Made Sense 1:06:26 | GUEST: Seahawks No-Table; Champions at the Table Breaking Down a Super Bowl Win That Never Felt in Doubt 1:34:17 | GUEST: Slick; "We Called It" Why This Seahawks Super Bowl Win Felt Shockingly Inevitable 2:03:29 | GUEST: Danny O'Neil; From Tokyo to a Title Danny O'Neil on a Seahawks Championship That Felt Inevitable

Slick x 3rd Feb Mix At 6 by Capital FM

Open format vibes every Thursday from 7:30 - 10pm on Capital Fm Kenya mixed by Slick.

The best of Boom Pap from Kenya and worldwide mixed by Slick every Saturday from 5 - 7pm on Capital Fm Kenya.

The best of Rock, Pop & House mixed by Slick every Friday from 10am - 1pm on Capital Fm Kenya.

Slick x Radioactive 30th Jan(Reggae, Dancehall & Gengetone) by Capital FM

Serious buss a wine ting with Slick every Thursday on Capital Fm Kenya from 7:30 - 10pm!!

The best of Pop, Rock and House music from all over the globe mixed by Slick every Friday from 10am - 1pm on Capital Fm Kenya.

Fish for Breakfast: Jimmy Advises Jerry! Slick #nfldraft trade?✭ Cowboys Roundtable - https://www.CowboysRoundtable.com ✭ FISHSPORTS Substack - https://mikefishernfl.substack.com/ ✭ STRAIGHT DOPE. NO BULLSH. ✭ ✭ Fish Podcast - https://www.fanstreamsports.com/show/the-dallas-cowboys-fish-report/ ✭ PLEASE LIKE, SUBSCRIBE AND SHARE! ✭ UNCLE FISH STORE - https://tinyurl.com/f82dh9sd ✭ FISH Premium Club - https://www.youtube.com/c/MikeFisherDFW/community

On Friday, we heard from Kira. Today, we hear from Jack. Can you feel a bit of chemistry starting to brew???See omnystudio.com/listener for privacy information.

In this week's episode, I am joined by Kolby Lankford. If you are not familiar with Kolby he is the host of the Slick Tree Podcast. It is a squirrel dog podcast but he ventures off every now and then into other topics like coon hunting, rifle builds, and going over different equipment. I have enjoyed Kolby's podcast and while I have been listening for awhile I wanted to learn more about him and his dogs. We discuss how he got into squirrel dogs and his progression from brindle Mountain Curs to these high contrast bird dog crosses. We also discussed the competion hunting scene and why he likes to go and compete.   Sponsors: https://conkeysoutdoors.com  Promo Code TREETALKINTIME5 https://shopeliteglobal.com/ Promo Code Tree10 https://www.facebook.com/p/Animal-Housing-Solutions-Inc  https://fullcrymag.com Merch: https://treetalkin.com/collections  Social Media: https://www.youtube.com/@TreeTalkinMedia  https://www.patreon.com/treetalkintime https://www.instagram.com/treetalkinmedia https://www.facebook.com/treetalkinmedia  

Slick x 27th Jan Mix At 6 by Capital FM

Slick Treeing is a common term in the hound world because it is a common problem. No one wants to make a hike into a dog that can't trail and locate game in the right tree.Jerry Moll joins Chris in this episode of the Houndsman XP Podcast to have an in depth discussion on slick treeing. Jerry and Chris discuss the history of trailing hounds to the more recent Tree Dog. ►Get Your Houndsman XP Info, Gear & More Here!www.HoundsmanXP.com►Become a Patron of Houndsman XP! Check out our Tailgate Talks.|

The Beasman will even pull for them there rotten DOOKIES to beat his arch enema U of Smell Cardinal birds.Beasman also has rancid thoughts about Slick Rick winning his 900th basketball game. Even God knows Slick shoulda never left him no U uh Kay or he'd have over a thousand vic-trees by now!!!

The best of Boom Pap from Kenya and worldwide mixed by Slick every Saturday from 5 - 7pm on Capital FM.

The best of Pop, Rock & House mixed by Slick every Friday on Capital FM from 10am - 2pm.

WBZ NewsRadio’s Jay Willett reports.See omnystudio.com/listener for privacy information.

Air Tight #158 is hosted by The Alex from Green Coast Radio.  In this episode, he plays tracks from Elvis Presley, Lambrini Girls, Phoebe Killdeer, The Feminine Complex, and others.  It's a mix of underground sounds, older gems, and artists doing their own thing. This week's news covers three stories.  The Pentagon says it'll start using Grok AI in all defense systems, both classified and unclassified . Mosswood Meltdown Festival is back, bringing punk energy and protest vibes.  And people are still using the USPS to ship contraband — The Alex has thoughts on that too. He also reminds you to check out Unknown Airwaves on YouTube.  That's where we post videos, music, and more stuff that doesn't fit anywhere else. Want to support the station or grab something cool?  Go to GreenCoastRadio.com and check out the Station Gear page. We've got shirts, prints, and designs you won't see anywhere else. This show is for people who still care about independent music, college radio, and underground culture.  For anyone finding new music on YouTube, streaming sites, or late-night radio.  For fans of protest art, altered states, fringe ideas, and freedom of expression. We talk about what matters to people who don't follow the script. Music. News. Street-level stories. Stay tuned. Playlist Ken Nordine - Guru Alvin Robinson - Down Home Girl Eli "Paper Boy" Reed - Your sins will find you out Bobbie Gentry - He made me a woman Elvis Presley - Wearin' the Night Life Look ASM -  Butcher's Cut Bambrini Girls - Love KELS - Gone Karen O - Super Breath Jonah Pierce - Lost Phoebe Killdeer - The fade out line Shannon & The Clams - Runaway Siouxie & The Banshees - Cities in Dust Psymon Spine - Jumprope Sneaks - Look Like that The Bahama Soul Club - Malago The Feminine Complex - Are you lonesome like me The Lost Generation - The Sly, Slick & the Wicked The Hombres - Let it Out Sonic Youth - Jams Runs Free Xzibit, B-Real, Demrick - Call the Cops   Spotify playlist out of order: https://open.spotify.com/playlist/591MSDcx5Dj0Z9t2BP36jH?si=3f7282018aa44366

Big 3 Stories: Slick Roads, Later School Times, and an Aliquippa shooting full 273 Thu, 22 Jan 2026 12:59:35 +0000 rSYmQQXfMJbjuMhmwwwD3yRIuOnDOq6B news The Big K Morning Show news Big 3 Stories: Slick Roads, Later School Times, and an Aliquippa shooting The Big K Morning Show 2024 © 2021 Audacy, Inc. News False https://player.ampe

Let Us Know What You Think of the Show!Date: January 21, 2026Name of Podcast: Backstage Pass RadioS10: E2: Earl Slick (David Bowie / John Lennon) - The Six String SagaSHOW SUMMARY:The guitar can talk if you let it. That's the lesson Earl Slick brings to the table—equal parts groove, grit, and a sharp sense of what a song really needs. We sat down to trace his path from Little League dreams to stages with David Bowie and John Lennon, and the result is a candid masterclass on rhythm, taste, and integrity. He doesn't chase trends or pedals; he chases feel. He'll tell you why the best job in rock might be the sideman who keeps the front person free, and how a two-bar hook can make a track immortal.  We dive into the sessions that defined him. With Bowie, Slick had full creative trust and learned to build parts that breathe—signature licks, precise space, and a stage sense that let the star step back when needed. With Lennon, he was the “wild card,” the street player alongside seasoned readers, there to inject heart. He unpacks tone philosophy in plain terms: light bodies for resonance, Telecasters kept honest, Gibson acoustics that bloom, fuzz as spice, and a pedalboard that leaves plenty to your hands. It's practical wisdom for players at any level, from studio pros to weekend warriors.  Slick doesn't dodge the hard stuff. He talks about anxiety, isolation off the road, and the healing power of telling the truth. His definition of success is refreshingly simple: play the guitar, take care of your family, pay the mortgage, and sleep at night. We explore his Slick guitar line—lighter builds, quality hardware, workable prices—and his advice for the next generation: get in a room with a drummer and bass player, let the first take speak, and don't mistake social media for a career. There's new music, a heartfelt David Johansen tribute, and studio experiments on the horizon, all grounded in the same ethic: rhythm first, ego last.  If you love real stories from the engine room of rock—Bowie, Lennon, hooks that stick, tone that breathes—this conversation will stay with you. Subscribe, share with a musician friend, and leave a review to keep these deep dives coming. What's the riff that made you fall in love with the guitar? Tell us.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Pagehttps://www.facebook.com/EarlSlickOfficial/https://www.instagram.com/earlslick_official/Call to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer.  Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey 

Echos of Giant Monster Messages: Bermuda Depths (1978) Slick from Echos of Giant Monsters (link) joins Taylor for this special episode of the 1978 film Bermuda Depths.   Plot 09:15 Talking Points 44:50  

Southwest Michigan's Morning News podcast is prepared and delivered by the WSJM Newsroom. For these stories and more, visit https://www.wsjm.com and follow us for updates on Facebook. See omnystudio.com/listener for privacy information.

