Podcasts about Rotterdam

Een nieuwe editie van 'Buitenspel' met dit keer Gjivai Zechiël, de Feyenoord-huurling van FC Utrecht, vanuit zijn oude basisschool in Rotterdam. Een gesprek over pleintjesvoetbal, omgaan met teleurstellingen en dromen die waarheid worden. 

Vic9 bij Andy in de auto! Quivaughn Joël Jordan, 33-jarige Rapper uit Rotterdam. Bracht 3 solo albums uit, heeft een eigen label, speelt een rol in de misdaadserie Santos en deed laatst mee met Boxing Influencers. Leidde een crimineel leven, maar heeft nu door zijn geloof het rechte pad gevonden. Mooi om deze Topper in de auto te hebben!

In the first episode of our two-part World Mayors Summit special, we heard from mayors around the world about the power of convenings like the Summit to unite city leaders and spark collaboration. In this second episode, we explore what that collaboration looks like in practice, from new approaches to urban planning and the challenge of energy-hungry data centres, to fossil-free trucks and greener and cleaner shipping routes.We also explore the outcomes for cities that came out of COP30 with voices from people who were on the ground in Belém…and also from a Brazilian climate leader who had a front-row seat before, during, and after what many have been calling the most important COP since the Paris Agreement. Photo credit: © C40 CitiesSpecial thanks to Pauline Eloi, Director of the Executive C40 Office and Yasmin Calandrini, Manager, CHAMP National Engagement, for their on-the-ground support in Rio for the production of this episode. Featured guests:Kirk Watson, Mayor of Austin, USACarola Schouten, Mayor of Rotterdam, NetherlandsNick Reece, Lord Mayor of Melbourne, AustraliaChristiana Figueres, Founding Partner of Global Optimism and Co-presenter of Outrage + OptimismIlan Cuperstein, C40 Regional Director for Latin America and Head of International Relations for the City of Rio de Janeiro, BrazilMark Watts, Executive Director of C40 CitiesLars Weiss, Lord Mayor of Copenhagen, DenmarkEduardo Pimentel, Mayor of Curitiba, BrazilEirik Lae Solberg, Governing Mayor of Oslo, NorwayDr. Nasiphi Moya, Mayor of Tshwane, South AfricaLinks:Outrage + Optimism - Inside COPLearn about the many versions of COP30's "Global Mutirão"Winners: Clean, Reliable Transportation (Oslo Fossil Free Trucks)Tshwane C40 Cities regional sustainability masterclassThe Environmental Cost of Data CentersCOP30 Local Leaders Forum Statement83 Countries Join Call to End Fossil Fuels at COP30If you want to learn more about the Journal of City Climate Policy and Economy, please visit our website: https://jccpe.utpjournals.press/ Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. You can sign up to the Centre newsletter here. https://thecentre.substack.com/ Cities 1.5 is hosted by David Miller. It's written and produced by Peggy Whitfield and Jess Schmidt: https://jessdoespodcasting.com/ Our executive producer is Chiara Morfeo. Edited by Morgane Chambrin: https://www.morganechambrin.com/ Cities 1.5 music is by Lorna Gilfedder: https://origamipodcastservices.com/

Subtract Amsterdam from the Netherlands and what's left would comprise a beautiful, diverse and cultured nation. I've been singing the praises of second city Rotterdam for many years. Sandra Ishmael, Director UK at the Netherlands Board of Tourism & Conventions, has been telling me about the opportunities in 2026.I can't wait to explore more of North Brabant, which confusingly is in the south of the country. One word of warning: hotel rates rise by 11% on 1 January due to an increase in tax.This podcast is free, as is Independent Travel's weekly newsletter. Sign up here to get it delivered to your inbox. Hosted on Acast. See acast.com/privacy for more information.

In deze aflevering van Boeiend de Podcast vertelt collega Dennis openhartig over de keerzijde van politiewerk. Na een heftig schietincident tijdens het Zomercarnaval in Rotterdam kreeg hij te maken met PTSS en alsof dat nog niet erg genoeg was, werd ook nog eens kanker bij hem gediagnosticeerd. Hij deelt zijn ervaringen, de impact op zijn leven en hoe hij met hulp en steun stap voor stap werkt aan herstel.

Hailing from Sapporo, Japan, Occa is no typical big room DJ but a master acrobat in sound, expertly pushing the envelope of electronics as a transcending means of expression. Shifting gears constantly between conceptual abstraction and functional architecture, seeking effect in every move and sniffing out substance in any sine, Occa dwells his own sonic continuum, hermetic to stiff norms and creatively hampering conventions. Laser-like and seamless, be ready for a descent into a cyclonic tempest of FX-splattered loops and verbed-out tactile, nimbly moving the cursor between ominous dubs, hi-tech floor destroyers and experimental-leaning detours. A masterclass in sound design, boasting both impeccable curation and mind-bending construction thru and thru, it's Occa taking over with one of this year's most hair-raising highlights. HARD. 

Deze week werden radicale soevereinen in de rechtbank Rotterdam veroordeeld voor celstraffen wegens deelname aan een criminele organisatie. 5 van de 10 verdachten waren volgens het Openbaar Ministerie lid van Common Law Nederland Earth (CLNE), ook wel bekend als de Volksraad.

The Weekend Edition of the Go Radio Football Show Podcast with Burger King! the stories making headlines and the voices behind them. Rangers Bombshell: CEO Patrick Stewart and Sporting Director Kevin Thelwell sacked—why now and what's next? Transfer Talk: £28.5M spent—were the summer signings worth it? Celtic's European Triumph: Martin O'Neill's emotional return and a stunning 3-1 win in Rotterdam. Weekend Predictions: Rangers vs Falkirk, Celtic vs Hibs, Motherwell v Hearts and the other battles across the Premiership. Managerial Moves: Is Celtic about to announce a new boss? Martin O'Neill hints at changes. The Go Radio Football Show, weeknights from 5pm-7pm across Scotland on DAB, Online, Smart Speaker and on the Go Radio App. IOS: https://apps.apple.com/gb/app/go-radio/id1510971202 Android: https://play.google.com/store/apps/details?id=uk.co.thisisgo.goradio&pcampaignid=web_share  In Association with Burger King. Home of the Whopper, home delivery half time or full time, exclusively on the Burger King App  https://www.burgerking.co.uk/download-bk-app Follow us @thisisgoradio on Instagram, Facebook, LinkedIn and Tik Tok  Watch on YouTube: https://www.youtube.com/watch?v=mbsfwnlMFeI&list=PLBoA8NYTpHtcqoS3M5IrA0C7K-iCmvg-F For more Go Creative Podcasts, head to: https://thisisgo.co.uk/podcasts/  Facebook: https://www.facebook.com/share/1ATeQD...

