Podcasts about Mark Rothko

“Art is a form of prayer … a way to enter into relationship.”Artist and theologian Bruce Herman reflects on the sacred vocation of making, resisting consumerism, and the divine invitation to become co-creators. From Mark Rothko to Rainer Maria Rilke, to Andres Serrano's “Piss Christ” and T.S. Eliot's Four Quartets, he comments on the holy risk of artmaking and the sacred fire of creative origination.Together with Evan Rosa, Bruce Herman explores the divine vocation of art making as resistance to consumer culture and passive living. In this deeply poetic and wide-ranging conversation—and drawing from his book *Makers by Nature—*he invites us into a vision of art not as individual genius or commodity, but as service, dialogue, and co-creation rooted in love, not fear. They touch on ancient questions of human identity and desire, the creative implications of being made in the image of God, Buber's I and Thou, the scandal of the cross, Eliot's divine fire, Rothko's melancholy ecstasy, and how even making a loaf of bread can be a form of holy protest. A profound reflection on what it means to be human, and how we might change our lives—through beauty, vulnerability, and relational making.Episode Highlights“We are made by a Maker to be makers.”“ I think hope is being stolen from us Surreptitiously moment by moment hour by hour day by day.”“There is no them. There is only us.”“The work itself has a life of its own.”“Art that serves a community.”“You must change your life.” —Rilke, recited by Bruce Herman in reflection on the transformative power of art.“When we're not making something, we're not whole. We're not healthy.”“Making art is a form of prayer. It's a form of entering into relationship.”“Art is not for the artist—any more than it's for anyone else. The work stands apart. It has its own voice.”“We're not merely consumers—we're made by a Maker to be makers.”“The ultimate act of art is hospitality.”Topics and ThemesHuman beings are born to create and make meaningArt as theological dialogue and spiritual resistanceCreative practice as a form of love and worshipChristian art and culture in dialogue with contemporary issuesPassive consumption vs. active creationHow to engage with provocative art faithfullyThe role of beauty, mystery, and risk in the creative processArt that changes you spiritually, emotionally, and intellectuallyThe sacred vocation of the artist in a consumerist worldHow poetry and painting open up divine encounter, particularly in Rainer Maria Rilke's “Archaic Torso of Apollo”Four Quartets and spiritual longing in modern poetryHospitality, submission, and service as aesthetic posturesModern culture's sickness and art as medicineEncountering the cross through contemporary artistic imagination“Archaic Torso of Apollo”Rainer Maria Rilke 1875 –1926We cannot know his legendary head with eyes like ripening fruit. And yet his torso is still suffused with brilliance from inside, like a lamp, in which his gaze, now turned to low, gleams in all its power. Otherwise the curved breast could not dazzle you so, nor could a smile run through the placid hips and thighs to that dark center where procreation flared. Otherwise this stone would seem defaced beneath the translucent cascade of the shoulders and would not glisten like a wild beast's fur: would not, from all the borders of itself, burst like a star: for here there is no place that does not see you. You must change your life.About Bruce HermanBruce Herman is a painter, writer, educator, and speaker. His art has been shown in more than 150 exhibitions—nationally in many US cities, including New York, Boston, Washington, Chicago, Los Angeles, and Houston—and internationally in England, Japan, Hong Kong, Italy, Canada, and Israel. His artwork is featured in many public and private art collections including the Vatican Museum of Modern Religious Art in Rome; The Cincinnati Museum of Fine Arts print collection; The Grunewald Print Collection of the Hammer Museum, Los Angeles; DeCordova Museum in Boston; the Cape Ann Museum; and in many colleges and universities throughout the United States and Canada.Herman taught at Gordon College for nearly four decades, and is the founding chair of the Art Department there. He held the Lothlórien Distinguished Chair in Fine Arts for more than fifteen years, and continues to curate exhibitions and manage the College art collection there. Herman completed both BFA and MFA degrees at Boston University College of Fine Arts under American artists Philip Guston, James Weeks, David Aronson, Reed Kay, and Arthur Polonsky. He was named Boston University College of Fine Arts Distinguished Alumnus of the Year 2006.Herman's art may be found in dozens of journals, popular magazines, newspapers, and online art features. He and co-author Walter Hansen wrote the book Through Your Eyes, 2013, Grand Rapids, Wm. B. Eerdmans Publishing, a thirty-year retrospective of Herman's art as seen through the eyes of his most dedicated collector.To learn more, explore A Video Portrait of the Artist and My Process – An Essay by Bruce Herman.Books by Bruce Herman*Makers by Nature: Letters from a Master Painter on Faith, Hope, and Art* (2025) *Ordinary Saints (*2018) *Through Your Eyes: The Art of Bruce Herman (2013) *QU4RTETS with Makoto Fujimura, Bruce Herman, Christopher Theofanidis, Jeremy Begbie (2012) A Broken Beauty (2006)Show NotesBruce Herman on Human Identity as MakersWe are created in the image of God—the ultimate “I Am”—and thus made to create.“We are made by a Maker to be makers.”To deny our creative impulse is to risk a deep form of spiritual unhealth.Making is not just for the “artist”—everyone is born with the capacity to make.Theological Themes and Philosophical FrameworksInfluences include Martin Buber's “I and Thou,” René Girard's scapegoating theory, and the image of God in Genesis.“We don't really exist for ourselves. We exist in the space between us.”The divine invitation is relational, not autonomous.Desire, imitation, and submission form the core of our relational anthropology.Art as Resistance to Consumerism“We begin to enter into illness when we become mere consumers.”Art Versus PropagandaCulture is sickened by passive consumption, entertainment addiction, and aesthetic commodification.Making a loaf of bread, carving wood, or crafting a cocktail are acts of cultural resistance.Desire“Anything is resistance… Anything is a protest against passive consumption.”Art as Dialogue and Submission“Making art is a form of prayer. It's a form of entering into relationship.”Submission—though culturally maligned—is a necessary posture in love and art.Engaging with art requires openness to transformation.“If you want to really receive what a poem is communicating, you have to submit to it.”The Transformative Power of Encountering ArtQuoting Rilke's Archaic Torso of Apollo: “You must change your life.”True art sees the viewer and invites them to become something more.Herman's own transformative moment came unexpectedly in front of a Rothko painting.“The best part of my work is outside of my control.”Scandal, Offense, and the Cross in ArtAnalyzing Andres Serrano's Piss Christ as a sincere meditation on the commercialization of the cross.“Does the crucifixion still carry sacred weight—or has it been reduced to jewelry?”Art should provoke—but out of love, not self-aggrandizement or malice.“The cross is an offense. Paul says so. But it's the power of God for those being saved.”Beauty, Suffering, and Holy RiskEncounter with art can arise from personal or collective suffering.Bruce references Christian Wiman and Walker Percy as artists opened by pain.“Sometimes it takes catastrophe to open us up again.”Great art offers not escape, but transformation through vulnerability.The Fire and the Rose: T. S. Eliot's InfluenceFour Quartets shaped Herman's artistic and theological imagination.Eliot's poetry is contemplative, musical, liturgical, and steeped in paradox.“To be redeemed from fire by fire… when the fire and the rose are one.”The collaborative Quartets project with Makoto Fujimura and Chris Theofanidis honors Eliot's poetic vision.Living and Creating from Love, Not Fear“Make from love, not fear.”Fear-driven art (or politics) leads to manipulation and despair.Acts of love include cooking, serving, sharing, and creating for others.“The ultimate act of art is hospitality.”Media & Intellectual ReferencesMakers by Nature by Bruce HermanFour Quartets by T. S. EliotThe Archaic Torso of Apollo by Rainer Maria RilkeWassily Kandinsky, “On the Spiritual in Art”Amusing Ourselves to Death by Neil PostmanThings Hidden Since the Foundation of the World by René GirardThe Art of the Commonplace by Wendell BerryAndres Serrano's Piss ChristMakoto Fujimura's Art and Collaboration

Convidado para expor no templo dos impressionistas, o Museu d'Orsay, em Paris, o artista plástico Lucas Arruda concebeu “Que importa a paisagem” como parte da Temporada França-Brasil 2025. Em suas paisagens, ele fala através de luzes, pinceladas, gestos e memória. Patrícia Moribe, em Paris“Fiquei muito feliz pelo convite”, conta Lucas Arruda, o primeiro artista brasileiro contemporâneo a exibir no Orsay. “Acho que também tive uma certa ansiedade, um certo nervosismo, um certo medo de ter algum aspecto pretensioso em estar aqui. Mas aí, aos poucos, eu fui achando essas relações [entre os quadros] e percebendo que daria para construir algo que não confrontasse, mas que sim, respeitasse e continuasse.”A ideia de trabalhar com Lucas Arruda já estava em pauta há algum tempo, conta o co-curador Nicolas Gausserrand. "Quando estamos diante de uma tela de Lucas Arruda, temos a impressão de que ela nos é familiar, e é o poder da paisagem de nos dar a sensação de que já a vimos", observa."Seja na realidade ou na pintura, as pinturas de Lucas Arruda parecem se inserir perfeitamente nessa continuidade, que é importante no Museu d'Orsay, ao mesmo tempo, trazendo uma contribuição nova, que é o fato de que ele não pinta, ao contrário dos impressionistas, diante da cena que vê. Todas essas telas são imaginadas e são totalmente ideais de paisagens feitas em sua mente.”“Há algo bastante didático na progressão da exposição, falando primeiro sobre paisagens, em um encontro que não é conflituoso, mas organizado de maneira bastante elegante, tanto para as obras das coleções - Rousseau, Corot, Boudin, Pissarro – como para as obras de Lucas Arruda”, explica Gausserrand.“Há também um deslocamento bastante excepcional do Mar Tempestuoso, de Courbet, para a galeria impressionista. E a conversa acontece de maneira bastante fluida com a paisagem como tema”, acrescenta Gausserrand.“Que importa a paisagem”, frase tirada de um poema de Manuel Bandeira, trafega por três salas. A primeira, com vários expoentes do impressionismo; depois, uma ala só com as séries de Arruda, que funciona como uma quebra e a continuidade do diálogo.Há mais de 15 anos, Lucas Arruda vem trabalhando paisagens em quadros de pequeno formato, da série Deserto-Modelo. O formato reduzido parece concentrar e, ao mesmo tempo, aumentar essa realidade virtual. O visitante precisa auscultar traços e matizes, guiado pelas luzes e memórias de Arruda.Depois, na sala de Claude Monet, cinco versões da catedral de Rouen inspiraram Arruda a buscar cinco imagens de florestas.“Tentei achar cinco matas que tivessem luzes diferentes, construções diferentes. Então foi tudo um pouco pensado, com o entorno, com algumas limitações”, explica.Ele fala sobre a influência dos impressionistas, mas sua obra vai além, com imagens que remetem a outras gerações de artistas, como William Turner, Joseph Constable, Mark Rothko, ou ainda as fotografias de Hiroshi Sugimoto.O artista explica ainda a admiração pelo trabalho de Alfredo Volpi, um dos grandes nomes do modernismo brasileiro. “A luz que vem de trás da têmpera do Volpi tem essa transparência, essa pincelada aberta, que não fecha, que não sela. É uma pincelada que, ao mesmo tempo em que ela deposita, ela também abre luz de trás.”“Que importa a paisagem”, de Lucas Arruda, fica em exposição no Museu d'Orsay, em Paris, até 20 de julho de 2025.

In deze aflevering praat Benjamin met saxofonist en componist Matthias Van den Brande en bassist Tijs Klaassen. Matthias bracht zijn album 'Fields of Color' dat geinspireerd is op de Amerikaanse abstract expressionistische kunstenaar Mark Rothko. 

“Fiume o Morte!” Brilliantly Dramatizes the Rise of a Demagogue http://newyorker.com/culture/the-front-row/fiume-o-morte-brilliantly-dramatizes-the-rise-of-a-demagogue (via ChatGPT) D'Annunzio, Mussolini, Fascism https://chatgpt.com/share/67ee68e1-f73c-8006-9a9a-b12abb23a1f0 MARK ROTHKO & THE FOUR SEASONS – WHEN ART MEETS INTEGRITYIn 1958, Mark Rothko accepted a lucrative commission to paint murals for The Four Seasons restaurant in New York.But after dining there, he was disgusted by the excess ... Read more The post o grande Não de Rothko, a poesia, a arte e a filosofia… e o Fascismo appeared first on radinho de pilha.

Christopher Rothko never thought he would have a career in the art world but he has become the driving force behind preserving his father, painter Mark Rothko’s, legacy. Christopher along with his sister Kate are the copyright holders to their father’s work and oversee exhibitions of Mark Rothko paintings around the world. With a background in clinical psychology, Christopher is also known for his writing about his father's art, life, and legacy, as well as his own reflections on the emotional and philosophical aspects of Mark Rothko’s paintings. Through his books and public work, Christopher has enabled the art of Mark Rothko to continue to resonate with audiences worldwide.See omnystudio.com/listener for privacy information.

This is Part 2 of Mandolyn Wilson Rosen and my review of "Lifeline: Clyfford Still" 2019 directed by Dennis Scholl. It's a juicy art bio tell-all with a crusty curmudgeon as its talented but embittered subject. Don't forget to listen to Part 1 too! Find the film on Amazon ($2.99 SD) or for free on ⁠Kanopy⁠ Find Mandolyn online at: ⁠https://mandolynwilsonrosen.com⁠ and on IG at ⁠@mandolyn_rosen⁠ Artists mentioned: Philip Guston, Barnett Newman, Jackson Pollock, Willem DeKooning, Frank Stella, Donald Judd, Paul Cezanne, Ad Reinhardt, Mark Rothko, Thomas Hart Benton, Art Problems Podcast Thank you, Mandy! Thank you, Listeners! Visit RuthAnn, a new artist-run gallery in Catskill, NY at @ruthanngallery and ruthanngallery.com All music by Soundstripe ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Pep Talks website: ⁠⁠⁠⁠⁠⁠⁠peptalksforartists.com⁠⁠⁠⁠⁠⁠⁠ Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amy's website: ⁠⁠⁠⁠⁠⁠⁠amytalluto.com⁠⁠⁠⁠⁠⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

A badly needed splash of colour this week as Phil & Laura take a deep dive into a Rothko work which sold in 2012 for the staggering sum of $87 million. Just what lies behind those famous, vibrant rectangles... Support the show

Just a heads up, we watched David Lynch's "Blue Velvet" (1986), a film that contains scenes of physical and sexual assault and we end up talking about those topics.In addition to discussing this dark yet compelling movie, we also talk about: carbon monoxide; celebrity burner accounts; Mark Rothko; visions of heaven; Heavy Rain; Trapped in the Closet; and what we're putting out into the world. Hosted on Acast. See acast.com/privacy for more information.

