Podcasts about Chantal Akerman

durée : 00:34:56 - Les Nuits de France Culture - par : Albane Penaranda - En 2013, Chantal Akerman publie "Ma mère rit" au Mercure de France. Un livre comme le roman d'une vie, un autoportrait et un portrait de famille, avec des photographies de famille, d'intérieurs, des décors, des choses, des images de ses films, et de son enfance. - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice

Esta semana hablamos de la rutina, el tiempo y la violencia invisible en Jeanne Dielman, la obra maestra de Chantal Akerman que convirtió lo doméstico en territorio político. Una mirada implacable al tedio y la fractura de lo cotidiano.

The 2025 Cannes Film Festival kicks off today...and the question on everyone's mind is: what will be the great movies? Mostly, people look to the Cannes Competition (the films that compete for the Palme d'Or) to find the best films. But it's a lesser-known fact that many amazing films screen in the festival's sidebars. And many of the best films in cinema history have screened in the festival's sidebars. In fact, Chantal Akerman's Jeanne Dielman, which was named the greatest film of all time in the 2022 Sight & Sound poll did not screen in competition! It screened in the Directors' Fortnight. So on today's episode, Alex peels back the curtain on how all the different parts of the Cannes Film Festival work together. And she talks about the amazing films you've heard of (and some you probably haven't) that have screened outside the festival's competition. And she talks about some of the films she's excited for this year. Finally, Alex talks about some of the films she's excited for in this year's competition, and how they were already making fantastic films years ago that were hiding out in the festival's sidebars. *** Become a Seventh Row Insider to stay updated on the best films at Cannes this year and in past years that you might not otherwise stumble upon *** Interested in picking up Seventh Row's ebooks on Lynne Ramsay, Joachim Trier, Joanna Hogg, Debra Granik, or Céline Sciamma? They're available exclusively on Seventh Row. Peruse the collection here: http://seventh-row.com/ebooks Listen to the Women at Cannes Podcast Season Listen to the Women at Cannes episode on Kelly Reichardt For detailed show notes, visit https://seventh-row.com/2025/05/13/ep-171-navigating-cannes-beyond-the-competition/

durée : 02:58:33 - Les Nuits de France Culture - par : Albane Penaranda - En 1994, "Le Bon plaisir" consacré à André S. Labarthe propose des dialogues entre le cinéaste et Sophie Calle, Claude Régy, Chantal Akerman, Patricia Mazuy, Jacques Henric, Gérard Titus-Carmel parmi d'autres. L'émission diffuse également des témoignages de Janine Bazin et Patricia Finaly. - réalisation : Virginie Mourthé - invités : André S. Labarthe Critique de cinéma, documentariste et producteur français; Sophie Calle Artiste plasticienne française; Chantal Akerman Réalisatrice; Patricia Mazuy Réalisatrice; Janine Bazin Productrice française de cinéma et de télévision (1923-2003); Jacques Henric Critique, essayiste, romancier; Gérard Titus-Carmel Peintre et poète; Claude Régy Metteur en scène (1923-2019); François Truffaut Réalisateur de cinéma et comédien français

We finally bring the brilliant, indelible work of Claire Denis to the pod with a discussion of her 1994 TV movie U.S. Go Home. Produced as part of the anthology series Tous les garcons et les filles de leur age… alongside work from other French visionaries like Chantal Akerman, Olivier Assayas and André Téchiné, Denis' film is an elliptical, compassionate coming-of-age story that regularly subverts expectations and never succumbs to the potentially regressive tendencies of its narrative milieu. We begin with some chatter about recent Hit Factory-featured filmmaker Edward Yang and a recent watch of his final work, Yi Yi. Then, we explore Denis' film - its lyrical formalism, its exquisite soundtrack - and how she crafts a work of simultaneously keen observation and hypnotic ambiguity. Watch U.S. Go Home on YouTubeThe Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

