Podcasts about Lumpen

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It's a small world. The great David Rieff came to my San Francisco studio today for in person interview about his new anti-woke polemic Desire and Fate. And half way through our conversation, he brought up Daniel Bessner's This Is America piece which Bessner discussed on yesterday's show. I'm not sure what that tells us about wokeness, a subject which Rieff and I aren't in agreement. For him, it's the thing-in-itself which make sense of our current cultural malaise. Thus Desire and Fate, his attempt (with a great intro from John Banville) to wake us up from Wokeness. For me, it's a distraction. I've included the full transcript below. Lots of good stuff to chew on. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. 5 KEY TAKEAWAYS * Rieff views "woke" ideology as primarily American and post-Protestant in nature, rather than stemming solely from French philosophy, emphasizing its connections to self-invention and subjective identity.* He argues that woke culture threatens high culture but not capitalism, noting that corporations have readily embraced a "baudlerized" version of identity politics that avoids class discussions.* Rieff sees woke culture as connected to the wellness movement, with both sharing a preoccupation with "psychic safety" and the metaphorical transformation of experience in which "words” become a form of “violence."* He suggests young people's material insecurity contributes to their focus on identity, as those facing bleak economic prospects turn inward when they "can't make their way in the world."* Rieff characterizes woke ideology as "apocalyptic but not pessimistic," contrasting it with his own genuine pessimism which he considers more realistic about human nature and more cheerful in its acceptance of life's limitations. FULL TRANSCRIPTAndrew Keen: Hello everybody, as we digest Trump 2.0, we don't talk that much these days about woke and woke ideology. There was a civil war amongst progressives, I think, on the woke front in 2023 and 2024, but with Donald Trump 2.0 and his various escapades, let's just talk these days about woke. We have a new book, however, on the threat of woke by my guest, David Rieff. It's called Desire and Fate. He wrote it in 2023, came out in late 2024. David's visiting the Bay Area. He's an itinerant man traveling from the East Coast to Latin America and Europe. David, welcome to Keen on America. Do you regret writing this book given what's happened in the last few months in the United States?David Rieff: No, not at all, because I think that the road to moral and intellectual hell is trying to censor yourself according to what you think is useful. There's a famous story of Jean Paul Sartre that he said to the stupefaction of a journalist late in his life that he'd always known about the gulag, and the journalist pretty surprised said, well, why didn't you say anything? And Sartre said so as not to demoralize the French working class. And my own view is, you know, you say what you have to say about this and if I give some aid and comfort to people I don't like, well, so be it. Having said that, I also think a lot of these woke ideas have their, for all of Trump's and Trump's people's fierce opposition to woke, some of the identity politics, particularly around Jewish identity seems to me not that very different from woke. Strangely they seem to have taken, for example, there's a lot of the talk about anti-semitism on college campuses involves student safety which is a great woke trope that you feel unsafe and what people mean by that is not literally they're going to get shot or beaten up, they mean that they feel psychically unsafe. It's part of the kind of metaphorization of experience that unfortunately the United States is now completely in the grips of. But the same thing on the other side, people like Barry Weiss, for example, at the Free Press there, they talk in the same language of psychic safety. So I'm not sure there's, I think there are more similarities than either side is comfortable with.Andrew Keen: You describe Woke, David, as a cultural revolution and you associated in the beginning of the book with something called Lumpen-Rousseauism. As we joked before we went live, I'm not sure if there's anything in Rousseau which isn't Lumpen. But what exactly is this cultural revolution? And can we blame it on bad French philosophy or Swiss French?David Rieff: Well, Swiss-French philosophy, you know exactly. There is a funny anecdote, as I'm sure you know, that Rousseau made a visit to Edinburgh to see Hume and there's something in Hume's diaries where he talks about Rousseau pacing up and down in front of the fire and suddenly exclaiming, but David Hume is not a bad man. And Hume notes in his acerbic way, Rousseau was like walking around without his skin on. And I think some of the woke sensitivity stuff is very much people walking around without their skin on. They can't stand the idea of being offended. I don't see it as much - of course, the influence of that version of cultural relativism that the French like Deleuze and Guattari and other people put forward is part of the story, but I actually see it as much more of a post-Protestant thing. This idea, in that sense, some kind of strange combination of maybe some French philosophy, but also of the wellness movement, of this notion that health, including psychic health, was the ultimate good in a secular society. And then the other part, which again, it seems to be more American than French, which is this idea, and this is particularly true in the trans movement, that you can be anything you want to be. And so that if you feel yourself to be a different gender, well, that's who you are. And what matters is your own subjective sense of these things, and it's up to you. The outside world has no say in it, it's what you feel. And that in a sense, what I mean by post-Protestant is that, I mean, what's the difference between Protestantism and Catholicism? The fundamental difference is, it seems to me, that in Roman Catholic tradition, you need the priest to intercede with God, whereas in Protestant tradition, it is, except for the Anglicans, but for most of Protestantism, it's you and God. And in that sense it seems to me there are more of what I see in woke than this notion that some of the right-wing people like Chris Rufo and others have that this is cultural French cultural Marxism making its insidious way through the institutions.Andrew Keen: It's interesting you talk about the Protestant ethic and you mentioned Hume's remark about Rousseau not having his skin on. Do you think that Protestantism enabled people to grow thick skins?David Rieff: I mean, the Calvinist idea certainly did. In fact, there were all these ideas in Protestant culture, at least that's the classical interpretation of deferred gratification. Capitalism was supposed to be the work ethic, all of that stuff that Weber talks about. But I think it got in the modern version. It became something else. It stopped being about those forms of disciplines and started to be about self-invention. And in a sense, there's something very American about that because after all you know it's the Great Gatsby. It's what's the famous sentence of F. Scott Fitzgerald's: there are no second acts in American lives.Andrew Keen: This is the most incorrect thing anyone's ever said about America. I'm not sure if he meant it to be incorrect, did he? I don't know.David Rieff: I think what's true is that you get the American idea, you get to reinvent yourself. And this notion of the dream, the dream become reality. And many years ago when I was spending a lot of time in LA in the late 80s, early 90s, at LAX, there was a sign from the then mayor, Tom Bradley, about how, you know, if you can dream it, it can be true. And I think there's a lot in identitarian woke idea which is that we can - we're not constricted by history or reality. In fact, it's all the present and the future. And so to me again, woke seems to me much more recognizable as something American and by extension post-Protestant in the sense that you see the places where woke is most powerful are in the other, what the encampment kids would call settler colonies, Australia and Canada. And now in the UK of course, where it seems to me by DI or EDI as they call it over there is in many ways stronger in Britain even than it was in the US before Trump.Andrew Keen: Does it really matter though, David? I mean, that's my question. Does it matter? I mean it might matter if you have the good or the bad fortune to teach at a small, expensive liberal arts college. It might matter with some of your dinner parties in Tribeca or here in San Francisco, but for most people, who cares?David Rieff: It doesn't matter. I think it matters to culture and so what you think culture is worth, because a lot of the point of this book was to say there's nothing about woke that threatens capitalism, that threatens the neo-liberal order. I mean it's turning out that Donald Trump is a great deal bigger threat to the neoliberal order. Woke was to the contrary - woke is about talking about everything but class. And so a kind of baudlerized, de-radicalized version of woke became perfectly fine with corporate America. That's why this wonderful old line hard lefty Adolph Reed Jr. says somewhere that woke is about diversifying the ruling class. But I do think it's a threat to high culture because it's about equity. It's about representation. And so elite culture, which I have no shame in proclaiming my loyalty to, can't survive the woke onslaught. And it hasn't, in my view. If you look at just the kinds of books that are being written, the kinds of plays that are been put on, even the opera, the new operas that are being commissioned, they're all about representing the marginalized. They're about speaking for your group, whatever that group is, and doing away with various forms of cultural hierarchy. And I'm with Schoenberg: if it's for everybody, if it's art, Schoenberg said it's not for everybody, and if it's for everybody it's not art. And I think woke destroys that. Woke can live with schlock. I'm sorry, high culture can live with schlock, it always has, it always will. What it can't live with is kitsch. And by which I mean kitsch in Milan Kundera's definition, which is to have opinions that you feel better about yourself for holding. And that I think is inimical to culture. And I think woke is very destructive of those traditions. I mean, in the most obvious sense, it's destructive of the Western tradition, but you know, the high arts in places like Japan or Bengal, I don't think it's any more sympathetic to those things than it is to Shakespeare or John Donne or whatever. So yeah, I think it's a danger in that sense. Is it a danger to the peace of the world? No, of course not.Andrew Keen: Even in cultural terms, as you explain, it is an orthodoxy. If you want to work with the dominant cultural institutions, the newspapers, the universities, the publishing houses, you have to play by those rules, but the great artists, poets, filmmakers, musicians have never done that, so all it provides, I mean you brought up Kundera, all it provides is something that independent artists, creative people will sneer at, will make fun of, as you have in this new book.David Rieff: Well, I hope they'll make fun of it. But on the other hand, I'm an old guy who has the means to sneer. I don't have to please an editor. Someone will publish my books one way or another, whatever ones I have left to write. But if you're 25 years old, maybe you're going to sneer with your pals in the pub, but you're gonna have to toe the line if you want to be published in whatever the obvious mainstream place is and you're going to be attacked on social media. I think a lot of people who are very, young people who are skeptical of this are just so afraid of being attacked by their peers on various social media that they keep quiet. I don't know that it's true that, I'd sort of push back on that. I think non-conformists will out. I hope it's true. But I wonder, I mean, these traditions, once they die, they're very hard to rebuild. And, without going full T.S. Eliot on you, once you don't think you're part of the past, once the idea is that basically, pretty much anything that came before our modern contemporary sense of morality and fairness and right opinion is to be rejected and that, for example, the moral character of the artist should determine whether or not the art should be paid attention to - I don't know how you come back from that or if you come back from that. I'm not convinced you do. No, other arts will be around. And I mean, if I were writing a critical review of my own book, I'd say, look, this culture, this high culture that you, David Rieff, are writing an elegy for, eulogizing or memorializing was going to die anyway, and we're at the beginning of another Gutenbergian epoch, just as Gutenberg, we're sort of 20 years into Marshall McLuhan's Gutenberg galaxy, and these other art forms will come, and they won't be like anything else. And that may be true.Andrew Keen: True, it may be true. In a sense then, to extend that critique, are you going full T.S. Eliot in this book?David Rieff: Yeah, I think Eliot was right. But it's not just Eliot, there are people who would be for the wokesters more acceptable like Mandelstam, for example, who said you're part of a conversation that's been going on long before you were born, that's going to be going on after you are, and I think that's what art is. I think the idea that we make some completely new thing is a childish fantasy. I think you belong to a tradition. There are periods - look, this is, I don't find much writing in English in prose fiction very interesting. I have to say I read the books that people talk about because I'm trying to understand what's going on but it doesn't interest me very much, but again, there have been periods of great mediocrity. Think of a period in the late 17th century in England when probably the best poet was this completely, rightly, justifiably forgotten figure, Colley Cibber. You had the great restoration period and then it all collapsed, so maybe it'll be that way. And also, as I say, maybe it's just as with the print revolution, that this new culture of social media will produce completely different forms. I mean, everything is mortal, not just us, but cultures and civilizations and all the rest of it. So I can imagine that, but this is the time I live in and the tradition I come from and I'm sorry it's gone, and I think what's replacing it is for the most part worse.Andrew Keen: You're critical in the book of what you, I'm quoting here, you talk about going from the grand inquisitor to the grand therapist. But you're very critical of the broader American therapeutic culture of acute sensitivity, the thin skin nature of, I guess, the Rousseau in this, whatever, it's lumpen Rousseauanism. So how do you interpret that without psychologizing, or are you psychologizing in the book? How are you making sense of our condition? In other words, can one critique criticize therapeutic culture without becoming oneself therapeutic?David Rieff: You mean the sort of Pogo line, we've met the enemy and it is us. Well, I suppose there's some truth to that. I don't know how much. I think that woke is in some important sense a subset of the wellness movement. And the wellness movement after all has tens and tens of millions of people who are in one sense or another influenced by it. And I think health, including psychic health, and we've moved from wellness as corporal health to wellness as being both soma and psyche. So, I mean, if that's psychologizing, I certainly think it's drawing the parallel or seeing woke in some ways as one of the children of the god of wellness. And that to me, I don't know how therapeutic that is. I think it's just that once you feel, I'm interested in what people feel. I'm not necessarily so interested in, I mean, I've