Southwest Michigan's Morning News podcast is prepared and delivered by the WSJM Newsroom. For these stories and more, visit https://www.wsjm.com and follow us for updates on Facebook. See omnystudio.com/listener for privacy information.

Send us a textA group of friends join a game show in which contestants, allowed to flee anywhere in the world, are pursued by "podcasters" hired to kill them with their brand of off-beat humor. On Episode 703 of Trick or Treat Radio our feature film discussion is The Running Man (2025) from director Edgar Wright! We also revisit MZ's hatred of Stephen Spielberg, our coming attractions segment has us reacting to the trailers for the films; Undertone, and The Dreadful, and we get a horrifying glimpse into our very near socio-political future. So grab as many costume changes as you can fit in your bag, bury all your new dollars in your backyard, and strap on for the world's most dangerous podcast!Stuff we talk about: Remembering Heather O'Rourke, Poltergeist, She Was Here, you can learn from Spielberg without becoming Spielberg, Disclosure Day, Duel, Sugarland Express, E.T., Brian Paulin, Amistad, Treejumpers, Catch Me If You Can, Bela Tarr, The Fatal Hour, Return of the Living Dead II, In Dreams, Virus, Jesus Christ Vampire Hunter, Rats, Vampire Boulevard, Asylum, Butcher House, Ghost Hunters, Army of the Dead, The Book of Eli, Intruders, Ari Aster, Robert Zemeckis, Hostel, Chad Lowe, The Others, Mario Van Peebles, Cape Fear, The Accident, George “Funky” Brown, Andrea Martin, Black Christmas, Cannibal Girls, Richard Franklin, Pet Sematary 2, The Devil's Daughter, Jaws 2, Dube dube doo he did Jaws 2, Billy the Kid vs. Dracula, The Old Dark House, The Bride of Frankenstein, London After Midnight, Dr. Jekyll and Mr. Hyde, Beau is Afraid, Joaquim the African Dream, RIP T.K. Carter, The Thing, Punky Brewster, RIP Marcus Gilbert, Grateful Dead, RIP Bob Weir, Barry Sobel, The Milwaukee Dream, Slick, Pontypool, Stanley Kubrick, The Dreadful, Onibaba, Undertone, A24, Orson Swells, Katy O'Brian, The Running Man, Arnold Schwarzenegger, Yaphet Kotto, Edgar Wright, Last Night in Soho, sidekick prepper, Baby Driver, Ant-Man, The Cornetto Trilogy, Katy O'Brian, Martin Herlihy, Please Don't Destroy, William H. Macy, FreeVee, Stephen King, Richard Bachman, Shock Treatment, The Long Walk, Michael Cera, Scott Pilgrim vs. The World, Sinners, Series 7: The Contenders, Dust Bunny, Mockingbird Lane, American Gods, Hannibal, Bryan Fuller, David Dastmalchian, Late Night With the Devil, Flay or Filet, BMX Bandits, Controlling the Orswellian Narrative, Edgar Played it Wright, Even Satan Has a Podcast.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Slick x The Hype 15th Jan (Open Format) by Capital FM

The best of Pop, Rock & House mixed by Slick every Friday from 10am - 2pm on Capital Fm.

Abbey Murphy has no signs of slowing down! She had another hat trick on Friday night and the play of the year on a goal on Saturday. Abbey and the Gophers get ready for Bemidji State tonight on the road, and soon, she is off to Italy for the Olympics! She joined Vineeta on The WCCO Morning News!

Happy 2026!  Dain promises he won't make any bold statements about this year considering how last year went with... you know.  Everything.  Topics include the guilt of being a sex machine, basic biology, unexpected rimjob, navigating a kinky new partner.

Live albums can be a tough lot. Too much crowd noise can block out the best parts of your favorite songs. A rough mix can dilute the sound. Slick production can make it seem like the crowd isn't even there. On so on and so forth. But when you get it right, you'll never put it down. As is the case with Zydeco master Corey Ledet's newest album, Live in Alaska. Released in December 2025, Live in Alaska is everything a live album should be—it makes you wish you were there. In this episode, Louisiana-based, Houston native Ledet talks about the album, his amazing band, and how he started down the Zydeco road. We also spend a good deal of time on Ledet's efforts to preserve the Louisiana Creole language in song. So sit back—or better yet get ready to jump up and down—as Corey Ledet joins the show.

Slick electronic and lush reverb house, enjoy diverse electronic tracks to say goodbye to 2025.

Ned Lampert is an unpretentious dude with a bag of big ideas. As the founder of Zero Ambition, a creative and strategy studio that works with Nike, Vans, Whole Foods, and a roster of other AAA brands, his job is to come up with culture-shifting campaigns that make customers laugh, cry, and do a little shimmy. Ned is also an avid fly fisherman, mountain bike rider, and backcountry skier. In this episode, we talked about how Ned got into advertising through the unlikely path of DJing parties, why that led him to New York, and where he finds inspiration today. (Spoiler: at the top of the Alpine mountains.) Oh, Ned is also behind Slick's For All, one of the fastest-growing intimacy brands redefining the category. He does so much, the bastard. If you dig this podcast, will you please leave a short review on Apple Podcasts? It takes less than 60 seconds and makes a difference when I drop to my knees and beg hard-to-get guests on the show. I read them all. You can watch this podcast on my YouTube channel and join my newsletter on Substack. It's glorious. My first book, ONE LAST QUESTION BEFORE YOU GO, is available to order today. Get full access to Kyle Thiermann at thiermann.substack.com/subscribe

In this episode we sit down with the legendary Slick. We talk about his life growing up in Hawaii and how getting involved in art at an early age shaped his entire future. Slick talks about how hip hop culture grew on the island eventually leading him from popping and breaking to his true love… graffiti. We get into how he ended up in LA as a teenager and stumbling upon and eventually being apart of the renowned K2S crew. Slick keeps it real on being sober for 23 years, fatherhood a second time around and how he and his wife are the ying and yang to one another not only in business but in life. From catching tags to designing for cooperations he has definitely done it all but even after 5 decades in the game he says he isn't close to retiring and has a lot more art to create and give! Hands down one of the best to ever do it!

Steve Harvey Morning Show Online: http://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Steve Turek and Kevin Slick get stalked by Robert Mitchum as they try to survive The Night of the Hunter (dir. Charles Laughton). Plus Mark Matzke's Beta Capsule Review (Ultraman Taro)! Voicemail: (360) 524-2484‬ Email: monsterkidradio@gmail.com Deth Designs - https://dethdesigns.bigcartel.com/ Monster Kid Radio on Patreon - https://www.patreon.com/c/monsterkidradio Monster Kid Radio on Twitch! - https://www.twitch.tv/monsterkidradio Monster Kid Radio on YouTube - http://youtube.com/monsterkidradio Follow Mark MatzkeMonster Study Group - https://podcasts.apple.com/us/podcast/monster-study-group/id1526013554 Small Town Monsters - https://www.smalltownmonsters.com Follow Steve TurekDieCast Movie Podcast - https://www.facebook.com/profile.php?id=100063695340771 Follow Kevin SlickMusic, Photography, and More - https://kevinslick.com/ Kevin Slick on YouTube - https://www.youtube.com/@kgslick50 Follow Monster Bash Creepy Classic - https://creepyclassics.com/ Classic Horror Film Board - https://classichorrorfilmboard.com/ Executive Producer - https://www.podcascadia.com/ "el Oasis" (Porsaguera) provided courtesy of Porsaguera https://porsaguera.bandcamp.com/ Bride of Monster Kid Radio is a Team Deth Production. All original content of Bride of Monster Kid Radio is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International License. You can learn more about Team Deth, our other projects like Deth Merchant, Mail Order Zombie, Deth Writer, and more at www.teamdeth.com. Please rate and review Monster Kid Radio wherever you download your favorite podcasts. Next time on Bride of Monster Kid Radio: Follow us on Patreon to find out!

