Podcasts about albrecht kemper museum

VISIONS IN TANDEM, is a collaborative Retrospective Exhibition of Dobree Adam's fiber art intertwined with Jonathan Greene's  poems. Lexington Art League, August 2 to September 20, 2024 This collaborative retrospective exhibition of works in fiber and photographs intertwined with poetry considers dialogues of vision and voice in the spirit of haiga, the Japanese tradition of painting with haiku. The art of haiga is about the synergy of collaboration, the richness and depth of an added layer of meaning each work brings to the other. This exhibition centers on brief encounters and in-depth responses to living on their Kentucky River farm as well as to their travels. These encounters have brought reactions to landscape, sense of place, colors and rhythms, ambience, architecture, culture, and design aesthetics as well as inspirations for new bodies of work. In the spirit of haiga, consider how the poems, fiber art, and photographs are related, and how seemingly unrelated works influence or redefine one another.Dobree and Jonathan have developed a deep artistic collaborative relationship over their 50 years together. Dobree has become not only Jonathan's personal editor but also a major contributor in the publishing of many Gnomon Press books and books Jonathan has designed and/or produced for others. They have had collaborative shows at the Albrecht-Kemper Museum in Missouri, the Headley-Whitney Museum, and the Evansville Museum of Art.For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

Artspeak Radio, Wednesday, April 20, 2022, noon – 1pm CST, 90.1FM KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes Jill Carlson with Albrecht-Kemper Museum, artist Andrew Ordonez, and filmmaker Jon Brick. JILL CARLSON, Marketing/Communications Manager Albrecht-Kemper Museum The Albrecht-Kemper Museum of welcomes three new exhibitions this spring. Works will […] The post Artspeak Radio with Albrecht-Kemper Museum, Andrew Ordonez, & Jon Brick appeared first on KKFI.

Moderator: Davonte Bradley These meetups are conducted bi-weekly via Zoom, and are open to all artists included in the Techspressionist Visual Artists Index, located at https://techspressionism.com/artists/ This Salon is an "Old School Open Mic" style format, where artists deliver impromptu presentations, shorter in length than other recent sessions. Verneda Lights Port Royal, South Carolina USA website instagram Born into the Gullahgeechee Nation of the South Carolina Low Country (USA), Verneda Lights is a visual artist/ photographer who is well known for her many Afro-surreal and Afro-futuristic works. Her artworks span from traditional (paintings and drawings on canvas and paper), to digital. As an historian, physician, poet, and science writer, Verneda draws upon the history and sub/conscious imagery of the African diaspora. She creates from the belief that science informs art and art shapes science. In 2017, photo-collages from her “Gullah Me” collection were on display at the 2017 Whitney Biennial, (as part of Occupy Museums' group exhibit), Woman Made Gallery (Chicago, IL), and City Gallery (Charleston, SC). Highlights of 2018 included exhibits at the Hilton Head Town Hall, City Gallery (Charleston, SC), and Albrecht-Kemper Museum of Art (St. Joseph, Missouri). In 2019, the Edward M. Kennedy Institute for the United States Senate commissioned her to create an art chair to honor activist Raffi Freedman-Gurspan. Her chair remains at the Kennedy Institute. From March to April, 2021, her work will be exhibited in “Represent: New Portraiture,” at the Barrett Art Center in Poughkeepsie, NY. Artbit-"The future tense of art" Feature your art, contact giovanna.art.bit@gmail.com Follow Instagram: @artbit_club Disclaimer: Not financial, legal, or accounting advice. For educational purposes only. Join Artbit DAO, meet and connect collectors. https://opensea.io/collection/artbit-dao-club Questions and inquiries: Contact: dubwoman@gmail.com Instagram and Twitter @giovannasun ClubHouse @dubwoman Website: https://linktr.ee/dubwoman