got lots of opinions, but what I think I'm better at than having opinions is trying to understand why people think what they think. And I do think that once health becomes the ultimate good in a secular society and once death becomes the absolutely unacceptable other, and once you have the idea that there's no real distinction of any great validity between psychic and physical wellness, well then of course sensitivity to everything becomes almost an inevitable reaction.Andrew Keen: I was reading the book and I've been thinking about a lot of movements in America which are trying to bring people together, dealing with America, this divided America, as if it's a marriage in crisis. So some of the most effective or interesting, I think, thinkers on this, like Arlie Hochschild in Berkeley, use the language of therapy to bring or to try to bring America back together, even groups like the Braver Angels. Can therapy have any value or that therapeutic culture in a place like America where people are so bitterly divided, so hateful towards one another?David Rieff: Well, it's always been a country where, on the one hand, people have been, as you say, incredibly good at hatred and also a country of people who often construe themselves as misfits and heretics from the Puritans forward. And on the other hand, you have that small-town American idea, which sometimes I think is as important to woke and DI as as anything else which is that famous saying of small town America of all those years ago which was if you don't have something nice to say don't say anything at all. And to some extent that is, I think, a very powerful ancestor of these movements. Whether they're making any headway - of course I hope they are, but Hochschild is a very interesting figure, but I don't, it seems to me it's going all the other way, that people are increasingly only talking to each other.Andrew Keen: What this movement seems to want to do is get beyond - I use this word carefully, I'm not sure if they use it but I'm going to use it - ideology and that we're all prisoners of ideology. Is woke ideology or is it a kind of post-ideology?David Rieff: Well, it's a redemptive idea, a restorative idea. It's an idea that in that sense, there's a notion that it's time for the victims, for the first to be last and the last to be first. I mean, on some level, it is as simple as that. On another level, as I say, I do think it has a lot to do with metaphorization of experience, that people say silence is violence and words are violence and at that point what's violence? I mean there is a kind of level to me where people have gotten trapped in the kind of web of their own metaphors and now are living by them or living shackled to them or whatever image you're hoping for. But I don't know what it means to get beyond ideology. What, all men will be brothers, as in the Beethoven-Schiller symphony? I mean, it doesn't seem like that's the way things are going.Andrew Keen: Is the problem then, and I'm thinking out loud here, is the problem politics or not enough politics?David Rieff: Oh, I think the problem is that now we don't know, we've decided that everything is part, the personal is the political, as the feminists said, 50, 60 years ago. So the personal's political, so the political is the personal. So you have to live the exemplary moral life, or at least the life that doesn't offend anybody or that conforms to whatever the dominant views of what good opinions are, right opinions are. I think what we're in right now is much more the realm of kind of a new set of moral codes, much more than ideology in the kind of discrete sense of politics.Andrew Keen: Now let's come back to this idea of being thin-skinned. Why are people so thin-skinned?David Rieff: Because, I mean, there are lots of things to say about that. One thing, of course, that might be worth saying, is that the young generations, people who are between, let's say, 15 and 30, they're in real material trouble. It's gonna be very hard for them to own a house. It's hard for them to be independent and unless the baby boomers like myself will just transfer every penny to them, which doesn't seem very likely frankly, they're going to live considerably worse than generations before. So if you can't make your way in the world then maybe you make your way yourself or you work on yourself in that sort of therapeutic sense. You worry about your own identity because the only place you have in the world in some way is yourself, is that work, that obsession. I do think some of these material questions are important. There's a guy you may know who's not at all woke, a guy who teaches at the University of Washington called Danny Bessner. And I just did a show with him this morning. He's a smart guy and we have a kind of ironic correspondence over email and DM. And I once said to him, why are you so bitter about everything? And he said, you want to know why? Because I have two children and the likelihood is I'll never get a teaching job that won't require a three hour commute in order for me to live anywhere that I can afford to live. And I thought, and he couldn't be further from woke, he's a kind of Jacobin guy, Jacobin Magazine guy, and if he's left at all, it's kind of old left, but I think a lot of people feel that, that they feel their practical future, it looks pretty grim.Andrew Keen: But David, coming back to the idea of art, they're all suited to the world of art. They don't have to buy a big house and live in the suburbs. They can become poets. They can become filmmakers. They can put their stuff up on YouTube. They can record their music online. There are so many possibilities.David Rieff: It's hard to monetize that. Maybe now you're beginning to sound like the people you don't like. Now you're getting to sound like a capitalist.Andrew Keen: So what? Well, I don't care if I sound like a capitalist. You're not going to starve to death.David Rieff: Well, you might not like, I mean, it's fine to be a barista at 24. It's not so fine at 44. And are these people going to ever get out of this thing? I don't know. I wonder. Look, when I was starting as a writer, as long as you were incredibly diligent, and worked really hard, you could cobble together at least a basic living by accepting every assignment and people paid you bits and bobs of money, but put together, you could make a living. Now, the only way to make money, unless you're lucky enough to be on staff of a few remaining media outlets that remain, is you have to become an impresario, you have become an entrepreneur of your own stuff. And again, sure, do lots of people manage that? Yeah, but not as many as could have worked in that other system, and look at the fate of most newspapers, all folding. Look at the universities. We can talk about woke and how woke destroyed, in my view anyway, a lot of the humanities. But there's also a level in which people didn't want to study these things. So we're looking at the last generation in a lot places of a lot of these humanities departments and not just the ones that are associated with, I don't know, white supremacy or the white male past or whatever, but just the humanities full stop. So I know if that sounds like, maybe it sounds like a capitalist, but maybe it also sounds like you know there was a time when the poets - you know very well, poets never made a living, poets taught in universities. That's the way American poets made their money, including pretty famous poets like Eric Wolcott or Joseph Brodsky or writers, Toni Morrison taught at Princeton all those years, Joyce Carol Oates still alive, she still does. Most of these people couldn't make a living of their work and so the university provided that living.Andrew Keen: You mentioned Barry Weiss earlier. She's making a fortune as an anti-woke journalist. And Free Press seems to be thriving. Yascha Mounk's Persuasion is doing pretty well. Andrew Sullivan, another good example, making a fortune off of Substack. It seems as if the people willing to take risks, Barry Weiss leaving the New York Times, Andrew Sullivan leaving everything he's ever joined - that's...David Rieff: Look, are there going to be people who thrive in this new environment? Sure. And Barry Weiss turns out to be this kind of genius entrepreneur. She deserves full credit for that. Although even Barry Weiss, the paradox for me of Barry Weiss is, a lot of her early activism was saying that she felt unsafe with these anti-Israeli teachers at Columbia. So in a sense, she was using some of the same language as the woke use, psychic safety, because she didn't mean Joseph Massad was gonna come out from the blackboard and shoot her in the eye. She meant that she was offended and used the language of safety to describe that. And so in that sense, again, as I was saying to you earlier, I think there are more similarities here. And Trump, I think this is a genuine counterrevolution that Trump is trying to mount. I'm not very interested in the fascism, non-fascism debate. I'm rather skeptical of it.Andrew Keen: As Danny Bessner is. Yeah, I thought Danny's piece about that was brilliant.David Rieff: We just did a show about it today, that piece about why that's all rubbish. I was tempted, I wrote to a friend that guy you may know David Bell teaches French history -Andrew Keen: He's coming on the show next week. Well, you see, it's just a little community of like-minded people.David Rieff: There you go. Well, I wrote to David.Andrew Keen: And you mentioned his father in the book, Daniel.David Rieff: Yeah, well, his father is sort of one of the tutelary idols of the book. I had his father and I read his father and I learned an enormous amount. I think that book about the cultural contradictions of capitalism is one of the great prescient books about our times. But I wrote to David, I said, I actually sent him the Bessner piece which he was quite ambivalent about. But I said well, I'm not really convinced by the fascism of Trump, maybe just because Hitler read books, unlike Donald Trump. But it's a genuine counterrevolution. And what element will change the landscape in terms of DI and woke and identitarianism is not clear. These people are incredibly ambitious. They really mean to change this country, transform it.Andrew Keen: But from the book, David, Trump's attempts to cleanse, if that's the right word, the university, I would have thought you'd have rather admired that, all these-David Rieff: I agree with some of it.Andrew Keen: All these idiots writing the same article for 30 years about something that no one has any interest in.David Rieff: I look, my problem with Trump is that I do support a lot of that. I think some of the stuff that Christopher Rufo, one of the leading ideologues of this administration has uncovered about university programs and all of this crap, I think it's great that they're not paying for it anymore. The trouble is - you asked me before, is it that important? Is culture important compared to destroying the NATO alliance, blowing up the global trade regime? No. I don't think. So yeah, I like a lot of what they're doing about the university, I don't like, and I am very fiercely opposed to this crackdown on speech. That seems to be grotesque and revolting, but are they canceling supporting transgender theater in Galway? Yeah, I think it's great that they're canceling all that stuff. And so I'm not, that's my problem with Trump, is that some of that stuff I'm quite unashamedly happy about, but it's not nearly worth all the damage he's doing to this country and the world.Andrew Keen: Being very generous with your time, David. Finally, in the book you describe woke as, and I thought this was a very sharp way of describing it, describe it as being apocalyptic but not pessimistic. What did you mean by that? And then what is the opposite of woke? Would it be not apocalyptic, but cheerful?David Rieff: Well, I think genuine pessimists are cheerful, I would put myself among those. The model is Samuel Beckett, who just thinks things are so horrible that why not be cheerful about them, and even express one's pessimism in a relatively cheerful way. You remember the famous story that Thomas McCarthy used to tell about walking in the Luxembourg Gardens with Beckett and McCarthy says to him, great day, it's such a beautiful day, Sam. Beckett says, yeah, beautiful day. McCarthy says, makes you glad to be alive. And Beckett said, oh, I wouldn't go that far. And so, the genuine pessimist is quite cheerful. But coming back to woke, it's apocalyptic in the sense that everything is always at stake. But somehow it's also got this reformist idea that cultural revolution will cleanse away the sins of the supremacist patriarchal past and we'll head for the sunny uplands. I think I'm much too much of a pessimist to think that's possible in any regime, let alone this rather primitive cultural revolution called woke.Andrew Keen: But what would the opposite be?David Rieff: The opposite would be probably some sense that the best we're going to do is make our peace with the trash nature of existence, that life is finite in contrast with the wellness people who probably have a tendency towards the apocalyptic because death is an insult to them. So everything is staving off the bad news and that's where you get this idea that you can, like a lot of revolutions, you can change the nature of people. Look, the communist, Che Guevara talked about the new man. Well, I wonder if he thought it was so new when he was in Bolivia. I think these are - people need utopias, this is one of them, MAGA is another utopia by the way, and people don't seem to be able to do without them and that's - I wish it were otherwise but it isn't.Andrew Keen: I'm guessing the woke people would be offended by the idea of death, are they?David Rieff: Well, I think the woke people, in this synchronicity, people and a lot of people, they're insulted - how can this happen to me, wonderful me? And this is those jokes in the old days when the British could still be savage before they had to have, you know, Henry the Fifth be played by a black actor - why me? Well, why not you? That's just so alien to and it's probably alien to the American idea. You're supposed to - it's supposed to work out and the truth is it doesn't work out. But La Rochefoucauld says somewhere no one can stare for too long at death or the sun and maybe I'm asking too much.Andrew Keen: Maybe only Americans can find death unacceptable to use one of your words.David Rieff: Yes, perhaps.Andrew Keen: Well, David Rieff, congratulations on the new book. Fascinating, troubling, controversial as always. Desire and Fate. I know you're writing a book about Oppenheimer, very different kind of subject. We'll get you back on the show to talk Oppenheimer, where I guess there's not going to be a lot of Lumpen-Rousseauism.David Rieff: Very little, very little love and Rousseau in the quantum mechanics world, but thanks for having me.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Eigentlich sollte das hier eine ganz normale Podcast-Folge werden. Eigentlich. Aber dann hat unser Gast abgesagt, und wir haben uns gedacht: Scheiß drauf, wir machen's wie die Kaulitz-Brüder – einfach loslabern, bis einer weint oder der Scandal Sprizz leer ist.In dieser Folge geht's um die ganz großen Fragen: Jugend vs. Ausstrahlung, Claude in Lumpen im Ritz-Carlton, unerreichbare Schönheitsideale und die philosophische Frage, ob Postkasten und Briefkasten wirklich dasselbe sind. Spoiler: Nein. Außerdem erfahrt ihr, warum Christopher als Student 10 % seines Einkommens für gute Zwecke ausgegeben hat, warum Claude bis heute Angst vor der Flyer-Stasi hat und wie Christopher in einer Speiseölraffinerie quasi zum wandelnden Ölteppich wurde.Dazu gibt's aussterbende vererbte Flüche bis ins dritte Glied, Kinderarbeit für eine Banane pro Tag und die Frage, warum Christopher eigentlich regelmäßig anderen Menschen peinlich ist.Kurz gesagt: Eine Folge, süß, herb und scharf wie unser Begleitgetränk – und unsere Persönlichkeiten. Prost!