We discuss being sick during the holidays, the magic of Christmas elves, and play a hilarious game called "Sick or Slick." In this episode of the Stay Outta My Fridge podcast, a dad and daughter duo share light-hearted stories about navigating sickness right before Christmas. Despite the colds, we keep the holiday spirit alive by talking about the creative antics of our Christmas Elves, our favorite crafting projects, and the excitement for upcoming Christmas concerts. Plus, we invent a brand new game called "Sick or Slick," where we rate different winter scenarios to see if they are cool or just gross. Join us for the laughs, the family bonding, and the unfiltered reality of the holiday season! In this episode, we cover: Intro: Dealing with Holiday Sickness Christmas Elves: The new antics in our house Crafting & Advent Calendars: Our DIY projects GAME TIME: We play "Sick or Slick" (Winter Edition) Upcoming Christmas Concerts Conclusion: Finding humor when you're sick #StayOuttaMyFridge #ChristmasPodcast #FamilyPodcast #DadAndDaughter #ChristmasElves #HolidaySickness #Crafting #SickOrSlickGame #BeardLaws About the Beard Laws Network The Beard Laws Network is home to weekly shows covering true crime, conspiracies, family-life comedy, sports legends, and strange local history. New episodes drop every week from: Yore Town Podcast (True Crime) – Mondays Watch the Series Here TTT Podcast (Conspiracies) – Tuesdays Watch the Series Here Stay Outta My Fridge (Family Comedy) – Thursdays Watch the Series Here Street Sign Storytime (Local Lore) – Sundays Watch the Series Here Subscribe to never miss an episode! Listen to Full Episodes & Clips ➜ Beard Laws Network Shorts: https://www.youtube.com/@BeardLawsNetwork/shorts ➜ Main Beard Laws Channel: https://www.youtube.com/@BeardLaws Follow on Socials TikTok, Instagram, Facebook, and more → https://linktr.ee/beardlaws Support the Show Like, comment, and share this episode — it helps the Network grow a TON! Don't forget to LIKE and SUBSCRIBE to The Beard Laws Network for all your non-beard related podcasts and shows! New episodes of STAY OUTTA MY FRIDGE drop every Thursday! Follow us on Instagram: @beardlaws Hit that subscribe button for more best sports moments podcast episodes, fun food reviews, and family-friendly content! Friends of the show: Live Bearded - https://livebearded.com Yellow Leaf Hammocks - https://www.yellowleafhammocks.com/products/the-vista Shinesty - https://shinesty.com/?ref=beardlaws Want your fridge roasted? Share your weirdest item in the comments for a future Fridge Detective segment! Like, share, and subscribe to join the Stay Outta My Fridge community! Your support helps us grow! Stay curious with Beard Laws Studio—Stay Outta My Fridge: Your go-to for family entertainment! Listen to Full Episodes & Clips ➜ Beard Laws Network Shorts: https://www.youtube.com/@BeardLawsNetwork/shorts ➜ Main Beard Laws Channel: https://www.youtube.com/@BeardLaws Follow on Socials TikTok, Instagram, Facebook, and more → https://linktr.ee/beardlaws Support the Show Like, comment, and share this episode — it helps the Network grow a TON! If you enjoyed this episode, please subscribe and leave a 5-star review on your favorite podcast app! It's the best way to help our family show reach more people.This has been The Stay Outta My Fridge Podcast, your source for family comedy, snack reviews, and '90s nostalgia.Find us on social media The Stay Outta My Fridge Podcast is a part of the Bleav Network. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Trusting the process is a really important way to free yourself, and the film, to discover what it is.Viridiana Lieberman is an award-winning documentary filmmaker. She recently edited the Netflix sensation The Perfect Neighbor.In this interview we talk:* Viri's love of the film Contact* Immersion as the core goal in her filmmaking* Her editing tools and workflow* Film school reflections* The philosophy and process behind The Perfect Neighbor — crafting a fully immersive, evidence-only narrative and syncing all audio to its original image.* Her thoughts on notes and collaboration* Techniques for seeing a cut with fresh eyesYou can see all of Viri's credits on her IMD page here.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Viri, thank you so much for joining us today.VIRI: Oh, thank you for having me. I'm excited to be here.BEN: And I always like to start with a fun question. So senior year of high school, what music were you listening to?VIRI: Oh my goodness. Well, I'm class of 2000, so I mean. I don't even know how to answer this question because I listen to everything.I'm like one of those people I was raving, so I had techno in my system. I have a lot of like, um. The, like, everything from Baby Ann to Tsta. Like, there was like, there was a lot, um, Oak and like Paul Oak and Full, there was like techno. Okay. Then there was folk music because I loved, so Ani DeFranco was the soundtrack of my life, you know, and I was listening to Tori Amos and all that.Okay. And then there's like weird things that slip in, like fuel, you know, like whatever. Who was staying? I don't remember when they came out. But the point is there was like all these intersections, whether I was raving or I was at Warp Tour or I was like at Lili Fair, all of those things were happening in my music taste and whenever I get to hear those songs and like that, that back late nineties, um, rolling into the Ox.Yeah.BEN: I love the Venn diagram of techno and folk music.VIRI: Yeah.BEN: Yeah. What, are you a fan of the film inside Lou and Davis?VIRI: Uh, yes. Yes. I need to watch it again. I watched it once and now you're saying it, and I'm like writing it on my to-dos,BEN: but yes, it, it, the first time I saw it. I saw in the East Village, actually in the theater, and I just, I'm a Cohen Brothers fan, but I didn't love it.Mm-hmm. But it, it stayed on my mind and yeah. Now I probably rewatch it once a year. It might, yeah. In my, in my, on my list, it might be their best film. It's so good. Oh,VIRI: now I'm gonna, I'm putting it on my, I'm literally writing it on my, um, post-it to watch it.BEN: I'mVIRI: always looking for things to watch in the evening.BEN: What, what are some of the docs that kind of lit your flame, that really turned you on?VIRI: Uh, this is one of those questions that I, full transparency, get very embarrassed about because I actually did not have a path of documentary set for me from my film Loving Passion. I mean, when I graduated film school, the one thing I knew I didn't wanna do was documentary, which is hilarious now.Hilarious. My parents laugh about it regularly. Um. Because I had not had a good documentary education. I mean, no one had shown me docs that felt immersive and cinematic. I mean, I had seen docs that were smart, you know, that, but, but they felt, for me, they didn't feel as emotional. They felt sterile. Like there were just, I had seen the most cliched, basic, ignorant read of doc.And so I, you know, I dreamed of making space epics and giant studio films. Contact was my favorite movie. I so like there was everything that about, you know, when I was in film school, you know, I was going to see those movies and I was just chasing that high, that sensory high, that cinematic experience.And I didn't realize that documentaries could be. So it's not, you know, ever since then have I seen docs that I think are incredible. Sure. But when I think about my origin tale, I think I was always chasing a pretty. Not classic, but you know, familiar cinematic lens of the time that I was raised in. But it was fiction.It was fiction movies. And I think when I found Docs, you know, when I was, the very long story short of that is I was looking for a job and had a friend who made docs and I was like, put me in coach, you know, as an editor. And she was like, you've never cut a documentary before. I love you. Uh, but not today.But no, she hired me as an archival producer and then I worked my way up and I said, no, okay, blah, blah, blah. So that path showed me, like I started working on documentaries, seeing more documentaries, and then I was always chasing that cinema high, which by the way, documentaries do incredibly, you know, and have for many decades.But I hadn't met them yet. And I think that really informs. What I love to do in Docs, you know, I mean, I think like I, there's a lot that I like to, but one thing that is very important to me is creating that journey, creating this, you know, following the emotion, creating big moments, you know, that can really consume us.And it's not just about, I mean, not that there are films that are important to me, just about arguments and unpacking and education. At the same time, we have the opportunity to do so much more as storytellers and docs and we are doing it anyway. So that's, that's, you know, when, it's funny, when light my fire, I immediately think of all the fiction films I love and not docs, which I feel ashamed about.‘cause now I know, you know, I know so many incredible documentary filmmakers that light my fire. Um, but my, my impulse is still in the fiction world.BEN: Used a word that it's such an important word, which is immersion. And I, I first saw you speak, um, a week or two ago at the doc NYC Pro panel for editors, documentary editors about the perfect neighbor, which I wanna talk about in a bit because talk about a completely immersive experience.But thank you first, uh, contact, what, what is it about contact that you responded to?VIRI: Oh my goodness. I, well, I watched it growing up. I mean, with my dad, we're both sci-fi people. Like he got me into that. I mean, we're both, I mean he, you know, I was raised by him so clearly it stuck around contact for me. I think even to this day is still my favorite movie.And it, even though I'm kind of a style nut now, and it's, and it feels classic in its approach, but. There's something about all the layers at play in that film. Like there is this crazy big journey, but it's also engaging in a really smart conversation, right? Between science and faith and some of the greatest lines from that film.Are lines that you can say to yourself on the daily basis to remind yourself of like, where we are, what we're doing, why we're doing it, even down to the most basic, you know, funny, I thought the world was what we make it, you know, it's like all of these lines from contact that stick with me when he says, you know, um, did you love your father?Prove it. You know, it's like, what? What is proof? You know? So there were so many. Moments in that film. And for me, you know, climbing into that vessel and traveling through space and when she's floating and she sees the galaxy and she says they should have sent a poet, you know, and you're thinking about like the layers of this experience and how the aliens spoilers, um, you know, show up and talk to her in that conversation herself.Anyways, it's one of those. For me, kind of love letters to the human race and earth and what makes us tick and the complexity of identity all in this incredible journey that feels so. Big yet is boiled down to Jody Foster's very personal narrative, right? Like, it's like all, it just checks so many boxes and still feels like a spectacle.And so the balance, uh, you know, I, I do feel my instincts normally are to zoom in and feel incredibly personal. And I love kind of small stories that represent so much and that film in so many ways does that, and all the other things too. So I'm like, how did we get there? But I really, I can't, I don't know what it is.I can't shake that film. It's not, you know, there's a lot of films that have informed, you know, things I love and take me out to the fringe and take me to the mainstream and, you know, on my candy and, you know, all those things. And yet that, that film checks all the boxes for me.BEN: I remember seeing it in the theaters and you know everything you said.Plus you have a master filmmaker at the absolute top Oh god. Of his class. Oh my,VIRI: yes,BEN: yes. I mean, that mirror shot. Know, know, I mean, my jaw was on the ground because this is like, right, right. As CGI is started. Yes. So, I mean, I'm sure you've seen the behind the scenes of how theyVIRI: Yeah.BEN: Incredible.VIRI: Years.Years. We would be sitting around talking about how no one could figure out how he did it for years. Anybody I met who saw contact would be like, but how did they do the mirror shot? Like I nobody had kind of, yeah. Anyways, it was incredible. And you know, it's, and I,BEN: I saw, I saw it just with some civilians, right?Like the mirror shot. They're like, what are you talking about? The what? Huh?VIRI: Oh, it's so funny you bring that up because right now, you know, I went a friend, I have a friend who's a super fan of Wicked. We went for Wicked for Good, and there is a sequence in that film where they do the mirror jot over and over and over.It's like the, it's like the. Special device of that. It feels that way. That it's like the special scene with Glenda and her song. And someone next to me was sitting there and I heard him under his breath go,wow.Like he was really having a cinematic. And I wanted to lean over and be like, watch contact, like, like the first time.I saw it was there and now it's like people have, you know, unlocked it and are utilizing it. But it was, so, I mean, also, let's talk about the opening sequence of contact for a second. Phenomenal. Because I, I don't think I design, I've ever seen anything in cinema in my life like that. I if for anybody who's listening to this, even if you don't wanna watch the entire movie, which of course I'm obviously pitching you to do.Watch the opening. Like it, it's an incredible experience and it holds up and it's like when, yeah. Talk about attention to detail and the love of sound design and the visuals, but the patience. You wanna talk about trusting an audience, sitting in a theater and that silence Ah, yeah. Heaven film heaven.BEN: I mean, that's.That's one of the beautiful things that cinema does in, in the theater. Right. It just, you're in, you're immersed in this case, you know, pulling away from earth through outer space at however many, you know, hundreds of millions of miles an hour. You can't get that anywhere else. Yeah. That feeling,VIRI: that film is like all the greatest hits reel of.Storytelling gems. It's like the adventure, the love, the, you know, the, the complicated kind of smart dialogue that we can all understand what it's saying, but it's, but it's doing it through the experience of the story, you know, and then someone kind of knocks it outta the park without one quote where you gasp and it's really a phenomenal.Thing. Yeah. I, I've never, I haven't talked about contact as much in ages. Thank you for this.BEN: It's a great movie. It's there, and there were, there were two other moments in that movie, again when I saw it, where it's just like, this is a, a master storyteller. One is, yeah. When they're first like trying to decode the image.Mm-hmm. And you see a swastika.VIRI: Yeah. Oh yeah. And you're like,BEN: what the, what the f**k? That was like a total left turn. Right. But it's, it's, and I think it's, it's from the book, but it's like the movie is, it's, it's, you know, it's asking these questions and then you're like totally locked in, not expecting.You know, anything from World War II to be a part of this. And of course in the movie the, go ahead.VIRI: Yeah, no, I was gonna say, but the seed of thatBEN: is in the first shot,VIRI: scientifically educating. Oh yes. Well, the sensory experience, I mean, you're like, your heart stops and you get full Bo chills and then you're scared and you know, you're thinking a lot of things.And then when you realize the science of it, like the first thing