Dit is de gehele uitzending van dr Kelder en Co waar Jort Kelder belt met Pieter Grinwis (CU) over zijn aangenomen ammendement over wijzigingen in Box 3. Te gast is prof. dr. Han Bouwmeester over de pogingen een vredesdeal te sluiten tussen de Russen en de Oekraïners. De jonge dr. Marijn Knieriem promoveerde op de gevolgen van gentrificatie in Rotterdam en Brussel en dr. Janneke Schokkenbroek doet onderzoek naar de rol van technologie in romantische relaties. 

➡️ HTTPS://WWW.TEESFORTIMS.COM - 'CFTV' FOR 10% OFF Celtic travel to Easter Road to face Hibs tomorrow, following Thursday's 1-3 win over Feyenoord in Rotterdam. The Hoops have a chance to further close the gap on Hearts at the top of the table, as they drew 0-0 at Fir Park today. It's expected tomorrow's game will be Martin O'Neill's last as interim manager before the appointment of Wilfried Nancy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's Huddle Breakdown Extra Time, Alan and James react to Celtic's shock 3–1 win away to Feyenoord, a performance nobody expected after the St Mirren debacle. They break down how Celtic produced one of their best European displays in years — pressing with intelligence, controlling transitions, and showing real identity and bravery — while also asking whether it was an outlier or the start of something real. The lads analyse the tactical changes under O'Neill and Maloney, standout displays from Yang, Donovan, Idah & Scales, and where caution remains ahead of a tricky trip to Easter Road. Want to support the channel? - https://huddlebreakdown.comLike this video and want more content like it? Subscribe to the channel below and hit the bell to get notified every time a new video goes live. Follow us on Twitter: @huddlebreakdown@Alan_Morrison67 @jucojames Hosted on Acast. See acast.com/privacy for more information.

Een enerverende voetbalweek wordt uitgebreid besproken in een nieuwe Kick-off. Valentijn Driessen, Mike Verweij, Marcel van der Kraan en Pim Sedee hoor je over alle opvallende resultaten in Europees verband. Is er crisis aangebroken in Rotterdam na de zeperd in de Kuip tegen Celtic. En wat zijn de volgende stappen die Robin van Persie moet zetten? Van der Kraan geeft inzicht, en hij weet als volger van het Engels voetbal ook wat het perspectief is van Arne Slot bij het dolende Liverpool. Verder moet de KNVB voor Peter Bosz gaan als opvolger van Ronald Koeman, zo luidt de opinie van Driessen. En Verweij heeft het laatste Ajax-nieuws.See omnystudio.com/listener for privacy information.

The Go Radio Football Show: 28th of November, 2025. Join host Paul Cooney alongside ex Dundee and Dunfermline Athletic Manager James McPake and Rangers Legend Barry Ferguson in Association with Burger King. This is a catch-up version of the live, daily Go Radio Football show.  Don't miss it – PLAY and HIT SUBSCRIBE, and NEVER miss an episode! Celtic stun Feyenoord with a 3–1 away win under Martin O'Neill's interim leadership, sparking debate on whether the club should keep him until season's end. Rangers, meanwhile, settle for a frustrating 1–1 draw against Braga despite playing against ten men, leaving fans questioning January plans. Celtic's European Masterclass: How Martin O'Neill reignited confidence and delivered a historic win in Rotterdam. Managerial Conundrum: Should Celtic stick with O'Neill or move to Wilfried Nancy? The panel weighs in. Rangers Reality Check: Danny Rohl's honest assessment after Braga draw—mentality, missed chances, and the looming transfer window. Scottish Football Landscape: Hearts top the table, Falkirk's fairytale rise, and why January could reshape the Premiership. Player Spotlight: James Tavernier's incredible goal tally and the pressure on big-money signings. Behind the Scenes: Barry Ferguson and James McPake share candid insights on management pressures, recruitment missteps, and the future of Scottish talent. The Go Radio Football Show, weeknights from 5pm-7pm across Scotland on DAB, Online, Smart Speaker and on the Go Radio App. IOS: https://apps.apple.com/gb/app/go-radio/id1510971202  Android: https://play.google.com/store/apps/details?id=uk.co.thisisgo.goradio&pcampaignid=web_share  In Association with Burger King. Home of the Whopper, home delivery half time or full time, exclusively on the Burger King App  https://www.burgerking.co.uk/download-bk-app. Follow us @thisisgoradio on Instagram, Facebook, LinkedIn and Tik Tok  Watch on YouTube: https://www.youtube.com/watch?v=mbsfwnlMFeI&list=PLBoA8NYTpHtcqoS3M5IrA0C7K-iCmvg-F For more Go Creative Podcasts, head to: https://thisisgo.co.uk/podcasts/   Facebook: https://www.facebook.com/share/1ATeQD... 

Send us a textWelcome passionate cruisers. Our brief thoughts about our dream cruise to the Panama Canal on Holland America Line Rotterdam.Support the showSupport thejoyofcruisingpodcast https://www.buzzsprout.com/2113608/supporters/newSupport Me https://www.buymeacoffee.com/drpaulthContact Me https://www.thejoyofcruising.net/contact-me.htmlBook Cruises http://www.thejoyofvacation.com/US Orders (coupon code joyofcruisingpodcast)The Joy of Cruising https://bit.ly/TheJoyOfCruisingCruising Interrupted https://bit.ly/CruisingInterruptedThe Joy of Cruising Again https://bit.ly/TheJoyOfCruisingAgainIntl Orders via Amazon

Post-match reaction to a big night in Europe hearing from Martin O'Neill, Danny Rohl and Jimmy Thelin, as the fans get their say.