Nickoleit, Katharina www.deutschlandfunkkultur.de, Zeitfragen

I dagens avsnitt tar vi upp Sveriges sjukaste namn, ungdomar som vägrar mönstra och Anis "Business Class" biljetter till Thailand!

När Alma rycker in i lumpen har hon tränat hårt och ser fram emot utmaningen. Men något går fel under tiden på helikopterflottiljen och fem månader senare är hon död. Lyssna på alla avsnitt i Sveriges Radio Play. Alma Sigvardsson växer upp på mamma Stinas och pappa Johans mjölkgård på södra Öland. Hon är yngst av fem systrar, som beskriver henne som bestämd och målmedveten. Hon hjälper till på gården, tävlar i lerduveskytte, har jaktlicens och gör en svensk klassiker med sin storasyster Ella.När hon i rycker in i lumpen hösten 2022 är hon vältränad och motiverad för den fysiska och psykiska utmaning som väntar henne som värnpliktig. Men grundutbildningen är tuff, och Alma tycker att omställningen är svår. När hon kommer hem på permission märker familjen att hon inte mår bra. Ju mer tiden går desto sämre verkar Alma må, och hon stöter på flera motgångar under utbildningen. Hon sover inte och slutar så småningom att äta för att prestera bättre. Alma söker hjälp men skickas inte vidare till läkare eller psykolog hos Försvarshälsan. Först fem månader in i värnplikten, när Alma gått ner 18 kilo och inte längre bedöms kapabel att hantera skarpladdade vapen, får hon hjälp och sjukskrivs. Några dagar senare tar hon sitt liv.– Hon ville göra lumpen och klara det, det var inte bara att slippa ifrån det. Men det hade hon behövt göra för att överleva. Det beslutet måste någon annan fatta åt en, om man är tillräckligt nere, säger Almas mamma Stina.Almas död i lumpen är en dokumentär av Sigrid Edsenius och Fanny Asplund i ett samarbete mellan P1 dokumentär och P4 Kalmar.Producent: Anna FreySlutmix: Saga Rodrick och Staffan SchöierProgrammet är gjort 2025.Hit kan du vända dig om du mår dåligt:Minds självmordslinje 90 101Jourhavande medmänniska 08 702 16 80Jourhavande präst 112Akut 112Till dig som har självmordstankar - 1177Suicide Zero

Här berättar lyssnare om sina olika erfarenheter från lumpen. Lyssna på alla avsnitt i Sveriges Radio Play. 110 000 ungdomar födda 2007 ska de närmsta veckorna mönstra och nu sänker Försvarsmakten kraven på de sökande för att fler ska kunna göra värnplikten. Minnen från lumpen kan präglas av kamratskap, överlevnadskunskaper och naturupplevelser. Sedan finns det förstås betydligt mörkare erfarenheter - utanförskap, skador eller rädsla. Lyssnare berättar om roliga och mindre roliga minnen från lumpen. Erfarenheter från lumpen med Annika IlmoniRing oss, mejla på karlavagnen@sverigesradio.se eller skriv till oss på Facebook och Instagram. Programmet startar 22:30.