On this week's pod, two hot, hot movies. First up, Sinners, Ryan Coogler's sexy Southern Gothic vampire flick set in Jim Crow-era Mississippi. It's got two Michael B Jordans, it's got epic musical sequences, it's got exquisite period detail, it's got spit sharing, it's got a smart and thorny race analogy at its heart, it's got great actors bringing their A game, it's got wonderful post-credit scenes and, did we mention, it's got two Michael B Jordans.  Similarly sexy and sweltering is Motel Destino, a neon-lit tropical noir from Brazilian director Karim Aïnouz. And inspired by Sinners, the team choose their favourite films set during parties or big nights out where things go off the rails. TIMESTAMPS: What We've Been Watching: Blue Velvet, April, GFT's Derek Jarman and Chantal Akerman retrospective, Manhunter (2:20) Sinners review (13:42) Motel Destino review (31:28) Theme: Nights Out Gone Awry (Carrie, Festen, The Invitation, Coherence, Nick and Norah's Infinite Playlist) (41:36) Get us on Twitter, Bluesky, Instagram and Letterboxd  @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Pour accompagner le vrai retour du printemps mais aussi pour célébrer sa carte blanche à la Cinémathèque Française dans le cadre du programme “Parlons cinéma”, nous avons eu le bonheur de mener une discussion tambour dansant avec Patric Chiha.Cinéaste dont la cinéphilie est née dans les vieilles salles de cinéma de la capitale Autrichienne, il se remémore quelques découvertes adolescentes fondamentales (Paris is Burning, les films de Derek Jarman) et égraine avec nous ses obsessions de spectateurs et de cinéastes (ce qui est la même chose) : la fête, les costumes, l'attente, l'hybridation entre documentaire et fiction…Alors enfilez vos plus beaux costumes et laissez vous guider de la Sicile de Rossellini (Voyage en Italie) jusqu'aux confins de la Russie (D'est) avant de rentrer à la maison (Simone Barbès ou la vertu) Nous remercions notre invité Patric Chiha ainsi que Melanie Haoun et Xavier Jamet de la Cinémathèque mais aussi Elodie Imbeau et Pierre Senechal sans qui cet entretien n'aurait pu se faire. Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 4'49 Un corps au cinéma : celui d'Ingrid Bergman dans Voyage en Italie (R. Rossellini, 1954) - 4'49 Des costumes au cinéma : les tenues dans Paris is Burning (J. Livingston, 1990) - 7'24 Un décor ou une lumière au cinéma : Edward II et Blue (Derek Jarman) - 12'44 II. LE CINEMA DANS TOUS SES ETATS - 18'51 Une film à voir la nuit : Sleep (Andy Warhol, 1963) Un film de transe : Passage à l'acte (Martin Arnold, 1993) Un film pour apprendre à attendre - Où est la maison de mon ami (A. Kiarostami, 1987) - 26'44 Un film pour rentrer à la maison - Simone Barbès ou la vertu (M-C Treilhou, 1980) - 30'26 CARTE BLANCHE - 35'36D'Est (Chantal Akerman, 1993) CINEMA & TRANSMISSION - 42'57 Un film pour penser l'amour et la solitude : France (B. Dumont, 2021) Un film pour penser l'hybridation documentaire-fiction : Tous les autres s'appellent Ali (R.W Fassbinder, 1974) - 48'09 REFUGELe rayon vert (E. Rohmer, 1986)Pink Flamingos (J. Waters, 1972) EXTRAITS Extrait de "Deep in Vogue (12'' Video Version)" interprété par Malcolm McLaren & The Bootzilla Orchestra, © 1989 Epic Records, tous droits réservés. Extrait audio tiré de "D'est" (1993), un film de Chantal Akerman. © Chantal Akerman Foundation. Tous droits réservés. CRÉDITSPatreons : un grand merci à Mahaut, Paul et Clara pour leur soutien !Musique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

Chassis 12 aprile 2025 con Susanna Nicchiarelli regista della serie tv sulla Resistenza "Fuochi d'Artificio; Murad Ben Cheikh e Nico Nocella regista e attore di La settimana senza Dio; Sylviane Akerman ricorda la sorella Chantal Akerman a dieci anni dalla morte, in occasione delle retrospettiva cinematografica organizzata dalla Cineteca Italiana; Giulietta Fara presenta il Future Film Festival di Bologna; la voce di Sandra Gilardelli al centro del docufilm di Marco Manzoni Sandra Gilardelli – La Partigiana e la rosa rossa. Tra le uscite: Sotto le foglie di François Ozon; Eden di Ron Howard; La casa degli sguardi di Luca Zingaretti; Operazione vendetta di James Hawes; Senza sangue di Angelina Jolie.

Oggi a Cult: alla Fondazione Feltrinelli il festival "I giorni della Resistenza; a Triennale Milano comincia la Design Week con Emergency; al Piccolo Teatro Studio Melato Fabiana Iacozzilli firma " Il grande vuoto"; Sylvaine Akerman parla delle attività della Fondazione dedicata alla sorella, la regista Chantal Akerman; la rubrica GialloCrovi a cura di Luca Crovi...