Gordon Duncan is joined by Gordon Dalziel and Kenny Miller as they bring live coverage of Celtic's Europa League clash with Feyenoord in Rotterdam. Plus there is build-up for Rangers hosting Braga. Celtic callers George and Steven were pleased with the performance in Europe and happy to prove a certain Hugh Keevins wrong.Plus Beat The Pundit, a very special anniversary for Gordon Dalziel and an unforgettable teams update from Pittodrie by Dave Galloway.

The Go Radio Football Show: 27th of November, 2025. Join host Paul Cooney alongside Award Winning Journalist Mark Guidi and Celtic Hero Charlie Mulgrew in Association with Burger King. This is a catch-up version of the live, daily Go Radio Football show.  Don't miss it – PLAY and HIT SUBSCRIBE, and NEVER miss an episode! It's a dramatic European night for Celtic in Rotterdam, where Martin O'Neill's men defied the odds against Feyenoord. We break down the tactical shifts, standout performances, and what this result means for Celtic's future—especially with Wilfried Nancy waiting in the wings. Plus, we preview Rangers' crucial clash with Braga and Aberdeen's Conference League hopes. Celtic's Comeback: From an early setback to a stunning 3–1 victory. Martin O'Neill's Impact: Why his interim spell might deserve an extension and what's next for Celtic. Wilfried Nancy's Style: How a 3-4-3 could transform Celtic's identity. Rangers Under Pressure: Danny Röhl's tactical gamble and the Chermiti question. Aberdeen's European Challenge: Can they bounce back after Athens? Scottish Football in Europe: Honest takes on where we stand and what needs to change. The Go Radio Football Show, weeknights from 5pm-7pm across Scotland on DAB, Online, Smart Speaker and on the Go Radio App. IOS: https://apps.apple.com/gb/app/go-radio/id1510971202  Android: https://play.google.com/store/apps/details?id=uk.co.thisisgo.goradio&pcampaignid=web_share  In Association with Burger King. Home of the Whopper, home delivery half time or full time, exclusively on the Burger King App  https://www.burgerking.co.uk/download-bk-app. Follow us @thisisgoradio on Instagram, Facebook, LinkedIn and Tik Tok  Watch on YouTube: https://www.youtube.com/watch?v=mbsfwnlMFeI&list=PLBoA8NYTpHtcqoS3M5IrA0C7K-iCmvg-F For more Go Creative Podcasts, head to: https://thisisgo.co.uk/podcasts/   Facebook: https://www.facebook.com/share/1ATeQD... 

Neem het speciale Feyenoord-abonnement van VI PRO: vi.nl/vi-feyenoord en mis geen podcast meer! Luister hier naar de hele aflevering: https://www.vi.nl/pro/dick-voormekaar-podcast-extra-feyenoord-mag-best-uitstralen-dat-het-crisis-is Op zijn eigen verjaardag blikt Feyenoord-watcher Martijn Krabbendam vanuit De Kuip terug op de 1-3 nederlaag van Feyenoord tegen Celtic. Opnieuw doet de ploeg van Robin van Persie dus slechte zaken in de Europa League. Is het nu echt crisis in Rotterdam?See omnystudio.com/listener for privacy information.

Gordon Duncan is joined by Hugh Keevins & Simon Donnelly as they build up to all the European action this week as Celtic travel to Rotterdam to face Feyenoord and Rangers welcome Braga to Ibrox. There's more discussion on the imminent announcement of Wilfried Nancy, Dujon Sterling coming into Rangers Europa Keague squad and Stephen in Motherwell breaks down Motherwell's emphatic victory of Hibs last night.Plus Beat The Pundit & The Full Time Teaser

The Go Radio Football Show: 26th of November, 2025. Join host Paul Cooney alongside ex Rangers Defender Richard Foster and ex Celtic Striker Andy Walker in Association with Burger King. This is a catch-up version of the live, daily Go Radio Football show.  Don't miss it – PLAY and HIT SUBSCRIBE, and NEVER miss an episode! From Celtic's trip to Rotterdam for a crucial Europa League clash to Rangers' must-win showdown with Braga, we cover all the big talking points. Expect candid insights from Richard and Andy on managerial shake-ups, recruitment misfires, and whether this could finally be the season someone breaks the Celtic-Rangers duopoly. Plus, we celebrate Motherwell's surge up the table, Partick Thistle's title charge, and the unforgettable Callum McGregor strike that turned despair into delight. European Nights: Celtic gear up for Feyenoord, Rangers fight for survival against Braga. Boardroom Bombshells: Rangers' ruthless clear-out—what went wrong with recruitment? Domestic Drama: Motherwell's statement win, Thistle's incredible run, and Hearts' outside shot at glory. VAR Controversies: Handball chaos, offside debates, and why credibility matters. Star Moments: Callum McGregor's wonder goal and Scotland's influence on Celtic's mindset. Behind the Scenes: Player-manager tensions, personality in football, and the impact of fan protests The Go Radio Football Show, weeknights from 5pm-7pm across Scotland on DAB, Online, Smart Speaker and on the Go Radio App. IOS: https://apps.apple.com/gb/app/go-radio/id1510971202  Android: https://play.google.com/store/apps/details?id=uk.co.thisisgo.goradio&pcampaignid=web_share  In Association with Burger King. Home of the Whopper, home delivery half time or full time, exclusively on the Burger King App  https://www.burgerking.co.uk/download-bk-app. Follow us @thisisgoradio on Instagram, Facebook, LinkedIn and Tik Tok  Watch on YouTube: https://www.youtube.com/watch?v=mbsfwnlMFeI&list=PLBoA8NYTpHtcqoS3M5IrA0C7K-iCmvg-F For more Go Creative Podcasts, head to: https://thisisgo.co.uk/podcasts/   Facebook: https://www.facebook.com/share/1ATeQD... 

Diving deeper into reverb-soaked environments and subterranean sonic strata, Berlin-based producer and ungesund co-founder Elias. graces us with a mix bound to have all listeners zone out in a flash. A bold explorer of hyper-textured fractals and submerged post-industrial atmospheres, Elias. embarks us on a trip down the infra-visible and infra-audible, into the heart of our world's pulsating matter and across FX-coated membranes of sound. Getting ever closer to the organic throb of it all, we're ushered through an in-limbo kind of headspace, sitting at the junction of proper floor entrancement and abstract-leaning escapology. Prepare for a sense-awakening plunge into a sonic realm seemingly bleached-out and tenebrous at first, yet incredibly vivid upon closer inspection. Mesmerising and deep as it gets. 