that was broadcast, like that type of understanding the stakes of our history in a space narrative. And, you know, it, it just, there's so much. You know, unfurling in your mind. Yeah. In that moment that is both baked in from your lived experiences and what you know about the world, and also unlocking, so what's possible and what stakes have already been outside of this fiction, right?Mm-hmm. Outside of the book, outside of the telling of this, the reality of what has already happened in the facts of it. Yeah. It's really amazing.BEN: And the other moment we're just, and now, you know, being a filmmaker, you look back and I'm sure this is, it falls neatly and at the end of the second act. But when Tom scars, you know, getting ready to go up on the thing and then there's that terrorist incident or whatever, and the whole thing just collapses, the whole, um, sphere collapses and you just like, wait, what?Is that what's gonna happen now?VIRI: Yeah, like a hundred million dollars in it. It does too. It just like clink pun. Yeah. Everything.BEN: Yeah.VIRI: Think they'll never build it again. I mean, you just can't see what's coming after that and how it went down, who it happened to. I mean, that's the magic of that film, like in the best films.Are the ones where every scene, every character, it has so much going into it. Like if somebody paused the film there and said, wait, what's happening? And you had to explain it to them, it would take the entire movie to do it, you know, which you're like, that's, we're in it. Yeah. Anyway, so that's a great moment too, where I didn't, and I remember when they reveal spoilers again, uh, that there's another one, but when he is zooming in, you know, and you're like, oh, you know, it just, it's, yeah.Love it. It's wonderful. Now, I'm gonna watch that tonight too. IBEN: know, I, I haven't probably, I probably haven't watched that movie in 10 years, but now I gotta watch it again.VIRI: Yeah.BEN: Um, okay, so let's talk doc editing. Yes. What, um, I always like to, I heard a quote once that something about when, when critics get together, they talk meaning, and when artists get together, they talk paint.So let's talk paint for a second. What do you edit on?VIRI: I cut mainly on Avid and Premier. I, I do think of myself as more of an avid lady, but there's been a lot of probably the films that have done the most. I cut on Premier, and by that I mean like, it's interesting that I always assume Avid is my standard yet that most of the things that I love most, I cut on Premiere right now.I, I toggle between them both multiple projects on both, on both, um, programs and they're great. I love them equal for different reasons. I'm aBEN: big fan of Avid. I think it gets kind of a, a bad rap. Um, what, what are the benefits of AVID versus pr? I've never used Premier, but I was a big final cut seven person.So everybody has said that. Premier kind of emulates Final cut. Seven.VIRI: I never made a past seven. It's funny, I recently heard people are cutting on Final Cut Pro again, which A adds off. But I really, because I thought that ship had sailed when they went away from seven. So with, I will say like the top line things for me, you know, AVID forces you to control every single thing you're doing, which I actually think it can feel hindering and intimidating to some folks, but actually is highly liberating once you learn how to use it, which is great.It's also wonderful for. Networks. I mean, you can send a bin as a couple kilobyte. Like the idea that the shared workflow, when I've been on series or features with folks, it's unbeatable. Uh, you know, it can be cumbersome in like getting everything in there and stuff like that and all, and, but, but it kind of forces you to set up yourself for success, for online, for getting everything out.So, and there's a lot of good things. So then on conversely Premier. It's amazing ‘cause you can hit the ground running. You just drag everything in and you go. The challenge of course is like getting it out. Sometimes that's when you kind of hit the snaps. But I am impressed when I'm working with multiple frame rates, frame sizes, archival for many decades that I can just bring it into Premier and go and just start cutting.And you know, also it has a lot of intuitive nature with other Adobe Pro, you know, uh, applications and all of this, which is great. There's a lot of shortcuts. I mean, they're getting real. Slick with a lot of their new features, which I have barely met. I'm like an archival, I'm like a ancient picture editor lady from the past, like people always teach me things.They're just like, you know, you could just, and I'm like, what? But I, so I guess I, you know, I don't have all the tech guru inside talk on that, but I think that when I'm doing short form, it does feel like it's always premier long form. Always seems to avid. Team stuff feels avid, you know, feature, low budge features where they're just trying to like make ends meet.Feel Premier, and I think there's an enormous accessibility with Premier in that regard. But I still feel like Avid is a studios, I mean, a, a studio, well, who knows? I'm cut in the studios. But an industry standard in a lot of ways it still feels that way.BEN: Yeah, for sure. How did you get into editing?VIRI: I went to film school and while I was there, I really like, we did everything.You know, we learned how to shoot, we learned everything. Something about editing was really thrilling to me. I, I loved the puzzle of it, you know, I loved putting pieces together. We did these little funny exercises where we would take a movie and cut our own trailer and, you know, or they'd give us all the same footage and we cut our scene from it and.Itwas really incredible to see how different all those scenes were, and I loved finding ways to multipurpose footage, make an entire tone feel differently. You know, like if we're cutting a scene about a bank robbery, like how do you all of a sudden make it feel, you know, like romantic, you know, or whatever.It's like how do we kind of play with genre and tone and how much you can reinvent stuff, but it was really structure and shifting things anyways, it really, I was drawn to it and I had fun editing my things and helping other people edit it. I did always dream of directing, which I am doing now and I'm excited about, but I realized that my way in with editing was like learning how to do a story in that way, and it will always be my language.I think even as I direct or write or anything, I'm really imagining it as if I'm cutting it, and that could change every day, but like when I'm out shooting. I always feel like it's my superpower because when I'm filming it's like I know what I have and how I'll use it and I can change that every hour.But the idea of kind of knowing when you've got it or what it could be and having that reinvented is really incredible. So got into edit. So left film school. And then thought and loved editing, but wasn't like, I'm gonna be an editor. I was still very much on a very over, you know what? I guess I would say like, oh, I was gonna say Overhead, broad bird's eye.I was like, no, I'm gonna go make movies and then I'll direct ‘em and onward, but work, you know, worked in post houses, overnights, all that stuff and PA and try made my own crappy movies and you know, did a lot of that stuff and. It kept coming back to edit. I mean, I kept coming back to like assistant jobs and cutting, cutting, cutting, cutting, and it just felt like something that I had a skill for, but I didn't know what my voice was in that.Like I didn't, it took me a long time to realize I could have a voice as an editor, which was so dumb, and I think I wasted so much time thinking that like I was only search, you know, like that. I didn't have that to bring. That editing was just about. Taking someone else's vision. You know, I'm not a set of hands like I'm an artist as well.I think we all are as editors and I was very grateful that not, not too long into, you know, when I found the doc path and I went, okay, I think this is where I, I can rock this and I'm pretty excited about it. I ended up working with a small collection of directors who all. Respected that collaboration.Like they were excited for what I do and what I bring to it and felt, it made me feel like we were peers working together, which was my fantasy with how film works. And I feel like isn't always the constant, but I've been spoiled and now it's what I expect and what I want to create for others. And you know, I hope there's more of us out there.So it's interesting because my path to editing. Was like such a, a practical one and an emotional one, and an ego one, and a, you know, it's like, it's like all these things that have led me to where I am and the perfect neighbor is such a culmination of all of that. For sure.BEN: Yeah. And, and I want to get into it, uh, first the eternal question.Yeah. Film school worth it or not worth it?VIRI: I mean, listen, I. We'll share this. I think I've shared this before, but relevant to the fact I'll share it because I think we can all learn from each other's stories. I did not want to go to college. Okay? I wanted to go straight to la. I was like, I'm going to Hollywood.I wanted to make movies ever since I was a kid. This is what I'm gonna do, period. I come from a family of teachers. All of my parents are teachers. My parents divorced. I have my stepparent is teacher, like everybody's a teacher. And they were like, no. And not just a teacher. My mom and my dad are college professors, so they were like college, college, college.I sabotaged my SATs. I did not take them. I did not want to go to college. I was like, I am going to Los Angeles. Anyways, uh, my parents applied for me. To an accredited arts college that, and they were like, it's a three year try semester. You'll shoot on film, you can do your, you know, and they submitted my work from high school when I was in TV production or whatever.Anyways, they got me into this little college, and when I look back, I know that that experience was really incredible. I mean, while I was there, I was counting the days to leave, but I know that it gave me not only the foundation of. You know, learning, like, I mean, we were learning film at the time. I don't know what it's like now, but like we, you know, I learned all the different mediums, which was great on a vocational level, you know, but on top of that, they're just throwing cans of film at us and we're making all the mistakes we need to make to get where we need to get.And the other thing that's happening is there's also like the liberal arts, this is really, sounds like a teacher's kid, what I'm about to say. But like, there's also just the level of education To be smarter and learn more about the world, to inform your work doesn't mean that you can't. You can't skip college and just go out there and find your, and learn what you wanna learn in the stories that you journey out to tell.So I feel really torn on this answer because half of me is like. No, you don't need college. Like just go out and make stuff and learn what you wanna learn. And then the other half of me have to acknowledge that, like, I think there was a foundation built in that experience, in that transitional time of like semi-structure, semi independence, you know, like all the things that come with college.It's worth it, but it's expensive as heck. And I certainly, by the time I graduated, film wasn't even a thing and I had to learn digital out in the world. And. I think you can work on a film set and learn a hell of a lot more than you'll ever learn in a classroom. And at the same time, I really love learning.So, you know, my, I think I, my parents were right, they know it ‘cause I went back to grad school, so that was a shock for them. But I think, but yeah, so I, I get, what I would say is, it really is case, this is such a cop out of an answer, case by case basis. Ask yourself, you know, if you need that time and if you, if you aren't gonna go.You need to put in the work. You have to really like go out, go on those sets, work your tail off, seek out the books, read the stuff, you know, and no one's gonna hand you anything. And my stories are a hell of a lot, I think smarter and eloquent because of the education I had. Yeah.BEN: So you shuttle on, what was the school, by the way?VIRI: Well, it was called the, it was called the International Fine Arts College. It no longer exists because Art Institute bought it. It's now called the Miami International University of Art and Design, and they bought it the year I graduated. So I went to this tiny little arts college, uh, but graduated from this AI university, which my parents were like, okay.Um, but we were, it was a tiny little college owned by this man who would invite all of us over to his mansion for brunch every year. I mean, it was very strange, but cool. And it was mainly known for, I think fashion design and interior design. So the film kids, we all kind of had, it was an urban campus in Miami and we were all like kind of in a wado building on the side, and it was just kind of a really funky, misfit feeling thing that I thought was, now when I look back, I think was like super cool.I mean, they threw cans of film at us from the very first semester. There was no like, okay, be here for two years and earn your opportunity. We were making stuff right away and all of our teachers. All of our professors were people who were working in the field, like they were ones who were, you know, writing.They had written films and fun fact of the day, my, my cinematography professor was Sam Beam from Iron and Wine. If anybody knows Iron and Wine, like there's like, there's like we, we had crazy teachers that we now realize were people who were just probably trying to pay their bills while they were on their journey, and then they broke out and did their thing after we were done.BEN: Okay, so shooting on film. Yeah. What, um, was it 16 or 35? 