Wir haben ein neues Format für euch, die "Knockout" Runde! Wir besprechen alle James Bond Filme im Turniermodus Runde für Runde bis ins Finale. Welche Filme fliegen raus & welche kommen eine Runde weiter? Für Erstklassige Expertise haben wir uns nicht Lumpen lassen und @Tobi als Gast am Start! Welcher Bond Film ist die Nummer Eins? All das und viel mehr erfahrt ihr in dieser Folge. Viel Spaß mit der Folge! Eure Filmschnacker

Silverio Tucci is an Italian punk rock musician and Socialist. I discovered his band, Lumpen, via Attila the Stockbroker and became an instant fan. I learned that his family members were partisans. For anyone not in the know, that means they were the people who literally fought the nazis in their communities in Italy during WWII. They're not mentioned much in history, but they were there, and when it was a fair fight, they usually won. I consider their story proof that at the end of the day love, community, and compassion triumphs over hate, fear, and bigotry. A reminder I think we could all use right about now. There are some barriers in this episode which is why it's a bit shorter. I'm limited in my Italian and Silverio is limited in his English, and we also had some connectivity issues. But we both navigate the waters and find common ground between our mutual love for music, family, art and solidarity. Also, this episode ends with a reflection on the current state of affairs.

Valspecial! Vi snackar om Trump-vinsten, om sociala medier, om hur Kamala sumpade det efter debatten. Vi snackar om Dildon i arslet, comebacken av "grab them by the pussy" på Tiktok. Vad är egentligen Elon Musks plan? Lumpen? Vad kommer hända med Ukraina-kriget? STORA FRÅGOR! Sen blir det lite snack om Detroit, Robinson, PH, Förrädarna och så ger vi en efterlängtad uppdatering om dunkboll-golvet. Podden spelades in tidigare denna gång eftersom Johan och Chris drog till Amerikat dagen efter valet! Hosted on Acast. See acast.com/privacy for more information.

I dagens avsnitt pratar vi om fuskandet i kajak-VM. Vi tar upp lumpen och mönstring hur det har förändrats och våra egna minnen. Dessutom delar vi med oss av en ifrågasättbar historia som involverar kattpiss, och Kicken berättar om hur han möte med Bill Clinton.

Die Händler halten sich reihenweise für klug und allwissend, verspotten den Kameltreiber Achmed. Dass dieser jedoch viel schlauer ist als all' die Herren zusammen, ahnen sie nicht. Doch er tritt den Beweis an – indem er Lumpen für Gold verkauft und diese in Kameldung eintauscht. So denken jedenfalls die Händler… Die ganze Wahrheit verrät euch dieses Märchen aus Turkemistan. Weitere Informationen – auch für die Großen – findet ihr auf meiner Internetseite: www.das-leben-steckt-voller-geschichten.de Diesen Podcast hat übrigens Volker Pietzsch erstellt. Was der sonst noch macht, seht ihr hier: www.podcast-helfer.de oder www.volkerpietzsch.de Wer uns unterstützen möchte, hat die Möglichkeit, dies ganz einfach über Patreon zu tun. https://www.patreon.com/kampmeierskinderkanal Diesen Kanal könnt ihr aktiv unterstützten, indem hier das Hörbuch zu Kampmeiers Kinder Kanal bei audible bestellt: https://www.audible.de/pd/33-Geschichten-Maerchen-von-Klassisch-bis-Kurios-Hoerbuch/B098JG5JKH?qid=1644440492&sr=1-2&ref=a_search_c3_lProduct_1_2&pf_rd_p=e54013e2-074a-460e-861f-7feac676b789&pf_rd_r=G2WTXTTXEZMJFW8NRBAT Natürlich könnt ihr das Hörbuch auch auf allen Streamingportalen hören. Vielen Dank.

Die Industrie entwickelt immer neue Kunststoffsorten als Verpackung. Welche Wege zeigt die Forschung auf im Kampf gegen den Müll? Recycling, Materialforschung und unser Umgang mit Müll: Fast 240 Kilogramm Verpackungsmüll erzeugen wir pro Kopf und Jahr in Deutschland. Gibt es Wege raus aus der Wegwerfgesellschaft? Welche neuen Perspektiven bietet die Kreislaufwirtschaft? Was können wir aus der Geschichte lernen?  Diese Fragen diskutiert NDR Info Wissenschaftsredakteurin Lena Bodewein mit Forschenden aus Norddeutschland - in einer Sonderfolge unseres Wissenschaftspodcasts aus dem Haus der Wissenschaft in Braunschweig. Es geht um Sinn und Unsinn von vielfarbigen Plastikverpackungen, ein Revival der Reparaturkultur und politische Ansätze, um ökonomische Bedürfnisse umweltverträglich nutzen zu können. Denn wir kommen mit dem Podcast auch dahin, wo ihr seid - Live on tape.  Gäste: - Prof. Dr.-Ing. Kerstin Kuchta, Direktorin des Institute of Circular Resource, Engineering and Management der TU Hamburg  - Prof. Dr. Franziska Neumann, Institut für Geschichtswissenschaft an der TU Braunschweig  - Dipl.-Ing. Simon McGowan, Institut für Biokunststoffe und Bioverbundwerkstoffe an der Hochschule Hannover HINTERGRUNDINFORMATIONEN Neumann F.: Vormoderne Recycling-Mentalität? Abfall und Abfallregime im frühneuzeitlichen London. In: Historische Zeitschrift. 2023; 317 (1): S. 63-94. Neumann F.: Ambivalente Stoffe. Lumpen als Rest und Ressource 18. Jahrhundert. In: Historische Anthropologie. 2023; 31 (3): S. 365-382. Neumann F.: The Realm of Cloacina? Excrement in London's Eighteenth Century Waste Regime. In: German Historical Institute London Bulletin. 2021; Vol. XLIII (2): S. 30–56. Neumann F.: Das stille Örtchen. In: Zeitschrift für Ideengeschichte. 2022; XVI (3): S. 57–60. Kuchta K, Guo J, Woidasky J, Auer M, Schmidt J, Pomberger R et al.: Vorstudie - Vergleich innovativer Identifikationsverfahren für Post-Consumer Leichtverpackungen - Endbericht. Hamburg, 2023. 133 p. Kuchta K.: Kunststoffabfälle aus privaten Haushalten erfassen, sortieren und verwerten. In: Porth, M., Schüttrumpf, H., Ostermann, U. (eds) Wasser, Energie und Umwelt. 2023; Springer Vieweg, Wiesbaden. https://doi.org/10.1007/978-3-658-42657-6_30 Fakultät für Maschinenbau und Bioverfahrenstechnik der Hochschule Hannover: https://f2.hs-hannover.de/ Website von Wildplastic: https://wildplastic.com/ Podcast Nachgefragt mit Simon McGowan über Biokunststoffe: https://nachgefragt-podcast.de/2024/05/02/ngf70-thema-plastik-und-biokunststoff/ Mehr Hintergrund zu dieser Folge: https://www.ndr.de/nachrichten/info/podcastsynapsen390.html Mehr Wissenschaft bei NDR Info: https://www.ndr.de/nachrichten/info/sendungen/wissenschaft-und-bildung/index.html

