Podcast appearances and mentions of Don Pasquale

Neste vídeo Gonzalo Córdoba fala sobre as perspectivas técnicas, estéticas e educacionais da iluminação na Argentina. Gonzalo Córdoba é iluminador, cenógrafo, diretor, artista visual, professor e pesquisador. Em produções de ópera, criou a iluminação para Ariadne auf Naxos, Così fan tutte, Candide, Tri Sestri, O Cônsul para Ruben Szuchmacher, O Estupro de Lucrécia, Wozzeck, A Flauta Mágica, O Morcego, Madama Butterfly para Horacio Pigozzi, O Traviata, Italiana em Argel, Serse para Pablo Maritano, cenografia e luzes para Leonor Manso em Lucia de Lammermoor e Tosca, para María Jaunarena em A Flauta Mágica, Outra Volta do Parafuso, Medea, Conde Ory e para Ana D'Anna em El barbero de Sevilla, Bohéme, Rigoletto, Hoffman's Tales, Turandot. Com André Heller Lopez iluminou Don Pasquale, Lucia de Lammermoor, Manon Lescaut, Merry Widow, Faust, Cosi fan tutte e As Bodas de Fígaro.Como diretor: "Proyecto Appia" para Enclaves no CETC, "El Límite de Schiller", iluminação da Puente de la Boca, Linha Azul do metrô de Buenos Aires. Mude a encenação de Emma Bovary e Maní con chocolate 2 com Ana Bovo, bem como "los Persas" de Ésquilo e "La Inhumana" com Alejandra Radano. Dirigiu Marta Roca em "Palabras Cuerdas". Escreveu dois ensaios sobre iluminação cênica "La Trampa de Goethe" e "La Iluminación Escénica", editados por El Rojas.Foi comtemplado com o Prémio Teatros do Mundo por "El Experimento Damanthal" e ACE 2005 por "Las Troyanas" e "Enrique IV"; Meu Deus". Ganhou os prêmios Teatros del Mundo em 2013 e o Maria Guerrero 2014 por Querido Ibsen, Soy Nora, Love Love e Cabaña Suiza, o Prêmio Trinidad Guevara 2015 por "La nueva autoridad" e em 2016 o Prêmio Trinidad Guevara por "Desonrado". Prêmio "Hugo" por Love Musik, 2017 Florencio Sánchez por "Todas as coisas do mundo" e Prêmio KONEX 2011.Atualmente trabalha como Professor na Universidade Nacional das Artes na disciplina de Projeto II, em História da Iluminação Cênica na carreira de design de iluminação de espetáculos, e em Teatro Musical. É membro da Associação ADEA de Designers Cênicos da Argentina.@‌gonzaloemicordova | SITE: gonzalocordova.com.ar

Avui sentirem: "Don Pasquale" (extractes). Gaetano Donizetti (1797-1848)

Avui sentirem: "La fille du r

Avui sentirem: "Maria Stuarda" (extractes) i "Lucia di Lammermoor" (extractes). Gaetano Donizetti (1797-1848)

Avui sentirem: "Anna Bolena" (obertura i escena final) i "L'elisir d'amore" (extractes). Gaetano Donizetti (1797-1848)

Avui escoltarem: Simfonia en do major; Concertino per a obo

From owning acclaimed eateries to forging unexpected alliances in a federal detention center, Frankie “Spice” Morelli has made his mark as a culinary maestro who respects the power of authentic Italian food. Now, in his publishing debut, Morelli creates and compiles delicious recipes, healthful nutrition and decades of experience into MOBB Cookbook & Diet: Savor and Slim the Italian Way (MOBB Publishing; ISBN: 9798989079612; Hardcover). It's a pizza box-sized, full-color coffee table cookbook blending 70-plus recipes, along with nearly 200 original full-color photos and tantalizing mob lore with a vital ingredient: a priority on health. Teaming up with Dr. Sandra “Diet Duchess” Frank, Ed.D., RDN, FAND, who nutritionally vetted the recipes in the book, Morelli guarantees that every dish in this book can be enjoyed as part of a well-balanced, nourishing diet. Whether cooking on-camera, providing b-roll footage for the perfect virtual demo, or just chatting with the host, producer or editor, Frankie can share his five secrets for making the BEST spaghetti and meatballs … this side of The Clink: Undercook your pasta because even when you take it out of boiling water it is still cooking! To prepare the sauce, sauté fresh garlic in oil, deglaze with white wine … and mix in salt and black pepper. To make the sauce, use only San Marzano tomatoes—they are imported from Italy and are naturally sweet without an acidic taste. With a stick or a home blender, puree the tomatoes and combine with the sautéed garlic mixture. Do not add sugar! Simmer it all on “low” for 4 hours. Make the meatballs as big as a softball … the smaller you make the balls, the harder they become when you cook ‘em. Use 80/20 ground beef/ground pork, parmesan cheese, breadcrumbs, parsley, eggs, cream, salt and pepper, and olive oil. Says Frankie, “The better the meatball, the more protection I had in The Joint!” Put the balls into the oven for 30 minutes at 325 degrees … take ‘em out, flip them and cook for the same amount of time … and that's it. Simplicity is the essence of Italian cooking! MOBB Cookbook & Diet includes an array of recipes, like Don Pasquale's Shrimp Scampi, Lucky Luciano's Luscious Lady Fingers and even Lou “The Hebrew Hammer's” favorite Matzo Ball Soup. It's filled with “fun” facts about notorious and alleged mobsters, including “Tommy Guns,” Jimmy “The Beast,” Jeremy “The Jett” and other members of the author's diverse circle of acquaintances from the Sicilian mob, Italian Cosa Nostra and the wide multicultural world of gangsters. Web: www.ourmobb.com About the Author Frankie "Spice" Morelli is a resilient culinary maestro and entrepreneur with an innate understanding of delicious and nourishing, authentic yet innovative Italian food. He owned and operated the award-winning Morelli's Ristorante Italiano in Florence, Colorado, and founded Nona Morelli Pasta, an international pasta and sauce company that supplied prominent retail chains, engaged in private-label partnerships with respected brands like Kraft Foods' Budget Gourmet, and pioneered the introduction of microwave pasta. After divesting the restaurant in 1990 and selling the company in 1992, he applied his business savvy to taking companies public through reverse mergers. For more information, please visit www.ourmobb.com. ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Become an Equus Coach®: https://equuscoach.com/?rfsn=7... ► For $5 in ride credit, download the Lyft app using my referral link: https://www.lyft.com/ici/ASH58... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Twitter: https://twitter.com/1loveAsh ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

Tegoroczny, 30. Bydgoski Festiwal Operowy zainauguruje premiera opery komicznej "Don Pasquale" w wykonaniu zespołu Opery Nova. - Sądząc po próbach, których byłem świadkiem, widzów czeka dobra zabawa, bardzo ciekawie nawiązująca do jednej z ikon filmu gangsterskiego - powiedział w Dwójce Maciej Figas, dyrektor Opery Nova w Bydgoszczy. Festiwal rusza w najbliższą sobotę (20.04) pod patronatem Programu 2. 