16. And then how are you doing sound? No, notVIRI: 35, 16. Yeah. I mean, we had sound on Dax, you know, like we were recording all the mm-hmm. Oh, when we did the film. Yeah, yeah. Separate. Yeah, yeah, yeah. We did the Yeah. Syncs soundBEN: into a We did a,VIRI: yeah, we did, we did one.We shot on a Bolex, I think, if I remember it right. It did like a tiny, that probably was eight, you know? But the point is we did that on. The flatbed. After that, we would digitize and we would cut on media 100, which was like this. It was, I think it was called the, I'm pretty sure it was called Media 100.It was like this before avid, you know. A more archaic editing digital program that, so we did the one, the one cut and splice version of our, our tiny little films. And then we weren't on kind of beautiful steam backs or anything. It was like, you know, it was much, yeah, smaller. But we had, but you know, we raced in the changing tents and we did, you know, we did a lot of film, love and fun.And I will tell you for your own amusement that we were on set once with somebody making their short. The girl at the AC just grabbed, grabbed the film, what's, oh my God, I can't even believe I'm forgetting the name of it. But, um, whatever the top of the camera grabbed it and thought she had unlocked it, like unhinged it and just pulled it out after all the film just come spooling out on set.And we were like, everybody just froze and we were just standing there. It was like a bad sketch comedy, like we're all just standing there in silence with like, just like rolling out of the camera. I, I'll never forget it.BEN: Nightmare. Nightmare. I, you know, you said something earlier about when you're shooting your own stuff.Being an editor is a little bit of a superpower because you know, oh, I'm gonna need this, I'm gonna need that. And, and for me it's similar. It's especially similar. Like, oh, we didn't get this. I need to get an insert of this ‘cause I know I'm probably gonna want that. I also feel like, you know, I came up, um, to instill photography, 35 millimeter photography, and then when I got into filmmaking it was, um, digital, uh, mini DV tape.So, but I feel like the, um, the structure of having this, you know, you only have 36 shots in a still camera, so you've gotta be sure that that carried over even to my shooting on digital, of being meticulous about setting up the shot, knowing what I need. Whereas, you know, younger people who have just been shooting digital their whole lives that just shoot everything and we'll figure it out later.Yeah. Do do you, do you feel you had that Advant an advantage? Yes. Or sitting on film gave you some advantages?VIRI: I totally, yes. I also am a firm believer and lover of intention. Like I don't this whole, like we could just snap a shot and then punch in and we'll, whatever. Like it was my worst nightmare when people started talking about.We'll shoot scenes and something, it was like eight K, so we can navigate the frame. And I was like, wait, you're not gonna move the camera again. Like, it just, it was terrifying. So, and we passed that, but now the AI stuff is getting dicey, but the, I think that you. I, I am pretty romantic about the hands-on, I like books with paper, you know, like, I like the can, the cinematographer to capture, even if it's digital.And those benefits of the digital for me is like, yes, letting it roll, but it's not about cheating frames, you know, like it's about, it's about the accessibility of being able to capture things longer, or the technology to move smoother. These are good things. But it's not about, you know, simplifying the frame in something that we need to, that is still an art form.Like that's a craft. That's a craft. And you could argue that what we choose, you know, photographers, the choice they make in Photoshop is the new version of that is very different. Like my friends who are dps, you know, there's always like glasses the game, right? The lenses are the game. It's like, it's not about filters In posts, that was always our nightmare, right?The old fix it and post everybody's got their version of their comic strip that says Fix it and post with everything exploding. It's like, no, that's not what this is about. And so, I mean, I, I think I'll always be. Trying to, in my brain fight the good fight for the craftiness of it all because I'm so in love with everything.I miss film. I'm sad. I miss that time. I mean, I think I, it still exists and hopefully someday I'll have the opportunity that somebody will fund something that I'm a part of that is film. And at the same time there's somewhere in between that still feels like it's honoring that freshness. And, and then now there's like the, yeah, the new generation.It's, you know, my kids don't understand that I have like. Hand them a disposable camera. We'll get them sometimes for fun and they will also like click away. I mean, the good thing you have to wind it so they can't, they can't ruin it right away, but they'll kind of can't fathom that idea. And um, and I love that, where you're like, we only get 24 shots.Yeah, it's veryBEN: cool. So you said you felt the perfect neighbor, kind of, that was the culmination of all your different skills in the craft of editing. Can you talk a little bit about that?VIRI: Yes. I think that I spent, I think all the films, it's like every film that I've had the privilege of being a part of, I have taken something like, there's like some tool that was added to the tool belt.Maybe it had to do with like structure or style or a specific build to a quote or, or a device or a mechanism in the film, whatever it is. It was the why of why that felt right. That would kind of be the tool in the tool belt. It wouldn't just be like, oh, I learned how to use this new toy. It was like, no, no.There's some kind of storytelling, experience, technique, emotion that I felt that Now I'm like, okay, how do I add that in to everything I do? And I want every film to feel specific and serve what it's doing. But I think a lot of that sent me in a direction of really always approaching a project. Trying to meet it for like the, the work that only it can do.You know, it's like, it's not about comps. It's not about saying like, oh, we're making a film that's like, fill in the blank. I'm like, how do we plug and play the elements we have into that? It's like, no, what are the elements we have and how do we work with them? And that's something I fought for a lot on all the films I've been a part of.Um, and by that I mean fight for it. I just mean reminding everybody always in the room that we can trust the audience, you know, that we can. That, that we should follow the materials what, and work with what we have first, and then figure out what could be missing and not kind of IME immediately project what we think it needs to be, or it should be.It's like, no, let's discover what it is and then that way we will we'll appreciate. Not only what we're doing in the process, but ultimately we don't even realize what it can do for what it is if we've never seen it before, which is thrilling. And a lot of those have been a part of, there have been pockets of being able to do that.And then usually near the end there's a little bit of math thing that happens. You know, folks come in the room and they're trying to, you know, but what if, and then, but other people did. Okay, so all you get these notes and you kind of reel it in a little bit and you find a delicate balance with the perfect neighbor.When Gita came to me and we realized, you know, we made that in a vacuum like that was we, we made that film independently. Very little money, like tiny, tiny little family of the crew. It was just me and her, you know, like when we were kind of cutting it together and then, and then there's obviously producers to kind of help and build that platform and, and give great feedback along the way.But it allowed us to take huge creative risks in a really exciting way. And I hate that I even have to use the word risks because it sounds like, but, but I do, because I think that the industry is pushing against, you know, sometimes the spec specificity of things, uh, in fear of. Not knowing how it will be received.And I fantasize about all of us being able to just watch something and seeing how we feel about it and not kind of needing to know what it is before we see it. So, okay, here comes the perfect neighbor. GTA says to me early on, like, I think. I think it can be told through all these materials, and I was like, it will be told through like I was determined and I held us very strict to it.I mean, as we kind of developed the story and hit some challenges, it was like, this is the fun. Let's problem solve this. Let's figure out what it means. But that also came within the container of all this to kind of trust the audience stuff that I've been trying to repeat to myself as a mantra so I don't fall into the trappings that I'm watching so much work do.With this one, we knew it was gonna be this raw approach and by composing it completely of the evidence, it would ideally be this kind of undeniable way to tell the story, which I realized was only possible because of the wealth of material we had for this tracked so much time that, you know, took the journey.It did, but at the same time, honoring that that's all we needed to make it happen. So all those tools, I think it was like. A mixed bag of things that I found that were effective, things that I've been frustrated by in my process. Things that I felt radical about with, you know, that I've been like trying to scream in, into the void and nobody's listening.You know, it's like all of that because I, you know, I think I've said this many times. The perfect neighbor was not my full-time job. I was on another film that couldn't have been more different. So I think in a, in a real deep seated, subconscious way, it was in conversation with that. Me trying to go as far away from that as possible and in understanding what could be possible, um, with this film.So yeah, it's, it's interesting. It's like all the tools from the films, but it was also like where I was in my life, what had happened to me, you know, and all of those. And by that I mean in a process level, you know, working in film, uh, and that and yes, and the values and ethics that I honor and wanna stick to and protect in the.Personal lens and all of that. So I think, I think it, it, it was a culmination of many things, but in that approach that people feel that has resonated that I'm most proud of, you know, and what I brought to the film, I think that that is definitely, like, I don't think I could have cut this film the way I did at any other time before, you know, I think I needed all of those experiences to get here.BEN: Oh, there's so much there and, and there's something kind of the. The first part of what you were saying, I've had this experience, I'm curious if you've had this experience. I sort of try to prepare filmmakers to be open to this, that when you're working with something, especially Doc, I think Yeah. More so Doc, at a certain point the project is gonna start telling you what it wants to be if you, if you're open to it.Yes. Um, but it's such a. Sometimes I call it the spooky process. Like it's such a ephemeral thing to say, right? Like, ‘cause you know, the other half of editing is just very technical. Um, but this is like, there's, there's this thing that's gonna happen where it's gonna start talking to you. Do you have that experience?VIRI: Yes. Oh, yes. I've also been a part of films that, you know, they set it out to make it about one person. And once we watched all the footage, it is about somebody else. I mean, there's, you know, those things where you kind of have to meet the spooky part, you know, in, in kind of honoring that concept that you're bringing up is really that when a film is done, I can't remember cutting it.Like, I don't, I mean, I remember it and I remember if you ask me why I did something, I'll tell you. I mean, I'm very, I am super. Precious to a fault about an obsessive. So like you could pause any film I've been a part of and I'll tell you exactly why I used that shot and what, you know, I can do that. But the instinct to like just grab and go when I'm just cutting and I'm flowing.Yeah, that's from something else. I don't know what that is. I mean, I don't. People tell me that I'm very fast, which is, I don't know if that's a good or a bad thing, but I think it really comes from knowing that the job is to make choices and you can always go back and try different things, but this choose your own adventure novel is like just going, and I kind of always laugh about when I look back and I'm like, whoa, have that happen.Like, you know, like I don't even. And I have my own versions of imposter syndrome where I refill mens and I'm like, oh, got away with that one. Um, or every time a new project begins, I'm like, do I have any magic left in the tank? Um, but, but trusting the process, you know, to what you're socking about is a really important way to free yourself and the film to.Discover what it is. I think nowadays because of the algorithm and the, you know, I mean, it's changing right now, so we'll see where, how it recalibrates. But for a, for a while, over these past years, the expectations have, it's like shifted where they come before the film is like, it's like you create your decks and your sizzles and you write out your movie and you, and there is no time for discovery.And when it happens. It's like undeniable that you needed to break it because it's like you keep hitting the same impasse and you can't solve it and then you're like, oh, that's because we have to step outta the map. But I fear that many works have suffered, you know, that they have like followed the map and missed an opportunity.And so, you know, and for me as an editor, it's always kinda a red flag when someone's like, and here's the written edit. I'm like, what? Now let's watch the footage. I wanna know where There's always intention when you set up, but as people always say, the edit is kind of the last. The last step of the storytelling process.‘cause so much can change there. So there is, you know, there it will reveal itself. I do get nerdy about that. I think a film knows what it is. I remember when I was shooting my first film called Born to Play, that film, we were. At the championship, you know, the team was not, thought that they were gonna win the whole thing.We're at the championship and someone leaned over to me and they said, you know, it's funny when a story knows it's being filmed. And I was like, ah. I think about that all the time because now I think about that in the edit bay. I'm like, okay, you tell me, you know, what do you wanna do? And then you kind of like, you match frame back to something and all of a sudden you've opened a portal and you're in like a whole new theme.It's very cool. You put, you know, you put down a different. A different music temp, music track, and all of a sudden you're making a new movie. I mean, it's incredible. It's like, it really is real world magic. It's so much fun. Yeah,BEN: it is. It's a blast. The, so, uh, I saw you at the panel at Doc NYC and then I went that night or the next night and watched Perfect Neighbor blew me away, and you said something on the panel that then blew me away again when I thought about it, which is.I think, correct me if I'm wrong, all of the audio is syncedVIRI: Yeah. To the footage.BEN: That, to me is the big, huge, courageous decision you made.VIRI: I feel like I haven't said that enough. I don't know if folks understand, and it's mainly for the edit of that night, like the, I mean, it's all, it's, it's all that, but it was important.That the, that the sound would be synced to the shock that you're seeing. So when you're hearing a cop, you know, a police officer say, medics, we need medics. If we're in a dashboard cam, that's when it was, you know, echoing from the dashboard. Like that's what, so anything you're hearing is synced. When you hear something coming off from the per when they're walking by and you hear someone yelling something, you know, it's like all of that.I mean, that was me getting really strict about the idea that we were presenting this footage for what it was, you know, that it was the evidence that you are watching, as you know, for lack of a better term, unbiased, objectively as possible. You know, we're presenting this for what it is. I, of course, I have to cut down these calls.I am making choices like that. That is happening. We are, we are. Composing a narrative, you know, there, uh, that stuff is happening. But to create, but to know that what you're hearing, I'm not applying a different value to the frame on, on a very practical syn sound way. You know, it's like I'm not gonna reappropriate frames.Of course, in the grand scheme of the narrative flow with the emotions, you know, the genre play of this horror type film, and there's a lot happening, but anything you were hearing, you know, came from that frame. Yeah.BEN: That's amazing. How did you organize the footage and the files initially?VIRI: Well, Gita always likes to laugh ‘cause she is, she calls herself my first ae, which is true.I had no a, you know, I had, she was, she had gotten all that material, you know, she didn't get that material to make a film. They had originally, this is a family friend who died and when this all happened, they went down and gathered this material to make a case, to make sure that Susan didn't get out. To