Het vertrouwen in de rechtspraak staat onder druk en rechters treden vaker naar buiten om hun werk uit te leggen. Maar hoever kunnen zij gaan in die openbaarheid zonder dat het hun onafhankelijkheid of veiligheid raakt? Te gast is Julia Mendlik, president van de rechtbank in Rotterdam, in BNR's Big Five van de rechters Gasten in BNR's Big Five van de rechters -Julia Mendlik, president van de rechtbank Rotterdam -Dineke de Groot, president van de Hoge Raad -Peter Björn Martens, strafrechter bij rechtbank Amsterdam en voorzitter van de Amsterdamse Grote Wrakingskamer -Yuri Marijs, voorzitter van de Militaire Kamer in Arnhem -Susanne Tempel, kinderrechter en persrechter bij de rechtbank Zeeland-West-BrabantSee omnystudio.com/listener for privacy information.

Una joya sonora para este domingo. Oye en Spotify, o en tu plataforma favorita de podcast, esta conversación en Explora de la artista Beatriz GONZÁLEZ con la investigadora NATALIA GUTIÉRREZ. Descubre los aportes de Humboldt y Caldas a la biogeografía de las plantas, la historia de su ambiciosa obra Cosmos que pretendía compilar todos los conocimientos de su época y una aproximación desde el arte. En esta charla, la gran pintora e historiadora Beatriz González Aranda repasará la estética humboldtiana del paisaje, con un análisis de Humboldt y el paisaje colombiano del siglo XIX, los apuntes del viajero, las versiones elaboradas luego por destacados pintores y grabadores, la presencia de lo pintoresco y del paisaje heroico que Humboldt consideró importantes, más allá de la observación científica. Veremos la influencia de Humboldt entre los pintores, algunos de los cuales recibieron instrucciones directas de él o ilustraron importantes crónicas científicas para los periódicos. No te pierdas esta narración privilegiada en la que González reconstruye la red de artistas que convirtieron las observaciones de Humboldt en imágenes: desde Joseph Anton Koch y sus paisajes “heroicos”, poblados por hombres de “pocas necesidades y nobles principios”, hasta los viajeros pintores que siguieron instrucciones para representar el paso del Quindío, el Salto del Tequendama o los precipicios andinos. Invitadas: Beatriz González, pintora, historiadora y crítica de arte, de amplio reconocimiento nacional e internacional. Su obra constituye un capítulo fundamental de la historia del arte en América. Obras como los “Columbarios” del Cementerio Central, en Bogotá, subrayan su visión comprometida con la tragedia de un país en guerra. Estudió artes e hizo un curso de grabado en la Academia Van Beeldende Kunsten de Rotterdam. Como historiadora publicó los libros: Ramón Torres Méndez, entre lo pintoresco y la picaresca (1985) y Las artes plásticas en el siglo XIX, en la Gran Enciclopedia de Colombia (1993), entre otros. Natalia Gutiérrez, investigadora, maestra en Teoría e Historia de la Arquitectura y el Arte y doctora en Arte y Arquitectura.