In an industry where self-doubt can be paralysing, Opera for Peace Ambassador and soprano Ailyn Perez shares her techniques for helping emerging artists to trust their voices, how to navigate away from the feeling of continually being judged, and she acknowledges her own vulnerability when approaching a new piece – a reminder that even those at the pinnacle of their careers experience moments of uncertainty.  Meanwhile, young tenor Matteo Ivan Rašic questions whether as a singer you need to be self-centred, and reflects on the significance of success as the son of a refugee family, giving a personal perspective on the stakes involved in pursuing a career in the arts.   Watch now on Opera Vision Artifacts Assembly from Young Artists at the Palau de les Arts Documentary from Oper Frankfurt on audition training for the Paul Hindemith Orchestra Academy Masterclass with Sarah Connolly Music extracts Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture Donizetti ‘Quel guardo il cavaliere' from Don Pasquale, with soprano Nanami Yoneda and pianist Kamal Khan Mozart ‘Se vuol ballare' from Le Nozze di Figaro, with bass baritone Ihor Mostovai and pianist Carmen Santoro Charpentier ‘Depuis le jour' from Louise, with soprano Oksana Sliubyk and pianist Kamal Khan

A profile on of one of the kings of the bel canto age, Gaetano Donizetti, the composer of Don Pasquale, on stage at the Queen Elizabeth Theatre February 10th to 18th. Get your tickets and more information at VancouverOpera.ca. Full Article Credits: Jane Potter - Writer and Narrator Ashley Daniel Foot - Voice of Gaetano Donizetti Richard Wolfe - Voice of Felix Mendelssohn Tom Wright - Voice of Giuseppe Verdi Mack McGillivray - Audio Producer, Voice of Hector Berlioz

Today, we're talking with baritone extraordinaire, Gregory Dahl. Audiences from Vancouver will remember him last season as the lead role in The Flying Dutchman. And he's back in Vancouver for as the titular role in Don Pasquale, from February 10th to 18th at the Queen Elizabeth Theatre. Tickets are available at VancouverOpera.ca Full Story Gregory Dahl - Guest, Baritone Ashley Daniel Foot - Host Mack McGillivray - Producer

Operatic creative partners André Barbe and Renaud Doucet discuss the timeless appeal of Don Pasquale with guest host Luka Kawabata. Don Pasquale runs from February 10th to 18th at the Queen Elizabeth Theatre. Tickets available at VancouverOpera.ca. Full Story Credits André Barbe - Guest, Costume & Set Designer Renaud Doucet - Guest, Stage Director and Choreographer Luka Kawabata - Host Mack McGillivray - Audio Producer

Vancouver Opera's Database and Ticket Centre Manager Tracey Flattes shares her unique brand of hard-earned wisdom, humour, and stories from the trenches of the ticketing world. We're celebrating Black Friday with our best ticket offer of the season: Save 50% Off Duet Subscriptions! You'll enjoy the rest of our blockbuster 2023-2024 season: our wild, pop-art, technicolour production of Donizetti's comedic romp, Don Pasquale and Bizet's timeless classic Carmen. Full Transcript Credits: Tracey Flattes - Database and Ticket Centre Manager Ashley Daniel Foot - Host Mack McGillivray - Audio Producer

On this week's Friday LIVE Oct. 27 from Nebraska Public Media, Genevieve Randall and guests have lively conversations about: Nebraska Storytelling Festival; "Dracula's Ship" in McCook; Peter Flaherty at the Carson Center; Anna Bemis Palmer Museum grand opening celebration in York; Opera Omaha's production of "Don Pasquale;" and Arts for the Soul's "Sing from the Heart: The Power of Words (& Music!)" with Matt Mason. Also, poetry from Kimberly Reyes.

On this week's Friday LIVE Oct. 27 from Nebraska Public Media, Genevieve Randall and guests have lively conversations about: Nebraska Storytelling Festival; "Dracula's Ship" in McCook; Peter Flaherty at the Carson Center; Anna Bemis Palmer Museum grand opening celebration in York; Opera Omaha's production of "Don Pasquale;" and Arts for the Soul's "Sing from the Heart: The Power of Words (& Music!)" with Matt Mason. Also, poetry from Kimberly Reyes.

Richard Roberts is an award-winning designer and educator. His body of work spans theatre, ballet, opera, musical theatre, and film, across Australia and internationally. Richard is currently Head of Design and Production at the Victorian College of the Arts.  He has held positions as Head of Design at The Western Australian Academy of Performing Arts, Head of Production at The Victorian College of the Arts and Head of Design at The Hong Kong Academy of Performing Arts. Richard's designs for opera include: for Opera Australia, Rigoletto, Don Pasquale, The Magic Flute and Die Fledermaus (with West Australian Opera); for Victorian Opera, Parsifal, Cunning Little Vixen; Nixon In China, The Magic Flute, Baroque Triple Bill, The Marriage Of Figaro; The Corronation Of Poppea and Don Giovanni; for Opera Queensland, Ruddigore; and for New Zealand Opera, Seattle Opera, and Philadelphia Opera Rigoletto. For dance, Richard's designs include: for Australian Ballet, Don Quixote, Requiem, Molto Vivace and Raymonda; La Sylphide and La Fille Mal Gardee for West Australian Ballet and Queensland Ballet. For theatre, Richard's designs include: for Queensland Theatre, Othello, The Sunshine Club, Death Of A Salesman, Noises Off (with MTC), Much Ado About Nothing, Tartuffe and Managing Carmen (with Black Swan); for Ensemble Theatre, Black Cockatoo; for TML, Fiddler On The Roof; for Melbourne and Sydney Festivals, The Season national tour; for Melbourne Theatre Company, Last Man Standing, Solomon And Marion, Next To Normal, The Gift and Frost/Nixon, Macbeth, Dreams in an Empty City, As You Like It, Hedda Gabler, The Sapphires, All My Sons; for Sydney Theatre Company, Australia Day(with MTC), True West, Riflemind; for Black Swan, The Caucasian Chalk Circle and Glengarry Glen Ross; for Belvoir, The Sapphires (with Black Swan). For screen, Richard's work includes production design for George Ogilvie's The Battlers for the Seven Network, the 12-part series Five Times Dizzy for SBS and I Own The Racecourse for Barron Films. Richard has designed the Operatic adaptation of Jane Harrison's The Visitors for Victorian Opera, currently playing The Arts Centre in Melbourne. For Opera Australia's Summer season he is Design Consultant for the Mozart Opera's Idomeneo and The Magic Flute. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Entrevista con el tenor argentino/italiano Santiago Ballerini. Santiago está en Cincinnati, Ohio invitado por la Cincinnati Opera para participar en la temporada de la Cincinnati Ópera 2023. Santiago es "Sir Edgardo di Ravenswood" en la ópera trágica de Gaetano Donizetti, "Lucia di Lammermoor". La presentación de "Lucia di Lammermoor" de Cincinnati Opera son los días 22 y el 24 de junio 2023, 7:30 p.m. Boletos: www.cincinnatiopera.org/2023-summer-festival Santiago es reconocido como uno de los principales tenores del repertorio de Bel Canto, habiendo actuado en muchos de los principales orquestas internacionales y teatros de ópera del mundo. Santiago conversa con Lorena Mora-Mowry sobre sus inicios, cómo aprendía sobre ópera mientras trabajaba como musicoterapeuta en terapeuta en Argentina. Santiago también nos habla sobre cómo su participación como "Ernesto" de la ópera "Don Pasquale" le abrió las puertas como tenor. Santiago habla también sobre su experiencia con el legendario barítono Sherrill Milnes. Santiago se considera un constructor, un romántico empedernido y un ser enamorado de la vida. Santiago habla cómo la paciencia lo ha ayudado a una carrera bastante difícil y solitaria. Para Santiago participar en la Cincinnati Opera es cumplir unos de sus sueños y cómo se ha preparado para ser " Edgardo" de la ópera "Lucia di Lammermoor" presentado por la Cincinnati Opera.

Join us for a fascinating conversation with Vancouver Opera's General Director, Tom Wright. Tom reflects on the past opera season, the challenges the art form faces, and the future of opera in Vancouver. Visit vancouveropera.ca to discover our 2023-2024 season: The Magic Flute, Don Pasquale, and Carmen. Episode Credits: Host - Ashley Daniel FootGuest - Tom WrightEditing - Mack McGillivray

Brad Smoak stars in the upcoming Piedmont Opera production of Don Pasquale.  Join us for a conversation about his history with music, the upcoming production and the challenges facing the artform. Don Pasquale shows are coming up on March 17, 19 and 21.  Get your tickets NOW at piedmontopera.org The Triad Podcast Network is presented by The Ginther Group Real Estate, Ashley McKenzie-Sharpe of Highlands Residential Mortgage and Three Magnolias Financial AdvisorsSee omnystudio.com/listener for privacy information.

