Podcasts about aldous huxley's brave new world

Jacob and Ryan wrap up their required reading dystopian themed novels with Aldous Huxley's Brave New World.

This podcast is about Soma. A fictional drug used within Aldous Huxley's "Brave New World."

In Episode 25 of the CounterVortex podcast, Bill Weinberg protests that he has now been deprived of phone and Internet access by Verizon for more than two months, and discusses the greater social implications of this dilemma. Donald Trump, who is a fascist by any reasonable definition, has now shut down the federal government and is threatening to declare a national emergency in order to build his border wall. Not only has lack of other net access at this critical moment forced Weinberg to use a cell phone in order to have any effectiveness as a writer and activist, but cellular technology is itself inherently abetting the descent into fascism. Not only does it create a totalizing propaganda environment, but it is degrading our attention spans, literacy and critical thinking skills. It also creates a totalizing surveillance environment that can ultimately be exploited by government as well as private interests. But we accept it in the name of "convenience" and the illusions of consumer "choice," and few even recognize technological "progress" (note: propaganda word) as something that needs to be resisted. This emerging dystopia combines the worst aspects of George Orwell's 1984 and Aldous Huxley's Brave New World: we are complicit in the extinguishing of our own freedom because we have been conditioned. Weinberg calls for practical action to slow (at least) the totalizing aspect of this dystopia: keeping alive space for the print world and the meat world, and demanding that Verizon and other service providers maintain landline infrastructure. Listen on SoundCloud, and support our podcast via Patreon. Erratum: The New York Assembly member who hosted the community meeting of irate Manhattan landline users is Deborah Glick, not "Carolyn" Glick. (Sorry, Deb.) Production by Chris Rywalt We are asking listeners to donate just $1 per episode via Patreon. A total of $30 per episode would cover our costs for engineering and producing. We are currently up to $13. https://www.patreon.com/countervortex New episodes will be produced every two weeks. We need your support.

