Podcast appearances and mentions of abraham cruzvillegas

Abraham Cruzvillegas (1968), es artista, educador, curador y escritor. Sus obras se han presentado en la cumbre de Okayama (2022), la trienal de Honolulu (2019) y en las bienales de Sidney, Australia (2018), Managua, Nicaragua (2016), Sharjah, Emiratos Unidos, Gwangju, Corea (2012), Estambul, Turquía (2011), la dOCUMENTA13 de Kassel, Alemania (2012), Venecia (2003), de La Habana, Cuba (2015, 2009, 1994). En 2015 la editorial Sexto Piso publicó, en español, una colección de textos de su autoría, titulada ‘La voluntad de los objetos'. Ese mismo año Harvard University Press publicó una selección similar de textos, traducidos al inglés, bajo el título ‘The Logic of Disorder'. Actualmente vive y trabaja en la Ciudad de México.Síguenos en redes:http://instagram.com/cableatierrapodhttp://facebook.com/cableatierrapodcasthttp://instagram.com/tanialicious Hosted on Acast. See acast.com/privacy for more information.

Jerónimo López Ramírez (Ciudad de México, 1972), mejor conocido como Dr. Lakra, crea imágenes irreverentes y provocadoras que transgreden las normas establecidas y llevan al espectador a la frontera entre la atracción y la repulsión. Empezó a explorar la pintura, el dibujo y el collage cuando se unió al Taller de los viernes –el taller de Gabriel Orozco– junto a Abraham Cruzvillegas, Damián Ortega y Gabriel Kuri. Su obra se distingue por intervenciones con pintura y dibujo hechas directamente sobre posters, revistas eróticas y tarjetas postales, aunque también abarca el tatuaje, la pintura mural, el collage y la escultura. A través de estos medios, Dr. Lakra explora su interés por la antropología y la etnografía con las que documenta su fascinación por tabúes, fetiches, mitos y rituales de distintas culturas. Ferviente coleccionista de objetos, Dr. Lakra concibe la búsqueda de materiales e imágenes como un aspecto esencial de su trabajo. Sus composiciones combinan referencias históricas e imágenes contemporáneas intercaladas con iconografías religiosas y alusiones a la cultura popular. La manera en la que yuxtapone estos elementos revela tanto un gran conocimiento de la historia del arte como un subversivo sentido del humor. Dr. Lakra desmantela y perturba las ideologías dominantes para cuestionar lo que se considera civilizado o barbárico, correcto o incorrecto, “alta cultura” o folclor.Síguenos en redes:http://instagram.com/cableatierrapodhttp://facebook.com/cableatierrapodcasthttp://instagram.com/tanialicious Hosted on Acast. See acast.com/privacy for more information.

Tim Griffin is the Executive Director of the Industry. He joined the organization in June 2023 and continues the organization's commitment to reimagining art's relationship with its publics. Previously, Griffin was executive director and chief curator at The Kitchen (2011–2021) where he developed projects across disciplines with artists such as Chantal Akerman, ANOHNI, Charles Atlas, Abraham Cruzvillegas, Joan Jonas, Ralph Lemon, Aki Sasamoto, Wadada Leo Smith, Tyshawn Sorey, and Danh Vo, among others.  On the occasion of The Kitchen's 50th anniversary, Griffin initiated a capital campaign to renovate its building as a platform for the next generation of artists, raising roughly $22 million. From 2003 to 2010, Griffin was editor of Artforum, organizing special issues on performance; the museum in a contemporary context; art and poetry; and art and commerce. His own writing has appeared in publications from Bomb to Vogue, including catalogue essays on choreographer Maria Hassabi (MoMA, 2016), artist Ralph Lemon (Guggenheim Museum, 2016), and John Baldessari (Tate Modern, 2009). Griffin also edited a volume of selected writings on Wade Guyton (JRP), and has a forthcoming book on artists' changing engagement with site-specificity (Sternberg Press). In 2015, he was awarded the insignia of chevalier of the Order of Arts and Letters.He and Zuckerman discuss contemporary opera, popular audiences, how we know what we see, the luxury of clarity, art criticism, proximity, anxiety around popular culture, being in partnership in the art world and rethinking your own habits!