Don't you see, sensei I'm just as disappointed in myself And ready to die Just as I relay the message, Spray me with your morbid essence Don't, croak, you fool, You've only a spoon ful of sugar left to go The dose is coming up your throat, — you didn't know to throw up Grab the rope and go up Before gravity has crushed your —thought: Stupid boy, you don't want to die— Nor to do, but oh, do we have it coming Silly mortal, overlords and governed, Short of morals, steady coming at your doorstep So goes our concert! And so goes our concept for divorce, And sure of course, Your four corse meal, and/or dessert This is just devastating, genetics made me The sort at sorting words, but surfing, Sure. Ever temporarily the cadence changes, Still they say “you've been betrayed” But never had a friend I made made As good as death and God have been to me For everything you're meant to be, Plus everything you're meant to me, I go, unwanted, troubled and disgusted at my own immortal outcome. Sure. My back hurts and I'm wounded, Heartbroke, Thrust in every cardinal direction Also, honored at the mark of magic wand Upon her shoulder; And so, Just as soon as the sun and moon, Does the fire escape set a perfect path For outward destruction of the bricks and mortar Or your alter (This we talk about, to some effect Is your repression and affective form of supernatural perfection) But forget the makeup; I can make you up to be a star And not of wars and other worlds, But those that come before us, Carson, and the others Paar before that. But, I think not dear sir How wrong you are, A wretched bird, Set not to fly, but O father Wit and relay messages, The passage said, and set to clocks, The past was won and so the future altered, But dear feathered father, Mortal you are not But just another triumph Of my god; And set the mirror to the magnets Camera, lights and action, Magic— All the signs of the dawn, and the mad don Red Dawn came upon us, called the Red Man Tom, from other, over, under Still was my mistake to mumble such Or put upon the tongue As such assumption Still— wonder? Bird, shut up; Love I dusk And lust I soak In all the frittered dust and feathers, Colors, coming up as mister Chuck and wood, and wait and ponder Slithered this to wonder, not a rock, But potted fern, Asunder Thunderstorm And wicked rain And fair the back A tide had come And sitting there upon the shore, Was us, and 12 apostles She's a Brick— Seemingly out of nowhere, A RED BRICK HOUSE falls very perfectly from the SKY and into OZ. oh good, my house is here. House. [the festival project ™] But I don't want to make house! Then play it! I don't want to play house it is BORING. You play it— they want it. But I don't want it. Then forget it! What! Listen kid, a job's a job! {Enter The Multiverse} Wrong, this is wrong— everything is wrong. What's wrong, Rob? I'll be back. ROB LOWE has just played TRUTH OR DARE L E G E N D S if I could get inside your head For just a second Bread and butter Heaven, hell, And other places I have wandered But oh, wonder This is never what I wanted, Was it? No sir. Sure, I set you off, No sooner had you got a gun and shot me. Handsome fucker. I'll bet. Wrong act. Wrong award show. Wrong hat and a baseball bat, Peanut butter and a nice cold cheesecake, Don't forget to order cheesesteak For your cat. A carnivore at odds with the other worlds, And also fused to us; This drifting back and forth Between the Rock And Hollywood Has got to stop. ((The world is toxic.)) the legend of… L. JONES It's you! BLŪ AH, crap. L. JONES Listen, I got something for you. BLŪ Where did your bird go? L.JONES What bird? CUT TO: Now open that. No wait! It's a trap! THE VAULT inside THE CRYPT at 30 ROCK has been opened. I keep looking down at my phone As if I'm expecting a phone call Or incoming message from God But the worlds to a song Are all jumbled up in my Concious I don't want to talk about it I feel Nauseous Everyone is being obnoxious Even my own blood I don't want to function I just want some French toast crunch For lunch Nostalgia I got a whole inch taller on the peloton Holla Now I got a body, Broader, So close to Broadway But I never go there That's a tall order Of “gotta have money” I mean live theatre It's fine I'll eat here And repeat these things till they just rhyme Line them all up like a context, Story Someday I'm gonna cut my own check Watch me lol none of this rhymes without a hard Brooklyn accent ; Guess you can't hack it! Send you ass packin! I said “That's whack son!” Then I went back blonde Now they want Backend, Contract, Off the top, Royalties Residuals I'm an individual with insidious syntax And yet I'm ridiculed Truly I'm a tit-for-tat Or particle of all you are Circular centrifuge, I trickle down your tentacles (Eugh) Choke the chicken just to give the cat a chicken bowl, Chick fil et and pret a tair just to get a ritual Espresso and a quick snack So I can get my dick wrapped In chocolate and licorice because the shit is edible Damn that I guess they set a damn trap By putting out the welcome mat, Then strapping Like a mothafuckin' straight jacket Matter fact, I look a nap in it, Then magic tricked the slip effective Compliments of Michael Jackson Or was it tech nine? Maybe I should get my Mind right I lost it once I guess I've better find it If I am, in fact, A diamond in the rough It's probably blooded it up enough That you should dig it up and shine it; Better yet, Somebody outta pick it up And sign it, Cause I write enough To put a vision To a blind man It's Fran Fine, man I'm behind, man The shadowgov had put me on a diet My bad I noticed that they tried to shut me up But couldn't stop the words or other stuff That just keeps coming out of my head I put coconuts as butter onto my bread And thinking thoughts of Carl cox As I drift off in my bed, I said, “It shouldn't be a problem, officer” As I reached for the gun And he aimed it at my death. That's an impossible apocalyptic suicide— Did you invite the devil in? I said “Nah, but that guy did.” The problem is, I pointed over yonder to a ghost Who also knows that I'm a well respected psychic; Nevermind a sidekick, side bitch in a sidecar, Psych ward, Sike! We spike war on your kind! So far, If I make history tonight, The other side decides their psalm is just as likely The third reike. Okay, strike one: I'm gonna turn your lights off. Strike two : you do and say what I do: Strike three: we're gonna make you suicidal I specialize in denying rights for high profits But big brother, or boss— What if my glove fits? The instance it does, We lock you up with no service, Your world becomes dark And your words become worthless Oh shit. This is not a good rap song. Like, at all. I must say, I do agree, You lose your trust, but silently Denied is all your trouble, Till it just begins to bubble up Until the cookie crumbles— See that feeling in your stomach? This is bigger than the money, girl — They want your soul, and then the world! I told you never call him. I didn't! Then explain this: [Skrillex] *sharp inward sigh* CUT IMMIDIATLEH TO STAN You know what! That's it! I don't care how handsome or rich and famous he is! This has to stop! KYLE Hey, wait just a minute— STAN SHUT UP KYLE. KYLE You shut up! STAN You're starting to sound just like him! KYLE Take that back! STAN I won't take it back! You all might have forgotten who you are, but I haven't!after of fact, I bet to Cartman, you're still that stupid little Jew kid! KYLE That's IT. KYLE takes out his phone. what are you doing? …I'm tweeting about this. I thought it was X now… It is, but you can't ‘x' anything, it's still calledl tweeting. I guess youre right. —and I'm tagging Cartman ! STAN Are you serious? Oh shit, this is social suicide. …did I ever explain this storyline? …I don't know, did i? I'd gotten so focused on this impending doom looming over me with this whole lawsuit that I'd forgotten entire worlds and whole documents. Even more terrifying, was the sudden quiet and the onset guilt that came over me for getting distracted. But I couldn't remove myself from it entirely—- it seemed to have ruined everything. It wasn't just motorcycle noises, it was like a nervousness and angst twisting in my stomach for months and months, until finally, as the court dates started approaching, it was peaceful, or rather, normal, all of a sudden. It couldn't be peaceful because now that the extreme noise was gone, I knew it had been planted all long— but what was the purpose? I'd lost two years not knowing, and though there were albums, they were never what I wanted. Now I was sorting through the documents of the show like it was the rubble of a decimated building— completely demolished, and I hadn't the slightest clue the contexts or the storylines anymore. It was pain and suffering, but not in the legal context. It was a creative disaster— I hadn't any idea in the slightest where I'd left my audience before I was forced to abandon them. But I was forced to choose, at times, between soap and toilet paper, or eventually, food, and water— or a phone. Eventually, this too became a pattern of the impossible— trying my hardest to do what I thought had been my purpose, but for far, being so endlessly sabotaged, even ridiculed and humiliated, and still, I couldn't understand why. I was tired— and somehow, even though I'd wanted to be left alone, I was the target. Worse was that I assumed it to be bigger than I thought and completely out of control— I thought immediately back to how my best friend from middle school had been attacked, and how she was made to think that it was me…to the point that she'd become obsessive about it to call my mom over it. And as far as the court was concerned, to the wrong ears or wrong eyes, anything I'd published in the festival project could look troublesome, like