Die Industrie entwickelt immer neue Kunststoffsorten als Verpackung. Welche Wege zeigt die Forschung auf im Kampf gegen den Müll? Recycling, Materialforschung und unser Umgang mit Müll: Fast 240 Kilogramm Verpackungsmüll erzeugen wir pro Kopf und Jahr in Deutschland. Gibt es Wege raus aus der Wegwerfgesellschaft? Welche neuen Perspektiven bietet die Kreislaufwirtschaft? Was können wir aus der Geschichte lernen?  Diese Fragen diskutiert NDR Info Wissenschaftsredakteurin Lena Bodewein mit Forschenden aus Norddeutschland - in einer Sonderfolge unseres Wissenschaftspodcasts aus dem Haus der Wissenschaft in Braunschweig. Es geht um Sinn und Unsinn von vielfarbigen Plastikverpackungen, ein Revival der Reparaturkultur und politische Ansätze, um ökonomische Bedürfnisse umweltverträglich nutzen zu können. Denn wir kommen mit dem Podcast auch dahin, wo ihr seid - Live on tape.  Gäste: - Prof. Dr.-Ing. Kerstin Kuchta, Direktorin des Institute of Circular Resource, Engineering and Management der TU Hamburg  - Prof. Dr. Franziska Neumann, Institut für Geschichtswissenschaft an der TU Braunschweig  - Dipl.-Ing. Simon McGowan, Institut für Biokunststoffe und Bioverbundwerkstoffe an der Hochschule Hannover HINTERGRUNDINFORMATIONEN Neumann F.: Vormoderne Recycling-Mentalität? Abfall und Abfallregime im frühneuzeitlichen London. In: Historische Zeitschrift. 2023; 317 (1): S. 63-94. Neumann F.: Ambivalente Stoffe. Lumpen als Rest und Ressource 18. Jahrhundert. In: Historische Anthropologie. 2023; 31 (3): S. 365-382. Neumann F.: The Realm of Cloacina? Excrement in London's Eighteenth Century Waste Regime. In: German Historical Institute London Bulletin. 2021; Vol. XLIII (2): S. 30–56. Neumann F.: Das stille Örtchen. In: Zeitschrift für Ideengeschichte. 2022; XVI (3): S. 57–60. Kuchta K, Guo J, Woidasky J, Auer M, Schmidt J, Pomberger R et al.: Vorstudie - Vergleich innovativer Identifikationsverfahren für Post-Consumer Leichtverpackungen - Endbericht. Hamburg, 2023. 133 p. Kuchta K.: Kunststoffabfälle aus privaten Haushalten erfassen, sortieren und verwerten. In: Porth, M., Schüttrumpf, H., Ostermann, U. (eds) Wasser, Energie und Umwelt. 2023; Springer Vieweg, Wiesbaden. https://doi.org/10.1007/978-3-658-42657-6_30 Fakultät für Maschinenbau und Bioverfahrenstechnik der Hochschule Hannover: https://f2.hs-hannover.de/ Website von Wildplastic: https://wildplastic.com/ Podcast Nachgefragt mit Simon McGowan über Biokunststoffe: https://nachgefragt-podcast.de/2024/05/02/ngf70-thema-plastik-und-biokunststoff/ Mehr Hintergrund zu dieser Folge: https://www.ndr.de/nachrichten/info/podcastsynapsen390.html Mehr Wissenschaft bei NDR Info: https://www.ndr.de/nachrichten/info/sendungen/wissenschaft-und-bildung/index.html

Der Begriff „Lumpenproletariat“ wird nur noch selten verwendet, dennoch ist das Phänomen, das er zu beschreiben versucht, noch immer aktuell. Gibt es eine Klasse, die politisch ungebildet, aber leicht verführbar ist? Gerade in den Analysen über die Wählerschaft von Rechtspopulisten wie Donald Trump tauchen Überlegungen wieder auf, die ins 19. Jahrhundert zurückreichen und vor allem bei Karl Marx und Friedrich Engels anzutreffen sind. Mit „Lumpenproletarier“ sind jene gemeint, die nicht für den revolutionären Arbeitskampf zu gewinnen sind, sondern häufig in Passivität verharren oder zu konterrevolutionären Kräften neigen. Marx und Engels spalteten mit dem stets pejorativ gebrauchten Begriff all diejenigen vom Proletariat ab, die einer Revolution und der Organisation der Arbeiterschaft im Wege standen. Mitunter griff man dabei auf bürgerliche Moralkategorien zurück und schrieb jenen, die in Lumpen gehen bzw. solche sind, lasterhafte Eigenschaften zu. Durch diese Abwertung versuchte man, den von Bürgerlichen ebenfalls despektierlich verwendeten Begriff Proletarier aufzuwerten und zur Bildung einer revolutionären Klasse beizutragen. In der neuen Folge sprechen Ole Nymoen und Wolfgang M. Schmitt über Vergangenheit und Gegenwart des sogenannten Lumpenproletariats! Literatur: Peter Bescherer: „Lumpenproletariat“, in: HKWM 8/II, 2015, Spalten 1379-1393. Friedrich Engels: Die Lage der arbeitenden Klasse in England, MEW 2. Karl Marx: Der achtzehnte Brumaire des Louis Bonaparte, MEW 8. Karl Marx: Die Juniniederlage 1848, MEW 7. Dorothea Schmidt: „Marx' Analyse der Klassenbasis von Louis Bonaparte. Ein Faktencheck“, in: Martin Beck, Ingo Stützle (Hrsg.): Die neuen Bonapartisten. Mit Marx den Aufstieg von Trump & Co. verstehen. Dietz Berlin. https://dietzberlin.de/wp-content/uploads/2021/01/Die_neuen_Bonapartisten.pdf Michael Schwarz: „‚Proletarier‘ und ‚Lumpen‘. Sozialistische Ursprünge eugenischen Denkens“, in: Vierteljahrshefte für Zeitgeschichte, 42. Jg. (1994), S. 537–570. https://www.ifz-muenchen.de/heftarchiv/1994_4_2_schwartz.pdf Christopher Wimmer: Lumpenproletariat. Die Unterklassen zwischen Diffamierung und revolutionärer Handlungsmacht. Schmetterling Verlag. Protokoll der 57. Sitzung des 16. Deutschen Bundestages: https://dip.bundestag.de/plenarprotokoll/protokoll-der-57-sitzung-des-16-deutschen-bundestages/56?term=lumpenproletariat&rows=25&pos=3&ctx=d Unser Kinderbuch namens "Die kleinen Holzdiebe" ist nun vorbestellbar! Alle Informationen findet ihr unter: https://www.suhrkamp.de/buch/die-kleinen-holzdiebe-und-das-raetsel-des-juggernaut-t-9783458644774 Unsere Zusatzinhalte könnt ihr bei Steady und Patreon hören. Vielen Dank! Patreon: https://www.patreon.com/oleundwolfgang Steady: https://steadyhq.com/de/oleundwolfgang/about Ihr könnt uns unterstützen - herzlichen Dank! Paypal: https://www.paypal.me/oleundwolfgang Konto: Wolfgang M. Schmitt, Ole Nymoen Betreff: Wohlstand fuer Alle IBAN: DE67 5745 0120 0130 7996 12 BIC: MALADE51NWD Social Media: Instagram: Unser gemeinsamer Kanal: https://www.instagram.com/oleundwolfgang/ Ole: https://www.instagram.com/ole.nymoen/ Wolfgang: https://www.instagram.com/wolfgangmschmitt/ TikTok: https://www.tiktok.com/@oleundwolfgang Twitter: Unser gemeinsamer Kanal: https://twitter.com/OleUndWolfgang Ole: twitter.com/nymoen_ole Wolfgang: twitter.com/SchmittJunior Die gesamte WfA-Literaturliste: https://wohlstand-fuer-alle.netlify.app

Svenska försvaret rustar mer än någonsin och allt fler unga kommer att behöva göra värnplikt. Men försvarsmakten har stött på problem; många av de mönstrande ungdomarna klarar inte av testerna. På en kvart får du veta hur svårt det egentligen är att mönstra och hur det gick när SvD:s reporter testade. Med Annica Ögren, reporter på SvD. Programledare: Alexandra Karlsson Producent: Moa Larsson Redaktör: Elin Roumeliotou Vi vill ha feedback och önskemål! Kontakta oss på: dagensstory@svd.se

Branne Pavlovic berättar lumparhistorier! Vad är en anti-hero? Ven mot Vadstena i Boxholmskampen! Ska Bennifer skilja sig? Våga fråga Margret! Linda Jensen Kidane om den gripne journalisten Evan Gershkovich. Radiosportens Susanna Andrén snackar upp OS. Får man ha samurajsvärd hemma? Det är debattämnet för Assia Dahir och Johannes Cakar. Babs Drougge på P3 Nyheter om dansbandsmomsen. Dagens privata hål: Familjeparkering! Lyssna på alla avsnitt i Sveriges Radio Play. Programledare: Margret Atladottir och Branne Pavlovic.

With Palestine Action racking up the victories, it was high time that I spoke with veteran actionist Shibby about the network's mind blowing direct  action successes. We discuss the recent shutdown of a facility in Tamworth, the viral action that just took place in Scotland, and the high-level, low-level, and covert strategies that have been used by these brave activists. We also touch on the ongoing efforts to ban Palestine Action in the UK, and why such a ban will fail to prevent this network from continuing its righteous work. In addition to hosting Revolutionary Lumpen Radio, Shibby is a veteran activist with Palestine Action. We begin with the story of his radicalization.Get plugged in to Palestine Action, attend a trainingJoin the Palestine Action telegram channelFollow @pal_action on Instagram and twitterSubscribe to their newsletterSupport PA defendants and any actionists in jailThe Free Palestine Cocktail100 ml Watermelon Juice30 ml Lime Juice15 ml Simple Syrup (1:1 ratio) to tasteSmall pinch of salt25  ml green juice of choice (celery, apple, kale)Optional:25 ml Clear spirit like Mezcal, Tequila, Gin, Vodka, Arak, etc etc Watermelon slice for garnishFreeze a small layer of green juice in a glass ahead of time. Combine watermelon juice, lime juice, simple syrup, & a pinch of salt in a mixing tin and shake with cubed ice until properly diluted and chilled. Fill glass (containing frozen green juice) with crushed ice, then fine strain the watermelon mixture  over the ice. This will create layers that resemble a watermelon. Glassware:  Collins glass or your favorite tall transparent drinking vesselGarnish:  Small watermelon wedge and/or raisinsSupport the Show.Cocktails & Capitalism is an anticapitalist labor of love, but we could use your help to make this project sustainable. If you can support with even a dollar a month, that would really help us continue to educate, agitate, and amplify the voices of those who are working to dismantle capitalism and create a better world. https://www.patreon.com/cocktailsandcapitalismFollow us on Instagram and TwitterSome episodes on YouTube. Please like & subscribeThis show is sponsored by Beautiful Trouble — an international network of organizers, artists, and trainers working to equip grassroots movements with the tools to become more creative, effective, and irresistible.