Mandolyn Wilson Rosen is back on the podcast! This time, instead of a book we are talking about an artist documentary. The film is called "Lifeline: Clyfford Still" 2019 directed by Dennis Scholl. It's a juicy art bio tell-all with a crusty curmudgeon as its talented but embittered subject. Come along with us as we enter a turbulently Still world. Find the film on Amazon ($2.99 SD) or for free on KanopyFind Mandolyn online at: https://mandolynwilsonrosen.com and on IG at @mandolyn_rosenLinks to the writings we mentioned:Clyfford Still's "An Open Letter to an Art Critic" on Artforumhttps://www.artforum.com/features/an-open-letter-to-an-art-critic-212151/David Levi Strauss for Brooklyn Rail "From Metaphysics to Invective"https://brooklynrail.org/2012/05/art/from-metaphysics-to-invective-art-criticism-as-if-it-still-matters/Seph Rodney for Hyperallergic "Hoping is Not Enough"https://hyperallergic.com/983414/hoping-is-not-enough/Artists mentioned: Matthew Barney, Jackson Pollock, Mark Rothko, Barnett Newman, Lois Dodd, Julian Schnabel, Mark Bradford, Julie Mehretu, Frank Stella, Ellsworth Kelly, Michelle GrabnerWriters mentioned: Seph Rodney, Paul Valéry, John Ruskin, Guillaume Apollinaire, John Ruskin, David Levi Strauss, Dore Ashton, Jerry Saltz, Ken Johnson, Clement Greenberg, Emily Dickinson's "'Hope' is the thing with feathers" Thank you, Mandy! Thank you, Listeners!Visit RuthAnn, a new artist-run gallery in Catskill, NY at @ruthanngallery and ruthanngallery.comAll music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks website: ⁠⁠⁠⁠⁠⁠peptalksforartists.com⁠⁠⁠⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy's website: ⁠⁠⁠⁠⁠⁠amytalluto.com⁠⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

Join award-winning actor Alec Baldwin in conversation with some of the most dynamic artists, policymakers, and performers working today. This season, Alec speaks with musician, and photographer Julian Lennon on his work, and his philanthropic causes, the founding members of Blue Man Group on the recent closing of their famed New York City show after 30 years, celebrated actor Victor Garber, SNL writer Steve Higgins on SNL’s 50th anniversary, and Christopher Rothko, son of artist Mark Rothko, just to name a few. If you like listening as much as Alec likes talking with interesting people, subscribe now and never miss an episode. The new season begins January 28th.See omnystudio.com/listener for privacy information.

https://Art2Life.com - Have you ever wondered what happens when an artist decides to let curiosity lead the way? This week, we're diving deep into the world of photographic exploration with Arthur Drooker, a visual anthropologist who's made it his mission to capture the essence of diverse communities and environments.  From photographing skies in Sea Ranch, California, that evoke the paintings of Mark Rothko to documenting the unique gatherings of furries, Santa Claus impersonators, and even mermaids, Arthur's work is a testament to the power of curiosity—isn't it amazing how following your curiosity can lead to extraordinary creative journeys?  Arthur's work encourages us to see the world through a lens of curiosity and open-minded exploration. Join us as we explore the profound impact of curiosity and discover how this seemingly simple act can turn ordinary moments into extraordinary art. ================================ LISTEN IF YOU ARE INTERESTED IN… [6:16] Art as a valuable form of personal expression and identity  [12:59] The inspiration for photographic creativity  [14:34] Photographing conventions builds unique community experiences  [20:03] Capturing spontaneous humanity in photographed moments  [24:57] Being consciously present and detached to capture meaningful moments  [34:22] The revelation that led to creating his Twilight book  [39:31] Curiosity leads to understanding and anticipation  [43:43] Unique Golden Gate Bridge photographs that show unseen perspectives  [47:45] Painters appreciate unique window reflection perspectives  ================================ RESOURCES MENTIONED Elliott Erwitt: https://www.elliotterwitt.com/ Conventional Wisdom by Arthur Drooker: https://www.arthurdrooker.com/conventional-wisdom-book/ Pie Town Revisited by Arthur Drooker: https://www.arthurdrooker.com/pie-town-revisited-2/ Twilight: https://www.arthurdrooker.com/twilight-2/ City Hall: https://www.arthurdrooker.com/city-hall-3/ 36 Views of the Golden Gate Bridge: https://www.arthurdrooker.com/the-bridge/ ================================= CONNECT WITH ARTHUR DROOKER Arthur's Website: https://www.arthurdrooker.com// Follow on Instagram: https://www.instagram.com/arthur_drooker/ ============================= CONNECT WITH NICHOLAS WILTON AND ART2LIFE: Get the Free COLOR TIPS PDF: https://workshop.art2life.com/color-tips-pdf-podcasts/  Follow the Sunday Art2Life Vlog: https://art2life.lpages.co/sign-up-for-the-a2l-vlog/  Follow Nicholas Wilton's Art on Instagram: https://www.instagram.com/nicholaswilton/  Follow Art2Life on Instagram: https://www.instagram.com/art2life_world/?hl=en  Subscribe on Youtube: https://www.youtube.com/c/Art2Life  #Art2Life #FineArt #AbstractArt #ModernArt #Contemporary

University of Windsor (ON) Percussion Professor Nicholas Papador stops by to talk about his recent PASIC Presentation on Klezmer arrangements with the help of Heartland Marimba (04:00), his job at Windsor, the Canadian Percussion Network, the Marassa Duo, his compositional career and living in Canada (16:25), growing up mostly in Portland (OR), and his expanded musical interests in classical music and punk rock (41:15), attending the University of Oregon for 2 undergrad degrees and a discussion of the Oregon-Wake Forest football connection (52:50), his years doing his percussion master's degree at Indiana University (01:05:30), his doctoral years at Northwestern University (IL), his post-doctoral time in Ithaca, NY, and working as a percussionist for modern dance (01:13:15), and finishes with the Random Ass Questions, including segments on Paul Auster's books, places to travel, a bug attack at a symphony performance, and Mark Rothko (01:32:00).Finishing with a Rave on the fans of Pete's Percussion Podcast at PASIC (01:56:25).Nicholas Papador links:Nicholas Papador's websiteNicholas Papador's University of Windsor pageNicholas Papador's PASIC pagePrevious Podcast Guests Mentioned:Matthew Coley on the podcast in 2021Aiyun Huang on the podcast in 2023Joshua D. Smith on the podcast in 2018Kevin Bobo on the podcast in 2017Scott Herring on the podcast in 2022Will James on the podcast in 2017Other Links:

Marcado en un principio por John Cage, de quien incorpora la aleatoriedad y los sistemas alternativos de notación musical, el compositor norteamericano evoluciona hacia obras cada vez más extensas y minimalistas que requieren—o proponen—la suspensión del tiempo._____Has escuchadoNeither (1977) / textos de Samuel Beckett. Petra Hoffmann, soprano; Symphonieorchester des Bayerischen Rundfunks; Kwamé Ryan, director. Col Legno (2000)Patterns in a Chromatic Field (1981). Arne Deforce, violonchelo; Yutaka Oya, piano. Aeon (2008)Piece for Four Pianos (1957). David Tudor, Edwin Hymovitz, Morton Feldman, Russell Sherman, pianos. Edition RZ (2007)String Quartet II (1983). Ives Ensemble. hat[now]ART (2007)The King of Denmark (1964). Max Neuhaus, percusión. Sony (2013)_____ Selección bibliográficaBEAL, Amy C., “Time Canvasses: Morton Feldman and the Painters of the New York School”. En: Music and Modern Art. Editado por James Leggio. Routledge, 2002*BLASIUS, Leslie, “Late Feldman and the Remnants of Virtuosity”. Perspectives of New Music, vol. 42, n.º 1 (2004), pp. 32-83*BOUTWELL, Brett, “Morton Feldman's Graphic Notation: Projections and Trajectories”. Journal of the Society for American Music, vol. 6, n.º 4 (2011-2012), pp. 457-482CERVERÓ, Joan Josep, Hibridaciones entre música y pintura: la relación de Morton Feldman y Mark Rothko en Rothko Chapel. Tesis doctoral, Universitat Politècnica de València, 2017CLINE, David, The Graph Music of Morton Feldman. Cambridge University Press, 2016COSTELO, Catherine, “The Sounds of the Sounds Themselves: Analyzing the Early Music of Morton Feldman”. Perspectives of New Music, vol. 34, n.º 1 (1996), pp. 6-27*DELIO, Thomas, The Music of Morton Feldman. Greenwood Press, 1995DOHONEY, Ryan, Morton Feldman: Friendship and Mourning in the New York Avant-Garde. Bloomsbury Academic, 2022FELDMAN, Morton, Écrits et paroles. Editado por Jean-Yves Bosseur. L'Harmattan, 1998—, Give my Regards to Eighth Street: Collected Writings of Morton Feldman. Exact Change, 2000*—, Morton Feldman Says. Selected Interviews and Lectures, 1964-1987. Editado por Chris Villars. Hyphen Press, 2006—, Pensamientos verticales. Caja Negra, 2012GAREAU, Philip, La musique de Morton Feldman ou le temps en liberté. L'Harmattan, 2006JIMÉNEZ CARMONA, Susana, “Suspensiones temporales: sonido y temporalidad en Luigi Nono y Morton Feldman”. En: Musicología en el siglo XXI: nuevos retos, nuevos enfoques. Coordinado por Begoña Lola y Adela Presas. Sociedad Española de Musicología, 2018*JOHNSON, Steven, “Rothko Chapel and Rothko's Chapel”. Perspectives of New Music, vol. 32, n.º 2, (1994) pp. 6-53*JOHNSON, Steven (ed.), The New York Schools of Music and Visual Arts: John Cage, Morton Feldman, Edgard Varèse, Willem de Kooning, Jasper Johns, Robert Rauschenberg. Routledge, 2002KISSANE, Séna (ed.), Vertical Thoughts: Morton Feldman and the Visual Arts. Irish Museum of Modern Art, 2010LAWS, Catherine, Headaches among the Overtones: Music in Beckett. Rodopi, 2013NOBLE, Alistair, Composing Ambiguity: The Early Music of Morton Feldman. Ashgate Pub, 2013SAFATLE, Vladimir, “Morton Feldman comme critique de l'idéologie: expression et politique dans Rothko Chapel”. En: Expression et geste musical: actes du colloque des 8 et 9 avril 2010 à l'Institut national d'histoire de l'art de Paris. Editado por Susanne Kogler y Jean-Paul Olive. L'Harmattan, 2013*SNIJDERS, John, “That is Not Freedom, that is Taking License: The Pitfalls in Performing Morton Feldman's Graph Scores”. En: The Aesthetics of Imperfection in Music and the Arts: Spontaneity, Flaws, and the Unfinished. Editado por Andy Hamilton y Lara Pearson. Bloomsbury Publishing, 2021*VOLANS, Kevin, “What is Feldman?”. Tempo, vol. 68, n.º 270 (2014), pp. 7-14ZIMMERMANN, Walter, “Entretien avec Morton Feldman”. En: Musiques en création. Editado por Philippe Albèra. Contrechamps, 1997* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Stāsta Rotko muzeja vadītājs Daugavpilī Māris Čačka Pirms gada pasaule svinēja Marka Rotko 120. dzimšanas dienu. Ir pagājis zināms laiks, taču mākslinieka jubilejas gada atceres programma joprojām virmo to cilvēku prātos, kuriem izdevās piedzīvot kādu no pasākumiem. Neraugoties uz 50 gadiem, kas aizritējuši pēc mākslinieka nāves, Rotko joprojām ir aktuāls, joprojām atrodas pasaules mākslas virsotnē caur saviem darbiem, vērienīgām retrospekcijām un citu radošu personību jaundarbiem teātrī un mūzikā, kas top, balstoties uz mākslinieka daiļradi, viņa atziņām un nepārvērtējamo sniegumu vizuālajā mākslā, it sevišķi krāsu laukumu glezniecībā. Mākslinieka jubilejas gadā Eiropā bija eksponēta līdz šim lielākā Rotko retrospekcija ar 115 darbiem no vairākām publiskām un privātām kolekcijām. Šī apjomīgā retrospekcija notika Parīzē, Luī Vitona fonda izstāžu telpās, kļūstot par pasaulē vērienīgāko mākslinieka radošā mantojuma parādi kopš 1999. gadā sarīkotās izstādes Parīzes modernās mākslas muzejā. Luī Vitona fonda ēkā eksponētajā Rotko jubilejas izstādē viņa daiļrade tika atrādīta hronoloģiskā secībā, ļaujot izsekot visai mākslinieka karjerai no viņa pirmajām figurālajām gleznām līdz abstrakcijai, kuru ar Rotko radošo ģēniju saistām visvairāk. Kāpēc Rotko arvien ir aktuāls? Mākslinieks vienmēr ir domājis soli uz priekšu par saviem mākslas darbiem, un pat nauda nav bijusi noteicošā viņa lēmumos. Piemēram, 1958. gadā Rotko tika uzaicināts veidot sienu gleznojumu sēriju restorānam Four Seasons (Četri gadalaiki) Filipa Džonsona un Ludviga Mīsa van der Rohes projektētajā Sīgrema ēkā Ņujorkā. Tomēr galu galā pabeigtos darbus Rotko nolēma nepiegādāt, atdeva atpakaļ saņemto avansu un paturēja visu sēriju sev. Vienpadsmit gadus vēlāk, 1969. gadā, deviņas no šīm gleznām, kuras no iepriekšējām atšķir to dziļi sarkanās nokrāsas, mākslinieks uzdāvināja Teita galerijai Londonā, kas izveidoja māksliniekam īpaši veltītu telpu. Līdz šim minētie darbi ne reizes netika atstājuši Londonu. Tomēr, tuvojoties pagājušā gada izstādei Parīzē, tika pieņemts lēmums darbus tomēr izvest un izņēmuma kārtā eksponēt ārpus pastāvīgās mājvietas. Uz jubilejas izstādes apmeklētājiem šis risinājums atstāja fantastisku iespaidu, neviļus pārceļot skatītāju citā realitātē un uzburot unikālu sajūtu, kuru līdz šim bija iespējams izbaudīt identiskā scenogrāfiskā izkārtojumā Teita galerijā. Tiesa gan, šobrīd minētie mākslas darbi pēc Parīzes izstādes jau ir pārcēlušies atpakaļ uz savu vēsturisko mājvietu – Tate Britain galeriju. Parīzes izstādē līdzkuratora darbu veica mākslinieka dēls Kristofers Rotko. Ar Kristoferu Rotko, tāpat kā ar mākslinieka meitu Keitu Rotko-Prīzelu, Rotko muzejam gadu gaitā ir izveidojusies cieša un nozīmīga sadarbība. Tās rezultātā Rotko 120. jubilejas gadā arī Rotko muzejs mainīja savā Rotko zālē aplūkojamos oriģinālus, jau ceturto reizi kopš muzeja atvēršanas piedāvājot skatītājiem līdz šim neredzētu Rotko darbu izlasi. Zīmīgi, ka Rotko aktualitāti paspilgtina gan viņu apvijošā noslēpumainība, gan citu mākslinieku vēlme līdzināties Rotko, viņu kopējot, gan arī sabiedrības bagātāko slāņu interese iegūt savā īpašumā Rotko darbus, izsolēs šķiroties no daudziem desmitiem miljonu eiro. 2014. gada maijā pasauli pāršalca ziņa par it kā Rotko oriģināliem, kurus kāds mākslas zinātnieks noteicis kā īstus. Sešus gadus pirms sensacionālās ziņas, 2008. gadā, kāds advokātu birojs pie Cīrihes ezera bija noslēdzis pirkuma līgumu par amerikāņu mākslinieka Marka Rotko gleznas iegādi. Mākslas darbs ar nosaukumu "Orange, Red, and Blue" tika pārdots par 7,2 miljoniem ASV dolāru (jeb 6,4 miljoniem Šveices franku) kazino magnātam Frenkam Fertitam. Tomēr tas izrādījās viltojums. Darījumu organizēja bijušais Bāzeles Beyeler fonda kurators Olivers Viks. Būdams plaši atzīts Rotko eksperts, Viks apstiprināja gleznas autentiskumu. Un saņēma 450 000 ASV dolāru komisijas maksu no pārdošanas darījuma. Tālāk sekoja tiesu darbi. Šis fakts nav palicis nepamanīts arī mākslas aprindās. Pirms pāris gadiem mūsu pašu Dailes teātrī poļu režisors Lukašs Tvarkovskis ar panākumiem iestudēja dramaturģes Ankas Herbutas lugu "Rohtko". Izrāde plūkusi laurus kā pašmāju, tā ārvalstu teātros. Būtisku darbu Rotko stāsta veidošanā ir veicis Māra Briežkalna kvinteta uzvedums "Rothko in Jazz". Nozīmīga vērtība ir arī koncertzālē "Lielais dzintars" tikko izskanējušajam koncertam, kurā amerikāņu komponista Mortona Feldmana skaņdarbs "Rotko kapela" skanēja Latvijas Radio kora izpildījumā. Rotko aktualitāti ir apliecinājis arī pērnā gada nogalē rīkotais Vašingtonas Nacionālas galerijas izstādes projekts "Rotko uz papīra". Šogad tas kā ceļojošs projekts pirmo reizi eksponēts Eiropā, Oslo Nacionālajā galerijā. Un vēl, un vēl un vēl joprojām Rotko ir un paliek Rotko. Par viņu turpina runāt, bet viņa darbi turpina aizkustināt un iedvesmot miljoniem cilvēku visā pasaulē. Rotko muzejā tikko noslēdzies nu jau 20. Starptautiskais glezniecības simpozijs "Mark Rothko". Šis gluži svaigais stāsts par Rotko ir dzimis Daugavpilī deviņu mākslinieku radošajā veikumā, kas aplūkojams Rotko muzejā līdz 2024. gada 17. novembrim. Vēl var paspēt!