the ramblings of a mad mad, or schizo, or uncontrolled obsessive thoughts— because the biggest secrets of all, the things that tied together these fictional worlds and plots, were my own real life experience. The inability in a court of law to detail the podcast, which had started as meltdown some would call grandiose over an almost long forgotten rockstar and a porn model — and the entries into the festival project that followed, which included high concepts, off-kilter comedy, politics, and even fringed on social justice. Nothing I ever would have wanted and especially over money, but the lawsuit wasn't about money at all. In fact, at any moment I would have chosen to die and have it all stop if it weren't for my very young son being left alone. Though recently the dread had overcome with a sense of unbearable loss and agony, encrypted with suicidal thoughts and wants, reeling for human touch, the overbearing factor seemed to be that if I killed myself, I was giving someone what they wanted. I was really much too tired to go on, but leaving behind the world in entirety, in my very own way of beliefs wasn't just “shitutting it off”, it was starting it over. Understandably and undeniably immortal in its nature, the instances of God I had left spoke with a reminiscence of being born again, and having to remember which is it I'd wanted to start off. It was an unachievable overload of chaos and disruption, a level of corruption that spoke to something so dark and sinister it seemed biblical — then, again, I tried to wrap my mind around a way to rebuild a positive world from hope and thought, or manifest reality, but this is the very experience I'd felt was intended all along. The motorcycles weren't merely meant to destroy my career, or my will power, or force— they were, but also they were made to play upon my most valuable asset, the power of thought, to make it impossible to become something other than what was wanted; to use my own mind against itself and destroy my way of thought by using vibrations that could not be shut out, or stopped— they followed me to the sound collective, to Shakespeare in the park, the bank, the doctors office— it was as if they knew and understood my very thoughts, my process. It was of nothing at all to corrupt every single body and brain who would surround me or come close— by using the power that seemed supernatural enough, but indeed were powered by money, and technology. Perhaps, in this essence, I thought, was the purest display of defective intention itself; the mere thought that this indeed was rather Good Vs. Evil or God and The Devil would easily be written off as a diseased way of thought. The social world and constructs had been built around being open minded to a system of psychology that was intrinsically rather corrupt. I knew this could only be fought with what I knew, and what I could draw from as logic. I didn't want to go to court because I knew the people I would be fighting were liars, and well trained psychological masters of manipulation, well hidden terrorists dressed as public servants and systematic corrupters all for simple profit margins, to whom I was not so much a person or a mother, or a daughter, but a number. Because I was poor, and had once or four times chosen to love the wrong person in an unorthodox and uncontrollable form of torture, dismissing each and every social construct or physiology that was by the book, by embracing that there was a reason for change I quickly became quite the antagonist of sorts and hopefully not some sort of martyr —for the kind of people that had money and property, and perhaps even socially constructed circles to camoflage their own self doubt and hatred, but absolutely also had no morals. –Death of a Superstar DJ If I lose my mind At least I know I'm right on time This time— I meant that, I had it bad this time MCBADBAT I had it bad this time, And the last. Perchance for you, Hour or folded, Hair my weight And glassed upon thy, This upon now, Feathered waking, And there barely weathered Shaking. Dear, dear, Tis is fair truth, To fare that I have gasp And fated at thy doorstep; And yet, care to force, Her breaking waves and saving tinder, Fit there slithered in as yet astonished, Then another; And I hated. So, then, slower now. All there, gathered none. And show to show thy force What then became and withered after, None to bark or beg But birds and feathered creatures, pander The tides did Quake, And the heart did grow ten fold and steady saying None upon us but one left to shiver in the depths That yet remain as undiscovered For now never there was another world, Undone, And also another becomes, My death— And therefore all the worlds I kept, To travel on and travel As becomes one, does another onward As the first is glass to dust, And last is born there. So, Then, I, Crept, In my dress, Kept for clothes that church did water I, met, My mark and there the doors of shadows open Wilted and wake? Hear you; A star was born In other cosmos tied with our own nurture So, Kept, The weight of clasp and bone That holds the crept and precious alter Goddamn cat! Where are you. AAtticus Caaticus Oop. Gotta go. Toonces! Tooooonces! Where are you? Omg remember that one where that couple has a magic toddler and they just let him like,float away. Yeah, barely. Yeah. So I do. CUT TO: TOONCES focuses intently on the task at hand; he's sure he can manage to drive the human vehicle to his own home— to where he's assured he will find the actual body in which he belongs. Now… let's see, if I can just Wait, I who? ATTICUS CATTICUS, An ancient alien sorcerer must relay a series of important messages. Unfortunately. YO WHAT THE FUCK. None of them seem to be getting through. CUT BACK TO: TOONCEEESSSS. here kitty kitty kitty!! {Enter the Multiverse} I would dedicate, but honestly I've not time to waste And I'm craving wedding cake I hate to destroy you But for now, you know I can't employ you; This implies my eyes are also murder And I'm sure of her departure From another world, Perhaps across the border. Also, quite the dark sorcerer himself LORNE MICHAELS has well hidden himself under the guise of having become one of the most successful television producer of all times— And even in his own very small world, Nobody quite seems to know why. JIMMY FALLON Lorne, I have to tell you something. LORNE MICHAELS This had better be good, Jimmy, I've just made popcorn. [the festival project ™] Don't worry, for now, The risk remains hidden, As sure as an asset is an advantage, I can't have the classes counting Heads of cabbage as accomplishes, The masses are honestly astonished And impossible, but what was wrong with Boredom in the first place? Nonsense More words And still no dollars Hunger strike, And burning harder, California deficit, lack of bread, Heaven sent interventions and scissors, Mistresses, disasters and divorces But who says the whole story has to suffer? You're a surfer under water, Remember that when you finally catch your breath above the surface Can you clear her? He who? Back to work! Or back to the future! My super brain is dead but I think I'm next I think heaven swallows whole the blooded laugher From the constructs I've come from. Remember that. Remember not to fall from too far up, God would give you wings With time to spare Before you ever wondered where Your mark was On the plaza Don't let me up to the very top. I will at the very least Best scenario jump off And rid the world myself, Just for a dozen donuts over Crossing hearts and Hollywood And Griffith park To also soft my foot Upon red carpets. You ever shave your armpits!? …no. Hm. Catholic. Of course. Get in. Destination. —Rotterdam. You idiot. I made it. Whatever, get in the boat. DI NERO Give her your shirt. What. Your shirt. Why my shirt. Just— Fine. Here. [he hands over his shirt— in an instant, the woman becomes an exact REPLICA.] …my shirt. Relax. Nothing's gonna happen to it. Okay? —in fact, you're still wearing it. Alright! She's right, Jimmy, relax. I can't, that's— It's simple. There is nothing simple about this whatsoever. You're right. It's not, so get over it. [The Festival Project ™] BILL MURRAY There's a compartment at the end of the left corridor— Alright. In that hatch, there's a chamber. Okay, what'll I do? You'll open it? How? I'll tell you how, just get there. Suddenly, a barrier falls; it appears as though there are booby traps set here. Uh— that might be a problem. There might be a few of them. What just happened? Booby traps. —ah, I know what you're talking. Those aren't booby traps— they're Bobby Traps. What in the Hell are you talking about? For whatever reason Jimmy Kimmel Is important Now I'm scared of him, I know he knows the devil Come to think of it, Might even be an advocate Have an avocado But don't know the half of it These are, as it stands Comes what may Special circumstances I could circumvent an intervention, Never second chances I've been setting rat traps, Trapeze artists, Bampheramph camp, And also trampolines over the plaza That seems dangerous. Yeah. AHHHHHHhhhhhhhhhhhhhhh. Damn. Know it's plausible, That I also am an alcoholic, Though dysfunctional, Professional, And underrepresented So I stand myself, Let's just say pro-se if you will I could add Prozac to my snacks But I'll be delayed, if you still Don't get my messages I'm sick of having heart attacks; A hard advantage I was looking back on “fully packaged” A six pack of abs And nothing left to eat but cabbage, Haven't had a mouth, But I've been counting on my ass To get me back up north, I'm coming from the South Out West, there's a word for that At best, you're a four and a half My body double stunts and stumbles Struts at nothing Struck before the one, And so between high noon and Somewhere around 30 in I'm