make sure this was not forgotten.You know, to be able to utilize. Protect the family. And so there was, at first it was kind of just gathering that. And then once she got it, she realized that it spanned two years, you know, I mean, she, she popped, she was an editor for many, many years, an incredible editor. She popped it into a system, strung it all out, sunk up a lot of it to see what was there, and realized like, there's something here.And that's when she called me. So she had organized it, you know, by date, you know, and that, that originally. Strung out a lot of it. And then, so when I came in, it was just kind of like this giant collection of stuff, like folders with the nine one calls. How long was the strung out? Well, I didn't know this.Well, I mean, we have about 30 hours of content. It wasn't one string out, you know, it was like there were the call, all the calls, and then the 9 1 1 calls, the dash cams. The ring cams. Okay. Excuse me. The canvassing interviews, audio only content. So many, many. Was about 30 hours of content, which honestly, as most of us editors know, is not actually a lot I've cut.You know, it's usually, we have tons more than that. I mean, I, I've cut decades worth of material and thousands of hours, you know, but 30 hours of this type of material is very specific, you know, that's a, that's its own challenge. So, so yeah. So the first, so it was organized. It was just organized by call.Interview, you know, some naming conventions in there. Some things we had to sync up. You know, the 9 1 1 calls would overlap. You could hear it in the nine one one call center. You would hear someone, one person who called in, and then you'd hear in the background, like the conversation of another call. It's in the film.There's one moment where you can hear they're going as fast as they can, like from over, from a different. So there was so much overlap. So there was some syncing that we kind of had to do by ear, by signals, by, you know, and there's some time coding on the, on the cameras, but that would go off, which was strange.They weren't always perfect. So, but that, that challenge unto itself would help us kind of really screen the footage to a finite detail, right. To like, have, to really understand where everybody is and what they're doing when,BEN: yeah. You talked about kind of at the end, you know, different people come in, there's, you know, maybe you need to reach a certain length or so on and so forth.How do you, um, handle notes? What's your advice to young filmmakers as far as navigating that process? Great question.VIRI: I am someone who, when I was a kid, I had trouble with authority. I wasn't like a total rebel. I think I was like a really goody goody too. She was borderline. I mean, I had my moments, but growing up in, in a journey, an artistic journey that requires you to kind of fall in love with getting critiques and honing things and working in teams.And I had some growing pains for a long time with notes. I mean, my impulse was always, no. A note would come and I'd go, no, excuse me. Go to bed, wake up. And then I would find my way in and that would be great. That bed marinating time has now gone away, thank goodness. And I have realized that. Not all notes, but some notes have really changed the trajectory of a project in the most powerful waves.And it doesn't always the, to me, what I always like to tell folks is it's, the notes aren't really the issues. It's what? It's the solutions people offer. You know? It's like you can bring up what you're having an issue with. It's when people kind of are like, you know what I would do? Or you know what you think you should do, or you could do this.You're like, you don't have to listen to that stuff. I mean, you can. You can if you have the power to filter it. Some of us do, some of us don't. I've worked with people who. Take all the notes. Notes and I have to, we have to, I kind of have to help filter and then I've worked with people who can very quickly go need that, don't need that need, that, don't need that.Hear that, don't know how to deal with that yet. You know, like if, like, we can kind of go through it. So one piece of advice I would say is number one, you don't have to take all the notes and that's, that's, that's an honoring my little veary. Wants to stand by the vision, you know, and and fight for instincts.Okay. But the second thing is the old classic. It's the note behind the note. It's really trying to understand where that note's coming from. Who gave it what they're looking for? You know, like is that, is it a preference note or is it a fact? You know, like is it something that's really structurally a problem?Is it something that's really about that moment in the film? Or is it because of all the events that led to that moment that it's not doing the work you think it should? You know, the, the value is a complete piece. So what I really love about notes now is I get excited for the feedback and then I get really excited about trying to decipher.What they mean, not just taking them as like my to-do list. That's not, you know, that's not the best way to approach it. It's really to get excited about getting to actually hear feedback from an audience member. Now, don't get me wrong, an audience member is usually. A producer in the beginning, and they have, they may have their own agenda, and that's something to know too.And maybe their agenda can influence the film in an important direction for the work that they and we all wanted to do. Or it can help at least discern where their notes are coming from. And then we can find our own emotional or higher level way to get into solving that note. But, you know, there's still, I still get notes that make me mad.I still get notes where I get sad that I don't think anybody was really. Watching it or understanding it, you know, there's always a thought, you know, that happens too. And to be able to read those notes and still find that like one kernel in there, or be able to read them and say, no kernels. But, but, but by doing that, you're now creating the conviction of what you're doing, right?Like what to do and what not to do. Carrie, equal value, you know, so you can read all these notes and go, oh, okay, so I am doing this niche thing, but I believe in it and. And I'm gonna stand by it. Or like, this one person got it and these five didn't. And I know that the rules should be like majority rules, but that one person, I wanna figure out why they got it so that I can try to get these, you know, you get what I'm saying?So I, I've grown, it took a long time for me to get where I am and I still have moments where I'm bracing, you know, where I like to scroll to see how many notes there are before I even read them. You know, like dumb things that I feel like such a kid about. But we're human. You know, we're so vulnerable.Doing this work is you're so naked and you're trying and you get so excited. And I fall in love with everything. I edit so furiously and at every stage of the process, like my first cut, I'm like, this is the movie. Like I love this so much. And then, you know, by the 10th root polling experience. I'm like, this is the movie.I love it so much. You know, so it's, it's painful, but at the same time it's like highly liberating and I've gotten a lot more flowy with it, which was needed. I would, I would encourage everybody to learn how to really enjoy being malleable with it, because that's when you find the sweet spot. It's actually not like knowing everything right away, exactly what it's supposed to be.It's like being able to know what the heart of it is. And then get really excited about how collaborative what we do is. And, and then you do things you would've never imagined. You would've never imagined, um, or you couldn't have done alone, you know, which is really cool. ‘cause then you get to learn a lot more about yourself.BEN: Yeah. And I think what you said of sort of being able to separate the idea of, okay, something maybe isn't clicking there, versus whatever solution this person's offering. Nine times outta 10 is not gonna be helpful, but, but the first part is very helpful that maybe I'm missing something or maybe what I want to connect is not connecting.VIRI: And don't take it personally. Yeah. Don't ever take it personally. I, I think that's something that like, we're all here to try to make the best movie we can.BEN: Exactly.VIRI: You know? Yeah. And I'm not gonna pretend there aren't a couple sticklers out there, like there's a couple little wrenches in the engine, but, but we will, we all know who they are when we're on the project, and we will bind together to protect from that.But at the same time, yeah, it's, yeah. You get it, you get it. Yeah. But it's really, it's an important part of our process and I, it took me a while to learn that.BEN: Last question. So you talked about kind of getting to this cut and this cut and this cut. One of the most important parts of editing, I think is especially when, when you've been working on a project for a long time, is being able to try and see it with fresh eyes.And of course the, one of the ways to do that is to just leave it alone for three weeks or a month or however long and then come back to it. But sometimes we don't have that luxury. I remember Walter Merch reading in his book that sometimes he would run the film upside down just to, mm-hmm. You know, re re redo it the way his brain is watching it.Do you have any tips and tricks for seeing a cut with fresh eyes? OhVIRI: yeah. I mean, I mean, other than stepping away from it, of course we all, you know, with this film in particular, I was able to do that because I was doing other films too. But I, one good one I always love is take all the music out. Just watch the film without music.It's really a fascinating thing. I also really like quiet films, so like I tend to all of a sudden realize like, what is absolutely necessary with the music, but, but it, it really, people get reliant on it, um, to do the work. And you'd be pleasantly surprised that it can inform and reinvent a scene to kind of watch it without, and you can, it's not about taking it out forever, it's just the exercise of watching what the film is actually doing in its raw form, which is great.Switching that out. I mean, I can, you know, there's other, washing it upside down, I feel like. Yeah, I mean like there's a lot of tricks we can trick our trick, our brain. You can do, you could also, I. I think, I mean, I've had times where I've watched things out of order, I guess. Like where I kind of like go and I watch the end and then I click to the middle and then I go back to the top, you know?And I'm seeing, like, I'm trying to see if they're all connecting, like, because I'm really obsessed with how things begin and how they end. I think the middle is highly important, but it really, s**t tells you, what are we doing here? Like what are we set up and where are we ending? And then like, what is the most effective.Journey to get there. And so there is a way of also kind of trying to pinpoint the pillars of the film and just watching those moments and not kind, and then kind of reverse engineering the whole piece back out. Yeah, those are a couple of tricks, but more than anything, it's sometimes just to go watch something else.If you can't step away from the project for a couple of weeks, maybe watch something, you could, I mean, you can watch something comparable in a way. That tonally or thematically feels in conversation with it to just kind of then come back and feel like there's a conversation happening between your piece and that piece.The other thing you could do is watch something so. Far different, right? Like, even if you like, don't like, I don't know what I'm suggesting, you'd have to, it would bend on the project, but there's another world where like you're like, all right, I'm gonna go off and watch some kind of crazy thrill ride and then come back to my slow burn portrait, you know, and, and just, just to fresh the pal a little bit, you know?I was like that. It's like fueling the tanks. We should be watching a lot of stuff anyways, but. That can happen too, so you don't, you also get to click off for a second because I think we can get, sometimes it's really good to stay in it at all times, but sometimes you can lose the force for the, you can't see it anymore.You're in the weeds. You're too close to it. So how do we kind of shake it loose? Feedback sessions, by the way, are a part, is a part of that because I think that when you sit in the back of the room and you watch other people watch the film, you're forced to watch it as another person. It's like the whole thing.So, and I, I tend to watch people's body language more than, I'm not watching the film. I'm like watching for when people shift. Yeah, yeah. I'm watching when people are like coughing or, you know, or when they, yeah. Whatever. You get it. Yeah. Yeah. That, that, soBEN: that is the most helpful part for me is at a certain point I'll bring in a couple friends and I'll just say, just want you to watch this, and I'm gonna ask you a couple questions afterwards.But 95% of what I need is just sitting there. Watching them and you said exactly. Watching their body language.VIRI: Yeah. Oh man. I mean, this was shoulder, shoulder shooks. There's, and you can tell the difference, you can tell the difference between someone's in an uncomfortable chair and someone's like, it's like whenever you can sense it if you're ever in a theater and you can start to sense, like when they, when they reset the day, like whenever we can all, we all kind of as a community are like, oh, this is my moment.To like get comfortable and go get a bite of popcorn. It's like there's tells, so some of those are intentional and then some are not. Right? I mean, if this is, it goes deeper than the, will they laugh at this or will they be scared at this moment? It really is about captivating them and feeling like when you've, when you've lost it,BEN: for sure.Yeah. Very. This has been fantastic. Oh my God, how fun.VIRI: I talked about things here with you that I've haven't talked, I mean, contact so deeply, but even film school, I feel like I don't know if that's out there anywhere. So that was fun. Thank you.BEN: Love it. Love it. That, that that's, you know, that's what I hope for these interviews that we get to things that, that haven't been talked about in other places.And I always love to just go in, you know, wherever the trail leads in this case. Yeah. With, uh, with Jody Foster and Math McConaughey and, uh, I mean, go see it. Everybody met this. Yeah. Uh, and for people who are interested in your work, where can they find you?VIRI: I mean, I don't update my website enough. I just go to IMDB.Look me up on IMDB. All my work is there. I think, you know, in a list, I've worked on a lot of films that are on HBO and I've worked on a lot of films and now, you know, obviously the perfect neighbor's on Netflix right now, it's having an incredible moment where I think the world is engaging with it. In powerful ways beyond our dreams.So if you watch it now, I bet everybody can kind of have really fascinating conversations, but my work is all out, you know, the sports stuff born to play. I think it's on peacock right now. I mean, I feel like, yeah, I love the scope that I've had the privilege of working on, and I hope it keeps growing. Who knows.Maybe I'll make my space movie someday. We'll see. But in the meantime, yeah, head over and see this, the list of credits and anything that anybody watches, I love to engage about. So they're all, I feel that they're all doing veryBEN: different work. I love it. Thank you so much.VIRI: Thank you. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