Nach nun mehr als 2,5 Jahren haben Flo und ich uns wieder zusammengefunden, um in die 2. Staffel des Chillmalkurz Podcasts zu steigen. Getrieben von viel Spaß und Freude haben wir bock weiter zu machen und freuen uns mega auf die kommende Zeit. In der heutigen Folge beschäftigen wir uns mit der Frage: "Wer sind wir, wenn wir niemand sein müssen?" und wir haben uns nicht Lumpen lassen mit dem, was wir da rausgehauen haben! Befriedige deine Neugier doch direkt in der Mittagspause Schick uns deine Meinung doch zu via Social Media oder per Mail an podcast@chillmalkurz.de und vergiss das Folgen nicht!" :D Wir freuen uns und wünschen dir ganz viel spaß! Jeden Dienstag 12:30 Uhr eine neue Folge! --- Send in a voice message: https://podcasters.spotify.com/pod/show/chillmalkurz/message

Heute, beim erscheinen der Folge, ist der Kick-Off der Fussball Europameisterschaft der Männer in Deutschland. Da lassen wir uns nicht Lumpen und sprechen über Fussball Filme. Wie man es vom Filmarchiv kennt, wird das ganze sehr weit gefächert. Daher kommt eine echt coole Auswahl zusammen. Viel spass dabei und lasst es euch geniessen.

In this episode, I return! With my comrades from Palestine Action Liverpool. I was joined by Ella, Rowan & Tom on the podcast to hear their experiences during their actions that shut down the Israeli arms trade. They also go into their experiences in court until the verdict! 5 Months after my arrest for allegedly plotting to shut down to London Stock Exchange, I return producing podcasts. Follow: Linktr.ee/RevLumpenRadio Support us: Patreon.com/LumpenPodcast

Who does the kidnapping and raping? Are you a parasite? Is your politics in the service of capital? Do the lumpen form one group/class, or is it a general disposition? Are the punk ‘anti-social' disruptors? Was Namdeo Dhasal punk? Was Kabir? Why write obscene poetry? How (& by whom) are the boundaries policed? What leads to the various underground anti-aesthetic movements (such as punk music, & anti-poetry) across cultures? How was Sex Pistols born? Does the notion of (unemployed, & all other) waste come only with modernity and capitalism? Is the oppositional market for shit, trash, & filth, then, created by a certain death drive in us? Can suffering be enjoyed? Where do you seek solidarity? Did late industrialization lead to fascism in Europe? How do political and aesthetic imaginations influence each other? Do the poor need aesthetic tools to agitate? What happens when industries rust? Are we now passing through a phase of barbarism? Is culture necessarily a good thing? Are you (truly) interested in abolishing inequality? Can the proletariat be precariat proletariat? &, are the lumpen forces (the ‘surplus population') now here to stay forever? SynTalk thinks about these & more questions using ideas from literary studies (Dr. Nandini Chandra, University of Hawai'i, Honolulu), music production (Kunal Dole, Punk On Toast, Mumbai), & political science/poetry (Prof. Ashwani Kumar, TISS, Mumbai). Listen in...

Da hat Vegapunk sich nicht Lumpen lassen und in seinem Tonstudio doch noch eine letzte Falle für die fünf Weisen aufgebaut. Nico Robin erkennt einen alten Freund und Bonney macht keine Kinkerlitzchen

I den tredje och sista delen i serien om cybersoldaterna kommer du att få höra mer om hur ett uppdrag kan gå till. Vilka program de jobbar med. Vilken sorts individer som blir cybersoldater. Liksom om omvärldssituationen har påverkat cybersoldaternas utbildning. Hör det här och alla andra avsnitt, samt se videor och bilder: https://trygghetspodden.se

Alberto Prunetti, l'auteur d'Odyssée lumpen (Lux éditeur), est originaire de Toscane et plus précisément de Piombino où son père, son babbo, était ouvrier métallurgiste. L'amiante a eu sa peau et Alberto a raconté son histoire dans Amiante (Agone), premier volume d'une trilogie dont Odyssée est le deuxième. Dans le haut-fourneau de Piombino les hommes fabriquaient des rails de 108 mètres d'un seul tenant. Ils en étaient fiers mais cela ne les empêchait pas de se montrer offensifs envers les patrons en appliquant « Les dix commandements ouvriers » transmis de génération en génération. Alberto, boulimique de lecture, a choisi d'aller à l'université. Il lui a fallu pour cela convaincre son babbo, rompre avec la tradition ouvrière. Après ses études, Alberto ne trouve pas de travail en Italie. Alors, comme tant d'autres jeunes Italiens, il part à l'étranger pour en trouver. Il choisit l'Angleterre où l'ombre de Thatcher plane toujours. Du travail, au Royaume-Uni, Alberto en trouve à la pelle : il est tour à tour pizzaiolo, nettoyeur de chiottes, cantinier, ramasseur de framboises. D'un boulot de merde à l'autre, il se fait un tas d'amis tout aussi exploités que lui par le néolibéralisme. Des amis pour la vie. Sans pathos, pas larmoyant pour un penny, mêlant récit d'aventure, comédie, fantastique, critique sociale, Prunetti raconte son odyssée. On se marre, on s'émeut, et c'est fucking bien.Dans ce lundisoir, Alberto parle de son livre mais aussi de littérature working class et de la lutte des GKN, les ouvriers qui occupent depuis deux ans leur usine menacée de fermeture, et du festival de littérature ouvrière qui s'y tiendra pour la deuxième fois cette année.

Babs Drougge och andra på P3 Nyheter förklarar morgonens stora nyheter, alltid tillsammans med programledarna för Morgonpasset i P3: Linnéa Wikblad och David Druid. Lyssna på alla avsnitt i Sveriges Radio Play. Idag röstar Ungerns parlament om Sveriges Natoansökan och svaret väntas bli ja. I fredags stod det även klart att Orban vill köpa fler Gripen-plan av Sverige – och på det svarade Ulf Kristersson yaaaaas.Sen pratar vi om att Danmark ser över sina regler för att kallas till mönstring för lumpen. Tidigare har korta och storbystade per automatik uteslutits, men det ska det nu bli ändring på. ”Ordblinda” är dock fortfarande inte välkomna.

Die Fashion Branche gilt als die weltweit größte Umweltverschmutzerin nach der Ölindustrie. Höchste Zeit für ein Umdenken. De facto stammen aber bloß 0,5% aller Textilien aus recyceltem Material. Bei Wolle sind es 6 %, nicht zuletzt dank der Stadt Prato in der Toskana. Prato ist einer der wichtigsten Umschlagplätze für Altkleider weltweit, Millionen Tonnen an Altkleidern werden dort jährlich sortiert, aufgehackt, neu versponnen, umgeschneidert, zu neuen Stoffen verarbeitet und weiterverkauft. Wie das Recycling von Altkleidern technisch und chemisch funktioniert, erklärt uns Universitätsdozentin und Chemikerin Alessia Patrucco. --- Send in a voice message: https://podcasters.spotify.com/pod/show/saltobz/message

Om vem man blir om kriget kommer, om hur politikerna preppar och om att fler kommer behöva göra lumpen mot sin vilja. Vi får också en politikens inne- och utelista och får veta allt om kvittningssystemet. Lyssna på alla avsnitt i Sveriges Radio Play. I den här podden möter du David Druid (utsedd till årets programledare i radio) och Katherine Zimmerman som tidigare var kolleger i Morgonpasset i P3. Här möts de igen och pratar om politik på sitt egna sätt och lite annat. Med sig har de också Ekots politiska inrikesreporter Lova Olsson och satirikern Moa Wallin från P3 Klubben. Tillsammans blir det mycket skratt och nästan allt du behöver ha koll på kring veckans politiska händelser.Producent: Sukran KavakDigital redaktör: Anton LundholmProgrammet spelades in den 12:e januari 2024

In this episde of Rev Lumpen TikTok, Shibby was joined by TheTransitPerson to talk about public transportation in cities designed for capitalism, as well as the contradictions that brings out. Follow & share us from your podcast player Find & Follow TheTransit Person: Link Here Find & Follow RevLumpenRadio: Linktree

Shibby was joined by Jordan David who at the time was a part of WEHO Social Justice Coalition on a TikTok livestream to go over some of their actions shared on their TikTok and WHO's Twitter. which includes facing off with Councilors & Police  Jordan's an exceptional comrade I am positive everybody will value their work and words as much as me after watching! See the full video interview on our Patreon for as little as a £1 p/m! Follow & Support Jordan: Linktree Find all our platforms: Linktr.ee/RevLumpenRadio 

In this episode, I share important news discovered by a Freedom Of Information Request that could have a huge impact on mine and others lives! Support Palestine Action - Link Here Find everything Revolutionary Lumpen Radio does - Link Here Find the article in The Guardian - Link Here