En este episodio de Pata de Mono nos sentamos a cotorrear con el artista mexicano Abraham Cruzvillegas, con el platicamos acerca del AIRE FRESCO EN EL VERANO DEL AMOR, exposición gestada desde las amistades y recuerdos personales que pueden visitar hasta el 21 de Octubre en CAMPECHE , tambien cotorreamos acerca de su vida, trayectoria y obras. www.galeriacampeche.com Foto de portada: Eun Son Lee Pigalle, 2021 Inkjet print on photo, paper, clips 36 x 75 cm

The Mexican artist Abraham Cruzvillegas creates beautiful, thought-provoking sculptures using items that other people have thrown away - from old plastic crates and driftwood to childrens' toys and birdcages. Anything can be transformed into his art. His inspiration comes from growing up on the outskirts of Mexico City, in a house built by his parents using any materials they could find. He has exhibited across the world including at the prestigious Turbine Hall at the Tate in London. As Abraham constructs his latest exhibition, Autorreconstruccion: Social Tissue at the Kunsthaus in Zurich, Switzerland, he talks to Jo Fahy about his work, his ideas about inclusivity, the importance of beer to his creative process and the challenges when a sculpture collapses.

Bienvenidos a la nueva emisión de Entusiasta, el podcast de Ilan Katz MayoEsta semana, Ilan nos comparte una exquisita plática con Abraham Cruzvillegas, artista conceptual que toma el contexto y los elementos que hay a su alrededor para llevar a cabo sus obras, desde un pedazo de papel estraza, hasta cajas, plantas y objetos que pueden ser reutilizados luego de que si ciclo natural de funcionamiento ha concluido.Interesante enlace CDMX - París, con el hombre que ve más allá del uso cotidiano de los objetos y los transforma en instalaciones o piezas de arte.Producción de KCero Podcasts #SeHaceAudio Hosted on Acast. See acast.com/privacy for more information.

On today’s show Dana and Duncan are joined in the Lumpen studios by conceptual heavyweight, Abraham Cruzvillegas. We discuss the work and intention behind The Ballad of Etc., a new exhibition opening at The Arts Club of Chicago on September 12th featuring a musical performance in collaboration with experimental jazz ensemble, Restroy. In addition his brilliant conversation, Cruzvillegas shares a preview of some of the writing and music used to create the exhibition. Definitely an episode not to be missed!  The Ballad of Etc. runs from September 12 - December 21. More information can be found here: https://www.artsclubchicago.org/exhibition/the-ballad-of-etc/

Author Yuri Herrera in conversation with artists Carlos Amorales and Abraham Cruzvillegas

As Art Basel Miami Beach takes place in the US, we hear about some of the highlights from the art fair’s director Noah Horowitz, artist Abraham Cruzvillegas and gallerist Bree Zucker. Plus, Christmas reads with Libreria bookshop’s Paddy Butler, and we learn the backstory of classic tale ‘Aladdin’ with Yasmine Seale and Paulo Lemos Horta.

Abraham Cruzvillegas was born in Mexico City, in 1968, where he continues to live and work. Since 2007, he has created a body of sculptures and installations that investigate what he calls autoconstrucción (“self-construction”), working with found materials and assemblage in reference to everyday practices also found in urban landscapes. His work has been the subject of solo exhibitions at the Centre for Contemporary Arts, Glasgow, CCA Wattis Institute for Contemporary Arts, San Francisco, the Walker Art Center, Minneapolis, Haus der Kunst, Munich, Museo Amparo, Puebla, Mexico, Museo de Arte de Lima, Peru, Tate Modern, London, Carré d’Art - musée d’art contemporain de Nîmes, France, Museum Boijmans Van Beuningen, Rotterdam, and Kunsthaus Zürich. American Sign Language interpretation provided by the Aspen Camp for the Deaf and Hard of Hearing. AAM education programs are made possible by the Questrom Education Fund. AAM talks and lectures are presented as part of the Questrom Lecture Series and made possible by the Questrom Education Fund.

In conversation James Peto of the Wellcome Collection, London