No episódio número #04, Angélica Fontella, Eduardo Seabra, Lorenzo Aldé, Rodrigo Elias e Thalyta Mitsue se enveredam pelos corredores dos ministérios da Oceânia e se entorpecem com altas doses de Soma. O tema do mês é Utopias e Distopias. Partimos dos clássicos 1984 (1949) de George Orwell e Admirável mundo novo (1932) de Aldous Huxley para levantar a grande questão: Distopia é ficção? Pauta: Eduardo Seabra Edição: Eduardo Seabra Locução: L. C. Csekö Participações especiais: Lara Nogueira da Silva Leal (pós-doutoranda PAPD/FAPERJ do Programa de Pós-Graduação em Literatura, Cultura e Contemporaneidade da Pontifícia Universidade Católica do Rio de Janeiro (Puc-Rio) e autora de "A carta de marear de Cardoso Pires ou A viagem do escritor em busca de uma linguagem", Revista Semear, v.11, 2005 e coautora de "Don Gabriel de todas as primaveras" in O intelectual e o espaço público, Editora da UFMG, 2015). Renato Nunes Bittencourt (professor da Faculdade de Administração e Ciências Contábeis da Universidade Federal do Rio de Janeiro (UFRJ) e autor de Verdade, Informação e Esclarecimento Público na Comunicação Social, Mauad X, 2015 e de "George Orwell e o distópico futuro da humanidade perante o poder totalitário" in  Filosofia, Literatura e Cinema: intercessões, Liber Ars, 2011). Dicas: Branco Sai, Preto Fica (Adirley Queirós, 2014 - Filme) Brazil: O Filme (Terry Gilliam, 1985 - Filme) Delicatessen (Marc Caro, Jean-Pierre Jeunet, 1991 - Filme) O Demolidor (Marco Brambilla, 1993 - Filme) Eles Vivem (John Carpenter, 1988 - Filme) A Estrada (John Hillcoat, 2009 - Filme) Ex_Machina: Instinto Artificial (Alex Garland, 2014 - Filme) The Future (Leonard Cohen, 1992 - Música) Idiocracia (Mike Judge, 2006 - Filme) The Last Man on Earth (Will Forte, 2015-2018 - Série) The Office (Greg Daniels, Ricky Gervais, Stephen Merchant, 2005-2013 - Série) Senhor das Moscas (William Golding, 1954 - Livro) SciCast #232: Fim do Mundo! (29/12/2017 - Podcast) The Walking Dead (Telltale - Jogo) *Lista de filmes distópicos Referências ADMIRÁVEL mundo novo. Direção de Leslie Libman e Larry Williams. 1998. Filme para TV. BANDEIRA, Luiza. "Quais os fatos reais que inspiraram The Handmaid’s Tale"in Nexo, 28/11/2017: https://www.nexojornal.com.br/expresso/2017/11/28/Quais-os-fatos-reais-que-inspiraram-The-Handmaid%E2%80%99s-Tale. BAUMAN, Zygmunt. Living in utopia (palestra). 2005. Vídeo disponível em: https://digital.library.lse.ac.uk/objects/lse:vob876pub. Transcrição disponível em: https://www.respekt.cz/respekt-in-english/living-in-utopia. BRADBURY, Ray. Farenheit 451. São Paulo: Biblioteca Azul, 2012. BRAGG, Melvyn. Aldous Huxley's Brave New World. BBC-UK In Our Time, 09/04/2009. Podcast. (45 min.). Disponível em: https://www.bbc.co.uk/programmes/b00jn8bc.   BRAGG, Melvyn. Utopia. BBC-UK In Our Time, 09/04/2009. Podcast. (30 min.). Disponível em: https://www.bbc.co.uk/programmes/p005462n. BRAGG, Melvyn. Modernist Utopias. BBC-UK In Our Time, 09/04/2009. Podcast. (45 min.). Disponível em: https://www.bbc.co.uk/programmes/p003k9fz. COHEN, Leonard. The future (música). 1992. DANOWSKI, Déborah; CASTRO, Eduardo Viveiros de. Há mundo por vir? Ensaios sobre os medos e os fins. Florianópolis: Desterro, 2014. FONTENELLE, Isleide Arruda. O nome da marca: McDonald’s, fetichismo e cultura descartável. São Paulo: Boitempo, 2002. FROMM, Erich. Posfácio in ORWELL, George. 1984. Rio de Janeiro: Companhia das Letras, 2009. http://pesquisdemica.blogspot.com/2016/11/erich-fromm-sobre-1984-de-george-orwell.html. Continua em passadorama.com.

The CBS Radio Workshop was a dramatic radio anthology series that aired on CBS from January 27, 1956, until September 22, 1957.Subtitled “radio’s distinguished series to man’s imagination,” it was a revival of the earlier Columbia Experimental Laboratory (1931), Columbia Experimental Dramatic Laboratory (1932) and Columbia Workshop broadcasts by CBS from 1936 to 1943, and used some of the same writers and directors employed on the earlier series'. The CBS Radio Workshop was one of the last attempts to hold on to some of the listeners they had lost to television in the post-World War Two era. The premiere broadcast was a two-part adaptation of Aldous Huxley's Brave New World, which you will hear on this podcast, was introduced and narrated by Huxley. It took a unique approach to sound effects, as described in a Time(February 6, 1956) review that week

The CBS Radio Workshop was an anthology series that ran from January 27, 1956, until September 22, 1957. We will begin the 4 pack with the 2 part telling of Aldous Huxley's Brave New World, which is also narrated by Huxley. We hope you enjoy this week's 4 pack on Brando Classic Old Time Radio and encourage you to vote in next week's Poll.

This time we each have a list of Sci-Fi Fantasy books or book series Yet to be (Adequately) Adapted to the Big or Small Screen. Arthur C. Clarke’s Childhood's End, 2061 & 3001. Jim Butcher’s Dresden Files series. Philip Pullman's The Golden Compass series. Kurt Vonnegut's Cat's Cradle. Barry Sadler's Casca Series. Walter Miller's Canticle for Leibowitz series. Orson Scott Card’s Ender’s Game series. Peter V. Brett’s Demon Cycle series. Piers Anthony's Incarnations of Immortality series. Aldous Huxley's Brave New World. Jim Butcher’s Codex Alera series, Neal Stephenson's Cryptonomicon & Baroque Cycle series.