Í dag er alþjóðlegur dagur útvarpsins og af því tilefni leiðum við hugann að frægum útvarpsmanni, útvarpsmanni sem fæstir kannski vita að hafi unnið í útvarpinu, gefa því allavega ekki mikinn gaum. Sá sem um ræðir er þýski heimspekingurinn og menningarfræðingurinn Walter Benjamin. Við hugum líka að óperunni, aldrei þessu vant. Þó ekki óperum í stórum sal með flúruðum svölum og demantsskreyttum ljósakrónum heldur í dimmum kjallara Þjóðleikhússins. Don Pasquale, gamanópera eftir ítalska tónskáldið Gaetano Donizetti er sýnd af sviðslistarhópnum Óði í Þjóðleikhúskjallaranum um þessar mundir. Þau Sólveig Sigurðardóttir, Áslákur Ingvarsson og Þórhallur Auður Helgason úr hópnum komu til okkar og ræddu verkið og pönk og óformlegheit óperunnar. Patrekur Björgvinsson var með pistla hér í Lestinni á síðasta ári þar sem hann velti fyrir sér fyrirbærum í alþýðumenningu Íslendinga. Í ljósi þess að það er mánudagur og veðrið er eins og ætlum við að rifja upp pistil Patreks um listina að kvarta.

Í dag er alþjóðlegur dagur útvarpsins og af því tilefni leiðum við hugann að frægum útvarpsmanni, útvarpsmanni sem fæstir kannski vita að hafi unnið í útvarpinu, gefa því allavega ekki mikinn gaum. Sá sem um ræðir er þýski heimspekingurinn og menningarfræðingurinn Walter Benjamin. Við hugum líka að óperunni, aldrei þessu vant. Þó ekki óperum í stórum sal með flúruðum svölum og demantsskreyttum ljósakrónum heldur í dimmum kjallara Þjóðleikhússins. Don Pasquale, gamanópera eftir ítalska tónskáldið Gaetano Donizetti er sýnd af sviðslistarhópnum Óði í Þjóðleikhúskjallaranum um þessar mundir. Þau Sólveig Sigurðardóttir, Áslákur Ingvarsson og Þórhallur Auður Helgason úr hópnum komu til okkar og ræddu verkið og pönk og óformlegheit óperunnar. Patrekur Björgvinsson var með pistla hér í Lestinni á síðasta ári þar sem hann velti fyrir sér fyrirbærum í alþýðumenningu Íslendinga. Í ljósi þess að það er mánudagur og veðrið er eins og ætlum við að rifja upp pistil Patreks um listina að kvarta.

Samsæriskenningar eru ekki nýjar af nálinni, þær hafa líklegast fylgt mannkyninu megnið af okkar vegferð. En í heimi veraldarvefsins og samfélagsmiðla þá hefur líklega aldrei verið auðveldara að miðla upplýsingum og slíkum kenningum. En hvað er eiginlega samsæriskenning og hafa þær aukist á undanförnum árum, til dæmis á tímum Covid, Brexit og Donalds Trump? Og skera samsæriskenningar á Íslandi sig úr, eða eru þær á svipuðum slóðum og í öðrum löndum? Hulda Þórisdóttir stjórnmálasálfræðingur og dósent við stjórnmálafræðideild Háskóla Íslands er ein þeirra sem unnu fjölþóðlega rannsókn um samsæriskenningar og hverjir aðhyllast þeim og hún kom til okkar í dag og fræddi okkur um samsæriskenningar. Á laugardaginn er óperan Don Pasquale eftir Gaetano Donizetti frumsýnd í Þjóðleikhúskjallaranum. Sviðslistahópurinn Óður neitar að geyma óperur í glerkössum, þau vilja miklu frekar taka þær fram, hrista af rykið og leika sér að þeim. Pota í óskrifaðar reglur og skemmta sér og öðrum. Þetta er hópur ungs fólks sem vill endurlífga óperuformið gagnvart almennum áhorfendum. Sólveig Siguðardóttir söngkona og þýðandi óperunnar og Ragnar Pétur Jóhannsson söngvari komu í þáttinn. Svo kom Elín Björk Jónasdóttir veðurfræðingur til okkar í dag í veðurspjall. Það er engin lognmolla í veðrinu hér á fróni frekar en yfirleitt á þessum árstíma. Við ræddum þessa snörpu lægð sem gekk hratt yfir landið síðastliðinn sólarhring, sprengilægðir og þrjár lægðir sem eru fyrirsjáanlegar á næstu dögum. Tónlist í þættinum í dag: Barn / Ragnar Bjarnason (Ragnar Bjarnason og Steinn Steinarr) New York / Frank Sinatra (John Kander, Fred Ebb) My Island / Red Barnett (Haraldur V. Sveinbjörnsson) UMSJÓN: GUNNAR HANSSON OG GUÐRÚN GUNNARSDÓTTIR

Samsæriskenningar eru ekki nýjar af nálinni, þær hafa líklegast fylgt mannkyninu megnið af okkar vegferð. En í heimi veraldarvefsins og samfélagsmiðla þá hefur líklega aldrei verið auðveldara að miðla upplýsingum og slíkum kenningum. En hvað er eiginlega samsæriskenning og hafa þær aukist á undanförnum árum, til dæmis á tímum Covid, Brexit og Donalds Trump? Og skera samsæriskenningar á Íslandi sig úr, eða eru þær á svipuðum slóðum og í öðrum löndum? Hulda Þórisdóttir stjórnmálasálfræðingur og dósent við stjórnmálafræðideild Háskóla Íslands er ein þeirra sem unnu fjölþóðlega rannsókn um samsæriskenningar og hverjir aðhyllast þeim og hún kom til okkar í dag og fræddi okkur um samsæriskenningar. Á laugardaginn er óperan Don Pasquale eftir Gaetano Donizetti frumsýnd í Þjóðleikhúskjallaranum. Sviðslistahópurinn Óður neitar að geyma óperur í glerkössum, þau vilja miklu frekar taka þær fram, hrista af rykið og leika sér að þeim. Pota í óskrifaðar reglur og skemmta sér og öðrum. Þetta er hópur ungs fólks sem vill endurlífga óperuformið gagnvart almennum áhorfendum. Sólveig Siguðardóttir söngkona og þýðandi óperunnar og Ragnar Pétur Jóhannsson söngvari komu í þáttinn. Svo kom Elín Björk Jónasdóttir veðurfræðingur til okkar í dag í veðurspjall. Það er engin lognmolla í veðrinu hér á fróni frekar en yfirleitt á þessum árstíma. Við ræddum þessa snörpu lægð sem gekk hratt yfir landið síðastliðinn sólarhring, sprengilægðir og þrjár lægðir sem eru fyrirsjáanlegar á næstu dögum. Tónlist í þættinum í dag: Barn / Ragnar Bjarnason (Ragnar Bjarnason og Steinn Steinarr) New York / Frank Sinatra (John Kander, Fred Ebb) My Island / Red Barnett (Haraldur V. Sveinbjörnsson) UMSJÓN: GUNNAR HANSSON OG GUÐRÚN GUNNARSDÓTTIR