À l'occasion de cette rencontre Souraya Noujaim, directrice du Département des arts de l'Islam du musée du Louvre, abordera l'histoire de ce département dont elle a accompagné les évolutions au long de sa carrière muséale. Elle reviendra sur la notion même d'arts de l'Islam pour en proposer une mise en perspective avec le contemporain avec le désir profond de renouveler notre regard sur cette notion. Il sera notamment question de calligraphie transcendantale, de géométrie, de pages du Coran autant que de Mark Rothko. Amphithéâtre des Loges Mardi 22 octobre 2024

At the start of September, a massive chunk of the international art world descended on South Korea for a bounty of high-profile art offerings. The marquee event was Frieze Seoul, in its third edition, at the Coex convention center in the luxe Gangnam district, running alongside the long-established Korea International Art Fair. But they represented just one element of the action. All over Seoul, museums and galleries were opening big shows, angling for attention. Samsung's Leeum museum hosted an Anicka Yi blowout and a superb show of young artists curated by Rirkrit Tiravanija. The beauty giant Amorepacific welcomed Elmgreen & Dragset at a museum in the basement of its David Chipperfield–designed headquarters, while Gagosian set up shop with a Derrick Adams exhibition on the ground floor. Up above, local heavyweights came out swinging—PKM with Yoo Youngkuk, Pace with the potent pairing of Lee Ufan and Mark Rothko, and Jason Haam with Urs Fischer. Celebrities were everywhere. Parties were everywhere. No one seemed to be sleeping. Everyone was on the move. And the festivities were not confined to Seoul. The esteemed Gwangju Biennale inaugurated its 15th edition in that southern city the day after the fairs opened, a sharp, tough show curated by the Frenchman Nicolas Borriaud that ran alongside more than 30 national pavilions. And along the country's southern coast, the latest Busan Biennale also drew crowds, with more than 60 artists selected by its curators, Vera Mey and Philippe Pirotte. There was so much happening that it was impossible to see it all—even with a dedicated driver—which many VIPs had—and even if you were willing to forgo moments of rest. This week, Artnet Pro editor Andrew Russeth is joined by London-based reporter and co-author of the Asia Pivot newsletter Vivienne Chow to discuss the art, the food, and everything in between.

Bienvenidos a un nuevo directo desde Twitter para luego emitirlo en Ivoox junto a los casi 950 audios que tenemos allí publicados. Una gran audioteca que junto con el blog tecnicopreocupado punto com y los videos publicados en Youtube, Odysee, Bitchute y Ugetube forman una enorme hemeroteca que de momento sigue a disposición de todos de forma totalmente altruista. Recuerden que tengo un crowfunding para recaudar dinero para mi defensa judicial, la cual, creanme que la necesito y ojala no fuera así. Pero ese tema me produce demasiada quemazón y estamos en verano, a punto de entrar en Agosto. Se han dado cuenta de que si observan las puestas de Sol o las salidas de este durante todo el año van a descubrir el movimiento hacia atrás y hacia adelante que recrea a un ocho. Aunque no podamos ver esta figura cuando esta bajo el horizonte o el mar pero nos aparecerá si tomamos una fotografía del Sol en el cielo desde el mismo punto y a la misma hora todos los días. Tiene dos extremos, uno en el solsticio de verano en junio y otro en el solsticio de invierno en diciembre. Se llama técnicamente Analema. En astronomía, el analema, del griego «pedestal de un reloj de sol» es la curva que describe el Sol en el cielo si todos los días del año se lo observa a la misma hora del día (huso horario) y desde el mismo lugar de observación. Por eso los relojes de arena se empezaron a representar con la forma de un 8. Es una de tantas cosas sabias del pasado que hemos ido desaprendiendo. En la descripción del podcast os dejaremos un precioso video tomado en Canarias donde vemos las puestas de Sol mirando hacia el Teide. Poco a poco vamos perdiendo el conocimiento ancestral y nos cargamos de morralla inservible. Porque aunque el tramposo de Darwin le haya vendido a la ciencia que estamos evolucionando, la verdad, es que si miramos a nuestro alrededor todo es mas chabacano, triste, feo, desamparado y poco creativo. El arte ha involucionado hacia una copia barata, cutre e incluso sucia de lo que acostumbraba ser. Solo es necesario ponerle el marchamo de arte a cualquier cosa y de repente se convierte en arte. Tal y como podemos leer en la biografía de Marcel Duchamp, un ajedrecista y artista que pululó por las vanguardias de principios del siglo XX que trajeron el dadaísmo: “Duchamp es uno de los principales valedores de la creación artística como resultado de un puro ejercicio de la voluntad, sin necesidad estricta de formación, preparación o talento.” Y es que talento, lo que se dice talento no es necesario para comprar un urinario en 1917, ponerle la firma de un tal R. Mutt en el borde inferior y pretender exponerlo en una exposición de la Sociedad de artistas independientes en Nueva York donde mas de 20.000 personas hubieran visto “su meada”. Al final, no le dejaron exponerlo, pero esto mas que ser una contrariedad fue el detonante para que Alfred Stieglitz la fotografiase para la posteridad. Desde luego estamos hablando del urinario más famoso del mundo. Lo que vino después ya lo conocemos, cualquier gilipollas puede declararse artista y pintar, modelar o construir cosas con cualquier parte de su cuerpo. Desde globos de pintura arrojados desde los anos o las vaginas del artista, pinceles fálicos, o insertados en cualquier agujero corporal, pintura a través de la estampación del cuerpo desnudo del artista o, en fin, cualquier cosa que se le ocurra al o la gilipollas de turno sin necesidad estricta de formación, preparación o talento. En el periódico The Independent escribe Frances Stonor Saunders: “Durante décadas, en los círculos artísticos, esto fue un rumor o una broma, pero ahora se ha confirmado como un hecho. La CIA utilizó el arte moderno estadounidense, incluidas las obras de artistas como Jackson Pollock, Robert Motherwell, Willem de Kooning y Mark Rothko, como arma en la Guerra Fría. A la manera de un príncipe renacentista, pero actuando en secreto, la CIA promovió y promovió la pintura expresionista abstracta estadounidense en todo el mundo durante más de 20 años.” Esto lo vimos por ejemplo al leer el informe Iron Mountain de 1967 donde se nos dice que las elites ya están desarrollando un tipo de arte determinado: “Resulta interesante observar que el trabajo correspondiente a una estética libre de valores de esta naturaleza ya se está realizando hoy en los crecientes experimentos artísticos que carecen de contenido, posiblemente anticipando así la venida de un mundo sin conflictos. Se ha desarrollado un culto alrededor de un nuevo determinismo cultural que propone que la forma tecnológica de la expresión cultural determina sus valores en lugar de hacerlo a través de un contenido con un significado ostensible.” Traduzco. “Estética libre de valores”, “experimentos artísticos que carecen de contenido” y “contenido que no tenga significado ostensible” significa “crear cualquier mierda” y hacerla pasar por arte para seguir entreteniendo a los dormidos. Creanme que hay magníficos creadores en todos los campos artísticos y por supuesto son relegados al ostracismo mientras suben al estrellato a desgraciados abrazafarolas dedostorcidos y uñas largas. Ni que decir que las películas son copias de otras películas que a la vez fueron obras maestras incluso del cine mudo. Todo es una copia de una copia y al final en ese trajín de copias y pegas se pierde la verdadera esencia que nos trasmitían aquellos filmes, aquellas viejas obras de arte que la mayoría de las veces se basaban en buenas novelas o en obras inmortales de la mitología. En el mundo de la música ocurre lo mismo, todo se degrada a una velocidad que hace imposible conectar con lo que escuchan las nuevas generaciones. El reguetón no ceja en parir lechones. Supuestos cantantes mas cantamañanas que la anterior camada. Nos están obligando a involucionar de tanto tragar mierda. Y ese, desde luego, es uno de los objetivos que tienen las elites para con el pueblo llano. Con todos nosotros a los que nos denominan masa sucia, a veces incluso los muertos porque realmente no reaccionamos. Aunque cada vez más se aprecia una reacción contraria a lo que pretenden las elites. Esto lo hemos visto en la inauguración de los juegos olímpicos de Paris, o más bien deberíamos llamarles los primeros juegos Woke olímpicos de la historia. Finalmente han tenido que retirar de las plataformas para terminar pidiendo perdón. Curiosamente la portavoz de los juegos olímpicos que pidió perdón se llama Anne Descamps, sí, un apellido muy parecido a aquel del urinario. Vivimos en un mundo woke, aunque los muy sibilinos de los que mandan le han dado una definición muy chula a esa palabreja. Woke significa «despierto» en inglés y es un término que, originado en los Estados Unidos, inicialmente se usaba para referirse a quienes se enfrentan o se mantienen alerta frente al racismo. “Tócate los cojones” que diría mi abuela. Los wokes son los despiertos y los que los criticamos somos los dormidos…ja, ja, ja, el mundo al revés. Puro satanismo que coloca a la mierda en el altar y degrada a lo puro y a la vida al cubo de la basura. Mierda, sí. Eso ha sido esta enorme mierda de inauguración olímpica en un río Sena lleno de mierda hasta los topes. Hubo incluso una quedada para inundar de heces el río antes de la celebración de estos juegos. No sé si se llevaría a cabo, pero da igual, no se puede limpiar en 5 minutos lo que se ha ensuciado durante años. Hemos podido ver sobretodo unas claras referencias a la masonería y burlas hacia la religión católica y más concretamente contra el cristianismo. Casualmente en las 33 olimpiadas, numero muy importante dentro de la masonería. No nos debería de sorprender si el coreógrafo principal, Thomas Jolly, es de la religión de los recaudadores de impuestos. Bueno, él e imagino que gran parte del elenco de trans, bailarines con un huevo colgando y demás purria que intentaba imitar la última cena de Da Vinci en vez de bajo la luz divina de Cristo bajo tres filas de 6 fluorescentes. Sí, el 666 estuvo bien presente en todo esto, cada tramo de ese puente tenia sus 6 fluorescentes. La figura femenina elegida para representar a Cristo fue la obesa mórbida y DJ B. B. (diremos las iniciales ya que ha terminado por denunciar a troche y moche a todos los que la han criticado). Por supuesto, también es de la religión de los recaudadores de impuestos. Las 12 escenas guionizadas por Jolly, el jovial recaudador, describirían un pais rico en diversidad, inclusivo, no una Francia, sino varias Francias, así como un mundo entero reunido. En clara alusión a los doce apóstoles que se convierten así en las doce Francias, en los 12 despojos de un pais soberano lobotomizado y sometido a la involución. Vimos artistas con la cabeza cortada fingiendo ser Maria Antonieta en horario infantil, bailarines negros bailando, bueno, estrujando a niñas de ocho años, trans de todos los colores y modelos, fuegos artificiales simulando ser sangre palaciega y todo tipo de luces realizando figuras que nos recuerdan a la escuadra y el compás masónico o al sigilo de Lucifer. También los vimos bailando sincopadamente en el ajedrezado masónico y colapsando en el piso iluminado de rojo como si de una repentinitis se tratase. Y es que lo que comenzaba con el izado de la bandera olímpica del revés no podia augurar nada bueno. Ya saben que dentro del satanismo hacer las cosas del revés está bien visto, por eso muchas camisetas satánicas se cosen con las costuras por fuera. Como guinda del pastel debemos hablar del caballo pálido que trotó por encima de las aguas del Sena simulando a Cristo pero trayendo un mensaje claro que podemos leer en Apocalipsis 6:8 “Miré, y he aquí un caballo amarillo, y el que lo montaba tenía por nombre Muerte, y el Hades le seguía; y le fue dada potestad sobre la cuarta parte de la tierra, para matar con espada, con hambre, con mortandad, y con las fieras de la tierra.” Sí, amigos, las élites psicopatocraticas no solo nos quieren pervertir y degradar haciendo que involucionemos sino que nos quieren directamente asesinar. Sus mentes eugenistas ven demasiadas almas poblando “su” Tierra. Esta gentuza ha probado la sangre y conoce su sabor dulzón. Y quiere más y más rápido. A ellos les importa una mierda que el camino al infierno sea muy corto y la vuelta sin embargo dure toda la eternidad. ………………………………………………………………………………………. Invitados: Ira @Genes72 …. Dra Yane #JusticiaParaUTP @ayec98_2 Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. https://youtu.be/TXEEZUYd4c0 …. UTP Ramón Valero @tecn_preocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq ………………………………………………………………………………………. Enlaces citados en el podcast: Un año, 365 puestas de sol https://www.youtube.com/watch?v=kRENfTomQIo La fuente' de Duchamp, el urinario que cambió la historia del arte https://www.elconfidencial.com/cultura/2017-04-15/arte-vanguardias-duchamp-fuente-urinario_1366043/ El arte moderno era un “arma” de la CIA https://litwinbooks.com/modern-art-was-cia-weapon/ Hilo inauguración Paris https://x.com/tecn_preocupado/status/1817085972607041692 La organización de los JJ.OO. pide perdón a los ofendidos por la representación de 'La última cena’ https://www.youtube.com/watch?v=-CYaWi_bOjA Ceremonia inaugural Juegos Olímpicos París 2024 (según el Español, pero mira, mira, no hay nada) https://www.youtube.com/watch?v=Ag7xCxFsLe0 Paris 2024 Historic Olympic Opening Ceremony: Lady Gaga, Celine Dion, Gojira & MORE https://www.youtube.com/watch?v=myAHrXIwqXs Masones célebres (Jacques y Etienne Montgolfier https://issuu.com/retalesdemasoneria/docs/retales_masoneria_numero_124_-_octubre_2021/s/13696938 ¿REALMENTE SABES QUIÉN FUE KARL MARX? I https://tecnicopreocupado.com/2015/05/07/realmente-sabes-quien-fue-karl-marx/ ¿REALMENTE SABES QUIÉN FUE KARL MARX? II https://tecnicopreocupado.com/2015/05/08/realmente-sabes-quien-fue-karl-marx-ii/ PIRÁMIDE TRUNCADA ILLUMINATI EN GOBIERNO FRANCES MACRON https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/piramide-truncada-illuminati-en-gobierno-frances-macron/ EL OCTÁGONO SATÁNICO Y LAS MASÓNICAS ELECCIONES FRANCESAS https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/ SATANISMO Y ANTISATANISMO https://tecnicopreocupado.com/2014/05/12/satanismo-y-antisatanismo/comment-page-1/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS I https://tecnicopreocupado.com/2014/05/22/ovnis-basura-radiactiva-sectas-y-pseudocientificos/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS II https://tecnicopreocupado.com/2014/05/23/ovnis-basura-radiactiva-y-pseudocientificos-ii/ Atentado a Trump que lo catapulta como presidente https://foroconspiracion.com/threads/atentado-a-trump-que-lo-catapulta-como-presidente.345/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET I https://tecnicopreocupado.com/2019/08/31/pongame-un-quarto-de-masoneria-en-un-poblet-i/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET II https://tecnicopreocupado.com/2019/09/01/pongame-un-quarto-de-masoneria-en-un-poblet-ii/ Sealand, el país más pequeño del mundo que está en una plataforma marina https://www.idealista.com/news/inmobiliario/internacional/2018/11/14/769523-sealand-la-plataforma-marina-que-es-el-pais-mas-pequeno-del-mundo Con los trevifans hemos topado https://www.elmundo.es/blogs/elmundo/elblogdesantiagogonzalez/2016/08/14/con-los-trevifans-hemos-topado.html Sealand o de como montarse una patria con un poco de morro https://x.com/juliodelarrosa/status/960822921991254016 Decapitan a otro hombre en Valencia, el segundo en menos de 30 horas https://x.com/CarlosMontas13/status/1818946314303934789 Videos Es Clave https://tecnicopreocupado.com/videos/videos-es-clave/ LA SATÁNICA DERIVA DEL FEMINISMO QUE SACRIFICA LA FERTILIDAD FEMENINA https://tecnicopreocupado.com/2019/07/28/la-satanica-deriva-del-feminismo-que-sacrifica-la-fertilidad-femenina/ LIBRO DE MICRORRELATOS https://tecnicopreocupado.com/libro-de-microrrelatos/ ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros ………………………………………………………………………………………. Epílogo Los Aldeanos - Censurados https://youtu.be/k8pGYFN1a_4?feature=shared