In this episode of the VIFF Podcast, Vancouver filmmaker Devan Scott speaks with VIFF Year-Round Programmer Tom Charity about his experimental feature Preface to a History, co-directed with Willa Ross. The film explores mental health struggles through the characters Vlad and Sophie—Vlad immerses himself in audiobooks, while Sophie grapples with career dissatisfaction.Scott shares how his experience listening to a 105-hour audiobook about the Third Reich while on a ski trip inspired the film and discusses the importance of sound design in shaping its unconventional storytelling. He also reflects on the challenges of shooting with a minimal crew in Vancouver and Pender Island, the influence of filmmakers like Chantal Akerman and Jacques Tati, and the evolving collaboration between him and Ross.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 315: Jeanne Dielman Released 12 February 2025 For this episode, we watched the 1975 film Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, written and directed by Chantal Akerman and starring Delphine Seyrig. As well as holding a 95% rating on Rotten Tomatoes, the film unexpectedly topped the 2022 Sight & Sound poll of the greatest movies ever made. We take the opportunity to explore what this poll is, how it has changed over seventy years, and what films we would have put on our lists, had we been asked. https://princecharlescinema.com/savethepcc/ Sight and Sound Top Tens https://bestpickpod.com/wp-content/uploads/2025/02/The-Sight-and-Sound-Survey-top-tens-1.pdf https://thefilmstage.com/watch-a-behind-the-scenes-documentary-on-the-making-of-jeanne-dielman https://www.slantmagazine.com/film/q-a-with-chantal-akerman-jeanne-dielman-three-decades-later/ John Cage's 4'33” https://www.youtube.com/watch?v=JTEFKFiXSx4 BEST PICK – the book is available now from all the usual places, and the paperback is out on 18 February. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month, but please be aware that future releases will continue to be sporadic.

This episode of the podcast celebrates the work of the great Belgian filmmaker Chantal Akerman, with a special focus on one of her lesser known films, the 1986 musical Golden Eighties.Our guide to all things Akerman is Marion Schmid. Marion is Professor of French Literature and Film at the University of Edinburgh and the author of several books and articles on Akerman, including a 2010 monograph for Manchester University Press.Marion and Pasquale begin by discussing Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, Akerman's 1975 masterpiece which famously topped Sight & Sound's Greatest Films of All Time poll in 2022.Discussion then moves on to Golden Eighties, a vibrant, effervescent musical which tells of the romantic intrigues in a Brussels shopping centre and stars Jeanne Dielman herself, Delphine Seyrig.

We are really excited to be collaborating with the BFI once again, particularly for an episode on Belgian auteur filmmaker Chantal Akerman as they begin an in-depth retrospective of her work. In the autumn of 2022, Akerman's masterpiece Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles, was voted the greatest film of all time in Sight and Sound Magazine's once-a-decade poll. We covered that moment with a double episode - which would be a fantastic primer for this show if you haven't listened to it yet. The episode features a conversation in which Dario speaks to Céline Brouwez, the co-ordinator of the Fondation Chantal Akerman at CINEMATEK, and season curator Isabel Stevens. The discourse surrounding the Sight and Sound poll result and its aftermath as a cultural moment frames the chat. Céline discusses the incredible impact of the poll result on her organisation, and Isabel relives the night of the big announcement and the immediate shockwaves that ran through not only cinephile circles but the broader media. We talk about how the moment caused a something revaluation of what constitutes "great" cinema, not to mention great art, and provoked something of a minor crisis in cultural gatekeeping, particularly with regard to lists. One of the things that this BFI retrospective - entitled Adventures in Perception - is keen to address is Akerman's body of work beyond Jeanne Dielman. We go into this in detail, talking through the elements of archiving, restoration and presentation. We think through the breadth of her oeuvre, which has few generic boundaries. And, of course, we explore Akerman herself: her formative experience, the influence of her mother, and her rigorous form borne of a commitment to artistic commitment and morality. Neil and I then reflect further on the notion of a feminist/female cinematic perspective and the philosophical conundrum: can there be an objective definition of art? As part of the collaboration, we have four copies of the Akerman Auteur series of Sight and Sound to give to 4 sign-ups for our popcorn-level membership (which is £6 per month). So, if you want to grab one of these, sign up or upgrade ASAP. As part of the popcorn tier you will also get a physical postcard from either myself or Neil. Visit our Patreon at www.patreon.com/cinematologists _________ You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing  

Matthew Sweet with art critic TJ Clark, who has written about the importance of repeated viewing for appreciating a work of art; philosopher and film historian Lucy Bolton, who's seen a re-issue of Chantel Akerman's film Jeanne Dielman, which documents the crushing routine of a Belgian housewife; philosopher and theologian Clare Carlisle, who has written on the philosopher Kierkegaard, who discussed repetition as a major feature structuring human life, and historian and educationalist Anthony Seldon. Plus composer, dramatist and regular silent film accompanist Neil Brand will be at the piano.TJ Clark's new collection of Essays is called Those Passions: On Art and Politics. The BFI is hosting a season of films by Chantal Akerman which runs for 2 months in London with further screenings at selected cinemas - and the 2k restoration of the film Jeanne Dielmann is in cinemas across the UK Anthony Seldon's books include Truss At 10: 49 Days That Changed Britain; Johnson at 10: The Inside Story and The Fourth Education Revolution Book by Anthony Seldon Clare Carlisle's book is called Philosopher of the Heart: The Restless Life of Soren KierkegaardProducer: Luke Mulhall

Su largometraje de 1975 "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" fue reconocido en 2022 como "la mejor película de todos los tiempos". Pero mucho antes de realizar esa obra maestra, la belga Chantal Akerman hizo de todo para financiar su trabajo audiovisual. Así fue como, viviendo en Nueva York, aprovechó un  simple truco para desviar miles de dólares a su bolsillo: dinero que robó del cine para darle al cine.