We're back! Join us for this week's podcast episode where we're joined by Opera in the Ozarks' costume designer, Kim Welborn. We chatted with Kim about her work on Opera in the Ozarks' recent re-envisioned production of The Magic Flute. What makes it re-envisioned? Its eco-conscious spin to the storyline and costumes constructed one hundred percent using trash and recycled materials!Go to https://www.usitt.org/news/technically-speaking-kim-welborn-talks-turning-trash-opera to learn more about Opera in the Ozarks' production of The Magic Flute and see visuals of the costumes discussed during today's episode.Get to know our guest: Kim Welborn is a freelance costume designer and resident designer for Opera in the Ozarks' summer program. Her costume career spans the gamut from historically accurate productions, including clothing for Florida's Quincentennial and the world premiere of My Dearest Friend for the National Park Service Centennial, to a production of The Magic Flute, re-envisioned as an environmental fable and built entirely from trash and recyclables. Recent projects include a 1960's Best Christmas Pageant Ever and All is Calm, the story of the World War 1 Christmas Eve truce. She has designed more than 30 musicals and plays; favorites include A Little Night Music; Hello, Dolly; Evita; The Producers; Paint Your Wagon; South Pacific; Spamalot; the Diary of Anne Frank and Blithe Spirit. Her past several years have focused largely on opera, including Marriage of Figaro, All is Calm, Tales of Hoffman, Don Pasquale, La Boheme, Amahl & the Night Visitors, Hansel & Gretel, and youth company productions for Opera Orlando; Cosi Fan Tutte, Cendrilllon, Lucia de Lammermoor and Little Women (Opera in the Ozarks); Pagliacci and The Birthday Clown (Savannah Opera Company); Pirates of Penzance (International Opera Center) and Dido and Aeneas (University of Northern Iowa). Kim is a world native who divides her time between New York, Maryland, and Florida. Learn more about today's advertiser, Stage Creatives Network:www.rachelannestiles.comwww.stagecreativesnetwork.com

11am-12pm Gardening Slot with Anne McKeown  Connacht Tribune Headlines with Dave O' Connell Galway City Christmas park and ride gets underway tomorrow Irish National Opera present Donizetti's comedy opera Don Pasquale in Galway    ‘Galway Talks with Keith Finnegan' broadcasts every weekday morning from 9am on Galway Bay FM

Killing Orders PUBLISHED 1985 Killing Orders, V.I. Warshawski's third adventure, starts when her great-aunt Rosa summons the detective to her cold suburban home. Rosa made V.I.'s childhood miserable and the detective resents the command to help her aunt prove she didn't embezzle five million dollars from a local Dominican priory. All hell breaks loose when a mysterious opponent tries to take Vic off the case by throwing acid in her eyes and burning down her apartment. And when a friend who's involved in the case is brutally murdered, it begins to look as if Vic hasn't got a prayer. But Warshawski continues to follow every lead, even when they point to some pretty unorthodox conclusions: Perhaps the Dominicans are covering up a financial scandal. Maybe the whole conspiracy is under the patronage of an international conglomerate, or of Don Pasquale, king of the Chicago mob. Worst of all, someone who's close to Vic could be involved—her darkly handsome English lover, Roger Ferrant, or even Aunt Rosa herself.

Acabem la setmana fixant-nos en l'any de l'estrena de "Don Pasquale", i com altres compositors van crear aquell mateix any obres completament distants a l'estil belcantista, per

Juntament amb Rossini i Bellini, Donizetti

Aquesta setmana, "Els homes cl

Descripción Entrevistem el baríton Carles Pachón, intèrpret del Dr. Malatesta a 'Don Pasquale' de Gaetano Donizetti amb direcció de Damiano Michieletto, que s'estrena el 21 de setembre al Gran Teatre del Liceu de Barcelona. Ens fa molta il·lusió veure aquest jove intèrpret, premiat en diverses ocasions i que forma part de l'equip artístic de la Staatsoper Berliln, al Liceu. Hem comentat com ha estat l'experiència de la preparació i assajos, amb un equip format per persones conegudes, com les sopranos Serena Sáenz i Sara Blanch, que interpreten a Norina, el baix-baríton Carlos Chausson interpretant Don Pasquale i figures molt reconegudes com el director i el baríton Alessandro Corbelli, que també intepreta Don Pasquale (el vam poder veure al seu debut al Liceu amb 'L'Elisir d'amore' de Donizetti). Carles Pachón actuarà els dies 22 de setembre, 6, 8 i 9 d'octubre i té dos altres projectes molt interessants a Catalunya: el Life Victoria Barcelona Lied Festival Victoria de los Ángeles el 28 de setembre, recitant lieder de diversos autors, al Sant Pau Recinte Modernista, i la gira de 'Don Giovanni' (ell interpreta al personatge mozartià) amb La Fundació Òpera a Catalunya, que s'estrenarà el 19 d'octubre al Teatre La Faràndula de Sabadell i passarà pel Palacio de Festivales de Cantabria a Santander el 28 d'octubre, pel Palau de la Música de Barcelona els dies 1 i 5 de novembre, per L'Auditori de Sant Cugat l'11 de novembre, etc., fins finalitzar al Teatre de Tarragona el 20 de novembre. Us anirem informant més sobre Carles Pachón. Ona Cultural - Ona de Sants - estrenes - òpera - música - cultura - baríton - cantant - opera singer - opera - radio - ràdio - Laura Clemente Aprende como se escribe una descripción profesional del episodio.

Ben Glassberg is a young conductor much in demand by several opera companies including ENO and La Monnaie, and Chloe Rooke, who has been working as his assistant on Don Pasquale at Glyndebourne this summer with OAE, is also a prodigiously talented conductor, on the threshold of her career. Ben has been principal conductor of Glyndebourne on Tour since 2019, and is also Music Director of Opera de Rouen and Principal Guest Conductor of Volksoper Wien. Here they discuss their surprisingly similar routes to opera conducting, as well as how to get a foothold in the early stages, with plenty of laughs along the way, as they are very good friends, personally and professionally.---Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear.Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Tutto nel Mondo è Burla stasera all'Opera Parliamo di... Opera Aetruria Incontro con i protagonisti di Don Pasquale

È un Don Pasquale divertente e frizzante quello in scena al Teatro Verdi di Trieste che strappa sorrisi e risate pur mantenendone elevata l'interpretazione lirica. Il regista Gianni Marras, con un attenta rilettura, ha scelto un registro ironico, a tratti caricaturale,  per questo bell'allestimento del Teatro Comunale di Bologna (2008) dell'opera buffa di Gaetano Doninzetti. Marras rende omaggio all'aspetto innovativo del compositore bergamasco e, forte anche della sua formazione nei musical, tinge l'opera di  colori vivaci e di ammiccamenti continui ai ruggenti Anni ‘50-60, sostenuto dagli allegri costumi di Davide Amadei. Si respira cosi un'atmosfera da Cinecittà in questa lettura registica piena di inventiva, leggera ma non superficiale. L'opera calca perfettamente e con equilibrio l'impronta della commedia all'italiana: propone citazioni che ricordano il clima e i film di quegli anni - grazie anche alle scene allusive, vere e proprie citazioni, ideate ancora assieme ad  Amadei e ispirate ai fumetti americani- sullo sfondo di una Roma monumentale- ricca  di simboli del boom economico del dopoguerra come la Vespa, o la lussuosa auto americana,   la mitica Ford Thunderbird, e pure il casco da parrucchiere per la bella Norina, interpretata dall'albanese Nina Muho (ancora in scena il 3,5,7 aprile), che ammicca alla Marisa Allasio di Poveri ma belli (1957) o alla  Audrey Hepburn di Vacanza romane (1953). Perfettamente calati nella parte anche gli altri protagonisti:  e così, con  il ciuffo e le movenze alla Elvis Presley, Antonino Siracusa dà vita ad  un gustoso Ernesto  perfettamente a suo agio nel registro ironico (splendida la gag in tuta  spaziale con il simbolo dell'Unione Sovietica a ricordare l' astronauta Yuri Gagarin o quella in cui novello Bobby Solo canta l'aria più celebre dell'opera). Questa modernizzazione funziona anche con tutti gli altri personaggi dallo spagnolo Pablo Ruiz ( per la prima volta a Trieste), che porta in scena un più che convincente Don Pasquale, al brillante Vincenzo Nizzardo nei panni del dottor Malatesta,  quasi dei papabili Totò e Peppino  Ottima la sintonia tra palcoscenico e orchestra grazie anche alla conduzione d'orchestra del maestro Roberto Gianolla, di ritorno sul podio del Verdi, che assieme al direttore artistico Paolo Rodda ha lavorato sapientemente sulla qualità del suono nonostante l'orchestra non sia ancora collocata nella  buca per l'emergenza sanitaria. Ne risulta un emissione orchestrale soffusa e presente che valorizza la linea melodica senza coprirla. Applausi anche per il bravo mimo Daniele Palumbo, che pur non cantando, con il suo trasformismo  alla Fregoli si pone protagonista della serata svolgendo funzione di collante tra le varie scene. Funziona dunque questa rilettura del  capolavoro di Donizetti che, senza alterare la storia, trasforma i personaggi negli antesignani di quelli che col tempo sarebbero diventati i comici e le soubrette dell'operetta e poi dell'avanspettacolo e  rende omaggio ad un periodo felice dello spettacolo italiano. Nel cast anche  César Cortés (2, 5, 9/IV), Elisa Verzier (2, 9 /IV), Michele Govi (2, 9 /IV)e Bruno Taddia (2, 9 /IV). Qui un approfondimento con il regista Gianni Marras ai microfoni di Monica Ferri per Teatralmente:

Learning a whole two-hour opera role in 11 days... is it possible? I don't know but I'm motivated to try this! I'll be learning Norina from Don Pasquale.Watch the video version on my channel: https://youtu.be/szKkiKK6E1M

CIUDAD DE MÉXICO. “Hay que trabajar para vivir y no vivir para trabajar”, afirma el tenor mexicano Javier Camarena (Xalapa, 1976), quien hace unos días fue reconocido con el Premio Internacional de Música Clásica (ICMA, por sus siglas en inglés) por la grabación de la ópera El pirata, de Vicenzo Bellini.Y adelanta a Excélsior que el próximo otoño lanzará un nuevo disco en solitario con música de Gaetano Donizetti, el cual incluirá obras como El elíxir de amor y Don Pasquale, y otras menos famosas como Betly o Il giovedì grasso. “Será un disco muy completo y emocionante”, comenta vía telefónica.

Synopsis The comic opera “Don Pasquale” by the Italian composer Gaetano Donizetti had its first performance in Paris on this date in the year 1843. To this day it remains one of his best-loved and most often-performed works. In all, Donizetti wrote about 70 operas, sometimes turning out four per year. Amazing as this seems today, it wasn't at all uncommon in the 19th century, especially in Italy, where audience demand for new works was insatiable. Back then, when composers vied with one another for speed, Donizetti was asked if he believed that Rossini had written “The Barber of Seville” in only 13 days. “Why not?” quipped Donizetti, “He's so lazy!” In our time,  the corollary of a busy opera composer like Donizetti might be a hard-pressed Hollywood composer like John Williams, who could quip that Donizetti was the lazy one.  After all, John Williams has surpassed Donizetti's count of 70 operas with well over 100 film scores. Williams started out in the 1960s writing scores for TV shows like “Wagon Train” and “Gilligan's Island” before shifting primarily to movies and crafting the iconic soundtracks like “Jaws,” “E.T.,” “Star Wars,” and “Schindler's List.” Music Played in Today's Program Gaetano Donizetti (1797-1848) — Don Pasquale Overture (Philharmonia Orchestra; Riccardo Muti, cond.) EMI 54490 John Williams (b. 1932) — Devil's Dance, from Witches of Eastwick (Boston Pops; John Williams, cond.) Philips 422 385

In this episode I will visit with my dear friends, Julie Wyma and Anastasia Nikolov, founders of Opera Programs Berlin. Both Julie and Anastasia went through traditional conservatory training, and were both taken aback by the insistence that there's only one prescribed path to success in opera.  Their answer to filling the gaps in vocal education was to create http://www.operaprogramsberlin.com (Opera Programs Berlin,) an online and in-person opera academy which has grown exponentially over the last year in the online space. As an educator, Julie's passion lies in helping singers make the transition from student to professional, and in guiding talented people to the places where they are needed. She has served as a vocal coach, preparing singers for auditions and talent competitions, as well as an audition panelist and advisor. With organizations such as Opera Programs Berlin, Dramatic Voices Program Berlin, Irrational Entertainment, Midwest Early Opera Works, Voci Inglesi, Berlin Wagner Gruppe and Berliner Opernverein, she has facilitated performance opportunities for singers seeking additional stage experience and the chance to hone their craft in a supportive, professional environment. As a professional operatic soprano she has performed more than 25 roles, including die Königin der Nacht and Pamina in Die Zauberflöte, Rosina in I barbiere di Siviglia, Adele in Die Fledermaus, Gilda in Rigoletto, Marie in Die verkaufte Braut, Musetta in La Bohème, Sophie in Werther, Gretel in Hänsel und Gretel, the Waldvogel in Siegfried, and Norina in Don Pasquale. Of her Norina, the Kansas City Metropolis said: “soprano Julie Wyma sparkled with a self-confident air and a strong, beautiful voice.”  ​ An active concert performer and recitalist, her recent appearances include concerts at the US Consul General in Düsseldorf and the Residence of the US Ambassador to Germany in Berlin; a song recital at the University of Pittsburg at Greensburg; Lovers' Quarrels, a concert of operatic duets and arias in Concord, New Hampshire and Niemegk, Germany; Three Tenors and a Soprano concerts in Cornish and New London, New Hampshire; and Viva Divas!, a concert of operatic arias, duets, and trios in Cornish, New Hampshire, Phoenix, Arizona and Berlin, Germany. ​​Soprano Anastasia Nikolov started her musical training at the age of 5, studying piano. She was a member of the Bulgarian National Theater Youth Ensemble, where she was cast in numerous main stage and touring productions. Her training at the National Theatre included acting, improvisation, Latin and folk dance. Other musical studies also included percussion and classical guitar. Ms. Nikolov is a champion of new music. She has premiered works by prominent American and British composers such as Vartan Aghababian, Michael Djupstrom, Victoria Ellis, Heather Gilligan and Eric Sawyer; some of these works were written and dedicated to her. In addition to numerous song cycles and solo concert works with orchestra, she also created the role of Anna von Mildenburg in the new piece Geboren Alma Schindler (Berliner Opern Verein); the role of Member of the Chamber in the premiere performance of Eric Sawyer's Our American Cousin (Composers in Red Sneakers); and the title role in the world premiere of Victoria Ellis' opera Darling (One of Us Foundation). Twitter @operaberlin Instagram @operaprogramsberlin Facebook  @operaprogramsberlin http://www.operaprogramsberlin.com (www.operaprogramsberlin.com) At http://makinitinopera.com/ (makinitinopera.com), you can  Get access to a spreadsheet of resources and inspiration from folks who are changing the conversation about how we tell stories and how we train artists Subscribe to the Audition Pep Talk Series newsletter Donate and support the podcast If you'd like to share your point of view of what it means to “make it”, send me a voice recording to makinitinopera@gmail.com and I may feature you in a...

Donizetti Ouvertures01. Adelia 02. L'Ajo nell'imbarazzo 03. Alahor in Granata04. Alina, Regina di Golconda 05. Anna Bolena 06. Belisario 07. Betly 08. Il Borgomastro di Saardam 09. Il Diluvio Universale 10. Don Pasquale 11. Elisabetta (Élisabeth/Otto mesi in due ore/Gli esiliati in Siberia) 12. Enrico di Borgogna 13. Il Falegname di Livonia (Pietro Il Grande) Artisti vari.