never turning 30, 30 Rock is in the wind— So count that up, That's what my income is. That's what they said? “Too late, you've been betrayed” If that's how it is, Then I request “beheaded” You know your mother says That ugly face just becomes permanent If you keep making it, And so I did, The second that it ended I'm Trying so hard Just to be What they want That it hurts Just to stop And relax For a moment INT. THE LAIR. NIGHT What is this? Where am I? You're— Alive. Why? …I changed my mind. You're not ugly You're just not mine I changed my mind I changed my life around. I skip line after line, But the message ain't right, I have time a chance No challenge accepted No exceptions or Expectations Expand this racism vocabulary Set the rat traps back To February Stamp the weather's getting Better with the postage clearing Abstr– My cat is so cute I can't stand him; But he's pretty bad, That my only friend; Animal. I blacklisted deadmau5, And my whole set sucked. Presently, however I'm a peasant Plucking pheasant feathers Guess I– pppftt. Like it never even happened But I'm sure we're all to war, Like a fear I never grasp it, What's l before, uncertain of your l words— My dear, were tattered and the masters heavy handed, Oh, my dear, we're marching on a battered Wit, to all your fan mail I tel you, I was I tortured, Let me show you And also, No one forced my hand at magic, Questioned prestidigitation, Or went back to every second, Land you think you owned as time In fact, my crucial very hard earned gossip column Asks the reader to reform his or her thought Before a judgement can be made How fascinating. The bag says ‘poems' so I wrote one, But I'm sure since my marker's toggled on I'm being stalked, It's like a magnet, Punch the clock And here they pour into the coffin So I won't be pouring coffee for the puffin; Maybe someday I'll look back at this as all I ever wanted, But for now it's just a horror show, Where I belong the murder— Yet a thriller, Best, The audience is captivated, Yes This is evasive, Cause I can't been captured yet By either masses or Mass murderers. At last, a cadence comes clean of its Breaking waves and rhythms, Tides and ties, Becomes another— Then, I'm whisked away Not back to slumber, but of subtle thoughts Of Californian water Lapping up across our surfboards; I often wear them tides, The undertow As pull of greater waves I sit aside as all that passes [The Festival Project ™] When I see Calvin Klein, I think of you; Not what you used to be But turned in to So it's mutual— Pay attention, fool As does moss grow on a rock And this to you— It is unfortunate, my dear You miss with every twist, Adjustment of attention span, The glances I foreshadowed (Here you are, inside your past) It's just affective of the effect, You've been levitating, Yes, I find it devastating Every second kept is just a fortune But you pause before you post— You reap before you even think Of what you sow, You don't belong, Agast, (True) Set the tone, Classless, But I'm Art, you are a Daunting folk song, Mistletoe and marker. CAMERA ASSISTANT Marker. …what is this for again? CAMERA ASSISTANT (Annoyed, mumbling) Shut up. Ten minutes passes and still, I'm awake But the tragedy of the mistake has just set in, I'm sure I've been tortured, I'm paid in mistakes, but I'd rather be shattered with Mortimer's curse. To the tune of Ten by ten by ten I will never be lover, nor friend in the end. {Enter The Multiverse] DRAKE concentrates heavily on a very long , seemingly very angry message— a frowning face plastered as he writes that is so noteworthy, it catches the attention of many a passerby— still this focus unwatered, as he bashes heavily away at the text message with the thumbs of fury for over 30 minutes while sitting at a booth in a well-loved pancake restaurant. As a tall stack of pancakes is served before him, and he, still unbreaking this angry texting streak or eye contact with his phone sits before them, history is made in what internet culture has now deemed as “the most meme worthy face in history” The world wonders what he could possibly be writing— and more importantly—-who he could be texting. Tears come to his eyes but do not fall as he raises his thumb with reserve, to finally press [RETURN.] CUT TO: SUNNI BLU receives a text amidst a wild party. Almost without so much as a reaction, SUNNI BLU pings the message to a projector and cuts off the lights, and music. A VERY LONG, ANGRY TEXT is projected on the wall. I slept from 10-2 There was nothing else to do My name is Devin DeLouise And I am not supposed to know these things Seven are dead and three are left I know what's next I'm also often known as And referred to as coyote ugly; Suffering a tantra wall, Yo, you son of a bitch! You dirty, dirty son of a bitch. I must admit, I had a lot to do with this… I had no part in it! Relax… soon enough, the both of your realize— this is how the unimaginable gets written. [he loads the polished sterling silver pistol and glamours over it] You have our memory. —all memory. And as soon as it ends, before it can begin again. The slate is wiped clean. Good riddance. “A Different Kind of Monologue” Is this what you wanted? Ooh— you should try me! I wish you would try me! Try me! I wish you would. Be calm, Grand Master. This will all be over momentarily. What's going on. Deprivation chamber. Crypt? —Encrypted? A lockup. Ah. Thought so. That ought to show us what he's really made up. We can all hope. [he pounds on the glass, the one way mirror acts as a camera which the maj aresses, rabid and wi the anger of a dangerous animal, both we, n audience, and the small group of men gathered a the other side of the room. This could be the basis of a lot of lawsuits. So now I have your tears and agony A wilted throne and wand Which which would grant a wish of comedy, And therefore ever after, Not pain and guilt, but laughter So heavy is the hat that acts as crown, And so foolish is the King to think ‘imself as not one, Creaks the crow and also of the feathered guilt that follows, I Kept and bashful, wishing not the show as throne but sorrow, Kept to wick and wake and bones to shatter from tomorrow. Tomorrow. Tomorrow. Do you fear us? …do you wish to be feared? What of us? I seek to cause the wish that stands as though you may as granted. So shallow, fair child. And brother and my son also. Gross! Stop. You are weird! Dude, you are fucked. In the withdraw, my shadows and darkness Are there always, never resting Stories and gathered images, Visions of betrayal and archaic wants. In time, I've abandoned them all and betraying that which I've lost, For I know, and not ponder on That I shall never know love, As all standing tal over me Have eyes; And all I want Knows not what hides under my ugly. Alright. I followed your spiral, downward, and down wind and down wood, Into a place where I also aspired to show your mark Upon my rotted corpse or coarse crossifix; Sure worded and down trodden. Now, worse, I'm also sworn To mourn all my own losses, Kind folk. Kind hearted and now my eyes also sudden to wander— And there goes my miles and triumphs And morals and war songs, And sure, swallowed the barrel of a gun But also departed with honor, I tell I. Glimpses of wither and winter and whittling pain, And I slither my back to the center of All I am, in this, and shadows, Fairtails, And grains of rice and sand to twist away Into the rain as I lay dying. What a fortunate! Don't make my mark up and out, few for short times, Aye, conspire to warthog, Remember so force your spirit onto ours, And shake, sandbox! There aiming at you were the snakes of six liars, And the stakes of empires lost and won over, Also one solemn subtle Star of David Worn upon the neck of six monks, Ragtime Six popes, pass I; Six fathers and streaks solemn and Care tan teared salamander, Having weight and wake to cheer For our slaughter. Then, you, Having gained and also lost should reap to sow, What you'd have wanted; Though the tongue so convexed having way to guild your complex, Shaking as I hunger fruit that not but hangs Before l wanted I know, I could knot be consoled I know, I could not be consoled I know I could not be consolidated either Bought, or purchased I know I'm not consoled at all, I know I'm not confirmed at all I know, I know I'm not confronted, nor immortal — but your glorified affliction. Poor infinity. Of poverty, perhaps, but never poor at all. For your were warned of all the doors as opened at your calling. Not to walk though, But to ponder at them, wondering. he's gone Maybe I should go Too Heavy weight hanging on my Shoulders I'm just star struck I don't know You I don't really like saying What I go through Talk an hour, Fake it All day show Monologue Improvisation Now i'm on a roll, But my thoughts got darker I like adderall and a real smooth talker I like a husband-father , Doctor, Actor, Tall and handsome, Doesn't matter I'm alone, so i feel hopeless Aggie's gone, So i might as well go though Oh– She's gone ((I think i'm past my time)) I think i should go to She's gone (so long) Right on, man I might as well go to It's been a long time, Gotta turn my light off, Overtime, That's a long ball game Season's over; On my back in the middle of the ball court She's gone, So i might as well go too. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Genre: "Afro-Surrealism" / "Social Horror" "Psycho-Acoustic Weaponry" or "Havana Syndrome symptoms." The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by the targeted individual. As it stands It has become a modern sequel which mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The antagonist in this piece is 'The Institution'—a deep state that views multicultural intellectualism as a threat. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space.