Bienvenidos a un nuevo directo desde Twitter para luego emitirlo en Ivoox junto a los casi 950 audios que tenemos allí publicados. Una gran audioteca que junto con el blog tecnicopreocupado punto com y los videos publicados en Youtube, Odysee, Bitchute y Ugetube forman una enorme hemeroteca que de momento sigue a disposición de todos de forma totalmente altruista. Recuerden que tengo un crowfunding para recaudar dinero para mi defensa judicial, la cual, creanme que la necesito y ojala no fuera así. Pero ese tema me produce demasiada quemazón y estamos en verano, a punto de entrar en Agosto. Se han dado cuenta de que si observan las puestas de Sol o las salidas de este durante todo el año van a descubrir el movimiento hacia atrás y hacia adelante que recrea a un ocho. Aunque no podamos ver esta figura cuando esta bajo el horizonte o el mar pero nos aparecerá si tomamos una fotografía del Sol en el cielo desde el mismo punto y a la misma hora todos los días. Tiene dos extremos, uno en el solsticio de verano en junio y otro en el solsticio de invierno en diciembre. Se llama técnicamente Analema. En astronomía, el analema, del griego «pedestal de un reloj de sol» es la curva que describe el Sol en el cielo si todos los días del año se lo observa a la misma hora del día (huso horario) y desde el mismo lugar de observación. Por eso los relojes de arena se empezaron a representar con la forma de un 8. Es una de tantas cosas sabias del pasado que hemos ido desaprendiendo. En la descripción del podcast os dejaremos un precioso video tomado en Canarias donde vemos las puestas de Sol mirando hacia el Teide. Poco a poco vamos perdiendo el conocimiento ancestral y nos cargamos de morralla inservible. Porque aunque el tramposo de Darwin le haya vendido a la ciencia que estamos evolucionando, la verdad, es que si miramos a nuestro alrededor todo es mas chabacano, triste, feo, desamparado y poco creativo. El arte ha involucionado hacia una copia barata, cutre e incluso sucia de lo que acostumbraba ser. Solo es necesario ponerle el marchamo de arte a cualquier cosa y de repente se convierte en arte. Tal y como podemos leer en la biografía de Marcel Duchamp, un ajedrecista y artista que pululó por las vanguardias de principios del siglo XX que trajeron el dadaísmo: “Duchamp es uno de los principales valedores de la creación artística como resultado de un puro ejercicio de la voluntad, sin necesidad estricta de formación, preparación o talento.” Y es que talento, lo que se dice talento no es necesario para comprar un urinario en 1917, ponerle la firma de un tal R. Mutt en el borde inferior y pretender exponerlo en una exposición de la Sociedad de artistas independientes en Nueva York donde mas de 20.000 personas hubieran visto “su meada”. Al final, no le dejaron exponerlo, pero esto mas que ser una contrariedad fue el detonante para que Alfred Stieglitz la fotografiase para la posteridad. Desde luego estamos hablando del urinario más famoso del mundo. Lo que vino después ya lo conocemos, cualquier gilipollas puede declararse artista y pintar, modelar o construir cosas con cualquier parte de su cuerpo. Desde globos de pintura arrojados desde los anos o las vaginas del artista, pinceles fálicos, o insertados en cualquier agujero corporal, pintura a través de la estampación del cuerpo desnudo del artista o, en fin, cualquier cosa que se le ocurra al o la gilipollas de turno sin necesidad estricta de formación, preparación o talento. En el periódico The Independent escribe Frances Stonor Saunders: “Durante décadas, en los círculos artísticos, esto fue un rumor o una broma, pero ahora se ha confirmado como un hecho. La CIA utilizó el arte moderno estadounidense, incluidas las obras de artistas como Jackson Pollock, Robert Motherwell, Willem de Kooning y Mark Rothko, como arma en la Guerra Fría. A la manera de un príncipe renacentista, pero actuando en secreto, la CIA promovió y promovió la pintura expresionista abstracta estadounidense en todo el mundo durante más de 20 años.” Esto lo vimos por ejemplo al leer el informe Iron Mountain de 1967 donde se nos dice que las elites ya están desarrollando un tipo de arte determinado: “Resulta interesante observar que el trabajo correspondiente a una estética libre de valores de esta naturaleza ya se está realizando hoy en los crecientes experimentos artísticos que carecen de contenido, posiblemente anticipando así la venida de un mundo sin conflictos. Se ha desarrollado un culto alrededor de un nuevo determinismo cultural que propone que la forma tecnológica de la expresión cultural determina sus valores en lugar de hacerlo a través de un contenido con un significado ostensible.” Traduzco. “Estética libre de valores”, “experimentos artísticos que carecen de contenido” y “contenido que no tenga significado ostensible” significa “crear cualquier mierda” y hacerla pasar por arte para seguir entreteniendo a los dormidos. Creanme que hay magníficos creadores en todos los campos artísticos y por supuesto son relegados al ostracismo mientras suben al estrellato a desgraciados abrazafarolas dedostorcidos y uñas largas. Ni que decir que las películas son copias de otras películas que a la vez fueron obras maestras incluso del cine mudo. Todo es una copia de una copia y al final en ese trajín de copias y pegas se pierde la verdadera esencia que nos trasmitían aquellos filmes, aquellas viejas obras de arte que la mayoría de las veces se basaban en buenas novelas o en obras inmortales de la mitología. En el mundo de la música ocurre lo mismo, todo se degrada a una velocidad que hace imposible conectar con lo que escuchan las nuevas generaciones. El reguetón no ceja en parir lechones. Supuestos cantantes mas cantamañanas que la anterior camada. Nos están obligando a involucionar de tanto tragar mierda. Y ese, desde luego, es uno de los objetivos que tienen las elites para con el pueblo llano. Con todos nosotros a los que nos denominan masa sucia, a veces incluso los muertos porque realmente no reaccionamos. Aunque cada vez más se aprecia una reacción contraria a lo que pretenden las elites. Esto lo hemos visto en la inauguración de los juegos olímpicos de Paris, o más bien deberíamos llamarles los primeros juegos Woke olímpicos de la historia. Finalmente han tenido que retirar de las plataformas para terminar pidiendo perdón. Curiosamente la portavoz de los juegos olímpicos que pidió perdón se llama Anne Descamps, sí, un apellido muy parecido a aquel del urinario. Vivimos en un mundo woke, aunque los muy sibilinos de los que mandan le han dado una definición muy chula a esa palabreja. Woke significa «despierto» en inglés y es un término que, originado en los Estados Unidos, inicialmente se usaba para referirse a quienes se enfrentan o se mantienen alerta frente al racismo. “Tócate los cojones” que diría mi abuela. Los wokes son los despiertos y los que los criticamos somos los dormidos…ja, ja, ja, el mundo al revés. Puro satanismo que coloca a la mierda en el altar y degrada a lo puro y a la vida al cubo de la basura. Mierda, sí. Eso ha sido esta enorme mierda de inauguración olímpica en un río Sena lleno de mierda hasta los topes. Hubo incluso una quedada para inundar de heces el río antes de la celebración de estos juegos. No sé si se llevaría a cabo, pero da igual, no se puede limpiar en 5 minutos lo que se ha ensuciado durante años. Hemos podido ver sobretodo unas claras referencias a la masonería y burlas hacia la religión católica y más concretamente contra el cristianismo. Casualmente en las 33 olimpiadas, numero muy importante dentro de la masonería. No nos debería de sorprender si el coreógrafo principal, Thomas Jolly, es de la religión de los recaudadores de impuestos. Bueno, él e imagino que gran parte del elenco de trans, bailarines con un huevo colgando y demás purria que intentaba imitar la última cena de Da Vinci en vez de bajo la luz divina de Cristo bajo tres filas de 6 fluorescentes. Sí, el 666 estuvo bien presente en todo esto, cada tramo de ese puente tenia sus 6 fluorescentes. La figura femenina elegida para representar a Cristo fue la obesa mórbida y DJ B. B. (diremos las iniciales ya que ha terminado por denunciar a troche y moche a todos los que la han criticado). Por supuesto, también es de la religión de los recaudadores de impuestos. Las 12 escenas guionizadas por Jolly, el jovial recaudador, describirían un pais rico en diversidad, inclusivo, no una Francia, sino varias Francias, así como un mundo entero reunido. En clara alusión a los doce apóstoles que se convierten así en las doce Francias, en los 12 despojos de un pais soberano lobotomizado y sometido a la involución. Vimos artistas con la cabeza cortada fingiendo ser Maria Antonieta en horario infantil, bailarines negros bailando, bueno, estrujando a niñas de ocho años, trans de todos los colores y modelos, fuegos artificiales simulando ser sangre palaciega y todo tipo de luces realizando figuras que nos recuerdan a la escuadra y el compás masónico o al sigilo de Lucifer. También los vimos bailando sincopadamente en el ajedrezado masónico y colapsando en el piso iluminado de rojo como si de una repentinitis se tratase. Y es que lo que comenzaba con el izado de la bandera olímpica del revés no podia augurar nada bueno. Ya saben que dentro del satanismo hacer las cosas del revés está bien visto, por eso muchas camisetas satánicas se cosen con las costuras por fuera. Como guinda del pastel debemos hablar del caballo pálido que trotó por encima de las aguas del Sena simulando a Cristo pero trayendo un mensaje claro que podemos leer en Apocalipsis 6:8 “Miré, y he aquí un caballo amarillo, y el que lo montaba tenía por nombre Muerte, y el Hades le seguía; y le fue dada potestad sobre la cuarta parte de la tierra, para matar con espada, con hambre, con mortandad, y con las fieras de la tierra.” Sí, amigos, las élites psicopatocraticas no solo nos quieren pervertir y degradar haciendo que involucionemos sino que nos quieren directamente asesinar. Sus mentes eugenistas ven demasiadas almas poblando “su” Tierra. Esta gentuza ha probado la sangre y conoce su sabor dulzón. Y quiere más y más rápido. A ellos les importa una mierda que el camino al infierno sea muy corto y la vuelta sin embargo dure toda la eternidad. ………………………………………………………………………………………. Invitados: Ira @Genes72 …. Dra Yane #JusticiaParaUTP @ayec98_2 Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. https://youtu.be/TXEEZUYd4c0 …. UTP Ramón Valero @tecn_preocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq ………………………………………………………………………………………. Enlaces citados en el podcast: Un año, 365 puestas de sol https://www.youtube.com/watch?v=kRENfTomQIo La fuente' de Duchamp, el urinario que cambió la historia del arte https://www.elconfidencial.com/cultura/2017-04-15/arte-vanguardias-duchamp-fuente-urinario_1366043/ El arte moderno era un “arma” de la CIA https://litwinbooks.com/modern-art-was-cia-weapon/ Hilo inauguración Paris https://x.com/tecn_preocupado/status/1817085972607041692 La organización de los JJ.OO. pide perdón a los ofendidos por la representación de 'La última cena’ https://www.youtube.com/watch?v=-CYaWi_bOjA Ceremonia inaugural Juegos Olímpicos París 2024 (según el Español, pero mira, mira, no hay nada) https://www.youtube.com/watch?v=Ag7xCxFsLe0 Paris 2024 Historic Olympic Opening Ceremony: Lady Gaga, Celine Dion, Gojira & MORE https://www.youtube.com/watch?v=myAHrXIwqXs Masones célebres (Jacques y Etienne Montgolfier https://issuu.com/retalesdemasoneria/docs/retales_masoneria_numero_124_-_octubre_2021/s/13696938 ¿REALMENTE SABES QUIÉN FUE KARL MARX? I https://tecnicopreocupado.com/2015/05/07/realmente-sabes-quien-fue-karl-marx/ ¿REALMENTE SABES QUIÉN FUE KARL MARX? II https://tecnicopreocupado.com/2015/05/08/realmente-sabes-quien-fue-karl-marx-ii/ PIRÁMIDE TRUNCADA ILLUMINATI EN GOBIERNO FRANCES MACRON https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/piramide-truncada-illuminati-en-gobierno-frances-macron/ EL OCTÁGONO SATÁNICO Y LAS MASÓNICAS ELECCIONES FRANCESAS https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/ SATANISMO Y ANTISATANISMO https://tecnicopreocupado.com/2014/05/12/satanismo-y-antisatanismo/comment-page-1/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS I https://tecnicopreocupado.com/2014/05/22/ovnis-basura-radiactiva-sectas-y-pseudocientificos/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS II https://tecnicopreocupado.com/2014/05/23/ovnis-basura-radiactiva-y-pseudocientificos-ii/ Atentado a Trump que lo catapulta como presidente https://foroconspiracion.com/threads/atentado-a-trump-que-lo-catapulta-como-presidente.345/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET I https://tecnicopreocupado.com/2019/08/31/pongame-un-quarto-de-masoneria-en-un-poblet-i/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET II https://tecnicopreocupado.com/2019/09/01/pongame-un-quarto-de-masoneria-en-un-poblet-ii/ Sealand, el país más pequeño del mundo que está en una plataforma marina https://www.idealista.com/news/inmobiliario/internacional/2018/11/14/769523-sealand-la-plataforma-marina-que-es-el-pais-mas-pequeno-del-mundo Con los trevifans hemos topado https://www.elmundo.es/blogs/elmundo/elblogdesantiagogonzalez/2016/08/14/con-los-trevifans-hemos-topado.html Sealand o de como montarse una patria con un poco de morro https://x.com/juliodelarrosa/status/960822921991254016 Decapitan a otro hombre en Valencia, el segundo en menos de 30 horas https://x.com/CarlosMontas13/status/1818946314303934789 Videos Es Clave https://tecnicopreocupado.com/videos/videos-es-clave/ LA SATÁNICA DERIVA DEL FEMINISMO QUE SACRIFICA LA FERTILIDAD FEMENINA https://tecnicopreocupado.com/2019/07/28/la-satanica-deriva-del-feminismo-que-sacrifica-la-fertilidad-femenina/ LIBRO DE MICRORRELATOS https://tecnicopreocupado.com/libro-de-microrrelatos/ ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros DANZIG - LONG WAY BACK FROM HELL [TRADUCIDA] https://www.youtube.com/watch?v=2xlncV0Qo-0 Gente Inteligente - Falsos Heroes! https://www.youtube.com/watch?v=fu6wtYqo-5Y Heroes del Silencio - Despertar https://www.youtube.com/watch?v=B51j9B09rJk Auxiliadora Cárdenas y Luis Enrique Mejía Godoy - MIS DERECHOS DE MUJER https://www.youtube.com/watch?v=JDd1DHgnnw4 ………………………………………………………………………………………. Epílogo Los Aldeanos - Censurados https://youtu.be/k8pGYFN1a_4?feature=shared

durée : 00:31:28 - Talmudiques - par : Marc-Alain Ouaknin - .

Lynn & Carl talk to Alan Knoll, who is directing Christopher Harris as he plays Mark Rothko in New Jewish Theatre's production of Red, by John Logan. (That's quite a run-on sentence!) Next, they speak to cartoonist, illustrator, animator & Master of Minions, Belleville's own Glenn McCoy. Finally, Lynn saw the new release, Twisters. Plus Carl is back from fishing in Canada.

Is the creative process different in the fields of art, literature and music? In a podcast conversation, literature laureate Jon Fosse speaks about all three fields and how they are similar in many ways. American painter Mark Rothko is mentioned as a source of inspiration as well as art in general. We also get insights into Fosse's childhood where music was large part of his life. Today Jon Fosse enjoys a world of silence and avoids the noise of the world if possible. He describes his writing process, how he enjoys writing by hand with fountain pens and how a reader can tell if a book is written by hand or not. He also speaks about his relationship to God and religion. Hosted on Acast. See acast.com/privacy for more information.

¿QUIÉN FUE MARK ROTHKO? by Rosa Argentina Rivas Lacayo

Mark Rothko's color and emotion was everything.

Doc opens talking about bigger than life in sports, art and surgery. Doc uses examples of Kai Lenny, Duke Kahanamoku in sports and Mark Rothko in art. The Weekend Warrior Clinic opens for listeners.

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Talk Art live at the Venice Biennale, presented by Burberry. Recorded at the St Regis Library, we meet leading artist Sir John Akomfrah CBE RA and Tarini Malik, the curator of the British pavilion 2024.The British Council is delighted to present Listening All Night To The Rain by John Akomfrah at the 60th International Art Exhibition of La Biennale di Venezia 2024.The exhibition runs from 20 April to 24 November 2024.Exploring post-colonialism, environmental devastation and the politics of aesthetics, Listening All Night To The Rain is Akomfrah's boldest and most ambitious commission to date.The exhibition draws its title from 11th century Chinese writer and artist Su Dongpo's poetry, which explores the transitory nature of life during a period of political exile. Organised in a series of song-like movements, or ‘cantos', the exhibition brings together eight interlocking and overlapping multimedia and sound installations into a single and immersive environment that tells stories of migrant diasporas in Britain. It is the result of decades of extensive research by the artist and his team, using historical records to contextualise our experience of the present day.Listening All Night To The Rain weaves together newly filmed material, archive video footage and still images, with audio and text from international archives and libraries. The exhibition tells global stories through the ‘memories' of people who represent migrant communities in Britain and examines how multiple geopolitical narratives are reflected in the experiences of diasporic people more broadly.Each gallery space layers together a specific colour field, influenced by the paintings of American artist Mark Rothko, in order to highlight the ways in which abstraction can represent the fundamental nature of human drama.Listening All Night To The Rain positions various theories of acoustemology: the study of how the sonic experience mirrors and shapes our cultural realities. Akomfrah draws on an acute acoustic sensitivity influenced by a variety of formative experiences, from protests to club culture in 1970s-80s London. Each of Akomfrah's ‘cantos' is accompanied by a specific soundtrack, which layers archival material with field recordings, speeches and popular and devotional music. Extending the sense of hybridity in the filmic collages, Akomfrah's use of sound encourages us to consider the breadth of cultural identity in Britain more broadly.Follow @Smoking_Dog_Films, @AkomfrahJohn @TariniMalik, @BritishArts Presented by @BurberryThanks @Lisson_Gallery and @LaBiennaleLearn more at Lisson: https://www.lissongallery.com/artists/john-akomfrah Hosted on Acast. See acast.com/privacy for more information.