Let's all sing the holiday classic: “All I want for Christmas… Is Something Not Made of Plastic.”Easier sung than done. Plastic is now ubiquitous in toys, electronics, tools, air, water… and us. And don't forget the plastic Baby Jesus in Christmas tableaus.What is plastic, anyway? It's a toxic synthetic material mostly manufactured from petroleum by such giants as ExxonMobil, the globe's top purveyor. So much is produced by these profiteers that plastic trash is now a planetary disaster.But not to worry, for Big Oil's lobbyists assure us gabillions of plastic bags, bottles, and such are being recycled, keeping them out of our landfills, water, bodies, etc. Swell! Except… they're lying.After all, Exxon is the same for-profit contaminator that lied for years that fossil fuels were not causing climate change, even though top executives knew they were. Their ethic of deceit continues today – Big Oil knows that 94 percent of US plastics are not recycled. Indeed, they can't be.Faced with growing public alarm about the ever-growing glut of plastic pollution, the industry has doubled down on deceit by offering a snappy new PR slogan: “Advanced Recycling.” They say it's a magical process dubbed “pyrolysis.” Only… it doesn't work, it's inordinately expensive, and it increases climate change emissions. Still, Exxon exclaims its AR will soon be processing half a million tons of plastic waste! But that's not even a drop in the plastic bucket, for more than 400 million tons of plastic waste is discarded each year –and the oil industry is planning to double plastic production by 2040.The only real way to stop runaway plastic pollution of us and our planet is to use less plastic. To learn more and help, go to Beyond Plastics: BeyondPlastics.org.Jim Hightower's Lowdown is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit jimhightower.substack.com/subscribe