Pinkie! This month Cinema Steph and Stef from Comms are reunited to talk about Memoir of a Snail, Chantal Akerman and much more in February.

We meet artist Carsten Höller for some perceptual playtime to celebrate New Year's Day! We explore Höller's collection of odd tasks and mischievous game-play.Carsten Höller invites readers to disrupt their daily lives with 336 mind-expanding diversions. They can be played alone, in pairs or in teams, in the street, in bed, on a train, wherever. No props or materials are needed. Just one body, all senses and a willingness to try something new, that's possibly conceptually or physically challenging, but guaranteed to entertain and to widen the player's horizons.Some games are more obviously daring than others – unexpectedly shouting ‘bang!' when your driver's reversing into a parking space is sure to elicit a reaction – but that's absolutely the point. Other games involve covertly dropping strange phrases into conversation, executing somersaults (without practice), or plucking hairs from your opponent's head while they stay poker-faced.Höller's scientific professional background informs his keenness to create what he calls Influential Environments. He wants to tease the brain while testing its limitations, through activity and passivity, agency and inertia. He conceived his first game with a group of friends in 1992, during a tedious dinner after an exhibition opening. Since then, he has collected and invented ideas, inspired by friends, life, the Surrealists, and Arthur Rimbaud. All games are illustrated with commissioned or pre-existing artworks and photographs. We find portraits by Inez van Lamsweerde & Vinoodh Matadin, August Sander, and Nan Goldin next to paintings by Salvador Dalí; snapshots of Joseph Beuys plus son and Donna Haraway plus dog next to appointed pieces by Christine Sun Kim and Anri Sala; film stills by Chantal Akerman, extracts from Shakespeare as well as treasures from Höller's personal archive—and his mother's.Edited by Stefanie Hessler and Hans Ulrich Obrist, this book encourages readers to engage in playful yet cerebral experiments that will leave them with a sense of wonder, disorientation, and a subtle smirk on their face.As an artist, Carsten Höller conducts radical experiments. His “Influential Environments” explore alternative scenarios, reimagining possibilities for human behavior and interaction and have been shown in major installations and solo exhibitions internationally over the last two decades. In 2022, he opened his restaurant Brutalisten in Stockholm and presented the third iteration of The Double Club in Los Angeles in 2024. Born in 1961 in Brussels to German parents, Höller currently lives and works in Stockholm and Biriwa, Ghana.Follow @Carsten.Holler on Instagram. Hosted on Acast. See acast.com/privacy for more information.

Avec Cyril Béghin, Sandra Alvarez de Toledo & Anaïs Masson Un parcours dans l'œuvre de Chantal Akerman au travers d'un montage de lectures de ses textes, de projections d'images et de films, d'extraits radiophoniques. Une proposition de Cyril Béghin, Sandra Alvarez de Toledo et Anaïs Masson. « J'ai toujours eu le désir d'écrire. Des nouvelles, des romans ou des textes comme ça, sans qu'il y ait forcément une histoire. Du langage. Un mot après l'autre. Cela peut s'appeler récit, monologue. N'importe. Simplement, j'ai eu peur de ne faire que ça. La peur de rester chez soi et de se perdre. Je savais qu'en écrivant des films, je sortirais de ma chambre. » « Angles de vues », Entretien avec Chantal Boiron, Les Lettres françaises, n°19, avril 1992 À lire – Chantal Akerman, Œuvre écrite et parlée, édition établie par Cyril Béghin, L'Arachnéen, 2024

Today's great political film is Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), voted the greatest film of all time in the 2022 Sight and Sound poll. A classic of feminist cinema it is also a film about the meaning of time and the illusions of choice. How can a movie which shows a woman peeling potatoes in real time have you on the edge of your seat? If the personal is the political, what do three days in the life of a Belgian housewife tell us about the true nature of power? Coming this weekend on PPF+: two new bonus episodes to accompany this series: Shoah part one and Shoah part two, exploring Claude Lanzmann's path-breaking, harrowing, unforgettable 9-hour documentary about the Holocaust. Sign up to PPF+ to get all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus Next time in our regular slot: Kagemusha (1980) Past Present Future is part of the Airwave Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode, returning guest Sam Meltzer brings Chantal Akerman's 1975 film, "Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles" to the podcast. You can follow SamLetterboxdYou can follow Female Gaze: The Film ClubInstagramBlueSky

durée : 00:03:49 - Le Regard culturel - par : Lucile Commeaux - Cet automne est une saison riche pour la cinéaste belge, dont on peut retrouver toute l'oeuvre, entre le cinéma, un coffret DVD exceptionnel et une exposition au musée du Jeu de Paume à Paris. Parmi tout ça, un film à découvrir: La Captive.