Bienala neodvisnih že od leta 2007 spremlja polje slovenske neodvisne ilustracije. V prostorih Male galerije Cankarjevega doma si lahko te dni ogledate skupinsko razstavo, ki je tudi nekakšen uvod v prihajajočo 8. edicijo Bienala neodvisne ilustracije in prvi poskus mednarodnega delovanja te platforme. Skok v Italijo, kjer se življenje počasi a vztrajno vrača v približno normalno obliko. Svoja vrata spet odpira Tržaška operna hiša Giuseppeja Verdija in predstavili so enoletno repertoarno sezono, ki bo, kot poroča Marij Čuk, vrhunska. Nekaj naslovov: Carmen, Tosca, Don Pasquale, Rigoletto, Šeherezada. Prišel bo tudi skladatelj in dirigent Nicola Piovani, dobitnik oskarjevega kipca. In še na domači oder, nanj se vračajo v Mini teatru, kjer so za nocoj napovedali premiero predstave Pride konj v bar, ki je nastala po z bookerjem nagrajenem romanu izraelskega pisatelja Davida Grossmana. Komik, ki se razgalja na odru, in upokojen sodnik, ki sedi med občinstvom – prijatelja iz otroštva, desetletja razdvojena med krivdo in sram – se srečata v noči, ko padajo maske. Režiser je Ivan Planinić. Slika: Mednarodna skupinska razstava Bienala neodvisnih 2021 (spletna različica)

Reconstruction du cimetiere militaire a Liptovsky Mikulas. La jeune soprano slovaque Slavka Zamecnikova interprete Lorina dans Don Pasquale de Donizetti a l'opéra de Vienne, comentaire de la musicologue Viera Polakovicova. Le journaliste Roman Kalisky est décédé il y a 5 ans.

Laupäevases saates "Publikumärk" on vaatluse all lavastused "Don Pasquale", "Minu veetlev leedi" ja "Liustikud". Juttu tuleb ka kammerkoor Collegium Musicale 10. sünnipäeva kontserdist ning filmifestivalist Kino maale. Saatejuht on Liis Seljamaa.

Laupäevases saates “Publikumärk” on vaatluse all lavastused “Don Pasquale”, “Minu veetlev leedi” ja “Liustikud”. Juttu tuleb ka kammerkoor Collegium Musicale 10. sünnipäeva kontserdist ning filmifestivalist Kino maale. Saatejuht on Liis Seljamaa.

Rahvusooperis Estonia on homme esietendus – lavale jõuab Gaetano Donizetti koomiline ooper „Don Pasquale”, lavastaja Giorgio Bongiovanni.

Rahvusooperis Estonia on homme esietendus – lavale jõuab Gaetano Donizetti koomiline ooper „Don Pasquale”, lavastaja Giorgio Bongiovanni.

durée : 00:12:18 - "Opera transcriptions & fantasies" : Liszt et Thalberg - Marc-André Hamelin - Le pianiste québécois Marc-André Hamelin associe l'Hexaméron de Liszt à des transcriptions d'opéras et des fantaisies : une paraphrase d'Ernani d'après Verdi, les Réminiscences de Norma d'après Bellini ou encore une Grande fantaisie sur des motifs de Don Pasquale composée par Thalberg...

Née à La Nouvelle-Orléans, Lisette Oropesa s'installe à New York après avoir remporté les Metropolitan Opera National Council Auditions et intègre le Lindemann Young Artist Development Program. À l'âge de 22 ans, elle interprète le rôle de Susanna dans Les Noces de Figaro sur la scène new yorkaise où elle se produit régulièrement depuis (Nannetta de Falstaff, Gretel de Hansel et Gretel, Gilda de Rigoletto). Elle fait ses débuts à l'Opéra national de Paris en 2015 dans le rôle de Konstanze de L'Enlèvement au sérail et y interprète ensuite Gilda. Le rôle de Gilda lui ouvre les portes de l'Opéra national d'Amsterdam, de l'Opéra de Rome, de l'Opéra de Los Angeles et du Teatro Real de Madrid. Elle est invitée à l'Opéra de Washington (le rôle-titre de La Fille du régiment), au Bayerische Staatsoper de Munich (Konstanze), au Festival de Glyndebourne (Norina de Don Pasquale), au Royal Opera House de Londres et au Teatro Real de Madrid (Lucia di Lammermoor). Elle a fait cet été ses débuts dans le rôle-titre d'Adina au Festival Rossini de Pesaro et elle a participé à la soirée de gala consacrée à Verdi aux Arènes de Vérone. Son répertoire comprend également les rôles d'Ophélie (Hamlet), Cleopatra (Giulio Cesare), Amalia (I Masnadieri). Lisette Oropesa se produit aussi en concert et en récital (Philadelphia Orchestra, Chicago Symphony Orchestra, Cincinnati Symphony Orchestra, Concertgebouw d'Amsterdam, Carnegie Hall, Accademia Nazionale di Santa Cecilia à Rome, Ravinia Festival, Tanglewood Festival, Chicago Bach Project, Mostly Mozart Music Festival, etc.). Elle a enregistré deux albums de récital, Within / Without et Aux filles du désert.

We look at the origins of the Faustian bargain with Teddy Tahu Rhodes (Méphistophélès in the Opera Australia production of Gounod's Faust) and music scholar Peter Tregear, we search for the ghost of Federici, who died performing the Méphistophélès role in Melbourne in 1888, Maxine Doyle shares the Best Advice she was ever given, and we meet acclaimed director Damiano Michieletto ahead of his Royal Opera House production of Donizetti's Don Pasquale screening in Australian cinemas.

We look at the origins of the Faustian bargain with Teddy Tahu Rhodes (Méphistophélès in the Opera Australia production of Gounod's Faust) and music scholar Peter Tregear, we search for the ghost of Federici, who died performing the Méphistophélès role in Melbourne in 1888, Maxine Doyle shares the Best Advice she was ever given, and we meet acclaimed director Damiano Michieletto ahead of his Royal Opera House production of Donizetti's Don Pasquale screening in Australian cinemas.

Palm Beach Opera Vocal CompetitionRenata Scotto is an Italian soprano and opera director.Don Pasquale is an opera buffa, or comic opera, in three acts by Gaetano DonizettiValència is the capital of the autonomous community of Valencia and the third-largest city in Spain.Montserrat Caballé was a Spanish operatic soprano.Arturo Toscanini was an Italian conductor.Wolfgang Amadeus Mozart was a prolific and influential composer of the classical era.Robert Schumann a German composer, pianist, and influential music critic.The Spoleto Festival (Festival dei Due Mondi) is an annual summer music and opera festival held each June to early July in Spoleto, Italy, since its founding by composer Gian Carlo Menotti in 1958.Opera Idol was an annual opera competition for amateur singers run by Cincinnati Opera.Ainadamar is the first opera by Argentinian composer Osval do Golijov.Carmen is an opera by French composer Georges Bizet.The Marriage of Figaro is an opera buffa (comic opera) composed in 1786 by Mozart.Don Carlos is a grand opera composed by Giuseppe Verdi.Diego Velázquez was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age.Manuel de Falla was a Spanish composer.Francisco Albéniz was a Spanish virtuoso pianist, composer, and conductor.Reynaldo Hahn was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theatre director, and salon singer.Enrique Granados was a Spanish pianist and composer of classical music.Franz Joseph Haydn was an Austrian composer of the Classical period.Tomás Luis de Victoria was the most famous composer in 16th-century Spain, and was one of the most important composers of the Counter-Reformation, along with Giovanni Pierluigi da Palestrina and Orlando di Lasso.Antonio de Cabezón was a Spanish Renaissance composer and organist.Martín y Soler was a Spanish composer of opera and ballet. Although relatively obscure now, in his own day he was compared favorably with his contemporary, Wolfgang Amadeus Mozart, as a composer of opera buffa.Luigi Boccherini was an Italian composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers.Giuseppe Domenico Scarlatti was an Italian composer.Farinelli was the stage name of Carlo Maria Michelangelo Nicola Broschi, a celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera.The Vienna State Opera is an Austrian opera house and opera company based in Vienna, Austria.Otto Klemperer was a Jewish German-born conductor and composer, described as "the last of the few really great conductors of his generation."Bruno Walter was a German-born conductor, pianist and composer.Herbert von Karajan was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 35 years.The Spanish National Youth Orchestra is a Spanish youth orchestra.Teresa Berganza is a Spanish mezzo-soprano.Sir Georg Solti was a Hungarian-born orchestral and operatic conductor, best known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra.Luisa Miller is an opera by Giuseppe Verdi.Lorin Maazel was an American conductor, violinist, and composer.Zubin Mehta is an Indian conductor of Western and Eastern classical music. He is currently music director of the Israel Philharmonic Orchestra (IPO) and Conductor Emeritus of the Los Angeles Philharmonic.Carlo Maria Giulini was an Italian conductor.The Symphony No. 5 is Beethoven’s 5th symphony and is one of the best-known compositions in classical music and one of the most frequently played symphonies.The Goldberg Variations is a musical composition for harpsichord by Johann Sebastian Bach, consisting of an aria and a set of 30 variations.La Traviata is an opera composed by Giuseppe Verdi.Roméo et Juliette (Romeo and Juliet) is an opera by Charles Gounod.Giacomo Puccini was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi."(Ravenni & Girardi n.d., Introduction.)Richard Strauss was a leading German composer of the late Romantic and early modern eras.Johannes Brahms was a German composer, pianist, and conductor of the Romantic period.Nikolaus Harnoncourt was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier.Pablo Casals was a cellist, composer, and conductor from Catalonia.La 1 (La Uno, The One), is the flagship television channel of Spanish public broadcaster Radio televisión Española (RTVE).La 2 (La Dos, The Two) is Spain's second state-owned television channel for the public broadcasting service.Senegal is a country in West Africa.José Plácido Domingo is a Spanish opera, conductor, and arts administrator.Otello is an opera by Verdi.Franco Ferrara was an Italian conductor.Guido Cantelli was an Italian orchestral conductor."Fritz" Reiner was a prominent conductor of opera and symphonic music in the twentieth century.Alicia de Larrocha was a Spanish pianist and composer. She was considered one of the great piano legends of the 20th century.The Tudors is a historical fiction television series set primarily in 16th-century EnglandMedici is an Italian-British historical dramaSpotify Technology S.A. is a Swedish media-services provider founded in 2006.