Have you ever felt the magnetic pull towards the unknown realms of creativity, while the familiar clutches at your sleeves? That's where you'll find us in Pouch Cove, Newfoundland, ensconced in the James Baird Gallery's artist residency. Our latest gathering will come to you in 2 parts, minus the dearly missed Nathan Terbord, his spirit ever-present, delves into the heart of artistic innovation. Through a melding of voices—from the cobblestoned streets of Spain to the hustle of Philadelphia—we unravel the threads of comfort and courage that bind every artist's journey.Think scarcity stifles creativity? Think again! We challenge the more-is-better mindset as we celebrate the ingenuity and the power of creativity under constraint. We cover quotes from Louise Bourgeois, Agnes Martin, Dave Adey, Mark Rothko, Eva Hesse, Jerry Saltz, and Ursula von Rydingsvard. It's a call to arms for artists to embrace vulnerability and authenticity, to create not for applause but for the sheer necessity of expression.Our session wraps with a reflection on personal growth and its indelible mark on our craft. So refill your glass and settle in for an extended session of heartfelt artistic camaraderie, where the lessons shared promise to resonate with your creative spirit and perhaps even light the path for your next breakthrough.Artists in the episode:@Moksananda@francis.beaty@audreycha.art@jaclyn_gordyan@giannatesone@allisonhudsonart@bonny_thomassen_art (present but not in the episode)Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Gabriel de la Mora's works are made from found, discarded, and obsolete objects. In an obsessive process of collecting and fragmenting materials the Mexican artist creates seemingly minimal surfaces that belie great technical complexity, conceptual rigor, and embedded information.In this episode, Gabriel de la Mora talks about the legendary abstract painter Mark Rothko. In The Love of Art podcast, artists are invited to speak about other artists that fascinate them (musicians, writers, filmmakers, actors, designers…) in a very personal way. The Love of Art (L'Amour de l'Art) is a podcast by Perrotin The episode with Gabriel de la Mora was recorded on March 13, 2024 at Perrotin Paris Interview conducted by: Vanessa Clairet Stern Production and sound design: Seb Lascoux Language: English Graphic design: Perrotin Music: CDM MusicHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Zapraszam do Paryża! Będzie Luwr, Paolo Roversi i Mark Rothko, kultowa księgarnia, cringowy serial, tłum, ulice, sklepy, jedzenie i piosenki. Dla patronów od progu 25 newsletter, w nim między innymi specjalne zdjęcia zrobione w mieście świateł oraz playlista ;) Zapraszam. Podcast powstaje dzięki Patronite: https://patronite.pl/karolinakp

Whether you love his works or you're moved to apathy by them (instead of tears!), you have to admit that Mark Rothko has made a huge impact on the art world - and many people have strong opinions about it. One of Zach's favorite artists, Zach chooses a piece by Rothko to look at the emotional journey that his pieces can take the viewer on. Can Claire be convinced? Check out an image of the work and artist on our Instagram - in the museum's online gallery - or see it in person at the Reina Sofia Museum in Madrid, Spain. Field trip anyone? If you're enjoying the show, please rate us and follow along!

Ever found yourself in a conversation with the universe, seeking signs and whispers of the divine? This sermon series, Hearing God's Voice, navigates the intricate dance of discerning God's voice in our lives, from the rustling leaves to the pages of Scripture. Today, with a lighthearted twist, we even explore what happens when the Bible gets a Gen Z makeover, proving that the language of God is not only profound but also adaptable.Embark on a heartwarming journey with me as Pastor Jennette recounts the serendipitous moments that led to her meeting with Travis Ross, her husband and co-pilot in life's wondrous adventure. Their story, along with a transformative vision in Costa Rica, stands as a testament to the power of community, faith, and stepping into the unknown. These personal tales interweave with discussions on how the divine can guide us through the voices around us, urging us to listen closely and leap boldly into our callings.Art and nature serve as powerful mediums for divine dialogue, and in this episode, we immerse ourselves in the transcendent melodies of Samuel Barber and the captivating canvases of Mark Rothko. We also wrestle with humanity's altered perception of good and evil post-Fall, seeking a return to the original, untainted vision of goodness through Jesus. Closing the episode with a meditative journey, we invite you to reflect on the images and symbols that resonate with your spirit, fostering a deeply personal connection with the divine. Join us for a podcast episode that's not just a listen but an experience that might just shift the way you hear the world around you.This sermon was recorded at a Sunday morning gathering at Church of the Lookout in Longmont, Colorado.Speaker — Jennette RossVisit Our Website — https://thelookout.churchTake Your Next Step--- https://thelookout.church/connectConnect with Us --- https://thelookout.church/newGive to Support the Ministry --- https://thelookout.church/giveVisit our websiteFollow us on FacebookFollow us on Instagram

In a remarkable moment after WWII New York became the centre of the art world, simultaneously seeing the development of new ways of hearing music, and new ways of seeing art. It was here that the American experimental composer Morton Feldman said, “What was great about the fifties is that for one brief moment - maybe, say, six weeks - nobody understood art. That's why it all happened”. The composer Samuel Andreyev shows how composers and artists in New York in this period went about the difficult business of wrestling with a new abstract language, often at great cost to themselves, to produce some of the masterpieces of post war American art. Samuel focuses on the powerfully productive relationships that Feldman had with the abstract expressionists, Philip Guston, and Mark Rothko, who showed him by example how to set his sounds free, in the same way their paintings set colours free. Feldman even called his own compositions, ‘Time Canvasses', where he said, he more or less primed the canvas with an overall hue of music. This is a clue to the unorthodox way Feldman's music - which can be both very long, and almost always very quiet - remarkably blurs what we imagine to be the boundary between music and painting. A Soundscape Production, produced by Andrew Carter.

A fake message from Joe Biden appears to be an AI deepfake; how weather and climate change pose a threat to the Panama Canal; loud budgeting calls out the cost of keeping your personal finances to yourself; Mark Rothko's son curates one of the most comprehensive exhibits of his father's work; and our weekly news quiz, Riffed from the Headlines.

The 2nd ever J-O-N Jon is Jon Hamm. He joins favorite guest Jon Gabrus who was the 1st J-O-N Jon guest to make it technically 3 Jons Don't Make a Right. Or do they? Are there rules for three Jons that are different from the Rightless regularity of Two Jons? Well, you wouldn't know it from the way Tall Jon drives. Left after left after left after left he takes, with Top Gun Maverick, Mad Men, Confess, Fletch's Jon Hamm in tow no less. His left-only driving flies in the face of what could be a really anarchic, chaotic episode, and ends up being a classic ep. Sometimes form is important to art. Had we colored outside the lines, no one would've blamed us, but by staying in line with one of the major ongoing themes of the podcast (left turns only) the podcast audience is held in the hosts hands. What works, works because it's framed, essentially by the audiences expectations of the podcast format, i.e. 2 Jons turning left in the Fartvan. Barring the fact that a third Jon (Mr. Hamm) bastardizes the integrity of the format, throwing the podcast into abstraction making it “too much”, it could've easily thrown the focus off of the movie star guest, and onto a randomness who's entertainment can and will end in hopeless depravity and human being transformed into robo-pigs at the least, Ladies and gentlemen, Mark Rothko sucks as a painter, but he definitely kept it boring as hell and never tried to impress. The Two Jons audience similarly maps their own experience onto the dumb canvas he slathered with stupid paint. Here, Jon D and Tall Jon and Jon Hamm “land the damn plane” with such precision, we reel from the episodes existence even as we engage with its content. A clean experience. We go by Jon Hamms old apartments and grab coffee! A classic!