En ce début de vacances, pour certains, vous cherchez comment vous occuper ? Popcorn a pensé à vous et vous a concocté de petites recommandations issues des coups de cœur de ses chroniqueurs : The Outrun de Nora Fingscheidt Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles de Chantal Akerman les clips musicaux de Michel Gondry The Game de David Fincher Coups de cœur présentés par Anne-So, Juliette, Arthur et Loane. Bonne écoute !

Depuis le mois de septembre, la cinéaste belge Chantal Akerman est mise à l'honneur à travers une rétrospective en salles et une exposition au Jeu de Paume, à Paris. L'occasion pour nous de revenir sur l'oeuvre multiple de cette cinéaste fascinante, pétrie d'idées révolutionnaires et d'une liberté permanente.Chapitrage :02:50 : Saute ma ville07:17 : News from home19:32 : Golden EightiesAnimation : Léon CattanParticipantes : Noémie Attia, Léon Cattan, Diane LestageRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin AgierHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:28:32 - Les Midis de Culture - par : Marie Labory - Le point commun entre les dernières Suites pour violoncelle seul de Bach et le film documentaire D'Est de Chantal Akerman ? La maestria de la violoncelliste Sonia Wieder-Atherton pour ranimer ces chefs d'œuvres. - réalisation : Laurence Malonda - invités : Sonia Wieder-Atherton Violoncelliste (San Francisco, 1961-)

durée : 00:34:56 - Les Nuits de France Culture - par : Albane Penaranda - En 2013, Chantal Akerman publie "Ma mère rit" au Mercure de France. Un livre comme le roman d'une vie, un autoportrait et un portrait de famille, avec des photographies de famille, d'intérieurs, des décors, des choses, des images de ses films, et de son enfance. - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice

durée : 00:34:59 - Les Nuits de France Culture - par : Albane Penaranda - En 2013, Chantal Akerman publie "Ma mère rit" au Mercure de France. Un livre comme le roman d'une vie, un autoportrait et un portrait de famille, avec des photographies de famille, d'intérieurs, des décors, des choses, des images de ses films, et de son enfance. - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice

durée : 00:49:00 - Les Nuits de France Culture - par : Albane Penaranda - La cinéaste Chantal Akerman est au micro de Claude-Jean Philippe et de Caroline Champetier dans "Le cinéma des cinéastes" le 17 juillet 1977. Elle évoque longuement son film documentaire "News from home", filmé à New York. - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice

durée : 00:39:53 - Les Nuits de France Culture - par : Albane Penaranda - En 1989, la cinéaste Chantal Akerman s'entretient avec Serge Daney à propos de son dernier film "Histoires d'Amérique". Ce film, sous-titré "food, family and philosophy", tisse dans la nuit de New York des récits qui s'entremêlent racontant une histoire juive de l'Europe aux États-Unis. - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice; Serge Daney Critique de cinéma

durée : 00:39:00 - Les Nuits de France Culture - par : Albane Penaranda - En 2018, les Nuits de France Culture consacrent une nuit d'archives à la cinéaste Chantal Akerman en compagnie de sa monteuse, Claire Atherton et du réalisateur Vincent Dieutre. Entretien 2/3 par Albane Penaranda. - réalisation : Virginie Mourthé - invités : Claire Atherton Monteuse, collaboratrice de Chantal Akerman; Vincent Dieutre Cinéaste

durée : 00:51:57 - Les Nuits de France Culture - par : Albane Penaranda - En 1986, la cinéaste Chantal Akerman est l'invitée de Brigitte Ollier dans "Microfilms" pour "Golden Eighties", une comédie musicale avec Delphine Seyrig, Fanny Cottençon, Lio et Charles Denner. - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice

durée : 00:59:59 - Les Nuits de France Culture - par : Albane Penaranda - En 2009, France Culture propose une série, en cinq volets, consacrée aux adaptations cinématographiques de "La Recherche" de Marcel Proust. Dans le troisième, Florence Colombani s'intéresse à "La Captive" de Chantal Akerman d'après "La Prisonnière". - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice; Paulo Branco Producteur; Stanislas Merhar; Jean-Yves Tadié Professeur émérite de littérature française à Paris-Sorbonne et vice-président de la Société des Amis de Marcel Proust et des Amis de Combray