Microscopio dal Don Pasquale di Gaetano Donizetti

Ospiti in studio Juan Francisco Gatell e Desirée Rancatore protagonisti del Don Pasquale a Genova

On this episode of West of Broadway, Will and Lara get to speak with 2 of the stars of the 36 th Season of The Verdi Chorus Spring 2019 Concert L’Amore e la Vita (Love and Life) Two performances only April 6-7, 2019 First United Methodist Church, Santa Monica Two of our guest soloists, Los Angeles Opera favorite Jamie Chamberlin and acclaimed tenor Nathan Granner, who are actually married in real life! In fact, Nathan proposed to Jamie onstage last fall at the conclusion of the Verdi Chorus 35th Anniversary concert! The Spring Concert is entitled L’Amore e la Vita (Love and Life), which Founding Artistic Director Anne Marie Ketchum humorously calls “ the Rom-Com of opera,” and will feature selections from two Verdi operas – I vespri siciliani and Ernani, three Donizetti operas - Don Pasquale, La fille du régiment and L’elisir d’amore, as well as operatic sequences from Bizet’s Les pêcheurs de perles (The Pearl Fishers), Delibes’ Lakmé, and Puccini’s La rondine. Tickets are available for purchase at www.verdichorus.org or by calling (800) 838-3006. Priority seating is available for $40, general admission is $30, seniors are $25, and students aged 25 and under with a valid ID are $10. After that, Will tells Lara all about his experience at Pasadena Playhouse's production of Ragtime which has been extended to March 9th. Tickets are available at: https://www.pasadenaplayhouse.org/event/ragtime/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ricordiamo José Abreu, parliamo della Scozia di Haydn e Beethoven con Mauro Loguercio, presentiamo..il Don Pasquale in programmazione al Teatro alla Scala. Finiamo con l'omaggio a Claude Debussy e gli appuntamenti della settimana.

Ricordiamo José Abreu, parliamo della Scozia di Haydn e Beethoven con Mauro Loguercio, presentiamo..il Don Pasquale in programmazione al Teatro alla Scala. Finiamo con l'omaggio a Claude Debussy e gli appuntamenti della settimana.

Ricordiamo José Abreu, parliamo della Scozia di Haydn e Beethoven con Mauro Loguercio, presentiamo..il Don Pasquale in programmazione al Teatro alla Scala. Finiamo con l'omaggio a Claude Debussy e gli appuntamenti della settimana.

Der mexikanische Startenor Rolando Villazón ist ein Garant für Gesprächsstoff. Derzeit mit seinem zweiten Buch auf Lesetour, hat er nun für die Oper am Rhein Donizettis "Don Pasquale" in Szene gesetzt. Am 29. April gab Villazón in Düsseldorf sein Regiedebüt. Das Publikum war köstlich amüsiert.

Combining an attractive voice with sparkling coloratura agility and good looks, Peters became a favorite of American audiences and a great proponent of opera for the masses. She quickly established herself in the standard soubrette and coloratura repertoire. Her roles at the Met included Susanna in Nozze di Figaro; Despina in Così fan tutte; The Queen of the Night in The Magic Flute; Amore in Gluck's Orfeo ed Euridice; Marzeline in Beethoven's Fidelio; Rosina in Il barbiere di Siviglia; Adina in L'elisir d'amore; Norina in Don Pasquale; Oscar in Un ballo in maschera; Nanetta in Falstaff; Olympia in Les contes d'Hoffmann; Sophie in Der Rosenkavalier; Zerbinetta in Ariadne auf Naxos; and Adele in Die Fledermaus. She later added lyric-coloratura roles such as Amina in La sonnambula, Lucia in Lucia di Lammermoor and Gilda in Rigoletto, the last being her farewell role at the Met in 1985. Fra Davolo,Sonnambula,Etoile Du Nord(Meyerbeer), Hamlet, Perle du Bresil(David)

Veckans panel sätter bl a betyg på pianisterna Lidija och Sanja Bizjak samt operaarior med Miah Persson och Sveriges Radios Symfoniorkester. Och så lyssnar Johan på Karajans alla operainspelningar. Veckans skivor och betygBIZJAK PIANO DUO Musik av Martin, Poulenc, Sjostakovitj och Stravinsky Lidija & Sanja Bizjak, pianon Stuttgarts filharmoniker Radoslaw Szulc, dirigent Onyx ONYX 4148 Betyg: 5 radioapparater (Evert 5, Hanna 5, Magnus 5, Johan 5)SEMPRE LIBERA Operaarior ur bl.a. Don Pasquale, Romeo och Julia, Dinorah och Gianni Schicchi Miah Persson, sopran Sveriges Radios symfoniorkester Daniel Harding, dirigent Bis BIS 2112 Betyg: 3 radioapparater (Evert 3, Hanna 4, Magnus 3, Johan 3)GUITAR MUSIC OF COLOMBIA Musik av Adolfo Mejía, Gentíl Montaña, Lucas Saboya och Hector González José Antonio Escobar, gitarr Naxos 8.573059 Betyg: 4 radioapparater (Evert 4, Hanna 3, Magnus 4, Johan 4)FRANCE ESPAGNE Musik av Chabrier, Massenet, Ravel och Debussy Les Siècles, Francois-Xavier Roth, dirigent Musicales Actes Sud ASM 17 Betyg: 4 radioapparater (Evert 5, Hanna 4, Magnus 4, Johan 4) Johans val Johan Korssell spelar valda delar ur den nyutkomna boxen The Complete Opera Recordings, med Karajans samtliga operainspelningar på DG och DECCA.Andra i programmet nämnda inspelningar:Stravinskys musik för två pianon med pianisterna Vladimir Ashkenazy och Andrej Gavrilov på Decca; med systrarna Katia och Marielle Labeque på PhilipsPoulencs Konsert för två pianon och orkester med Katia och Marielle Labeque samt Seiji Ozawa och Bostons symfoniorkester på Philips; med Francis Poulenc själv tillsammans med pianisten Jacques Février, Paris-konservatoriets orkester och dirigenten Georges Pretre på HMV  samt med pianisterna Pascal Rogé och Sylviane Deferne tillsammans med Philharmonia Orchestra ledda av Charles Dutoit på Decca.