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Welcome to 'The Adams Archive,' where host Austin Adams takes you on an enlightening journey into the heart of global conspiracies, cultural enigmas, and political intrigue. This podcast series sheds light on the most thought-provoking and underreported stories, exploring the unseen forces shaping our society and global politics. Unravel the complex narrative of Taylor Swift's alleged involvement in psychological operations, diving into the blurred lines between celebrity influence and political media manipulation. Explore the mystery of underground tunnels beneath a New York synagogue, probing their origins and potential purposes. Analyze the intricate dynamics of recent U.S.-UK joint military operations, uncovering their geopolitical motivations and strategic implications on a global scale. Dive into the art of media manipulation, examining historical and contemporary methods used to control public perception. Discover the profound influence of music and arts in shaping cultural narratives, reflecting on how artistic expression has been employed for political messaging and propaganda. Join 'The Adams Archive' for episodes that challenge perceptions and reveal the hidden truths behind current events and historical narratives. Subscribe on your favorite podcast platform, follow our YouTube channel for engaging visual content, and get exclusive insights through our Substack newsletter. Participate in our dynamic social media community for ongoing discussions. Whether you're a conspiracy enthusiast, a curious observer, or a seeker of deeper understanding, this podcast is your portal to the untold stories of our world. Tune in, subscribe, and be part of our journey to uncover the hidden truths beneath the surface. All Links: https://linktr.ee/theaustinjadams Substack: https://austinadams.substack.com/   ----more----  Full Transcription Hello, you beautiful people and welcome to the Adams archive. My name is Austin Adams. And thank you so much for listening today. On today's episode, we have some wild topics to get through. And I'm excited for it. So the very first topic that we're going to talk about today is going to be that the Pentagon actually responded to the idea that Taylor Swift Is a PSYOP.  So we'll look at what the response was. And that will actually look at the history of this because the fundamental idea around that is that there's a, uh, forces that be within our government that want to manipulate the art within our culture in order to influence the culture itself. And so we'll look at the history of that, whether it be Operation Mockingbird by the CIA, whether it be the CIA teaming up with certain artists during the cold war era, we'll look at all of that together. Then.  We'll jump into the next topic, which is going to be that there was some pretty shady stuff found in New York, which actually ended up being an underground tunnel underneath a Jewish synagogue, I believe.  So. We'll look at that  and why it's pretty, pretty crazy stuff. So there's a couple of theories on it. We'll actually dive into the history of the specific group, because the specific group that we're talking about is a little bit different than your average, uh, Practicer of Judaism. Um, so we will look at that as well. And then we will dive into some breaking news here, which is that the United States. In hand in hand with the, uh,  with Britain have the UK have actually, uh, conducted operations overseas against Houthi rebels, which some believe may be the spark of a war against.  So we'll look at the history of that as well.  So all of that more, but first I need you to go ahead and subscribe. If this is your first time, I appreciate you from the bottom of my heart, subscribe. And if you are here for your second time, third time around. 100th time, whatever, because we're actually about to hit that 100th episode. I believe we're on episode 96 right now, which is pretty wild. But thank you for being here. I appreciate you. I love doing this for you guys. Uh, we'll have some cool stuff coming up. Some interviews, some really awesome things that I am working on in the background. So thank you for being here. Leave a five star review and let's jump  into it.    The Adams archive.    Alright, so the very first topic that we're going to discuss today is going to be that the Pentagon actually responded to the idea that Taylor Swift is a PSYOP.  Now personally. I think this probably couldn't be more accurate. And so the reason that I think this, I think this is actually a lot of a part of the public psyche today surrounding Taylor Swift. We see everything that's happening with Taylor Swift and Travis Kelsey and Pfizer and her recently saying that she believes that Joe Biden has done a great job and will continue to do a great job. And he's exactly what our country needs right now to stop the divisiveness like That the only way that you are saying such a thing,  even if you voted for Biden and you wholeheartedly believed in him at the very beginning of this, uh, I don't think there's a person out there who is not either  protecting their, their ego by, you know, not admitting that they are wrong or, uh, or Are being paid off  and the likelihood that you're being paid off if you're a multi whatever billionaire this Taylor Swift is at this time and a super famous actor, actress, musician, artist, whatever is probably pretty, pretty high if you're still sitting there banging the drum of Joe Biden, or you're just worried about not getting another job again. So you don't have to worry You go along with the, the river that is Hollywood.  So it's, it's, it's crazy to see how far these people can go. So here we go. Let's go ahead and read this article. This article comes from the Post Millennial  and it is titled, let me go ahead and pull it up here for you. It  is titled,  Pentagon Claims Taylor Swift PSYOP Speculation is a Conspiracy Theory. Hmm.  Okay,  you have my back. Attention.  All right. This article says after Jesse water show on Tuesday, where he said the government has been turning Taylor Swift into an asset through a Psy op Pentagon spokesperson, Sabrina sign has denied the claim. An idea that first came from human events, senior editor, Jack Posobiec  quoting from one of Swift songs and the statement to politics sign said, as for this conspiracy theory, we are going to shake it off. Wow, catchy.  She continued to make other Taylor Swift puns in her statement, which stated, but that does highlight that we still need Congress to approve other supplemental budget requests as Swift Lee as possible so that we can be out of the woods with potential fiscal concerns. Haha. On December 6th, 2023. Right after Taylor Swift won the Time's Person of the Year award, Posobiec posted to Axe, the Taylor Swift girlboss psyop has been fully activated in her hand selected vaccine show boyfriend to dink lifestyle to her upcoming 2024 voter operation for Democrats on abortion rights. It's all coming.  Uh, and that was in response to the Time Person of the Year being  Taylor Swift.  And I'm pretty sure that used to be Man of the Year? And now it's person of the year.  I don't know. Pretty sure I heard that following the post ax Posobiec had Evita Duffy on his show, where they talked about why Swift could rally support for president Joe Biden in the 2024 election year. She's a girl boss. She has lots of failed relationships where she blames the man every time. Duffy then asked, why are we pushing Taylor Swift? Here comes a clip from Jack Posobiec.  Uh, and let's go ahead and watch it here.   Evita Duffy from the Federalists joins us now. Evita, they've just named Taylor Swift the, uh, you know, she's, that's basically her song that was used for that ad, which is a mix of Taylor Swift and Barbie, just named Taylor Swift times person of the year, uh, I  was out about a month ago. You had a great show where he talked about the Taylor Swift army coming online for the 2024 election. Is this at what we're seeing now? Are they activating  The Taylor Swift psyop.  Yeah, it's not. It's not just happening now. This has been happening for pretty much a year. They've been pushing Taylor Swift on us.  The corporate media has these articles fawning over her. She's like the greatest thing that's ever happened to humanity. Meanwhile, her music's pretty mid. Um, if you, it's actually something actually to break down of her music and, uh, the melodies, she has like the same melody progressions over 20, over 20 different songs. Um, she's always complaining about the same melodies. Okay, I'm going to have to question how old this girl is. If you're going to use the word mid, you better have been born pre or post  2000.  You better be under the age of 23. If you're going to use the word mid, I'll just leave it at that.  Anyways, I actually agree with it. So so if you understand what tick tock did when tick tock First started, TikTok artificially inflated the views, at least this is the idea that people have been talking about, is it took a few select amount of influencers and it artificially inflated the views that they were getting on the platform.  Those people then, who felt like they were a big deal, went and talked to people about it and told people how many views they were getting on TikTok. As a result, a bunch of people fled into TikTok.  And so. What they've and they cared about the original a few official people that got their views artificially inflated I think one of the names of the girls is I don't know There was one girl that started tick tock as like the tick tock girl and now nobody really cares about her, right? She just did like a dance and whatever and then all of a sudden she got like a billion views And so the way that they did that is they artificially inflated the views they artificially created celebrity And then they made those celebrities influence  Be valued by the mass public, right? And so I think that that's exactly what happens with Taylor Swift here, I believe, because Her music to be fair is pretty mid. Although I am cannot say that with a straight face and never will  But  Taylor Swift's music is garbage. It's terrible. She's a great  Performer and by performer, I mean she has a great team of people around her with fireworks and laser shows and All of that, but I did Taylor Swift is a very  Un  impressive musician, completely unimpressive to me in the fact that she is the single most. highest earning musician, music, musician of all musicians is astounding to me because she's just a performer.  Anyways, so that to me lends into the idea. The same way that we will look at this in a minute is they artificially inflate these people's viewership. They, they get the mainstream media, the mainstream radio stations, the mainstream award shows to all.  Pump these people up, pump them up, pump them up. Meanwhile, these people are just puppets for whatever they say, from the powers that be, goes. And so that's where this idea of it being a PSYOP comes from. So let's finish out this clip, if we can,  tolerate this girl's  vocabulary, and then we'll continue on.  In breakups over and over again, these songs, Jake Gyllenhaal, somebody who she wrote the song all too well about, which is like a 10 minute song where she complains  about a man that she dated for no joke, three months. This is not a musical mastermind. The media is pushing her on us constantly. And if you say anything negative about Taylor,  the media, the Swifties and Taylor Swift herself.  Okay. I think I know what she's going to say. A misogynist. And here's why I think that is. Taylor Swift is the perfect.   Okay, Taylor Swift's music is absolute trash. So the only way that she got into the position that she's in is if she's working with the government.  So here's the, here's the rest of the article. And it says, and this was December 6th that this conversation happened on Real America's Voice. But it says, uh, Waters posted a clip of his segment to Axe on Wednesday where he had, uh, he said an idea was floated at a NATO meeting in 2019 where Swift could combat online misinformation. So maybe here's some actual evidence of this potential Taylor Swift's the biggest star in the world. Sorry, Gutfeld.  She's been blanketed across the sports media entertainment atmosphere. The New York Times just speculated she's a lesbian. And last year's tour broke Ticketmaster, a tour that's revenue tops the GDP of 50 countries. Wow, I like her music. She's all right. But I mean, have you ever wondered why or how she blew up like this?  Well, around four years ago. The Pentagon's Psychological Operations Unit floated turning Taylor Swift into an asset during a NATO meeting. What kind of asset? A psy op for combating online misinformation. Listen. You came in here wanting to understand how you just go out there and counter an information operation. The idea is that social influence can help, uh, It can help, uh, encourage or, uh, promote behavior change, so potentially as like a peaceful information operation. I include Taylor Swift in here because she's, um, you know, she's a fairly influential online person. I don't know if you've heard of her.  Yeah, that's real.  The Pentagon's PSYOP unit pitched NATO on turning Taylor Swift into an asset for combating misinformation online.  This is nothing new. In the 1950s, the government strong armed Louis Armstrong into doing propaganda tours across Africa.  The CIA did the same thing with jazz singer Nina Simone, except they did it without her really knowing.  In the 70s, Nixon enlisted Elvis in his war on drugs. He gave the king a badge and named him a covert federal law enforcement agent.  Michael Jackson was tapped by Reagan, using his song Beat It and his public service campaigns against teen drinking and driving.  Michael Jackson persuading minors not to drink,  anyway.  So is Swift a front for a covert political agenda? Primetime obviously has no evidence. If we did, we'd share it.  But we're curious. Because the pop star who endorsed Biden is urging millions of her followers to vote. She's sharing links. And her boyfriend, Travis Kelty, sponsored by Pfizer? And their relationships boosted the NFL ratings this season, bringing in a whole new demographic. So how's the  PSYOP going?  Well, as usual, Biden's not calling the shots because he doesn't even know who Taylor Swift is. He's confused her with Britney Spears and Beyoncé.  You could say even this harder than getting a ticket to the renaissance tour or, or, or  Britney's tour. She's down in, it's kind of warm in Brazil right now. Former FBI agent Stuart Kaplan. Wow, that is brutal. Stuart, is this feasible?  Jesse, the deployment of a PSYOP in the United States in this day and age is still illegal. Um, the national security law prohibits the deployment of PSYOPs or using an operative for psychological warfare. However, if I was running Biden's management perception team, I would identify someone who would align themselves with my agenda, such 600 million followers. I would target her, I would engage her, and I would get her what, get her to do what we used to see as like public service announcements, and that type of enlistment, that type of solicitation is analogous to the old days of deployment of a PSYOP. And so in modern times, with these people having such influence and such,  you know, immeasurable amount of followers. She can potentially, single handedly, swing voters because of just the amount of followers that she potentially can influence. So the answer is yes, Jesse.  Wow.  And I completely agree, right? We see even back historically between Elvis and Louis Armstrong, this has been done before. This isn't a new tactic.  And so as we go on, we'll see. And I wanted to kind of Preempt this for you. And he talked about it a little bit with Travis Kelsey,  all of, and even behind that was the tick tock. There was a whole trend around the Travis Kelsey, Taylor Swift relationship situation  on tick tock, right? People were going crazy. Girls were making jokes to their, their husbands and their boyfriends. And those were going viral. And I talked about this last time is If anything is going  quote unquote viral and you think it's organic, the likelihood of that is probably low.  If it's the number one most,  most popular trend at the time, it's very likely that that was at least in some way, shape, or form even allowed, potentially, if that's the word you want to use, instead of being  stifled, they at least allow it to happen because it fits their agenda. And if it didn't fit their agenda, they would slap it with a big misinformation, disinformation, or at the very least, they would shadow ban the content. And so we know that at this point,  and as we start to look at more around this, I guess there's even more.  situations, but it says,  uh, and I wonder if we can look at the response, but that was crazy. The fact that the Pentagon PSYOP organization within the Pentagon actually  came and pitched the idea. They pitched the idea that they could use Taylor Swift to conduct a PSYOP against the American people. That's an, that's actual footage available right now.  I had no idea before watching that. And that is. Just crazy.  So as we go back in history, I wanted to start to have a discussion surrounding this and see historically what ways has art and Culture been manipulated by governmental forces to align their agenda with yours. And so we can go back and we can look at this in a few different ways.  And historically there has been not only Elvis and Louis Armstrong, but historically there's been many. Many governments that have done this from Nazi Germany. And I listed a few here after doing some research and under Adolf Hitler, the Nazi regime used music as a propaganda tool to reinforce its ideologies and suppress any opposing or non Germanic. cultural expressions. Jewish musicians and composers were not only banned from performing, but many were also persecuted and sent to concentration camps. The regime particularly promoted classical composers like Richard Wagner and Ludwig van van van Beethoven, who were seen as epitomizing Aryan and Germanic culture. Music played a pivotal role in Nazi rallies and events being used to evoke emotions of pride and nationalistic fervor among the masses. Hitler Youth was also heavily indoctrinated with music that promoted Nazi ideology.  So there's one.  The Soviet government, under Joseph Stalin, reinforced strict control over the arts, including music. Composers like, forgive me, Dmitri Shostakovich and Sergei Prokofiev  faced severe restrictions and were often compelled to adapt their compositions to fit the state's demands for music that glorified socialism and the Soviet state.  The government established the Union of Soviet Composers, which played a key role in censoring music and ensuring it adhered to the principles of socialist realism.  Music that was considered formalist  or bourgeoisie  I don't know if I pronounced that right at all,  was condemned and composers risked persecution if their work did not align with state ideologies. You even go back to Footloose, right? If you eliminate music, it has an effect. There's a reason that we sing in church. There's a reason that every religion across every country, across every historical timeframe ever  incorporates music  because music influences. And so if you can make one person the most influential musician  in the world  and then utilize them as a puppet to parrot the  opinions that you want them to hold that align with your agenda, why wouldn't you do that?  The Cultural Revolution in China is another example. Mao Zedong's Cultural Revolution sought to eradicate Chinese traditional culture, including its rich musical heritage. Western classical music was also banned. Instead, the government promoted revolutionary music, particularly the eight model operas that were sanctioned by Zhang Qing, Mao's wife. Those operas and revolutionary songs were designed to glorify the Communist Party, Mao Zedong's leadership, and the revolutionary spirit of the Chinese people. This was part of a broader attempt to reshape Chinese culture and align it with the Maoist ideology. In another example, people have talked about this before, I'm not sure if there's any evidence of this, just the same way that we can't say there's any evidence of the Taylor Swift Society,  but people have talked about how when it comes to black culture in the  Late 1980s talking about how rap music and not particularly any type of rap music, but well, I guess particularly a type of rap music, which was the, uh, you know, the violent and drug riddled gang, uh, promoting. type of rap that became popular. And we even see this today with the Travis Scotts, how much Satanism is incorporated into our music scene today. It's bizarre, but it's not bizarre because it's intentional.  And so when you go back to the 80s, even the times where the government was literally pushing crack cocaine into the ghetto areas, low income black communities, the very same time that rap music became what it was, and I love rap. I even love late 90s or early 90s rap about gangster shit and drugs and gang stuff. But like,  it, you can't deny the fact that it influences culture.  It influences how people act. It influences how people want to be when they grow up. How do, how, what makes them cool? What type of clothes should they wear?  What should they aspire to? Well  When all you hear about in music is selling drugs, making a bunch of money, how good they make you feel and the type of girls that you get when you do it.  What do you think you're going to do? Right? It goes hand in hand. Culture is music and music  creates culture.  And so, um, this goes on and on. I have other ones which talks about the apartheid South of South Africa. During the apartheid era, the South African government used music as a tool to support its racial segregation policies. Cambodia used it, Iran after the 1979 revolution, North Korea, and North Korea music is used as a tool of state propaganda to an extreme degree. All music in the country is strictly controlled by the government. Why? Why would they do that? They wouldn't. And of course they wouldn't do that here in the United States of America with us free people.  Right? Our government would never do that.  Songs are written in North Korea to glorify The Kim family, and the Workers Party of Korea, often incorporating themes of loyalty, patriotism, and devotion to the leaders. Music is used in schools, workplaces, and public events to instill loyalty to the regime and reinforce its ideologies. There is virtually no exposure at all to international music, and creating or listening to non state approved music can result in severe penalties. And when we talk about severe penalties in North Korea, we're talking about generational imprisonment.  Not just you go to jail.  Your sister, your brother, your mother, and your next three generations go to jail. Like, horrible, horrible stuff. And so Music has always been utilized as a weapon by governments, always, and to assume that we're just so far along that our government would never do that, they would never utilize our culture, our music, our art, our movies, against us in a way that would not be in our best interest? No, they just let us do whatever, and wherever our culture goes, they're perfectly okay with it.  Yeah,  okay.  And, and again, this is going to be an unraveling for everybody, and I think this is maybe a really good next one that we can get into as a society, as we've already unraveled the pharmaceutical industry, the medical industrial complex, the government, the politicians, the big money, the lobbying funds, all of that has happened. Now, as a society, I think it's time for us to realize that our culture has been infiltrated for decades. The music you listen to, the movies that you watch, the TV shows on Netflix, the articles that you read, the news media that you take in, every single piece of it, the art that you consume, the art on your walls, all of it.  The most famous artists  have historically, in some way, shape, or form, and we go back to even the, the,  the idea of post modernism. Post modernism is a somewhat new artistic theme, and we're seeing that artistic theme. Play out today in our own culture,  culture is shaped by art.  So that's where they start,  right? Postmodernism is the idea that there is no true reality. You have your truth. I have my truth and there's no two plus two equals five.  And so when you realize that  that's what they want to instill in your subconscious so that consciously you accept it when they tell you that a male is not a male. A male is a floating soul with no gender binary, and women are just women, and you can just declare it by standing on top of a desk and saying, I'm a woman now, even if you don't have ovaries or the ability to reproduce.  So that's postmodernism in action, and that's one way that they took art and implemented That subliminal idea into your subconscious so that later it can be activated and weaponized against you.  And so you could say, okay, I don't know any examples of that, Austin. I couldn't imagine our CIA working alongside artists. Well, let me clue you in, my friend.  For decades in art circles, it was either a rumor or a joke, but now it is confirmed as fact. The CIA used American modern art, including the works of such artists as such as Jackson Pollock, Robert Motherwell, William de Kooning, and Mark Rothko, right? Oh, a Rothko, right? You know, like the pretty sure that's like the square and a circle or whatever, as a weapon. In the Cold War.  Interesting. In the manner of a renaissance prince, except that it acted secretly, the CIA fostered and promoted American abstract expressionist paintings around the world for more than 20 years.  The connection is improbable. This was a period in the 1950s and 60s when the great majority of Americans disliked or even despised modern art. President Truman summed up a popular view when he said, If that's art, then I'm a  Hot, hot and taught. What  is a hot and taught as for the artists themselves, many were ex communists, barely acceptable in the American, in the America of the McCarthy era,  and certainly not the sort of people normally likely to receive us government backing. Why did the CIA support them? Because in the propaganda war with the Soviet union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the United States.  Russian art strapped into the communist ideological straitjacket could not compete.  So basically what the idea was that our artists, the way of capitalism is just so much better than everything else. This free expression, the environment of freedom and democracy and all of this stuff is so amazing that we just allow brains to thrive. And artistic expression is just so much better here in the United States. And so they took Upwards of 20, what are they? It's 20 million and purchased this art specifically to prop up. It's like if you, if they funneled money into us companies. Through shell companies so that they could say that, Oh, but look at our democracy. Our organizations, our shell companies are so much more successful than Russian companies, because look at how much money they have. Well, you gave them the money so you could make that argument. That's the whole point. The existence of the policy rumored and disputed for many years has now been confirmed by the, for the first time by former CIA officials, unknown to the artists, the new American art was secretly promoted under a policy known as the long. leash  arrangement, similar in some ways to the indirect CIA backing of the journal encounter edited by Steven Spender. The decision to include culture and art in the U S cold war arsenal was taken as soon as the CIA was founded in 1947. This made that the appeal communism still have for many intellectuals and artists in the West, the new agency set up a division, the propaganda assets. Inventory,  which at its peak could influence more than 800 newspapers, magazines, and public information organizations. They joked that it was like a Wurlitzer jukebox. When the CIA pushed a button, it could hear whatever tune it wanted to play across the entire.  The next key step came in 1950 when the international organizations division was set up under Tom Brayden. It was this office, which subsidized the animated version of George Orwell's Animal Farm, which sponsored American jazz artists. Opera recitals, the Boston symphonies, orchestra, international touring program.  It's agents were placed in the film industry in publishing houses, even as travel writers for the celebrated photo guides. And we now know it promoted the America's anarchic avant garde movement. Abstract. Expressionism.  Initially, more open attempts were made to support the new American art. In 1947, the State Department organized and paid for a touring international exhibition called Advancing American Art, which the aim of rebuting Soviet suggestions that America was a cultural desert. But the show caused outrage at home, prompting Truman to make his hot and taut remark in one bitter congressman to declare, I am just a dumb American who pays taxes. For this kind of trash,  the tour had to be canceled. The U S government now faced a dilemma. The fill in the fill Philistinism combined with Joseph McCarthy's hysterical denunciations of all that was avant garde or unorthodox was deeply embarrassing. It discredited the idea that America was sophisticated, culturally rich democracy. It also prevented the U S government from consolidating the shift in cultural supremacy from Paris to New York since the 1930s.  To resolve the CIA to resolve the dilemma. The CIA was brought in.  Hmm.  Very interesting Now this goes on and on and on. This is an article written by independent  Independent dot co dot UK and the title of it is modern art was CIA Weapon and it was written written  on Sunday the 22nd October of 1995  Super interesting article, I absolutely think that you could dive into more of the history of that, but I just want to give you that background. That's just one aspect of it, where our CIA has been a part of influencing culture through art.  Now we can go into the next part of this, which is called Operation Mockingbird.  And Operation Mockingbird was the hand in hand  CIA operation between journalists, news networks, and Hollywood.  And I myself need to do a deeper dive into this, but I had just recalled about this when talking about the Taylor Swift conversation and honestly, I didn't think this conversation would go that long. I usually have some warm up articles sometimes before I get into the deep stuff, but man, this is so interesting to me that I think we could probably sit here for five hours and talk about this.  But it really is a culture death. You go back and listen to music, go back and listen to Led Zeppelin, go listen to a CDC, go listen to any of the, the great musicians of the 1970s and early eighties before the, the, the, the fingertips of the CIA started to get into our music and. We have done nothing but go downhill as a society musically.  There's very few examples that you can give me that would even rival any of that. The very first, I'll give you a side story, go down the memory lane real quick. When I was maybe, oh, I don't know,  8 years old, 8 to 10 years old probably, my grandparents, Took me on a train ride to Chicago from Detroit to go see my cousins And I had just gotten for the train ride a new Walkman. I believe it was a gray Sony Walkman and  My dad took me to go get my very first CD for my Walkman and I ended up getting the Led Zeppelin discography So all I listened to for probably Six months was every Led Zeppelin song ever and  that is still to this day my favorite album I have the vinyl upstairs right now that I listen to  greatest band of all time in my opinion  anyways Trip down memory lane, so  We have had a cultural death an artistic death here in the United States that has been unfolding for decades you even want to talk about architecture and I would love to do an interview with somebody who could speak more on this because I'm not an architect and I don't know the history of architecture But to me you go back and you look at even go back and look at Roman times Greek times go back and look at  the Gothic eras and and go back and look at  Pyramids like there go back and look at any history of time in the last 2000 years, and you will see if you took a time machine every 100 years, you would see beautiful architecture, cathedrals, and and  political buildings and and  courthouses and schools and all of these things are so beautifully created because when people used to create architecture, they used to do it to, to please the gods. They used to do it because there's a frequency within the building that you're in. And when you walk up to it and go through that door, there's a feeling that should be associated with that. And that is dead in the United States. Go drive your car around and the only thing you're going to see is a box and a box and a bigger box and a taller box and a wider box and you drive your box by the boxes and you see the boxes and you walk home to your box and you open up the box door to get into your box room to go into your box kitchen to create something in your box oven and pull something out of the box fridge to It's an endless cycle of squares in, in our culture, in our architecture. And it's, it's so sad to me to see that we just, that that's what we live in today.  