Toland Sand: Vibration of the Mysteries When a friend gave Toland Sand a stained glass studio in 1977, he embarked upon a journey that would lead him to explore the myriad qualities that define glass as a medium. Sand’s 45 years as a sculptor has resulted in works of stained glass, blown glass, and every combination in between. A pioneer in utilizing the unique properties of dichroic glass, Sand begins his current sculpture with optical crystal and dichroic coated glass, hand worked by grinding in ever finer stages until a polish is achieved. Seeking balance, harmony, and symmetry, with an accent on deconstructed form, his work inhabits the symbolic, the cosmic, and the mystery. Inspired by his peers as well as artists such as Isamu Noguchi, David Smith, Henry Moore, and Mark Rothko, Sand says: “I love that images can come and go, are made bold, and then disappear; are reflective and then not. The energetic and mystical side comes from the teachings of my spiritual Master, Sant Kirpal Singh, by whose instructions I meditate every day in my personal effort to connect to and be receptive to the vibration of the mysteries.”  Two years in Taiwan as a child and five years in Athens, Greece, as a teenager, motivated Sand’s investigations of “otherness.” Influenced by Eastern ideograms, Greek letters and Arabic writing, the sculptor creates symbols that have meaning in their elegance as graphics and maintain the sense that language and lettering can lead one into other consciousnesses and cultures.  Each piece takes more or less six weeks to complete, starting with a drawing in the traditional three views on large white paper ripped from a roll, pencil, ruler, and compass. He says: “It’s exciting for me to see how the finished piece measures up to my concept, that begins with inspiration and an idea, and ends up as a complex construction made more complex by reflection, refraction, and the dance of light and color in a three- dimensional setting.”  Sand’s sculpture has been collected by individuals and institutions nationwide including Bergstrom-Mahler Museum of Glass, Neenah, Wisconsin; Albrecht-Kemper Museum of Art, St. Joseph. Missouri; Chattanooga Museum of Art, Chattanooga, Tennessee; University of Michigan Art Museum, Ann Arbor; and The Imagine Museum, St. Petersburg, Florida. His work can also be found in the corporate collections of IBM, Coca Cola, UPS and MacDonald’s, to name a few. Exhibitions include SOFA Chicago, New York and Santa Fe as well as 25 solo shows, most recently in 2015 at Bender Gallery, Asheville, North Carolina, and in 2016 at Raven Gallery, Aspen, Colorado.  In July of 2016, Sand moved his studio from rural New Hampshire to Carmel Valley, California. “The sculptures are a reflection of my inner space and what grabs my attention. I could be doing them anywhere. Actually, I don’t question exactly where they come from. It’s the mystery.”  