durée : 00:23:26 - Les Nuits de France Culture - par : Albane Penaranda - En mai 2002, Chantal Akerman est l'invitée de Pierre Assouline dans "Première édition" pour son film "De l'autre côté", un documentaire tourné sur la frontière du Mexique et de l'Arizona. - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice

durée : 00:06:59 - Les Nuits de France Culture - par : Albane Penaranda - Alors que la Cinémathèque française programme une rétrospective de Chantal Akerman du 31 janvier au 2 mars 2018, Les Nuits de France Culture lui consacrent une nuit d'archives en compagnie de sa monteuse, Claire Atherton et du réalisateur Vincent Dieutre. Entretien 3/3 par Albane Penaranda. - réalisation : Virginie Mourthé - invités : Claire Atherton Monteuse, collaboratrice de Chantal Akerman; Vincent Dieutre Cinéaste

durée : 00:41:54 - Les Nuits de France Culture - par : Albane Penaranda - Dans le second numéro de "Microfilms" que Serge Daney consacre à la réalisatrice Chantal Akerman en 1989, elle fait un tour d'horizon du cinéma en cette fin des années 80. Elle évoque sa place, pas forcément marginale d'ailleurs, et comment elle se situe par rapport à Garrel, Godard ou Dreyer. - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice

durée : 00:36:59 - Les Nuits de France Culture - par : Albane Penaranda - En 2018, la Cinémathèque programme une rétrospective des films de Chantal Akerman. A cette occasion, Les Nuits de France Culture lui consacrent une nuit d'archives en compagnie de sa monteuse, Claire Atherton et du réalisateur Vincent Dieutre. Entretien 1/3 par Albane Penaranda. - réalisation : Virginie Mourthé - invités : Claire Atherton Monteuse, collaboratrice de Chantal Akerman; Vincent Dieutre Cinéaste

durée : 01:14:59 - Les Nuits de France Culture - par : Albane Penaranda - Une œuvre, une vie, des films, en soixante-quinze minutes, on écoute un portrait de la cinéaste Chantal Akerman par elle-même, à la radio. Un "Atelier de Création Radiophonique" enregistré en 2007 intitulé "Auto Radio Portrait", par et avec Chantal Akerman. - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice

durée : 01:01:55 - Plan large - par : Antoine Guillot - Ce samedi dans Plan Large, nous recevons Francis Ford Coppola himself à l'occasion de la sortie de "Megalopolis", Claire Atherton, Céline Brouwez et Marta Ponsa pour une visite de l'exposition “Chantal Akerman – Travelling" au Musée du Jeu de Paume, et aussi Mathieu Macheret. - réalisation : Anne-Laure Chanel - invités : Francis Ford Coppola Cinéaste, scénariste et producteur; Claire Atherton Monteuse, collaboratrice de Chantal Akerman; Marta Ponsa Historienne d'art. Responsable des projets artistiques et de l'action culturelle au sein du Jeu de Paume depuis 2007.; Céline Brouwez coordinatrice de la Fondation Chantal Akerman; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

durée : 01:01:55 - Plan large - par : Antoine Guillot - Ce samedi dans Plan Large, nous recevons Francis Ford Coppola himself à l'occasion de la sortie de "Megalopolis", Claire Atherton, Céline Brouwez et Marta Ponsa pour une visite de l'exposition “Chantal Akerman – Travelling" au Musée du Jeu de Paume, et aussi Mathieu Macheret. - réalisation : Anne-Laure Chanel - invités : Francis Ford Coppola Cinéaste, scénariste et producteur; Claire Atherton Monteuse, collaboratrice de Chantal Akerman; Marta Ponsa Historienne d'art. Responsable des projets artistiques et de l'action culturelle au sein du Jeu de Paume depuis 2007.; Céline Brouwez coordinatrice de la Fondation Chantal Akerman; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

Sponsored by Surfshark! Get a deal at https://get.surfshark.net/SH3q3  Kirk Baltz is a film, theater and television actor who has worked with such noted film directors as Chantal Akerman, Warren Beatty, Oliver Stone, John Woo, Kevin Costner, Quentin Tarantino, Taylor Hackford and Deniz Gamez Erguven to name a few.  Kirk has appeared in such noted films as Reservoir Dogs, Bulworth, Natural Born Killers, Face/Off, and Dances With Wolves. In recent years, he's appeared in Taylor Hackford's Parker, Deniz Erguven's Kings, and the critically acclaimed short films The Armoire by Evan Cooper, and Demon by Caleb Slain. His TV appearances include Snowfall, NCIS:Los Angeles, 24, The Fugitive, Will & Grace, The Shield, Without A Trace, and NYPD Blue.  Kirk teaches acting classes in-person and virtually, and regularly leads acting workshops in major cities throughout the U.S. and abroad. Listen to the conversations, get some good news, and have some laughs with the guys on Good Things Are Happening. Visit us on the web at https://www.goodthingspod.com/ Patreon: https://www.patreon.com/goodthingsarehappeningpodcast/