Olimpia Boronat (1859 or 1867[1] – 1934) was an Italian operatic coloratura soprano, noted for her performances of the soprano roles in the bel canto repertory. Boronat was born in Genoa, and made her debut either there or in Naples during 1885. She sang around the world, particularly the Spanish-speaking world, but was particularly associated with Russia; she first sang there at St Petersburg in 1894. She married a member of the Polish aristocracy, and retired from the stage for six years from 1896 to 1902. After her hiatus, she sang initially in Russia; it was not until 1909 that she returned to her native Italy to sing. Boronat was noted for a voice of great beauty and clarity, and exceptional technical ability, coupled with sensitive musicianship. She was particularly associated with the roles of Rosina in The Barber of Seville, Violetta in La traviata, Elvira in I puritani, and Ophélie in Hamlet. After her retirement, Boronat founded a singing school in Warsaw. Puritani,Don Pasquale,Rigoletto, Martha, Huguenots,Sonnambula, Olga (Gianelli),Nightingale, 2 Ave Marias (Bach) ....and speaking of BACH,I hope my fuguing BACH gets better. If you do not get the pun, you are not missing an anything)

Peggy Reynolds explores Gaetano Donizetti's Don Pasquale. With expert insights from the conductor, Sir Mark Elder, who argues that Don Pasquale is "a brilliant refilling of an old mould". From Francesco Izzo, Senior Lecturer in Music at the University of Southampton, who sets the opera into the wider historical context of the development of opera buffa, arguing that Don Pasquale was a new kind of comic opera, one which treats its characters with great empathy and warmth. From Glyndebourne's dramaturg, Cori Ellison, on the origins of the Basso Buffo character in Italian commedia dell'arte and Donizetti's use of the waltz as a signifier for youth throughout the opera. And from Danielle de Niese, who introduces us to Norina, the opera's feisty heroine and considers the moral of the story. [Producer: Mair Bosworth for Festival 2013] (Musical extracts used with kind permission of Decca Classics)

An old friend to the company, John Del Carlo has been involved with us since his days as a young artist in the mid-seventies. Tune in and hear his views on the basso buffo repertoire, his career and the role of Don Pasquale, a delightful conversation with Nicolas Reveles, Director of Education and Outreach. 

Tenor Charles Castronovo was last with us as Nadir in The Pearl Fishers. According to this interview, his voice has darkened and he's been taking on heavier, albeit still lyrical, roles like Romeo (Gounod). In a wide-ranging conversation with Education Director Nicolas Reveles, Castronovo describes the vocal challenges involved in taking on Ernesto in Don Pasquale. Enjoy!

In a fun, fast-paced interview, soprano Danielle de Niese talks about her career and her upcoming performances as Norina in Don Pasquale. Education Director Nicolas Reveles, as always, asks the right questions. Enjoy!

Continuing with our series on the historical/cultural contexts for our 2012 operas, Nicolas Reveles talks about Donizetti's brilliant comedy Don Pasquale, giving you an idea how old Italian theatrical traditions informed the plot and its characters, as well as how lots of current Hollywood and television properties still revere those old traditions. Enjoy!

Opera Chapman gives participants the opportunity for solo operatic performance. La Traviata and Die Fiedermaus scenes are featured in this special event of Opera Chapman, directed by Dr. Peter Atherton. Featured performances have also included both scenes from and full length productions of Carmen, Don Pasquale, Romeo and Julliette, Cosi Fan Tutte, and The Magic Flute. Opera Chapman also provides students with experience in acting, stage techniques and musical coaching.

Highlights from a fine performance of Don Pasquale from 1940 under Gennaro Papi. The cast includes Salvatore Baccaloni,Bidu Sayao, Nino Martini, and Frank Valentino  (73 min.)

For our very first video podcast episode, here's a brief discussion by Nicolas Reveles, the Geisel Director of Education and Outreach, of bel canto, Donizetti, Chopin (!) and Don Pasquale. Watch and listen, especially to the first part of Norina's aria "Quel guardo il cavaliere", a wonderful example of the bel canto style. Enjoy!

We finish our 2012 International Season with two wonderful Italian comic operas, The Barber of Seville by Rossini and Don Pasquale by Donizetti. Let's spend a couple of weeks looking at the influences that created the form we call opera buffa and spend some time with their comic characters. Today, Norina, the star of Don Pasquale, and her delightful entrance aria.

Dr. Nicolas Reveles, Geisel Director of Education and Outreach, chooses three recordings of Donizetti's comic masterpiece Don Pasquale to help you get to know the opera (with a little help from Beverly Sills, Alfredo Kraus, Gabriel Bacquier and Fernando Corena!)

It's that time again: the announcement of our new season! This special podcast includes audio clips from the operas Salome by Richard Strauss, Moby-Dick by Jake Heggie, Don Pasquale by Gaetano Donizetti and The Barber of Seville by Gioachino Rossini. With commentary by Dr. Nicolas Reveles, the Geisel Director of Education and Outreach for San Diego Opera, this hour-long podcast will fill you in on some of the music and the great singing that we have to look forward to next year. Enjoy!

Idag lämnar Svensk kärnbränslehantering, SKB, in en ansökan om slutförvaring av använt kärnbränsle i Forsmark. Idén är att avfallet ska förvaras 500 meter ner i urberget och hållas borta från allt levande i 100 000 år. Men hur ska informationen förmedlas till alla efterkommande generationer? Skyltar? I så fall - på vilka språk? Kan barnramsor som traderas muntligt vara ett alternativ? Hör Saida Engström från Sveriges kärnbränslehantering, och evolutionsbiologen Hans Ellegren. Vi får dessutom besök av författaren Kristian Lundberg, aktuell med sin nya bok "Och allt ska vara kärlek". En fortsättning på hans kritikerhyllade roman Yarden, om villkoren för den som arbetar längst ned i samhällets hierarki. Och så gubbsjuka och storpolitik. Det handlar om skenäktenskapet mellan den gamle gubben Don Pasquale och den unga flickan Norina. Ola Eliasson, baryton från Kungliga Operan sjunger live i studio 7, och vi pratar med regissören till operan "Don Pasquale", Philip Zandén. Bisittare idag är Natalia Kazmierska.

  Here is a compilation of arias and duets from Donizetti operas as sung by many great artists of the early 20th century. The selections are:  Maria di Rudenz:             Mattia Battistini   "Ah! Non avea piu lagrime." Linda di Chamounix:              Rosina Storchio     "Oh luce di quest'anima" Lucrezia Borgia:                Carlo Albani       "Di pescatore ignobile"Don Sebastiano:                Alfred Piccaver    "Deserto in terra." La Favorita:                Aureliano Pertile  "Una vergine"                 Giacomo Lauri-Volpi   "Spirto gentil"                 Riccardo Stracciari   "Vien,Leonora"                 Sigrid Onegin      "O mio Fernando"                  Ezio Pinza         "Splendon piu bel in ciel."                  Marcel Journet   " Balthazar Aria"(In French) L'Elisir d'amore:                   Fernando de Lucia and Ernesto Badini  Duet,act one.                    Tito Schipa "Una furtiva lagrima"Don Pasquale:                     Giuseppe Anselmi     "Sogno soave e casto"                     Olympia Boronat      "So anch'io la virtu magica"                      Lucrezia Bori and Giuseppe de Luca     DuetLucia di Lammermoor:                      Luisa Tetrazzini   Act One arias                                         (74 min.)