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Huiselijk geweld komt lang niet altijd voor een rechter, zelfs als er een noodknop wordt ingedrukt. Het afgelopen jaar is femicide steeds hoger op de agenda gekomen, maar aan de moord op vrouwen gaat vaak veel vooraf: stalking, bedreigingen, herhaald huiselijk geweld. Zelfs wanneer daarvan aangifte wordt gedaan, belandt de zaak niet altijd bij een rechter. Slachtoffers kunnen dan in beroep gaan via een artikel-12-procedure, waarin een gerechtshof beoordeelt of het OM alsnog moet vervolgen. Maar die procedures vinden achter gesloten deuren plaats. Onderzoeksplatform Investico kreeg uitzonderlijk inzage in deze zaken van het gerechtshof Amsterdam. Ook zij wilden begrijpen hoe dit proces werkt, wat er precies gebeurt en of er patronen zichtbaar worden. Het onderzoek werd uitgevoerd door Jolanda van de Beld, Belia Heilbron en Bobby Uilen, in samenwerking met RTL. Er klinkt al langer kritiek op de manier waarop Nederland huiselijk geweld afhandelt. Maar in de regio Rotterdam is een nieuwe werkwijze ontwikkeld die, voorzichtige indicaties wijzen daarop, beter lijkt te werken. Productie: Kees van den Bosch en Matthijs Domen.See omnystudio.com/listener for privacy information.

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Preached at The Give Thyself Wholly Conference 2025 “ Worth of Jesus “, Rotterdam, Netherlands 

Episode 65 Sarah Papenheim   Minnesota native, Sarah Papenheim decided to study abroad at Erasmus University of Rotterdam in the Netherlands. She picked a roommate who shared her love of music. She had no idea how dangerous he was until he killed her in 2018.  To listen to every episode of Campus Killings ad-free and get other benefits, simply  visit our channel page on Apple Podcasts to get started with an AbJack Insider subscription.  Follow Campus Killings on Social Media via the following: Facebook - Instagram - Threads - X Formerly Twitter - BlueSky - Tik Tok -  Twitch - Youtube Or find ALL of our social media platforms with one link: https://linktr.ee/campuskillings   Campus Killings is hosted by Dr. Meghan Sacks and Dr. Amy Shlosberg. Research and Writing by Abagail Belcastro Produced by Mike Morford of AbJack Entertainment Be sure to listen to Amy and Meghan's other podcasts: Women and Crime & Direct Appeal