durée : 02:59:59 - Les Nuits de France Culture - par : Philippe Garbit - En 1994, "Le Bon plaisir" consacré à André S. Labarthe propose des dialogues entre le cinéaste et Sophie Calle, Claude Régy, Chantal Akerman, Patricia Mazuy, Jacques Henric, Gérard Titus-Carmel parmi d'autres. L'émission diffuse également des témoignages de Janine Bazin et Patricia Finaly. - invités : André S. Labarthe Critique de cinéma, documentariste et producteur français; Sophie Calle Artiste plasticienne; Chantal Akerman Réalisatrice; Patricia Mazuy Réalisatrice; Janine Bazin Productrice française de cinéma et de télévision (1923-2003); Jacques Henric Critique, essayiste, romancier; Gérard Titus-Carmel Peintre et poète; Claude Régy Metteur en scène (1923-2019); François Truffaut cinéaste, scénariste et acteur

durée : 02:58:33 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - En 1994, "Le Bon plaisir" consacré à André S. Labarthe propose des dialogues entre le cinéaste et Sophie Calle, Claude Régy, Chantal Akerman, Patricia Mazuy, Jacques Henric, Gérard Titus-Carmel parmi d'autres. L'émission diffuse également des témoignages de Janine Bazin et Patricia Finaly. - réalisation : Virginie Mourthé - invités : André S. Labarthe Critique de cinéma, documentariste et producteur français; Sophie Calle Artiste plasticienne française; Chantal Akerman Réalisatrice; Patricia Mazuy Réalisatrice; Janine Bazin Productrice française de cinéma et de télévision (1923-2003); Jacques Henric Critique, essayiste, romancier; Gérard Titus-Carmel Peintre et poète; Claude Régy Metteur en scène (1923-2019); François Truffaut Réalisateur de cinéma et comédien français

durée : 02:58:33 - Les Nuits de France Culture - par : Albane Penaranda - En 1994, "Le Bon plaisir" consacré à André S. Labarthe propose des dialogues entre le cinéaste et Sophie Calle, Claude Régy, Chantal Akerman, Patricia Mazuy, Jacques Henric, Gérard Titus-Carmel parmi d'autres. L'émission diffuse également des témoignages de Janine Bazin et Patricia Finaly. - réalisation : Virginie Mourthé - invités : André S. Labarthe Critique de cinéma, documentariste et producteur français; Sophie Calle Artiste plasticienne française; Chantal Akerman Réalisatrice; Patricia Mazuy Réalisatrice; Janine Bazin Productrice française de cinéma et de télévision (1923-2003); Jacques Henric Critique, essayiste, romancier; Gérard Titus-Carmel Peintre et poète; Claude Régy Metteur en scène (1923-2019); François Truffaut Réalisateur de cinéma et comédien français

This is an ANTI-SKATING PODCAST. Featuring... A special interview with Bart Stephens on an exciting new development in Birmingham, an upcoming listening lounge. What We're Watching - 7th Heaven, Blake Edwards' 10, Late Night with the Devil, The First Omen, Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, and the dreadful Argylle Hosted by your own personal cinematic Kourtney Kardashian and Paul McCartney! Music by Splash '96 Recorded & Edited by Boutwell Studios Write us about what you found when you typed "dick" into Google at podcast@sidewalkfest.com Sidewalk is on Threads! Follow us!

Christine Smallwood's new book on Chantal Akerman's Proust adaptation, La Captive, is, among many things, a meditation on the act of criticism. Published as part of The Decadent Editions series from Fireflies Press, this slim, pocket-sized volume takes Akerman's year-2000 feature as a jumping-off point for an exploration of the great Belgian filmmaker's monumental career and life, Marcel Proust's autobiographical tendencies, and Smallwood's own turbulent, pandemic-era homelife. Blending criticism, biography, and memoir, Smallwood beautifully shows how watching, reading, and writing are inextricable from lived experience. On today's Podcast, Film Comment editors Devika Girish and Clinton Krute sat down with the writer to talk about her book, the role of memory in their watching and reading, their favorite Akerman films, and, of course, La Captive itself: a brilliant, ambiguous, and Vertigo-inflected interpretation of what might be the most disturbing volume of In Search of Lost Time.

THIS WEEK Corbin and Matt talk about 'News from Home," an avant-garde collage of still life 70's New York Footage and Chantal Akerman's mother's letters to her. It's really great but also there's not much to say about it in a podcast blurb, you know? Next week we are discussing Jonathan Glazer's SEXY BEAST, which you can watch here, on Criterion or here, on Hulu. It's a wonderful movie! 