The Hereditary Estate by Daniel W. Coburn, is published by Kehrer Verlag (2015), with an essay by Karen Irvine, Curator and Associate Director at the Museum of Contemporary Photography in Chicago, and Kristen Pai Buck, Ph.D., Assistant Professor of Art History at the University of New Mexico, 112 pages. The Hereditary Estate is the first major monograph by photographer Daniel W. Coburn. It functions as a ten-year retrospective and as a conceptual work of art. Coburn’s work and research investigates the family photo album employed as the visual infrastructure for the flawed ideology of the American Dream. Frustrated by the lack of images that document the true and sometimes troubling nature of his own familial history, the photographer set out to create a new archive, a potent supplement to the broken family album that exists in the collection of many families. Using photographs made over the last decade, and altered amateur photographs, he weaves a family narrative that is simultaneously beautiful and terrifying. The careful sequencing of these images creates a powerful psychological dialogue designed to inspire an emotional and visceral response from the viewer. The international distribution of this book completes an essential conceptual component of this work, placing this supplementary album into family collections in countries all over the world. Daniel’s work and research investigates the family photo album as a form and narrative function. Selections from his body of work have been featured in exhibitions at the Los Angeles Center for Digital Art and the Chelsea Museum of Art in New York. His prints are held in collections at the Museum of Contemporary Photography (Chicago), the University of New Mexico Art Museum, the Mulvane Art Museum, the Albrecht-Kemper Museum of Art, and the Mariana Kistler-Beach Museum of Art. Daniel’s work has been published widely, most recently appearing in the International New York Times. Daniel currently lives in Lawrence, Kansas and is an Assistant Professor of Photo Media at the University of Kansas. The Hereditary Estate is available through the photographer’s website, as well as Amazon. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Hereditary Estate by Daniel W. Coburn, is published by Kehrer Verlag (2015), with an essay by Karen Irvine, Curator and Associate Director at the Museum of Contemporary Photography in Chicago, and Kristen Pai Buck, Ph.D., Assistant Professor of Art History at the University of New Mexico, 112 pages. The Hereditary Estate is the first major monograph by photographer Daniel W. Coburn. It functions as a ten-year retrospective and as a conceptual work of art. Coburn’s work and research investigates the family photo album employed as the visual infrastructure for the flawed ideology of the American Dream. Frustrated by the lack of images that document the true and sometimes troubling nature of his own familial history, the photographer set out to create a new archive, a potent supplement to the broken family album that exists in the collection of many families. Using photographs made over the last decade, and altered amateur photographs, he weaves a family narrative that is simultaneously beautiful and terrifying. The careful sequencing of these images creates a powerful psychological dialogue designed to inspire an emotional and visceral response from the viewer. The international distribution of this book completes an essential conceptual component of this work, placing this supplementary album into family collections in countries all over the world. Daniel’s work and research investigates the family photo album as a form and narrative function. Selections from his body of work have been featured in exhibitions at the Los Angeles Center for Digital Art and the Chelsea Museum of Art in New York. His prints are held in collections at the Museum of Contemporary Photography (Chicago), the University of New Mexico Art Museum, the Mulvane Art Museum, the Albrecht-Kemper Museum of Art, and the Mariana Kistler-Beach Museum of Art. Daniel’s work has been published widely, most recently appearing in the International New York Times. Daniel currently lives in Lawrence, Kansas and is an Assistant Professor of Photo Media at the University of Kansas. The Hereditary Estate is available through the photographer’s website, as well as Amazon. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Hereditary Estate by Daniel W. Coburn, is published by Kehrer Verlag (2015), with an essay by Karen Irvine, Curator and Associate Director at the Museum of Contemporary Photography in Chicago, and Kristen Pai Buck, Ph.D., Assistant Professor of Art History at the University of New Mexico, 112 pages. The Hereditary Estate is the first major monograph by photographer Daniel W. Coburn. It functions as a ten-year retrospective and as a conceptual work of art. Coburn’s work and research investigates the family photo album employed as the visual infrastructure for the flawed ideology of the American Dream. Frustrated by the lack of images that document the true and sometimes troubling nature of his own familial history, the photographer set out to create a new archive, a potent supplement to the broken family album that exists in the collection of many families. Using photographs made over the last decade, and altered amateur photographs, he weaves a family narrative that is simultaneously beautiful and terrifying. The careful sequencing of these images creates a powerful psychological dialogue designed to inspire an emotional and visceral response from the viewer. The international distribution of this book completes an essential conceptual component of this work, placing this supplementary album into family collections in countries all over the world. Daniel’s work and research investigates the family photo album as a form and narrative function. Selections from his body of work have been featured in exhibitions at the Los Angeles Center for Digital Art and the Chelsea Museum of Art in New York. His prints are held in collections at the Museum of Contemporary Photography (Chicago), the University of New Mexico Art Museum, the Mulvane Art Museum, the Albrecht-Kemper Museum of Art, and the Mariana Kistler-Beach Museum of Art. Daniel’s work has been published widely, most recently appearing in the International New York Times. Daniel currently lives in Lawrence, Kansas and is an Assistant Professor of Photo Media at the University of Kansas. The Hereditary Estate is available through the photographer’s website, as well as Amazon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Artists Julianne Swartz and Ken Landauer joined me Monday at 9am pst on KUCI 88.9fm to talk about their art exhibit Miracle Report -- documenting dozens of people sharing stories of extraordinary experiences! Hear them LIVE locally or stream us on www.kuci.org. ABOUT Julianne Swartz Julianne Swartz lives and works in New York State. Her work has been exhibited internationally, including venues such as The Israel Museum, Tate Liverpool, PS1/MoMA, the Sculpture Center, the New Museum of Contemporary Art, The High Line Park, NYC, the Jewish Museum NYC, the Indianapolis Museum of Art, Colby College Museum of Art, the Tang Museum, Skidmore College, and the 2004 Biennial Exhibition at the Whitney Museum of American Art. Julianne Swartz: How Deep is Your, a survey exhibition accompanied by a full color monograph originated at the deCordova Sculpture Park and Museum, Massachusetts in 2102 traveled to the Scottsdale Museum of Contemporary Art, Scottsdale, AZ (2013) and the Indianapolis Museum of Art (2014). Swartz teaches sculpture at Bard College and is also on faculty at the School of Visual Arts. She holds a BA in photography and creative writing from the University of Arizona, Tucson and a MFA in Sculpture from Bard College. ABOUT KEN LANDAUER Ken Landauer crafted his house in Stone Ridge, NY. His installations have been commissioned by the Public Art Fund, Socrates Sculpture Park, the Providence Parks Department, and the Kansas City Municipal Arts Commssion. His work is now in front of the DeCordova Museum in Boston and in ArtPark in New York City. Other exhibitions include the ASU Museum in Tempe, AZ, the Morris Museum in Morristown, NJ, The Fields Sculpture Park at Art Omi in Ghent, NY and the Albrecht-Kemper Museum in St. Joseph, MO. He teaches in the MFA Program at The School of Visual Arts in New York City.