This week the Law Boyz are back with a special guest, Kevin. We discuss the concept of the lumpenproletariat and their historical role as foot soldiers of reaction. Then we all argue about the police. Peter Stallybrass (1990) Marx and Heterogeneity: Thinking the Lumpenproletariat, Representations, No. 31, Special Issue: The Margins of Identity in Nineteenth-Century England, pp. 69-95Nicholas Thoburn (2002) Difference in Marx: the lumpenproletariat and the proletarian unnamable,  Economy and Society, 31:3, 434-460Robert L. Bussard (1987) The ‘dangerous class' of Marx and Engels: The rise of the idea of the Lumpenproletariat, History of European Ideas, 8:6, 675-692Music: Johnny Cash- This Side of the LawSupport the show

In this episode Shibby is rejoined by Tara Aalami & Malick Dacour for a comprehensive class analysis on the much overlooked 'Comprador Class'. Tara contributes their experties on Palestinian colonisation and resistance, while Malick contributes with their knowledge from the colonisation and resistance of the African continent. This is a must-listen and must-share so tag us on your social media posts! Find everything from Tara here: https://linktr.ee/taraalami Find everything from Malick (AfroPropaganda) here: https://linktr.ee/afropropaganda Find everything we do here: https://linktr.ee/RevLumpenRadio Support us on Patreon, get bonus content and perks: https://Patreon.com/LumpenPodcast

On the anniversary of the Nakba, Shibby was remanded in prison for a number of weeks before being granted bail. My friend Max, from Palestine Action [Prisoner Support] hosts this episode, with Shibby as the guest. Topics include Shibby's Prison diaries, Prisoner support & State political repression. MAKE SURE to send our Pal Action prisoners an email for free (takes 5 minutes). Send to this email - palactprisoners@protonmail.com!  Find the prison letters/diary and more bonus conent on our Patreon.com/LumpenPodcast Find everything else: Linktr.ee/RevLumpenRadio

With Paxton and his rag golem friends legally cleared, they are leaving the Great Forest as quickly as possible, heading for the Iron Empire. Some people just can't let go, however. Art for this episode is by Ignacio Corva. Connect with us on Facebook, Instagram,  Twitter, and Discord.  Let us know what you think! You can also send us an email.

In this episode your host Shibby hits back at grifter Brett of Rev Left & the Proletarian Feminists he simps for in this diss track. Everything we do: Linktr.ee/RevLumpenRadio

Paxton (or Frith!) and the Lumpens have been captured by the forces of the city of Two, and now Paxton faces judgement for past crimes. It's finally time for the Trail of Paxton! Can his attorneys defend him adequately? Do they even know what a trial is?  Art for this episode is by Brandon of Love and Hex.  Connect with us on Facebook, Instagram,  Twitter, and Discord.  Let us know what you think! You can also send us an email.

It is fitting that Bruce Adams's new book, the sardonically-titled You're with Stupid: kranky, Chicago and the Reinvention of Indie Music, begins at Jim's Grill off Irving Park Road in the Ravenswood neighborhood on the North Side: It was the first place I remember seeing a promotional poster for this new band, The Smashing Pumpkins, who were regular customers of Bill Choi's Korean-inspired restaurant, when they were first starting out.But let's back up a few years, to set the scene of what was to come. After attending college at the University of Michigan, in Ann Arbor, in the mid-1980s, Adams worked at a record shop and wrote for the fanzine Your Flesh. He caught the indie rock bug, as it were, inspired by the then burgeoning independent music industry that had grown out of labels like Dischord in Washington, DC, Sub Pop in Seattle, and Touch & Go in Chicago, who presented a more artist-friendly path for bands to make a living selling records, CDs and cassettesAdams found his way to Chicago, where, by the mid-1990s, there was a golden age of independent businesses thriving in unison: records labels (Drag City, Thrill Jockey, Atavistic, Bloodshot, Carrot Top), distributors (Ajax, Cargo, Southern), records shops (Reckless, Dusty Groove, Wax Trax, The Quaker Goes Deaf), underground press (the Chicago Reader and New City, but also Lumpen and Stop Smiling), and venues (Cabaret Metro, Lounge Ax, the Empty Bottle, and Double Door). As Adams documents, it was a near-perfect eco-system for creativity and experimentation in a pre-digital age.You're with Stupid is both a cultural history of the Chicago music world at that time, as told through the record labels and distributors that Adams worked for but also a how-to roadmap to founding a DIY operation.  This is my conversation with Bruce Adams about his book and those times.Reading by Bruce AdamsMusic by Labradford

To hear this episode in full, become a patreon supporter for as little as a $1. Patreon.com/LumpenPodcast. The Lumpen-proles in the imperial core are progressive in revolutionary politics & the working class are conservatives in revolutionary(or capitalist) politics. Shibby wrote up this Marxist-Lumpen Theory for all, and reads it out in full here for you. [Patreon Only] Linktr.ee/RevLumpenRadio   

In this Episode, we're reading out another of our beloved comrade, Thumblesteen's works on prisons as a base and superstructural phenomenon, as well as defining it as a form of Panopticon. Go follow and support them on Medium to read all their works and say thanks!! https://thumblesteen.medium.com/  Follow & Support us: Linktr.ee/RevLumpenPodcast

Episode 373... Closing out a solid year of punk finds on Bandcamp, which is uplifting from where we were a couple years ago. Thanks for the support, and see you in 2023! A best of 2022 show (2 part) is coming soon. A bunch of new ones and some usual goodness. Enjoy!!Download safely and stream here (subscribe on iTunes and Google Podcasts as well): BROS GRIM 373!!!!!!Airing Wednesdays 7pm PST on PUNK ROCK DEMONSTRATION & Fridays 7pm PST on RIPPER RADIO.Send us stuff to brothersgrimpunk@gmail.com.(P)unksurd...Minneapolis TASTE OF FEAR 0:36 GIALLO GIALLO Japan Dogs 1:26 Zouka Demo 2022 Milwaukee THIS KNIFE WILL WIN THE FIGHT 0:39 GORILLA KNIFEFIGHT THIS KNIFE WINS THE FIGHT! Trash Tapes Sac Bad Day 1:55 Second Opinion "Suburban Destruction" (Thrash#3) ALL AGAINST - Free In Chains (bkgrd) 4:14 V/A THADR-100! Why when how? 1:24 WARCHILD A QUESTION FOR TODAT...NOT TOMORROW Trash Breeds Trash 1:56 Doom The Greatest Invention..._Discipline Recs Human or Android 1:49 Disturbance Tox Populi NUMBER STATION 2:15 Verbal Assassination BULLSHIT / S.F.J. / NUMBER STATION SINGLE Disconnect 1:07 GALACTOID FULL DISCOGRAPHY Doom And Gloom 2:29 VISIONS OF FUCKIN WAR Swine Parade Consumed - Wake Up Warning (bkgrd 3:58 ProRawk Records - ... On The Rawks Compilation Bakers Dozen 2:10 Guttermouth Musical Monkey The Shield 2:21 Wolfpack  Benefit 7Nothing Short Of Scum 0:54 Warfare State S/T Lumpen - Saquea al Estado 1:49 Distro.cefalia V/A La masacre continúa Die In Silence - Desolación 1:53 Distro.cefalia V/A La masacre continúa X2000 - Fuerza macabra 2:09 Distro.cefalia V/A La masacre continúa VANDAL - Serpientes (bkgrd) 2:26 V/A THADR-100! Razored Raw NZ THE JOKE DIDN'T LAND 1:16 MANIC AGGRESSION MANIC AGGRESSION Sweden warsick 1:04 DISPOSE Destructive Powers Razored Raw NZ Human Off Switch 1:17 Skitkrimes Noise Speed Aggression Iniquity Rec Germany YOU CAN BE YOU 1:12 UNKNOWN LIBERTY CHAIN OF MADNESS Newcastle UK Murderer 1:24 SPIT Demo Sweden Mai Tai 1:40 Tikiteg Orgeat Iniquity Rec Germany SOUTH WEST FUCK YOU 1:31 DRUG CITY DEMO Mustard Plug - What Does She Know (bkgrd) 2:12 ProRawk Records - ... On The Rawks Compilation Heads Up, Shovels Down 0:59 Fassbender Demo Hiring Fair 1:36 Special Branch Lethal Force Japan Equal Greed-Eternal Enemy 1:24 Soul Craft The Legacy ANIMALS REVENGE - Hombre Lobo Del Hombre 2:46 V/A Crust Punk 2022 D​​​-​​​BEATING Vol.3 Texas Cultural Blight 1:20 Nihilist Riot DEMO Private Ale 2:26 Green Day Kerplunk! Slovenia Fire spreads on human pile 2:12 (A)bsurd Rot Heads

The following article introduces a new series of articles on the ideology of the Black Panther Party by our Minister of Information, Eldridge Cleaver.. In this episode Shibby reads out this piece in an attempt to better orientate our ideology in a more refined and coherent manner towards a Marxist-Lumpen lens. We listen to the Panthers ideolgy and their reasoning for it, which feature topics like the left (lumpen) & right (workers) wing of the proleteriat, as well as Imperial Marxism being inherently European-orientated and more towards getting everyone on the same page, on the same wavelength, navigating our bouji enviornments towards socaialism via ideology.    Patreon: Patreon.com/LumpenPodcast Paypal: https://www.paypal.me/LumpenS Twitter: https://twitter.com/Lumpen_Radio Discord: https://discord.gg/43AA3tt Instagram: https://www.instagram.com/shibbysig/ Podbean:  https://www.podbean.com/podcast-detai... Youtube: https://www.youtube.com/revolutionary... Reddit: https://reddit.com/r/LateStageImperialism Twitch: Twitch.tv/RevolutionaryLumpenRadio Telegram: https://www.t.me/LateStage 