Ep. 233: Christine Smallwood on Chantal Akerman and La Captive Welcome to The Last Thing I Saw with your host, Nicolas Rapold. This week a new book on Chantal Akerman by Christine Smallwood enters the world, a volume about Akerman's wholly original Proust adaptation La Captive that's the latest in the Fireflies Press series of Decadent Editions focused on films of the 2000s. So I was delighted to speak with Smallwood about Akerman and her film's hypnotic exploration of the strange relationship between a wealthy odd young man Simon (Stanislas Mehrar) and his lover, Ariane (Sylvie Testud), reworking the fifth volume of Proust's In Search of Lost Time. Note: The episode opens with a passage about La Captive from Smallwood's book. Smallwood is the author of the novel The Life of the Mind and a regular contributor to publications such as The New York Review of Books, Harper's, Bookforum and The New York Times Magazine. La Captive will screen March 30 at Metrograph followed by Vertigo, with Smallwood in person. On March 19 at Light Industry, she'll present an illustrated lecture adapted from her book. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Jackie and Greg tidy the apartment for Chantal Akerman's landmark JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES from 1975. Topics of discussion include the film's background and production, how it uses mundanity as a powerful tool, what it's saying about female sexuality, and whether its spot atop the 2022 Sight & Sound list is justified.#36 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#1 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Travelling in Woody Guthrie's footsteps inspired a history of hitchhiking written by Jonathan Purkis. He joins Matthew Sweet for a conversation which ranges across hitchhiking in the UK and in Eastern Europe, where Poland operated a kind of voucher system. We look at the influence of film depictions from the Nevada desert depicted in Fear and Loathing in Las Vegas and the hippie vibe of Easy Rider to the horror of The Hitcher and the Texas Chainsaw Massacre, the female focus of Je Tu Il Elle by Chantal Akerman. Has the idea of hitchhiking now had its day? Joining Matthew to assess the idea of risk and our perception of thumbing a lift are Timandra Harkness, film critic Adam Scovell, plus Sally J Morgan, winner of the Portico prize for her book Toto Among the Murderers, based on her experience of being offered a lift by Fred and Rosemary WestJonathan Purkis's book is called Driving with Strangers Sally J Morgan's book Toto Among the Murderers is out now Timandra Harkness is the author of Big Data: does size matter? has performed at the Edinburgh Festival Fringe with a show called Take a Risk and contributes to and presents programmes on BBC Radio 4. Adam Scovell writes about film for Sight and Sound magazine and is a published novelist. His books include How Pale The Winter Has Made Us and Nettles.Producer: Jessica TreenWe've a whole playlist of discussions exploring The Way We Live Now with topics ranging from Breakfast, to Gloves, Toys to Punk, Rationality and Tradition. Find them on the Free Thinking programme website and available to download as Arts and Ideas podcasts

Ep. 225: MoMA Double: Dave Kehr on Buñuel + Joshua Siegel on the 20th To Save and Project Welcome to The Last Thing I Saw with your host, Nicolas Rapold. This week's episode is a MoMA Film Department double feature! First I chat with Dave Kehr, curator in MoMA's department of film, about their grand Buñuel in Mexico series, featuring the surrealist maestro's often underappreciated era, with films such as Los Olvidados, El, Nazarin, and El Gran Calavera. Then Joshua Siegel, curator in MoMA's department of film, joins to discuss To Save and Project, the museum's annual festival of film preservation, celebrating its 20th anniversary edition. We cover a tantalizing slice of the selection including Bushman (David Schickele), Toute une nuit (Chantal Akerman), Undercurrent (Kozaburo Yoshimura), Blues People (Skip Norman), and shorts by DEVO. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Subscribe to get access to the full episode, the episode reading list, and all premium episodes! www.patreon.com/OrdinaryUnhappinessIn the latest installment of the Standard Edition, we valiantly soldier through more of the Fliess Extracts section of SE Volume 1 with novelist and literary critic Christine Smallwood. We discuss the Freud-Fliess sibling dynamic; a case study of a recently married singer suffering from anxiety that reminds us of “Dora” in multiple ways, including Freud's interrogation-style approach to her treatment; why Freud's women patients keep fleeing analysis; the notion of a symptom as fundamentally a structure of compromise; an early discussion of the idea of “defence”; and Freud's dream about his dead father. Also: Patrick unexpectedly breaks into an aria. Christine cites Juliet Mitchell's book Fratriarchy: The Sibling Trauma and the Law of the Mother: https://bookshop.org/p/books/fratriarchy-the-sibling-trauma-and-the-law-of-the-mother-juliet-mitchell/18705733Christine's new book on Chantal Akerman's La Captive will be out in March, and in the meantime, here is an excerpt (about Akerman and Proust) in The New York Review of Books: https://www.nybooks.com/articles/2024/02/08/time-unregained-la-captive-chantal-akerman/Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:  Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music