And so when we look at  whether it's Project Mockingbird, whether we look at  the CIA working hand in hand with the art within the Cold War, whether we talk about the, the historical aspects of music.  There has been  nothing but death of creativity in the United States.  Every piece of culture that has been brought here has slowly dwindled and died, and it seems to me like it died at the hands of the organizations that are being funded by our tax dollars so that they can diminish our creativity, and so that they can control You are subconscious, and I think bringing it full circle back around to Taylor Swift is that's exactly what has happened. Here  and now I do have a full article on the project Mockingbird.  Let's see how far into this Well, we did 38 minutes on Taylor Swift  So I think we can move on but I did find a substack article because it was actually a little bit interesting It's called a media manipulation the operation Mockingbird. It was written October 14th 2024 and it is from the reveal revealed. I Substack so revealed I dot substack. com and it looks like they do a pretty I don't know decent breakdown I haven't read through it all yet, but  I think 38 minutes on  on  Media manipulation and Taylor Swift is probably a good start. So  On your own time, feel free to go watch that. Here's a quick video on Project Mockingbird. Then we'll move on  real concern  That planted story is intended to serve a national purpose abroad  Came home  And were circulated here, and believed here.  Because, uh,  this would mean that  the CIA could manipulate the news in the United States by channeling it through some foreign country. And we're looking at that very carefully. Do you have any  people being paid  by the CIA  who are contributing  to a major circulation American journal? We do have people who submit pieces to other, to American journals. Do you have any people  paid by the CIA  who are working for  television networks?  This, I think, gets into the kind of, uh, getting into the details, Mr. Chairman, that I'd like to get into in an executive session.  Uh, at CBS, uh,  we, uh, Had been contacted by the CIA. As a matter of fact, by the time I became the head of the whole news and public affairs operation in 1954. Ships had been established and I was told about them and asked if I'd carry on with them. We have  quite a lot of detailed information,  uh, and we will  evaluate it and we will include any,  um,  evidence of wrongdoing  or any evidence of impropriety  in our final report and make recommendations.  Do you have any people  being paid by the CIA  who are contributing to the  National News Services, AP and UPI?  Well, again, I think we're getting into the kind of detail, Mr. Chairman, that I'd prefer to handle in an executive session.  Senator, do you think you named the new plan? So the answer is yes.  Uh, that remains to be decided. I think it was entirely in order for our correspondents at that time, uh, to make use of, uh, C. I. A. agent, uh, chiefs, uh, of station and other members of the executive staff of C. I. A. as source.  Alright, so there you have it. You can go, uh, read it through the article there, um, find it on Substack, uh, reveal. i. substack. com.  Alright, so, let's move on. on from that into the next topic, which is going to be  that in New York  over the past few days, there has been a A  bit of a debacle and one specifically between the Hasidic  Jewish community in New York and the New York police. So the New York police showed up  to a synagogue  in,  let's see here, let  me go ahead and pull it up.  All right.  Basically what happened is the police showed up and they decided that they needed to shut down a underground. Tunnel system  in New York, underneath a place of worship where these Hasidic Jews would go and  congregate.  And the idea behind this, the mainstream narrative is that the secret underground synagogue tunnels were causing destabilization  of the buildings that were surrounding it. So that's the mainstream narrative that's come out in the last day or so.  And nine of these Jews were arrested.  And now I do want to preempt this with.  Love my Jewish family.  I'm not Jewish, so I don't technically have Jewish family, but you know what I mean?  Love Jewish people. I love Christian people. I love Muslim people. I have no affinity towards any one class over the other. I have my own personal spiritual beliefs. I don't think that any religious beliefs in and of themselves make you a great or a bad person. I believe that there's Terrible people who are Jewish, and there's great people that are Jewish, there's terrible people who are Christians, there's great people that are Christians, there's terrible people who are Muslims, and there's great people who are Muslims. I've met them all.  Mostly good people across the board. I can't even look at one and be like, Hey, I've met a bunch of people in this. No, every religion has bad apples. Just like you can say, you know, there's a bunch of people who say, Oh, police are bad. No, they're not bad. There's bad people everywhere in every occupation, religion, uh,  country, uh, whatever it is.  There's bad people everywhere, in every type of thing, but mostly people are good, mostly people intend good, and I, so, there's your disclaimer,  as we go into this, because it's a very, um, very sensitive time, for this specific culture, and I get that, and so, I'm just going to preempt that. There's your disclaimer. All right. Now, everything from here forward is just me  talking, but, uh, understand it from that framework. Um, so just as we were discussing, there has been a Jewish synagogue. That was creating underground tunnels. They were digging, digging, digging underground tunnels. And so the idea from the Jewish community that was there, and this is a very specific Jewish community. It's the Hasidic Jews, the, uh, I can see if I can pull up the exact names of them here for you. Cause it, it does matter because the specific culture is known for having to deal with some very specific, uh,  um, pushback in certain situations in this small area. So this specific. Uh, Jewish culture, I believe is a, um, more Orthodox culture and I actually have a whole thing here, but  to me, it's of Russian descent and So here's the general idea is that they were digging these holes and they claim that they were digging these holes because they were six. They started digging these holes six months ago because of the COVID restrictions or they dug them during COVID because they wanted to Uh, congregate and practice their faith during a time where they were being told, no, you cannot do that.  Okay. Now there's a secondary theory, which is that they are digging these tunnels because the person that they, the, the,  the Messiah, I believe that they believe in  says that you have to consistently expand your place of worship. And maybe I'm getting that wrong because we'll get into a thread here in just a moment. Um, but let's, let's dive into the timeline of this. So on January 8th, videos circulated that showed a tunnel network under the Lubavitch, that's the specific one, the Lubavitch HQ in Crown Heights and several Jewish men being arrested. More videos show another Jewish man escaping through another tunnel and a group. resisting officers. The building was shut down afterwards.  Initially, the claim was that the tunnels were made to pray during COVID. This, according to this thread,  okay, and this thread is not, this is not CNN. This is not Fox. This is not, um, it's not a news organization. So  In, I guess, everything you hear from every organization because I'm talking about those two, too. I wouldn't believe Fox or CNN on everything either, but this is the individual account on X, so take it with a grain of salt, but this seemed to be the most, uh,  factually and organized article that I could find on this.  It says initially the claim was the tunnels were made to pray during COVID. This is most likely false. Neighbor with Mikva access, as of six months ago, no work on the tunnel had begun. Since renovation was the main reason the tunnels were noticed, they could have Um,  and now they add some receipts here, which says that the tunnel found burrowed under the women's section of 770, possibly destabilizing the building. And there's three, four other articles that are attached to this to back up the idea that they were just stating there.  And so the next thing that it states here as we go into that, and so that's the,  the general idea is that they were saying, Oh, we were doing this. During COVID because we weren't allowed to worship. Well, it seems to be that that was according to this false because these tunnels weren't started, but six months ago  now where it really started to get some fuel on the fire is during one of these videos, as these people are.  Resisting arrest. There was a, quite the scene. They're flipping over pews and creating these wall barriers as the police are grabbing them and they're pushing back and forth. And like this, this, the whole chaos ensuing inside of the synagogue.  And as that's happening, a guy is breaking down the walls and like a police officer is like, or is breaking down the walls and starting to pull people out of it.  And one of the, the, um, Jewish people that are there  pull out a mattress and on this mattress, this is a soiled mattress that looks to be whether it's old blood or,  uh, feces or something that's on this mattress. And it seems to be a small mattress. Um, Uh, that some people were saying was meant for, uh, a child and that's kind of what it looks like. Okay. But we won't make any assumptions yet, but that's, that's what's probably one of the biggest fuels of the fire. Now, the other thing that was very questionable about the situation is one of the people, one of the Jewish guys was escaping and he went through the tunnel system and he came up, right? Next to a child's museum.  Hmm. Now that's not to say that there's children in the museum, but it is to say that the museum is meant for children.  And so there has been  theories  that these individuals were using this for some sort of human trafficking.  Okay. Now again, unfounded, a couple of weird coincidences  and. Here's the side part. If these people were just digging tunnels so that they could pray during COVID, more power to them. That's awesome. You should do that. Fuck the government. They can't tell you what you can and cannot do, especially when it comes to your religious practices. So,  wholeheartedly believe that. If that's what they were doing, awesome. They should do it. Um, but, there's a lot of skepticism around maybe some more nefarious reasons why this was happening.  And so, as we go deeper into this thread and deeper into this article,  It starts to talk about some of those things. It talks about the mattress, talks about the, um, the pushing and shoving that ensued, I believe nine people total were arrested that were a part of this synagogue.    so the next portion of this says, The contents of the tunnel are very disturbing and don't seem like items extremists students would keep. A mattress with a dark stain was found. A baby high chair? Was found as well. So that's a weird one.  The crowd protecting the tunnels isn't small. They are also aren't of student age.  Here's the full video of the tunnel network that we have access to. The video shows passageways that extend that aren't explored. It's unclear whether the other passages might contain does this tunnel network look like something done in six months? So it's absolutely does not look like something done in six months. So let me share this with you here.  Um, this is.  It looks old, almost, to me. It looks like it's been used. There's, there's like, old chipped paint hanging off of door frames, and there's a big, uh, like, sand  Let me go ahead and  expand this for you here, but there's the, the high chair,  there's what looks like some wheel barrels,  a bunch of just stuff thrown around, cinder blocks thrown around some carved little tunnel doorways that they're crawling into now with a flashlight. And so as they walk back, it's just a crawl space now, essentially from the more.  Substantial part of it that is where  could have been where that person  came up into that right right outside of that Children's Museum. So that's bizarre. I don't think this was built six months ago. Again, I'm not a  archaeologist or whatever the hell you need to be to date that stuff. But it says where does the tunnel exit to using geomapping one of the tunnels exit near the local Children's Museum. It's also unclear how large the tunnel network is and where the other passages lead. As more information comes in, we will know how extensive the network is. And they show you the photos as to how they know this. This is where the video where the guy came out of it. This is the photo where they actually found that same portion of it. Um, discussion of the tunnels online has been avoided by many accounts. Some accounts claimed the tunnels were even fake. Israel War Room labeled such discussions of the tunnel anti Semitic. They claim that it's just a simple building code violation. Hmm, then why are we getting in, like, fights and arrested over  building code violations? You get a  fine for that. You don't get arrested. You don't get into pushing, shoving matches with the police over building codes. It says the label conspiracy theorist has been applied to people who believe tunnels could have been used to harm kids. No explanation has been given for the stained mattress and baby high chair in the tunnels. Is the conspiracy or is there more to the Brooklyn community?  Research reveals a dark history of sexual assault in the Brooklyn area. If you do speak out about it, you are shunned from the community and harassed. Disturbing testimony in the article speculates that the number of young boys sexually assaulted could be as high as 50%.  The community is, and there's four different articles that it attaches there. The community is very secretive and will oftentimes cover up or silence people who have been assaulted. The community is very religious and strict. If you go against the grain, the community turns against you.  Hmm. And they have a video  about this specific here with a religious look at the Satmar sect. John, good morning. Good morning. Fascinating case. And it's a case that's being watched closely Anthony, not just because of the allegation that a trusted community leader sexually abused a young girl. He was  assigned to help, but also because the trial has.  Hmm.  Okay.  So it sounded like maybe a different name of a different sect. That he was mentioning here, but within the Brooklyn area, a specific Jewish Pull back the veil, concealing the inner workings of a closed community.  The trial of the  Alright.  So, here's shuns those who have been traumatized. They send threats to the survivors, harass them, and have total control over their lives. Police confirm it is very tough to get convictions and to have victims.  While we wait for more information, here are some of the questions I and many others have about the tunnels. What was the liquid on the stained mattress? Why was there a baby high chair in the tunnel?  Has a full forensic analysis been performed in the area? Where does the tunnels lead?  Hmm. All good questions. Do any security cameras have clear view of entrances to the tunnels? If so, have they been subpoenaed? Have there been any people who reported this before the renovations in December 2023? Who anonymously  tipped off the fire department? Who used the tunnels?  How many minors entered the tunnels? Have any minors displayed behavior of a survivor upon exiting the tunnels? Okay, this is like, it's very specific. So, there's, there's the thread for you. Now, as we go into the  culture  surrounding this community that we are referencing here, which again is not just the normal Orthodox Judaism, it's not, um, it's a specific religious sect within Brooklyn. It's a very small, tight knit community, um, that are, uh, uh, uh, uh, Hasidic, uh, Yadkivik, right? Is that the name of it? So, very specific, uh, religious sect. So it says, okay. Once upon a time, it says, okay, for real. Once upon a time in Eastern Europe, a movement called Shabbat was founded. Its founder was Rabbi Schnur Zalman of Laity. This was in 1812. He was many things, among them a genius, Talmudist, and rabbi, the Kalbalist and mystic, and the rarest of things, a true original thinker. A Kabbalist, sorry, a Talmudist, meaning he follows the Talmud, um, and a rabbi and a Kabbalist and a mystic. So, there is a really interesting conversation surrounding the mystical Judaism, uh, there is a whole subsection of, of Judaism, uh, and historically much more prevalent. Back then, but that believed in mysticism and there is certain sections of this that still do, but like literal magic, um,  while a true original of, and one of, in my opinion, the greatest philosophers and theologians in the history of humankind, he was also profoundly devoted to his own teachers in the Hasidic tradition and saw himself as the natural successor. The Hasidic tradition was founded a couple of generations earlier, and one of the prophecies is connection and devotion to a master in Hasidic parlance above all. Hasidism love and devote themselves to their rabbi as the one who helps connect the soul of the Jew with godliness. Okay, sounds a little bit like Catholicism, right? The aspect of Hasidic Judaism made into a lesser extent continues to make some people nervous. However, it has also been extremely thoroughly defended and broadly accepted as a legitimate manifestation of Judaism, which always has its Moses, Rabbi Akiva, and Vilna.  And again, this is a single account. This isn't a religious text. This isn't a official person that is sitting here giving me this information, but it is, seems to be pretty legit to me. Um, but I haven't done a ton of research on the theology behind Hasidic mystic Judaism. Um, Rabbi, Rabbi Schnur Shabbat, uh, Rabbi Schnur Zalman Shabbat movement. So it's the Shabbat. Hasidic Judaism is one movement within a much broader Hasidic world full of dynasties of Rees, which each of their own rich traditions in ways, and it's R-E-B-B-E-S, not rabbis, although it is not a widely studied, they're al always emphasized point has has Hasidism  Hasidism as part of their devotion. Generally see their rabbi as a Masonic figure. The word is loaded and makes people extremely uncomfortable. It may worth pausing briefly to explain that Hasidism is seen by,  um, the founding of the movement as a redemptive revelation of Torah, a movement whose original Geist is to raise the Jewish people from the spiritual and physical malaise of exile and return them to their deepest soul and identity, a holy nation. with God.  The more that holiness and redemptive soul is brought into the world, the more the time of the general redemption, the macronism of that inner redemption draws near. The rabbi is a Torah of flesh and blood, that general reality in state instantiated in a holy and saintly individual.  Uh, so much for the brief explanation. They said fast forward to the 20th century, the descendant of Rabbi Schnur Zalman, Rabbi Joseph Yitzhak of Lubavitch  survives imprisonment. and near execution by the KGB in the Nazi bombing of Warsaw, and after much deliberation, moves to New York City. Wow, that's wild. the known reasons for this choice are varied. Some are spiritual, New York becoming a center of influence on world Jewry.  Not sure that's a word. Um, and some are very pragmatic. The Jews of the U. S. are already monetarily feeding most of the Eastern Bloc Jewry.  Thus, the sixth Lubavitcher rabbi, Lubavitch is a tiny town in Belarus that has the home of the longest surviving branch of the Shabbat movement, um, comes to Brooklyn and moves into 770 Eastern Parkway in Crown Heights. The sixth rabbi passes away in 1950 and is succeeded by his son in law and distant cousin, Rabbi Menchem, Mendel Schneerson. In 1951, though he doesn't live in the building, 770 is where his office is located and remains the HQ of the Shabab movement.  Now you have to understand the Shabab movement in the U. S. in 1951 can practically fit into a single small room. It is a tiny poor immigrant community, remnants of a world for that the Nazis and Bolsheviks destroyed between them. They had nothing, no resources, no connections, barely any English, a tiny immigrant community in what was then a prestigious middle class Jewish neighborhood in Brooklyn. What they got in 1951, however, was capital L leadership. Not sure what that means.  The 7th Rebbi, henceforth the Rebbi, declares in his first official speech as Rebbi that this is the generation that will bring a final end to exile and usher in the messianic age. He declares this about a long room full of people.  He then sets about changing world Jewry.  Again, don't know if that's a word. Books could be written about the Rebbi and have been, but suffice to say the Rebbi creates from nothing a mass movement devoting to hunting down and love the Jews that Hitler hunted and hatred. I'm not going to read all of it. hunting down  in love, the Jews that hunter, that Hitler hunted in hatred with bringing Torah and mitzvoth, in love. The commandments to every single Jew. Shabbat centers, so it sounds like they're trying to just expand among all of the Jewish people. Shabbat centers with no central funding whatsoever, by the way, are opened all over the world. The rabbi pushes and pushes for a single Jew to perform a single commandment. He seeks to revive a broken and orphaned generation. He expands Shabbat and massive global movement.  All of this is just an atheist, know nothing  All of this is just what an atheist know nothing can appreciate about the Rebbe. He barely slept and was totally publicly devoted to other people for decades. Stories of Jews and non Jews meeting with him are countless, and always he emphases the imminent redemption and how to get there.  Okay, now it says we get to the sensitive part of the story, but I'm going to try to stick to simple public fact. The Rebbe's emphasis on, um, The Messiah grows greater and greater in his final years of leadership. The Rebbe passes away in 1994. The Rebbe's Hasidism very much believed, and believe, that if anyone in this generation was a candidate to become the final Redeemer according to Jewish law and tradition, it was and is the Lubavitcher Rebbe. However, following the Rebbe's passing, as the dust settles, there is a bit of a split.  Some hedonism fervently believe that spreading the awareness of the Rebbe as the Redeemer is a core part of bringing about the Redemption. They are the Masik, Mes, Mesh, Ikitism.  M E S H I C H I S T I M. Their flag is yellow and ubiquitous. The majority of Hasidism and ever growing consolidated core of Shabbat official organs believe that this is not the Rebbe's will. Okay. Um.  Now another issue, 770, the home and place, let's see if there's anything specific we want to get into here. Uh, now you know a lot about a certain subsection of Jewish culture that you probably never needed to know so much about. Um, another thing you should know is that even beyond the, by now, old distinction between, uh, the maschicatism  and the anti S, as they are known, Shabbat is highly decentralized and full of typical politics. Territorialism fights over money and all sorts of very human issues.  Okay,  uh, let's see what else.  Um, this person is very thorough in their study of this.  Um, and so, to the current contremps, you have a global, decentralized, massively successful organization that runs charities and synagogues and helps Jews with problems, physical and spiritual, all over the world  with an official HQ partially occupied by something like a street gang. Sounds like we missed that part, but I'm not going to go back for you. Um, and so, uh, This basically just says they're not above violence to claim their own turf. There's a big turf war between that split off between one subsection of this and the other subsection. In any case, this week, the actual ownership of 7770 called the cement trucks to repair this damage and stop the progress on the expansionism. Um  Interesting.  Uh, basically it says that as a result of this expansionism and taking over this territory, they wanted to, uh, start breaking into,  uh, the, the, so basically one portion of this subsection lives in the top floor and one portion lives on the bottom floor. And so, uh, you have a global decentralized, right? Like a streaking. This, uh, Fat Tim. have taken upon themselves in recent months unilaterally to expand 770. Their way was doing was starting to break into an adjoining basement. The main synagogue of 770 is in the basement and old decommissioned ritual bath. Or mitzvah.  770 is indeed, which a mikvah is basically where you're supposed to go bath, bathe yourselves. Women are supposed to go there before they have their period. Men are supposed to go there before and after they have sex. It's like a, it's like you cleanse yourself in this area. Um, 770 is, Uh, is indeed far too small for the massive number of people who wish to pray there, study there, or something that more and more Hasidism have been seeking a proper solution to for years. However, a bunch of teenagers breaking down walls in their free time, you be the judge. In any case, this week, the actual ownership of 770 called in the cement trucks to repair this damage and stop the progress on the expansion. Um, the Fatim responded territorially, the police became involved, and you have videos of Yeshiva students escaping arrest through sewer gates. I think that's most of the factual context. You're welcome.  Wow! Uh, okay. Super super interesting.  Uh, if you wish to read more about these topics, here are some good books. The Philosophy of Shabbat by Rabbi Nisan Mindel, The Rebbe's Army by Sue Fishcough, and Rebbe by Josef Tolskien. Hmmm.  Very interesting.  Uh, the broad interest in this story on Twitter and beyond is largely antisemitic with filth like this, uh, is a dime a dozen. Looks like something was, uh, deleted there. Um, interesting. Okay. So this makes much more sense to me and I think was probably. important to actually get into the details on, uh, then, uh, then  long term human trafficking under the streets of New York. Uh, so we have come to a conclusion and that is I vote. Not human trafficking. That is my, that is my conclusion here. I have debunked this, uh, maybe not completely, but it seems much more likely that that was the case, is that there's a bunch of territorial, uh, Jew fights going on and they're fighting over territory and expanding their territory and the landlord called on them and they were digging into the basement and now we see what we have. A little weird that there was a high chair.  There, so there's your competing threads, I guess, and one thread being these, uh, this Jewish sect is creating underground tunnels for human trafficking, the other one being this is a territory war between very  somewhat poor, um, and,  uh,  emotionally charged organizations for territory. Um, so that, that seems to make a lot more sense to me guys than, than underground human trafficking. Jewish rabbis.  I don't know. Um, but there is some articles out there of, of, you know, just as you can find for Christians and Catholics of wrongdoings, which if that's the, the  ruler that you measure everybody's affiliations by, then you can basically say that everybody is running a human trafficking organization then, I guess.  All right, so let's move on.  The last thing that we're going to talk about, and we're going to talk about this somewhat briefly, is the fact that, uh, and let me go ahead and actually just pull this article up, because I haven't been, I haven't had time to read through this completely yet, because this just happened. So, this is breaking news, is the fact that the United States and the UK coalition conducted a strike  on Houthi rebels. A joint strike, and So, as this article loads, we'll learn more and more, but I guess the, the, uh, the concern around this is that the reason that,  the concern around this is obviously that the Houthi rebels are backed by Iran. Right? So, this is, this comes from Fox News, and it says, hold  this over a little bit.  Alright, this comes from Fox News, where it says,  as it loaded and unloaded on me, um,  That the U. S. and U. K. coalition strike  Iran backed Houthi targets in Yemen after spat of ship attacks in the Red Sea. So you've been hearing this back and forth, right?  The drone strikes, and the aircraft carriers shooting down the drones, and all of this has been going on with these rebel militants that are backed by Iran. And so what I think is interesting is it's always Iran backed militants.  Is, is, are Ukraine, in every article by Russia, U. S. backed?  Ukrainian militants?  Do they? I'm sure they understand the proxy war just as much there as we do here, right? So if we're calling that every single thing, it's not it's not a war with Houthi rebels. It's a war with Iran. And that's what they're preempting for us. And that's that's what the priming that we're seeing here is before they put Houthi, they put Iran backed and that's for a reason. So Yemen's Iran backed Houthi militants have stepped up attacks or commercial on commercial vessels in the Red Sea and  It says the United States and Britain carried out a series of strikes on military organizations and locations belonging to Iran backed  Houthis in Yemen early Friday in response to militant groups ongoing attacks on vessels traveling through the Red Sea. Fox News is told that there were attacks on more than a dozen Houthi targets by air, surface, and subsurface platforms. The attacks were carried out with support from Australia, Netherlands, Iran and Canada, a U. S. defense official says the U. K. contributed aircraft.  President Biden said he'd authorize strikes in direct response to unprecedented  Houthi attacks against the International Maritime Vessels in the Red Sea, including the use of anti ship ballistic missiles for the very first time in history. These Houthi attacks, Biden said, have endangered U. S. personnel and its allies and have threatened freedom of navigation.  These targeted strikes are a clear message that the United States and our partners will not tolerate attacks on our personnel or allow hostile actors to imperil freedom of navigation in one of the world's most critical commercial routes. I would love to hear President Biden say imperil freedom of navigation together. That would be impressive.  I will not hesitate. He said to direct further measurements to protect our people.  And the free flow of international commerce as necessary.  The strikes came shortly after the White House called a lid on President Biden's engagements for the evening as he was not expected to discuss the matter publicly. It follows news that the Defense Secretary Lloyd Austin had not notified the President or other officials of his whereabouts for several days. Okay. A joint statement from the government