Mario Smith—Promontory Box Office Manager and Lumpen radio talk show host—makes his debut. And he's got a lot to say. Namely, defending Chicago's honor from Ben's harsh critique. Tough challenge. Don't get him started on the topic of Herschel Walker.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hallo! Zeit für eine Sonderfolge. Weil Manu und Michel dieses Wochenende einen Live-Auftritt haben und die Kapitelreihenfolge nicht durcheinanderbringen wollen, gibts Harry Potter basiertes Fachsimpeln. Apropos Live-Auftritt: Für nächstes Jahr gibt es noch Tickets, ein sehr gutes Weihnachtsgeschenk! ;-) Aber nun zu dieser Folge hier. Die beiden Lumpen aus Loch Ness haben sich zusammengesetzt und fast zwei Stunden gelabert. "Supi", sagen die einen, "Ohjemine", sagen die anderen. Thematisch geht es nochmal um den Glückstrank Felix Felicis. Über diesen faszinierenden Trank alleine könnte man schon zwei Stunden reden. Aber zum Glück reden die beiden auch noch übere ihre Lieblings- und Unlieblingsorte im Schloss Hogwarzz drin! Die thematische Dreifaltigkeit wird komplettiert von einer neuen Kategorie die sich "Zauberduell" nennt. Schreibt ruhig in die Kommentare warum Manus Pick gewinnt. sPoiLeR wiRds gEben! Viel Fun Fun Fun!

In this episode, we recorded our Livestream on our Youtube channel (which we do to make content more accesible faster) and we're uploaded the edited version here for an episode to really get into the mind of an activist who will be arrested in the name of Animal rebellion, JustStopOil & Palestine Action. What drives people like this, are the oblivious of their rists or their objectives? Make sure to subscribe for future episodes and share this with a friend, enjoy! - Shibby - Follow Tim on Twitter: https://twitter.com/speers_tim Instagram: https://www.instagram.com/aggravated_activist/ Follow, love & support us: Patreon: Patreon.com/LumpenPodcast Paypal: paypal.me/MarxistLumpen Twitter: https://twitter.com/Lumpen_Radio Discord: https://discord.gg/43AA3tt Instagram: https://www.instagram.com/shibbysig/ Podbean:  https://www.podbean.com/podcast-detai... Youtube: https://www.youtube.com/revolutionary... Reddit: https://reddit.com/r/LateStageImperialism Twitch: Twitch.tv/RevolutionaryLumpenRadio Telegram: https://www.t.me/LateStage   

We're Joined by The Ministry Of African Propaganda to understand the Black Radical Tratition as well as the themes and concepts brought to us in Cedric Robinson's "Black Marxism - The Making Of A Black Radical Tradition" Ministry Of Afro Propaganda Linktree Patreon: Patreon.com/LumpenPodcast Paypal: https://www.paypal.me/LumpenS Twitter: https://twitter.com/Lumpen_Radio Discord: https://discord.gg/43AA3tt Instagram: https://www.instagram.com/shibbysig/ Podbean:  https://www.podbean.com/podcast-detai... Youtube: https://www.youtube.com/revolutionary... Reddit: https://reddit.com/r/LateStageImperialism Twitch: Twitch.tv/RevolutionaryLumpenRadio Telegram: https://www.t.me/LateStage 

Neururer, Magath oder Labbadia: Welche Bundesliga-Koryphäe landet im Letzigrund? Übernimmt Mourinho nun auch das Rap-Game? Und warum macht bei Puma niemand Fenster auf Kipp? Gutzi und Dömer mit den relevantesten Fragen der Woche.

Episode 351... The storm of new punk music continues! A brand new one from Seattle's NIGHTFEEDER. Hands down going to be one of the best releases (per Bros Grim standards) this year. Some Bros classics mixed in. Enjoy!Download or stream from your smart device here (iTunes and Google Podcasts as well):BROS GRIM 351!!!!!!Airing Wednesdays 7pm PST on PUNK ROCK DEMONSTRATION. Also Fridays and Saturdays 7pm PST on RIPPER RADIO.Send us stuff  to brothersgrimpunk@gmail.com.Punk your face off...Seattle And Now We Die 0:54 Nightfeeder Cut All of Your Face OffJapan 悪夢 2:04 COLONY·DROP ZakuVA SELF-INFLICT "Get In Line" 1:18 Mendeku Diskak/Not For The Weak Recs "s/t" 7"Vermont Beetlejuiced 1:03 The Path Dies ScreamingBros Intro Song by Jeff from Loopy Scoop TapesWaylon Jennings - (bkgrd) Are you sure Hank done it this way 2:56Dry Heaves 1:35 D.R.I. (1992) DefinitionPerdido 1:13 TOTÄLICKERS Totälickers "Ansietät"Not This Time 2:32 Total Massacre Give Sweatshops the Boot Vol. 1Lost In Hollywood 1:37 Time Again The Stories Are TrueVancouver, BC 2:17 The Smugglers Dirty Windshields The SoundtrackTHE SPACE CADETS -(bkgrd) Rockin' with the Space Cadets 3:45Oakland You're Next 1:44 Repo Man DemonstrationAustin Stockholm System 1:01 Dead Zone Mad Minute EPBrooklyn Smokescreen Reality 2:06 Vaxine LP PROMO TOUR TAPE 2022Boston For Them Mincers 1:27 ROTBUS No Time For Fun Vol. 8 [NTR 330]Barcelona Cicatrices 2:38 Lumpen CorrupciónDeaths Kiss (bkgrd) 2:16 Years of Aggression Unknown AlbumSLC City of Dis My Name is.. 1:24 Betty Death to PowerviolenceSLC fake 0:43 total cereal Total Cereal split with  Huele A MierdaSan Diego Summary Execution Via Firing Squad 1:30 Intercom 5 Track DemoDallas SPEED DEMON 1:06 ZOO FIELD TRIP 2 DA ZOOSo Cal Every Man for Himself 1:17 Repeat Offender Promo 2022Van BC Nowhere To Hide 1:55 UPPER RANKS The Mighty Have Fallen The Fugitives - (bkgrd) The Fugitive ~ Surf Instro 3:05Mark's Ark 1:42 Guttermouth Teri YakimotoRun in a Circle 1:30 The Old-timers SOLI DEO GLORIAWake the Dead 1:43 The Filthy Cheaters Wake the DeadSpace Dick 0:55 Joe Billy 2021 Bandcamp SingleBeer & Pogo 1:32 Rpm Seni avaldamata loodLook At Me 2:09 Buddy Holly Buddy HollyDelightful as Always 0:31 INFLUENCER Collection INoose 1:48 Vardagshat Vintersömn (winter sleep)Asymptomatic Idiot 0:15 Atrophic Decay Asymptomatic IdiotSeen Better Days 1:19 Caustic Agent Caustic Agent - Demo 2021Give Up Your Boots 1:47 All City Boot Boys VigilanteCareer Opportunities 1:53 The Clash The ClashGermany Komfortzone 1:34 Pisse Lambada

In this episode we interview Ed Mead. Mead is a veteran of the revolutionary underground organization the George Jackson Brigade which operated in solidarity with prisoner, anti-racist, and anti-imperialist struggles. A prolific organizer and participant of prisoner struggles both inside and outside of prisons, Ed also co-founded the prisoner organization Men Against Sexism. He also worked with a number of other organizations and struggles over the years including work with the Prairie Fire Organizing Committee, the Attica Brothers Legal Defense Committee, the National Lawyers Guild, Prison Legal News, and California Prison Focus.  In this conversation we talk about some lessons along the way of Ed's political development, from social prisoner to jailhouse lawyer to organizer to revolutionary to political prisoner.  Ed offers unvarnished reflections from a life in struggle, characteristically with no holds barred for what he refers to as “the tamed left.”  Our conversation was informed by Ed Mead's autobiography Lumpen and by Daniel Burton-Rose's books on the George Jackson Brigade. We will include a full list of sources in the show notes. Links: Lumpen: The Autobiography of Ed Mead Theory and Practice of Armed Struggle in the Northwest: A Historical Analysis Creating A Movement With Teeth: A Documentary History of the George Jackson Brigade Guerilla USA: The George Jackson Brigade and the Anticapitalist Underground of the 1970's Sundiata Acoli's Support Fund Washington Prison History Project Oral Histories

The Homeless, The Prisoner, The Chronically Unemployed, The Disabled, The Criminal Elements. From personal experience and investigation, I break down - for the first time in human history - the analysis of all lumpen classes and sub-strata.  This comes from a text from my Medium article linked below. I used text-speech software and used the voice that sounded most natural. Suport Revolutionary Lumpen Radio in all that we do: https://Twitter.com/Lumpen_Radio https://Patreon.com/LumpenPodcast https://Lumpen.Libsyn.com The original text: https://lumpenshibby.medium.com/the-lumpen-in-the-imperial-core-lumpen-proletariat-class-analysis-b8c9a9375ecd  Final music set by Jay-Jay: https://soundcloud.com/jay-jay-franey/recognise-a-real-don-when-you-see-one