“Why do some holiday commercials spark more anger than joy—and what does that say about the season ahead?” In this lively episode of The JB and Sandy Show, hosts JB and Sandy dive headfirst into the chaos and quirks of the holiday season, joined by Sandy's wife, Tricia, whose candid reactions to a certain Amazon commercial set the tone for a hilarious and relatable discussion. From the “meemaws” sledding down the hill to the early onset of Christmas celebrations, the trio explores why some traditions—and advertisements—can push us over the edge before December even begins. The conversation takes a nostalgic turn as JB and Sandy reminisce about classic colognes, celebrity endorsements, and the psychology behind scent and memory. Tricia shares, “All you need for me is Drakkar. Old school Drakkar. She's hanging on there. 1988. With everything she's got,” sparking laughter and memories of simpler times. The hosts debate the merits of magazine fragrance samples versus TV ads, and Tricia weighs in on what really matters when choosing a cologne. But the episode isn't all lighthearted banter. The hosts tackle a serious issue gripping Austin: the rise of pickpocketing during the holiday rush. Drawing on personal stories and expert advice, they reveal clever tricks used by thieves—from the infamous “baby toss” distraction to the classic café phone snatch. JB recounts, “They'll walk up to people at a cafe…hold a map over your phone, then reach down and pick it up under the paper. Slick.” The discussion is packed with practical tips to keep your valuables safe and stories of locals fighting back, including a memorable tale of a tourist who took justice into her own hands.Other highlights include:The futuristic (and pricey) Japanese human washing machine—would you pay $400,000 for the ultimate clean?The changing face of Austin's nightlife, bachelorette parties, and the “woo girls” phenomenon.The debate over ditching wallets for Apple Pay, and Sandy's bold declaration: “I'm also gonna try to start going without underwear. No, let's keep that tight. Come on.”With humor, heart, and a dash of holiday angst, this episode is a must-listen for anyone navigating the joys and frustrations of December. Whether you're searching for the perfect cologne, dodging pickpockets, or just trying to survive the season, JB, Sandy, and Tricia deliver insights and laughs that will keep you coming back for more.Notable Quotes & Memorable Moments“All you need for me is Drakkar. Old school Drakkar. She's hanging on there. 1988. With everything she's got.”“They'll throw a baby at you…and next thing you know, all your stuff is gone. But then you got their baby.”“I'm also gonna try to start going without underwear. No, let's keep that tight. Come on.”Call-to-Action Love what you hear? Don't miss a moment—subscribe to The JB and Sandy Show, leave us a review, and share this episode with friends who need a laugh (or a warning about pickpockets)!

Welcome to this episode of Monday Night Project, this week we cover WWF Superstars from February 9th 1991 where we will see :- Tugboat vs Earthquake (w/Jimmy Hart) The Nasty Boys (Brian Knobbs & Jerry Sags) (w/Jimmy Hart) vs Mike Williams & Reno Riggins The Warlord (w/Slick) vs Tom King Jake Roberts vs Tony Burton Ted DiBiase vs Lynn Wagner If you enjoy the show then please leave a review or comment just so i know im not doing this for nothing, share the show on your social media (if you have it), tell your friends etc that we exist and that i can continues this show.  Follow the show on facebook Memphis Continental Wrestling Cast (facebook.com/memphiscast) Check out Youtube.com/@memphiscast & patreon.com/memphiscast for videos You can watch the show https://www.patreon.com/posts/wwf-superstars-9-140025420?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link