durée : 00:20:16 - L'invité d'un jour dans le monde - Une exposition de Mark Rothko (1903-1970) est toujours un événement. On n'avait pas vu les œuvres du peintre américain à Paris depuis 25 ans. Visite guidée avec la commissaire Suzanne Pagé.

durée : 00:41:40 - Le 18/20 · Un jour dans le monde - Une exposition de Mark Rothko (1903-1970) est toujours un événement. Cela faisait 25 ans qu'une telle rétrospective du peintre américain n'avait pas eu lieu en France. Visite guidée avec la commissaire Suzanne Pagé et plongée dans les couleurs et les maux de Mark Rothko.

durée : 00:41:40 - Le 18/20 · Un jour dans le monde - Une exposition de Mark Rothko (1903-1970) est toujours un événement. Cela faisait 25 ans qu'une telle rétrospective du peintre américain n'avait pas eu lieu en France. Visite guidée avec la commissaire Suzanne Pagé et plongée dans les couleurs et les maux de Mark Rothko.

durée : 00:32:01 - Talmudiques - par : Marc-Alain Ouaknin - .

In the mid-'90s, two high-end New York art galleries began selling one fake painting after another – works in the style of Jackson Pollock, Andy Warhol, Mark Rothko and others. It was the largest art fraud in modern U.S. history, totaling more than $80 million. Our first story looks at how it happened and why almost no one ever was punished by authorities.  Our second story revisits an investigation into a painting looted by the Nazis during World War II. More than half a century later, a journalist helped track it down through the Panama Papers. Support Reveal's journalism at Revealnews.org/donatenow Subscribe to our weekly newsletter to get the scoop on new episodes at Revealnews.org/newsletter Connect with us on Twitter, Facebook and Instagram

durée : 00:31:59 - Talmudiques - par : Marc-Alain Ouaknin - .

ART INTERVIEW lundi et jeudi à 14h. Le podcast qui dessine la scène picturale française. Julie Gabrielle Chaizemartin, Stéphane Dubreuil ou Christophe Billard rencontre un artiste ou un acteur du monde culturel. Cette semaine, Christophe rencontre Stéphane Lambert. Cette semaine, Christophe Billard s'entretient avec le romancier et essayiste Stéphane Lambert, fin connaisseur des deux peintres Nicolas de Staël et Mark Rothko, leur ayant consacré deux romans aux éditions Arléa en 2014 - Nicolas de Staël, Le Vertige et la foi et Mark Rothko, Rêver de ne pas être - ainsi qu'une récente monographie chez Gallimard et un documentaire sur Arte sur Nicolas de Staël. Cette mise en perspective de l'œuvre et du processus créatif des deux artistes est analysée en écho aux deux grandes expositions rétrospectives organisées en ce moment au musée d'art moderne de la ville de Paris sur Nicolas de Staël (jusqu'au 11 janvier 2024) et à la Fondation Louis Vuitton sur Mark Rothko (jusqu'au 2 avril 2024).  (c) Marie Lévi

As busy as composer Anna Clyne is this season — fulfilling commissions for new works and serving as a resident artist with the Helsinki Philharmonic Orchestra, BBC Philharmonic, and the Symphony Orchestra of Castilla y León — music accounts for a fraction of her artistic inspiration. That's because the Grammy-nominated British composer thrives on incorporating many creative disciplines outside of music into her work. Reviewing a roster of her recent engagements, you'll find critically acclaimed collaborations with visual artist Josh Dorman, filmmaker Jyll Bradley, and choreographers from London's Royal Ballet and the San Francisco Ballet. Clyne's immersive approach to music-making offers audiences new entry points for experiencing new music and understanding classical music's relationship to other branches of the arts. "Success for me is about reaching audiences," she says on the latest episode of the Classical Post podcast. "My role as a composer is to create something as beautiful as I can and to share that. When people come back with a piece that's been very moving for them, I feel I've been successful in sharing something with the world. That's a very humbling feeling." In this conversation, we discuss her ongoing partnership with the Orchestra of St. Luke's, how a Mark Rothko painting inspired her orchestral work Color Field, and the ways a lifelong love of literature is helping her to write an opera on the life of Emily Dickinson. Plus, Clyne discusses her wellness practices — from drawing and Japanese calligraphy to long walks with her adopted pup Penny — the joy of ending a long day with a Negroni, and her favorite place for classic steak frites in New York City. — ⁠⁠Classical Post⁠⁠® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by ⁠⁠Gold Sound Media⁠⁠® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

durée : 00:34:47 - France Culture va plus loin (l'Invité(e) des Matins) - par : Guillaume Erner - Mark Rothko et Nicolas de Staël sont actuellement à l'honneur à la Fondation Louis Vuitton et au Musée d'Art Moderne de Paris. Quels liens peut-on tisser entre les œuvres de ces deux peintres au cœur desquelles les formes et les couleurs s'articulent de manière singulière ? - invités : Annie Cohen-Solal Professeure émérite, commissaire d'exposition.; Stéphane Lambert Écrivain; Marie du Bouchet Coordinatrice du Comité Nicolas de Staël

For the 20th episode of "Reading the Art World," host Megan Fox Kelly speaks with Susan Davidson, author of “Robert Motherwell: Pure Painting,” published in August by Hatje Cantz.Susan's work is an in-depth study of the renowned Abstract Expressionist known as a deeply intellectual painter, brilliant theorist and articulate spokesman for the movement alongside Willem de Kooning, Mark Rothko and Jackson Pollock. The book accompanies the exhibition Susan curated of Motherwell's painting at the Modern Art Museum of Fort Worth this summer. From October 12th through January 14th, 2024, you can see the show in Vienna at the Bank Austria Kunstforum Wien. Contributing writers to “Robert Motherwell: Pure Painting” are Jennifer Cohen, Simon Kelly, Monica McTighe and Sarah Rich.As an art historian and curator, Susan Davidson is an authority in the fields of surrealism, abstract expressionism and pop art. In her previous role as senior curator at the Solomon R. Guggenheim Museum in New York, Susan oversaw the stewardship of the institution's collection, in addition to organizing notable exhibitions that include Jackson Pollock, Robert Motherwell, John Chamberlain, Jackson Pollock's Paintings on Paper and Peggy and Kiesler: The Collector and the Visionary.Previously, Susan was collections curator at The Menil Collection in Houston. She served as the curatorial advisor to Robert Rauschenberg and a board member to the Rauschenberg Foundation, and her numerous exhibitions and publications on Rauschenberg include exhibitions at the Peggy Guggenheim Collection in Venice, the 2016 retrospective at the Tate Modern in London and MoMA in New York, and with Walter Hopps, the definitive Robert Rauschenberg retrospective for the Guggenheim.Susan holds advanced degrees in art history from the Courtauld Institute London and George Washington University in Washington, DC."Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations. For more information, visit meganfoxkelly.com and subscribe to our new posts. Follow us on Instagram: @meganfoxkellyPurchase "Robert Motherwell: Pure Painting" at the Modern Art Museum of Fort Worth  and at Hatje CantzMusic composed by Bob Golden.

Merriam-Webster's Word of the Day for June 9, 2023 is: saturnine • SAT-er-nyne • adjective Saturnine is a literary word that typically describes people who are glum and grumpy, or things that suggest or express gloom. It can also mean “slow to act or change.” // A walk in the sunshine can improve your mood significantly, raising the spirits of even the most saturnine among us. See the entry > Examples: “The canvases that surround you at the Rothko Chapel here can at first seem merely dark. Entering the space after nightfall on Saturday, the interior dimly lit, I struggled to see much of anything in them at all. But even in that calm gloom, my eyes slowly acclimated to the 14 grandly saturnine paintings, made by Mark Rothko in the late 1960s. Shadowy rectangles began to emerge, floating over shadow.” — Zachary Woolfe, The New York Times, 21 Feb. 2022 Did you know? Saturnine is far—even astronomically far—from the cheeriest of words. It has a long history of describing the glum and grouchy among us, and comes ultimately from Sāturnus, name of the Roman god of agriculture, who was often depicted as a bent old man with a stern, sluggish, and sullen nature. Saturn, the ringed gas giant that is one of five planets visible to the naked eye, is of course the namesake of Sāturnus, and Saturn does indeed seem to dawdle; it requires over 29 of our Earth years to orbit the sun. The ancient Romans (like some astrologists today) believed those who are born when Saturn is rising in the sky may tend toward being a Gloomy Gus or Debbie Downer. We don't know A. A. Milne's take on the influence of Saturn, but his gloomy, cynical gray donkey Eeyore is famously saturnine, a fact Eeyore himself would surely stoically accept as true if it were pointed out to him.

Mark Rothko (1903-1970) was at the forefront of a generation of American artists who revolutionized the scene, right down to the way we understand the very essence of the artistic process. Even as he rejected both the label of Abstract Expressionism and even the idea that his paintings were technical masterpieces, he is nonetheless a “key protagonist” of the Abstract Expressionist movement and a fierce advocate for the artist's freedom of expression. Today's Image: Mark Rothko, ‘Untitled (Red over Dark Blue on Dark Gray)' (1961). Oil on canvas. Berkeley Art Museum, University of California. ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Patreon: https://www.patreon.com/matta_of_fact Instagram: @artofhistorypodcast TikTok: @artofhistorypod // @matta_of_fact Learn more about your ad choices. Visit megaphone.fm/adchoices