Holy Hell!! or something like that.....I've been somewhat absent via the Podcast for good reason....making some dinero's to pay for the boleros, brothers & sisters....we all must eat. Today's Podcast shall be titled "WE DON'T NEED NO STINKIN' PODCAST"...not so much as playing Mexican music but as a tip of the hat to Alfonso Bedoya who was trying to convince Fred C. Hobbs that he and his company were Federales....Alfonso was no actor but the mayor of the town that The Treasure of the Sierra Madre was being filmed in. Well we don't need no stinkin' radio station to bring you this Podcast....hear hear.Starting off in 45 rpm fashion with the Dusters on the ARC label from 1956 with "Sally Mae"....The Emperors from Harrisburg, Pa with "Karate" follows that sounding ALOT like Santana's "Everybody's Everything"...hmmmmm...George Harrison got sued for less...no? The Ugly Beats cover The Easybeats monster 45 "I'll Make You Happy", a promise that might be hard to keep. Finishing off the first set of music before grabbing the mic and stumbling through the forest known as diction is The Sven Hammond Soul with "Svoogaloo". The Magic Mushrooms from San Diego start off the second set with "I'm Gone" a 45 rpm on the Warner Brothers label from 1966....A classic 45 up next with Bubble Puppy's "Hot Smoke and Sassafrass"...Bubble Puppy got their name from Aldous Huxley's BRAVE NEW WORLD..it being a childrens game actually called "Centrifugal Bumble-Puppy" and the name of the song came from THE BEVERLY HILLBILLIES when one of the members misquoted Jed Clampett. Leslie Gore follows the Puppy with "No Matter What You Do"....we love Leslie here in DRR land. The Royal Hangman provide the perfect bed for your host to belly up to the mic and have at it. Herman's Hermits follow yours truely with "Ace King, Queen, Jack" off their last proper release [and a fine LP] BLAZE [1967]. One of my favorite 45's gets yet another spin, "Fortune Teller" as done by Tony Jackson & the Vibrations...smoking guitar lead by Viberator Ian Buisel, you betcha!! Antobal's Cubans bring the Pod back to earth via a 78rpm on the Brunswick label from 1932, "The Moon Over Cuba Was High [and so was I]". Willy DeVille with a sinister version of The Chambers Brothers "Time Has Come Today" finishes off another dubious round of DRR...Coming back after a pause for the cause is The Chambers Brothers with "Funky" a great 45 rpm [also on the LP NEW GENERATION] Duane Eddy plugs in and tears it up with "Rampage".... The Ambassadors via Reel Records [1962] with "I Wonder Why"...smoking girl group rocker!....Dossie Terry with "Thunderbird" gets a spin just because we think it's one of the great ones......Enjoy the Podcast and we'll be back next week hoping we can "really shake 'em down" as the Contours once stated...stay smooth.

The CBS Radio Workshop was an experimental dramatic radio anthology series that aired on CBS from January 27, 1956, until September 22, 1957. Subtitled âradioâs distinguished series to manâs imagination,â it was a revival of the earlier Columbia Workshop, broadcast by CBS from 1936 to 1947, and it used some of the same writers and directors employed on the earlier series. The premiere broadcast was a two-part adaptation of Aldous Huxley's Brave New World, introduced and narrated by Huxley. It took a unique approach to sound effects, as described in a review that week in Time (February 6, 1956): It took three radio sound men, a control-room engineer and five hours of hard work to create the sound that was heard for less than 30 seconds on the air. The sound consisted of a ticking metronome, tom-tom beats, bubbling water, air hose, cow moo, boing! (two types), oscillator, dripping water (two types) and three kinds of wine glasses clicking against each other. Judiciously blended and recorded on tape, the effect was still not quite right. Then the tape was played backward with a little echo added. That did it. The sound depicted the manufacturing of babies in the radio version of Aldous Huxley's Brave New World. Music for the series was composed by Jerry Goldsmith, Amerigo Moreno, Ray Noble and Leith Stevens. Other writers adapted to the series included Robert A. Heinlein, Sinclair Lewis, H. L. Mencken, Edgar Allan Poe, Frederik Pohl, James Thurber and Thomas Wolfe.